House Новости

After releasing the single “Čista ljubav” back in 2012, Marinada
and producer Qwerty continued to synthesize the band’s rich
catalogue. This collaboration album features eight songs
where Qwerty utilizes his playful approach to dance music
strongly tying together Marinada’s truthful voice and sensitive
instrumentation. The two sides bring in a wide range of
influences into the mix: from retro techno-pop and new wave
to contemporary braindance and acid house. The electronic
sounds are wrapped around simple and repetitive lyrics that
are simultaneously clearly relatable (if you speak Croatian)
and fully mystifying. Marinada has been a truly productive
phenomenon on the Croatian music scene, putting out more
than 20 albums woven from lo-fi electronica, acoustic
minimalism and art rock. Besides the hometown, the band is
connected to Qwerty via the family tree: the brothers have
been making IDMy techno sounds since the late 1990s and
releasing music on labels such as Phthalo and Breakin’
Records.

Griffé is back with a new uncompromising release. For this second EP, the Corsican born P.O presents his very first (almost) solo record. Eminent member of the duo Solär Sound System with Jimmy Batt (who comes to lend him a hand on the powerful A2 track "Reveille toi").

For this release, P.O offers 5 tracks oscillating between several styles, flirting with EBM, break, techno and many others. There are tracks designed for the dancefloor as well as the UFO "I Don't Feel Anything" which comes as a breath between the other tracks. The whole is linked by a dark and powerful atmosphere, common between each track and which will give the title of the EP, aptly named "Dark Phase Cylcle EP".

Closing the sweltering season & sonically chronicling the transition from Summer to Fall in Detroit w/different takes on a melancholy tune f/ Egyptian Lover (electro), Pontchartrain (house), Table Daddy (techno), the original, & a slomo extract.

“Acid Sensible EP” released by Johnkôôl Records is a compilation of tracks composed by french producer Botine (already seen on Acid Avengers Records) along those formative years. It is truly the fruit of back-and-forths between the stage and studio environment from 2013 to 2016.

The term Acid Sensible first appeared in Clément’s graphic work as he developed his musical adventures. It’s a tale in which pets, organized in a micro-society produce music that will free them from humans and their alienating lifestyle. Acid Sensible is how they name that musical genre they created and that Botine appropriated himself. Built on a complex mix of influences, Acid Sensible is a careful and melodious pop balance between new-beat rhythms and meditative sounds sourced from IDM, Braindance, Psychedelic Rock and Krautrock.

Most of the tracks on the EP were composed on analog devices. The recording was done in one take only, thus preserving its powerful esthetic sourced from the live environment.

Daft Punk's 'ALIVE 2007' set, which won 2 Grammy Awards in 2009 (Best Electronic Album and Best Electronic Single categories) and was previously only available on CD and digital, will be released for the first time as a double vinyl with a triple gatefold sleeve.

Derived from their live performance at Bercy on 14 June 2007, this album was originally published the same year on November 19th. Through this amazing live experience, Daft Punk manipulated and reworked their established material, transposing and deconstructing the structures of their studio tracks.

A limited edition of 'ALIVE 2007' will be released at the same time, in a special box including the album on 2 solid white vinyls, plus a vinyl bonus (Side A: the show's encore (human after all / together / one more time (reprise) / music sounds better with you) /Side B : 'ALIVE 2007' pyramid logo etched), a 52 pages book (pictures taken during the shows), a slipmat and a download card.

'ALIVE 1997' is also being reissued separately. Recorded in 1997 in Birmingham during their first European tour, a few months after the release of 'Homework', this first live testimony was released in 2001. 45 minutes of non-stop live mixing, featuring the band's first standard tracks (Da Funk, Rollin' & Scratchin'...) along with those techno-electronic explosions unique to Daft Punk!

The next offering on Brighton based Orson Records is a killer four track EP from Ben Pest, featuring a remix from label head Transparent Sound. The A-side of this EP offers two devastating electro workouts which offer a refreshing yet tough take on current electro. The B-side features title track ‘Vim & Vigour’ which is a futuristic funk driven acid electro cut which perfectly captures Ben Pest’s wonderful unique style. The B2 features the Transparent Sound remix, which manages to maintain the essential groove of the original, while exploring other textures in the signiture Transparent Sound way.

Smoove & Turrell have never been scared of a gamble or two and over the course of their career, and their latest album - 'Stratos Bleu' marked some of the biggest stylistic changes to date. Though long lauded as one of the UK's top bands in funk and soul circles, their album was a decidedly rawer analogue affair drawing on influences as diverse as Detroit techno, Bristol bass as well as the party starting breakbeat funk they are so well known for.
Hitting #1 position in the Official UK Dance Charts on release week and grabbing the Album of the Day accolade from BBC 6 Music proved the band were entirely right. Given the strength of the source material it was only right to issue a remixes album on the project and there was no shortage of producers lining up to get involved.

Dance luminaries including Ray Mang, Ashley Beedle, Steve Cobby and Fouk all signed on immediately. So it, made sense to put together their fine interpretations on a disco house focused vinyl. This 4-track ep also includes the outstanding acid house rework of the band's album favorite 'E.P.' by newcomers Rayka.

2020 marks the tenth of collaboration for Red Axes, the Tel Aviv-based duo of Dori Sadovnik and Niv Arzi. Informed by post-punk, new wave, and a plethora of club sounds old and new, they have cleaved a singular path with their hefty discography. To celebrate their anniversary, they reunite with Dark Entries for an eponymous 11 track LP brimming with jagged guitars, spacy arpeggios, and hypnotic vocals.

Although Sadovnik and Arzi have previously released LPs on I’m A Cliche and Garzen Records, Red Axes is their first effort written and conceived of as an album-length listening experience. This work flows effortlessly through a variety of stylistic detours, highlighting their ears as both keen listeners and skilled DJs. Opener ‘They Game’ is a grooving number that unifies the psychedelia of cosmic disco with the early 90s ‘baggy’ sound. The energy mounts further with “Shelera”, a guitar-driven acidic banger, and “Sticks and Stones”, a certifiable club hit fueled by sassy vocals courtesy of Adi Bronicki. Launching Side B is “Break the Limit”, an EBM-laced number that wouldn’t sound out of place on a Razormaid compilation. The following tracks wax moodier, with “Brotherhood (Of the Misunderstanding)” touching on darkwave territory. “Udibaby” and “Arpman” close out the album with their respectively dense and sparse takes on kosmische lysergia.

Red Axes was mixed by Steve Dub and mastered by George Horn at Fantasy Studios. The album’s artwork starkly depicts the project’s name in blood-red smear. Also included is a postcard with full credits and album art. It’s rare one finds an album that so casually challenges classification while still being firmly rooted on the dancefloor.

The next release in the Phonica Special Edition series comes from Ukrainian duo Asyncronous who first came to our attention after hearing their critically acclaimed debut on Berlin label Slow Life, 'The Art of Fighting In A Dream'.
A Phonica favourite, it provided the soundtrack to many days in the shop throughout the year, culminating in its inclusion in our top ten Best Singles of 2019!

The Phonica Special Edition series is focused on one-off projects, special remixes or collaborations, highlighting music that is slightly left of the dance floor and pairing it with unique artwork.
This time featuring a beautiful piece by celebrated Ukrainian artist, Mykyta Storozhkov.
The pair initially joined forces in an effort to explore human imagination and life experiences through music, focussing on creating feelings and atmosphere rather than be constrained by genre limitations. The result on this EP is a hazy cosmic trip through their universe of synth swells, deep sub bass and meticulous percussion.

The journey begins on 'Padma Kirtanam' with a constant drone providing the backbone to a building tension scattered with drums. The tension releases and makes way for A2 'Shinkansen', a beautiful track with minimal drums and dubbed out synths which echo around the listener's ear. Closing the A side 'Volta' continues this aesthetic but adds a 4x4 kick drum upping the groove to a cosmic deep house jam.

'Avalanche' kicks off the B side of the record with a syncopated bass line and skitterish hi hats. The energy is at its highest level here and only stops to make way for the next track 'Blocks of Despair'. The tempo drops and drum hits reverberate above stretched out bass notes creating arguably the most heartfelt tune of the release.
The EP ends with 'Midnight Sun' an ambient excursion that invites you to drift off with Asyncronous into outer space.

Today we have many opportunities to discover the world and travel through it without leaving your own room. In the age of globalisation, with the help of knowledge, technology and imagination, you can instantly teleport yourself to mystical temples of India or see the sun above the polar desert at midnight. No more borders - we are connected like never before, as if we are not at different ends of the globe, but on a single and indivisible continent that is not mapped but exists in a plexus of global events, information flows and digital environment.
This is our common home. Our new Pangaea.

Tasty Recordings comes in hot with Sampler 002 - five funked-up, nu disco gems laced with all manner of Discotron wizardry, sure to make a stir whenever and wherever they're dropped.

Support from Craig Charles, Disco Funk Spinner, Doorly, Greg Wilson, J&M Brothers, Purple Disco Machine, Satin Jackets, The Black Madonna, Yass and many more.

Following 'Slow Fade for Hard Sync' (2009) and Location Momentum (2010), Living Space is Eleh's third physical release for Touch. Seven years in the making, this new release consolidates the artist's parallel narrative between a series of Vinyl & CD releases for Important Records, where the emphasis is on a minimalist aesthetic, to a visual counterpoint that hints at the cinematic and painterly qualities of the music.

