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Perlon präsentiert das langerwartete neue Album der japanischen Techno-Legende Fumiya Tanaka. Der Mann führte die Genres Minimal, Detroit und Berlin in die japanische Techno-Szene ein, betrieb mit Torema und Sundance zwei äusserst erfolgreiche Kult-Labels, und legte zusammen mit Jeff Mills, Derrick May und Dave Clarke auf. Sein letztes Album "Unknown 3" erschien 2008 auf Sundance.

For our second release, we have a 4-track VA from another batch of great artists. Mares & J.Pe Bruna - Genetika - Maag - Adrian Alessandro

Vinyl Only - Limited

Our first V.A. "Gazillions", comprises of 4 new cuts by emerging producers from around the world that we have crossed paths with and are very excited to be releasing their excellent work.

"Lotus Turbo" by Formally Unknown - This Russian duo has been prolific in making creative yet functional tracks that we love and play often in our sets.

"Iridescent Lake" by CCL and Flora FM - We love the individual voices of Ceci and Taylor coming together in making this cohesive, intense, fresh sound.

"Beaman" By Papers - London based brothers Ed and Rob (they also run the labels Brothers and newly established Sisters) have been making loads of great stuff recently and we're happy to be including Beaman here.

"Jiro" By Silene - We met this wonderful Bristol based producer via Soundcloud, loved his work and felt like it was the perfect fit for us. We see a bright future ahead for him.

Repress

Dominik Eulberg's second EP on his label Apus apus features the track 'Roter Gitterling' (eng. Basket stinkhorn / Red cage) on the a side and - Tintenfischpilz' (engl. Octopus stinkhorn / Devil's fingers) on the flip side.

A. Roter Gitterling
The fleshy red cage of this kind of mushroom reminds of a merging of an upside down shopping string bag and an alien. Not allowing any objection, the track strides forward with determination towards a musical interpretation of this strange being. A fulminant kick drum counteracts in a very prosaic way the bitter-sweet pads. In a very narrative fashion the track gathers speed and flocks diverse soundscapes and disembogues in a break of harmonical expanse.
Conciliatory and in a hedonistic way the bass drum eventually stitches together what belongs to each other.
B. Tintenfischpilz
This bizarre looking extraterrestrial mushroom evokes at first glance the image of a dead octopus or radioactive vegetable.
As in a science fiction movie four to six tentacles sprout and raise out of a common stinkhorn and later spread into a star shape look. In an unparalleled manner this stunning progression is executed musically by Eulberg with a high degree of elaboration.
All done with elegant blend of continuous progression and permanent change the track wreathes itself towards heaven, whereas fragmented melody artifacts pour into the shape of a miraculous emergence.

Our first 12inch craft from Etzu Mahkayah and Phillip Cooke. Vinyl Only as usual.

Mastering by Kashatskikh Studio, Saint-Petersburg (RU)
Design & Illustration by Kirill Kashatskikh

Football Player 002, continues.

I dedicate this vinyl to my favorite club FC Shakhtar, this year we are celebrating 85 years' anniversary! Let's save history in wax, limited copies. Vinyl only.

Featuring 6 tracks never before released on vinyl, comes this exclusive RSD 2020 double vinyl package.

Sasha's 'Scene Delete', an ambient/soundtrack project has been remixed by a host of musicians and producers.
The original album was released in April 2016; surprising and delighting many fans with its quiet, undulating pieces filled with texture and atmosphere.

'The Remixes' brings this all together with 6 new exclusive reworks.
The celestial drones of Eat Lights Become Lights version of 'Detour' open the album, setting the scene for an exploratory journey of personal interpretations.
'Shelter' takes on a new form thanks to German musician Christian L ffler while multi-genre producer Max Cooper uses emotional dance floor experimentation to take album opener 'Channel Deq' towards deep melodic territory.
And other unreleased remixes come from Stet, Colin Benders, Skanna, and, while 'Pontiac' is transformed beyond recognition by Matthew Dear (a.k.a Audion) into a warped techno freak out, Sasha also provides his own epic beatless remix

Renaissance return to their critically acclaimed ReMix Series on 27 December as Patrice Bäumel takes on Sunscreem’s legendary ‘Perfect Motion’.

