Classic is incredibly pleased to announce that a certain man of the moment has joined the Classic family. 'One' was brought to the attention of Classic when it featured on vinyl only release late last year.
Ears pricked up and more information was sought. Who was this man from nowhere - producing music that was modern yet soulful, funky - and best of all coupled with his own vocal talents.
Luke Solomon then championed not only 'One', but the general excitement surrounding something that ticked all of his boxes. Reminiscent of the old Classic sound that reminded him of Iz and Diz, Losoul and the like... Seven was approached and not only offered Classic 'One' to re-release, but two brand new cuts featured exclusively here.
An EP aptly entitled 'Friends' is the freshest thing that has been around for some time - and Classic are proud to welcome Seven into their ever expanding family.
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Potential move is finally making its long-awaited return with a four-track EP presented with two sweaty 303 acid cuts and two banging atmospheric jams landed on the flip-side.
UK’s OPIA tell the tales of ‘Florence and the Machines’ via the form of otherworldly sounds. After a recent turn out on Melliflow, Etienne kicks off proceedings on the sixth release of the label with ‘Engage all Targets’. Distinctive drums and wavering synths zoning in on your senses. Belgian producer Innershades provides ’10,000 Steps’ a hard hitting jam, leaving nothing to the imagination. Rounding off the A side is sub heavy goodness from a man on fine form, Daif. Glitchy rhythms with the machine theme of the VA heavily embedded in its sound, ‘Vade Retro’ by name. Serving up on the B side are young duo and Slowlife affiliates, Primary Perception. Ice cold broken drums, riding an elastic bass that swallows you up. ‘Maelstrom II’ is one of their cleanest cuts to this day. Robotic conversations in the closing track from Berlin based Formas, the trio deliver a curious final chapter to the story with ‘A Su’. Another discerning VA from OPIA, bringing together vital and established artists once again.
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The Tokyo based producer Yoshinori Hayashi released a new 12" with remixes from Bjørn Torske and Prins Thomas. These are the first remixes of his debut LP, Ambivalence, from 2018 which received a glowing 4.0 review from Resident Advisor.
Hayashi has studied under Japanese avant-classical composer Mica Nozawa. When not DJing, he works in a record store in Tokyo.
Thus far, Hayashi has released a string of 12”s on labels including Going Good Records, Jinn Records, Lovers Rock, Gravity Grafitti and Moscoman’s Disco Halal.
Previous work by Hayashi has been called “a complex patchwork of studio gear, live instruments, dusty jazz records and smartly cut library sounds, whose textures are soft and inviting.
But it's arrangements are constantly ruffled, squeezed, brushed and pinched - which is to say, nothing stays still for long” (Resident Advisor).
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This edit of Mali's Amadou & Mariam "Ce N'est pas Bon" (originally created in 2008 for my dj sets) was supposed to be included on the recently released third Autonomous Africa 12".
Unfortunately I didn't get permission to use it in time for that release but permission has now been given, so rather than wait for AA 004 in 2015 it is going to come out as a limited edition hand stamped 10" as soon as possible.
All proceeds will once again go to the Mtandika mission in Tanzania. A big thanks to Ben UFO and Midland for championing this edit. The interest they generated directly led to the motivation for this release.
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'dancing' 'berlin's Cinthie Has Rapidly Become One Of The Most In Demand Dj's And Producers In Recent Times, A Staple In The Electronic Music Scene Of The German Capital She Heads Up A Number Of Imprints As Well As A Record Store And Touring The Globe. Last Year Saw Her Debut On Will Saul's Aus Imprint And The Start Of A New Direction Musically, Here Cinthie Continues This, Returning To The Label With Three More Disco-tinged, Sample Heavy House Cuts'
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The fourth release is a big one for Holding Hands as they branch out into brand new territory with their first new signing on the label. Breaka usually runs in very different circles, producing footwork, juke and DnB from his home in Leeds. These are the first tunes of his at a slower tempo to be released but you can certainly hear those in6luences loud and clear in these certified UK 125-130bpm bangers.