- NOW AVAILABLE ON VINYL -

Four years after launching his last EP, Lugo-based artist, Synth Alien, makes a comeback to lead the fourth release of Noise To Meet You. Six Electro tracks, under the wings of a 100% hardware set up that has allowed his sound to reach a step up.

Diamond Version ist eine Kollaboration zweier Innovatoren moderner Musik, Byetone und Alva Noto. Als führende Köpfe des Chemnitzer Labels Raster-Noton und mit ihren Solo-Projekten Alva Noto (Carsten Nicolai) und Byetone (Olaf Bender) arbeiten die beiden seit geraumer Zeit an der Grenze von intuitiver und konzeptueller Kunst, einer Verbindung von Galerie und Dancefloor. Der dritte Teil der EP-Serie mit den Titeln "Turn On Tomorrow", "Turn On Tomorrow / Version" und "Sense Of Urgency" beinhaltet drei Tracks, in denen das Auditive, das Visuelle und das Sloganhafte unmittelbar miteinander verschränkt ist. An der crispen, synthetischen Oberfläche der Songs spiegelt sich die brutale Realität der Slogans und macht deren bedrohlichen dystopischen Gehalt - und ihre Absurdität - sichtbar.

A living room somewhere in southern Germany. Embroidery graces the walls, a veneer side table with little chrome feet stands in front of a beige velour sofa, a minibar awaits. Pride of place goes to the electric organ which majestically occupies the centre of the room, flanked by two oversized loudspeakers. Welcome to the world of OTTO. The two-man band are set to release their long-awaited debut album in 2019 on Bureau B. The eight tracks contain familiar OTTO ingredients, from organ sounds and rhythm presets to disco strings and the monophonic waves of a 1970s synthesizer. Arpeggio andHohner notes add extra sharpness to the proceedings. Classics from their live repertoire sit alongside brand new numbers, invariably strange synthesizer compositions.

Tel Avivian producer Spark O first E.P for the Confused Machines imprint - Variations in Intensity delivers 5 cuts + 2 remixes (by dutch producer Klankman & long time musical partner Mule Driver) freeing House and Techno from any convention by using live to tape hardware jams and placing them in an intuitive and 'under produced' form of electronic dance music that keep the result as live and dirty as possible

A split release by two Rotterdam artists from the same part of town.

Repress

Identified Patient debuts on Pinkman with a brimming 12" with claustrophobia and paranoia. Acrid acid lines have been boiled down and smeared across cranking percussion. Sired in a soup of static, a blackened groove stalks the entire EP. Dusty beats are rinsed in smelting liquor, a smouldering EBM undercurrent surfacing as the noose tightens to a close.

If you don't have time to really listen, please do not buy this record. If your mind is not ready to unwind, please do not buy this record. If you are looking for the next big track to play at your cool party, if you are worried about keeping "real" or staying "raw" or about your image as a purist and regurgitating the essence of eras past, please do not buy this record. However... if you find yourself taking for granted all the natural beauty that surrounds you, caught up in trivial occurrences that interfere with your daily happiness, letting social constructs shape your mood... then please do buy this record, sit down, focus on what is right there in your hands, turn to your loved one, breathe deeply, enjoy the light in the room, savor your food perhaps, and simply appreciate all that is happening in this particular moment... levitate in awe as you enter the Land of Light, a new work by Jonny Nash and Kyle Martin.

Amiga 600 music brotha !Low-fi hi-tech breaks on one side and a cool electro old school new wave house on the flip. Excellent and fresh music to dig 4 !

All tracks written and produced by Cee Kay in 2018 / 2019
Mastered by Simon @ The Exchange, London

One half of Canyons, Pink Gin and the Hole in the Sky label, Leo James releases his solo debut You're not a machine on his new imprint Body Language. Record comes with printed sleeve.

You're not a machine is the first solo release from Leo James (one half of Canyons, Pink Gin and the Hole in the Sky label). Part 1 builds around a hypnotic, programmed percussion rhythm. White noise swirls at the ceiling, while a single note bassline punctures through from the basement to the first floor. Part 2 shovels an industrial-funk-feeling through a train tunnel with its raw 606 beat, crushed cymbals and dubbed out bassline. The synthesizer at the end really takes you there.

Meetsysteem's debut album Geen Signaal gets a remix treatment by Prins Thomas, Levi, Ranie Ribeiro, O.C and Elkan.

Here comes the fourth release by Almería-based electronica artist Mynationshit titled ‘The Tycoon’. This is another addition to the independent label ‘Waste Editions’, run by Mynationshit’s frontman Carlos Martín along with his brother Ale. This record highlights Martin’s latest musical touches. Its melancholic undertones juxtaposed with humble romanticism will inspire you. Indubitably, this Spanish artist’s distinguishable nature mixes elements of Electro, Dark Wave, Synth-Pop and Post-Punk. Picture Johnny Cash and Peter Murphy singing catchy tunes to each other while on a cosmic journey to an unknown planet where synths and prose accompany their melodies.

Killer Punk-Funk/New Wave 12" featuring the Sao Paulo based group Tetine along with a wicked reworking on the CSS Remix.

Mehr Null translates to More Zero. The title of Phantom Horse’s third record for Umor Rex could either be seen as a request (to the listener? to the sound engineer?) to expect or to do or to imagine less; or just as the description of a state.

The Hamburg / Nijmegen based duo of Ulf Schuette and Niklas Dommaschk is indeed moving nearer to zero: the arrangements are less illuminated; there’s a significant nod to JD Emmanuel’s working class vision of minimalism. Hitherto walking in the kraut tradition (but moving away more and more), Phantom Horse heads toward the synth swamps where the old-fashioned shamanic disco is not yet abandoned. From the light green melancholy of “Owl” to the unexpected playfulness of the title track, the duo has obviously worked hard on leaving things out. Still, there’s light-footed magic like in “Common Magic”, the background music for a comet rain coming into your world. You can find hints to the lower-key film scores by Tangerine Dream, but Phantom Horse’s approach fits more into a factory building where sad robots are working their night shifts on a sea horse machine. It’s the perfect soundtrack to the non hungover day after.

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With Situational Awareness, post-punk legends Crash Course In Science deliver a ten track album consisting entirely of brand new material. The songs on Situational Awareness sound crisp and ultra-fresh, while the band from Philadelphia, USA, maintains their distinctive DIY sound created by toys, kitchen appliances and self-built synths. Far beyond new wave, the music is experimental and danceable at the same time - science and art, together hand in hand.

Hooversound Recordings presents HOO02 from none other than UK producer Deft, as he delivers four high tempo dance floor ready tracks that fit perfectly into any club set.

From old school Jungle soundscapes to gritty 160 UK Bass, Deft is no stranger to exploring the different styles and BPMs of dance music. With HOO02, we see the talented producer explore the high energy realm of 160 as the ‘Burna’ EP merges together elements of jungle, techno, footwork, and grime making it the perfect hybrid to showcase the versatility of UK dance music in 2020.

Having produced music for over 9 years, Deft who has had support from Maya Jane Coles, Gilles Peterson and Mary Anne Hobbs adds his recognisable and intricate style of music production on the ‘Burna’ EP and merges genres effortlessly

Denovali presents the first cooperation album of the Italian composer, arranger, producer and guitarist ERALDO BERNOCCHI with the Berlin-based Japanese violinist, composer, electronic producer and TANGERINE DREAM member HOSHIKO YAMANE.

Born in Osaka, Hoshiko Yamane attended the University of Arts in Aichi. Her training destined her to be a violinist in classical music - later on she extended her practice to modern and pop music. In 2011 she joined the legendary band Tangerine Dream. In 2014 she started to release her first solo works.

During his long lasting career in several musical fields and genres London-based Eraldo Bernocchi worked with artists like Nils Petter Molvaer, Harold Budd, Thomas Fehlmann, Bill Laswell, Colin Edwin, Mark Stockhausen, Mick Harris or Robin Guthrie.

The first collaboration of both artists called "Mujo" combines traditional classical music with innovative electronic production techniques. The result is a coherent album that combines eight pieces to a timeless soundscape. The artwork of "Mujo" was arranged by the renowned media artist Petulia Mattioli.

MANSUR is the newly initiated project by Jason Kohnen (ex-The Kilimanjaro Darkjazz Ensemble) joined by Dimitry El-Demerdashi (ex-Phurpa) and introducing Martina Hórvath on vocals. The sound of MANSUR navigates between the waters of musical fantasy and reality - it morphs and blends traditional instrumentation with modern day electronica.

Horváth, El-Demerdashi and Köhnen return to their otherworldly worldbuilding with their debut album ‘Karma’ on Denovali. MANSUR leads the listener into mystical and magical unknowns, that lie far past the realms of material perception.

As astronomer Carl Saga once wrote “Somewhere, something incredible is waiting to be known”. Universal lessons of life, brought by teachings and teachers of ages. Unimaginary worlds in all our capacities of being created. MANSUR is the transformational vessel guiding you to these non-physical realms. The realms you seek are already there, it's up to you to find them.

On their third full-length release, Potatohead People widen the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves.

Mellow Fantasy continues to showcase the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage.

Beginning in 2008 as a Vancouver-based hip-hop production team, Potatohead People (Nick Wisdom and AstroLogical) have collaborated with a fantasy league of MCs, including Frank Nitt of Frank'n'Dank (the 2013 breakout jam "Back To My Shit"), Illa J (producing an entire album for J. Dilla's younger brother) and the late Phife Dawg (the beloved A Tribe Called Quest co-founder's last recorded verse was over one of their beats).

