House Vinyl New Releases - News

Tunesmith Lakaband is back with another pop confection on her imprint, this time pairing up with the artful producer behind Raiders Of The Lost ARP, Mario Pierro.

a new double a-side relese on afterglow with tracks by plastic angel and store 'n forward !!!

For his third release on Don't Be Afraid Semtek brings a rolling acid house vibe with remixes from Neville Watson and Justin Harris and Isa GT.

the new sidney samson burner that reminds us to the good old roman flügel burner "gehts noch" !!! this new track contains also remixes by rene amesz, protch & fitch, ...

Er ist der Pionier der DJ-Kultur, Hymnenschreiber für Millionen Raver und Partymacher für
mittlerweile über 10Millionen Gäste. Westbam ist eine lebende Legende und eine der schillerndsten Persönlichkeiten der internationalen Musikszene der letzten 30! Jahre. Das schönste Geschenk zu diesem runden und beeindruckenden Jubiläum macht sich Westbam mit seinem neuen Album Götterstrasse. Ein Album, auf dem ein beeindruckendes whoiswho der internationalen Musikszene Westbams Songs seine Stimme verleiht. Von Iggy Pop über Kanye West, von LilWayne bis Bernard Sumner(NewOrder), vonBrian Molko (Placebo) bis Inga Humpe (2raumwohnung). Von Hugh Cornwell (TheStranglers), Afrika Baby Bam feat BooBoo (JungleBrothers) und Richard Butler (PsychedelicFurs) bis hin zur heißgehandelten Vocalistin Katt Rockell. Keine geringeren als diese Künstler haben ihre Texte und ihre Stimmen beigesteuert, die Musik als Initialzündung für alle Tracks kam unverwechselbar - von Westbam selbst. Das Ergebnis: eine vielstimmige Ode an die Nacht voller Schönheit und Weisheit. Genre- und Generationsübergreifend.
+ Download Code für das DELUXE-Allbum incl. 10 Dub Versionen!

Under the steer of Jesse Rose, Graeme Sinden and Chris Belsey, Loungin' Recordings's formative years were spent driving the broken-beat sound of postmillennial Notting Hill. With pioneering producers such as Domu and Dave 'Switch' Taylor mainstays on the roster, Loungin' steadily became the label most synonymous with the jazz-derived sub-genre.


Hailing from Rotterdam, C.O.N.E is a principal member of a collective of young producers making what's commonly tagged as 'Bruk-step': a sub-genre of grime that incorporates the percussive structure and production sensibilities of broken-beat. Having delivered two typically resounding remixes for Loungin' in the last 6 months, C.O.N.E now delivers a full artist EP for the West London-based imprint.


As an avid vinyl collector of Loungin's output in the early-2000s, the 4 tracks forming the 'Doppa' EP were purpose-made to reflect the influence Solid Groove's designs had on him in the early-2000s. Already aired on RINSE FM, the EP's weighty title track is supported by 'Pressure' - a more classic cut of percussion-heavy broken house. 'Reach' is deeper inclusion that feature's the vocals of Footsteppa Records affiliate Tink, before 'Ravi' completes the package in a fractured grid of dub-techno.

UK based Emile Facey aka Plant43 contributes to the binary catalogue with some perfectly crafted electro funk.

A record to be proud of, albeit not an easy one.

A record to be proud of, albeit not an easy one.

Welcome to our master collection 16th years Anniversary edition, finally here to celebrate Purple Music amazing music!
Since 1997 the brand is worldwide known as quality music and boats a catalogue of over 450 releases featuring artists & calibers such as the legendary Us Superstar Prince, the french disco king Cerrone, top producers Bob Sinclar, Sandy Rivera, Kot, Dimitri from Paris, Jamie Lewis, Alfred Azzetto to name a few as well as the most faboulos house music voices of artists like Jocelyn Brown, Marc Evans, Michael Watford, Michelle Weeks, Lt Brown, Kim Cooper, Natasha Watts, Cosmo Klein and all the most talented & emergent house music producers and singers from worldwide.

THE MASTER COLLECTION 9 is as the previous ones a dj FRIENDLY UNMIXED double Cd, selected by Jamie Lewis and featuring 20 songs inbetween the STILL UNRELEASED EXCLUSIVE PRODUCTIONS & REMIXES for this cd only by LAUER&CANARD, DARIO D'ATTIS, ANTHONY ROMENO, HARLEY&MUSCLE Feat INDIA, WALTERINO the brand news productions by JAMIE LEWIS, YASS, ALFRED AZZETTO, SEB SKALSKI, FRANCO DE MULERO, ANTONY FENNEL, HUSKY & ALEX ANDER & POWA B, as well as some Purple Music CLASSICS by NIGHTRHYMES, COSMO KLEIN, KIM COOPEER, A&M you can't absolutely miss !!