Like many of the best records, Perfect Motion’s path to bonafide dance anthem wasn’t a simple one. Having begun life as part of Sunscreem’s live sets and in near unrecognisable form on their debut album ’03', it went down a convoluted path of various mixes; first ‘in-house’ with the band’s resident DJ’s Dave Valentine and Lee Metson and then, when selected as the follow-up to their first hit Love U More, by way of remixes courtesy of Leftfield, Carl Cox and, of course, Farley and Heller’s Boys Own Mix.

“Dave Valentine was a big admirer of Boys Own and wanted them onboard,” explains Sunscreem’s Paul, “we literally had to beg Sony to let them have a crack at it and, even then, weren’t overly impressed with the result. It was only after Pete Tong played it on Radio 1, describing it as ‘their best work ever’, that they changed their minds.”

The rest, as they say, is history. Although a dance chart number 1 and top 20 hit on release, its enduring appeal undoubtedly goes hand in hand with its inclusion on Sasha and John Digweed’s ‘Renaissance - The Mix Collection’. Vocalist Lucia picks-up the story, “The fact Perfect Motion was so different on our album was a key factor I think. The Mix Collection introduced the Boys Own mix to a wider, global audience in all its glory for the first time.” And an audience that proved to be, fast forward 3 years to 1997 and the now worldwide appeal of the track was fully realised when the band were booked to play legendary New York club Twilo. With thousands outside blocking the street and the club packed to the point they were forced to open the fire escapes, the promoter turned and said, “They’ve come to hear you play Perfect Motion!”

Now Patrice Bäumel seizes the enviable, though daunting challenge, of updating the track for 2019 (just). Not that he need have worried, if ever there was a hairs-on-the-back-of-your-neck dance anthem you need in your Christmas tune stocking, this is it. The mix captures all the emotive drama of the original, whilst subtly contemporising it with a stripped back, cleaner sound. “I actually requested Perfect Motion,” says Patrice, “the remix projects I am most interested in are the ones that allow me to cross genres and where at the same time I love the original material. Sunscreem’s Perfect Motion ticks both these boxes. I have been in love with the blissful vocals and pad section of this classic forever. The original has this lovely 90’s UK indie rave feel, similar to EMF’s Unbelievable. To me, those were formative years, I remember watching MTV all day, hoping for anything resembling electronic music to interrupt the endless stream of grunge and rock ballads. My reinterpretation aims to transport the original into modern times and make it suitable for today’s dancefloors. At the same time, I wanted to keep an element of nostalgia in there for those who have been around long enough to have fallen in love with Perfect Motion back in the day. The result is a record that I think has the potential to appeal to house and techno DJs alike.”

London based House label Inermu brings the twelfth in their Vinyl Only series in the form of this 4 track VA. Including tracks from Parsec, Alex Belluscio, Tolstoi & JHNS.

Limited White Vinyl edition Amulanga - VA Chapter II. Featuring track from by Modd, Ventt, Bross, Double Touch, Fulltone, Lisandro, and Loveway.

A limited 2x12" Vinyl LP. Dive into the world of atmospheric pads, haunting strings, divine soundscape of ethereal synths, and whispery vocals. Shimmering ambient melodies, passing through driven grooves along with burble ring percussion rhythms.

Amsterdam-based label Kalahari Oyster Cult proudly presents release #18. UK transplant and currently residing in the techno mecca Berlin, A Psychic Yes a.k.a. Timothy Crombie delivers his sophomore EP named “A Maze Dream EP”. The title track immediately mesmerizes with its abundantly organic beauty. There is a direction from this relatively new artist that is unique and special. Japan’s Sapphire Slows remix follows it up and brings the beat more to the forefront in a trippy journey that defies laws of gravity. Tribal is an understatement for this EP. More of being immersed in a kind of primitive sunken garden. “Forest Floor” starts off the second side with an alien language all its own while “The Skaters” absorbs you in a primordial rainforest groove. The sounds throughout this EP are natural, innate and anatomical. This is an essential release to have that blurs the lines between land, sea and space.

