House Vinyl New Releases - News

Driving and minimal 4-to-the-floor primetime slammers with catchy vocals backed by some totally wicked Christopher Rau remixmadness!

We left Herva & Dukwa with a bunch of bangers with their latest Ep "It Fell Down"... we found em back only after few months with their first Life's Track longer player featuring an

impressive variety of styles but always with their unmissable, raw and twisted up touch. This album of 8 tracks, spread in one twelve and a seven inches, starts on A side with the

funky break of "Needed", continuing with the deep driving moment of "Amore" and the hip hop beat of "Put It On". On the flip side instead we find the catchy vocal riff of the stomping roller called "Freak With Us" followed by the soulful ghetto tech vibe of 'Call It You' and the melancholic, romantic, stoned and rotten lullaby of "Tired Brass". More tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of 'Play With Me' and on the other the glow-fi-sh and "emo"-tech wave of "Venere". Unmissible!

Minimono finally strikes back on Bosconi records since 4 years from their last hot album"Runaway". This four tracker vinyl named "Gang Of Fools" represents the perfectcontinuation of their trademark sound aesthetic dense of funk, warm vibes and west coast house attitude: the record starts on A side with that unmistakable "shake-yo-booty" disco riff of the "Gang Of Fools" track which follows the deeper and keep on going groove of " The Rapid Fall" on the second cut. On B side instead you'll find the sliding and subtle "no excuse" driving jack-house-funk of "Bring It" followed by the melancholy and romanticism of the"Under The Influence" closing track. No Tools for Fools !

After a very promising debut almost an year ago with their "Super Quartet EP", Nas1 are backon Bosconi Extra Virgin with another 6 tracker of modern detroit influenced house. The record starts with the wobbling shuffles of 2 bass heavy cuts, the robotic melancholy of "Head On" and the funkier-ecstatic "Bravo Café", while on the closing cut of A side appears the stomping garage beat of "La Tosse". The talented duo from Bologna then shows its great technical skills within creating unique grooves: nastier vibes those look like coming from a dirty and dark basement open B side with the dusty, dubby and whirling jam of Rabbit Backbone, while with the following "Seemed" track they keep the mood in the same hypno-delic direction just making everything sweeterand smoother in order to end in a proper way this vinyl with the soulful and joyful downbeat of Seduta. Italian dOCG modern soul!

Creating the new, while respecting the old, the “More Times EP” features heavy house (More Times), twitchy house (Fever Dream), dubby house (Take Me to The Dark) and breakbeat house with due respect to LTJ Bukem (Dresses). That's a lot of house for your money. Music for clubs and places that would like to be clubs. Watch out for Octo Octa on the back of the brilliant cover. More Times? Good Times!

Five dazzling remixes of Population One's 'Hippnotic Culture' 2LP by the Detroit minimalist himself. Kicking off with a 20th Anniversary Mix of 'Rush Hour', the track that inspired our company name! Big big tip and a great honor... Play it loud!
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Population One, also known as Terrence Dixon, offered a first remix of his mysterious, minimal Detroit track 'Rush Hour' for the celebration of the label's 10th anniversary and now blesses us with new takes on five 'Hippnotic Culture' album tracks. The impressive 'Hippnotic Culture' LP was originally released in 1995 on the long defunct Utensil label, which was run by Claude Young.

After having been heavily played by the likes of Ricardo Villalobos, Zip, Nicolas Lutz , Fumiya Tanaka and Margaret Dygas, the first and only Protectorate record (released exclusively on vinyl in the spring of 2009) quickly became a sought-after rarity.

10 years after, the Analogue Cops has decided to reactivate the collective’s output with four new tracks enclosing minimalistic afterparty fervor, contemporary Berlinesque electro, post-capitalist breakbeats, and luxury tech-house.

Cutting edge cuts crafted with a balanced ensemble of vintage and up-to-date machines, with an unfathomable attention to solidity and detail.

Here comes the funky assault from Florentine trio The Clover! This powerful and warm 4tracker ep shows an amazing variety of styles into a pure house music affair Each track is so unique..

Does anybody know What Robot Says?

Limited. Vinyl Only.