He's such an old romantic...more reflections from the tropics courtesy of King Kivits. 1990 says it all - lushed out strings, diva vocal snippets and rave stirring sine wave set the scene while Varck lets the beats roll.. in trademark fashion. The B side is absolutely nuts and really smacks - truly something else! Art again from the brilliant young Cosmo Knex (who must have been about 4 yrs old in 1990)..TIP!

Not enough albums open with the majestic rasp of a harmonica.

Basement Freaks attempt to redress the balance with their second studio album Funk From The Trunk which shows the boys in full P-Funk flow.

From opening track A Blues Thang to the last gasp of album closer The Last Train - you know you are listening to young soul rebels who have found their full funky flow.

Producer George Fotiadis won a lot of fans as a leader of the burgeoning ghetto funk scene and while that scene is still big internationally, there are no wobble bass lines here, just block rocking hip hop beats, funky wah wah guitars and funky as flip vocals from longtime collaborator and fellow Freak Georges Perin as well as guest spots from Mustafa Akbar of Nappy Riddem, Charlie Funk and MC Rayna.

Opener A Blues Thang was the standout track from a vinyl sampler EP released by the Freaks at the end of last year and is distinctive for its deep south harmonica lead and blues drenched vocal. Which part of America's deep south are these boys from you ask Thessaloniki I answer. Greece is the word.

12" MIX . LIMITED EDITION by SWEDISH HOUSE MAFIA - THE SINGLES
3X TRAXK PER SIDE, IN RADIO EDIT

-VINILE DA COLLEZIONE ( HEAVY WEIGHT / BOLD VINYL)
- Numbered limited edition
- 6 songs in one support
- radio edit versions

The Beat Broker - 'Limited Time' is the latest 2 x 12" Vinyl LP from Bearfunk Records.

We're proud to present the debut LP from San Francisco's finest The Beat Broker. The Beat Broker, or Ryan Bishop to his folks, was born and raised in southern California. Currently residing in San Francisco, he has been conjuring his deep-space disco and sharing his unique sound under many different guises.

With early production partner Ryan Fitzgerald they recorded as Broker/Dealer and released on sought after labels like Spectral, Traum and Sentrall. They ran a longstanding club night in SF called POP and Ryan began to make edits, new productions and remixes to integrate into the night. He made sleazy cosmic jams for the beginning of the night and up tempo synthesizer crowd pleasers for the early morning. These productions found their way onto records via labels like Flexx, Disques Sinthomme and more recently Adult Contemporary.

So what is the Beat Broker sound Well Ryan likes to fuse old with new to create a refreshing style of his own, deeply electronic and emotional. If you were gliding through deep space on a trip to the sun this would be the soundtrack. Take "High Life" which is a slow sleazy does it smokers delight. "Energy" is a synth laden peach of a track, soulful and icy at the same time. "Departure" & "Believe It" is a nod in the direction of the Italo sound that N.I.O.A did so well.

Phantasy is proud to release a one-off double A side 12' from The Chemical Brothers' Tom Rowlands.
'Through Me' is an all-cylinders, propulsive elasticated house track while 'Nothing But Pleasure' is eight-plus minutes of unstoppable Metallic KO disco. Both tracks reiterate the point that Tom is unarguably one of the greatest producers of club music around.
The 12' vinyl will be in the shops within the next couple of weeks; the download will follow a few weeks afterwards.
Tom Rowlands: 'These are tracks that were made to DJ with. I gave them to Erol to road test; he loved them so it seemed a perfect fit for Phantasy - I love what he does with the label. The Chemical Brothers haven't any plans to release new music this year - we're soon to start work on a new record - so this 12' seemed an exciting way to get music into clubs now.'
Erol Alkan: 'Every time I played the tracks out people were desperate to find out what they were. Both have been highlights in my Dj sets for the last few months.'
SOUND FILE ATTACHED

Its sense of escapism and intoxicated ecstasy also seeps through these new takes on the song by Breton, Monokle, Arandel & Poborsk.