Frenchman Darlyn Vlys lands on TAU with the Doble Impacto EP, comprised of four brandnew tracks. Darlyn cooks up his productions in his Valencia studio, the Spanish city where he is currently based provides a wealth of inspiration, along with his deeply rooted passion for emotionally driven electronic music. His back catalogue includes a recent appearance on Jennifer Cardini’s Correspondant label and his music has been supported by some of the scene’s most respected DJs, including Ame and Dixon, Black Coffee, Maceo Plex and TAU’s head honchos, Adana Twins.

Rising/Falling marks multi faceted artist Daze Maxim aka Markus Manowki's second full length LP since 2000's Same Place The Bot Got Smashed. The album's title refers to the breathing exercises of meditation; something that by chance Daze begun at the same time as the LP's conception. This additional balance and clarity allowed the album to develop harmoniously, and paved the way for completion. There is also a nod to reflexivity as although this discipline provided necessary solace, it also demanded greater engagement. The overall aesthetic is unquestionably true to the minimal framework Daze has meticulously crafted over the past 15 years. A playground of intermittent tempo and hybrid organic electronica, harmony builds whilst dissonance prevails. There is maturity and guts in the selection and delivery of each part's piece in the puzzle, and a true viral beauty as it gains momentum. What is immediately striking about the album in full is its brooding space and progression. From ambient tones and warped classic synths, to rigorous live instrumentation, the sonic palette enriches as the odyssey continues. Much akin to a camera lens drifting in and out of focus, Daze toys with periodic collapse and elongated movements, but always pulls the listener back through percussive punctuation. The collaborations featured on the record occurred naturally, however the sessions played out differently. Sloth's unique trumpet work on the opener is a entirely improvised workout without specific key or time signatures. In contrast Yonatan, a classically trained jazz musician from Tel Aviv now residing in NYC, added bowed and fingered double bass to an already arranged work.

Das neue Mixalbum ist ein Trip aus zehn brandneuen Kölsch-Tracks, inspiriert von und benannt nach Flügen seines Tourplans. Dabei entfaltet jeder Track - entstanden auf einsamen Flügen in 30.000 Fuss Höhe - seine eigene Klangästhetik, die seit jeher prägnant für den Künstler und dessen Label Kompakt ist. Die neuen Tracks geben einen Einblick in eine verträumte Innenwelt voller transzendenter Momente. Aufbauend auf einer konstant-behutsamen Spannungslinie gelingt ihnen die perfekte Balance zwischen Melancholie und Aufbruch. Mikroskopisch-perkussive Details streifen durch weitläufige Kulissen, während lebhafte Störimpulse sanft-melodische Spuren formen. Auf diesem Teppich aus bedacht arrangierten Strukturen schwebt Kölsch durch 60 Minuten seliger Hypnose.

Label say : We couldn’t be happier to put this disc out there. Kush’s first time on wax (his Strictly 4 My CDJs series on his Bandcamp site is essential) is four tracks that just relentlessly provide for the DJ in you. Representing the new era of NYC dance music along with artists like AceMoMa and DJ Swisha, mixing footwork and other influences with classic house and techno forms to get busy._

_The whole 12” is lethal stuff that recalls Dance Mania at it’s most melodic and spaced out, or prime-time Boo Williams. “Earth Note” pulls bright synths thru swinging Chi foundations, “Ari Dub” rocks the bells and the bass in Bronx fashion, “Worldly Rhythm” piles UR melodies and techno grandeur on a vicious bassline, and “Reso”
closes things out with a devastating mixer full of blue-hot string work. Relentless and essential. TIP TIP TIP!_

Like the face-painted Celtic hordes that succesfully repelled all invaders, Seaghdha continues to dominate the high ground
and provide sonic sustenance for rave caves the world over

