THE DAY AWAKES. THE SUN IS CLOSE.
With SAND BETWEEN OUR TOES by BUNCHED feat. THOMAS NATZSCHKA the label DAMM RECORDS sends the first sunny precursor of this years summer.
The DAMM033 gets accompanied chilly and deep by MUNA DAY on the b-side, remixes by DIE HOEHENREGLER, GLANZ & LEDWA .
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Auszug Tracklist Pappenheimer - Time Travel Damon Paul ft. Joelina Drews - Soulmate Kid Konsole - Moments DJ ANDY - Power Of Love Holzmann - Schnorchel Abenteuer (Marc Reason Tropical Remix) Marc Reason & DJ ANDY - Stand By Me 2k16 Earl Thomas - Standing In The Rain (DJ Van remix) Village Rockerz - Be Strong (DeepHouse Remix) Mea & Ponyfarm - Walk Between Galaxys Michael Fall - Let Me Go
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THINK POSITIVE
The 10th EP released on For You Records, made by Dompe
FREE 2.0 as we are accustomed it´s a house track, rounded down with a
deep male vocal. Not too fast, not too slow - The Remix of FREE 2.0
is made by the Kiddaz.FM-Musicgroup Chief himself, Holgi Star and it
sounds compeletly different. Distinctly more Special Effects for your
ears, a really really nice one.
BERLIN SUMMER is the last one on that EP and as the name suggests it
feels like Berlin Summer, looking for the next openAir, walking
through the city.
Once again an EP that shows that Dompe feels more than homey in his
Genré and he is exactly sure what he does. THINK POSITIVE - a real
positive sound experience.
feedback & support:
Hanne & Lore: 'phat ep will def play! please save a vinyl for me!
John Lagora: 'Original is a bomb. Thx'
Daniel Mehlhart :'Dope'
Mirco Niemeier :'ja mega teile...Fav. Berlin Summer'
Paul C :'Great release.... thank u for the music...'
Jamie Anderson :'Boooom! Huge release!'
AGENT! :'dompe is dope and holgi serves a nice remix !'
Sam Divine (Defected) :'awesome!'
Hermanez :'Very cool'
Beatamines :'pretty dope tracks! Free 2.0 is a banger! Holgi's remix is
also nice! thanks'
TOCADISCO :'great groove'
Animal Trainer :'Original of Free 2.0 is outstanding...Berlin Summer
is also cool! Berlin addicted...
Dole & Kom: Berlin Summer is a good one
Andreas Henneberg: free 2.0 original is nice, thanks
The Glitz: will try free 2.0
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The new year reveals a couple of surprises on Stil vor Talent. Among others, we are venturing into the stormy waters of indie-pop with SVT096 'Keine Sterne' by NÖRD, the label's next extraordinary band project. NÖRD are the brothers Paul and Leo Eisenach, who realise their unique musical ideas with drummer Matthias Wendl and the Israel-born keyboarder and sound tinkerer Oded 'KD' Kadar here in Berlin. They love the Beatles, the energy of The Police, The Eels' eccentricity, the linguistic rollercoaster ride that good Hip Hop can be, football and electronic music. Together they sound like hyperactive pop, full of energetic guitars, weird and wonderful synths, big melodies and clever wordplays, which 'Keine Sterne' and 'Ich Breche Zusammen' prove instantly. Oliver Koletzki injects the original mix of 'Keine Sterne' with a dose of electro-pop on his Radio Edit, but also caters for the DJs with his longer, non-vocal Remix, while Sascha Braemer & Dan Caster round off the EP in style with their after hour-centric interpretation.
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Opolopo first hove into view for many as the man behind the genre-crossing house remix of Gregory Porter's '1960 What', a tune that finished in the Top Ten of many DJs in 2012. Labeled future jazz by some, it's only a minor part of the Opolopo story which spans genres like a musical suspension bridge.
Opolopo was born Peter Major in Zirc, Hungary, a short drive away from the beautiful tourist spot Lake Balaton, but spent a large part of his childhood touring around with his keyboardist father, listening to the fusion sounds of Herbie Hancock, Jeff Lorber, Jean-Michel Jarre and Tomita, while finally ending up in his current residence of Sweden. It's little wonder he's ended up where he is.