Setting them apart from other Dilla-influenced beatmakers is the way they push the scope of the style, working the corners with their own unique touch. At its most basic, "the goal has always been making really dope loops," they explain. By using slices of their own rough instrumental ideas, finding "a chord progression or texture that you can hear again and again and never question it," they've taken this fundamental concept and elevated it to new levels of melodic, harmonically complex music.

A jazz-like responsiveness to the input of collaborators is a key component of how the team works. "We like to get the artist involved when the beat is an early idea, and build the beat around the vocals, getting inspired by what they do."

On Mellow Fantasy, they had some impressive inspiration. Pos from De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. "Baby Got Work" is the album's lead single, hitting on 9/25/20.

Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.

The hometown connections continue with Lotusland local Kapok slinging verses on a couple tracks and rising stars Kendra Dias and Clear Mortifee, who stake serious claims as names to watch with standout vocal turns on the low-slung neo-soul "Break Even" and the upcoming second single "Hidden Levels," a high-flying house/future boogie hybrid. Following up their successful 2019 collabo "Single Life," Bunnie makes her return to action with the group on "Kettle Boiling." Ranging further, Reggie B, who broke on the scene with his lead on Onra's "High Hopes," shines on the optimistic bounce of "Bring The World A Little Closer."

Threaded throughout are interlude instrumentals that comfortably manage the neat trick of being musically intriguing while retaining an accessible, gut-level thump. Look no further than the statement-making, Yussef Kamaal-like funk fusion album opener "1st Light" and their nod to overlooked Vancity synth pioneer Dale Jacobs ("Ode To Mr. Jacobs") for clues to where Nick and Astro's hearts are at.

Mellow Fantasy, released 10/30/20 on Bastard Jazz and available on vinyl and all digital platforms, is Potatohead People's most evolved collection yet, rooted in earthy low end but elevated, expansive and reaching new musical heights.

*Special Edition Reissue of Potatohead People's critically acclaimed 2020 album "Mellow Fantasy" pressed on beautiful blue & black splatter vinyl*



On their third full-length release, Potatohead People widen the frame of their progressive musical vision and deliver a far-reaching yet approachable set of moods and grooves.

Mellow Fantasy continues to showcase the trademark instrumental prowess of the duo and their ease with the loose but hard-hitting drum style brought to the fore by Jay Dee's influential productions, but goes well beyond basic boom bap bread and butter, with singer-centered R&B and uptempo bumps sharing the stage.

Beginning in 2008 as a Vancouver-based hip-hop production team, Potatohead People (Nick Wisdom and AstroLogical) have collaborated with a fantasy league of MCs, including Frank Nitt of Frank'n'Dank (the 2013 breakout jam "Back To My Shit"), Illa J (producing an entire album for J. Dilla's younger brother) and the late Phife Dawg (the beloved A Tribe Called Quest co-founder's last recorded verse was over one of their beats).

Setting them apart from other Dilla-influenced beatmakers is the way they push the scope of the style, working the corners with their own unique touch. At its most basic, "the goal has always been making really dope loops," they explain. By using slices of their own rough instrumental ideas, finding "a chord progression or texture that you can hear again and again and never question it," they've taken this fundamental concept and elevated it to new levels of melodic, harmonically complex music.

A jazz-like responsiveness to the input of collaborators is a key component of how the team works. "We like to get the artist involved when the beat is an early idea, and build the beat around the vocals, getting inspired by what they do."

On Mellow Fantasy, they had some impressive inspiration. Pos from De La Soul immediately connected with "Baby Got Work," a sophisticated slap that went through several iterations before settling into its ultimate form. Appropriately, the song's diligent construction echoes the ethic of the grind in the clear-eyed, precisely dovetailed lyrics fans have come to expect from the Daisy Age don. "Baby Got Work" is the album's lead single, hitting on 9/25/20.

Befitting Potatohead People's origins as a hip-hop group, cameos from Illa J and Slum Village's T3 on the summertime teaser "What It Feels Like" and Vancouver veteran Moka Only (the sassy, vanity take-down "Ungodly") add to the unimpeachable rap bonafides.

The hometown connections continue with Lotusland local Kapok slinging verses on a couple tracks and rising stars Kendra Dias and Clear Mortifee, who stake serious claims as names to watch with standout vocal turns on the low-slung neo-soul "Break Even" and the upcoming second single "Hidden Levels," a high-flying house/future boogie hybrid. Following up their successful 2019 collabo "Single Life," Bunnie makes her return to action with the group on "Kettle Boiling." Ranging further, Reggie B, who broke on the scene with his lead on Onra's "High Hopes," shines on the optimistic bounce of "Bring The World A Little Closer."

Threaded throughout are interlude instrumentals that comfortably manage the neat trick of being musically intriguing while retaining an accessible, gut-level thump. Look no further than the statement-making, Yussef Kamaal-like funk fusion album opener "1st Light" and their nod to overlooked Vancity synth pioneer Dale Jacobs ("Ode To Mr. Jacobs") for clues to where Nick and Astro's hearts are at.

Mellow Fantasy, released 10/30/20 on Bastard Jazz and available on vinyl and all digital platforms, is Potatohead People's most evolved collection yet, rooted in earthy low end but elevated, expansive and reaching new musical heights.

Here’s a special treat for our worldwide TAU family, a dream team collaboration as label heads Adana Twins link up with Echonomist. It’s been a hugely successful year for both acts, Adana Twins hitting a seemingly endless purple patch with their Diynamic release ‘My Computer’, they remixed Josh Wink’s classic ‘Higher State Of Consciousness’ and dropped a stunning collab with WhoMadeWho on Kompakt. Meanwhile, Echonomist has had a similarly impressive run, also appearing on WhoMadeWho’s EP, as well as dropping his debut solo EP Modern Wonder on TAU. More recently he released several tracks as part of Dixon’s Transmoderna compilations on Innervisions and is poised to release his first full solo EP on Innervisions, entitled Virtuality. To- gether they’ve produced four contemporary dance floor focused cuts that exude style and panache, demonstrating the power of their combined prowess.

Repress

Headlining the package is a showdown of Crosstown Rebels stars, with the red-hot Jamie Jones and Art Department each turning in massive renditions. Jamie's mix is a full-blown, driving party anthem, while Azari's fellow Torontonians elevate the pop flavours with a more laid-back approach.

Green Vinyl

'2016 - My Generation”?: a momentous comeback for Mirwais, two decades on from his classic “Production” album.
It all started in 2016 with an idea Mirwais had for a music video to promote his upcoming single ?“2016 - My Generation”?.
The idea led Mirwais and co-founder of graphic design studio H5/creator of the Oscar-winning ?“Logorama”? animated short
Ludovic Houplain? ?to work together on a fascinating ten-minute short entitled “?My Generation?”.
Since its 2017 release, the film “?My Generation?”, produced and scored almost liturgically by Mirwais, made the rounds of
festivals, winning several prizes worldwide.
It presents itself as a backwards travelling shot during which all of our pop culture moment’s gimmicks collide at 100 km/h:
sex, the net, art, politics, sports, stocks, big pharma and big porno – from Hitler’s speeches to Trump’s contemporary
analogues.
Flash forward to 2020, and it is this very six-minute ?pop-litical ?critique of our era’s societal excesses that Mirwais chose
as the music video for his new single ?“2016 - My Generation”?, set to be released during the coming fall’s American
presidential election.
A sonic deflagration that heralds a new album from one of Madonna’s most iconic collaborators, succeeding, two decades
later, the now-classic ?“Production”?. A punchy, percussive single poised between hard techno and electronic disco,
sprinkled with choirs and distorted, psychedelic synths ?“2016 - My Generation”? is a dance floor-ready opus bearing
Mirwais’ inimitable signature. This way of mixing genres, of conjugating past and future, and of making pop experimental
and vice-versa, cements Mirwais’ reputation as one of times’ most singular composers.

Sometimes you produce a track with nothing but a dancefloor and a good sound system in mind. "Twelve Inch Jams" is offering you just that - strictly two A side tunes for the floor cut at 45 revolutions per minute. Jazz & Milk pays tribute to this classy release format with their new 12" vinyl series. Each record comes in a hand silk-screened printed and stamped sleeve!

The dreamteam of the highly successful first installment (JAMS001) teamed up again to share their love for raw and sample-based house music tunes produced on the MPC. Label artist Sam Irl and the man behind Jazz & Milk, Dusty never fail when it comes to layering colorful sample fragments and enriching them with raw beats and deep synthesizer chords.

"Broken Spell" starts off with a super moody atmosphere that slowly opens up until it reaches its energetic peak with bright synth stabs and a smooth bassline before colorful arpeggios are drifting the track into other spheres. "Love Prelude" has a rather dreamy vibe but its deep chord progressions and rough bass drums and claps create a truly unique contrast and a hypnotic atmosphere on top of it, while a later incoming bouncy bassline and dubby sample parts eventually pull you in cosmic dimensions!

Having returned last year with a flurry of releases, Transparent Sound Recordings returns in 2020 with an overdue reissue of Atmosphere/Remanisance.

Originally released in 1996, the A1 offers a raw, no nonsence acid electro workout.

