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dj poolboi is the moniker of Austin Texas' resident Adam Ansley. In 2017 Ansley started quietly releasing lo-fi house music as an artistic outlet on Youtube. Channelling his own struggles Ansley crafted a unique form of EDM – 'electronic depression music' creating emotional melodic songs mixing elation and nostalgia with melancholy.

Residing in the same vein as contemporaries Ross From Friends, DJ Boring, Mall Grab, Park Hye Jin and Dj Seinfeld while building on the experimental dance music of trailblazers such as Radiohead, Four Tet, Caribou and Jamie XX his music found its own niche and began to take flight online.

The new album on a limited 2LP crystal clear vinyl version!

RAWAX proudly welcomes Mr. Gari Romalis to the family!

Gari Romalis is at the forefront on the techno scene in Detroit, working with labels such as Tresor, Soma Records, Terrence Parker's Intangible label, Mike Banks' Happy Soul Records, Reggie Dokes' Psychostasia label and Cliff Thomas' D-Bass Records.

Gari has been djing for over 30 years and has played at Detroit's most infamous underground club, the "Music Institute", along with traveling overseas spinning at Tresor in Germany.

Gari has worked for Transmat Records as well as managing Detroit's famous Buy Rite Records. Gari is single handedly responsible for training and influencing some of Detroit's most famous DJ's and producers. Gari heads also the Butch Strange Group, LLC, which houses several labels under his direction. He's back in 2012 with 'The Last Man Satnding EP'.

Auf 'Third' hebt Jitwam seine Fähigkeiten als Beatmaker und Produzent auf ein neues Niveau, verschmilzt Live-Musik mit Samples und Edits, garniert sie mit Features von Melanie Charles und Akhtari und weckt Erinnerungen an die Suche nach Frieden im Chaos des täglichen Lebens. Inspiriert von seiner Zeit in NYC kombiniert Jitwam mit trunkener Unbekümmertheit Einflüsse aus Latin, Soul, Punk und einer Menge Disco zu einem einzigartigen, reichhaltigen Sound. Die 10 ansteckenden Songs aus moduliertem Gesang und traditioneller Instrumentierung vermengen sich mit dem Schwung von Soul-House und Jazz. Entsprechend erhält Jitwam Support von Gilles Peterson, Moodymann und Matthewdavid.

Wild Oats proudly presents the new EP from Kyle Hall entitled 'Equanimity'. This release marks the 10 year anniversary of Wild Oats and its only fitting that we celebrate with a release from the label boss himself. Along with the engineering treatment from 'Chicago's very own" (C.V.O.) deep house legend, Glenn Underground, "Equanimity" takes on a new foundational sound and assembly.

In the early 2000's, the Riverview mental hospital was closed down by the Government and the streets of Vancouver were filled with all that housed them.

One of these was a villain known only as Mr_Barcode, he was deemed mentally unfit to stand trial for his crimes and was incarcerated. In the mid 90's Mr_Barcode began a shadow mission to convert drum machines and standard MIDI hardware gear to use his patented sonic mind control chip.

He had created what was known as "Module 1" and was thwarted by CSIS and captured.

Once he was let loose Mr_Barcode began his experiment again, this time he found sympathizers in his cause- to brain wash the masses and for the machine to take over. Various labels enabled his mission, and thus gave way to the mind manipulation we see today on mankinds technology dependant lifestyle.
Believing his mission complete, Mr_Barcode interfaced with the machine by French kissing a plug socket in 2006, never to be seen until now.
These demos were sent, this time to bring anarchy, we love anarchy, bring on the Witching Hour.

Repress

2 Bit Crew is a producer duo from Denmark. The debut release on their own record label is an EP that contains two diverse tracks. They have one thing in common: It's house! This release is hand numbered and limited to 200 copies.

Repress
Pipa Records is back, with the second installment of B-Squit's now legendary EP series. After touring the world for the last two years, he finally returned to the studio. The pressure was high, so he hired some of the most famous ghost producers to create a worthy successor to the acclaimed first release. For some mysterious reason that did not work out at all, but did cost a fortune. So back to basics, he chopped up some old songs and gave birth to this beauty.

Support from the usual suspects of course, except RC7, because he only likes to break records. We love records, we don't break them, please don't do that...

