There is a certain type of funk that only Reset Robot can create and we're happy to see his return to Truesoul with a rolling 4 track EP that incorporates his autograph sound. The steady drums that roll throughout each track are overlaid with many different parts to create 4 harmonious tracks to keep the dancefloor swaying. The bass lines are big, the melodies are infectious and the funk just keeps on giving. Another outstanding EP from Reset Robot to demonstrate why he is a Truesoul favourite.
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Locked in a 486 glow, lightblink machines nightlight, being enters lighttime limelight. The long nineties already distending, the Major midbloats, crowds throng superclubs- strobelit honeys on a podium in Ibiza already blasted a stratosphere away from mildewed badflats, emphysemic parlours, the fug of week old washing drying slowly on the rad. Ach we’ll hang it out in the morning fire another joint of badhash and turn that tape over. We are being Here. beings disconnected, shut ins, psychick worriers, long walks to and from clubs, mostly dark, always raining, or mizzling anyway, lug bigbrick machines into cabs and Venue, setup and playing live and right now from the lounge lobby at Sativa, down the stairs from the caustic, twitching thrashpit being sits, being works. Dole sludge, shirking class zeroes, scoff pizza rolls w salad cream, that headchef gaffer never reckoned you’d graft at the potwash, a slick fur of rotfood dish slop residue right to the elbow, absolutely bowfin. Rumours of other places, people, scenes, tapes sent and emissaries return, invites to get trains, overnightbus south to London. being brought water to the ‘wells in South London and monthly emissions snaked out into the world, into badflats elsewhere where gowched couch tatties sprawl and the being burrowed deep into memories.. Tea is toast and sandwich spread and endless crisps as the binbags pile high in the backyard, the being blinks, it’s a twilit morning and it’s time to go to bed.
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YELLOW VINYL
A taste from his upcoming debut album, Biesmans’ ‘Cold Void’ EP is brilliantly wistful and nostalgic, traversing indie dance, rock, electro and pop-tinged cuts.
Released in February, the artist’s ‘Planes, Trains & Automobiles’ EP laid the retro groundwork, taking inspiration from ‘80s video games. ‘Cold Void’ takes the baton and runs with it. The title track sees
Biesmans team up with guitarist Boi Wonder and Tom The Bomb, front man of Belgian rock outfit The Guru Guru. The resulting track is driven by steel blue synths, a massive guitar riff and memorable vocal
hook. A certified gem.
Disco Halal label founder Moscoman links up with emerging Ukrainian producer Komilev to beef up ‘Cold Void’s’ bottom end, adding ascendent pads and lush melodies, shifting the vibe into punchier dancefloor territory. ‘When Will It Stop’ is a woozy indie dream, propelled by robotic vocals and ‘80s piano chords. A handy radio edit of Moscoman & Komilev’s remix rounds out the package, promising broad appeal.
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Back on Kalahari Oyster Cult after a maiden incursion in 2020, Brussels' boldest club explorer Andrea Mancini, alias Cleveland, resurfaces with “Golem” - a helluva four-track trip spanning Arcadian shimmers, bobbly swamps of disproportioned FX and other off-piste routes swiftly veering into the wild wild west of house production. Treating sound like an entomologist magnifies the dazzlingly lush shapes and colours of insects, Mancini overexposes his elements, clicks, percussions, pads, clicks, et al. to a profusion of playful procedures.
Opening cut “Forest” sets up the scenery into serenely alive woodlands, where slo-rattling percs and wonky polyrhythms gently coalesce with further entranced congas and alien gargling, shaping up to an off-beat symphony of sorts. Adding a steelier spin to his macro views of teeming cellular life, “Trullo” blends in a propulsive mix of dynamic drums, fluttering chimes, aqueous dub, and squelchy sub-bass moving incognito.
Dwelling the flip is the title-track “Golem” and fellow KOC affiliate Junes’ remix, each bringing along its distinctly unique palette of colours and sensations to the table. While the original mix rather focuses on the in-betweens and über-detailed immersive quality of its audio CGI, merged with a sixth sense for wrong-footing stop-and-go sequencing, Junes remix puts rhythmic straightforwardness back at the centre of considerations, cranking the tempo up a notch without stripping it bare of its vital textures and ideas lavishness.