The B1 gives us a taste of that unforgettable Transparent Sound Groove and features dreamy synths and lush pads alongside an effective drum workout. The B2 features a hard hitting four to the floor remix featuring an unforgiving acid line throughout.

051 Destroyer is back on Lunar Orbiter Program with his first LP.
Once again 051 Destroyer put his hands on a range of largely hard-wired electro-related styles.

Parallel Minds continues its mission to bring compelling electronic music from Toronto to the world with its sophomore release, a 4-track split EP between label co-founders (and long time friends/roommates) Yohei S and Daniel 58. With this release, Yohei and Daniel sought to create club music that truly represents what they'd want to hear in the club, both as DJs and clubbers.

On the A side, Daniel refines his penchant for wiggly breaks and syncopated rhythms with two uptempo moody slammers. On the flip, Yohei turns over two tracks combining the use of new production tools with old tech house and Miami bass influences.

Deftly blending broken dub beats, grime textures, and hypnotic 4/4 grooves, this EP, much like its predecessor from the same label, has something for every DJ, regardless of what timeslot they're playing.

The first in Wormhole Wisdom's trio of Grumptronix / Diode represses contains two highly sought after cuts from Diode and on the B-side, a previously unheard and unreleased Grumptronix cut. As Diode's efforts spell out over the A-side, Omar's hypnotic sound prove that they also have the ability to pack a punch. With spine-tingling industrial & artificial intelligence influences, both '06Funk' & 'Waterhole' swing mechanical with a firm nod to the future. This unique sound is what's had people reaching deep to own a copy for themselves. On the flip, 'The Witching Hour,' the first of 5 unreleased tracks in the series, takes an even deeper, mysterious turn, bringing things down a notch. It's an intoxicating sound, packed full of nostalgia, space and energy - prepare to glide over your dance floor, living room or stratosphere in the proceeding 9+ minutes as you soak up one of the most uncompromising, emotive and relevant electro cuts to never see the light of day - until now. All tracks have been mastered from the original DATs with care and love by the ears and hands of Simon?@?The Exchange.

After some years rather of cosmic and ragaesque music, we slowly began to explore some more experimental and noisy sonic expression. At the time, we only owned a few instruments and sound effects and, no drummer. We use to play long tracks in order to follow the trend of the alternative music of the period (please, remember, we are in 1975). The event was a total spectacle with an inventive light-show including a stroboscope and a frantic projection of strange abstract slides on a giant screen by Freddy Pourcel. Some incense was burnt time to time.
A 42 minute live set across across both lp sides. Recorded and mixed in March 1975.

Our next Seven Hills release Skies Over Sheffield returns the label to its Yorkshire roots. God’s own county yields this long-lost gem of a track courtesy of Sheffield legends and Bleep pioneers Forgemasters, with three new, home-grown remixes from John Shima, Luca Lozano and 96 Back to complement.

The Forgemasters trio: Winston Hazel, Sean Maher and Rob Gordon first gained acclaim with their now iconic, Track with No Name and hold prestige as the first to ever release on Warp Records (WAP1). Skies Over Sheffield however, has been waiting in the wings ever since its conception back in the early 90s; for nearly two decades the sun had stayed set over the track which lay nestled in an old recording of Winston Hazel’s Sheffield Community Radio from 1992. So we’re very proud to announce the long awaited dawn break of Skies Over Sheffield on Seven Hills Records.

The provenance of this record has always been close to our hearts here at Seven Hills; accordingly, we wanted to have a concept for the remixes that kept close ties to the Sheffield music scene. As such, we have two tracks from born and bred producers - John Shima and 96 Back - alongside one from longterm resident and honorary ‘Sheffielder’ Luca Lozano.

Music fathoms the sky!

Next up on Denis Sulta’s expertly selected vinyl label is a 3 track EP from 24 year-old Amsterdam DJ and producer Gimbrère.

Gimbrère’s love of dance music was sparked when he met 90s Dutch DJ legend Dimitri and caught his set at long-running Amsterdam techno festival Awakening at their 15th anniversary party in 2012. He shifted his focus from solely DJing to production of electronic (house)music from that point.

His debut single “A Thing” was released in 2018 and started to make waves with support from big names DJs, notably Denis and hitting top 5 on the Indie Dance and Nu Disco charts on Beatport.

His new 3 tracker presents 3 slices of epic 90s indebted dance goodness. “Breakbeat Passage” builds out an emotional, propulsive number from its booming break loop. The expert drum-programming and sample of “Makossa” has a pleasing French touch afro-house feel. Meanwhile the hi-energy filter house of “On My Mind” which recalls his debut “A Thing” is a guaranteed roof raiser.

Here is INDEX:007 by Ike, featuring two original compositions and a remix by GOD69.

The A Side: lazuline blueness, with perforations of laser lemon
(pressed at 45rpm, it complements percussive electro textures, that intricately mesh into sub-flecked breakbeat arrangements)

The B side: a cameo of pale pink, with roasted umber tones
(pressed at 33rpm, it accompanies acidic electro wobbles, accessorised by futuristic drum patterns)

No5 means a lot for our label. The new release comes with eight tracks of multiple styles, genres and textures signed by various artists, showcasing once again, the true identity of the label. From Spain to Russia, UK and The Netherlands, the artists that are part of this release are both promising and experienced. This compilation brings together, for the first time, Scape One, Cignol, Low Tape, Garçon Taupe, Promising/Youngster, Ochre and Rec_Overflow in an electronic trip between extreme sensitivity and balanced sounds.
This new album has a vinyl exclusive track by Ochre that won’t be distributed in digital platforms. Only for vinyl lovers !

Peckham basement trax. Our friends heard the call and delivered. Simply the West vol 1.2

Copenhagen’s Percy Records affiliate and nom de plum factory DJ Pollen comes with a p-bar certified slammer (look out for more from him this year elsewhere wink wink)

Medlar teams up with Tom Unlikely with the electro anthem (made entirely from the show) about nothing.

Also 4 u, blissed out breaks from The Soft, some 150 biz from the AKA Boys (Fyi...) And two delicate soundscapes from Sierra to end. Play at unnecessary volumes.

Astro Chicken label boss Hyboid delivers his nod to the 80s-centric Synthwave craze. From catchy to new romantic, from stomping to sleazy, "Wired At Heart" has it all: Vintage drummachine beats, bubbling sequences, dreamy analog pads and sizzling synth leads. "Hyboid - Wired At Heart" is a synth-nerd's wet dream cast in vinyl!

Dreamboy from Gothenburg begifts world with completely enchanting EP - four tracks ranging from look-ma-no-kick-drum club heaters to spirit-world ambience and some real Swedish reggae. Starting off with his Studio Barnhus debut, ishi vu is set to blow up 2017 with a string of releases on select world-renowned labels.

Furtherset returns to -OUS with his album 'To Live Tenderly Anew', following his EPs 'To Alter and Affect' and 'Drawings of Desire and Hate'. He notes: "I think of my previous two EPs for -OUS and this album as a trilogy, where this album is the final chapter".

Furtherset returns to -OUS with his album 'To Live Tenderly Anew', following his EPs 'To Alter and Affect' and 'Drawings of Desire and Hate'. He notes: "I think of my previous two EPs for -OUS and this album as a trilogy, where this album is the final chapter". Furtherset is in search of hidden connections beyond harmonies and rhythm. Melodies are repeated until they reach their breaking point. Moments of relief are drowned out in densely packed sound. Intensity is maximized to the nth degree, creating a crest point that threatens to overwhelm pre-existing traces of activity completely.

The opening track 'To Live Tenderly Anew' begins with a fragile melody, only to erupt into pulsating synthesizer figures that continuously expand, before pulverizing into sharp, noise-flecked fragments, and finally dissolving into an ambient pad. Midway-through 'The Logic of a Secret', the music finally sparks into Furtherset's signature arpeggio patterns, sprinting over a powerful bassline. The album finally climaxes with 'Choirs of Deception and Truth', a beatless rave hymn, before it, too, dissolves into deep space. Using only synthesizers, Furtherset creates metamorphic music, drawing on ambient, modern classical and rave, and building on his individual approach to composition, where long fades and periodic cuts continuously transform the scene.

The album's title references Amelia Rosselli's 1956 poem 'Diario in tre lingue', in which the experimental writer - who was born in exile in Paris, moved to the UK after the murder of her anti-fascist activist father, was educated in the US and finally settled in Rome - charts relations between the Italian, the French & the English. This poem laid the groundwork for her singular trilingual poetry, a body of work engaged in the research of tradition, and how tradition is passed on in disjointed manifestations.

No presentations are necessary for one of the boss referents in the international scene as far as Synth and Italo Disco are concerned. Our admired Kid Machine is in charge. Legend.

This extremely prolific artist comes to Aspecto Humano after releasing real gemms in reference labels such as Viewlexx, Red Laser or Cyber Dance. The record consists of five tracks and is conceived open-mindedly and with sounds which refer us to Synthwave, Electro, Italo Disco and New Beat.

Mastered by Alden Tyrell. This is a 300 copy edition on 140 gram black vinyl, in black card outer sleeve and black paper inner sleeve.

Raumakustik should be a notion - at the latest after their successful
single "Glaub Mir Doch" this year. The duo from Dresden, Germany
was always on the go in 2011 with several releases and remixes for
Labels like Deich Records, Klang Gymnastik or Keimzelle. And right
before 2012 they strike back with "Traumtanzen". This is pure
dancefloor pleasure and already approved within the last months. To
complete the label debut of Grain Audio Mister Marcapasos (Toka
Beatz, Housesession, Dusted Decks) delivers a real house remix to get
you back to the good old days.