Rory's Theme has the tension of an early Metalheadz release but when it drops it makes the hair stand on the back of your neck. The synths fly high with exultation whilst the 808 sub kicks and rolls up and down your body. The track has the truly rare combined qualities of a pure elation mixed with enough stank face to get your gun fingers punching through the heavy air of a pounding club. Basically, it's a certified peak time weapon.
As has become customary for Holding Hands, Puffer Jackets sits bang in the middle of several difference genres and influences. The sound of 2009-2012 UK bass mixed with the grime and 2-step of 2018. This one will turn a club upside down and inside out. You better hope you aren't standing too close to the subs when it kicks in...
For the B2 Holding Hands head honcho Desert Sound Colony steps in for remix duties of Puffer Jackets. Slightly slowed and dubbed out, this one rounds out the EP perfectly with a deeper take on the Breaka sound. Perfect for the beginning of a night or for a hypnotic section of a set late on, this one is built to captivate you and take you drifting away...
All three tracks are produced and sculpted for the club. They want big sound systems and dark rooms. Close your eyes, hold hands and experience transcendental space flight...
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Another classic from Dutch High Fashion Music in it's original High Fashion 1982 sleeve.
Original released on the Musix Records imprint in 1982, produced by legendary Italian producer Maurizio 'Sangy' Sangineto. (Change, Armed Gang, Firefly). Including a New Mix by Dino Soccio from LA (for his Pleasure of Love release) and re-worked by Dutch producer Orson Welsh: giving this Italo-sound classic a more powerful touch. On the B-side the original 1982 version, as well as the much sought-after 'Soul Version'!
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UKNOWY music is back with a new installment on its more house-leaning "Plastic Garment" vinyl series. This time the EP title is "Midnight Impulse" as every track carries the treats of nocturnal life: it's dark, it's fresh and it's open to all possibilities! Starting with Salomo we have a delivery of a definite club banger with "Transform" - devotees of the likes of Kyle Hall or Steven Julien/Funkineven will definitely get their fancy tickled here. Next comes Italian break-beat maestro Sofa Talk with a rhythmically sophisticated yet deep "ALBA", much in the vein of earlier Plastic Garment releases. Munich house duo Rhode & Brown starts the B side with "You & Me" building intricate synth arpeggios over catchy chords. St. Petersburg's very own Dices closes things off with his more dreamy and at the same time incredibly complex and beautiful "See You There" - a track for the listener or the later hours of the night.
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Lyssna Records is a newly formed label out of Stockholm overseen by Adam Stromstedt, Flord King and Mohammed Al Harbiti. Two of the founding members, Adam and Flord, join forces to create a deep, jazzy and delicately put together debut. A1 'Shakshuka' is a track driven by jazzy percussion and soothing chords on top and a slightly off kilter bass groove. A2 'Det Eviga Mysteriet' straight away hits you with a more hip hop and soul inspired touch with well thought out vocal samples on top of a bouncy beat. Flip side starts off with 'Foul' a slow pulsating track that is perfect for those late night shifts on the dance floor. Finishing off the EP we have Mr. Tophat's rendition of Shakshuka, weird and delightful at the same time, just like a Mr. Tophat remix should be, BLU.
After numerous releases on staple labels like Moods & Grooves, Deep Explorer, Contrast Wax, Minuendo & Soul Print , the duo from Malta are back to their homegrown label; Batti Batti. The 3 tracks on this EP are somewhat different to their usual style, putting aside their laid-back deepness and focusing more on the dance floor by delivering an EP of raw drums, acid lines, warm chords and filtered pads. A truly interesting release to say the least.
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Silver Network is back with a four track deep house banger ! Three original tracks from Franckfurt's Stalwart Sascha Dive (Coccon / Deep Vibes Records) and a blinding remix from Chicagoan Sweden-based Amir Alexander ... One of Silver Network's Team favorite release to date ...