Double A side 12" single. Limited to 500 copies. Artwork by Jonathan Barnbrook. Numbered and hand-stamped by Jonathan arnbrook

Delivered from its celestial womb to the human world for inevitable elevation, Tactile Galactics is the new album by Secret Circuit and first full length release from Beats In Space Records (RVNG Intl). Secret Circuit is the guise of Eddie Ruscha Jr., a sometimes sage known and beloved throughout the Los Angeles creative community. Amongst his earliest musical endeavors, Ruscha co-founded Medicine, an overlooked four piece whose sinister, snarling take on shoegaze landed them as the first American signing to Creation Records. After leaving Medicine without a bad taste in his mouth, Ruscha's focus shifted from his shoes to the endless array of LA music stores housing analog synthesizers, drum machines and effect units forsaken at the advent of digital technology. While establishing his Secret Circuit identity through various self-releases, Ruscha was a wingman in notable projects with Thomas Bullock (Rub 'N' Tug) as Laughing Light of Plenty and with DJ Harvey as Food For Gods. Ruscha likens his studio obsession to 'striving for alien sound or rhythm that feels natural.' Between 2011 and 2012, Ruscha released no less than four albums, a 12' for Prins Thomas' Internasjonal Spesial label, a handful of blazing mixes on the Cosmic Papers cassette tape series, and his debut for Beats In Space Records, the Nebula Sphynx / Parascopic Rope 12'. Ever the unsettled settler, Ruscha consciously crafted the bulk of Tactile Galactics' tracks at 120 beats per minute. Ruscha played with the equalizing value of this boilerplate dance music BPM in much the same way a DJ might — to set a clear course for transcendence. Tactile Galactics is derived from a dance lineage promoting feel over form; rhythmically explored without abandon — or audience — in mind by the krautrock fringe, put to the slow motion disco test at Daniele Baldelli's Cosmic Club, jacked into a House format via the Chicago imprint TRAX and honored today via peer psychonauts like Hieroglyphic Being and Lindstrøm. Tactile Galactics unleashes the lysergic choir of voices in Ruscha's head against a dance grid, but makes sure it stays in soulful step. For the first time on a Secret Circuit recording, these voices are quite literally present via Ruscha's own vocals, added when 'the song called for them.' It's by this same regard of the powerful unknown that makes Tactile Galactics Secret Circuit's most incomprehensibly detailed and stunning release to date.

Tracing the sonic history of the song from initially being a highlight on the band's debut EP sauna to inclusion on the debut full-length, feels like uncovering the story of the band that produced it. On the song's initial version Rainsbury's voice kept you at arms length. On Seabed his vocal take draws you in, feeling magnetic and intense. It's on this song in particular that you can really mark the changes that Vondelpark have been through over the past 18 months of recording. Rainsbury describes Seabed as a coming of age record, and that's something that could just as easily apply to the impressive transformation Vondelpark have made during its conception.
On remix duties is fellow R&S artist Bullion who always delivers the goods with his remixes and productions, on this mix he seems to be channeling a funky lower east side New York vibe, circa 1979.
Next up are DFA artists Factory Floor who deliver a signature industrial acid workout perfect for the dancefloor.

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romanias best kept musical secrets of the last 30 years.
As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Here, Rodion managed to find vinyl, becoming known amongst friends as King Of Records. As such, he became equally as steeped in the major Western rock artists of the era Hendrix, The Beatles, Led Zeppelin as he was many of the electronic pioneers. He met Kraftwerk during their early days.
Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs. Bands would push the rules, often playing Western covers and venue owners had to be careful, getting to know when inspectors may drop by. Rodion was no exception. He remembers one occasion when an inspector came to listen to a band soundcheck. Despite singing in Romanian, the inspector pulled them up for singing yeah yeah yeah during a chorus.
From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 - simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca.
and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. For the bands gigs, he even made by hand his own rig with Rodion G.A.-branded speaker boxes and amps. From the start, the bands sound was incomparable to other contemporaries. Other Romanian musicians like Mircea Florian had moved from a folkrock background to experiment with more electronic productions but Rodion was different - dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.
The bands recorded output in Romania at the time was sparse. There was only one label operating, the State-owned Electrecord, and they recorded two tracks by Rodion G.A. for a compilation, Romanian Rock Vol. 6. In 1981, the tracks were picked up by radio and Rodion even hit the top of the Romanian charts for several weeks. Beyond this, no other releases surfaced and yet the band recorded prolifically during the early 80s. Other records nearly materialised the band scored the soundtrack to an animated movie, Delta Space Mission in the mid-80s but the tracks were refused by the film company who then employed prolific Romanian electronic / pop producer Adrian Enescu for the job. The bands only other documented performance during their career was a show on Romanian television celebrating New Years Eve in 1980. Rodion G.A. eventually split in 1987 following a gig at Mangalia Festival and Rodion then walked away from music following the death of his mother.
Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romanias musical past as they are forging new sounds steeped in the countrys traditions. As well as this album, a partnership with Steve Kotey of Ambassadors Reception has led to a compilation of their own studio work including their acclaimed psych-jazz album as Steua da Mare.
Rodion GA The Lost Tapes is released on Strut / Ambassadors Reception / Future Nuggets on May... remastered from the original tape reels. Rodion G.A. backed by Steua da Mare will be touring fully across Europe from Summer 2013.

1st Press comes in Colored Vinyl.....

