House News

Electrodynamique is an enigmatic alter ego of electronic music producer and DJ Kirill Rem. With this record, the artist introduces his own vocation for what can be pictured as an electro, synth-pop
revival, a wave that was most resonating in early 2000. The wondrous sonic palette embraces melancholic, robotic panoramas also including bizarre sampling techniques within an Italo music
framework. A vocoded and seductive drum machine groove and thrillingly spaced-out synth-scape will guide you undisturbed through themes of the artist's self-inspection.

Dreamy blissed-out breaks from Eversines - including a special Eris Drew remix - released on Job Jobse's De Vlieger label.

EBM is a real time bomb. A time bomb because this sound will continue to influence a lot of other groups in the years that follow. The precursors created a new genre which they themselves baptized Electronic Body Music: a set of sounds, collages and extracts gleaned here and there, dynamized by intense vocal parts. Front 242 creates its own path and then lays the foundations of industrial electronic music. A development of rhythms which will be resampled in turn by a number of Eurobeat or technoid bands afterwards.

For Einstürzende Neubauten, it was ‘Haus der Lüge’; for Depeche Mode, it was ‘Music For The Masses'; and for The Cure, it was ‘Head On The Door’ - the moment when an honest album reveals itself to a wider audience and yet another group with an already solid reputation.

For Front 242, this passage is called ‘Front By Front’. Primarily, a hit called ‘Headhunter’, served by a magnificent video, signed off by the photographer and director Anton Corbijn. Boosted by the success of ‘Headhunter’, which remains their most famous title to this day, Front 242 finally emerged from the shadows.

This 3 vinyl compilation showcases the entire Italo Hiits output to date. 6 Hi-NRG tracks across 3 plates; the quintessential soundtrack for the home (or dance-floor!) workout.

Recorded live in Birmingham, 8th of November 1997
Duration 45’30”

All Tracks written and produced by Daft Punk for Daft Life
Retouche Janvier

Published by Concorde Music Publishing for World excluding France
Delabel Editions / Daftmusic for France

Subterranean Odyssey is back with it’s 3rd release by Juaan… Hailing from Mar Del Plata in Argentina, he’s started to make a name for himself in Europe and beyond with his releases on highly regarded labels such as, most recently, Partisan.

The “Lorenzo EP” is dedicated to Juan’s newborn son and showcases his sound perfectly with a variety of different moods. This EP includes 4 tracks that are sure to be club (Ju)anthems in the coming months.

As ever, the artwork was elegantly designed by Madame Fourmilion.

Third iteration in OEW’s VA series, WITNESS03 brings over a fresh new quartet of heaters from another of its carefully curated cast of up-and-rising producers. Delving in the vaults of 90s rave, and spanning all things from atmospheric techno to spine-tingling bass, via electro, acid and further afield electronics.

Engaging first, CLJL flings a brick of breaksy sedition into the matrix with the mighty “System Research”. Fusing 303-emulated traction with jaw-crushing freq shifts, ruff snares and fluttering synth spirals gone astray, this one is pure woofer-busting material. Second in line, Naone “Silhouette” is an aggressive slice of dopey, bass-heavy cosmonautics, tailored to have the listener zoning out into a magnetic field of alien echoes, delays and reverbs.

Flip sides and here is LVCA and Sidd taking over your brainwaves with “Stranger” - a squelchy joint connecting the dots between Bochum Weltian spaciousness, pop-laced ethereality and a propulsive programming bound to astral project yourself into a whole other dimension. Last but not least, N-GYNN’s “Fire Rave” engineers a jagged and easy-going carnival of funkster machine talk, weird organic noises and sleazy boogie.

A staple of South Korea's electronic scene, Mogwaa debuts on Peggy Gou's Gudu label, following well-received singles on labels like Klasse Tracks and Star Creature. Follows the release of Peggy Gou's 'I Go' remixes (Soulwax, DJ Koze & Maurice Fulton) and new EPs on the label from Hiver and Brain de Palma.

22RECORDINGS, Capítulo I
“El infierno está vacío, todos los demonios están aquí.” W.S.

Sweat It Out up the perspiration levels to 10 with this modern day rework of Kwanzaa Posse's 1993 tribal infused 'Musika', by the much in form Yolanda Be Cool. A driving beat and dynamic bassline are interspersed with the Posse's euphoric chants firmly placing this a dancefloor destroyer.The first of three remixes comes from Babert. Turning Musika into a Miami Vice style synth laden boogie number, complete with uplifting piano stabs and a full bodied bass. Flip it over and things get a little more sinister. Both ideal for the basement club setting as much as they'd work in the big room clubs. GotSome revolve their remix around the chopped up tribal chants of Kwanzaa Posse - enhancing the expansive build ups and breakdowns to new heights.
To close it out, Dateless strips things back with a huge pulsating bass / kick combo whilst dubbing out the chants to be dropped in at choice moments before those heavyweight drops.

If it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change_Dre (he/him) and Vonne (they/them)_first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people_they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that "encyclopedic" barely begins to cover it _ not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think "Miami bass meets NOLA bounce"), but also drum `n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene _ which includes everything from punk rock house parties to the black "teen nights" that pop up in rec centers and ballrooms _ they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. "With this album, Vonne says, "it's really like, okay, you know how you talk about the internet breaking down borders? Here's what that actually sounds like. It's not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-squarefoot bedroom from the least cool city you could think of." Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks. Let the rest of them keep playing by the old rules_They Hate Change will keep changing the game.

Aquatic drums and romantic vocoders from a galaxy far far
away... This is what the yellow cargo lifter from space
brought you tonight. Are you accepting? PWRLDRs first
release is starting off strong with raw machines that’ll grease
your gears and bake your circuits

Repress

The enigmatic CEM3340 returns with his third LP. it's also the third outing on his very own Curtis Electronix, following a strong release from DJ Overdose himself. On the A side things kick off and go straight to the point with four highly sharped hard hitting jams, cut with the usual deadly precision. Firing snares and rusty 808 kick drums with a persistent old school feel; On the B side things morph and get more evocative with three classic-influenced electro bangers. No more words needed. Just drop the needle. This is Suburbs Disorder.

white transparent vinyl, limited to 500 copies.
Reissue of this club classic from 1988, remastered for 2021!

Distrito 91 presents the first installment os its Various Artists compilation series; "Our Own Algorithm" VOL.1

Once again Balkantek, Electro Techno and Tribe 2.0 take place here for a full party time EP

Uruguayans Luis Malon and Jorge Gamarra in his new alias Ecstatic are in charge of SUR’s ninth instance. House, Techno, Breaks, Electro and whatever ; Four mental and dancefloor tracks for the club or the afters.

Hamburg’s Polycarp Records delivers the ‘Never Ever’ EP by Bonn this January, backed with remixes from Johannes Albert and The Cruiser.
The Polycarp Records imprint was launched in 2016 by Simon Ferdinand and across its past ten releases has unveiled an array of material from the likes of Pleasant Systems boss Tilman, Frank Music founder Johannes Albert and Simon Ferdinand and Basch both under their own artist names and of course their collaborative project, Bonn. In 2019 Ferdinand and Basch inaugurated their Bonn guise with a debut album entitled ‘Forget Forgot Forgotten’, 2021 saw the release of a follow up EP entitled ‘Ravenous’ and here the story continues with the pair’s latest collaborative works.
The original mix of title-track ‘Never Ever’ opens the EP and lays down
crunchy, off-kilter drums alongside mystical atmospherics, an unfurling acid bass lead and loopy, fluttering stab sequences. Johannes Albert’s twist on ‘Never Ever’ follows next, the fellow German producer takes things down his signature cosmic, nu- disco path via bubbling arpeggio lines and 80’s tinged resonant leads melded together with fragments from the original composition.
‘Phero’ then opens the flip side and sees Bonn deliver a twitchy house
workout fuelled by fidgety synth bleeps, dubbed out chords and bumpy,
saturated drums. Last up to round things out, The Cruiser turns in a
high- octane interpretation of ‘Phero’, upping the tempo and reshaping the original’s raw elements into a murky, dynamically unfolding thumper.