As the series continues to pick up new fans and plaudits aplenty, the modus operandi remains the same - precision club workouts, which ricochet between UK flavoured jams, to clean cut Techno & stripped down House

Dirt Chambre, a loose translation into English from a Gaelic phrase which would make even the most hardened warrior chief blush is a robust, clank-a-thon of the highest order, submerged vocals, dustbin lid metronomics and a rudimentary lawn mower preside over what unfurls into an irresistible dancefloor piece

Full Swing takes us into skeletal Mood II Swing territory - a nifty rhythm track number punctuated with vocal chops and atmospheric ear candy

On the flip, Corner Jams sees a Kevin Saunderson 'E-Dancer' style snaking bass underpin a rusty tracked ghost train ride into the depths of the dankest dungeon

Finally Someday gives us a taste of what Kenny Dope might be kicking out if he hailed from South Yorkshire instead of Brookyln.
An impossible to resist skin slapping groove with twisted brass refrains and an unrelenting march into the holo-deck for a spot of android Salsa

No other than Cecille's co-labelboss and fulltime good guy Marc Scholl steps into the arena - to unwrap the first 3 of his well kept secrets! Rock solid tracks from the elegant side of the Rhein Main Neckar House movement! Watch out for more secrets to be revealed by the mystery man: Marc Scholl !

The EP starts with 'The Road to Transformation' - a groovy, well-structured track that will keep people rooted to the dance floor. The track exudes energy that will win any club over as it tirelessly engrains into the minds of clubbers with hypnotizing drums and a haunting vocal, this is a track that perfectly fits the Drumcode sound and ethos. On the flip side, 'Sonic Language' offers something a little different. Its fluid sound and effortless groove give this track a unique and interesting take on techno. The chord stabs give it a distinctive impression that helps to add funk to a bass loaded groove.

Vinyl Only // 180g Vinyl

Following his beautiful ‘Detroit Sunrise’ EP on the label last year, the inimitable Sascha Dive returns to Bondage Music once again for another deep frequency encounter.

The safe word is bass as Sascha picks up where he left us with two ‘Dub Chronicles’ tracks on the previous release. Now comes the third; a lavish, unhurried exploration ‘Dub Chronicles 3’ lights the fire with hazy, hypnotic charm and a spoken word well known to those familiar with the foundations.

What follows is a trip that grows in intensity and emotions. ‘Cornerstone’ is a beautiful 11pm track; fleet of foot in the kick department and arms aloft in the vibe department. Total elevation. ‘Ancient Tribal Drums’, meanwhile, takes us much deeper into the night. That rolling conga line will tie you up just the way Bondage likes it while the dubby echoes provide sense-tingling relief… Before the finale takes us to even dreamier heights. Living up to its name, ‘It’s A Groove’ brings the elements of the whole EP together; the dubby hypnosis, the warm, driving beats and that unique sense that you’re not quite tied into any reality while Sascha plays. The chronicles continue…

Tomoki Tamura's Holic Trax label has long been renowned as a canny exporter of clued in house and techno. Their latest continues in this regard, as Tamura again calls on a series of renowned label friends to bring the heat. With names such as Mr.G, Satoshi Tommie and Tuccillo all appearing it here alongside Tamura himself, it's no surprise that this 3 x vinyl record, celebrating 5 years of the label, is filled with drama and high points throughout.
This is immediately obvious from Mr.G's "Soba Shioyaki". Titled in homage to the label's Japanese heritage, it's a dark and dexterous workout that marks another high point in a career filled with big records. Deep but tough, it's a perfect of why the tech house master is so revered in underground circles. G's "Komorebi" puts a tough emphasis on the drums, as well as a weaving, subtle baseline that adds a further dynamic to his work here.
HT24 comes from Satoshi Tommiie & Tuccillo, two producers whose sounds are perfectly suited to Holic's output. Their four-track contribution starts with "Do It", a spiky catchy number that's exciting from the off. "What Row" sees the boys inject some added funk into the equation, before "To Ray" ups the intensity with a raw, pulverising aesthetic that takes no prisoners. Wrapping up their side of the bargain is the digital only "You Know", a real bumper of a track with Chicago-inspired synth stabs that help bring it to higher planes.
It's the left to Tamura himself to close the offering via HT25. A1, the appropriately named "5ive Years' is a techno workout of the type that's notable for its off-kilter motifs and a stubborn, industrial feel. Unforgiving and full of atmosphere, it's the sign of a producer who clearly knows his way around he mixing deck. "Polyphonic Six" displays the producer's more introspective sound thanks to a melancholic perspective that's hard not to embrace. All things told, this is a wonderfully diverse package from Tamura & co. Here's to the next 5!