Whiteloops 16

Early fans, nostalgic, lounge-chill-world or deep house lovers... this new compilation is made for you! Relive the history of the Buddha-Bar through the titles that create the birth of the Lounge & Chill, melodic house and ethnic house movement. Among them are many forgotten tracks. A magic and captivating selection mixed by Ravin

After a five year release hiatus, in 2018 Yura Khlop is putting out music under his SE62 alias again. "Jazzed EP" is the second release in the SAFT X series and the Kiev based producer has delivered a class record.

The A-side opening track; "Swing Tool" is built around more jazzed out samples than the other tracks. SE62 cleverly plays original notes together with a hazy sample that serves as the core element. "Jazzed EP" will be available through all specialized retailers in the autumn of 2018. On A2 we find "July". Again a very dance floor oriented record with taints of emotion. The very present chord and bassline dominate the tracks structure until at one point; a beautiful sample is introduced. Positive sounds for lovers of classic deep house.

The title track "Jazzed" is a signature piece of thumping deep house, using swinging MPC style drums and an evolving digital piano riff. This together with some submerged sounding sample shots, create a dance floor worthy ambiance. After "Jazzed", we find "Pitch Black", a sample-heavy jam that is based around a set of characteristic drums. A swinging chord and an infectious chord progression do the trick on this true dance floor record.

Gemini Wax Records is pleased to present Summer Sample 2022. Our sixth release has a collection of Deep house, Soulful house, Minimal tech and Lo-Fi house from across the globe: Adrien Calvet (FR), Mindbuster (IT), DJ Romain (US), Mr. Pepper (RU), So.young (RU), Arie Mando (NL). “2 Sides of House” – Gemini Wax Records. All tracks written and produced by Adrien Calvet, Mindbuster, DJ Romain, Mr. Pepper, So.young, Arie Mando Mastered by Rob Small Mastering (GB)

*Repress*

Phonica Records proudly welcomes the highly respected producer Dorisburg to their main label roster with a brilliant three track EP of expertly crafted Deep House and Techno.

Sweden’s Dorisburg (real name Alexander Burg) has been consistently creating some of the most carefully constructed dancefloor records over the past decade and his various releases for the likes of Aniara, Bossmusik and Northern Electronics are seemingly always in demand with DJs and listeners alike. His stunning debut album ‘Irrbloss’ on Hivern Discs sold out almost immediately upon release and still fetches high prices on the second-hand market. This is all to say nothing of his involvement in the critically acclaimed duo Genius Of Time with Nils Krogh (aka Arkajo).

While his productions can vary widely from upbeat and melodic to dark and foreboding, one thing is consistent in them all; atmosphere. This latest chapter in the Dorisburg story is no different, with ‘House Organ For The Lonely’ starting the EP off with a slow-building and ominous feel eventually pierced by a delicate synth line. It’s the little details that mark his productions apart, with tiny flourishes throughout imbuing the track with a layer upon layer of texture.

Next up is ‘Fumana Prophecy’, a dark, bubbling cauldron of fizzing and whirring electronics occasionally enveloped by dense pads of bass. Hi-hats ratchet up the intensity. Finally, ‘Rhythm Paint’ begins with more earthly and off-kilter percussion before a glistening digital arpeggio dances on top.

It’s yet another wonderful record from one of the most reliable producers out there.

Chtapodi is a brand-new label from London-based producer VRRS. It takes its name from a classic Greek grilled octopus dish - hence the artwork - and kicks off with the first new vinyl music from this artist in some seven years. These are straight-up party cuts with big character: opener 'Glowing' layers in plenty of iconic samples to a slamming house groove that goes high and higher through the sky. 'Look At Me' is more streamlined and warm, with subtle horn stabs and filtered vocals bringing a French touch feel to the smooth loops. It's a heady one but still has plenty of drive. Last of all is the EP highlight - 'Baby, Don't Worry' is another house cut heavy on the filters, with heart-aching vocal samples blurred amongst soft focus chords. It's dynamic, emotive and destined to get the floor loved up and vibing.

Improper Touch presents Yuji Kawasaki’s 12 inch debut !