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After a year's hiatus Optimo Music Disco Plates returns with the first of several planned releases.
First up is long time friend Phil Kieran with an EP made specifically with Optimo in mind. It has been tried and tested over recent months and more than ticks all our boxes. We feel confident it will tick yours too.
Phil says
'The Ep was recorded in my house and made up of mostly live percussion performed live by Thomas Tettey Annang. Originally from Ghana, he moved to Belfast some years ago.
It just so happens his wife is a close friend of my sisters and that was the first introduction.
Thomas now runs "Releasing Rhythms' here in Belfast teaching drum classes.
We used a wide selection of traditional African drums that all have their own name, each one has a style and a sound.
The rhythms used in this record would stem back to South American rhythms but using African drums.
This was a sound and rhythm that influenced early post punk records in New York and still has an influence on dance music today.'
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Synesthesia is back with another vinyl only release this time the story is written by Prăjescu, a Romanian producer and Dj based in Turin Italy.
The ep name "The mission Key" its also the lead track of this release, and it's a groovy minimal house track. The other 2 tracks we will let you discover them and we hope you will love the entire Ep as much as we do.
Supported by:
Mihai Pol, Raresh and others more.
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Brawther's Negentropy is booting off the year with a return of London's best kept secret, Ron Obvious. The EP is a musical delight formed by three club ready deep house cuts that Ron hs on lockdown. The title track "Builded Mind" has his signature rolling basslines, etheral vocals and lush pads that we've come to love in his music. "Nearly Forever" is a faster bumpy and swingin' number while "Foreground" closes the EP on a light and dreamy note. A versatile record that will stand the test of time and cater for a discerning audience is the promise we make with this one at Negentropy HQ.
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Combine Cologne, Hoove and quality house cuts, and it can only leave you with one artist - DJOKO. Offering up a wealth of resonant, vibrant tones, his ‘My Bad Your Fault’ EP on Up The Stuss serves up yet another quintessential release for both artist and label, fusing a trio of impactful, innovative trips alongside a futuristic slice of electro under his revered Kolter alias.
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LIMITED MARBLED 10" / HAND-NUMBERED / VINYL ONLY / NO REPRESS
Dear people from all 4 Pulp Corners of the globe,
Our main facility has been raided by international secret services. Following their stupefying findings, governments were forced to temporarily suspend all Untitled B jungle disturbance acts.
We now introduce a new adapted Pulp Corn specimen equipped with:
- Untitled A aka Discorn Ball Haze
- Untitled AA aka Pulp Budha Kush
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After the great success of 'Der Himmel uber Berlin', the second release on 'Envlp imprint' is signed by another South Italy's talent: Drum Communicate is a project of drummer and composer Francesco Varchetta.
The EP take the name from the first track, 'The Fast Line', which show all his talents as a musician, producing an 'Ambient' track with Detroit's influences.
Tuner is the second track, which has a marked groove and much more dancefloor, also remixed by Brendon Moeller in two versions, goes to conclude a release for true connoisseurs of the genre.
The sixth record in the BROT series is here, and Felix Leifur takes yet another turn while exploring the electronic music landscape. BROT 06 holds four mesmerizing techno tracks with the special Felix touch. One day we might hear these played loud in a club, but in the meantime let's just imagine we are in that space and time we all miss dearly.
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Kashatskikh continues the series of records with collaborations. This time Ki.Mi. in collaboration with Dan Goul have given us 3 brand new tracks and a hypnotic house remix by Sappura.