First track 'Legitimacy' is a wonderful warm electronic song with club appeal by Cornwall based producer Zoe Leonard aka Simmerdown. Already featured on BBC's Hot List with her new project, Simmerdown melts influences of Hip-Hop, club culture and sampling to her very own unmistakeable sound.

Black Soyls are coming with 'Deep Shit Pt.3' an electronic club warmer paying homage to the vienna school of the 90s. Soothing chords and a plucking bassline beautifully paired with some jazz break style drums.

ITO who hails from Munich has already set the bar high with his debut release. Working out very complex rhythm structures over beautiful melodies in his flawless production style, his 'Citylights' is a love declaration to the downbeat genre par excellence.

'Mirrorsides' by David Hanke works with a heavy chopped main sample and brings some deeper feeling with it's milky sounding chords and it's mysterious sounding subtle synth melodies.

Magnonic Signals are proud to present the first of a various artists EP series, Neuromorphic Engineering Vol. 1.

Kicking things off master of deep electro Reedale Rise delivers a sublime immersive machine funk workout with ‘Anatalia’(+) oozing class from start to finish.

Next up we have the exceptional talents of Darren Nye fresh off the back of his superb LP on Childhood Intelligence.
‘Beyond The Stars’ (+ +) has 90’s techno and electro at its core with just the right amount of intergalactic magic.

On the flip we welcome back Mihail P with ‘Past Lives’ (-) a slice of pure Detroit inspired brilliance from our man in North Macedonia.

To close the EP label co-head Spin Fidelity sets the machines to warp dive with ‘To Tha Outta Limits’ (- -) a driving techno track perfect for that 3am boost of high octane energy.

Signals are getting stronger...

New imprint Distrito 91 emerges from its base located in Madrid to deliver a fluid transmission from the label head Fabio Vinuesa.

Side A offers two highly deep electro dancefloor cuts and Side B follows with the electro-funk vibe of Multilevel to the acidic darkness of Infected System. A perfect four-track EP of solid electroish sounds

Cuts is the first release of Cosmonaut for Breakfast Musik. The EP is a compilation of his latest productions, showing his versatility as a producer, with tracks flying in between electro, deep house, acid and techno, always on the hunt of his own unique style.

Welcome to the pleasant travel of Rovas 002. This V.A. gathers some rising talents across "el Rio de la Plata", where some of them are making their vinyl debut.

This is strong tech-house and electro tinged EP comes by the hands of Rulo (with his uruguayan trademark sound), Sauchelli (an argentinian producer based in Berlin) and our mysterious guy Na.cho. For the end of this journey, Neik (who doesn't need any further introduction) is delivering an abstract and mental synths sounds combined with delightful breaks!
Enjoy the trip!

Juicy Fruit is as succulent as the name suggests - a feast of flavour served up by Dutch masters Kraak & Smaak. Their fifth studio album is one that sees them sonically revisiting the roots of their first releases, producing an organic and warm electronic disco and funk album packed with hot property collaborators including Mayer Hawthorne, Eric Biddines of Golden Rules, Parcels, Gallowstreet and Cleopold to name a few.

Effortlessly flitting between outright dancefloor boogie and meditative mellow moments it's a record that captivates the listener from start to finish, blending the timeless appeal of disco and electro with the best in indie dance and electronica.

Welcome To Binary Soulcode Records, A Label Who Is Born For The Love For The Classic Sounds Of Detroit Techno And Chicago House, Always Looking For New Ways Of Expression In Both Electronic Styles And Never Forgetting The Innovation That Both Styles Ment Since Their Birth In The Beginning Of The 80's.

Empty Editions presents the debut 12” from mysterious electronic outfit Taibach. Conceptualized by ABCs, Taibach has emerged from the shadows as a blunted East-Asian historical consciousness failing to return home after becoming a stranger to itself. With a nom de guerre which references both the infamous Slovenian proto-industrial group Laibach and their mythologized homeland of Taiwan, Taibach restages the classic thematics and aesthetic strategies of industrial music for a contemporary moment in which shifting balances of power between east and west herald new hegemonies and exhume old grievances. Their martial approach to electronics follows in a brood of decidedly cryptic underground music: drawing on the sound of classic industrial bands, early 90s techno, and more recent developments at the intersection of noise and rhythmic music. Conditions of escalating ethno-nationalism, imperialist ambition and decay, and historical revisionism within the Sinosphere provide the backdrop for the band’s grimly expansive theatrics, which hint at the possibility of ideological resistance through tactical sign play and subversive affirmation. Acting as a necessary corrective to a commercially bloated and self-satisfied Asian cultural sphere, Taibach embraces futile Taiwan-based nationalism by celebrating the seldom-criticized reactionary tendencies of the region as a document of its history and its current political impasses.

Taibach’s debut LP contains a rawness and intensity that excels in club contexts, spilling over into more varied strands of experimental and underground music. While the music itself is primed for big room sound systems, the omnivorous use of guitar, effects pedals, and sampling techniques alongside stalwart drum programming also allow for more intimate listening—soundtracking both club depravity and solitary walks in equal measure. The kosmische proto-electro bite of Side A opener “Spicy Test” furnishes a terse blueprint for Taibach’s aural vocabulary: skeletal drums brought deliberately into the red provide a burnt, metallic underpinning to the record’s five tracks. Across the LP, rhythm is complemented by asymmetric washes of tape hiss, feedback, and filtered voices which ride alongside the drum patterns. Tracks “You Are Shit!” and “Enemy Inside” carve out wide expanses for filtered chords and sequenced synths to reflect against uncoiling rhythms. Astute listeners will discern a long engagement with UK, European, and US dance music from the 1990s up to the present in their inspired ability to set the drum machine against a distinctly East Asian industrial backdrop—channeling the sound of a dystopic future of armed conflicts and ground invasions where the hastily built edifices of Confucian capitalism resurface as detention centers and fallout shelters. The LP culminates in “Rocket (Live),” an opus of live sound system music that carries with it the hot heat of a subterranean, neon-lit industrial catacomb filled with vampiric club-goers. As guitar noise billows out over a militant rhythm that recalls everything from darkwave to Container (or Alan Vega & Martin Rev’s early Suicide records) the track builds into an assailing polyrhythm that showcases a dancefloor severity at the height of their transportive powers.

Inside the sleeve is a photocopied insert of a watercolor painting depicting an anonymous man hanging from a streetlamp. A sign with the Chinese characters 漢奸 (“traitor”) hangs around his neck. Taipei 101 Tower looms in the distance, once the tallest building in the world—a conspicuous symbol of Taiwan’s American-style capitalist power—now shrouded in the fog of war. Absorbing the anxiety of these times, Taibach’s debut provides an anxious soundtrack looking for the old military bunkers underneath spreading skyscrapers and machines chorusing the rising tides of global unrest.

Monday morning in the rush, buzzing from turning a sprint into a jog. Quick stomps with heavy boots to spice up the season of endless beverages. Leave the temple to fix your screws because the whole gang stood with tears in the rain as Susan dropped this boggling compilation of classic London heat-stroke inducing vibes for you and only you. Big up Asquith for the Lobsterian fire. Susan shows deep approval. Ain't nothing regular degular about this one, folks.

Rotterdam's mysterious studio-wizard strikes on the joyful label of Baltermore isle. Get alleviated and dream on!

Wasting no time, Winthorpe Electronics is back on the pitch with our second release a four track EP from Cignol

Carl Finlow has been one of the most singular voices in electro for over two decades. From the records he makes under his given name to his numerous collaborations and alternative monikers, Finlow's music is suffused with playfulness and imagination. Silicon Scally is the most prolific of Finlow's alias projects, and on Dormant, the third Silicon Scally release for Sheffield's Central Processing Unit, Finlow constructs four pieces of thrillingly futuristic broken-beat electro.

From the opening cut 'V Electro' to Dormant's closing title-track, Finlow's production is incredibly detailed here. These tracks never stand still, their little cells of synth and percussion always evolving. When combined with some stomping drum programming, the final result is an EP which has that rare balance of endless danceability and genuinely innovative production. It's the sound of a master creator letting loose while also managing to keep everything in the pocket, a marvel of moving parts.

Dormant's tone is set from the first booming beats of 'V Electro'. The track's dense mesh of dystopian synth nodules will have you thinking of the nastiest, scuzziest Unit Moebius tune - if the aliens came to take you away, 'V Electro' is what they'd be playing as they beamed you up. Following track 'Bode' tweaks the vibe of 'V Electro' in a couple of key ways, jacking the tempo up to around 140 bpm while also incorporating some funk-flexing organ stabs which give 'Bode' the flavour of a Herbert production blasted into hyperspace.

Dormant's B-side kicks off with 'Proximity Sensor', a cut whose steady drum pulse and chunky bass motif take us back to the very earliest days of rhythmic machine music - Kraftwerk, Depeche Mode and the like. Mind you, the track's slinky synth lines are pure Drexciyan machine-funk, a vibe which is kicked into overdrive on Dormant's eponymous closer. Finlow's most intense production on the record, 'Dormant' is a polyrhythmic whirl which completely sweeps you up, leaving you no choice but to submit to its devilishly danceable impulse.