Sown in Japan and schooled In New York, the beloved DJ treats us with 2 freaky tracks out of his post-pandemic studio experiments, taking us on a journey to undo some of the past subgenre-fication, with these beatless, ambient, electronic, and primitive gems. The A side sets the mood with its thumping pentatonic bass and FM synth stabs that continue to build up into a sonic mass, while the B side is sure to refresh the floor with its bold, arpeggio-based synth composition. And as with our previous releases, these are mixed with the intent of running it through classic, high-efficiency speakers often found in DIY parties (which means less mids, and more emphasis on highs).

The first full length album from renowned electronic dance artists Benoit & Sergio.

The next album announced from FourFour Records, the new label from Jonathan Galkin, co-founder of DFA Records.

Mixed by Beatriz Artola (Fleet Foxes, Adele, A$AP Rocky) and Mastered by Heba Kadry (Bjork, Ryuichi Sakamoto, Nicolas Jaar).

Benoit & Sergio have previously released music on DFA, Ghostly, Hot Creations & Soul Clap Records.

Man.... this record.... Man do I rate this record.... Its like you wake up after a night out at Paloma yeah.... And your memory is a bit foggy.... But you know you've danced the night away.... Like proper groovin.... And the lads might have seen, might have danced with you.... But that's not important... The important part was the energy.... The beautiful, beautiful energy.... You roll over.... You check your phone.... No notifications, no worries.. You walk downstairs and your mate Éanna is cooking up some bacon.... Upon further inspection he is making eggs too.... "Oi boyo spare a strip of bacon?"..... Éanna doesn't mind.... You've just scored yourself some bacon..... Great start to the day... You glance outside.... The sun is shining... Your little neighbour Johno is kicking a ball about..... Pure bliss.... This record is pure bliss.

Mint Condition continue their mission excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....

More wicked and masterful Tech-house runnings from the HD mob, originally released at the turn of the millenium on London's Eukahouse label the House Utensils EP is another essential entry into the genres canon. Chugging, bass heavy jammers with all the right swing in all the right places! Kitchen Spasm (Original) opens up proceedings, a creeping acidic roller with some sinister robotic voices telling us they 'don't care what you say, what you do'! Eerie synth pads and driving drums compliment the odd mood and drive this one into the early AM! Also featured is the garagey Lounge, a sweet and melodic cut that oozes that lovely techy soul and tuneful swagger that just lifts a dancefloor. This one sounds like it was made yesterday, it sounds 2020 as anything and will get spin from DJ's. If all that wasn't enough, there's a dope dub mix of Kitchen Spasm to finish the EP off. A killer 12" from start to finish from the masters of the game!

The Kitchen Utensil EP has been legitimately re-released with the full involvement of the Housey Doingz massive and was remastered by London's Curve Pusher from the original DAT's especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Clear Vinyl Repress.

Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!

Back in stock. Last copies.

Brooklyn NYC - 1990. Former Berklee college of music student Ed "The Red" Goltsman has already been locked away in the studio for the previous 5 years producing and playing on numerous underground Soul and Hip Hop records. His deep love of music and his involvement with these projects eventually led to him setting up his own venture. Inspired by encounters with NYC's dance music underground these sounds and experiences helped shaped his idea and sound into what would become one of the most popular, cult dance music labels that emerged from the city during those fertile years - Bottom Line Records.
During the label's life Ed The Red produced, mixed and played on almost all of the releases that came out on Bottom Line, alongside Nelson "Paradise" Roman and other artists such as Lenny Fontana, The Burrell Brothers and more, Ed crafted a deep, soulful, jazz infected Garage sound that resonated across dance-floors in NYC and New Jersey with the releases getting regular plays at the legendary clubs of the day by the biggest jocks.
Bottom Line were on a roll, achieving hit records and charting high while retaining underground credibility on the streets and in the clubs. A true independent label whose releases are undoubtedly a huge influence on hosts of contemporary producers and DJ's today, still sounding incredible in 2016 (and beyond!).
Across 3 discs, and with the assistance of Ed "The Red" we have a deep selection from the Bottom Line archives, carefully selected to represent the many numerous faces and sounds of the label. From the ethnic leaning deepness of Flow's "Another time", a big hit in both the UK's Balearic and House scenes to the robotic chug of O.D.C's "My mind is going", now quite a rare record to find due to it's scarcity, the selection celebrates the forgotten gems, club hits and rarities that this powerhouse of a label released. Each track on this compilation has been carefully remastered from Ed's personal DAT collection and sequenced for maximum club play. This is a 100% legit, licensed compilation, produced with the involvement and kind permission of Ed "The Red" Goltsman and the Bottom Line Records family.