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Melbourne’s Tim Jackiw sojourns over to Red Ember’s camp delivering tales of a romantic dystopian future. After the journeyman’s housey opener reports for duty, the musical adventure stomps into a tropical ecosystem where both organic and synthetic percolate harmoniously. The B side accelerates forward, tensely folding with emotional urgency towards the titular electro epilogue of ‘Planet Fall’.
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Label owner Jamie Trench is up this time with 3 cuts. The first offering is a basement ready low end monster with filtered and chopped vocals and an almost electric synth flittering around on the break. We are also hit with a dub version where the vocals stabs are dropped and the groove takes centre stage. The B side sees a track thats clearly been made to warm up the larger rooms with its depth and intricate drum work this won't disappoint.
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Nigel Hayes is probably best known for his collaboration with Funk D'Void as Chaser, but as Stop demonstrates, his solo work is just as impressive. It sees the UK producer move from the cinematic ambience into sleek, pulsating deep grooves. UK's Jack Bowditch has been moving through the dance music circuit over the years now and has found himself with a new alter ego in Collate. He teams up with established Romanian producers Balaur for the riveting deep classic Spinnin Voices on Astrolife. B-side opener DJ Rocca presents a nudisco odyssey into misty lands of shuffly beats, incessant basslines. Studio don Vincent Inc always bring unforgettable impressions & inspiration for mind, body & soul. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles and magical experiences. And now we're asking other's to join the sound conversation.
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Returning for her second release on Phantasy, Terr captures further dancefloor magic on the blistering ‘Energy Sync’.
Following the success of ‘Tale of Devotion’, the Brazilian-born, Berlin-based producer continues to distill her exquisite instincts into an irresistible single that blends electro and disco influences with flawless song writing.
Built around a heartfelt and vulnerable refrain, the ‘Club Mix’ takes just seconds to explode into a wide-eyed anthem in waiting, maintaining pure ecstasy and cascading energy until it’s final, sensual modulation. On the contrary, Terr transforms the track into a wistful, weightless electro-pop moment for the ‘Original Mix’, building a slower if no less celebratory groove around her own vocals, which also feature as an acapella.
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Post Pluto's third release "Abercrombie St" brings together Sydney based producers Adam Stromstedt, t.hanks and Subaske for a diverse EP suitable for the dark room. All three producers bring their own flavour to the release which traverses tripping techno, booty shaking house and dubby electro
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After his beautiful second album 'Senang' on ESHU Records which opened the year 2018. Ivano Tetelepta is on fire! For Siena he comes with another double 12". This time, this package has some serious dance floor attitude. From steady beats, smooth melodies, to uplifting vocal groovers featuring Smokin' G and even a slowtek remix by his friend, Roger Gerressen. Grab it, dance it, we call it HOUSE music!
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"Three Ways To Move" is a collection of delicate dub and chord driven tracks by Pablo Bolivar, Barcelona based one half of Pulshar ñ the band who released remarkable album ìInsideî on Desolat in 2010 - and Avantroots Productions.
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Bondage Music reveals the latest installment in its 'Bondage Games' series this March as Sascha Dive, Frink, Toman and Philipp Gonzales deliver four original compositions for Part 5.
Launched in 2008, German imprint Bondage Music has established itself as quintessential imprint for many within the world of stripped back, high quality house music, releasing material from the likes of Mihai Popoviciu, NTFO, Markus Homm and Tuccillo across the past 12 months alone. Their 'Bondage Games' series has also become a key fixture in the calendar, and here we see the label follow up their 2018 instalment with another vinyl only EP this March, with four fresh productions from Sascha Dive, Frink, Toman and Philipp Gonzales.
