Pressed on 180G heavyweight vinyl and packed into manila sleeves.
Fans of the first Voyage sampler will be familiar with the sound of Harvey Sutherland and his ability to make synths sing. For those who aren't, you're welcomed with opened arms to experience the joy of Harvey Sutherland through his new EP "Brothers". An exploration in all things that make Harvey Sutherland the wizard he is, "Brothers" blurs the atmospheres surrounding boogie, house, jazz and funk. An outer space voyage for your mind, body and soul.
Early support from Session Victim, San Soda, Max Graef and Glenn Astro.
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Implosive Incorporated. Three guys with a crush for old gear and demandingly moving vocals exploring the deepest depths of US House. Three years of sampling, jamming and having a god time in the studio. The result: A box full of tracks is waiting to be released. This is our first life sign, this is the birth of Implosive INC.
Since its conception three years ago, the Hamburg based label hafendisko has been patiently building its reputation with a diverse and varied artist roster. Alongside releases from emerging talent such as Deo & Z-Man and Brynjolfor, it forms parent label hfn music's outlet for club oriented music whether with full releases or remixes for artists such as Kasper Bjørke and Faded Ranger and just recently welcomed renowned remixers such as Michael Mayer, Charles Webster and Luke Solomon, to name a few. Now with the release of Nummer Eins, Hafendisko is taking the next step in its evolution, serving up the best of past and present releases together with a string of exclusive cuts that signal an undeniably bright future. It's machine music with real heart and soul as, time and again, the tracks locate that elusive sweet spot that unifies mind and body. The opening act replicates this highly collectable four track vinyl EP that precedes the digital release: Snacks' ‚Easy' provides an aptly titled intro, with sweet melodies, warm synth swells and looping vocal hooks evolving over a low slung, funk inflected groove. 'Purdie', the duo's debut last September instantly became a huge underground hit, while they are currently working on their debut album. Unkwon is Anders Dixon from Copenhagen and people will stop asking if it's a typo soon. Just off his stunning remix for Trentemøller's Deceive he takes it underground with the stuttering beats and melancholy phase of ‚Everything', building a cavernous yet claustrophobic soundscape that's designed to make your eyeballs sweat, before Ewan Pearson's NRG instrumental of Kasper Bjørke's ‚Apart' goes into dance floor overdrive, upping the ante again. Both the Michael Mayer and the Ewan Pearson mixes of Bjørke's final single off his newest album stirred a buzz.
RECORD STORE DAY 2016 RULES APPLY
Dance Mania Records releases for Record Store Day, Len Faki's edit of Parris Mitchell's 'Rubber Jazz Band', unreleased on vinyl until now!
The classic track "Rubber Jazz Band" is from Parris Mitchell's 1994 Life In The Underground double 12", with an even raunchier sound then before.
Also, featured on the B. side is a rare hard to find track, "Computer". Get your copy while they last... This 2 track 12" is limited edition.
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Label devoted to old school house music. Every release will have an original version and one or more remixes coming from the artists that made our life worth living in the last 30 years. House music is our religion. We are not interested in hype. We are not interested in becoming famous. We are not interested in djing worldwide. There won't be any repress since we are not interested in making money. We'll release music for personal pleasure only if it' ll satisfy our minimum quality standard. Finally, we won't release any digital download, 'cause we didn't grow-up listening to music that we couldn't touch.
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Crab Cake Records AND Turntable Training Wax present: Ice Cold Cutz! Crab Cake Records teams up with TTW, bringing you a deep cut non skip 7" DJ scratch tool. Straight up ozone protective skipless loops. Weighing in at 40 gms.
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A true techno auteur, Mathew Jonson earlier this year released his second solo album, 'Her Blurry Pictures' on Crosstown Rebels, encompassing a new evolution in his rhythmically complex and timeless approach over eight fluid and rich composition. Now soon to drop is a package of unmissable 'Blurry Remixes' featuring a trio of first class reworks by Dixon¨ Tale Of Us and Akufen
Innervisions boss and Berlin luminary Dixon turns in a storming reimagining of the atmospheric, electronic matrix of 'Level 7' where straight talking techno does the driving as layers build, get stripped back then steered onto a more melodic path underpinned by a rumbling deep bassline.