Back in stock !

Code 718 aka iconic NYC DJ Danny Tenaglia dropped this 'E2-E4' riffing classic back in the mists of 1992. Manuel Göttsching's original track would have been a staple of NYC clubs back then and would have featured in the warm up sets of jocks like Tenaglia who favoured the longer, deeper sets as well as on the play-lists of institutional night-spots such as the Loft and the Garage. The track's influence on a whole era of DJ's and producers that followed is immeasurable and across 3 sublime mixes Tenaglia distills the magic of the original into something totally NYC and club-friendly without losing any of the Göttsching magic, even managing to sprinkle a little Grace Jones in the mix with her fabulous 'I floated on a cloud' vocal sample liberally applied. 'Equinox' takes us on a trip that is emotive, uplifting and warm. This is how House music is meant to sound, respectfully steeped in what preceded it yet moving forward in a fresh direction. Another example of how on the money Strictly Rhythm were in their early days, classic after classic rolled out of the labels' offices and us, the record buying legions, were / are better off for it! This one's a tasty 2017 reissue and remaster, featuring all 3 mixes, unedited, as per the original release way back when. Do not sleep.

After having two of his earlier tunes remodelled by Carl Craig and Mike Huckaby thanks to Sushitech, Detroit's Delano Smith re-emerges on the label with a double pack of tunes made with Brawther under the D&B Productions. That moniker has more to do with the pair's name rather than a suddenly conversion to drum & bass, although there's a love of dubby effects and deep bass power here that - at a stretch - could be said to be in common. The six tracks - Symbiosis' 1-6 - are smooth and simple, but executed with an ear (or four) for an irresistible groove, an economic but rhythmic keyboard stab and a knack for squeezing something nicely soulful from the barest ingredients. Nice work indeed.

Inc. Johannes Brecht Remix

Fur Coat drop second single from upcoming album with Johannes Brecht on remix duties…

Fur Coat return to Renaissance as the run-in to their eagerly anticipated second album ‘Polyphony’ really starts to pick-up a head of steam. To ensure the pistons are pumping and things are approaching maximum velocity, the Latin American duo deliberately picked one of the strongest tracks for their sophomore session, ‘Shades’ - available here on a full 12" side for optimum loudness and club play.

“Shades is one of Polyphony’s more defined dancefloor cuts,” explains Fur Coat’s Sergio, “it was a natural choice for it to be a single. The thing that really underlined the decision was Johannes though. We sent the entire album over to him and said, ‘take your pick’. When he immediately chose ‘Shades’ Israel and I were left with no doubt whatsoever.”

In its original guise the track is an exemplary slice of melodic techno; that happy marriage of opposites, where dark, brooding base meets a memorable, infectious top-line. It’s firmly in ‘hum it all the way home from the club after just one listen’ territory.

Johannes Brecht’s take is a remix in the very best sense of the word. He takes the top line by the scruff of the neck and transports into the very different, yet oh-so-now world of atmospheric
breaks.

It’s one of those rare interpretations that can sit as comfortably at an Ibizan sunset as one of its famed (yet to be re-opened) dancefloors at 4am.

All in all, this is an exceptional release from two of the most exceptional production talents at work
today.

Taking a step back from packed Yoshi Classics, we've decided to keep it simple with this one, Kings of Tomorrow's I Want You For Myself. This tune needs no introduction; it's a vocal powerhouse that had dancers singing along worldwide in the summer of 98. Now it returns with a remix from none other than Yoshitoshi label boss Sharam. His remix keeps the classic house spirit of the original alive, but has modernized it with a crushing bass line and Sharam's trademark, whooshing sound effects, with big builds and swell which gradually control's the energy of the song as Julie McKnight's giant vocals repeat those classic lines.
The original has been remastered by the renowned guys at RB mastering, giving it the depth and boost. You know when a song gets in your head and it won't let go Sometimes to the point of annoyance Well, that's what happened to me the first day I heard KOT's I Want You For Myself, except it never got annoying. It got better with time. It stayed sweet and powerful and inspiring — year after year after year. 18 years running I still consider it one of the best Yoshitoshi signings and a true house classic. So when we decided to take on this behemoth project of updating the Yoshitoshi Classics, as part of celebrating 20 years of releasing music that goes beyond categorization, I always knew which one I wanted to reinterpret. It was always Sandy Rivera & Jay Sinister Saelee's (Kings Of Tomorrow) I Want You (For Myself) featuring the mesmerizing vocals of Julie McKnight.
A seminal record that defined soulful house music for years to come, I hope I've done it justice 18 years later.
Sharam.