Well who would have bloody thought it. 20 releases on Holding Hands. That is bananas to be typing that out. It’s been a hell of a ride and I am over the moon to be able to confidently sit here and say that I still absolutely love every single release that has been put out since the first back in 2017. What a bunch of absolute slammers!

As a true cultural flagship medium, Arte expands its Arte Concert music offer with the 3 first volumes of its new vinyl collection ! A selection of Jazz, Soul & Electro Crème de la crème of ARTE TV

Ko Shin Moon was born in 2017, at a crossroads between traditional Eastern strings and electronic music machines. After spending four years in India collecting folk instruments, Axel Moon discovered that his old friend Niko Shin had started a recording studio filled with analog synths and vintage gear. From this private haven, Ko Shin Moon create otherworldly, hybrid melodies where psychedelia meets space disco. Their credo: eclecticism, cosmopolitanism and hybridity. In this musical journey, repertoires, genres and times blend and form a new language.

In 2020, Ko Shin Moon started a series of EPs called Miniature. With this new body of work, Ko Shin Moon are paying tribute to pop and folk cultures from Maghreb to India, gently inviting listeners to travel through space and time. Each Miniature is a short, accessible format exploring the musical traditions of a different territory. The tracks are a dialogue between traditional instruments, vocals and electric / electronic sounds. For this series, Ko Shin Moon collaborates with craftsmen and craftswomen of a living musical heritage.

Miniature #1 was released in 2020 and is the child of encounters with Sara El Rawy (vocals), Mouna Hawa (vocals) and Amin Shahin (arghul) revolving around music traditions from Egypt and the Levant. Released this June, Miniature #2 is a free and humble exploration of Kurdish, Turkish and Greek repertoires. Ko Shin Moon deliver both original compositions and reinterpretations of traditional songs, in collaboration with Istanbul and Paris-based artists.

The vinyl 'Miniature I & II' brings together Miniature #1 and #2.

repressed !

Lay Down The Groove – aka Juan and Matteo, Colombian transplants in Melbourne, Australia – bring a poised US house sensibility to this 5-track EP on their eponymous label, Lay Down The Groove. The legacy of Chicago legends like Gemini and Glenn Underground is palpable in the breezy grooves of ‘The 6-61’ and ‘Space Between’ on the A side, while the jazz-funk of Detroit shines through on ‘Noise In The Data’ and ‘Hidden Lines’ on the B. Finally, ‘No Hard Feelings’ unifies the two sounds to drift off gently over the horizon.

repressed !

Paranoid London’s PLEDIT series has been a staple for DJs ranging from Tiga to Ben Simms, Marcel Dettman … even Solomun bought a bunch! Devastating dance floor must-haves that just keep coming.

Qasio, chilean producer and DJ based in Berlin makes his debut on 3n0 Records with Sky Patrol, an EP consisting of 4 tracks produced between 2017 and 2021 in Santiago de Chile and Berlin. This work, influenced mainly by acid sounds and rhythms that fuse house, techno and trance, travels through complex and surroundings structures in an atmosphere of apocalyptic science. Abstract sounds evoking landscapes of the future generate a journey of diverse and emotional intensity, conceived as a dancefloor tool.

Transmission number four! Cee Breeze and Midi Drifter coming at you with archive jams...

Produced in London circa 2018-2019BC. From bleep to UKG and a lickle acid assortment, the duo has got you covered from the living room to the rave.

Kavinsky (1968 - 1986)
Rest in peace.

Kavinsky died in 1986 in a car accident, at the wheel of his Testarossa. He reappeared in the skin of a zombie in 2005, for the release of his first EP " Teddy boy " on Record Makers.

Teddy Boy marks the entry of Kavinsky on the French electronic stage. "Testarossa Autodrive" makes the unanimity and forges the artistic print of the artist, Mr Oizo / Quentin Dupieux will make a remix. It follows this EP which Kavinsky will enter into the "French Touch" and will begin to be known, in particular with the amateurs of the worlds.

Maruwa bows at the altar of ‘90s prog house and IDM. Classically trained as a pianist, the St. Petersburg born Frankfurt based artist has made it her mission to join the dots between big room rave and a decidedly off-planet approach to melody. Now, making a debut for X-Kalay, that journey continues...

‘Liquid Night’ genuinely sounds like something you might have heard during Love Parade’s golden era. Meshing noirish sci-fi atmosphere with trance synths and EBM flex, the shadowy territory it occupies also carries through to A2’s ‘Midnight Caller’. That said, the followup cut evokes an essence of ‘90s dancefloor utopia, balancing euphoric melodrama with tough, propulsive NRG.

Taking inspiration from mid-‘90s acid prog, ‘Tricky Question’ summons the divine wide-eyed and sublime – less urgent, but still imbued with that '90s halcyon daze. Rudolf C then rounds things off with a fathoms-deep remix. Ushering ’Tricky Question’ into that techy space he navigates so well, the Salt Mines co-founder provides his own spin without losing the essence of the original.

Bristol's Gilbert turns in a very classy EP of deep and nostalgic IDM cuts - just how M>O>S like it! Really Big TIP!

Self-titled long player by long time player funkyd͡ʒɑ̆n. Contactless hits in various tempos.

Assemble Music brings together four more producers at the forefront of today's fine minimal/house/electro scene. Eklo boss Seuil kicks things off with JAM, a slowly-unfolding confection of metallic percussion and rolling bass set against a meditative, minor backdrop. His fellow Half Baked resident Robin Ordell brings a tipsy-sounding vibe to MOBSIW, each element swaying its way around the others in an off-key dance. Les Points' Barbir adds Detroit hats to a no-shits-given breakbeat and suspends it in time, before finally a 4/4 kick comes to put feet back on the ground. Finally, Traffic founders Martyné and Jacob draw on more contemporary breaks and electro influences on ELECTRONETTO, with that laissez-faire swing with which their label has become synonymous.

A choice 4 tracker of sought after italian house productions from 1993 - 1994 !

In the nineties, renown DJs and producers Leo Mas and Fabrice, gave life to a group of successful music labels. Muzak, Pin Up, Models Inc., Spock and Informal became legends in their own right. Ultimo Tango decided to open their vaults and bring its contents back to where they belong: dancefloors all over the world.

The first in a long series of future releases, “Non Volevo Ma Volavo” captures 90’s Italian dance subculture. Sunburnt shoulders, flashy Fiorucci shirts, colorful cocktails and moderate doses of ecstasy: this small pill of pure euphoria will bring you back to the golden age of the electronic “dolce vita”.

For Hooversound’s ninth release, SHERELLE and NAINA welcome San Francisco-based DJ and producer Chrissy to the family for the label’s debut album release. Coming out on the 27th October, ‘Physical Release’ blends elements of ravey techno, house, and jungle that have run through his previous work. The final result is an exploration of what our scene’s physical spaces mean and how they feed into themes of politics, family, connection and joy.

Speaking about the album Chrissy says,
​​"These songs were inspired by our scene's physical spaces: the warehouses, clubs, record stores, late night cafes, lofts, and friends' living rooms that let us connect to each other, experience the joy and wonder of dance music culture, and find our family.

I've seen these spaces gradually decimated by cops, property developers, cynical corporate brand partners, irresponsible promoters, and a global pandemic. The end result is a dance music culture that feels more online and disconnected, culminating in over a year without any physically shared spaces.
Encouragingly, I've seen many in our community finally acknowledge a painful reality: our scene has failed to live up to its utopian ideals, and to protect, value, and uplift all of our peers. No matter how fondly we remember our first raves, the culture was and is broken, and it's our job to fix it.