Next up, the unstoppable duo Tale Of Us transport one of the more playful 'Blurry' cuts 'Kissing Your Eyes' into a brooding dubby sound bed of live sounding drums combined with rippling echoing synth melodies. Berlin based Carmine and Matteo aka Tale Of Us, first rose to prominence on the Visionquest imprint in 2011 and have since released on Life And Death and M_nus.
Glitchy tech meets raw rolling drum beats in Akufen's 'Body In Motion' remix. As hypnotic, as you would expect from the Canadian mastermind, Akufen lures you into a trance and keeps you guessing, progressing from dextrous minimal textures to full on fluid jazzy piano interpretations.
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Long before poetry slams were thrust into the spotlight, Philadelphia's Ursula Rucker defined her own bitter-sweet lyrical style, which addressed topics such as slavery, love, sexism and politics, positioning itself somewhere between spoken verse and sung speech - Spoken Soul, JazzHop, Poetry.
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Banoffee Pies present their second release following the cosmic disco-infused debut of BP01. This VA hosts two talented Stockholm-born artists featuring Alan Deelius and Adam Stromstedt, label owner of Lyssna Records.
BP02 offers a diverse 5 track selection for the DJs and listeners alike. Eclectic music with a House and Techno A side and an intriguing down tempo breakbeat Hip-Hop approach on the flip.
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Shir Khan Presents Black Jukebox 28 featuring legendary producer Arthur Baker. Highly limited as usual. First come - first serve.
Arthur and Laz met at MURKs famed Monday residency at Coyo Tacos Wynnwood Miami where Casanova is a resident and Baker a guest resident. Baker was inspired by the music that Laz and the MURK boys played with collaborations with MURK on the tracks “MIAMI” and “COYO” following. Laz and ABs first joint collab is the eps opener “MAKOSSA”. It started off from a few 80s loops out of Bakers vast catalogue, with Casanova whipping them in shape. It’s been battle tested over the last few years and finely tuned to Bomb like results. “CALE!” features the vocal and production skills of MURKs legendary Oscar. He added the hook and a few nudges in a late night session at Casanova little Havana studio. There’s an original mix and the stripped down drum and vocal take.
“BTS HAPPINESS” started its life as a loop from a Baker cassette rough mix circa 78. It reminded him of an old Booker T and the MG groove, this the name. He brought his old friend (& ex wife) Tina b ( of Rockers Revenge, Tripping on Sunshine and Jazzy Sensation fame amongst others) to do some disco vocalizing. Casanova added the tight final mix.
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RNT savors the last bit of summer with a deep-n-sexy offering from Nebraska on the 'Usin' Me" single, out now on the Razor-N-Tape Reserve imprint. Londoner Ali Gibbs tweaks a soulful sample with signature finesse; part disco, part house...all vibes!
Aided and abetted by an electro-funk 808-heavy remix from Lovebirds, a dark and stormy take by The Revenge, and a standout slow-burning mix from DJ Nature, we can say for certain you'll be "Usin'" this record, indeed.
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The latest release on microcastle welcomes Brian Cid back to the label for a brand new EP. The US artist last appeared on the Canadian imprint a year ago with his well received 'Belles Du Shaman' EP. Three diverse and uniquely organic productions along with a remix from Eagles & Butterflies saw the release reach #1 in Beatport's Electronica and Progressive House charts, while placing #4 in their overall Top 100. A subsequent release on Manjumasi, along with a stunning EP on his Endangered imprint saw Brian's music played and supported by Adriatique, Tale Of Us, Lee Burridge, John Digweed, Henry Saiz, Guy J, Hernan Cattaneo and Joris Voorn. His Theory Of Light project with Holmar Filipsson from Thugfucker debuted with two remixes for Cityfox while a solo EP is due on the label later this year. Now making his much anticipated return to microcastle Brian presents his three track artist showcase 'Pluto', alongside a remix from Marvin & Guy.
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What Unit 2, the classic Mad Mike production for the seminal Detroit house label Happy Records (a subdivision to Underground Resistance, distributed by Submerge) remixed some decades later Blasphemy, you might cry, a sacrilege, others might say, Discogs police sirens everywhere. Whatever the verdict, approved and sanctioned by the copyright holder himself, here it comes again and again. Begotten during a KiNK live set, successfully identified by the Running Back CEO, extracted and road tested as a phantasmal endorphin-producing staple in his DJ sets, later released as a limited, stamped white label and now properly issued by popular demand. People whose life is not a big room or a rave in a car park, will find a tamer, but nonetheless heartfelt remix by Rome's dynamic duo Tiger & Woods on the flip. Deep doesn't always rhyme with sleep.