Yet another all killer no filler album from Omar S!

The debut release on Office Recordings is the first part of a series produced by label founder Baaz.
'In My Mind' is a subtle, shiny piece of jazzyfied house music with a steady rolling groove and dirty kickdrum. 'Glim' bangs the box with deep dubs and a sexy vigorous groove. The flip starts with two mind-bending downbeat cuts with a stumbling beat. Last but not least a slowburning remix of 'Way Out Citti' by Matthias Reiling (Session Victim, Giegling Recordings) and Björn Astrup who did a brilliant job twisting the original into a soulful homage to the slow side of house
music.

Physical Education is back with another signature offering. Four tracks, four peak-time cuts courtesy of ‘90s production veteran Bryan Zentz, under his seldom-seen pseudonym: Barada.

Originally released in 2001, futuristic house tones are top of the agenda. There’s a never-before-seen gem in here too, a track that Bryan made at the time but never put out. He found it amongst his collection of Digital Audio Tapes (DATs): now it sees the light of day for the very first time.

From the fast-paced swing of Roboporn to the acid-laced tones of Eye Contact, there’s plenty to get stuck into. Subdrama ratchets up the tempo further, as does The Crimson Boogie - Zentz’ previously forgotten treat.

First time on vinyl for this rare Scott Grooves cut
Originally recorded in 1996 and has only been given to a handful a deejays over the years.

We’re utterly excited to welcome again Scott Featherstone on OCD after his first outing on The Secret Sun under his moniker Beyond A Voice.

Scott’s spirit while making music is quite possibly the purest we’ve ever found until today: completely free in his approach to music, ingenuous and without prejudices, to our eyes he makes music like a kid discovers the world setting his productions free from any conformity. And he's a master in his craft.

We’re extremely grateful to have been able to dug through his DATS (some of which are 25 years old!) and to compile this EP that we feel encompasses the spirit of House Music in some of its most emblematic and varied facets.

We're back with our 3rd release in the vinyl only Various Artists series on House Cookin' Records!

4 amazing artists bringing their best work on our favorite format.
We got the talented Spanish producer Tête De La Course with a classic piano house vibe.

Poko Poko, an extra-ordinary Dutch groove-creator.

Etur Usheo from the German woods bringing that deep crisp.

And Italian trio Criss Korey & Vannelli Bros with a more minimalistic approach and some lush pianos.

Founded back in 1997, Trax Magazine is the pionneer of Electonic Music and soon became the referent for this movement. Please find the finest selection of three genres of the Club Culture with artists and tracks that forged these styles : House,Techno and Drum'n'Bass. From the origins in New Jersey to the most famous Clubs in Europe, listen to the House.
From Kerri Chandler to St Germain or Motor City Drum Ensemble

repress !

Bianca Binky only ever made a handful of records, the majority of which have long been forgotten by all but the most dedicated fans of late-‘80s European synth-pop and crossover house. ‘Tabu’, her final solo single from 1990, is different: a gorgeous, tactile chunk of piano-sporting Balearic house from the time when dancing under the stars at Amnesia was a rite of passage for clubbers from all over Europe, has undoubtedly stood the test of time. Something of a sought-after classic, with keen collectors willing to spend hundreds of Euros on an original 12” single, ‘Tabu’ remains a loved-up, life-affirming dance-floor gem.

It also happens to be a firm favourite of NuNorthern Soul founder Phil Cooper, who has gone to great lengths to produce a deluxe reissue of the hard-to-find Balearic anthem. Original producer Felix B Mangione, head of Blanco Y Negro Records, had long since lost the original master tapes, so Cooper flew from Ibiza to Barcelona to pick up one of the only mint copies still available, before forwarding high-quality digital transfers on to Robin Lee for remastering.