So while this album may feel like a paean to a bygone era, it is more a reflection of optimism about the future: a hope that we can rebuild our scene and our communal physical spaces with better priorities and better values, so that everybody can experience the euphoria, joy, transcendence, and physical release of the dancefloor."

The album opens with a quote from artist, author, and transgender activist Edie Fake, who also designed the artwork for ‘Physical Release’. A fellow Chicago-to-California transplant, Edie’s previous work has dealt largely with physical spaces, including historical queer nightlife spaces.

Manuel Darquart joins the Planet Trip massive with a healthy slab of signature jam hot, house and boogie. With lashings of dream-like sonics throughout and energetic drum work forged together to create pure balearic pleasure.

The A side welcomes three smoothed out, windows down slappers, set steady for a long drive along the coastline. On the flip they dial up the tempo and whip out the 707 cowbell in the heaving title track “In The Post.” Euphoric vocal and swelling synth send your mind into the ether. The closer; “Full Pints, Full Hearts” comes as close to capturing the essence of 90’s dream-house without getting in a time machine. Piano stabs from heaven and a chant calling us to enjoy the good times. Tip!

Budget Cuts is honored to present the debut EP from New York’s finest, Alien D. In a commanding vinyl debut, Alien D conjures new worlds on D’s World which boldly traverses the territories of breakbeat, techno, and Baltimore club. Deep subs, slowed breaks, and Hazy stabs. In the eternal words of Alien D: “Another World is Possible”

Daniel Creahan is an artist whose musical output takes many different forms. Creahan formed the noise group Mind Dynamics and went on to release solo material under the moniker Stress on Embalming lately and Bootleg Tapes. The Alien D moniker emerged in 2018 with a focus on amphibious textures. Most recently, Creahan co-created DeKalb Works with and releases a stunning album for Where to Now? In 2020. Creahan is a central figure in the New York underground scene as both an artist and co-founder of Sweat Equity records.

"D's World tones down hard-hitting dance floor cuts with dazed melodies, balancing older sounds with the new” - Padideh Aghanoury (Resident Advisor)

"Hard to pick a fave, between Berger's Breaks, Conga Dance and Magnet Dance, I love the melody of Magnet Dance and the overall mood and groove of the record" - Louise Chen (NTS, Rinse France)

"magnet dance for me" - Posthuman (Balkin Vinyl, I Love Acid)

"Dope EP!" - Santiago Salazar (UR, Dublab)

"A vous Cognacq Jay" welcomes you to the French Discotheque ! Expect this high energy cocktail "à la française" of obscure edits from 80's FM hits fails or variety vibes, fused with infectious basslines and new wavy synths flavors !

On his debut 12" EP, Chicago producer and bike messenger DJ HANK captures the feeling of racing against traffic and, as he puts it, "trying to make it out alive with the chaos of the city going around you."

DJ Hank grew up in North Carolina, Eastern USA. As a teenager, he began making rap beats on pirated music software while also DJing and playing keyboards in experimental punk band Whatever Brains. In 2011, at age 18, Hank moved to Chicago to pursue a career as a bike messenger. In a city dominated by 21+ clubs and venues, Hank gravitated to the famous footwork hub Battlegroundz due to it's all-ages inclusivity and raw energy. DJ Rashad, DJ Spinn and other luminary figures of the footwork community spun weekly, while dancers spanning multiple generations and crews battled it out on the dance floor every Sunday.

Through the underground network of Chicago footwork events, Hank became a close and frequent collaborator with international footwork collective Teklife. He has released music on Teklife's record label but isn't a member of the group itself. In similar fashion, he's loosely affiliated with dance group Take Ova Gang (TOG) founded by DJ Manny. Hank maintains a fluid relationship with the footwork culture from which his sound draws. Beyond collaborating with his friends, Hank has collaborated with Chilean rapper Catana, Berlin-based DJ Paypal, and Floridian DJ Orange Julius.

On "Traffic Control," however, Hank explores a wide range of sounds, from melodic to experimental, influenced by everything from UK Garage and Grime to Ghetto House and Snap music (or Southern Hip hop production in general). Artists like Kode9, MachineDrum, and Sherelle have been supporters of Hank's music, playing his tracks throughout multiple recorded sets. In a live setting, Hank has shared the stage with such influential acts as Loefah, DJ Deeon, Sporting Life, DJ Spinn, Traxman, and pioneering footwork artist Jana Rush, who has been both a friend and mentor to Hank during his formative years in Chicago.

Innervisions is back with the 13th edition of our Secret Weapons series. A motley team of familiar and new faces pave the way and deliver a conceptually mixed sound spectacle. Inspiring cuts which built the fundament of long and excessive hours on the dance floor, key tracks to create magic moments.

Copenhagens own dj legend and veteran producer KIM KEMI releases another jacking and euphoric banger- ONLY SMOKE - his stylish and subtle sound design and varied arrangement take hints of Robert Hoods minimal riffs and flesh out a full funky arrangement taking us on that classic luxurious sonic journey. Pres play and trigger the
smoke machine - or the soap bubbles.
Martinez ́s remix is a more electro affair that could blend well with classic Underground Resistance releases. Watch out for the acid topline. Martinez is a Swedish electronic music producer and DJ, currently based in Copenhagen. Martinez kick started his carrier
in 2000 with his "Laidback Grooves EP" on the notorious Chicago based Deep-House label Guidance Recordings.
Asmus Odsats remix of SMOKE KILLS is taking the track in a more broken but funky IDM territory, breaking the track down adding avantgarde dub details over the stuttering beat.
Asmus Odsat is a former resident at Culture Box and co-founder of Ritual Malmö as well as the BULK club night releases via. FALK DISKS, the club focused sub-label of FALK (Fuck Art Lets Kill) with his ‘Ecstatic Half Truth’ EP, is played by Courtesy - even in her BBC Radio 1 show mix.
An added bonus to these 3 unique remixes is Kim Kemis beautiful
Tropical Tucan, a perfect opening track fusing sensual chilly Detroit pads and jacking understated beats into a growing glowing mind-state that is worthy of a Carl Craig spin - let it ride - don't miss the climax - you will end up looping it. An essential tool. Enjoy!

Seekers Deliver Another Double Treat: A Beautiful Lp Recorded Somewhere In Usa....hope You'll Enjoy As Much As We Do.

Ugly Music considers Sir Lord Comixx one of their own homegrown talents. Amoon has graced many a dancefloor with his professional dancing performing alongside Jazzcotech, Willie Ninja & Crazy Legs. He has been producing underground house for nearly three decades, his creations having garnered support from DJs across the spectrum from Carl Cox to Danny Tenaglia by way of Carl Craig. Most recently Matt Edwards has released a retrospective series of Amoon’s past releases on R-Time Records.

This E.P. is a classic example of Amoon’s trademark deep sounds for the discerning dance floor and is sure to become a future classic.

TC80 returns to Cabaret Recordings for the 24th release.

Big Ever is the new moniker of Sydney born, Berlin based music producer Thomas McAlister. Over 2016-19 Big Ever released a string of EPs and singles under the name Cop Envy; through Black Opal, Templar Sound, Cry Baby Records, Decisions and Hypercolour. Incienso is hyped to release the debut Big Ever EP “Otto” as the first in our run of very exciting records coming out in 2021.

Coming through with four distinctive and vibrant club tracks primed for all hours of the night or early morning, Big Ever lets loose on 2021 with a bold and unique take on percussion, bass, and ambiance working in unison to extraordinary effect.