His work, both on remixes and original productions is imbued with a life spent listening to the soul, funk, jazz and fusion of his youth. Yet, while clearly inspired by the past, Opolopo's work still has enough clank and clamour to suggest its feet are still firmly in the present, whether it's channeling the sound of a 21st century D-Train, dark, fathoms-deep house or doom-laden dubstep. His reworking of St Germain's 'Sure Thing' suggests someone inheriting Ludovic Navarre own jazz-house crown, while 'Treat You' by Omar is underpinned by all sorts of wonkiness while Omar takes care of the topline. His remix and production work has appeared on JVC Japan, Tru Thoughts, Warner Bros, Tokyo Dawn and, of course, Z Records.
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...great Debüt from "Sofa Tunes" on tokabeatz...an awesome Coverversion from "The Source feat. Candi Station - You got the Love ", enjoy this catchy House Tune !!
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howard & stereo - italian lover ...the summer is back, ooh what a tune, awesome remix from howard & stereo, finest in house music !!!
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Hands On Productions proudly presents Memory Train, a new official single by Marvina
Gin. A funky soul groove with harmonious melody that makes you want to get on that train.
Hands On Productions was founded by Leroy Quintyn in the early 90's in London. His
career began in New York City, working for several recording studios. At the same time he
was one of the composers and a member of a group called Ryo (electro pop/soul). While
working in recording studios like Platinum Island in New york City as an assistant
engineer, he worked with Mantronix, Joyce Simms, Shannon, and more... After Platinum
Island, he left to continue his musical adventure with 'The Science-Lab', where he was
assistant engineer on the spike Lee's music soundtrack Do the Right Thing, featuring
Philip Bailey from Earth Wind and Fire, Gerald Alston from the Manhattans and many
more...
In the beginning of the 90's he moved to London to start his solo career. He produced an
Irish hip-hop group called the Marxman featuring Sinead O'Connor for Polydor Records. He
wrote for lead singer of Massive Attack, Shara Nelson, on her solo album, he also worked
on the first album of All Saints. During his productions he worked for a record label called
Gee Street Records based in London, New York and Jamaica. There he worked with PM
Dawn engineering and composing, Stereo MC'S, Grave Diggers , Chaka Demus &
Pliers, etc...In the meantime, he also collaborated with Alpha Blondy, or Senegalese hip-
hop group, Positive Black Soul, and delivered a lot of remixes for the like of Angelique
Kidjo, or Roy Ayers to name just a few.
Pursuing his collaborations Memory Train is one of his latest release, now available as
vinyl 12inch and Digital.
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HARDBASS - The Final Chapter Seit 2003 treibt die HARDBASS Serie erfolgreich die Hardstyle Freaks zum nächstgelegenen HARDBASS CHAPTER Dealer um sich die feinste Dosis Bass reinzuziehen. Nach verflixt guten 13 Jahren begeben wir uns nun ins letzte Kapitel. Mit HARDBASS The Final Chapter feiern wir den 30. Geburtstag, das Erwachsenwerden mit der besten Hardstyle Compilation und deren Finale gebührend. HARDBASS - The Final Chapter - kein Rückzug sondern ein Abgang mit Pauken und Trompeten! HARDBASS - The Final Chapter - mixed by Art of Punk vs. Illuminatorz mit Wildstylez, Coone, D-Block & S-te-Fan, Wasted Penguinz, Zatox, Code Black, Technoboy 'n' Tuneboy, Da Tweekaz, The Prophet, Outbreak und viele mehr
h
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Neun Jahre gereift: Tadd Mullinix und Daniel Meteo grüßen vom Dub der guten Hoffnung.
Dieses Kollaborationsalbum von Tadd Mullinix (aka Dabrye) und Daniel Meteo (Meteosound, Bus) geht auf eine ausgedehnte Studio-Session zurück, die bereits 2007 in Berlin stattfand. Damals hatte Mullinix die Idee, gemeinsam mit einer Reihe von Rhythms zu arbeiten, die sich stilistisch an den frühen digitalen Sounds jamaikanischer Produzenten der beginnenden 1980er orientierten, beginnend mit Prince Jammys "Sleng Teng". Eine sehr arbeitsintensive Woche später hatten die beiden schon mehr als zwei Handvoll Titel zusammen, auf denen sie originale Dub-Beats mit selbst eingespielten Aufnahmen von Gitarren, Orgeln, Synthesizern und dergleichen kombinierten, durch die Echokammer jagten und mit einem finalen VintageCharakter schmückten. Mit Ausnahme von zwei Tracks, die auf Kompilationen befreundeter Labels (Monkeytown, Shitkatapult) erschienen, blieben die Ergebnisse der Öffentlichkeit bislang verborgen. Doch nun, nachdem die Aufnahmen neun Jahre im Giftschrank gepflegt reiften, haben Tadd und Daniel beschlossen, die Highlights des Ganzen als Album zu veröffentlichen. "Good Star Dubs" enthält damit sechs der ursprünglichen Aufnahmen sowie zwei alternative Mixe.