Frankfurt's Sascha Dive opens the package with 'Dark Night', a slick house cut guided by deep, dubby chords and entrancing vocals, before Frink's bubbling 'Vega' ups the energy and welcomes bright melodies amongst rolling percussion. Next, emerging talent Toman fuses skipping hats and a heady low-end groove as he reveals 'Time To Time', before Philipp Gonzales combines hypnotic lead synths, refined percussion arrangements and suspenseful builds throughout 'Open Hips'.
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It is a cliché to describe music as a trip or an ocean or whatever, so this album, Tecwaa’s album “Beyond the Altai” released on Höga Nord Rekords, will in part be described as a snowman: the snowman has its characteristic familiar shape. He is cold yet there is something warm and cuddly about him, something that makes you feel happy and safe.
The A side on the album goes from that warm/cold cosy feeling but elements of destruction like melodies in minor keys slowly transforms the album to become only cold and not so cosy - the snow turns grey and the snowman’s smiling mouth becomes a twisted grin. Its contours disappears and the shape dissolves as the snow melts and floats out on the ground beneath its body. As the album develops, the sound gets harder and darker and the York based DJ moves closer to his roots in electro and Roland-machine knob-turning.
In some ways, “Beyond the Altai” is a call from the eighties and nineties dancefloors like in the tracks “Back To The Atomic Ether” and “10 Swords” on the B-side but all melts together in Tecwaa’s music to create his own obstinate and loose sound!
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'IMB12001' shipping to You in a designed Uni Cover with a Sticker of the Label "The Inbeciles" on it!
This is the music for our times; our darkening times. The Imbeciles are making the soundtrack for the world we really live in, which is set to become increasingly angry, unhappy, unfair, and messed up. “The world is slowly imploding.” That’s the warning from The Imbeciles, and the message behind its first album. The idea of what to do emerged like a surprise attack.
“I don’t even know where it came from… it ambushed us,” says Butch Dante, of the band’s forthcoming self-titled debut album. “To us it looks like mankind will endgame itself in this millennium, and probably within the next 100 or 200 years. The Imbeciles as harbingers of that fall. We’re pointing out that the world is imploding, for many reasons — environmental, political, technological, and ultimately because human beings themselves forgot how to be humane, how to be kind.”
“Saying we are political would infer that we have some faith in the political system. We don’t. Or that we have answers, a solution to prevent this coming slow apocalypse. But we don’t. We are sitting at the side of an innocent-looking pool saying: hey, you’re drowning but you don’t even know it. And we’re giving you some music to listen to as you go down.”
Inspired by the likes of Wire, Devo, Gang Of Four, but utterly unique, a new form of avant-garde art punk, against greed and mendacity. The band’s forthcoming album was recorded deep down at Sonic Ranch on the Texas/Mexico border. All analogue, in seven days. Produced by Calvin Voltz.
Latest single “D.I.E.” is “a lament for the end of the world. With references to global endgames. They’re grim. All self-inflicted. The chorus is epic when played live. It’s incredibly passionate. People really get into it.” And now it’s been remixed.
Red Rack'em's take on is wonderfully curveball as one might expect; homing in on one unique part of the vocal and making it the fullcrum, from which his psychedelic, deep-house, hardcore jazzathon is then able to blossom and unravel before your very eyes. Atmospheric, experimental and hooky too - clever business from the Bergerac boss.
Next up we have the amazing Oliver Ho and his Broken English Club. Here we witness a more flagrant and faithful use of stems, and through layering both the band's parts, and instruments of his own design - he transforms 'D.I.E.' into a towering slab of dark and raw, industrial EBM.
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Vinyl Only! Handstamped sleeves12 limited to 400 pieces
Inhale exhale records comes back with the next various artists, right in Time to their anniversary . With UC Beatz and Leo Wölfel the InEx family expand again. This record has it all, from 90s inspired Kerri Chandler - like house bombs to slightly melancholic vocals - back to pumping baselines . Good vibes are all over this to 400 pieces limited Wax.