Written, Produced and Mixed by Thomas McAlister
Mastered by Rashad Becker
Artwork and design by Ezra Miller

Dawn of Chromatica ist eine Neuauflage von Lady Gagas sechstem Studioalbum Chromatica, welches von BloodPop produziert wurde. Mit einer Pop- und Hyperpop-Produktion enthält das Remix-Album Kollaborationen mit zahlreichen Künstlern wie Arca, Rina Sawayama, Pabllo Vittar, Charli XCX, Ashnikko, Shygirl, Dorian Electra und Bree Runway, während die Features von Ariana Grande, Blackpink und Elton John aus dem ursprünglichen Album beibehalten wurden.

Mit dem Album will Gaga ihre Liebe und Unterstützung
für jüngere Künstler zeigen. “I invite you to dance to this album in celebration of young artists all over the world. Artists who see
the world, feel the world, and put that feeling into something bigger than all of us: music.” - Lady Gaga

Emerging from the shadows with 2021s ‘Bring Me Sunshine’ album, electro duo Sons of Slough see their debut 12” back in print via Perko’s FELT label. A quiet highlight of turn of the millennium-era British dance music that takes cues from the New York and Detroit schools of thought, ‘Live EP’ is rough, heavy and proves just as effective on the dancefloor two decades later. The Sons played shows with Richie Hawtin, Two Lone Swordsmen, Dave Clarke, The Chemical Brothers and more, often performing (as the title might suggest) in a live context. Indeed, the A1 cut ‘Snares and Temptations’ was a regular fixture, reportedly taking the roof off the place at the first Dedbeat Weekender as well as some of the worlds ‘less congenial establishments’. It's a sharp, low-end laden assault on the senses making great use of a distorted vocal sample and Drexciyan-like drum programming. The other three cuts are equally as powerful, vocoders and 'squelchy messes of clicks and whirrs' aplenty. The second instalment of FELT, 'Live EP' hints at the stylistic breadth yet to come via Perko's newly christened aural lovechild.

represse soon.. The zombie strikes back with a new EP. After months of studio work on his forthcoming album, he & Record Makers have decided to release 'Nightcall' as an apéritif

Vinyl Only

UBU004 features Portuguese legend Pedro Goya delivering two perfectly crafted originals titled 'Boof Bonser' and 'Carousel'; with Argentinian, and Berlin based, Federico Molinari rounding out the EP by adding his signature touch to Carousel.

1996 - 2016 : 20 years of success with over 20 million of records sold all across the globe! Thanks to key partnerships, during its first 20 years of business Do It Yourself had the pleasure to represent, promote and/or publish artists the likes of Calvin Harris, Sia, Deadmau5, Omi, Eminem, 50 Cent, The Black Eyed Peas, Mary J. Blige, Stromae, Sting, David Bowie, Queen, Shaggy, Puff Daddy, The Roots, Moby, Toni Braxton, Underworld, Emilia, Marilyn Manson, Blink 182, Bob Marley, Lisa Stansfield, Enrique Iglesias, Ricky Martin, Gabrielle, Modjo, Bel Amour, Aqua, The Specials, Sugar Babes, Babybird, Nelly, The Notorious B.I.G., N-Sync, Safri Duo, The Bloodhound Gang, Sonique, 5-Five, Janet Jackson, Snoop Dogg, FloRida, Wiz Khalifa, Nicki Minaj, Dale Saunders, Bruno Mars, Akon, Lil Wayne, T-Pain, Kelly Rowland, Trina, Dwaine, Coolio, Public Enemy, Ola, Mr. Oizo, Inna, Edward Maya, Sak Noel, Guru Josh, Fragma, Paradisio, ATB, Scooter, Lutricia Mc Neal, Armin Van Buuren, Hardwell, Nicky Romero, Roger Sanchez, Todd Terry, just to name a few. Do It Yourself brought to success artists such as GALA (Freed from desire, Let a boy cry), THE SOUNDLOVERS (Run-away, Surrender), REGINA (Day by day, Killing me softly) CAROLINA MARQUEZ (S.e.x.o.), MOLELLA (Discotek people, Love last forever), MIRANDA (Vamos a la playa). All these artists and songs were able to make the history of the dance scene, not only in Italy, all that much to become real 'classics' of the 1990s and 2000s. Do It Yourself is also partner and co-owner of smash-hits such as 'I know you want me' by PITBULL and 'Seek bromance' by TIM BERG (better known as Avicii). To celebrate such an important goal let's go back to origins with a limited vinyl edition (12' - mix) selected by the man who wrote the history of Do It Yourself and beyond: Max Moroldo. 'It was difficult to chose among the hits we released in the past 20 years. Every single has its own history, often an amazing one, so almost all our tracks would be worth a new release - if only I could. I picked up the tracks I am particularly close to (further to 'Alors on danse' by Stromae, 'Lady' by Modjo, 'Bornslippy' by Underworld, 'Played-a-live' by Safri Duo, 'Sandstorm' by Darude, which we do not control anymore), because they were real challenges...and I won! The first two releases want to be a tribute to great international artists, which I had the pleasure to bring to success in Italy: GURU JOSH (earthly name Paul Walden, who recently passed away) and CALVIN HARRIS (on my opinion the most complete pop-dance artist in the last 10 years)' Moroldo explains.

Kleos Recordings presents their first vinyl.
After many digital releases, we are proud to present "SUBJECT EP" on vinyl form produced by Pierpaolo Bonelli and Joy Rainman.
Underground and dark sounds that will destroy the dancefloor.
The EP contains remixes by Daniele Kama, A.D.M (Italy) & F.T.G. and Fnkey. Get ready to play our first record.

Back in stock soon!

Vilamar finally step out from the shadows with a debut of rigorously sustained bass pressure. The product of endless smokefilled studio sessions in Lisbon’s industrial Eastside, each cut is imbued with the contrasting glint and grime of the nearby river port. Whether it’s the earthy breaks and grinding half-step of the A-side or the water-drenched dub and dnb on the B, Vilamar take a wrecking ball to the monotony of the club, breaking a new path out into the rave jungle beyond.

Automat's "Modul Remixes #2" package presents the heavyweight producers Acid Pauli, Detroit's own Terrence Dixon, DeWalta, Shahrokh Dini and Dubvisionist, from the respected Echo Beach label, blurring the boundaries between peak time club music, dub, techno, electronica and house.

Automat - Jochen Arbeit (Einstürzende Neubauten, Die Haut), Achim Färber (Phillip Boa & The Voodooclub, Skip McDonald) and Georg Zeitblom (wittmann/zeitblom) - operates like a well-oiled machine: it buzzes, it whirrs, it follows an unswerving course. Together with modular magician Max Loderbauer and Paul St. Hilaire aka Tikiman, Lydia Lunch and Mika Bajinski on vocal duties, they now present "Modul" their most varied and consistent album, on Compost Records.

Automat operate like a well-oiled machine: it buzzes, it whirrs, it follows an unswerving course. On its fourth album however, the trio shifts down a gear, further refines its musical approach and partners with other figures from the world of adventurous music. Besides Candy Bomber Studios neighbour Max Loderboder - with whom Jochen Arbeit, Achim Färber and Georg Zeitblom have already worked together in 2015 for an EP -, they are joined on the microphone by dub legend Paul St. Hilaire aka Tikiman, the undisputed queen of gutter poetry Lydia Lunch and the newcomer Mika Bajinski. They all contributed to the recordings according to the guiding principle which lends its name to "Modul": the eight pieces were written collectively based on a building block system that dynamically set the compositional process in motion and evenly divided responsibility between all participants. The result is a musical perpetuum mobile - an album with the steady resting pulse of a dub production that always stays on the move.