Mastering by Kashatskikh Studio, Saint-Petersburg (RU)
Design & Illustration by Kirill Kashatskikh
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Next up on Curtea Veche limited we have Romanian meastro Mihai Pol with this exquisite double pack , Minimal house grooves , Limited copies , Vinyl only
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Born in Kawasaki, Kanagawa pref. in Japan, Mikio has been listening to the wide range of various music including house music and started to produce his own music from 2012. This is his very first release of 12" vinyl consists of 3 tracks which was made after 8 years playing the drums in a band with his listening habit as borderless as possible. The label's first release after the 15 years of pause
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Mr. G embarked on his first US tour in 2019. The result has been a ton of new inspiration, after which he wrote ''The Alien With Extraordinary Abilities''. PG062 is a collection of six versatile tracks ranging from thumping G sound House / Techno to hazy works of ambient textures.
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Foureal Records Vinly series in the past release Japanese Artist only release 2nd Release is Naohito .His base Hokkaido Sapporo city He played In the few years Horsehead ebulaHis originality sound Emotional and funk This track as a symbol for a Label. Breaks soundsPurple Valeand Floating sounds House GrooveMenzel.all track is unified an atmosphere 3tracks
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Tiger Stripes latest Truesoul release comes in the shape of Body Shake EP. The tropically tinged, sometimes heavy, futuristic 3 track EP really showcases Stripes eclectic approach to dance music.
The dominant kick drums and soulful vocals make this energy driven EP the perfect tech house dance-bomb.
The uplifting crescendos and funk laden percussion bring together Body Shake, All Night and Ego Express to make an essential 3 tracker.
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Divergent Emotions is the latest offering from Madrid-based Italian producer, Bawrut. Having put out a number of highly sought-after EPs over the last four years, Bawrut’s knack for crafting serious dance floor weapons has earned him scores of dedicated fans. Last year’s Pronto Arpeggio became a firm fixture in clubs around the world, cementing his reputation as a serious force to be reckoned with.
As the name would suggest, Divergent Emotions represents a full spectrum of sentiments across it’s three tracks. A product of the lockdown, these tracks were produced in the full knowledge that they will be experienced first and foremost in people’s homes rather than at a club or a festival.
Opening track 'What Is Dance' is a manifesto for partying in an era of no clubs. Conjuring up a yearning nostalgia for late nights and shared experiences on the dance floor. A four to the floor no-nonsense banger, coupled with a lyrical statement of intent for what dancing represents in these times we’re in.
'Sunlight' on the other hand is pure 6AM brightness, with the sun coming up, and the rave still very much in full swing. It’s the perfect pick me-up for a festival crowd seeing the first glimpse of the morning rays streaking in the side of the tent, wanting to keep on dancing.
The closing track 'AndreW' is an ode to the late Andrew Weatherall, a long time supporter of Bawrut’s. It’s a chugging behemoth of a track, overlaid with melancholy synth lines that echo both the huge loss felt after his passing earlier in the year, as well as the emotions experienced during the weirder parts of the lockdown.
Divergent Emotions is the first release from new London based label Other Goodness.
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A producer known for his eclectic and melodic sounds, Guy Gerber has delivered the brand-new remix package of his very own ‘What To Do’ production, set for release on Friday 26th October.
Embodying a varied range of sonic arrangements that the Israeli DJ has become synonymous with, the original was released earlier this year and demonstrates varied cymbal-claps and a wide range of isolated percussive instruments. With &ME spinning his own dynamic rework of the track, the German - who has performed a number of sets across Ibiza this summer, playing at DC-10 ’s ‘ Circoloco’ - adds groove-fuelled elements to the mix, a stark contrast to the deep, and driving style favoured by DJ Jes. A great remix package of the beloved original version of ‘What To Do’
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EYA Records marks its 10th release with a solo work from French producer Master Flashhh.The opening track "Too Big to fail" is stripped back yet energetic, driven by 909 drums,atmospheric pads and drifting vocals.A2 "Beat Boxxx" is catchy electro workout with vocal samples from a Dominican Republic radio and 303 acid lines. On the B side "Boulevard Mystere' is an ode to Boulevard Barbes in Paris, the track is characterised by haunting melodies and a warm analogue bass.B2 is a dreamy and evocative number with the use of Juno 106 spacey sounds and 808 drum patterns.Enigma EP is contemplative, audacious and imaginative.
