Nouveautés et Sorties Vinyles House - News

Limited to 500 hand-numbered copies with printed inner sleeve (photos & band infos).

Zimbru's second release is the new collaborative effort from Kozo and Dan Andrei, hiding their musical personalities in the AK41 codename. And it's their edgy approach on minimal techno that has shaped into this record: taking time to expand into Thriatlon's multidimensional sample universe, exploring the dubbier alien planes of techno through Cuttin Ice or pushing us deep into some uncharted groove territories with Cox Terrier's perky bassline.

The Clone Basement series dedicated to the true spirit of techno and music that excels in a dark smokey and isolated basement (including the dark and smokey corners of your brain) comes up with its first album release. This album explores the spiritual side of techno with a full length album by Finnish artist Aleksi Perala constructed from parts of the various Colundi Sequence levels presented so far. This is a limited triple album containing the spirit of the Colundi Sequence and showcasing the multiplicity of emotions and conditions as defined through the Colundi Scales. These scales are 128 resonant frequencies chosen via experimentation and philosophy, each relating to a specific human bio-resonance, or psychology, traditional mysticism or belief, physics, astronomy, maths, chemistry. ''The Colundi Sequence does you good whether you like it or not''

CD1:
01. AMBRAY: Azure
02. KAUFMAN,LENA: Blessed Is Who Realized Himself(Thor Deep Trip Vocal)
03. BLONDET,THOMAS/CAROL C: Un amor
04. 55 CANCRI E: Vaggvisa
05. FONDUE: Absolem(Afterlife Mix)
06. LA NENA,DOM: Menina dos olhos azuis(Piers Faccini Remix)
07. ANGEL TEARS/OHAYON,SAGI: Ya mamma
08. KID MOXIE: Shadow Heart(Hp Hoeger & Rusty Egan Remix)
09. MASHTI: Dahraram
10. GUREVITSCH,JACOB: Tiden der forstar
11. BOMBAY DUB ORCHESTRA: Egypt By Air(Earthrise SoundSystem Remix)
12. ECCODEK: The Big Man(Rise Ashen Remix)
13. RED AXES/ABRAO: Sabor
14. SECOND SKY: Dragon Fly
15. HAMMER,TROELS: Madsi
CD2:
01. DREAMERS INC/ESTEBAN,BILLY: Alladin's Wish
02. RIZO,ANDRE/NIYAZ: Tamana
03. DOLE & KOM: Away
04. POPAT,SAM: Puga Land(Original Mix)
05. JACEO: Jolgorio(Original Mix)
06. SHAMAN/POPAT,SAM: Karma kandara
07. DAYAN,FABRICE: La maza(Original Mix)
08. RIZO,ANDRE/SUCIU,NARCIA: Colindul cerbui
09. DOLE & KOM/SCHWARZ,SETH: Fly Bar
10. SIS/CASTILLO,EDUARDO: Sombra india(Eduardo Castillo Remix)
11. SOSIMI,DELE AFROBEAT ORCHESTRA: Too Much Information(Laolu Remix Edit)
12. MARCIANO,DAN: Unlimited(Original Mix)
13. BERNSTEIN & RIVERA: Deep(Wally Lopez Mix)
14. GAUTHIER DM: Irma
15. RIVERS: Soft(Dani Zavera Remix)

Last year's album Couldn't See Too Clear For Edges' by The Marx Trukker stood proud as the Pluie/Noir's first Artist album. Despite being the imprint's one-and-only release in 2014,
it was without a doubt it's most introspective and musically refined output to date.
Pluie/Noir's curatorial decisions seem to consistently circle around a vast array of musical experimentation with command of a very personal (albeit peculiar) vision of futuristic dance
music. There's only a few number of ever-changing, self-upgrading chameleons in the music scene who seem to constantly give their best to stay updated, or even ahead of their
own time. Fumiya Tanaka is one of the world's best examples of this morphing behavior .
Not only is he the Japanese reference to skillful dj'ing with decades of fine music making and ownership of the first independent record music label in Japan (Torema), he's also one of the world's finest heroes of techno music. He has succeeded in keeping us engaged since the 90's, showing us all his skills from mental, fast-paced techno to his nowadays staggeringly
minimalistic approach to dance music.
Fumiya Tanaka's double-tracker Beautiful Town' was fully inspired by it's cover artwork:
a set of carefully selected old pictures with a layer of masterful signature paintings by Romanian artist and fine-arts student Bonjour Bonsoir . A-side's Abacus Avenue' is the
EP's most dense and eerie side. An addictive piece that utterly succeeds in sucking you right in like a vortex would. The locomotive bassline serves it's purpose of movement in a strong
loopy groove, while the pads and poltergeist'y sounds reformat our heads with an inability for space-time tracking. The otherside of this town, Himegami Marathon', is another mys-
teriously intricate work. It's a microcosm of grooves, sinister details and voices locked in a tight groove built on a single bass stab and a flowing, never-ending set of wet claps. A piano
kicks in at key points, alongside percussive elements, reminding us that this town is alive. As standard for Pluie/Noir, fully colored artwork cover and limited pressing.