After a few recent drops which have expanded the sonic world of Central Processing Unit, Silicon Scally's Dormant EP is a reminder that the Sheffield label still does circuit-frying electro better than anyone else out there.

RIYL: Jensen Interceptor, Unit Moebius, Drexciya, Assembler Code, James Shinra

The Eye of Time is the solo-project of French musician, Marc Euvrie. His new album 'Myth II : Need To Survive' is the second part of a trilogy of releases about the path that humanity takes over the ages. A multi-layered tapestry of experimental sound, 'Myth II : Need To Survive' merges darkness and hope via minimalist beats and stark bass.

Myth is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. Myth is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. Myth is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

On 'Myth II : Need To Survive', Marc adds, 'The period between the release of the first two records of this trilogy is a most significant one in my life. 'A Need To Survive' is the perfect title to name it. I have fought darkness. I have faced myself. I've been into the deepest introspection ever, but I'm on my way to recover, and I will never be the same again. I guess I have faced the worst but most important period that everybody will face in his life. To know yourself better, to see the bad and the good things you're capable of.'

He goes on to say, 'I feel that the album trilogy I started in 2016 will match my path to become a better person in balance. 'Myth I : A Last Dance For The Things We Love' corresponds to my falling into darkness, 'A Need To Survive' to finding the energy to rise again and the last record which will be named 'To Heal', corresponds to me right now, feeling positively mature.'

Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, although he has been classically trained. He started to play piano at 9 years old, composed his first pieces at 15 and studied cello at a Conservatoire after finishing school. Euvrie played in several bands before, being inuenced by Claude Debussy, Philip Glass, Frederic Chopin, J.S. Bach, Michael Nyman just as Godspeed You Black Emperor, A Silver Mt. Zion and Portishead, he began to translate his personal reection of our complex world into music, which initiated The Eye of Time.

His extensive self-titled debut album was released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope ('Acoustic') or pitch-black despair ('Anti'). 'Myth I : A Last Dance For The Things We Love', released in 2016, dealt with introspection, impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm, accompanied by both grim and hopeful melodies.

The cover artworks of the 'Myth' album trilogy display pictures by Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

Markus Sommer and Phil Evans team up as MSPE and present a 2x12" on a new sub-devision of their own imprint Pager Records.

CAIN closes out his Fine Grains triptych with a vivacious EP of signature bass shuddering, polyrhythmic drums. ‘High Call’, his first 12” on the now Amsterdam-based label, offers 6 original tracks and a remix by Japanese producer Jun Kamoda in homage to the revelatory spirit and pre-medieval origins of carnivals. Artwork by Dutch/Scottish artist Roos Dijkhuizen created through ink and water drawings.

Colours emerge from the dark, glowing torches and fire embers flicker through the night. ‘Caapi’ warmly draws you into proceedings, an alluring tease of soothing chimes and preview of the infectious shuffling drums that will follow. From ‘Apsara’, Cain sets us on the front foot. A pounding, stuttering rhythm ignites the track, as spinning chord sounds echo and a haunting, hallucinatory vocal lead us on. The carnival is fully alive in ‘Gundon Night’, a sinister and menacing broken track steered by Cosssack warrior chants. High on the mountain we reach the pinnacle of ‘High Call’, a triumphant lead track with CAIN’s recognisable warm and driving, rhythmical drum patterns. The otherworldly psychoacoustic melodies of ‘Taiyi’ and slower-paced triplet drums structures of ‘Zetwal’ make these tracks the outliers of the EP, but they also complement and help to complete the picture. Jun Kamoda’s zany turned up marching techno take on the lead track signs out ‘High Call’ in playful, multi-coloured order.

Censor announces their first release of 2020 that sees a new entity enter the crew’s orbit - the Electro & Techno assassin: Assembler Code.

After a slew of releases on label’s such as Cultivated Electronics, CPU, International Chrome, Boysnoize, Mechatronica (alongside Jensen Interceptor) & Dance Trax (alongside Alex Jann) Assembler Code brings his signature dystopian machine workouts & off-world electronic technologies to the Censor camp.

Monochrome initialises the release with a powerful, yet claustrophobic lead bass designed for the harder floors, which is driven continually forward through a focused drum workout that Assembler Code is so well known for.

Perimeter Inspection creates deeper contrast on the A-side via ice-laden synths that intrigue and breathe to allow space and time to be torn away from the super-controlled beats.

Generator is the outer on the B, and gets straight to work via an evolving, electric drum sound that arcs, twists and races alongside intuitive bass edits all accompanied via a tripped out vocal ready for the dark rooms.

Lateral Transfer is the final track of the EP and cuts through dimensions one world at a time using a sonic network of vocal triggers, saturated bass elements and hard-wired percussive sounds straight from the Assembler Code mainframe.

Having Ballet Mechanique as the first artist in our new series 'The Secret Sun' is kind of a dreamlike reality for us.

With this new series we want to bring forward a legacy of electronic music that is channelling higher positive forces and transcending space and time.
For us, Ballet Mechanique's music has always done just that.

Digging into his archives, Jeroen brought to light a treasure trove of unreleased music that probably would have been left unheard forever...

The tracks on this first 'Collection 1' were written and produced between the years1992 and 1999.

Returning to Opal Tapes after the highly lauded ‘Royal Dungeon EP’, Medellin, Colombia’s Filmmaker issues a damned statement in the form of ‘Late Stage Earth’ a 4-tracker of scorched electro and slamming EBM. Perfectly poised and composed dance music formed over pointillist electro melody and swung out druggy drum programming replete with wheezing pained pads. Filmmaker continues a tear through 2020 with some of the most tuneful and memorable song writing in electronics

Purple wave is the manifestation of Rico Casazza. An EP awash in sea of emotional overtones from bittersweet to electro punk, with a contemplative gesture yet still dance-able. Purplewave aims to bring something deeper to the surface. 4 original tracks with two elegant remixes from Silicon Scally and No Moon.

200 limited copies pressed (No Repress)

Superlux is the latest project from Mike Gill, Nick Gynn and Johnny Hunter. With years of combined experience in the
industry, each member brings their own unique flavour to the mix. The end result being the trio's debut release, Superlux
001, on their new imprint: Superlux Records.

The EP begins with Mike Gill’s Noisy Rework of White Noise . A breakbeat style cut that harks back to the early days of dance
music, stuttering percussion and intermittent hi hats help form a track that feels modern yet mature. Chupa Track continues in the same vein, as a mechanical synth rotates alongside echoing calls and robot-esque keys, before Take One ups the tempo as
reverberating pads clunk on top of a slow moving bassline. Rounding off the EP is the Dawl remix of Take One . A similarly eerie number, pulses and beeps merge with choppy breaks to form a futuristic, extra-terrestrial sounding cut.

5th edition Hamam House takes on further trips to the intergalactic dancefloors with middle eastern tangled dance
music

Andy Jaggers (aka ADJ) is a name that has been synonymous with the underground electro scene since the mid-nineties.

Andy is one of the understated contributors to the sound; in one dimension pushing the music of others in running one of the best record shops London has had to offer (IQ) as well as forming his sonic niche across his labels and own productions.

Andy released his early works as 3 Elements on his own label Analogique, delivering 4 now very hard to find records in between '95 and '96. Unfortunately for us here at knoe towers the source DATs have been lost to the perils of studio moves. Later he would set up Pyramid Transmissions with Pathic to release their own productions and those of likeminded individuals pushing the envelope of the electro sound outside the normally accepted boundaries. Electro as a genre has always sounded like the future however Andy manages to take it into the fifth dimension and beyond, overlaying IDM techniques and soundscapes onto the solid backbone of Detroit electro.

For Those That Knoe has worked extensively with Andy to put together a deliciously cohesive eight-track compilation of his works spanning the more recent period of his production career. The LP includes Pyramid Transmission vinyl favorites, cuts only previously available on his digital albums and some pieces released for the very first time.

Brianna Price turned plenty of heads when, earlier in 2020, she swapped out her well-worn B.Traits moniker for the new title of Baby T. A change of name also signalled a departure from the booming techno-centred sound Price had been pedalling as B.Traits - she promised, all guns blazing, that Baby T was about 'hardcore junglist shit only'. The project's debut drop, an EP for Samurai Music entitled Portra, put that manifesto into action, running the gauntlet of darkside drum 'n' bass, ardcore soundsystem techno and dark ambient.

From the whip-crack electronic drums which usher in Baby T's second record I Against I it is apparent that we're in for another wild ride. Emerging here via Central Processing Unit, Price meets the CPU sound halfway on I Against I's A-side, delivering two super-snappy broken-beat electro joints which both have a malevolent, dystopian edge to them. The levels are high from the off, with opener 'I Wish' fronting nasty, high-wire machine-funk that draws its strength from the Bunker, Djax-Up-Beats and BPitch Control sounds. 'Acid Science', another helter-skelter melange of needling synths and vocal licks, follows. Though this track's title may promise acid, the snaking bassline refuses to lock fully into the perpetual-motion madness of a TB-303. Instead, Baby T chops the lick up to move in and out of the drums, an effect that has one thinking of Cardopusher.

'Estrogen Attitude', the tune which kicks off I Against I's second-half, is an even headier brew. The intro skulks and broods, a pulsing kick-drum and intermittent 303 whirring in a cavernous atmosphere. You get the sense that something is brewing, especially given that the tempo has increased to junglist speed. However, when the breakbeats do enter Baby T opts to lurk rather than strike, locking into the sort of murky drum 'n' bass roll that wouldn't sound out of place on the UVB-76 imprint. This is jungle to shadowbox to.

