House Vinyl New Releases - News

Repress

As internationally renowned DJ and producer, UK dance pioneer SASHA doesn't need much of an introduction - he's been busy revamping genre expectations since the late 80s and became famous through a plethora of musical endeavours, from residencies at legendary clubs such as The Hacienda, Shelley's and Renaissance to an era-defining DJ partnership with John Digweed in the 90s or his solo studio efforts that include remixes for The XX, Pet Shop Boys, Foals, GusGus, Madonna and countless other stars.

SASHA's peerless command of dance floor sensibilities is on full display with OUT OF TIME, his stunning debut entry to the Kompakt catalogue: it's a perfectly executed slice of prime time bliss, navigating emotional thrust and propulsive beats with the effortless style that is a hallmark of true champions in the field.

Refined with the stirring vocals of singer POLIÇA, the cut already shapes up to become a future favorite for ambitious playlists, serving sweaty clubbing realness with an opulent side of melodic sophistication.

Dutch selector PATRICE BÄUMEL totally gets it and rearranges the track as a suitably stomping, minimalistic banger - while keeping tabs on the emotional source code that it first came with. Together with a simple, yet effective instrumental verison of the original, it's an well-rounded package that will find its fans all across the electronic spectrum.

After learning her craft at an after-hours club in her hometown of Santiago de Chile, a pivotal move to Milan at the end of 2015 proved to be the ticket that would propel Paula Tape into the European club circuit. Six years later Paula has made a name for herself as a purveyor of eclectic selections, stomping Italo beats, percussive balearic excursions and synth-heavy rarities, both through her international DJ sets and shows on Worldwide FM and Milan’s Radio Raheem.

With two EPs under her belt via Alzaya & SOBO, collaborations with Project Pablo, Tornado Wallace & Elias Mazian to boot, and standout singles on Permanent Vacation, Ransom Note Records and Rhythm Section International’s highly regarded 2020 ‘SHOUTS’ compilation, we welcome the announcement of a knockout four-tracker from the Chilean producer on the same Peckham-based label. In the last 12 months she’s taken the Mixmag Lab & Boiler Room by storm, and with a slew of international tour dates and forthcoming releases lined up, 2021 looks set to be Paula’s year.

“When I started working on the Astroturismo EP I didn't know the music I was writing was going to shape into an EP. Finalizing the first track "Body Nature" helped me a lot to orientate the correct use of all the music I have been producing during the lockdown months and Rhythm Section team was constantly supporting me to make me feel free to explore musically without needing to stick to club music. "Body Nature embodies strong energies, in a very personal way: I noted down those silly lyrics and kept singing the melody in my head for days, in the end, that drove me to create a groove that would work and transfer the mood I was feeling. This track is about feeling relief with dancing, whether in a private moment like I did in those days or in a public space, few easy moves to trigger positive energy and improve your emotional state.” ~ Paula

After Scruscru’s iconic 5th black label release the Russian groove specialist is back presenting a solid six-tracker ranging from slow paced, cocktail sipping beach tunes to scruniversal, dance §oor-¦lling, Jazz infused compositions. A worthy successor to his previous release on Limited White Label the record releases just in time for the summer to bring peace and harmony from his studio to every spot with a deck!

Hot on the heels of our first ever vinyl release, Lisztomania Records is very happy to present LISZTWAX002, 'Dobro' LP by Iner.

Kicking off this 6-track plate is 'Vesna', a laid-back blend of deep house rhythms, trip-hop like riffs and sultry vocal samples: an afterhours classic in the making.

Following straight on from 'Vesna' and adding to the chilled atmosphere is 'Gudi Gudi', a unique and clever fusion of pianos, synths, subtly layered and twisted vocal samples, and lashings of sub bass.

Finishing off the A side is disco-house jam 'Uslada', which incorporates styles from around the world and roots then in place with a throbbing house beat and bassline: the perfect end to the A side, leaving you curious and ready for more on the B.