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Magnus Asberg's Romana Records are back with a various artists first track up is by Ted Amber Botanic Minds Little Rain is pure deep groove played by Petre Inspector A 2 is by Johnny D called Cakitos it's a super groover on the flip is Waveform original by Magnus Asberg and a monster remix by the mighty Jay Tripwire from Canada
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ARCYDARO 02 is the producer's step towards a darker and more aggressive sound. Furthermore it's a step into a new decade that will bring forth much more music from this newcomer, whose works have already been picked by the likes of Âme, Dixon, Gerd Janson, Jennifer Cardini and more.
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Tripped-out, leisurely house and breaks comprises the next drop on Haŵs, and for the established Welsh imprint, number 13 is far from unlucky – in fact, it’s coming in as ecstatic. Perth producer Guy Contact takes the reigns for ‘Euphoria Simulator’, a 6-track EP radiating with all the charm and optimism of a liberated future.
Opening the first of four house tracks, ‘Into The Blue’ makes light work of bass melodies and fresh kicks, bouncing skywards as though emerging from a thinning fog into a clear day. ‘Nice 2 B Free’ is imbued with touches of sentimentality, pouring outwards like the laissez-faire movements of a serene dancer entwined within a group of friends. The eccentric ‘Whip Crack Cowboy’ takes the camaraderie of country twang into a colourful new world, mediating psychedelic guitar strings into harmony with synths and a cathartic house beat.
On the B-side, the titular ‘Euphoria Simulator’ doubles down on the bass but keeps its overall ride light and airy, dipping between piano, synths and rhythms warm enough to breathe emotion into a cold room. The final two tracks untether from their house confines: ‘Amphibian Pool’ dubs down into a hypnotic, marine-level drift, elongating croaky basslines alongside punchy breaks and acid lines during its descent. Finally, ‘Subaquatic Jungle’ hits the ocean floor, discovering an enigmatic world alive with a fauna of percussion and distortions that slope through dense, bassy undercurrents.
For anyone looking to impart a kaleidoscope of blissful feelings onto dancefloors, ‘Euphoria Simulator’ sits patiently ready to heighten the senses.
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The Strictly Rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. It's a label that has contributed time and time again to dance music culture across it's almost 30 year lifespan. Countless classics passed through the NYC offices of Mark Finkelstein and Gladys Pizarro and this brand new 'Strictly Classics' series looks to celebrate this cornerstone dance label and it's immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. That's right, the 'proper' mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12" for optimal sonic playback.
The second instalment of this essential repress series sees the amazing 'Bass Tone' from Sole Fusion (aka Louie Vega) take up side A. It's a truly deep slice of that NYC grit that works on every level, the rough with the smooth, trademark Vega-isms and those drums! A sure-shot. On the flip is yet another gem - Hardrive's 'Just Believe' which is certainly a knowing nod back to the Disco days delivered with gusto by Louie Vega and the maestro Tony Humphries. Do not sleep on this, over 10 mins of that Funk!
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Originally released on F Communications 2004. "Don't hide it" was an international success. Unpredictable and strong, Alexkid proved how much he knew and how to renew himself while asserting his predilection for high standards.
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This initial release on the new Futurepast label marks Davy's first output as a producer, crystallizing his endeavours in the studio and bearing witness to his long-standing experiments in electronic music.Built between London and Berlin over the last four years, The Long Now lays down the blueprints for following ventures on the label: using old and new gear to create unique, obscure soundscapes both outside of memory and away from nostalgic projections of lost futures. In a timeless and precise collaboration, Davy has brought together two historical figures for this release: 1990s R&S Records associate David Morley mixed the tracks,
while Simon Davey of The Exchange lent his renownedmastering skills to the project.Temporality, time travel and perception are key concepts for Davy, and not only in the EP's title.The four stripped-down tracks move forwards, sidewards and backwards in a bid to get us lost - not in space but in what time might sound like should we be swimming through it.Mysterious and ageless synths mesh with the beats of an unnamed drum machine under Davy's control.We move through a non-linear story told by three distinct forward-thinking techno titles:No Memories Planned, Circular Weeks and Causal Loop.Finally, the titular ambient track pans out cinematically over the images left in our heads:an invitation to begin it all again in The Long Now...