Tunisia based Jihed Monser aka HearThug swaggers aboard Sex Tapes From Mars for the wax-only label’s fourth release; a robotic excursion into gritty, tongue in cheek vocoder, bolstering acid lines and vintage pad swoons.

Heading straight for the dancefloor, it opens with “Computerized Souls”, going notably heavy on the drums and low-end, with acid madness at the forefront and alien sounding melodies enabling the eeriness.

“Generation Of Robots”, is flooded with sci-fi melodies, retro B-boy references and rinsed-out,16-bit, bouncing unfettered tones.

On the flip, “Buzz! Look An Alien (Oh No - No Mix)” neatly fits either the warm up or early hours, filling the low-key, understated spaces it reaches with plenty of esoteric colour and character.

“The Dreams Let You Die” is a poignant closer, sampling Angelo Badalamenti’s iconic Twin Peaks theme to maximal effect. It’s full of moody bass melodies and exquisite, chugging percussion, marking a slinky finale to a highly versatile and

Klasse Wrecks' first release of 2023 comes storming out of the gate, hot on the tail of Mr. Ho's previous album and his collaborative 'Eu-Li' EP with Mogwaa. 'Angel Number 909' is a collection of three versions of one track, the over-riding element in the EP is an incessant and catchy acidic synthline that bounds across racketing breakbeats and galloping basslines. Alongside the 'US Breaks' version is an old school influenced 'Acid House' version as well as a moodier 'House' mix. Three pedigree tracks that will be sure to go the distance on any dancefloor...

For the next release on Pleasure Club we are very happy to be reissuing some tracks from Anthony Boninsegna aka Nine-L.
Originally released on Metatone in 1993 and 1994, the 'Houston, We’ve Have A Problem' and 'Looking For Lord Lucan’ EPs have gone on to
become rare collector's items.
Now we present a selection of tracks from those records plus one which has never been before released on vinyl.
Enjoy...
Pleasure Club <3

Either gray or black vinyl colour.

The real ROBOTRON has been active since the 90s and now back on track to refresh some PORNOGRAPHIX action with serious 80s power by THE EGYPTIAN LOVER – delivering pure egyptian sexiness on V1.0 and lo-fied cybersonic harassment via V2.0 on the third release out of ROBOTRON’s home base called SKYNET CYBERSONIX.

Skynet T.3 is a juicy object of desire – limited to 200 x 12″ on black or silver marbled vinyl. Each record comes with a numbered sheet and a bonus sticker adorned with the original hand notes by THE LOVER himself. 50 randomly enclosed DIN A2 posters even exist – WATCH OUT and DO NOT trust any other ROBOTRON copycat out there!

Sleaford Mods have covered The Pet Shop Boys" iconic West End Girls, with proceeds from the single going to charity Shelter. If the original is a sophisticated exposé of the 80s Britain, the duo have skilfully distressed the shimmering classic with sharp synths and scuffed-up vocals to mirror our own dysfunctional days. Not only did the Nottingham duo"s West End Girls meet with Neil Tenant and Chris Lowe"s personal approval, but the pair were inspired to create a remix which features as a B-side.

23 große 90er Tanzflächen Füller. Zumeist als Radio 7" Edits

Club Sounds - Best Of 90sErstmals veröffentlicht Club Sounds die Essenz der besten 90s Tracks auf einer fantastischen Doppel-Vinyl. Limitiert auf 1.000 Stück, mit den größten Hits wie Snap! - Rhythm Is A Dancer, La Bouche - Be My Lover, Culture Beat - Mr Vain, Scooter - Hyper Hyper oder ATB - 9 PM.Die nächste 90er Party kann starten, mit herausragendem Klang auf 140g Vinyl!eben...Best Of 90s!

For his debut album Dip Shim digs deep into his past for his most personal release yet, drawing on his childhood in Spain for a genre-bending album of electronics, combining influences from house, techno, electro, downtempo, and ambient to create one of the year’s most essential releases.

Dip Shim, who also runs the Bolero record store in Malmo, Sweden, pushes and tweaks those silver boxes to create music with one foot in the past but looking to the future, from the fluid acid house of Dalaplan Jam and Bubble Gate, uptempo electro jams like BDP Fast Life and Tusso Arcade Force, to meditative joints such as One For Regen and Impossible Connection.

But although the album is eclectic, these 12 tracks are underpinned by Dip Shim’s unique hardware-led sound, proving he’s an artist with depth and longevity.

If it's really a post-genre world, why does everything sound the same? The two halves of Tampa rap duo They Hate Change_Dre (he/him) and Vonne (they/them)_first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people_they're sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they've been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that "encyclopedic" barely begins to cover it _ not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast's twerkably raunchy answer to house) and crank (think "Miami bass meets NOLA bounce"), but also drum `n' bass, Chicago footwork, post-punk, prog (they're, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. Once they graduated to DJs on the Tampa DIY scene _ which includes everything from punk rock house parties to the black "teen nights" that pop up in rec centers and ballrooms _ they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. "With this album, Vonne says, "it's really like, okay, you know how you talk about the internet breaking down borders? Here's what that actually sounds like. It's not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-squarefoot bedroom from the least cool city you could think of." Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks. Let the rest of them keep playing by the old rules_They Hate Change will keep changing the game.

Brian Kage’s fourth release on Michigander Music “303 in the 313 EP” features 4 uniquely gritty and acid-soaked manifestations of mid 90’s Detroit. This exercise in analog monosynth mastery directly connects the grittiness of the urban landscape with the raw spirit of creative freedom.

Detroitasaurus starts the record off with a subtle prehistoric soundscape, steadily building rhythmic tension using hypnotic toms and melodic drum patterns. Razor sharp 909 hats hammer down there through the sonic mist as the journey continues to build. Shrieking jurassic trumpets cap off each of the peaking climbs to reveal metallic broken-down structures that are bound together with oscillating 303 threads and a grooving bassline.

Van Dyke Vessel features an atmosphere of textured percussion and metallic analog synths that wind around a deep square bass groove. Suddenly, truncated growling vocal samples start to collect into the catchy phrase “Let’s take this to outer space”. Swelling pads give way to squealing acid as this track transports dancers to a nostalgic melodic dimension.

Delray Dance undulates with thick bass slowly building into a body focused groove as it winds up and gives way to a rugged 303 saw with fluttering Spanish style synth stabs. Classic Detroit pads continue to swell, adding to the tension and leaving enough sonic space for melodic mixes in and out. This tune is the perfect tool to transition between genres.


Zonin breaks the mold by combining old-school electro vibes with a heavy dose of acid and freestyle hip hop. Heavy broken beats are combined with a rockin’ nostalgic bassline and layered party vocals that transports you to the center of the dancefloor on the best night you’ve ever had.