Heading things up on the flip is 'Vezhlivii Losos''. With a big build into an enigmatic and almost classic sounding house trip, 'Vezhlivii Losos'' is sure to whip the crowd into a frenzy.

Providing more of the same but with a contemporary sound, 'Svisloch' is a pounding, rhythmic deep house ride featuring a mesmerizing synth hook and a bassline to match.

Completing the disc is 'Fallstreak Hole', a hands-in-the-air house groove with an unforgettable synth loop, luscious vocal samples and a beat that won’t stop: the perfect end to an anthemic LP!

In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the third in a series of vinyl album samplers.

Sampler 3, another stunning gatefold, double 12 inch package sees Kerri place himself front and centre in six more of the best clubs the world has to offer. Setting up shop in the dancefloor meccas that are DC10, Industria, Basic Club, Sir Henrys, Club Qu and Barbarellas, Kerri bottles up the atmosphere, euphoria and vibe that each hallowed spot nurtures, in a way that only he knows how. Trademark precision, packed with soul and delivered with a weighty bottom end, this is Kerri Chandler of the highest order.

UK label Dawn State continue their hot streak this summer with further eclectic moods for the dance floor and beyond. On the tools for the fifth outing on the label is KIDWHO, a blossoming talent who through the last years whilst enduring the pandemic found light by burying himself in his studio experiencing new creative flows. The “Warez House” EP varies in tastes, similar to the highs and lows of the times that just passed us by.

Diving into the deep end is the title track, “Warez House”, loopy and hypnotic, swaying between shades of low end leaned house and techno. Off kilter synths and pads maneuver their way around the driving force of the track. “It came together layer by layer, eventually turning into a dense (and at times, unruly!) groove. A final touch
of atmospherics from an old Roland ROMpler and the track was done - bar a generous helping hand in mixdown from Joel Kane (who also turned out a heads-down dub version which might make an appearance!).”

Leaning in a more hazy direction is the blissful cruiser, “Leploop Lagoon”, a deep and emotive vibe crafted especially for the early mornings. A sophisticated deep house energy from the talented producer. “‘Leploop Lagoon’ is the oldest track on the EP, a cleaned-up version of a rough jam I made around four years back. It takes its name from the Leploop, a quirky semi-modular analogue groovebox of sorts, hand-built in Italy. A very unique and unpredictable machine, it’s on bass duties here as well as providing some percussion sounds via the MPC sampler.”

On the flip side lies “Spectral Pattern”, and it packs a certain punch. The rolling arrangement converses in harmony with icy hi-hats that flash in and out teasing the energy, all of the elements having space to breathe and work their magic.“‘Spectral Pattern’ came together quickly one very productive weekend in the studio last year. It developed from the bass sequence, which comes from a Yamaha TG-33, an unassuming 80s digital synth known for its glassy mix of ROM samples and FM tones - very New Age sounding, or 90s computer game soundtracks. But when you strip it back to basics, it punches hard in the low-end.”

Slipping on to the B side is a five minute transcendental trip, offering yet another series of textures to this otherworldly EP. The final track “At Least We Hav Music” is an ethereal soundscape waiting to be explored, wandering amongst ambient realms throughout. “The label was keen to include an ambient track on the release, and I wanted to record something specially for them. At first I had in mind something droning and melancholic, but after a few experiments with cassette
loops and reverb pedals this was the one that stood out. It was recorded during one of the lockdowns, and I guess I needed to create something that sounded more hopeful than brooding. I messaged DS boss Tom Haus with a rough version, and we went on to have a grumble about the gloomy state of things, locked-down in our respective cities and missing friends, family, activities… At some point I wrote ‘at least we have music’ - and almost as soon as I had sent it I knew I had found the track’s title. I’m very lucky to have had my home studio as a refuge through the long months of lockdown, and I’m honoured to have the chance share some of my output from this period on this record.”
KIDWHO fitting the Dawn State ethos to a tee here as they set up shop for what looks to be another fantastic release. “Each of these tracks came about in quite different ways. Like many creative people, I had moments of struggle during the pandemic, where the lack of variety and day-to-day stimulation lead to periods of writer’s block, and so I used those times to focus on smaller, more manageable projects such as making synth patches, recording sounds and and throwing together short loops in my samplers for later use. A number of
these short loops eventually laid the foundations for title track ‘Warez House’. Big thanks to Dawn State, Joel Kane, El Choop and everyone else who has helped make this happen.” -