The vibe of 'Estrogen Attitude' is inverted on EP closer 'We Could Disappear'. Beginning with a grainy, mournful ambience that recalls Biosphere and Kevin Martin, the track gently unfurls with the introduction of synthetic strings and muted breakbeats. If 'Estrogen Attitude' was indebted to Metalheadz, there is plenty of Goldie's more grandiose soundscaping running through 'We Could Disappear'. At the end of the track, the atmospheres dissolve to leave only the hum of sub - both a reminder of the bassweight principles that drive the Baby T project, and also representative of how I Against I has progressively etherised itself across its four tracks.

Baby T's Central Processing Unit debut I Against I tackles dystopian electro, impressionistic drum 'n' bass and dark ambient, all while adhering to junglist principles. This is a brave new world for both the artist and the label.

RIYL: Metalheadz, Pessimist, Mutant Joe, Cardopusher, dgoHn

Introducing a fresh new label concept from Robin Ordell. No Time County’s focus is music that brings a feeling of elegance to the dance floor. A deep interest for sounds has given Robin a refined ear and a unique personal style, which permeates into his vision for the label. On this first release we get three slinky cuts, each one representing the label ethos in its own way.

The EP begins with a cut from Robin’s collaborative project with Bruno Schmidt - Asper Bothrops. ‘Track 21’ is dainty yet punchy, rolling with vigour for almost 10 minutes. Throughout, the rhythm keeps you locked in tight, swinging beats complemented by an assortment of bleeps.

Up after that is ‘Backwash Intro’ by Robin on a solo tip. This track fuses soul and retro beats to create a captivating composition full of energy and mystique. Robin’s penchant for unusual sounds is evident from start to end with an almost frog-like motif in its croaky cadence.

Lastly, it’s Rudoh from Karachi. Featuring alluring atmospherics and a hypnotic bassline, this is an enchanting workout. A range of organic sounding percussion pushes the track along, while tactful production techniques ensure that the energy builds steadily.
Listen out for more from Robin Ordell’s No Time County...

"Following release on Furthur Electronix, Computer Controlled, AC Records, Lunar Disko, Seagrave, Alphabet Set & more, Irish producer Cignol makes his debut outing on 20/20 Vision with 'Past Futures'. The four track EP serves up potent break beat electro with razor-sharp acid tinges, deep baselines and atmospheric synths.

Cignol's ability to craft emotive soundscapes is exemplified on the opener 'Past Futures' with deep electro groove 'Virtual Array' following up on the A-Side. On the B-side 'Gantm' & 'Lessoned By Lessons' lift the tone into lighter spaces whilst still unfolding emotive melodies and driving break beat grooves.

Nick Araguay is born in Paris and lives in London. Not much is known about him.

'Radar' by Parisian DJ and producer NiKiT is Electronic Emergencies' first release in 2020. Two years after his debut, NiKiT has once again delivered a stunning mini-album. His idiosyncratic and particular style within the realm of techno flirts with electro, and sometimes even has a dubby touch. Compared to his debut 'Arcanes', NiKiT's sound has expanded and is more spacey, while staying powerful and very danceable. Celebrated Dutch painter Ditty Ketting conceived the mesmerising cover art.

A re-issued classic from the veterans of the genre, welcomed back via the Direct Beat Classics (DBC) label.

1) "Electro Techno" - Thunderous Street beats and cyborg vocals rule under the futuristic atmosphere of Detroit in this
legendary throwback of electronic funk. Still a signature tune in their catalog of greats...globally proven to start the
party.

2) "Black Planet" - A funky bass secured rhythm laid atop sparse percussion. Straight groove made to ride into your next
voyage.

3) "Electro Techno (MicroKnox Remix)" - Rehashed & restructured for the street...a splendid taste of the future from the
original material. Hyper tech-lines, subsonic bass & beefy drums remixed to rock venues properly. Electric, in full swing.

4) "The Flight" - Robotic rhythms standing tall against a cosmic backdrop of bass kicks & steely synths created for lift off.
Perfectly piloted into the Aux-Quadrant for your funk filled journey. Ride the vibe.

Detroit masterpiece, originally released on D-Bass Records back in 1997. Now fully re-mastered by Analogcut and distributed by Subwax.

Limited 12" single featuring remixes of a Moby & The Void Pacific's track 'Are You Lost In The World Like Me', from the album These Systems Are Failing Us.

Blanck Mass adds his own twist to 'The Light is Clear in my Eyes' whilst Nava Ryan, Zarva and Moby (the man himself) remix stand out track 'Are You Lost In The World Like Me'

Erik Travis aka Sound Of Mind back on Program Central with a killer 6 track ep! from the F.A.C.T. files. Recommended!

Ste Roberts delivers 4 high energy electro cuts on Infilrate.

After the first release in 2008, "Let Them Come" is already a timeless classic tune in all the underground house music spots. Now it's time for an official vinyl release including new remixes by the french producers "Gokin", aka Greg Gauthier and Alex Finkin.

Vinyl will feature Individual, hand illustrated sleeves.
Distraction combines thundering bass elements from darker techno with deeper, emotive pads and flourishes to create a meditative yet driving late night groove. Best used to hush dance floor chatter in favour of getting heads down and putting a shift in.
Static and Choke also play with juxtapositions of light and dark elements, with Choke being the firmer of the two. Both offer sounds ideal for creating trippy and introspective dance floor moments, while not allowing those hard fought for energy levels to drop.

2020 Repress! Obscure chicago trax from the '80's, epic and melancholic, dark and manic at the same time!

Vier Jahre nach dem Release von "Midnite Ride", einem der stimmigsten Alben aus Brenk Sinatras Diskografie, können sich Fans und Musikgourmets nun auf den zweiten Teil dieses Instrumental-Klassikers freuen.


Brenks ausgefeilte Produktionen ließen sich nie so recht in bestimmte Schubladen stecken, und auch dieses Mal schlägt "Midnite Ride II" mit einer Vielfalt an Soundbildern gekonnt eine Brücke zwischen Boom-Bap und Trap, zwei oftmals als unvereinbar geltenden musikalischen Lagern.


Das Album spiegelt wie kein anderes zuvor Brenks aktuellen Mindstate in puncto Soundästhetik wider. Dennoch bildet "Midnite Ride II" eine nahtlose Anknüpfung an den ersten Teil und eröffnet gleichzeitig völlig neue Sphären aus dem Klanguniversum der Wiener Beat-Instanz.


Mit "Midnite Ride II" beweist Brenk eindrucksvoll, dass man seiner musikalischen Basis treu bleiben und dennoch den eigenen Sound organisch und zeitgemäß weiterentwickeln kann.



Kopfkino an - die Fortsetzung des mitternächtlichen Trips durch Brenk Sinatras einzigartiges Beatunviersum kann endlich weitergehen!

Gitkin's music exists somewhere between primal, rootsy memory and distant exotic yearning — A dusty bordertown where the familiar blends imperceptibly into the enchantingly foreign.

After a long and fruitful run as a bandleader with relentlessly touring party-rockers Pimps Of Joytime and a Grammy-nominated country blues collaboration with Cedric Burnside, multi-instrumentalist Brian J set out to "explore tonalities I'd never messed with," as he puts it. It was a release from "having to write lyrics or involve my voice," he notes, and so the (mostly) instrumental sound of Gitkin came into being.

Reviews of Gitkin's first LP grappled with descriptors, tagging it vaguely as "cinematic" and comparing it favorably with Khruangbin. True, the music is largely wordless, emotionally evocative, and guitar driven. But it possesses an alluring alchemy all its own.

Gitkin's first release, 2018's well-received Five Star Motel, amply demonstrated his ease with earthy funk and comfortably-cut rhythm. On his new full-length release Safe Passage, the itinerant guitar slinger broadens his already rich palette with melodies informed by Greek and Middle Eastern modalities, Peruvian Chicha and Tuareg Saharan guitar styles. No gimmick, this juxtaposition of gut-bucket blues and funk low-end with unexpectedly twisting lead phrases highlights the intense flavors found in each savory ingredient.

Recorded at his home studio in New Orleans, Safe Passage showcases a new batch of immediately engaging, repeatedly satisfying cuts, ranging from surf exotica ("Cat Nip") to raunchy roadhouse stompers ("Fools Gold" and "The Drive") to dreamy vocal cuts "Foot Steps" and "Hold On" to the floating finale of "Safe Passage."

Gitkin's production radiates character and warmth, leaning on soft-focus vintage mics, dubby spring reverbs and the quirks of a tape console. Further enhancing the intimate vibe are guests like veteran Chauncey Yearwood (congas) and New Orleans local "Spug" Smith, who provides a sousaphone low-end on the cumbia-not-cumbia "Spug Life." Carol C lends her striking voice to three tracks, including the strutting single "De La."

Safe Passage will be released by Wonderwheel on September 18th, 2020 and will be available on vinyl, CD and digitally.

Cape Cira is the lush, hypnotic debut album by acclaimed British producer K-LONE.

In contrast to his clubbier productions, Cape Cira sees the producer explore the full melodic and textural potentials of his sound, drawing influence from ambient, fourth world, and modern classical music to create a work more closely related to the outputs of SND, Jon Hassell, Burnt Friedman, or - more recently - Don’t DJ and Visible Cloaks.