The results speak for themselves. The original mix, a breezy, sun-soaked fusion of synthesised marimba melodies, spine-tingling piano riffs, dreamy chords, Chicago-style TB-303 bass and Binky’s sensual spoken word vocals, naturally opens proceedings, and is joined on the A-side of the 12” by the original, alternative ‘House Mix’ - more club friendly version that beefs up the beats, emphasises the undulating bassline and offers occasional blasts of spacey synth.

This reissue edition also includes an exclusive, never-before-heard re-edit of the legendary ‘Caribbean Dub’ – first featured on the flip-side of the original release - from Manchester’s finest, Ruf Dug. Tough, effects-laden, bass-heavy and positively epic, Ruffy’s version is arguably the ultimate version of a piano-laden, TB-303 driven Balearic house classic: ten minutes of rising and falling, saucer-eyed dance-floor bliss that’s surely destined to be one of the most-played tracks of summer 2022.

25yrs after the emergence of Steve O'Sullivan's dub moniker, Lempuyang has the honour of presenting the first full length album of all-new material.

Over the span of 9 tracks, Steve takes us on a version excursion, exploring a mixture of dub rhythms alongside a healthy dose of wizardry to work the floor.

Also featuring collaborations from Hidden Sequence, Another Channel, and vocals from Prince Morella.

Strictly for connoisseurs & utterly essential!

"After the summer break we are proud to reveal the next record on Siamese. Shiffer, who surfaced on the first Siamese Anthology in 2017, is returning with a full EP, - Soul Masks'. Right after we received the first demos of this talented, in Basel, Switzerland born musician, we knew we have a story to tell. Far away from trends and expectations, Shiffer is creating unique dance music with a certain depth and warmth. Ever evolving this is the right moment to release this beautiful record, also featuring a great remix from The Drifter that was successfully tested on various grounds on the road. We know Mark for quite some time now and we remember talking to him about a possible appearance on the label right after we started. We are very happy to finally have him on board as we are supporters of his music and persona since a while." Adriatique

"Take a think back to the end of the night, past the two o'clock knock-off time and towards that steady flicker of synthetic lights that tell you to go home. There's a sunrise somewhere outside, creeping towards the horizon and providing the clarity of day. But for now, the bass deepens as Aiden Francis draws you into his folds: the night has a few more memories to be made and the dancefloor a collection of dedicated music lovers who are there to wring the last few moments from it.'

Weapons of Desire are back with the next instalment of raw percussion and the dirty bass lines that we have all grown to know and love. This time joint label owners Alex Handley and Toni Aslam are at the helm with Auto Sound City - A Collection Of Niceties Raw Jackin' business created from analogue boxes as old as they are. Four tracks that cut through the groove like butter. WOD007 is a milestone as it is the first double sided release. Time to put the needle on the record, nod your head and shuffle your feet to filth of the finest kind.

Frits Wentink returns to Clone Royal Oak, he and his double causing trouble on the dancefloor! 'Double Man', 'Friends' and 'Trouble Man'. Three cuts with a fresh take on the N.Y. house sound for 2020.

Tim ‘Nev’ Prezzano was born in June, 1969. A lifelong resident of New York, he studied Photography, Philosophy and American Art, before turning his attention to early computer language and music theory, and how it related to Human Psychology.

Nev was relatively unknown until a string of mysterious releases appeared on the UK based GPR, specialising in Techno and Electronic music from the early 90’s. They were 6 track mini-LPs; musical odysseys that had shades of early IDM, techno, electro and house. Nev’s musical philosophy was to extract the soul from the machines he worked with - he didn’t believe in artificial intelligence, but ‘software touched with life’. As quoted from a review on Discogs for one of Nev’s releases, ‘no amount of digital trickery can replace an artist with some synths, a sampler and a few good ideas’.

For Nev’s ‘Deep Beep’ EP, this observation is particularly accurate. Originally released in 1991 on the New York based label Metamerism, it came at a time when artists were experimenting with instruments and machines, blurring the lines between genre or style to get to the soul beneath their fingertips. The Frankenstein-esque nature of this sound can be heard across this sprawling 3 tracker, and the EP has garnered cult status online, with the few copies available reaching up to £100.

Sadly, Tim is no longer with us, following his passing in June 2018 from Type 1 diabetes.
For this release, we are donating the proceeds from sales to the JDRF, a charity researching and preventing the effects of Type 1 diabetes. We are grateful to give you this opportunity to enter the mysterious world of Tim ‘Nev’ Prezanno, all in good time.