Öona Dahl delivers her debut EP on Watergate, continuing her fruitful partnership with Dance Spirit along the way.
Last year’s memorable WhoMadeWho compilation saw Öona Dahl drop her first musical contribution on Watergate, collaborating with Dance Spirit for ‘Break The Stillness’, one of the highlights of the mix. The New York producer, DJ and sound designer, has cultivated a curious and evocative sound going back almost a decade, releasing quality cuts on Anjuandeep, Hallucienda (home to her 2017 album ‘Hollograma’) and All Day I Dream, where she has become a regular at Lee Burridge’s iconic party series.
‘Godtripper’ is a transcendental trip through psychedelic house tones, elevated by Dahl’s own breathy vocal and subtle swells of acid and a smooth melody line. Patrice Böäumel adds a delicious re-work built around a superb bass melody that builds to a crescendo, as layer-upon-layer reveals itself throughout. Dahl links with Dance Spirit for ‘Manic Space’, led by a delicate layer of tribal drums and a meandering melody line,
crafted for sundown moments. ‘Universe Within You’ is one for the after hours, wrapped in a minimal shell it unfurls gradually into a glowing late morning house gem, resplendent in golden synths and groovy drums.
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RAWAX MOTOR CITY EDITION is the new series for music which is influneced by the sound of
Detroit and of course also for artsist from the city. Orlando Voorn aka The Nighttripper
released ''Phuture'' in 1991. We are happy to present you on the first edition the
remixes by Kevin Saunderson & Robert Hood!
Club Culture is back for it’s third instalment of the series. Volume 3 takes you on a similar journey, with each track providing a different mood to bring us 4 tracks tailored for the dancefloor.
With tracks from Frankel & Harper, T. Jacques, Lavonz (with a classic reissue from 1998) and Main Phase. We look forward to taking you on a new chapter of ‘Club Culture’.
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Kicking off 2020 in style, Life And Death welcome Madrid based groove maker Bawrut for some of his distinctly off kilter brilliance.
Italy born Bawrut makes warm, heartfelt electronic music that crosses the musical spectrum, doing so with a true left of centre perspective. He imbues his productions with weird and wonderful sounds and an exquisite sense of craft that make them both unusual and engaging. He has done so on the likes of his own Silencio label as well as Ransom Note and PETS Recordings and has become a mainstay of the DJ circuit as a result. Next to high profile shows at places like Nuit Sonores he has also toured as far afield as Vietnam, and here he brings some worldly perspective to this latest for DJ Tennis’ always cultured label, Life And Death.
First up is 'Rollin'', almost ten minutes of synth based excellence that takes you on a real sonic adventure. The drums are firmly rooted and hypnotic while the various pads up top unfold like aural fireworks. It's a tense track that never lets up and keeps you locked for the epic duration. Equally fantastic is 'Terza' with its twisted, tortured synth lines and vocal yelps all bringing real drama to the deep and rolling drums. It's a turbulent track to bring real edginess to the club. Lastly, the grinding 'Drum Beat' has a menacing bassline and tribal vocal stabs cut up with rave sirens. It's a sweaty, strobe lit monster that takes you to the heart of the dance floor.
These are three perfectly slow-release but high impact tracks from this ever more vital talent.
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Trevor Jacksons second release on his unreleased archive recordings label Pre- is a heady collection of subterranean minimalist synth jams, blissful technicolour textures, somber distorted drones and expansive cosmic soundscapes.
Recorded during 2010-2014 with a limited analog vintage hardware set up - Elka Sythex, Roland Jupiter 6, Roland 808, Roland Chorus Echo, Bel BD80 delay & Tape, these solo recordings were created at unearthly hours as lengthy improvised compositions and cathartic personal experiments. Heavily manipulated using classic effects units, harmonic layers slowly evolve, arpeggiated melodies mutate, discordant drum machines and fractured voices merge elegantly into noise. Design your Dreams is Jackson at his best, uncompromising and considered, progressive and unique.
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