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Ander B's music is increasingly abstract, profound and packed with rhythmic trances.
The sounds he creates are based on classic house, which he melds with thick layers of Detroit and Chicago House. 'The Black Sun' is his second 12" for Czech label Beef Records, following the Delano Smith + Petre Inspirescu supported 'Outta Space' EP in 2016.
On the flip side we have remix by Lee Renacre aka 100HZ (Oblong, Bosconi).
DJ Support
Dj Windows XP, Tensnake, Jacques Renault, Sascha Funke, Moskalus, Danny Tenaglia
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“Digital native. Noun. A person born or brought up during the age of digital technology and so familiar with computers and the internet from an early age.”
Prime handler of comet powder-fuelled floor heroics for the sun-dazed hours, Melbourne’s Escape Artist made quite the impression with his previous pair of EPs for Salt Mines and much enticing debut tape album for Couch Acid Recordings. Turning up on Kalahari Oyster Cult with his anticipated third outing, ‘Digital Natives’, the Aussie producer pulls out a quartet of old-school ravey pumpers, rife with the usual pack of patented Escape Artist tropes.
Kalahari’s 19th oyster is sure to get dancers wading knee-deep in their own sweat as EA takes care of whooshing us off to dreamier Utopian heights in one smooth movement.
Cutting a path of cyber-organic fascination, ‘Another World’ flies us straight off to fantasized tropics where warm swashes of bleached-out pads and roguish acid froth languidly lap at convulsive ridges of breaks-riddled drum programming.
Taking the original for a dive into swampy, Chain Reaction’esque depths, Canadian techno deconstructivist Flørist offers a moment of calm before the B-side’s storm. An all-out dynamic affair, ‘Digital Natives’ cranks up the heat a notch further with its heavy alloy of propulsive electro and ankle-breaking rhythmic outbursts, which shall wreak absolute havoc no matter the hour or place.
Rounding off the trip on a jazzy, laid-back after party vibe, ‘Inner City Pressure’ is a vivid mix-&-match of junglistic engineering and ethereal house-ism; a most spitting sum-up of Escape Artist’s playful and versatile approach toward production.
Roll the dices and brace yourself, this is some massive magic at work right here.
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Our second artist EP comes by way of Austrian producer, Markus Quittner, who joins forces with his Hoover The House crew for one deliciously deep record.
This record is the result of a series of memorable studio sessions with my friends. Especially made for Cahoots Records, Nightside contains four sophisticated underground house tracks. Each one is produced with much love and attention."
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Rush Hour announces their second artist compilation Patchwork, curated by one of the label’s most loved family members, Sassy J. The Swiss DJ is the very embodiment of passion and long-standing dedication to the craft of the DJing, but also to the community surrounding the music that she lives and breathes. For the past fourteen years Sassy J has run the Patchwork night in her native Bern and in London, with guests ranging from Theo Parrish and Little Dragon to Floating Points and MF Doom invited to share their respective musical visions. Her collaborative approach stands out in a DJ world that is too often weighted in favour of promoting the individual. This compilation grows out that unique sensitivity, foregrounding a theory of curation that centres on long-term bonds, articulated through Sassy J’s personal relationships with the contributing artists.
Patchwork speaks to the grass roots values that Sassy J espouses, showcasing music by many of the artists that have joined her throughout the years in clubs, on the radio, and at home. It is an expression of Sassy J’s individual musical path that casts its gaze firmly in the future: Patchwork is made up almost entirely of new and unreleased songs that are exclusive to this collection. Patchwork captures a sound that has continued to evolve in its restless search for new musical directions. Across thirteen tracks we find forward thinking electronic music rubbing elbows with cosmic jazz and deep percussion workouts from Brazil and beyond.