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Kosmische Musik von 1973: Neuauflage mit großzügigem Bonus und ausführlichen Linernotes.
Die Wiederveröffentlichung dieses erstmals 1973 erschienenen, von Klaus-Schulze-Fans sehr gemochten Albums erfolgt als attraktiv designtes 2CD-Digipak mit dem 50-minütigen Bonustitel "But Beautiful", der live 1977 in der Brüsseler St.-Michael-Kathedrale aufgenommen wurde, und ausführlichen Linernotes in einem 16seitigen Booklet. Wie das deutsche Magazin "Flash" 1974 befand, handelt es sich bei "Cyborg" um "das konsequenteste Album, das je unter der Rubrik 'kosmische Musik' erschienen ist". Als Grund dafür gibt Schulze selbst die Verwendung von Orchester-Tapes an, ähnlich wie er das bereits zuvor bei "Irrlicht" (1972) getan hatte. Mit dem Unterschied, dass ihm für "Cyborg" bessere Bänder zur Verfügung standen. Diese zerschnitt er in kleine Portionen und verstreute sie wie ein Gewürzmittel über die - damals - vier LP-Seiten
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' Wilson return with the sequel to every discernible house DJ's favourite 'Split Grooves' EP - this time on a striking slab of blue vinyl to aesthetically adorn your record collection... Kicking off the EP is Label head Fabio Monesi with '624', which as the title implies appears to be a homage to Kerri Chandler's nom de guerre 623 - not to mention being a follow-up to Fabio's own '623' track on Albion Records' debut 12inch. With a heavy kick, warm bass and driving chords, '624' effortlessly captures the essence of classic New Jersey productions that's synonymous with early 90s house complete with a Milanese twist - tailor-made for a basement, a red light and a feeling.
Next up is 'Wilson's Krime' which in contrast to the warmth of the previous track opts for a more raw, aggressive tip Wild Pitch style complete with an arresting breakdown and inspired use of an old Beatproduction vocal sample preaching 'Just dance and move your body' - one to rinse peak time.
On to the B-Side and Wilson welcome's back Finnish export Deymare who previously featured on Wilson's 'Underground Warriors Part 2' EP. With 'Living The Dream' Deymare concocts a trademark warm groove complete with Chicago claps, uplifting keys and intermittent old-school vocal sample elevating the track over usual house-fare... Rounding off the EP is 'Waxmen' which as the title suggests showcases Deymare's love for records and is a nod to the label's 'vinyl-only' ethos. Coming complete with killer keys, heavy hats and tight percussion complete with an old-school groove, 'Waxmen' wouldn't sound out of place on an old dusty Nu Groove 12inch a la Burrell. '
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Maroon 5 continue their journey into perky, mainstream pop feel good territory. This time they adopt a reggae beat for summer radio. It is all cheerful, upbeat and fun to hear, and with these remixes you'll definitely be adding it to your daily rotation of music.
- 4 REMIXES + ORIGINAL
- EXTRA BONUS TRACK (PAYPHONE REMIX)
- HEAVYWEIGHT VINYL
- FULL COLOR LABELS
- BLACK SLEEVE
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2015 was another great year for Z Records, a year that saw the release of the new artist album from Opolopo, the Joey Negro compiled Le Freak - a tribute to the sound of Chic, 90's House & Garage and the long awaited Supafunkanova Vol.2 alongside Sean P.