Razgraad is the brand new solo project by Salvatore Miele, Bologna-based electronic musician and The Water Towers is Razgraad's very first release. Under this moniker Miele designs sounds in heavily saturated structures, stratifying timbres and combining dissonances and minimal percussions with more melodic sequences.

On his debut tape Razgraad investigates cyclicity, drones and rhythmic pulses, declining the sounds of the industrial landscape through the transformation of field recordings and the use of synthesizers, in an archetypal, ritual dimension.

freshly repressed!
Adding to his extensive and diverse catalog, Alexi Delano delivers his first release for Spectral Sound. My Busted SH-101 is an ode to the beloved and portable synthesizer made by Roland in the early 80s, not long before Delano started DJing. As a producer, he's earned a reputation for being a bit of a machine himself, churning out records on a wide variety of labels over the last 20 years. He holds his own in house music under his A.D.N.Y. moniker, but it's with tracks such as this one that show off his love for dark, weird techno that sits comfortably alongside Spectral's finest.

'My Busted SH-101' flutters and pulsates wildly throughout, with a heavy bass kick driving from the start. The sonic rabbit hole soon opens up to crackling, crunching melodies - Delano pitching up and down, making the synth sing in his own experimental fashion. The b-side remix is also a gem, provided by Alexi's long-time friend and occasional production partner Jesper Dahlbäck. Going by his revered alias The Persuader, Jesper's interpretation adds beautiful, sweeping dub echoes and pushes the lower end to the front, creating a strong dancefloor vibe with warmth and attitude.

Drone is very proud to announce its fourth release, this time from rhythm originator and founder of Factory Floor Gabe Gurnsey, who bangs out his debut solo single 'Falling Phase'. This track is an eight minute aural patrol of sheer analogue pulse and rhythm, flooded with Gurnsey's drum computer bank, Nik Void's ethereal vocal splices, and a electrifying bass line.
Gurnsey explores "humanizing machines and electronics" within his very own contorted dance template, taking the dance floor out of its four walls and reinstalling it somewhere along the pacific coast highway. This record travels.
On the b-side Gurnsey drops 'Partaloa', a killer synth funk workout built with his signature rhythms.

Kompakt classic - Entdeckung der Langsamkeit , played bei Villalobos, R. Hawtin and many more comes slowed down and remastered, plus bonus-bomb - Music ! Massive double pack !!!

Der Kompakt Klassiker - Entdeckung der Langsamkeit, gespielt von R. Villalobos, R.Hawtin und vielen anderen kommt verlangsamt und remastered, plus Bonus-Bombe - Music ! Massives Doppel - großes Tennis !!!

the second part with remixes by giorgio gigli and hobo !!! Huge with Oliver Huntemann, Jordan Dare, Brendon Moeller, Ivan Smaghhe !!

Repress Alert!

Quality house from Mr Aaron Carl. The original where previously available on his own Wallshaker label. Now with remixes by Quantec & Rod Modell (Echospace)! A1. Crucified (vocal) A2. Crucified (Quantec Remix) B. Crucified (Rod Modell Like A River Remix). Limited Pink coloured vinyl with Yellow labelcopy!

Arapu's ever evolving producer skills are once again showcased on his own label, now on its second release.