There are irresistible calls to the dancefloor: 2000 Black’s UK boogie and the syncopated rhythms of WaH-chU-kU nod to the West London sound, whilst the early rave of Nu Era and Aardvarck’s sub-rattling techno channel the grittier edges of the club experience. We find machine music imbued with humanity in Larry Heard’s deep house classic “Survivor” and in Ron Trent’s WARM project, whose gentle breeze points to a different side of the legendary producer. Patchwork also opens a more immersive listening space in which the radical indie soul of Georgia Anne Muldrow, the ambient spiritual jazz of bandleader Carlos Niño & Friends, and the lament for the Amazon rainforest by Azymuth’s drummer Ivan Conti can channel the overall spirit of group interplay and solidarity. Patchwork also includes Sassy J’s collaboration with veteran producer Alex Attias, marking her own place in a universe that is held together by her singular thread.
"This is the compilation of the year!" - DJ Spinna
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Back in the area. Banoffee Pies original imprint continues with BP007. The more serious and leftfield off shoot under the labels wing this time inviting the introduction of two new label members on this 4 track VA. Toma Kami opens the A1 with the title Rivershells, a slowly erupting swirl of percussion and progressive drums. A real head turner.
The A2 comes from Pablo Marco with his second addition to Banoffee after his breakbeat power track on their Black Label Series Imprint earlier in the year. Murmuring vocals and a swirling feeling with 'All About' - sure fire dance floor reset button included.
The B1. comes from Liem & Eddie Ness, who's split EP with ac$ on the earlier released BP005 analog acid record was enough to invite a return appearance this time with leftfield 'Fujiyama', and welcoming of K-Lone previously known for his involvement on the powerful Bristol label, Wisdom Teeth with a down tempo track with warm spherical sounds.
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Official License of the 1991 Rare classic produced by Jörg Burger for Trance Atlantic Records, now re-pressed by Flash Forward.
4 tracks produced in Germany in Classic Detroit House Style !
Hot reissue!!!
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We’re really happy to be announce the debut Freerange release from French multi-instrumentalist, DJ and producer Laroye. Even though he has releases dating back to 2002 (for the excellent Faces label run by Pablo Valentino) it is fair to say Laroye has really hit his stride in the last couple of years, gracing the likes of Visions Inc, Tiff’s Joints and Magic Black with percussion-heavy house jams with warmth and soul.
Lead cut Be The Change is an exceptional track featuring the vocals of Carlos Mena aka Casamena of Ocha Records fame. With a doff of the cap to the grandmasters Ron Trent, Joe Clausell and Louie Vega, Be The Change takes a soulful approach with Laroye getting deep on his analogue synths and heavy on the live percussion. The end result is a sublime slice of uplifting house which comes loaded with a positive message and stays true to the roots of the music that we love so much.
In addition to the amazing full length original mix, Laroye has treated us to both an instrumental mix as well as a brilliant percapella version which strips things back to the bare bones for a tribal workout that can’t fail to get your body spinnin’ like a whirling dervish.
Closing out the EP we have another original track entitled Twisted. A no holds barred shuffling groove keeps things bumping along while Laroye gets to work on his modular machines, sculpting and shaping the tones whilst the neck snapping bounce keeps the energy bubbling perfectly. Rocking on an old school tip but with a contemporary twist, this reminds us a little of the Detroit Swindle tracks from a few years ago which is no bad thing!
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"With its latest release, Altered Moods Recordings explores the mind of Spanish talent Jesus Gonsev, who co-owns and runs the Troubled Kids record label. Jesus, who has recorded for not only his own Troubled Kids but also for stalwarts such as Prog City Deep and deepArtSounds, has made waves in both his native Spain and the rest of Europe as a DJ and producer, playing alongside pioneers such as Ernie Albacete of Minuendo Recordings and Detroit wunderkind Delano Smith, and recording a cracking EP on his own label with deepArtSounds boss Dan Piu. AMR is the first US label he has recorded for, and he brings a special treat to these shores."
Records much-loved label sampler series continues with Vol.12 of their Attack The Dancefloor 12" vinyl releases.
This latest volume sees a JN remix of the classic Bobby D'Ambrosio track 'Moment of My Life' featuring the incredible Michelle Weeks on vocals and killer hammond solos galore. Alongside this, an expertly extended JN edit of American electro-funk duo The APX's boogie bomb 'Lose Yourself To The Groove', ready set for the dancefloor.
Also housed on this release, a Doug Willis raw edit of Carlos Romanos - 1 2 1 and a remake of one of Joey Negro's most played disco cuts 'K - Jee'. A track which holds a special place in JN's heart - the MSFB rework nestled on the Saturday Night Fever Soundtrack which happened to be the first LP Dave Lee (JN) ever bought.