Dirty Projectors are set to release "The Socialites" Remixes 12", an unreleased set of remixes of the standout track from last year's critically acclaimed Swing Lo Magellan album.
The white label 12" vinyl features remixes from Joe Goddard, AlunaGeorge and FaltyDL,

Fake Blood alias DJ Touché (Wiseguys) liefert für Fabric ein geniales Electro-House-Set aus nagelneuen unveröffentlichten Upfront-Exclusives und legendären Klassikern ab, die warme Erinnerungen hervorrufen. Erlebe die Vergangenheit, Gegenwart und Zukunft der House Music, von Acid- über Bleep- bis Electro-House, in einem Wahnsinns-30-Track-Set


























27. Funkystepz — Phantom 2:13
28. Hot Pink Delorean — Court Jester (Eats Everything Remix) 1:59
29. Fake Blood — Wait A Minute 3:04
30. Volta — Mossing 3:19

A set of minimal synth recordings, captured live with in-studio performance. These pieces are a tribute to the golden era of electronic music that mainly emerged in Europe between 1978-1984 and is often described as minimal electronics, synthpop, synthwave etc. Sinister melodies, shadows and frost making up a haunting, dystopian sonic environment. Drum machines driving step sequencers and mono-synths, hand played polyphonic synthesisers, all enveloped by the industrial sound of the spring reverb. He only feels night within.

Archie Pelago is the trio of Hirshi, Kroba, and Cosmo D and they hail from Brooklyn, NY. Archie Pelago combines their varied backgrounds in jazz and classical music with a common love for rhythm and the wide-open possibilities of electronic music. It is this sonic exploration that has led them to their most ambitious release to date: The Sly Gazabo EP.
Archie Pelago has received rave reviews for their two previous 12" releases from FACT Magazine, XLR8R, Resident Advisor and various other publications. Radio support includes KCRW, KEXP, WFMU, WBAR, WNYU, NPR, Dublab, and Ninja Tune's Solid Steel Radio. DJ support includes Jamie xx,Mary Anne Hobbs, Gilles Peterson, Appleblim, Grenier, Kastle, Braille, and Distal. With a European tour and several key festival dates in the future, the Sly Gazabo EP is a highly anticipated release.

iO Sounds (formerly know as iO) is 24 year old London based house and bass music producer Rob Burn. He has had previous collaborative releases with Kastle on Symbols & Laksosa on Mad Tech. He has recently had his debut solo release on Infinite Machine but this is his first release on Diamond & Raw.
The release consists of 2 original iO Sounds tracks 'You/Me' and 'Dirty Little Secret' as well as remixes from Forget Me Not (Diamond & Raw, Losing Suki), Mak & Pasteman (Shifting Peaks, Senseless Records) and Lakosa (Madtech, Immersed Audio).
DJ Support so far fromSkream,Jimmy Edgar, John Digweed, MANIK,Audiojack, Tensnake, Shenoda, Dubfire,West Norwood CassetteLibrary,Throwing Snow,My Nu Leng, Goldffinch,Phaeleh,Moxie, FOAMO, Catz N Dogz,Danny Howellsand many more

Solo debut of 4 tracks by Queen! (SmartBar) resident, who has released on Balance & Classic Music, pairs 2 dance-floor friendly garage cuts w/2 deep & powerful cuts that maintain the record's dance floor-centric production,.

4 strong new 2009 remixes of the classic by: Antoine vs Yoko, Daniel Strauss, Lissat & Voltaxx, Yvan & Dan Daniel

GREG WILSON PROUDLY PRESENT'S A 4 TRACK EP PAYING HOMAGE TO THE DAYS OF ELECTRO. COMES WITH 'ELECTRO' INSPIRED LABEL ARTWORK: PRESSED ON 180G VINYL

Gosub returns to Abstract Forms with a six track transmission. Mirror Watcher is a kaleidoscopic serve of elektroid attitude. Starting with the title track, a futuristic piece of synth-funk with a brilliantly sleazy vocal, immediately moving into deep aquatic territory, then building the pace back up for the encore of freaky fast paced electro. Sublime. Vinyl limited to 250 copies.

New Murder Club Remix.....2009 Hit The Dancefloor!!!!

die kaputten sind zurück...volle deckung !!!

The future of our planet is safe....for now. After surviving 2012, that vato DJ Overdose is back again on Lunar Disko Records with 'The Future of the Planet EP'. The Model Man returns with 5 fresh jams straight out of Backstabber Basement...you know the deal.

King DJ lädt auf "Let Me See You Feel" zu einer musikalischen Reise der besonderen Art ein. Mit seiner einzigartigen Mischung aus Disco, Funk und House erobert er die Floors der Welt und die Herzen der Fans.