The result of a short creative burst during a grim British winter, the record explores music as escapism, comprising a series of lush, warm vignettes that demonstrate music’s unique transportive power. Cape Cira takes place in a sensuous sonic world between the natural and digital realms: FM synthesisers mimic acoustic instruments, tuned percussion and bird song; and found sounds and field recordings are processed with a hyperreal sheen.

The gift for composition only hinted at in K-LONE’s work to date is on full display here. The artful and intuitive simplicity of the record’s melodies belies the complexity of their composition, where looping polyrhythms create shifting, unresolved patterns and ever-changing counterpoints.

Cape Cira marks the first full length release on Wisdom Teeth - the label he runs with friend and collaborator, Facta. The album stands as an exciting next step for both the producer and the label itself, furthering their reputation as key young voices in contemporary electronic music.

Part 2 of Red Rack’ems Disco Banger series brings 3 more killer cuts to the table. WYBES indeed.

Bruno Schmidt's Domesticated imprint returns with its third release, heralding the comeback of noughties minimal house hero Marc Ashken. Under his new alias SHKN, he's already presented a couple of EPs on London's Subsequent, in addition to releasing tracks recently as Thread and Lost Property (with Ben Micklewright). The track titles on 003 display what's possibly his original date of creation, we're just pleased they didn't just got stuck on his hard drive. Starting off with a curveball in the form of off-kilter electro funk jam "01_06_17" it is soon business as usual from this stalwart of the minimal scene: from the hypnotic and bass-driven afterhours groove of "9_9_2015" to the quirky and reductionist glitch funk of "10_10_16". Welcome back, Mr Ashken!

Second volume in the series following the first episode published over a year ago,Boogie Angst'sfresh new VA 'Boogie Beats Vol.2'gathers four hot talents from various backgrounds and latitudes to present and extrapolate their own definition of a funky groove.

First up on heavy floor duty, Brighton'sTiteknotsflies us to an all-out, slap-bass & piano-splattered vocal disco haven, chock-a-block with playful afternoon vibes and coastal feels. Having earnt himself accolades from some of the tightest players in the game, fromBonobo('Buzzard Walk'made it on his Fabric mix) toGilles Peterson, viaDimitri From ParisandNightmares On Wax,Titeknotsonce again proves the breadth of his talents when it comes to weaving well-oiled filtered house engineering with a touch of cheeky retro-disco glam.

Adeline, a multi-talented French-Caribbean artist and former lead singer of Brooklyn Nu-Disco bandEscort, follows on with'After Midnight', as revised for extended dancefloor use by chief trio,Kraak & Smaak. The result is a bass-heavy nu-disco/house roller taking us on a fun jaunt across widescreen seaside vistas and endless desert scapes. An invitation to cast off and dream your way into the world unreservedly,Adeline'ssong carries a message of love that resonates with an even deeper echo in these moments of uncertainty.

Pushing further in the direction of spirited post-balearic solace, UK-based DJ and producerGet To Know(previously heard onKitsuné, Sweat It Outand more) delivers a true masterclass in rhythmic prestidigitation with'Love Taught Me', exploring the widest sonic palette to shape up a finely acidulous, Afrobeat-infused, dream-funk number of the finest standard.

Hailing from the colder surroundings of the Volga River,Anton BogomolovaliasScruscrurounds off the package with a deliciously wonky, revved-up edit of an old gem,'S For Sexy', making the most of its brass-laden orchestration, rousing maracas and laser-blaster samples that sound as if dug up from an oldCerroneplatter and integrated within their new environment with fun-loving care and attention to detail. Blast awayand give in to the power of the 'Boogie Beats'second iteration.

From the magical mountains of Sydney Barney In The Tunnel (Barney Kato and Tunnel Signs) spew forth an EP of day to dark dancefloor moods over 4 luxurious tracks drawing from the friendship of the party, the synthesizer, the shroom, the drum machine and the science of fiction.

We are excited to release a 6-track EP from San Francisco based DJ, producer, and remixer Sepehr Alimagham. The San Jose native has been a fixture in the Bay Area house and techno scene for quite awhile now — on the dance-floor, behind the decks, in the studio, or all of the above. Early influences like Boards of Canada, Aphex Twin and post-hardcore bands later in high school started his affinity for off-kilter, underground music. In 2017 he began performing live PA sets, utilizing his immense production backlog to perform vivid and electric sets, from potent dance music to psychedelic and esoteric soundscapes.

"Body Mechanics" is six tracks of acid drenched dance music that ebb and flow from floor filling club thumpers to more cerebral soundscapes. Inspired by the new wave of the acid sound as well as nostalgia from his formative years in the San Francisco music scene, 'Body Mechanics' takes a functional, yet psychedelic approach to 303 styled techno and electronica. Attention demanding basslines, indiosyncratic structures and hallucinatory atmospheres provide an effective framework for Sepehr's vision. The themes of the track titles take root from a series of dreams Sepehr had with a common atmosphere of strange characters and textures, akin to scenes from David Lynch's 'Twin Peaks'. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket featuring a dark and inviting cyborg hand holding a rose designed by Nicole Ginelli.

Originally released via Terraform Records in 1995, ‘Systems E.P. 1’ was certainly too ahead of its time to meet with success back in the day. That said, as years went by, so swelled the reputation of this sextet of visionary, alien-engineered jams, soon turning the once $1 bin find into a highly sought-after item on the second-hand market. Much to the displeasure of hardline speculators but for the greatest joy of skint ’90s sound lovers, KOC reissues the Systems experience in full force and effect.

Harbouring a trio of submersible ambient-tech and 303-driven breaksy weapons, Red Shift’s own dedicated A-side has lost nothing of it's soul-fulfilling appeal. Getting the ball rolling, ‘3rd Moon’ skippers us to brightly hued sound niches, where trancey acid motifs merge with slo-moving ambient pads and uptempo breakbeat on a frenzy. Laced with a hint of bleepy abstraction, the more lascivious, piano-laden ‘Audity’ then shifts the scope to further introspective depths before ‘Himalayas’ takes us on a mind-expanding ride across imaginary snow-capped summits and lushly forested slopes.

Flip it over and here comes Ether and their mightily explosive ‘Detonator’ – a wild and woolly acid number that shall not go without conjuring up memories of the early Prodigy’s mid-nineties rave exploits. Not to be confused with that of his contemporary Australian counterpart, Escape Artist’s ‘Rain Eternal’ evokes the soulful RnB suavity of Sade’s classics, adorned with otherworldly organic warbles and addictive piano stabs. Constants of Nature vibey closer ‘Slow Symmetry Breaking’ rounds off the journey on a further distinctively atmospheric note, perfect to muster up the energy and drive to take it on the lam from our crazy world.

J.E.D Tape label and this mysterious unknown artist return with a four tracker EP with house, acid, electro and minimal sounds.

A balanced EP full of groove and superb production, essential for every DJ's record bag.

It's time to re-engage with your inner peace as Yovav follows his previous Correspondant cameo ('Andiamo' on 'Compilation 05' in case you're wondering) with this sublime exercise in horizontalism. Charmingly balmy, harmonic and hypnotic; this is the sound of Yovav bathing us in a gilded sonic sunset. Well... It's not called 'Caribbean Zen Mode' for nothing, Remix-wise we're in for a treat as Tuff City Kid Gerd Janson lays down a delicious hip-swaying Balearic version. Delicately layered with glistening guitars, chimes, harps and a rolling percussive groove that opens up into a broken swing while the steady kick matches the slinky, sultry bass notes, it comes complete with its own bonus drum groove for added deep mix creativity. Inner peace found, zen mode activated. Thank you Yovav.

He wasn’t sure anymore what had happened. Because whenever he tried to think about it, all he felt was extreme pain. So the best was to not think at all. Not feel at all. Not move at all. Not breathe at all.

Introducing Earth Plates vol 3 - the debut pressing of Budapest’s young talent CT Kidobó.

After a quiet year Jan Hendez is back with new textures for this 4th output on Lumbago's imprint. This release, built around different construction and moods, welcomes 3 originals and a clever equation of those joints by the infamous professor Le Loup. Welcome in the geeky cave!

A1 is composed of strong, deep basslines that melts with beautiful synths and twisted rhythms that will bring you directly to space.

A2 Jan Hendez achieve a really interesting mix of his influences with a track that we have difficulties to categorize, breakbeat oriented, also electro, but with his minimal touch. Ravy and deep.

B1 is the more housy oriented, a great tool for DJ's with a good drop of acid on the middle.

B2, Le Loup used elements of the three originals to mastermind a clever track between Minimal House, and Electro.

Cutie Qnete is back with four sublime works of house music
tinged with a drop of acid and a gentle touch of electro giving
you pieces of his mind, body and soul.

Norachi comes at you all slinky and smooth from the Victorian countryside with 4 tracks to rattle the bass bins of your deepest dancefloor. The optimist of the bunch; ‘Nurture’ reveals glimmering synths and tight percussion over a stout bassline, while the Reflective mix adds the tough yet melancholy attitude and robust mindset distinctive of Castlemaine streets in the year 2020. On the flip, Nature Bassline walks the line between beatdown and dub with hats lashing themselves over a bass melody reminiscent of classic Detroit works. The closer, Tool For Tim, is an exercise in after hours club moderation, settling itself into a dream loop you won’t wake up from. Sleeve art by Gavin Fennessy.