We are excited to come back with the twenty eighth release in the label catalog and this time it is the second Ten Walls album called “Lights For The Dreams”. Album contains nine original compositions, each of them has its own character and a story to tell. And they are mixed into one evolving journey. A lithuanian electronic music composer and live performer Marijus Adomaitis world-wide known as Ten Walls has always been delivering a highly sophisticated sound and this time is none other. Even better - the variety of soundscapes throughout the album brings emotions of fulfillment and leaves one somewhere out of this reality. It is definitely the highest point of creativity where every single detail matters as well as the whole picture, from outmastered usage of today's technologies to the artful and conceptual point of view. While using less, the author somehow manages to reach the most of it and in his own way.
“Lights For The Dreams” is full of different textures and colors, yet keeping a similar tempo in most of the tracks, giving a few chills in the middle of the album with “Loot” and closing it with “SSV Normandy”. Most of the compositions keep the spirit lifted up in uptempo moods with tight rhythms like “Halo”, groovy arpeggios from “Daily Rehearsal” and touching atmospheres in “Jorge”. As mentioned before every composition is exceptional with its own freedom of mindset. The title track “Dreams” brings recovered electro vibes, precisely constructed structure and spills symphonic greatness above the minimalistic groove. The introductory “Neighbourhood” is all about what feelings sound like, a mixture of electro-acoustic soundscape grabs attention from the very start of the vinyl. The following “Teacher” continues a similar soundscape but in a totally different manner and genre. While dark and dashing “Dungeons” fills the gap of dubby Techno with a well crafted wide spectrum of moods.
“Lights For The Dreams” was mostly inspired by a video game “Moonray” that Marijus was creating a soundtrack for. “The music in this album represents a very creative period of my life where I just couldn’t stop recording new music. One of the big inspirations was a video game called “Moonray” that used part of this album in its soundtrack. It’s a very exciting period of my life.” - says Ten Walls. Album contains nine compositions while the soundtrack for the video game contains 30 original pieces with 10 minutes introductions for each one. “Moonray” is a surreal 3rd-person action RPG set in a fantastical sci-fi world. The early release of the video game is going out in the mid of summer 2020.
The full-length album is divided into two parts and pressed into vinyl. Though it is mixed into a continuous play, the vinyls have fine marks at the start of every composition so that one could drop the needle exactly at the start of any track.
Ten Walls “Lights For The Dreams” is available in physical vinyl format with the following digital release. Enjoy the music!

Floating Points veröffentlicht eine neue 12" EP auf Ninja Tune! Sam Shepherd aka Floating Points veröffentlicht mit seiner neuen 12" "LesAlpx / Coorabell" seine ersten neuen Tracks seit 2017! "LesAlpx" ist der nächste Schritt in einer Karriere, die Shepherd im Laufe der Jahre als einen der überraschendsten, innovativsten und kompromisslosesten Künstler der elektronischen Musik etabliert hat. Der unbestreitbare Groove des Tracks erinnert an Breakout-Tracks wie "Nuits Sonores", die die Tanzflächen auf der ganzen Welt eroberten und gleichzeitig mit der anspruchsvollen Handwerkskunst und Produktionstiefe voranschritten, die Floating Points weit über die Clubbing-Community hinaus Anerkennung verschafft hat.

Exit Planet Earth continues its exploration of the world of electro universe with an expansive, extended six track EP, featuring The Advent x Zein Ferreira, DeFeKT, London Modular Alliance, Konertymi and Zobol. The Advent, whose weekly Gardening Club residency in the mid-90s helped to drag electro out of the realms of the retro and back into the future, team up with Zein Ferreira for a Kraftwerk-on-speed extended mix of 'CarpeDiem', before London Modular Alliance's more moderately paced but still squiggle and bleep laced 'Lump of Coal' plus a 'beats' breakdown for the DJs. The B-side brings us the acid-powered 'Pulssi' by Konerytmi, the bouncy, breakdance-friendly 'Radar' by DeFeKT, and the relatively pure, optimistic sonics of Zobol's 'Data Wars'. Thumbs up all round.

Our fifth release sees FTVA evolve with a four-track release from label co-owner Samuel Jabba. Based on his journeys into the mind and the unknown.

“Accept the existence of the void as a real entity, in which atoms can move and rearrange themselves”.

Nothing will stop the globalization of rave? An independent Moscow label continues to answer this question - and invites a very busy person, this time from Italy, to show and tell why the answer is always yes.

Riccardo's can be an example for many artists both musically and in terms of productivity. Co-founder of Imprints Records and the owner of Metropolita, Amazing Stories, and Elma Rivaga, he has composed 4 floor compositions under his new alias - Trascend∆nce. These compositions he calls "energetic and hopeful to dance again” and he definitely didn't bend the truth with that statement.

Sublabel of Undersound Recordings devoted to electronic music on 10" format.

The tracks are inspired by the artist's childhood memories of walks on green hills many years ago. While they are produced with different approaches, both from the digital and hardware world, they paint a personal picture of the artist's personality.

The genre re-defining chameleons of Hard Ton are back on Schrödinger’s Box with their own brand of style splitting acid house disco. Bigger is Better, a double EP album, has all the depravity and drama you would expect from these disruptors. “Waking Up The House” melts claps, cowbells and vocals over a molten melody. Bold stabbing keys are central to “The Right Thing”, lyrics spiralling skyward as a bitter acid line pulls the track down into the sweaty pit of the club. That TB303 goes into overdrive for the wonderfully demonic hedonism of “Bypass My Love.” Two-stepping jack is given a voice thanks to the breathy words of Josh Caffe as fanfare rains. The understated “Let Yourself Go” is a distant cousin of the bawdy and brutish “I Know A Bitch”, the heavy bass and cutting samples of the finale recalling the basement bruisers of Chicago.

Off The Grid christens its record label with a first release composed by very close people to the heart of its functioning. On the A1 we find a melancholic optimist house cut, made in collaboration by Ancut, head-mastering engineer from Analogcut, and Onirik, OTG’s head honcho. A2 features Onirik’s solo offering, a trippy dreamy off kilter cut, ideal for warm-up or early hours. The B-side belongs to Views, already responsible for a couple of releases on Garage Hermétique, one of the founding labels of Off The Grid, who wraps up two tracks full of atmospherical punchiness, clubby IDM, with his signature acid basslines and storytelling.

For their 18th vinyl release, Hard Fist welcomes Guadalajara-based producers Vongold and Fargo Devianti in the family, including an impressive remix by Jennifer Cardini and Damon Jee.

Dj, producers and performers, the Mexican duo releases collabs on Correspondant, Hard Fist, Rotten City, Her Majesty’s Ship and more. Vongold is all about low-tempo dark disco, anxious lyrics over bass lines and hundred vocal gems ; while Fargo Devianti is a magician mixing guitars, synthesizers, drums and voodoo percussion.

“Taste of Butter” is their first full EP together. Vongold’s haunted vocals stress Fargo Devianti hypnotic percussion. Together they create a psychedelic journey into mind landscapes with eclectic influences like avant-garde rock, post-punk, krautrock and darkwave sprinkled by psych folk eastern melodies and ritual percussions. This EP is probably the most rock and new-wave oriented ever released on Hard Fist.

To conclude, Jennifer Cardini and Damon Jee brought a powerful remix influenced by Detroit’s electro and breakbeat roots. Once mixed with the trippy sounds of the original version, it opens a fresh new door into the field of “dancefloor killer” music.

“24” is Minuit Machine’s 4th LP. Electronic masterpiece, subtle mix of dark wave, techno and electropop, “24” is both surprising and seductive. Authentic, emotional and powerful, “24” is a real immersion into Minuit machine’s dark, dystopian and futuristic world. Through this LP, Hélène and Amandine are facing all obstacles and disappointments life brings on their way. Each track is a self-affirmation, a rallying cry and an urge to live. The instrumental part is clearly marked and contributes to create the band’s unique sound. The strong beats are a call to dance while the synths, stabbing and emotional, will definitely move you. Finally, the deep basses give the tracks an “EBM” touch. Vocal lines are more pop, with less reverb. They are meant to obsess and stay in your head all day long. They were thought of as a 90's dance music chorus, but with feelings. As usual, the lyrics are very personal and describe several states of mind. Since their creation, Hélène and Amandine kept on reinventing themselves in order to translate their inner questioning and emotions into music. From this point of view, “24” could be Minuit Machine’s most accomplished work since each track sounds like a confession.

The first compilation EP by S.Korean label Walls And Pals, exploring various forms of dance music from gritty house to techno, sunset electro and funky burner.

In this day and age it's hard to find dance music this
emotional, warm, beautiful and deep. Brooklyn's tape_hiss
delivers his signature sound on this timeless five tracker.