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Young Marco stepped into the ESP Institute one day in 2012 with a handful of undeniably brilliant music, and has ever since maintained an integral role in the mission of the label. His unaffected instinct and sincere writing process are perfectly balanced by his meticulous craft—a rare quality among contemporary artists which promises a vast and fruitful oeuvre. This is universal music, transcending genre and taste level despite being wholly instrumental. Much like his ability as a DJ, pairing esoteric records to discerning dance floors worldwide, Marco's talent for producing the right voice in an emotive melody and dynamic arrangement is aspirational. Biology is a passionate album that will outlive the many fleeting wrinkles in electronic music, but will more importantly nest in your heart.
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Dead Rail is a soundshaping railroad soaked in fog and cough.
Dead Rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
Dead Rail is a walk through an eyeburning beat and runs on mandibular tracks.
Dead Rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
Dead Rail is the suspended activity of synapses while earing is driving the other senses.
Dead Rail is the dying frequency in your ear.
Dead Rail is noise from within.
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Joseph Tagliabue provides the two original tracks from his AFRO SPAZIO EP released on COSMICA MUSIC in May 2019.
With psychedelic atmospherics, deep melodic layers and tribal rhythmic formations, he sets a wonderful palette of cosmic frequencies, to stimulate the remixers visionary powers and creativity.
DJ Rocca started to produce in the late 90's, working on some drum & bass and breakbeat singles as Maffia Soundsystem from the same name club in Italy, where he was the main resident DJ. In his career he collaborated with Howie B, Pressure Drop, Zed Bias, Dimitri From Paris, Daniele Baldelli and Jazzanova producing singles, remixes and albums on some of the best european labels as Sonar Kollektiv, Compost, Classic, Rekids, Skint, Hell Yeah, Rebirth, Internasjonal, Futureboogie Recordings, !K7, Deep Freeze, Tirk, International Feel, Defected, Skint, Gomma, Paper Recordings.
As a producer, DJ Rocca is also part of Ajello (with Taver), Supersonic Lovers (with Marcello Giordani) and Crimea X (with Jukka Reverberi).
He has remixed big names such as OLIVER KOLETZKI, Luke Solomon, Blaze, Isolee, Pete Herbert, Bjorn Torske, Chris Coco, Dimitri From Paris, Andrew Weatherall, Justin Robertson, Soul Clap and now our very own Joseph Tagliabue.
With the award-winning jazz musician Franco D’Andrea he has formed the Electric Tree Project, a contemporary music trio, hovering between jazz and electronics, with a double album released in April 2016 on Parco Della Musica Records, defined as record of the month for the magazine Musica Jazz (June 2016). The collaboration with such a great name of the jazz scene, moves on with the realisation of an octet and the production of a new album entitled “Intervals I”, recorded live at the Auditorium Parco della Musica in Rome last March 2017.
Mushrooms Project is Giorgio Giri and Marco Lentano, producers and serial collectors of vinyl with a common passion for dj’ing and for any type of music whatsoever. The project came into being in 2003 when Giorgio, a punk band drummer and vinyl collector with a strong preference for anything from psychedelic rock to Afro, meets Marco a deejay since 1994 who mixes every possible kind of dance music; from afro to house, passing through techno and progressive. 2013 saw their debut album ‘Undergrass’ released on Leng Records, which was a continuous evolution of their sound elaborated in close contact with other musicians.
In 2015, Ivan King, a talented guitarist who had collaborated many times with the Mushrooms Project, became an integral part of their productions. They have now dj’ed across the world and are known for their hallucinating and all encompassing music that is made using live instrumentation such as guitar, bass, synth and percussion to create a “dirty” but unique insight to the very long, deep, mesmerizing and unusual minds of the Mushrooms.
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Riotvan premiere! This EP marks the first release of an act on the Leipzig-based label which was not contrived in its direct commuting area. Which obviously doesn't mean that the city lacks fresh output at the moment. But these five Thomalla tracks are simply too good to leave them to another label.