KIDWHO

Underwater deepness from Levon Vincent on Novel Sound, 3 beats to the bar and 180g pressing

Repress
Mysterious artist again on BAL... vinyl only!

After a series of singles and an album (Sickla) Opolopo returns to Local Talk with a couple of tracks where he was given free choice to 'tweak' his personal favourites from the Local Talk vault.

On this vinyl release Opolopo has chosen to tweak tracks from Jamie 326 & Masalo, Soulphiction (RIP) and DirtyTwo.

As always with Opolopo the soul is ever-present but musically you'll find everything from deep house, disco, jazz-ish grooves and electronic house.
Together with Opolopo's trademark sound, additional production and arrangements these tracks are more remixes than reworks in our opinion...

Berlin native Nico Stojan returns to Crosstown Rebels, this time teaming up with Italian native Tooker. The two track EP entitled Frisbee is true to the label, taking the listener on a melodic journey perfectly set for the magical desert of Burning Man or the jungles of Tulum.

Nico & Tooker create this scene perfectly as the title track opens proceedings, captivating the listener from the off set with delicate 4 x 4 beat before waves of harmonious elements and melodic synths pick you up and take you on a journey, like a frisbee gliding through the air on a warm summer's day. Luna further emphasises the inspiration behind the production. The listener is taken on a metaphorical voyage through the cosmos, with futuristic, space-like melodies and finely placed percussions that twinkle in and out of the track giving a perfect accompaniment to the deeper, darker bass heavy beats at the core of the piece.

This may be their first release together but Frisbee signifies a deep connection between the two that could fool anyone into thinking they have been producing as a duo for some time. Nico is no stranger to Crosstown Rebels having had previous standout releases on the label such as Killing Your Lover and Belladonna. As the co - founder of Quie Records, together with Acid Pauli, the Berlin native has planned to produce more showcases and present his vision of modern dance music across the globe. This vision is embodied beautifully within this EP. Having recently embarked on a solo career, Italian Christopher Tooker is probably best known as one half of KMLN which has seen him playing exciting parties across the globe including; Wonderfruit, Meadows in the Mountains and Burning Man to name a few.

Coming in hot off the press for Picnic 002 is good friend of the party and Amsterdam resident Pelle. The Time Item label boss and close picnic affiliate delivers 2 classy cuts on the A side and a slick side project with studio partner Herra under their 'pH project' alias on the flip side. The EP glides through a mixture of breaks, electro and refurbished 90's tech house cultivating in an outburst of groove on the dance floor.

Another classic from the vault, this time with the deepness
vibes from the S-Man!

Apollo is a new concept project from me, spread across 3 EPs which throw back to the 90s melodic Techno and Progressive Trance sound. Although my roots are firmly in Breakbeat-Rave, I was also captivated by the big room sound of labels like R&S, Guerilla, Hard Hands and Sven Väth’s Harthouse from that same period of time. My studio is full of old equipment that fuelled that original European sound so I quickly found myself focussing on a bunch of tracks that are heavily influenced by some really special music that often gets forgotten." SC

Legendary NYC house label Strictly Rhythm is celebrating a mammoth 3 decades of cutting edge, roof-raising house music. Truly a benchmark.

Originally founded in 1989 by the dynamic pairing of music industry man Mark Finkelstein and A&R expert Gladys Pizarro, Strictly tapped directly into the fertile New York underground and after hours club scene, helping to launch and bolster the recording careers of dance music luminaries like Armand Van Helden, Roger Sanchez, Ultra Nate, Todd Terry, Wamdue Project, DJ Sneak, Louie Vega and many more. Strictly Rhythm is easily one of the most recognisable and respected dance music powerhouses of all time.