An echo through the ages, channelled and tuned by Young Marco. Feelings of tactile, loved-up naivety, transferred to musical waves of colour, rhythmic energy, and hallucinatory aural visions. This is ‘I’m Still Mellow’ and the psychedelic yin to its’ yang, reverse alternative version ‘Wollem Lits M’I’.

Both are imaginative 21st century takes on ‘Mellow’, a long-forgotten Amsterdam-born sub-genre of dance music that took the house template and re-imagined it for Dutch dancefloors in the early ‘90s.

Heavenly Recording’s final long player release of 2022 is set to close the year on the dancefloor at home or in the clubs. More classic Heavenly remixes on wax and CD formats for your collection. Artwork by Luke Insect.

Released on Friday November 25th, these compilations follow Heavenly Remixes Volume 1 & 2 and Heavenly Remixes Volumes 3 & 4 (Andrew Weatherall Remixes).

Since the first Heavenly recording, there have been striking remixes that reframe the original track. These remakes offer a parallel reading of the last four decades of releases; they take the music to places where genres can be pulled inside out before being reassembled for different dancefloors, or for a different state of mind.

It’s a selection of those secret sounds that make up the latest in this series of flawless compilations. Each presents a parallel reading of the Heavenly Recordings story, a version that’s best heard as the light fades and the furniture gets shoved to one side of the room in decent work places the world over.

After a two-year hiatus, New York's finest purveyors of flash-fried power pop and disco-punk return with their sixth full-length. Despite being 18 years into their career, there are few signs of tiredness on the predictably vibrant As If. While potential sing-along moments are plentiful, it's the looseness of their grooves and the incessant funkiness of tracks such as "All U Writers", "Ooo", and the thrillingly low-slung "All The Way" - in which the Brookyln-based outfit brilliantly fuse springy dub-disco grooves, wild synths and classic house riffs - that catches the ear. Interestingly, the strongest influences this time round appear to be Prince and early Red Hot Chili Peppers, giving the album a particularly kaleidoscopic aural hue.

Sekhem, the Grenoble based label is back with his second various EP. This one welcome international talents like Moya 81, Do Or Die and Davide Piras as well as the very talented french producers Mohammed Vicente. All killers, no fillers on this one !

(2022 REMASTER) Green Vinyl

Murcof"s first three albums are to be reissued on vinyl to mark the 20th anniversary of the release of his seminal debut album, Martes. Out of print for many years, these albums have been hugely influential in the worlds of minimal and ambient electronic music in their use of modern classical instrumentation, and are significant landmarks in the history of The Leaf Label. Each of the reissues is presented in a new gatefold sleeve featuring updated artwork, with Remembranza and Cosmos featuring fully remastered audio, and Cosmos including a previously unreleased bonus track.

Big Yawn make experimental electronic music by fusing a wash of sweeping synthesizers, heavily refracted vocal sampling, motorik style percussion and disorientating dub FX.

Their latest studio release 'Pressure Acts' creates a space where breaks compete with live drums compete with drones. Relentless pummelling bass lines and kinetic dub FX come standard.

Big Yawn's energetic and unrelenting live performances create a definitive impression on this release. The sonic textures in the record are lush, stoned, frenetic and fun. The music is sinister yet also tongue-in-cheek — Phil Collins and Slipknot may have even been sampled.

The first single 'Ragazzo' is ideal for joy rides in HSVs and/or flaunting at the local disco parlor - a dank blend of YMO style pop hooks, driving bass, delicate synths, and a robotic pulse.

It's time for Clut004!! Clut Communication is back with the fourth release and this time we have one of the main characters of the label, Odracir. We have already “tasted” his music in previous releases but now Odracir marks his solo debut EP “Black Bullet” with four energetic cuts, influenced by house and electro sounds from the 90’s with spacey atmospheres and analog basslines.

Sismo 01, first realese of the label by OMAR

Dark Entries presents a reissue of Shawn Pittman’s 1989 Dreams, an obscure and highly sought-after private press gem produced and written by Art Forest. An undersung figure in the development of the late 80’s Detroit techno sound, Forest collaborated with, produced, or penned material for many of the key players in the movement, including Inner City, Suburban Knight, and the Belleville Three themselves (on Kreem’s “Triangle of Love”). This reissue gives Forest’s own productions some shine while providing a thrill for both dancers and collectors.

Dreams features two songs, both written and produced by Art Forest and featuring Shawn Pittman on vocals. The A-side contains two mixes of “Dreams”, a smooth R&B/modern soul number driven by Pittman’s vocal. While the song is undeniably radio-friendly, it contains some of the hallmarks of the Detroit techno sound – sparse arrangement, lush reverb, and booming bass. On the B-side, we are treated to two different versions of the clubbier “I’m Losing Control”. The original mix leans towards boogie/freestyle, with syncopated 909 beats and sassy synth vamps, and wouldn’t sound out of place next to Forest’s work with Inner City. The Extended-Bass-ment Club Mix strips things down and dubs them out, leaving us with shards of bass synth, brooding strings, and Pittman’s vocals eerily warped to the edge of recognition; a perfect late-night warehouse anthem.

All songs were remastered by George Horn at Fantasy Studios. The sleeve is a replica of the original cover art. Also included is a 2-sided postcard with lyrics and photos of Art.

Lovesick – everyone knows it, everyone hates it. Everyone feels alone. Everyone questions the previous relationship and what has been said during it. Everyone tries to numb the pain of this all-encompassing suffering with alcohol and drugs. Everyone calls at four in the morning and leaves embarrassing love confessions on the answering machine that will be never heard. Everyone feels alone and tries to find solace in casual acquaintances in bars, only to be turned away for being pushy. Everyone lays up for weeks stalking the likely reason this relationship ended, oh! It didn’t have to end, it was all so nice and this new one can’t be good and he/she won’t be good if the plans I’ve been making here for nights come true…oh how nice would this be! Oh it can’t be, maybe I just can’t be loved… maybe I just should…

Everybody knows it.

But from now on you never have to go through all that heartbreak alone again because we Herzschmerz Versicherungen have the solution! We are a band from Stuttgart, somehow only classified as dilletantic strange in the genre. We are at your side and take care of you when your heart hurts!

Book one of our numerous insurance packages today, or just listen to our songs – that helps too!

“Denn wenn du dir nicht sicher bist und deine Liebe bald zerbricht: Komm, schöner Mensch und kauf doch eine Versicherung bei mir, Bei Herzschmerz bin ich dann immer da, bei dir!”

Iassen Markov & Jannik Haller

Atlanta-based producer Sejva joins TAU for his debut release, Black Lipstick. With releases on Diynamic and Nervous, among others, he’s al- ready established himself as a remarkable talent who fuses retro elements with a future-facing sound to cultivate a style that is all his own. On Black Lipstick we get four slices of Sejva funk, each of which presents a different side to the artist, demonstrating his dexterity and diversity...

Repress on Clear Vinyl !

Detroit pioneer Robert Hood joins Radio Slave’s Rekids label with a new album entitled ‘Mirror Man’ this November.

A founding member of Underground Resistance alongside Mad Mike Banks and Jeff Mills, Robert Hood is one of techno’s originators and his decorated career spans three decades. The American artist and his M-Plant label laid down the blueprint for minimal techno and 1994’s ‘Minimal Nation’ on Axis was a definitive album that further cemented Hood’s reputation as one of the greats to emerge from the Motor City.

Since then, Hood has gone on to release on many of electronic music’s best labels like Tresor, Peacefrog, Music Man Records, Dekmantel and more. After a busy few years making music and touring as Floorplan alongside his daughter Lyric, Hood now joins Rekids with an album showcasing his innate knack for crafting paired back but intricate rhythms that deliver punch and soul.