Like a meticulous fractal designer, Arapu fills the space between the fast paced beats with simple sound structures, interconnected at a subconscious level. To fully understand the beauty of it you have to follow the techy tribal accents from Hazard, the 80s' electronica theme hidden into So Doo or No More Space's dark sci-fi soundtrack bassline that would surely put a lot of pressure on the underground's soundsystems.

Liniar 002's sound is definately crafted for those dancefloor moments when the visceral bassline makes way for strobes scattered into the thick atmosphere

the second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.
it is the second part of a trilogy that features his detailed sonic landscapes that are full of mystery and power. while his last fp-oner album '5' was leaning more to the jazzier, relaxed and atmospherically side of his artistically deep house expressions, the runner-up grinds even deeper into spherical worlds that enhance deep meditative highs.
they are not made for club use only. in fact all eleven compositions work also massively without big speakers. again the new york city native that is working on his very own music for almost 20 years produced a journey inwards that is compelling, mesmerising and enchanting.
you find cosmic dust in it as well as dark entropies, percussive power, sweet seducing melodies and rolling bass power that shakes your inner and outer profoundly. the tracks are listening to names like 'awakening co creator', 'alternate reality' or 'adjusted perception' and the album title '6' stands for a meaning,
that fp-oner describes like this: '6 represents the number of man and his or her limitations, weakness and imperfections.
this body of work examines and looks towards one awakening. adapting to a new way of being creating an alternative and reaping a higher state of mind and being. enhanced by love and serenity, satisfaction and joy.'
all tunes are produced around the world, as he is a guy who never stops feeling in sound. that is why he caries his studio around to get up in the middle of the night or right in the morning after a sweaty party to transfer his emotions directly into sound. the result is massively powerful music with slow, intimate passages for treacly melodies, stirring synth-lines and little rhythmical quaintness.
an almost lyrical house journey that works like a musical sculpture in which organic machine grooves float along keys on air. the evolution of the each track is impeccable and their power grows with any new listening session. fp-oner himself characterizes his art like that: 'my music is designed to enhance deep meditative, or altered states, to allow the listener to personally connect to the creator of all that exists in the universe.
my music style is to first create a foundation using cyclic, polyrhythmic music, then build several layers of improvised leads and rhythms that allows you to transcend time and space... we have memories of past lives that reverberate in our hearts like echoes from ancient caves'.
there is nothing more to add, except that those who do not know fp-oner so far should know that he danced in his younger years in legendary new york city clubs like the red zone, sound factory or tunnel to dj sets of larger-than-life selectors like david morales, frankie knuckles or danny tenaglia.
during those nights he learned that sometimes less is more. and that he should rather listen to your heart and soul, then to the susurrus of the music market. most of the eps and albums that he produced under his other monikers like fred p or black jazz consortium have been released via his very own label soul people music, which exists since more then ten years.
as fred p he also dropped 12inches on jus-ed's underground quality imprint as well as on toshiya kawasaki's mule musiq label. for the latter he now is working on a trilogy under the fp-oner alias. this little paper introduces the second part of it. the final one will hit your heart and soul in an unwritten future. whatever circumstances of life will be around by then: you can be sure that fp-oner will transfigure them into a dynamic emotional and spiritual terrain.

Coming soon new ep from talent producer Matthew Lima... incl. Davide Benedetti Remix already played by Marco Carola on his set and on Music On Winter Mix and Alex Ground and Gonzalez (Spain) Remix... Get ready!

Breathtaking debut album by Spacetravel.

big with: Shin Nishimura, Mladen Tomic, Carlo Lio, Gregor Tresher, Patrick Lindsey, Andhim, Olderic, MiniCoolBoyz, Ellen Allien, Shinedoe,...
It could be a Monday. Maybe it is more like a Tuesday or any other day of the week. But it is certainly one of these days when your memory parades in front of you, full of emotions. And then the search for the traces begins. A few dozen pictures in your digital camera, your record case - still lying next to your front door. Handle with care. This side up. In your pocket, there is a flyer; on its back a short but treasured message 'thank you for the music.' Monika Kruse knows these days and moments. Her personal collection of memories as a DJ, musician and producer continues to give her the ideas, strength and dedication which music always demands. At the start of the nineties, Monika´s DJ life began with her as a resident at the Ultraschall Club in Munich. During the next years she published seven mix compilations and set up the record labels Terminal M and Electric Avenue. Her flourishing career took her East, several times, to Japan`s biggest indoor rave 'Wire', and Australia, as well as West, to the best Brazilian clubs. Back home in Berlin, she played in front of a crowd of 1.5 million ravers at the Love Parade, and at world-famous local clubs such as Berghain / Panoramabar, Watergate and Weekend. Now, twenty years later, she has put all of her traces and roots into her fourth artist album. All the beginnings, the ends, highlights, styles, and shadows/colours of her musical life. For Monika, words like deep house, techno, Drum & Bass or tech-house stand for hundreds of records, artists and parties. Traces she collected and digested at some time all put together as a whole.