Across 3 limited double vinyl offerings, the Strictly catalogue has been expertly picked over to present you with a snapshot of some of the most earth shattering house music to emanate from the streets of New York City. A who's who of producers and artists, all killer and no filler. End to end classics that help to tell the story of one of dance music's most well loved labels. Classic cuts and essentials from DJ Sneak, Wamdue Project, Louie Vega (Sole Fusion), Essence and more all feature on part 2 in their unedited, 12" mix glory.

Fully legit, remastered and selected with love courtesy of Strictly Rhythm and Above Board distribution for 2020. Happy birthday Strictly Rhythm!

Here it is! The first fruits of labour from the new DABJ HQ studio space. Kenny Wasp and Dan Monox (DABJ) team up with Big Miz for four tracks of serial killin' dance floor bombs. The guys have been road testing them worldwide for the past year and it's now time to unleash them to all discerning music buyers. This is also the first release on the label that the DABJ guys have actually been involved in when it comes to writing the music, not bad going for 30 releases in!

Look out for more from DABJ over the next few months as the newly tweaked studio space grinds into action...

Our good friend Opolopo returns with a new GAMM EP of classy tweaks. This time with a homage to the Brazilian fusion sounds from the late 70's and early 80's.
A sound that he's always been a huge fan of.


On the A-side George Duke's cover of Milton's "Cravo E Canela" gets a lovely house bump, while on the B, Flora Purim's classic "Love Lock" (with G.Duke on keys) is tweaked into a melodic jazz-boogie number.

As always, Opolopo adds some of his own keyboard wizardries to make both tweaks just a little extra...tweaked!

Rising Sun comes swinging back to the FAUXPAS MUSIK Family. This Release is a Birthday Present fort he Label Owner Enning. The Beatless Track is s dedicated to a good old friend „Ann“. The other Side comes with a -The Ambientist- Remix of Help Me Love. Soo moody. This EP is a Vinyl only Release. Vinyl tastes better ...

"This Will Be Mine" pt. 2 - 30th anniversary re-issue. Produced by Todd Terry and released by Freeze Records in early 90's. Club music from one of house musics true originators.

A new classic resumed and remastered by FRL Classic Edition.

Recordstore & Electronic Music Label from Neapolitan underground scene.

Hervorragendes Album eines fantastischen joint venture Teams: Inkswel aus Australien und Colonel Red aus Birmingham machen unbeschwerten Hip Hop-beeinflussten Downbeat mit Soul. Perfekt balancieren sie fette Beats, gute Melodien, geradeaus Messages mit geräuschvollen Unter- oder Obertönen.

Beide haben eine beeindruckende Vita mit tollen Produktionen. Colonel Red kennt man von einigen West London Produktionen (Bugz In The Attic) und cutting edge Songwriting für Teddy Pendergrass, Amp Fiddler, Maurice White, Tony Allen u.a.
Inkswel ist nicht nur durch seine Arbeiten für Talib Kweli, Lee Scratch Perry, Andrew Ashong, Dwight Trible, Amp Fiddler u.v.m. bekannt.

Checkt das Video zu “Make Me Crazy” und auch die grandiosen Remixe von Moodymann, Potatohead People, Moodorama.
Das Cover wurde von Our Machine aus Holland gestaltet, die viel für Kindred Spirit, Tom Trago, Versatile, Build An Arc et cetera designed haben.

Repress
DaM-FunK brings his Architecture Trilogy on Saft to a close with a fantastic final EP. The series started in 2016, included the second volume in 2018, and now wraps up with a double 12" packed with heat from the legendary Californian beatmaker.

DaM-FunK has been in a class of one since first emerging in 2008. He's a definitive Stones Throw Records artist, musician and vocalist, boss of GlydeZone Recordings, a sometime Snoop Dogg collaborator and prolific producer of tens of EPs, 14 albums and a timeless entry to the DJ-kicks series. What he doesn't know about boogie, g-funk and synth-pop isn't worth knowing, and this final Architecture EP is another doozy.