Opening with the cinematic ‘Through A Looking Glass Darkly’, the album quickly flows into precise, powerful four four. There’s mesmerising cuts such as ‘Fear Not’ with its throbbing bass and spectral vocals, the twisted and off-key ‘Run Bobby, Run’, not to mention muscular tracks designed to light up dancefloors like the machine driven ‘A System of Mirrors’ or the mesmerising ‘Face In The Water’. Hood also breaks things up with downtempo and mind-bending interludes, including the tranquil yet spooky ‘Black Mirror’ and the beatless and murky ‘Freeze’. Each of these are aural feasts that demonstrate his vast musical pallet.

From start to finish ‘Mirror Man’ is an education in finesse from one of techno’s most heroic artists, landing on one of electronic music’s most important labels.

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release.

On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra.

Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all.

B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party.


For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2.


On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release.

On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra.

Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all.

B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party.


For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2.


On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

Oddball Fantasies is more than pleased to welcome Cheb Runner for its second release. His Moroccan roots remain omnipresent in this perfectly balanced blend between traditional Raï elements & the irresistible sound of the 80s underground. When old meets new, those who resist to dance, shall be few!

Repress.

There is an endless abundance of variations that the clarinet can use in changing the colour of a single note. Ben creates a web of sounds that are hard to pin down but easy to absorb as a whole. A sense and perception of continued growth too illuminated and overwhelming to resist.

‘Terre Promise’ is the debut album of the French electronic artist Blutch. Between nostalgia and melancholy in his native Brittany, a journey to the borders of electronica, breakbeat, house and IDM. Following in the footsteps of Rone, James Holden, Four Tet or Bicep, Blutch affirms with

this manifesto his ability to draw meditative landscapes as well as dancefloor escapades, syntheses of multiple influences crossed over the course of a faultless career, from his first love, hip-hop and abstract beats, his house vinyls released on the Barbecue label remixed by the cream of the genre’s guardians, from the American legend Terrence Parker to the more confidential Red Rack’em and

Strip Steve, or the adventurous new chapter he has begun to write on Astropolis Records since 2020 with ‘La Cité des Étoiles’, remixed by the great Michael Mayer.

‘Terre Promise’ continues his unique trademark: smooth and inventive textures, vocals that caress and embrace you, percussive and contemporary rhythms with an immersive sound design and those catchy gimmicks he’s known for. By immersing us in his memories, Blutch opens the doors to the landscapes of his childhood and dreamed views, through a plural sound palette: UK dance music heritage (‘Cobalan’, ‘River’), contemplative tracks (‘Les Bois’, ‘Terre Promise’), contemporary IDM with pop contours (‘Poplar’, ‘Rosko’, ‘Eussa’), or crossovers with other instrumentalists (Mirabelle Gillis’ violins on ‘Choices’ and ‘Cobalan’, guitar and drums on ‘Phoenix’ or the piano on ‘Poplar’) and danceable odes (‘Floatin’, ‘Les Sables Blancs’ or ‘Remparts’ with Maxime Dangles).

A promising debut album, as atmospheric as it is frenetic. Driven by the desire to bring people together and reconnect with the earth, Blutch invites you on a deep and spiritual introspective journey, where the listener can easily imagine the producer intention. And if not, just attend the a/v live accompanied by the sublime visuals of motion designer Romain Navier for an electrifying experience, between coloured or abstract 3D and images of landscapes captured in Blutch’s North Brittany. A live show that has already enchanted Panoramas in Morlaix, Clujotronic in Romania with other dates to come (Astropolis, Paris, ...).

Full of emotions, this beautiful, sincere and intense album is enough to send Blutch to the top of the electronic music scene in France. The impressive list of collaborations and remixes around the album is proof of this, with major artists of the French electronic music scene such as Jennifer Cardini, Maxime Dangles, Lauer, Madben, Maud Geffray or Mézigue, emerging artists such as Malcolm (Global Warming Records), or from acoustic music such as violin player Mirabelle Gillis.

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Marcela Dias Sindaco's music captures the essence of Gated as a label, sitting half way between so many genres: bass-heavy electro, funky breaks, squelchy synth-boogie... but driven by Marcela's breathy Portuguese vocals, expressing the depths of her carioca soul. Marcela grew up in Rio de Janeiro, and as a classically trained pianist and cellist, music was in her blood, but it was her dad's obsession with Krautrock that influenced her early music taste. Later, travelling around Europe as a model, she discovered the clubs of Berlin, Paris and Milan and incorporated what she heard into her own music, using a studio filled with analogue equipment. The result joins the dots between heads-down club stompers, electrofunk, Prince, and Brazilian samba. In a word: fresh!

For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force - an artistic device which not only informs their work, but anchors it. As the avant-garde electronic group Tosca, the two artists have lived many musical lives, from their early electronic experiments with tape decks to the blissed-out dub compositions with which they have made their name. Their latest project, OSAM, takes this idea of renewal even further. A meditative journey through rhythm and texture, the album represents a new chapter for the Austrian duo. It's as much an instrument for change as it is a source of inspiration. 'Osam' is a direct translation of the number eight in Serbian, but it also acts as the mediaeval symbol for a fresh start - a renaissance. This is their ninth studio album but in true Tosca style when they started working on the concept for the record, they thought it was their eighth.

Valley of Tears reach the end of the saga with this double vinyl full of collabs or bands to offer the maximum exponence of the saga.

Curated ona gatefold sleeve mixing the art design of Greta Haga with all the power of the music.

The Queen in tears needs to rest...Will she come again?

Slightly more than one year has passed since we debuted the Cardiff-based duo Plastic Estate’s first single This Place and we all know what happened meanwhile. But if you thought the global pandemic discouraged the Welsh boys from pursuing their research for an evolution of pop music from the past, think again.

Quite on the contrary, it seems that these past months of forced isolation and necessary restrictions only empowered the ability of the band led by Nicholas James and Stanley Fouracres to compose great songs perfectly in balance between dark, melancholia and happier, brighter feelings.

Or maybe their love for the best UK new wave and pop artists such as Dave Gahan, Ian McCulloch, Bryan Ferry is just too tough to die. However that may be, Plastic Estate have masterfully used this year to write their first full-length album and we at Avant! couldn’t be happier to bring it to you on 4 February 2022.

Ten new songs that shine a light on the duo’s impressive skills to juggle between the heritage of lost golden era and the pressing presence of the here and now, as well as electronic dance elements and acoustic instruments, ending up sounding classic and contemporary at once. Not an easy task, if you ask me.

Check out Out of Reach and its crystal clear synth-pop radiance, or one whirlwind dancefloor filler such as There Must Be More Than This, juxtaposed with the romantic intimacy of Berlin or Divinely Impaired’s elegant sombreness. Dive into the imaginary mémoires of a Sophisti-pop era with Antique Days and then resurface nowadays with the hypnagogic club notes of The Difference. We can even feel some Stone Roses-like vibe in the album’s last track Change Your Mind but maybe it’s just us.

What’s for sure is that if you liked their 7-inch single you will love their album. If you don’t know this group yet but you righteously adore the artists above, do yourself a favour and take a good listen now and you will not be disappointed.

Not in the least, as it is this rare to stand in the exact spot where you have a full view of the days behind you and the complete control of the moment you are in.
RIYL: New Order, Roxy Music, The Blue Nile, Future Islands, Lust For Youth

Spray test on the first project, a splash of fun in a house key with Jacopo Latini, Rizzi & Lapucci, Roberto Manolio and Moff!

Harrison BDP and Ed Hodge both land on Dansu Discs for the first time with their split 'Virtual Resistance' EP.

Now clubs are back across the majority of the world and people are back dancing, this one takes us right through from open to close. subtle shifters to high energy thumpers.

We've been excited to share this one for a while and we can promise you now, it's coming to a dance floor near you very soon...