Druzhba team present their 12th release putting together a VA four-tracker that brings artists from all across the Globe. As usual with the label, the selection focuses on tracks that aim to make some difference while keeping you moving on the dance floor … or at home.

Limited pressing, grab yours while it’s still hot!

Der neue SNDST-Release ist das Debütalbum des Frankfurter Produzenten Wigbert, der mit atmosphärischen Ambient-Tracks und hittigen Club-Nummern seine Vielseitigkeit unter Beweis stellt. Produktionen wie "Uncertainty", "Error 404" und der Titeltrack "Distorted Matter" erzeugen mit Drones und Arpeggios ein unbehagliches Gefühl, während "Reflection", "Night Vision" und "Detuned" pumpend und treibend den Dancefloor pleasen. Tracks wie "Xcelerator" und "Automatic Loop" sind voller nervöser Energie und prickelnder Percussion. Deutlich heraus stechen der Drexciya-eske Electro-Tune "Digital Mirroring" mit verzerrten Vocals, "Focus" sowie "Transformed", das mit seiner Mischung aus zerhackten Beats und Hoffnung bringenden Pads eine der anspruchsvollsten Second State-Releases der letzten Zeit finalisiert. Als Bonus-MP3 ist der exklusive "Digital Mirroring - Matt Star Remix" enthalten, der auch später nirgendwo sonst erscheinen wird.

Pétrole are back with a new « club music » oriented project on wax featuring 2 French producers : Yann Polewka & Da Growch. They first met each other at Dimensions Festival in Croatia, they keep in touch after that and finally decided to produce an EP together. Seduced by this story and convinced that house music knows no borders, Pétrole label has decided to make « Common Dimension » its 9th release.

A blossoming creative relationship has been bubbling between young talent CERPINTXT and Stevie R ever since she appeared on his label Inside Out in late 2017.
Kindred spirits with a shared appreciation for the leftfield fringes,
experimentation and deep dark grooves, here they continue their collaborative work on Chapter 24 with the first release from Stevie R's forthcoming album. A new chapter beckons...

'Madilo' ignites the fire, a bright, relentless house affair laced with a dreamy vocal chop and an underslung bassline that bites beneath the surface like a shoal of piranhas. Twisted but restrained and peppered with infectious percussion, it sets the
scene for the Greco-Egyptian collaboration in London perfectly. 'Red Lemon' is a much darker jam that's built around a granular staccato riff that changes in texture and weight as more loopy layers are introduced. The word hypnotic is bandied
around too much these days, but this truly is a mesmerising moment.

Meanwhile in the parallel universe of remixes, Chapter 24 have gone to town, recruiting two significant and influential heavyweights on the revision duties.
Counterchange bossman Ed Davenport returns from his Inland guise for a thumping twist of 'Red Lemon' that's equal parts pneumatic and aquatic, while Man Power breaks down the original groove to its bare-naked acid line and rebuilds it with a
crushing analog hook, off-beat timpani and a host of subtle trippy textures.

Two exceptional originals, two respectful, innovative remixes, one massive album to look forward to. Stevie R is just warming up.