The gorgeous 'Grow' immediately sinks you into a hazy house vibe. Lo-fi beats and farsighted chords melt your heart and lock you in a gentle groove. 'Night Kruise' lays down a classic DaM-FunK bassline then builds it up with melancholic keys and lowslung funk that is simply irresistible, then 'Think' ups the pace with a punchy but still deep house groove, heat-damaged chords and a clipped bass phrase that makes you move.

The seductive sounds continue through the balmy 'Feel' in which you can almost see palm trees and burnt orange Cali skies as the low riding groove skates along in lovably low key fashion. 'Sun Gospel' is a perfectly rough edge MPC workout with busy keys, scruffy kicks and bright boogie all jostling for your attention, and 'Shine' closes with a prickly boom-bap, knotted bassline and epic prog-guitar riffs that ring out into a latenight sky.

Architecture III is another heart aching, humid and feel-good house EP from the one and only DaM-FunK.

Bernard Badie has been a staple in the Chicago House scene for over a Generation. He has released on labels such as Cyclo, Cajual, Nightclub & Distance.

Crazy For Your Love (featuring vocalist Mufan) is his latest. If you're into the 90's sound of the Windy City, this one is definitely for you. Written by Badie and House Legend Dajae, & features 3 different mixes that are equally as good.
A Time To Dance takes a deeper path, but compliments the title
track very well.

MoBlack Records are proud to present the third edition of their successful "MoBlack Gold" series.
All Killer, no filler!

After the resounding success of Vol.1, Needs return for a second instalment of their eco vinyl campaign in collaboration with Green Vinyl records in Holland.

Needs continue their journey into the future of vinyl production, partnering with Green Vinyl Records in Holland to produce a 100% recyclable record which now uses 90% less energy cost compared to traditional vinyl production methods. This revolutionary chapter in vinyl history features the production skills of Maara, Priori, Rudolf C & HearThug.

For Needs 010 we welcome yet another all-star lineup of producers from around the world across vinyl and digital formats. Featuring trancey techno from Montreal’s rising star Maara; chuggy, percussive, mysticism from Priori; sultry minimal grooves from Berlin based Rudolf C, and a constantly evolving spacey acid banger from Tunisia’s leading light HearThug.

Trace the roots of house music in the UK and you’ll find Pete Heller and Terry Farley at its source. Their productions are steeped in the sights and sounds of their experiences at the most influential nightclub moments of the last 25 years. ‘Ultra Flava’ is a stand-out production from their illustrious catalogue; originally a nod to their acclaimed remix of Ultra Naté’s ‘How Long’, the record was propelled into clubbers consciousness and has remained there for over two decades. Now Defected release a special 12” package featuring four interpretations for 2020 dancefloors. Opening the A-Side, Spanish maestro David Penn laces his signature melodic keys and euphoric builds for a killer, sunshine-filled vibe. Up next, Heller & Farley’s 2016 Version storms through, with hypnotic cow bells and trippy synths diversifying the original. On the flip, Moxy Music boss and Ibiza kingpin Darius Syrossian delivers his club-ready remix, with an atmospheric, dream-like opening and punchy, adrenaline-fuelled drops. Closing out the release, UK house heavyweight and Defected resident Low Steppa delivers his storming, high-energy mix, produced alongside Swedish DJ Johan S. There is no questioning ‘Ultra Flava’ and its standing as a classic record, but these new mixes are sure to secure its legacy and introduce this house essential to brand new audiences.

From his longtime association with Osunlade’s Yoruba Records imprint, Melbourne DJ/producer Mike Steva now delivers a quintessential cut of his own organic rhythms for Innervisions with The Sound Of The Sun EP.