Having been no stranger to the London nightclub circuit. London bred Christian AB steps up to provide his debut ep. We are very proud to debut such a cohesive package of hypnotic grooves. Early support from Raresh, Rhadoo, The Martinez Brothers, Anthea, Voigtmann, John Dimas.

out-there, loosely alternative House related, explorative Electronica EP

Second release by the label founder Ti Es. It is a limited edition EP which exemplifies the soul of the label and features a preview of the next releases. Enjoy!

Collecting orders for repress

We are proud and excited to present these 4 Solid Tracks from Diego Krause !!
The Head of Unison Wax takes control of the 9th Organic-music release...Profound and steady house music in
"Gneisenau" and "Sir Price". Taking us to a more deep and sexy state in "We invent the future" and "Misery" !!!
Real Treat for the Dancefloor =)

PERSUOL 002 limited 200 copes, vinyl only release, including a massive iO (Mulen) remix

The Abstrat Matters Duo is back after releasing the hottest title on the Cynosure label in 2014! With regular play from legends like Derrick May to Danny Tenaglia. That being said the follow up is sure to land in the similar crates and rock dancefloors from Ibiza to Detroit. This Ep delivers a combination of raw and rock solid techno grooves that boarder on the familiar or dare I say old school but maintain the futurist sensibility that make a proper techno twevle inch.

Messrs David van der Leeuw and Luigi Vittorio Jansen have been making waves with their Beesmunt Soundsystem project, a lauded club night and DJ outfit that's grown into a behemoth, breaking out of the Amsterdam dance music scene in which they made their name. Now the duo are returning to Pets Recordings with their new Raindance EP. Beesmunt are used to controlling crowds and opening up the heavens with their eclectic, upfront and often frenetic style of house music. After releases on Soweso, Just Jack and of course last years huge Pets debut 'Bodyshape', Catz N'Dogz have invited this emerging tour de force back, to bring their upfront, pristine production skills for another slice of block rocking music. Opening cut 'Searchin' kicks things off. The deep and bubbling number is characterised by the duo's deep and bass heavy kick drums, with sweeping atmospherics, eerie vocal stabs and dusty, slo-mo drum claps. A mid tempo late night workout that touches all the right parts in equal measure as it blends house deepness with minimal pace. Title track 'Raindance' starts with thick and fattened kick drums, while ticking clicks, 808 modulation percussion and one hit bass getting gnarlier and more stripped back on every 4th beat, evoking the sweaty vibes that characterised their raucous parties back at home. Keeping true to its namesake on the flip, 'Ominous' takes a different approach, coming with a stripped back, sound design approach, building up ominously into unpredictable beats before their trademark kick drum - rough around the edges and dripping in analogue clarity - pitches the track up a notch and un-relents until the very end. Finally, Borrowed Identity enters with remix of Searchin', focusing on the atmospheric sweeps and vocal chops before dropping for a more 4x4 influenced workout, touched by hollow baselines and EQ's chords.

Deo & Z-Man, the blood-brothers from Hamburg, pulled off one of the most creative feats of last year with their debut album, 'No Bullshit', with zero BS but plenty of
inspiration, the pair melted together a range of
influences with a healthy dose of tongue-in-cheek humour
for their underground opus. The remix LP to follow this EP solidifies their commitment to the eclectic,
drafting in friends and family like Lee Burton, Erobique and Tigerskin to rework the magic.
This 12" package of highlights from that the upcoming remix LP pulls together a selection of the ingenious remixes. 'Chopped Memories' transforms from a laid-back groove with elements of hip hop and the cosmic, to unhinged neo-electro in the hands of the mad scientist
ARTTU. Shading in the gaps with static, sirens, and serrated electro edges, ARTTU makes for a deeply memorable
and deeply quirky stomper.
Marc Schneider's masterful remix of 'Iced Out Space Lazerlights' riffs on the noodly, outer-space groove of the original, providing a solid 4/4 framework with space, deepness and real dancefloor compatibility.