Four multi-purpose, innovative tracks from the Assemble Music family. Mike Shannon takes the pace right down on 'Pimp Limp' to stunning effect, weaving together tweaked pads and a deep, tripping bass with the tightest of drum sounds, developing an irresistible, effortless groove. Aloe Varu (aka Dan Andrei) takes the shuffle up a notch on 'Shifty', evoking classic Herbert with cut-up jazz samples and bumping, stop-start percussion. Nicola Kazimir nods to another master, Jan Jelinek aka Farben, on 'Reductive Ford', channeling the latter's contemplative, intricate and emotive programming. Finally Voigtmann's 'Muff Shuffler' does, well, exactly that, shuffling along with a minimal vibe enhanced with fine atmospherics.

Amorfo Records' Inaugural Release Takes Shape By Way Of A Four Track Ep By Swiss-uruguayan Artists Bruno, Danisita & Guille. This Introduction To The Cross-continental Label Offers A Glimpse Into Its Musical Ethos, Which Might Make It Easy To Throw Names Like Techno, Funk, Dub, Minimal, House Or Acid At Amor001. Though, Like The Imprint Itself And The Artists Related To It, It Escapes Categories In Favour Of The Amorphous.

Only a very small handful of DJs and producers have the ability to transcend all styles and genres, rising above fleeting trends and cliques creating their very own sonic landscapes.

Chicago's Jamal Moss moves further up his mysterious path tow- ards unknown planets with new punchy tracks for Cejero. Using his The Sun God moniker Moss has once again set out to hypno- tize dancers and make listeners jack.
The A-side was recorded in Copenhagen, November 2014, while the B-side is a studio recording done back in Chicago.
The Sun God And The Myth Lives On Trio' is released in an editi- on of 475 copies on black 12' vinyl with cover art by Toke Tietze Mortensen.

Melbourne has a lot to answer for. For anyone admiring the city's music scene from afar it would seem fair to wonder if there might be something in the water. 30/70 are the latest collective to emerge from this buzzing scene. 'Elevate' is a sublime statement; at once a cry for help and a call to arms, it balances delicate poetry and potent aggression with ease - all of this done with a beguiling pop sensibility.This collection of songs, their second studio effort after their debut LP, 'Cold Radish Coma', is set to elevate them to the international stage. Under the management of Wondercore Island (Hiatus Kaiyote, Oscar Key Sung, Daniel Merriweather) and with the release set to drop on Bradley Zero's Rhythm Section Intl. (Al Dobson Jr, Silent Jay x Jace XL, Henry Wu), 30/70 are ready to take their message from Northcote to the world.

black repress !

The most sought after track in the last few months is finally arrived.

Some pirated copies circulated illegally, but this is the definitive version...tried and tested in the last few months and always ending to be the tune of the night, 'Marvinello' is the result of the collaboration between Michel Cleis and Klement Bonelli.
Born and raised in the Italian part of Switzerland, Michel Cleis needs no introduction, having released music on labels like Cadenza, Pampa, Rekids, Supplement Facts, Aus, Defected and Ovum to name a few.

His eclectic and diverse taste has lead him to collaborate with Klement Bonelli. Born and raised in France with a deep-rooted history in Art & Electronic Music, Klement started his career in 2002 with a release on the legendary US label Basement Boys, and then launched his own imprint Krome Records.
The result of their collaboration is a monster EP. 'Marvinello' is an infectious rework of Marvin Gaye's classic: The drum pattern, the percussions and the bassline are irresistible and the use of the vocals create a unique atmosphere. The balance is something so hot you can't resist ! The B Side track 'Gostek' is a heavenly mixture of house, soul, and gospel, underpinned by a percussive driving techno groove that takes you by the throat to the dancefloor.

The unstoppable force that is Raumakustik are back on the label with yet more top drawer tech flavoured beats.The German tech wizards draft in the incredible Terry Lynn on vocals for lead track 'Dog Eat Cat Eat Mouse' and the result is pure fire. Her unmistakable tones laid over that raucous and underground tech house groove make for a sure-fire hit for the impending Summer Months. This will set alight the sun-drenched terraces as much as those darker, more underground floors therefore making it a perfect Toolroom release.Next up is 'Logic'; a healthy dose of bump and chunk this one nods its head to the underground as it does equally to the accessible dance floors in true Toolroom style. When you pair this track up with the unmistakable vocals, having received the nod of approval from the dance music titans themselves - Daft Punk - it's no wonder this one went down a storm in 2016's Ibiza season. Last up is 'Activate' which featured on this year's Toolroom BPM Sampler featuring hypnotic, rolling grooves that were played out across the festival and
beyond across dance floors around the globe.