Draped in timeless sounds throughout, the EP opens with the unmistakable birdsong of the early hours atop a deep, chugging rhythm. The hypnotic minimalism of “Dawn Of A New Day” is sustained with floating key chords, before an unexpected turn at the halfway point blooms into thrumming synths, handclaps and murmurs. “The Sound Of The Sun” captures and keeps rich golden beams, guiding them to refract and resonate against glassy percussion and an urgent tech-infused beat. Distorted acoustic notes are stretched and warped, adding noirish desert tones in contrast to rising fever-pitch cymbals.

“Time Of Light” then charges into view, raising the heat with peaktime energy as insect sounds are looped and transformed into a pulsing accompaniment. Bringing things to a steamy conclusion, “Baba Himalaya” borrows from tribal traditions to pay tribute to cross-cultural sounds, pulled forward by sweeping vocal solos and harmonic choruses.

Following the success of their 'Earl' EP on Switzerland's Hive Records, Berlin-based House staple Oliver $ reunites with Swiss Jazz House aficionado Jimi Jules to bring their anticipated debut release on Defected. 'Pushing On' opens with an infectious percussive medley composed of tropical triangles and melodious 808-like cowbells. With the gradual introduction of the moody, Frankie Knuckles inspired, bass line and tailing piano chords, the track slowly transforms into an energetic homage to classic Chicago House. Quick to take centre stage the track also features dusky vocal samples from Quantic Soul Orchestra, merging effortlessly with the wispy cymbal crashes, the song's title and central lyrical theme, 'Pushing On', falls and confidently rises to drive the track to its spirited climax. And for those who don't want the vocals there's a dub thrown in for good measure. Already household names in their home countries, 'Pushing On' is sure set to solidify Oliver $ and Jimi Jules as international House providers.

Chad Pulley makes his first solo appearance on John Beltran's All Good Music label, although keener eyed spotters will know that Pulley and Beltran previously collaborated on a track under the Bel-Pull Productions moniker. He steps up to the task ably, slipping into All Good style comfortably with the calm and melodic, gracefully coasting techno of 'Through My Eyes', before the flip side reveals the wistful 'Mesmerizing Blue', where pianos and synths call and respond over exotic rhythms. 'Sticks' completes the set, slightly harder and funkier than its two predecessors but again with an emphasis on musicality, off kilter danceability and originality. On this showing, a name to watch.

Childhood returns with another mind blowing 4 tracker 12" by Mr. G! This record continues to elaborate on the rather obscure path that G already explored with last years album The Forced Force is not the True Force, yet focuses a bit more on the magic of the dance floor. Ranging from hypnotic patterns over house grooves to fast forward techno funk: this record clearly shows again that Mr. G always manages to keep his distinct signature sound we all love him for, even while advancing into unknown territory. Another magical ride, delivered by yours truly, the Childhood team.

(Anil Aras, Kepler, Thoma Bulwer & Anna Wall, & Laidlaw mixes)

For a few years a while ago, Robert James was one of the hottest names in house. He ushered in the post-minimal era with colourful, accessible sounds that brought some much needed life and charm back to the scene. After disappearing for a time he returned with his debut album in May and now some of it gets some top remixes. Slapfunk's Anil Aras pumps a nice cosmic house vibe, Kepler does his tight, high tempo work and Thoma Bulwer & Anna Wall combine their skills once more on a clipped, punchy tech house version of 'Planet 90.' Laidlaw lays out some electronic drum funk with a fine version of 'Infinity' to close.

GLBDOM is back with a second vinyl release as good as its first. This one pulls totters six super sweet racks from various artists who all share a subtly old-school vibe. The house they make comes with lovely retro-future feels and hints of 80s and early 90 magic. Jeff The Fool kicks off with timeless deep house and seductive French spoken words. The irresistible grooves come thick and fast from there with Scruscru & BR Selecta dropping in some kinetic 2step grooves, and dusty old and breakbeat sounds from FRR FONK come doused in synths soul. A trio of various jacking, smooth and soulful cuts see out the reverse.

Paris-based producer and CEO of emotional breakbeat Adam BFD joins the Shall Not Fade family with six emotive tracks, all driven by cinematic ambience.