Als Compilation-Reihe im Jahre 2001 gegründet um ein paar lose Fäden unserer Stammkünstler zu verknüpfen, hat sich SPEICHER inzwischen zu einem Garanten für fortgeschrittene Tanzklänge aus aller Welt weiterentwickelt, der es KOMPAKT erlaubt Musiker aus allen Bereichen des elektronischen Spektrums einzuladen und zu fördern. Für SPEICHER 83 präsentiert das italienische Duo HUNTER/GAME zwei handgekurbelte Live-Jams, reich an atmosphärischem Detail und konzentriertem Druck.

Aufgrund des unverhandelbaren Naturells eines Hardware-Live-Jams könnte man durchaus eine gewisse Schludrigkeit im Detail erwarten, die die meisten Echtzeit-Komponisten mit Energie und Durchsetzungsvermögen wettmachen - drum möchten wir an dieser Stelle HUNTER/GAME vorstellen, ein Duett zweier italienischer Produzenten zwischen Mailand und New York, denen die Kombination von intimer Studiokomplexität und kraftvollem Bühneneinsatz scheinbar leicht von der Hand geht. Im Klangumdrehen überzeugend dank meisterhafter Produktionskenntnisse, setzen HEXAGON und BERMUDA ihren Weg in hymnisches Territorium geduldig , aber unbeirrt fort - Schicht für Schicht geballte klangliche Imaginationskraft auf ein solides Beatgerüst auftragend. Ein absolutes Muss für jeden anspruchsvollen Liebhaber von handgekurbelter Elektronik mit dem gewissen Etwas.

My Little Dog reaches its release number 100 from the hands of the legendary German artist Sascha Dive.

The first cut of the ep is the title track "I Came to Jack", where Sascha’s music is accompanied by the vocals of one of the most representative figures in the United States scene: Robert Owens.

“I Came to Jack” is a superb Chicago house track, where the bass line blends in an incredible way with the synths, giving rise to one of those timeless songs so characteristic of Sascha. The remix is carried out by Oscar Barila (My little Dog co-owner) who teams up with the Chilean Santiago Deep to give the track a more groovy character. They skillfully use the main parts of the original song, turning it into a groove roller coaster that never stops growing and growing.

If we turn the vinyl, we find “Steve the Robot” where Sascha shows off his incredible versatility by presenting us a more metallic and hard cut, with maximum quality for those peak times moments of your sets. On remix duties, Sergio Parrado (My Little Dog co-owner) pairs with the talented Colombian artist Julian Millan to delight us with a much more melodic and hypnotic cut. It’s the perfect icing on the cake for this 100th release.

Hello everyone and welcome to the second CMOK vinyl release. This music journey is reserved for lovers of true drama and precious queen sounds . Hope you'll enjoy it.

artwork by Nemanja Karišić.

Hangover in outer space with Oid, Sickdisco and Monogum.

Debut vinyl releases for fresh UK talents Wilda, Tip Top and Lyle along with Ilyes from France who has been banging out quality music for a while now on the likes of 2X, Kaizen Records and Ba Dum Tish.
Progressive, trance and deep house influences on this one.

Rising Colombian house producer Amel Amaru makes his vinyl debut on Back Door Records with a solid and fresh four-track EP, including a Dsum remix. From Bogota and influenced by the old school sound of the dance music he is releasing these three brisk tempo but chasmic cuts loaded in a compact groove and travel over subtle melodies. Sharp Tea sets the mood of the release combining hunky drums & unfaded pads to maximum effect, while the second cut ramps up the emotion without sacrificing any intensity and adding the jazzy touch with a crunchy Rhodes melody. Flipping side, Cid The Champion brisk with a fat kick and intense bass line kneading the groove, also remixed by Back Door’s head Dsum.

The powerful duo of Audiojack enter 2019 with a bang, returning to Crosstown Rebels once again. Delivering two distinct dancefloor tracks, their Inside My Head 12” is set to make an impact across the globe.

Title track Inside My Head is a deep and spellbinding production, woozy and enthralling with a pulsating beat and catchy vocal hook. On the flip, Behind The Curtain is a darker, more industrial affair with a gritty drum section and an enticing groove.

Audiojack began life over a decade ago on Ralph Lawson’s seminal imprint 20/20 Vision. Since then Underworld, Groove Armada and Hot Since 82 are among the artists who have enlisted them for remix duties. They began their own highly regarded imprint, Gruuv, more than eight years ago and the label has charted releases from artists including Emanuel Satie, David Mayer, Marc Romboy, Stimming and Joyce Muniz. The duo’s energetic DJ sets have seen them play in hundreds of cities in over sixty countries and they’ve also been nominated in the DJ Mag Best Of British Awards as well as recording a coveted Radio 1 Essential Mix.