The unstoppable force that is Raumakustik are back on the label with yet more top drawer tech flavoured beats.The German tech wizards draft in the incredible Terry Lynn on vocals for lead track 'Dog Eat Cat Eat Mouse' and the result is pure fire. Her unmistakable tones laid over that raucous and underground tech house groove make for a sure-fire hit for the impending Summer Months. This will set alight the sun-drenched terraces as much as those darker, more underground floors therefore making it a perfect Toolroom release.Next up is 'Logic'; a healthy dose of bump and chunk this one nods its head to the underground as it does equally to the accessible dance floors in true Toolroom style. When you pair this track up with the unmistakable vocals, having received the nod of approval from the dance music titans themselves - Daft Punk - it's no wonder this one went down a storm in 2016's Ibiza season. Last up is 'Activate' which featured on this year's Toolroom BPM Sampler featuring hypnotic, rolling grooves that were played out across the festival and
beyond across dance floors around the globe.

milking the cow with the first series of trips full of bass beats and synths with the debut duo Rizzi & Lapucci on the first single delighted with the remix by the effervescent magician Ancut alias Marco Pellegrino

enjoy this Milky way!

Jacobo Saavedra decides to launch his own only vinyl label. In this first edition, A1 by himself, two tracks with his partner Jay Nortown a.k.a. JNJS and a collaboration with the Mexican artist Mike.D.
Artwork by Lebsi.
Mastered by RV Audio.

Bosconi Soundsystem finally has landed on the label with a four tracker EP. Born as a DJ project orginally in 2009, BSS features three of the central personalities those have defined in a way the sound mark of the label through the years since its foundation: label owner Fabio Della Torre, Mass Prod and Rufus. This debut release has named "Back To Front" not only as a work and life statement but also recall one of trio's very intimate baddest habits (please do not misundertand..) First scandalous cut of the Front Side "( She Wipes ) Back To Front" is the powerful combination of a bouncing and tight 909 groove plus a pulsating fat bass enriched here and there by psychedelic synth lines properly made to excite your pelvic moves between the decks and on the dancefloor.A2 is a voyeuristic happy, funky, progressive and glorious deep techno weapon for the ecstatic peak time moments. On the Back side you'll find the cheeky mood of the modular melodic joints of the swinging B1 track named "Three Healthy Birds" and the granitic and new-not-old skool organ vibe of the senselessly titled B2 "I <3 My Pinus". Stripped down club music for no puritans!

Damiano Von Erckert’s ‘Replica Material’ EP is his debut for Aus and feels long overdue. A three tracker that touches on the deeper strain of his production palette, his knack for appreciating those vintage grooves whilst adding a sprinkle of his own flavour is what gives ‘Replica Material’ that unique character. It’s that approach to tracks which has caught the attention of stalwarts, Move D + Ata. Damiano, David + Ata all share a love of Offenbach institution Robert Johnson, infact the ‘Replica Material’ masters were even tested and approved on the club's legendary system. We hope RJ will open again soon but for now you’ll just have to enjoy the music

Oscuro Records return for their second release, this time from Italian tastemaker Deyayu who
delivers four servings of slinky yet driving house.

'Loser' begins the journey, a classy groove for a summers day that is sure to get bodies moving. 'Normalized' ups the ante with a slightly faster pace and firm percussion, coupled with passing pads and retro stabs, one to light things up with as the night sets in.

On the flip side, 'Sender' gives off a dreamy feel, with a subtle cosmic flare, meanwhile 'Yupiter' drives us home, with slapping drums, unforgettable melodies and a tasty bassline.