The past two years have been non-stop for Adam BFD. This release represents his fourth full-length EP of the year, with previous ones finding a home on Lobster Theremin. He's proven himself as a true storyteller, creating music which through melody reveals at once a level of introspection and an outward-facing expression of emotion that will resonate with almost any listener. Innervisions is no different, constituting what might be his most candid record yet.

Made over the course of lockdown, Adam's contemplative mood shines through on the record's A-side. The first two tracks capture breaks at their most meditative potential with a lofi quality and a long, pad-driven interlude ("I've Been Waiting") and assertive kickdrums that punch beneath a wistful melody ("Sonar"). "What's Next" is the EP's only ambient track which cruises along pulseless via a metallic earworm melody that glistens on an iridescent surface. With reverberating claps, a warm bassline and subaquatic synths, the title track opens a door to hope: a sentiment which will stick around on the record's B-side, as is demonstrated by "M1 & 1". Although, it is left up to the listener whether this melody speaks more to feelings of ease of melancholy. On the closing track "In My Feels", however, there is nothing left to debate. An immersive soundscape leaves things on a triumphant note.

"When not overseeing A&R and label operations for Isle Of Jura, label boss Kevin Griffiths makes time for music creation in his garden studio in Moana, a sleepy suburb of Adelaide in South Australia. It’s an idyllic location surrounded by palm trees and tropical birdlife and an inspiring spot to fire up the machines, typically with the studio door left wide open to soak up the soundtrack provided by mother nature. The LP was recorded in the midst of the pandemic with no gig distractions and the sessions were heavily influenced by this backdrop of tropical birdsong, field recordings of which made it into most of the tracks. The album traverses Deep house, Nu-disco, Balearica and Ambient along with some leftfield samples and a sprinkling of Dub throughout. "

Seven Davis Jr.'s rougher Mix aus (dirty) Chicago House, R&B, Detroit und P-Funk begeisterte bereits auf seinem Debütalbum "Universes", welches im Mai diesen Jahres erschienen ist. Nun gibt es zwei Tracks aus dem Album in brandneuen Reworks von den House Music Titanen Karizma und Osunlade alias Yoruba Soul! Tipp!

The Debut Release On Mule Musiq By Italian Dj&producer Toto Chiavetta. I Have Keep On Checking His Releases Since His Release 'become One' On Osunlade's Yoruba Records, It's Still My Fav Track To Play. Toto Has Been Releasing Eclectic House Music From Mighty Innervisions And Yoruba Records In The Last Few Years. Magnus Ep Start From Floor Killer Tropical Tech House Track 'higher Than A Bird',it Will Be Instant Summer Anthem. On B Side,'magnus'&'first Day Without Her' Is More Dark Techno For Big Room But We Still Can Hear Some Musical Elements.

LeSale is back with the Synchronized EP, which marks his fifth solo EP on Luv Shack Records.

The title track is LeSale´s first foray into boogie-funk, featuring lyrics and vocals by Kathy Diamond, one of the great voices of the early nu-disco era and former singer of the duo KDMS, as well as tape mixing by vienna based studio wizard Sam Irl. "Synchronized" comes in 4 versions; the classic vocal mix featuring the full vocals by Kathy Diamond, the instrumental mix which is stripped of the vocals entirely, the extended dub mix, featuring arrangement and additional overdubs by Sam Irl, concentrating on the bare,funky essence of the track and finally a special remix by Ooft!.

The Ooft! remix lays a club foundation for "Synchronized", taking it to proto house territory with a sparse use of original vocals and additional drums, synth leads and pads.

As a bonus original track, we get "Superfluid", an upbeat elektro-funk journey with the right amount of

For this twelfth release, Daydream is very happy to welcome two new talents in the family – Lorik and Rupert Ellis – alongside two historical members – MJOG and Stevn.aint.leavn. Four top producers who deliver a punchy and groovy various filled with micro vibe and dreamy sounds.