SLG handles the delicate downtempo of 'Universal Neighbours' like a pro, using a light touch and playful keys phrasing to slowly transform the mood from pensive
to hopeful to positively uplifting, it's a deep house anthem in the making.
Smallville boss Julius Steinhoff finishes on a high by delivering a signature piece of tightly-wound deepness with his take on 'Tales Of Love'; scaling back the sunny retro-disco of the duo's original for a taste of the classy and classicist house that Smallville is known and loved for.

Shift LTD's second instalment of their 'Basement Traxx' VA series, a solid 4-track complation from label heads DNArt and Gianluca Marcelli and their guests Petr Serkin and Lady Blacktronika.

After having released great music from the likes of Enrico Mantini and @Jordan Fields, Shift LTD is back with its fifth release, a Various Artists from some of the label's very own DNArt & Gianluca Marcelli.
We start with DNArt dj's 'Rubbers (Bassmental Mix)', a classic 90's house track characterised by dreamy pads, a warm baseline and a looped male vocal cut that sits in the background and gives that extra groove to the track. Next up on the A-Side, the Russian producer Petr Serkin brings the energy ups with 'Mayak', a straight-up 4/4 floor filler for the early hours. Saturated crispy percussion, a xylophone-like synth and the bubbling bass-line are what make the difference in the track. If I had to choose a closing track for a festival I'd definitely keep this one in mind!
On the other side we have the label owner Gianluca Marcelli with 'Grab It'. The Florence-based producer delivers a deep cut full of swinged percussions and dusty sampled synth lines. On B2 we have Akua Grant aka 'The First Lady of Deep House' aka Lady Blacktronika. Her track is entitled 'Changing Your Love', a smooth deep journey with a female vocal cut saying 'She Changed Your Love', moody pads and hypnotic percussions.

The Autoscooter Gang is back with a cool tech-house ep. The tracks are made for the dancefloor with great remixes by Arts & Leni and Remcord.

m.s. back on wax! follow up to his 2012 release on rawax 10" series.we like it - great release!

limited to 200 copies !

Emotive minimal and techno from Spain's Raul Aguilar, with remixes from F.eht, Aura Dub and Norberque.

After first performing together at Sonar Festival with what was essentially a live version of our respective 'B.O.A.T.S.' and 'Adamant' albums, Thomas and I decided to expand on these ideas for something more broad and improvisation-centric. After months in the studio drinking nothing but amaretto and working on new music for this purpose, our new live experiment (now simply called CW/A) was ready. The reception on these shows was so (thankfully) positive that Vakant eventually pressured us into releasing some sections as tracks. 'Conducting the Method' is nothing other than a sample of what this new project is about: a collection of three excerpts taken from this year's performances. To round things off, we invited over our friends Dead Heat for a reinterpretation of one of our tracks. We can state with confidence that we are excited these tracks are no longer confined to our club and festival performances and can't wait for everyone to hear them. Hopefully you will enjoy them as much as we enjoy playing them out. Francesco

The rugged, noirish soul of Dave Aju's third album Black Frames is still lingering in our minds months after it dropped, and as you well know by now we at Circus Company can never get enough of the San Francisco man's honey-coated voice. As such, we once again reached out to dear friends and like-minded souls within the house and techno community to deliver three reinterpretations of the man's distinctive sound for a fresh dancefloor perspective. Henrik Schwarz is a force to be reckoned with in the world of rich, emotive and masterfully produced house music, and his reputation as a remixer and editor extraordinaire is well founded. His approach to the romantic sway of 'Psylica' is nothing short of astounding, underpinning the sizzling chemistry of Dave and Qzen's vocals with playful bassline throb, plucked string elegance and just the right amount of freakiness. In the world of leftfield grooves we inhabit, Freaks have been vital figures all the way back to the early days of Classic, and so the input of Justin Harris and Luke Solomon makes perfect sense on this reworking of 'Nu Threads". With a rock-solid rhythm section given the necessary kink by a playful low-end and some tuba-like blasts, the mischievous pair whip up an upbeat party-starter that sets the original elements simmering amongst a delightfully modern confection of prime-time house music. The B-side is given over to a thirteen-minute epic by the rapidly-rising Rush Hour mainstay Awanto3, and he seizes the opportunity to pile on the tension with a machine-driven reworking of 'Vins Noirs' that builds fervently towards total rave-fuelled abandon.