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'TANZBAR WHITE' kicks off with a various artists EP, Upcoming Belgian duo Pelace delivers the heat on the A-side with two house jams, perfectly fit for those old school house sessions in forgotten basements. ... On the flip, we find Huygens (a.k.a Kiani & His Legion a.k.a. Far Out Radio Systems) with two long awaited early trance tracks.
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Bendik HK is now launching his debut EP “Depot” via Oslo based label Mutual Intentions. The EP boasts Bendik HK’s futuristic approach in the realm of techno, house and ambient. His progressive production revolves around melodic structures, rhythm and soundscapes. On all four tracks Bendik HK uses an atonal percussion instrument called “Sixxen”, brought to life by the Greek contemporary composer and architect Iannis Xenakis. On “Depot”, this instrument is fused with more classic synths, in an attempt to “challenge” the club genre and invite something new; not only through rhythm and production, but tonality as well.
Vital sales points:
Bendik HK (Bendik Hovik Kjeldsberg) is best known for being one of Norway's most skilled and sought after drummers, playing alongside acts such as Charlotte Dos Santos, Ivan Ave & Gundelach.
He also works regularly with the internationally renowned composer/producer Pantha Du Prince, touring the world and playing events and venues such as Berghain, Sonar, Mutek, and Boiler Room.
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It's time for the new release of Mate, the saga continues with "From Detroit To Madrid II".The Legend of Detroit Gari Romalis producer from Skylax, Housewax, Dockside... presents two tracks "No way around a groove" dives into the tech dub making a deep trip, and "Detroit on the move" is old school house track perfect for the dance floor. Rafa Santos makes his debut in the label with "Love Song" a house hymn straight to the heart,this melody give you goosebumps and " Mystic Voyage" with a full hypnotic chords and powerful rhythm....
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Over a year after his critically acclaimed EP Null 212, Kosh strikes the stores again with a powerful five-tracker EP. This time, the Moroccan producer dives into the depths of more emotional sonic landscapes on one side, and offers 3 different variations of a floor filler on the other. All tracks written and produced in Casablanca.
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DJ and producer Orlando Voorn has delivered the release of his club-ready EP, 'Positive Vibes', set to drop on NICEPEOPLE.
Opening the release with the EP-titled 'Positive Vibes', a slick record filled with strong tribal elements, the track is followed by 'One Day', an infectious after-hours rumbler. With Voorn also crafting a warm, driven mix of 'Matta', the EP is rounded off by 'Ghetto Techno', a synth-led track filled with the producer's rhythmic tones.
A slick display of the Dutchman's prowess in the studio, the new 4-track Positive Vibes EP is set for release on Wednesday 10th April via NICEPEOPLE.
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yes it's the Amsterdam rockstar, who over the last fifteen years rocked major clubs and festivals to smaller bars and dodgy underground locations all around the world.TIP!
As Pathway Traxx finds itself embarking on a dawn of maturity the now familiar colourful label welcomes in its 4th vinyl only release.
This bright yellow vinyl 4th installment welcomes on board relative newcomer on the house scene, Amir Maglajlija a.k.a. Espada. Originating from Bosnia & Herzegovina, Espada only began producing in early 2011 but as you will hear on this release his production skills far out weigh his years of experience. Amir delivers a truly sublime A-side with sprinkles of jazz influenced house and funk. He effortlessly intertwines melodic keys with jazzy horns whilst keeping things moving along nicely through his infectious drums and percussion.
The B-side of the EP see's Pathway Traxx return to more familiar ground with a stripped back deep rework by Mannheim native, ManooZ. Having released on the likes of Tomorrow is Now Kid, Swink and ALIVE Recordings to name but a few, its clear to see Manooz is a force to be reckoned with, and a name well-known for quality house productions.
And last, but by certainly no means last, in typical Pathway Traxx style, they've saved the heavy weight banger for the last track on the B-side. This out and out club ripper is delivered by close label friend and well renowned groove maker, Kezla. Expect nothing more and nothing less than Stripped back drums and a bone-shaking baseline!