Another essential ATDF 12".
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Public Release once again plunges into the deep well of dance music talent it's hometown of San Francisco has long fostered for Moon Replacement, the debut single by Anderson Chase, two originals wrapped around a couple remixes of its titular track.
Clocking in at over eight minutes, “Moon Replacement” is a tense, drawn-out affair. It coaxes you onto the dancefloor with hardedged drums that slap with a metallic clang, a steely bass throb that defines its backbone, and spindly synth noodles that creep around the crust on top. Chase’s previous life as a punk and metal drummer seeps through; this is a tenacious house boogie that trundles along at that Goldilocks BPM of 118, fast enough to snap you to attention, slow enough that you don’t lose stamina as you give into the groove.
Japanese house producer Gonno, known for his ability to graft scalpel-sharp minimal techno loops onto out-there, mindexpanding arrangements, puts his own spin on the song for the A2 slot.
He darkens the mood while zapping it with a static charge to quicken its pace. On the reverse is Mark E’s take, which goes in the opposite direction, applying some heat so the square structure’s joins start to melt, wiggle, wobble. The bottom is still stocky, a molten mass of heavy-duty bass energy, but the melody that dances around the top is airier and lighter, glints of sunshine through storm clouds.
And then “Between Us” arrives to stick the landing, get us back to where we started. Like “Moon Replacement,” it’s a blocky foot-stomper that directs you forward with its tireless rhythm section, though this time with an even longer shadow cast behind it.
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Discodromo are delighted to present a three-vinyl compilation to celebrate the 10th birthday of their Berlin party 'CockTail d'Amore'. The compilation features the sound that best envisions the party and it's evolution throughout it's first decade.
Jonathan Kusuma's 'Energi Hall' expresses the Main Room sound in his own future-tribal terms as does DJ City with his bleep house-inspired Torreyson Drive.
This vinyl features two highly desired collaborations: Mascaras x Powder on one side and Samo DJ and Sleep D on the other.
If the former explore polyrhythmic grooves and unexpected sonic layering, the latter drift into arpeggiated iterations of modern Trance.
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King Street Sounds has reached its Silver Anniversary and in celebration of twenty-five years of iconic house music we’re dropping Volume 2 of our special edition vinyl release of “25 Years of Paradise.”
This incredible record boasts Lil Louis’s extended club mix of Kimara Lovelace’s iconic single “Misery” as well as the smooth and sexy Wamdue ‘Black Mix’ of Ananda Project feat. Gaelle Adisson’s timeless classic “Cascades Of Colour.”
Special for this record and never before released on vinyl, we’ve also included DJ Spen’s ‘Raw Dub Edit’ of house master Kerri Chandler’s track “Something Deeper,” as well as NYC icon Danny Krivit’s edit of P’taah’s “Everything Is Naturally Free.”
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Hey fans and friends, the most people know his Snork Enterprises releases under his alias Laufmasche, the "Deep Lay e.p.", the "Foreign Funk" release or the "Talk like a fool" 12". He
also hit the streets with his tracks for Relax2000 records or Hamburg based Eminor, and played DJ or live sets from Frankfurt, Kassel, Berlin, Hamburg all over Germany or also up to
Peking which was really a special experience for him. Now he is back on Snork Enterprises, the first time with his alter ego Samuel Fach, which was born from his move from Giessen to
Berlin. New life means new influences, new people, new music, especially after a migration into Berlins´ world of music. Samuel Fach released several 12"s on labels like Tonkind or
Flicker. So Samuel Fach differs a bit from Laufmasche, a bit more funk and emotions than uncompromising raw Techno. His latest works combine a clear, minimal, dancefloor structure
fused with playful and funky tones and melodies especially for his new "Music don´t leave me" release for Snork Enterprises. 3 tracks with funk, power, groove and electronic soul. And
again he gets remix support from Jonas Saalbach, who already did a remix for him on Relax2000. Jonas stands for honest techno-music, permeated by powerful basses, graceful
arrangements and dreamy melodies - one might add a lot more attributes, but basically, Jonas Saalbach is refreshingly different. He constantly reinvents his music but refrains from
leaving out distinct nuances, which make his music unmistakable, which he has already also shown on Einmusika records from Berlin. So the new Snork67 is another snorky masterpiece
again! Get freaked!
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