From the mouth of Lil' Dirrty We heard y'all thought TuningSpork was dead Wassup with that I'm here to say like a phoenix we rose from the ashes, and here's the reason... Lil' Dirrty and Michal Ho don' give a what about yo hedonistic freak-ons where you be sniffin' whatever you find, naw.....To us y'all is just a bunch of harmless babies looking for a mommi. This is a techno record about propaganda and the politics of fear - you got that This is music AGAINST war. This record is like a weapon of the mind and body. It resonates frequencies right down the barrel of yo guns and renders them useless in times of war. It heals the indoctrinated minds and guides them to a place free of PTSD. Join us on a journey of peace through beats and spoken word - then see for yourself, is it true Or just more bullshit propaganda... Oh, and btw. fuck Contexterrior for now, this is a TuningSpork Record - plain and simple. See y'all on the block. Signed, Lil' Dirrty, Zürich Langstrasse 2015. P.S. Remember to choose love over fear and never become a slave to any train of thought. Question everything and everyone ALWAYS. We live in a confused world where only love and music is gonna make a difference y'all. Let's open our eyes together! One last thing, I'm off alcohol on step 10 and have a 5 year coin in my pocket.

For Moss Co.'s fourth release, and first solo artist EP, they look to London's Antony Difrancesco. Antony's selective output on other London labels like Fuse and Othertones, has seen regular support from the highest echelons of house and techno. His enviable collection of hardware, and seemingly endless flow of creative ideas, are displayed brilliantly on MOSSV004. The record opens with Vio - a mystical track, filled with toms, bass and groove tied together with ethnic strings and an eerie pad. Left takes more of an experimental turn, with playful bass bouncing around the spectrum, complemented with analogue squelches. A beautifully warm pad brings an element of romance to the track, and crisp tops keep it dance-floor focused. On the remix, Martinez uses his signature Concealed sound to devastating effect, transforming track into a sleek, minimalistic, late-night affair.

Anakronik is the brainchild of Andrey, one half of the Audiotheque duo, who've been involved in the scene for a while now albeit with discreet output. Through Anakronik their vision and ideas of timeless, spaceless music, that just is, will be revealed, starting off with their own, purpose-named, 'Genesis' debut single.

The original version will see you through a mellow, heartfelt journey spanning the entire first side of the record. Warm and discreet yet mufti-dimensional in it's drive and commitment, it's surely going to be a delight to dance to on any floor.

The flip-side sees master of groove and mystery Cristi Cons doing what he does best, re imagining the original into a rolling sensual experience that will surely excite your senses and dancing feet throughout it's duration.

Few DJs and producers have credentials quite like Sammy Dee's. A longtime fixture of Berlin's club scene, a cornerstone of the esteemed Perlon imprint and a regular DJ and Panorama Bar and Club der Visionaere, his taste and signature style couldhardly be more well-­-honed. Earlier this year, he created a new platform for hisunique take on house and techno: Ultrastretch, a label that hit the ground runningwith a 12-­-inch by Matthew Burton. Slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by Sammy, provinghis skills as a selector extend well beyond the DJ booth.Ultrastretch's second release lives up to the same high standard.

A natural harbour for a crop of artists for whom sounds, histories and futures dance together. A label whose ascetic designs reflect the inspiringly sparse landscape of its spiritual home.

The third ep of the trilogy works following the releases 'd6&d7' from Sundance in 2012 and 'Flying One Hand' from op.disc in 2015 comes this one. A) side is the unreleased Dub version of the previously released same titled track. B) side is the fine interweave of radiq's percussion + fumiya's base/beat groove with soul vocals. The sound is different from the style of Dirtriix works and the each has its distinctive own groove.