Z Records is starting 2016 in similarly strong fashion with the follow up to Remixed With Love. It's been over two years since the first instalment which topped many sales charts on its release so now the remixes that made up that album have been heard on house and disco dancefloors around the world ever since, it's time for Volume 2. So allow us to present 20 more reworkings of classic soul, funk, disco and boogie tracks from the likes of Grace Jones, Robert Palmer, Cheryl Lynn, The O'Jays, Gwen McCrae, George Benson and many more. Admittedly, we live in a world where remixes and edits of vintage dancefloor anthems aren't exactly hard to come by, in the same way that grains of sand aren't hard to come by on a beach. But where Soundcloud, Beatport et al heave under the weight of a gazillion bootleg offerings, many taking a dusty, scratched old 12-inch or a dodgy MP3 as their starting point, Remixed With Love is a little different. Not only is the man with one of the most legendary record collections in the game guaranteed to dig deeper than most, every track you hear has been (re)created using spanking new analogue transfers of the original multi-track tapes, with the full consent and co-operation of the copyright owners. Which means not only are you getting the best possible sound quality, the creators of the original tracks are getting paid too - as they damn well should be. These multi track tapes also uncovered elements that were not used in the original mixes so Joey has incorporated some of these never before heard parts such as the Grace Jones aerobic workout instruction.
Putting an album like this together is no easy feat, as Dave himself explains in the extensive liner notes that accompany this package. First, you have to get permission from the copyright owners to undertake the project at all - which can in itself entail hundreds of emails and phone calls. Then you have to track down the original tapes - when many may have been recorded over, lost or simply destroyed - and convince the label archivists to get them digitised. And that's before you even start on the remixing... which is when you find half the parts are missing, or you can't foreground that killer piano lick you wanted to because the original was recorded live in the studio and the piano track has the bassline bleeding all over it. The title of this album is extremely appropriate, because for Mr Lee this definitely has been a labour of love!
CD1
CD2
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imitierte Single-Box mit fünf farbigen7"es.Incredible as it seems, this year marks twenty years since the launch of
Johnny D'Mairo's Henry Street Music label. To celebrate, BBE is marking the occasion with a very special 5 x 7 inch vinyl box set.
Many of the movers and shakers of the day had their best moments on Henry Street, and some of the best of them are represented here: Johnick, Armand Van Helden, Kenny Dope, Ralphi Rosario, Mike Delgado, DJ Sneak, Robbie Tronco, 95 North and Scotti Deep - a veritable roll-call of the premiereleague of dance at the time, an era when dance music still seemed incredibly fertile and the link with its own past is still vital.
Henry Street (named after Brooklyn homeboy Johnny's neighbourhood) always had a 'New York' vibe, and even when drawing its producers from further afield, the label encapsulated the city's melting-pot of talent and raw, bristling energy... energy captured here, and exploding off these remastered
tracks like it's 1999 all over again! So... dust off those dancing shoes, and get ready to feel the heat, it's one more time for
the Henry Street Hustle!
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The second "LOVEiT" press comes right in time for the festival season and for dusty basements too. SUOLCITY is a young producer from Stuttgart, the spot for house business again. Probably he felt it already as intern at "rocker 33", the club such as Panorama Bar and Robert Johnson. How else could you explain the B-Side "Rush", you had to feel this dubby, gritty bassline. Not hard enough - so maybe "Rush Harder", you can have it all. But still, Stuttgart is heart and soul for some Hip Hop generations, the SUOLCITY is no exception here. The second track might be called/used as "Early Morning Jam", but you can hear this jazzy attitude of some Hip Hop jams and you will love it. "November" delivers great atmosphere with groovy chords and bumpy drums for your deep moments. All in one - great homage to the best side of the 90s! - Prinz Eugen Early Support: Borrowed Identity (Quintessentials / Ostgut Ton): Rush - Evil dance floor weapon! Lay-Far (Local Talk): I love the Early Morning Jam! Peter Clamat (Big Bait Records): Early Morning Jam is my favorite. Tim Toh (Mild Pitch / Philpot): Lovely to hear some new stuff on LOVEiT. These guys keepin' it raw and underground. This 12" consists of stompers and dreamers. At the most i´m a dreamer, therefore "early morning jam" is the one for me. Rainer Trüby (!K7 / Compost): A great release from Suolcity here. Especially diggin´the 2 slower jams "November" and the "Early Morning Jam". Tasty! Full support! Leif Müller (Coccoon / Relax2000): High quality EP! Timeless sound from Suolcity, love his productions since years. Early Morning Jam is my favorite. Diego Krause (Unison Wax / Beste Modus): Rush is definitely my favorite, nice and pumping! Jeremy Underground (My Love Is Underground): "B1 for me, looking forward to try it in clubs!
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