A flood of emotion and conflict surges from the two new singles from BOYS NOIZE releasing today on Boysnoize Records. The (+) side "RIDE OR DIE" is a collaboration between BOYS NOIZE and KELSEY LU featuring pianist CHILLY GONZALES (with VIDEO directed by Art Camp) while the (-) side "IU" pairs BOYS NOIZE and CORBIN for a double release driven by the intensity of a world in flux. The release follows an audio/visual “Ride Or Die” NFT art auction on Nifty Gateway, which closed Monday.

German-Iraqi DJ and producer BOYS NOIZE has been balancing across the tightropes of underground and mainstream electronic music for 15 years, his passion fueled by an even longer history in clubs across Europe. Without the euphoria and catharsis of the stage, BOYS NOIZE channeled excess energy into the studio. As a result, "RIDE OR DIE" and "I.U." follow a period of immense momentum - BOYS NOIZE earning a 2020 GRAMMY nomination for "MIDNIGHT HOUR" with SKRILLEX and TY DOLLA $IGN and a 2021 GRAMMY nomination for LADY GAGA ft ARIANA GRANDE "RAIN ON ME," debuting his newest collaboration with A$AP ROCKY in CYBERPUNK 2077, landing a summer hit on DEFECTED RECORDS with "MVINLINE," and releasing a world-first modular hardware-driven techno LP called "STRICTLY BVNKER," crafted in realtime while streaming on Twitch.

With their introspective sensitivity and powerful voice, KELSEY LU joins BOYS NOIZE to capture and reflect upon the tumultuous emotional tenor of our uncertain future in (+) side "RIDE OR DIE". CHILLY GONZALES' masterful musicianship completes the trio, who slowly build a gorgeous and ethereal tapestry of melancholy until the delicate track explodes with a driving kick. The unexpected arrival of delirious, peak-time techno percussion thrusts the song into metamorphosis -- from fragility to power, sadness to hope, before it bursts into an anthem one can easily imagine being accompanied by the roar of an ecstatic crowd in what will be remembered as the moment of the night. We are still uncertain of when such moments will return, and our melancholy remains, but speeding forward at 140 bpm we know there is light awaiting at the end of the tunnel.



What else is there to do but lean into this propulsion? The ( - ) side, BOYS NOIZE "IU" featuring dark RnB innovator CORBIN, is moody but aggressive, with cavernous kicks pummeling under hi-tec breaks and hoovers at an overclocked, redlined tempo. This rocketing energy turns CORBIN's haunting looped vocals into a battle cry rather than a dirge, making "IU" the release to "RIDE OR DIE's" reflection. Both tracks share a frenetic tempo, boldly declaring that the energy of club culture will not falter, even when facing the myriad pressures of a world in distress.



The “RIDE OR DIE” video was loosely inspired by The Trolley Problem Experiment, modeled and animated in 3D and hand-painted over each frame, resulting in a serene and phantasmagoric world, a vast and unknowable dreamscape in which all potential selves coexist. Directors ART CAMP considered difficult choices and unknown outcomes one faces in life. “There is no fork in the road,” they say. “Instead, there are endless paths, and you can go down all of them. The video invites you into those parts of yourself that you haven’t yet seen, to find powers you didn’t realize you have.”. With a career defined by blazing a singular trail instead of taking those well traveled, BOYS NOIZE pushes on, lighting the way through every challenge ahead.

R.A.N.D. Muzik Recordings' reissue of the 1997 underground house classic T.H.C. by Cloud City, a one time joint project between Scott Clifford of Bugz in the Attic and Adrian Miller.

repress

Hot Haus is coming into 2017 all guns blazing!! Straight off the back of Mall Grab's Pool Party EP comes a collab from Paranoids London's Paris Brightledge & Germany's Marlon Hoffstadt - Forgive You - a lush soulful chicago house anthem to put it mildly. PLUS for the DJs we had to include a techno rub from San Fransisco's powerhouse Vin Sol. Additional acapella included!

Following up on our reissue project Still Burning, we have put together a compilation of three hard-to-find tracks by "Spookin’
Tha House" a.k.a. Silverlining, a.k.a. Asad Rizvi.

For nearly 25 years Asad has been committing his singular, shuffle-heavy brand of house music to wax, and he simply refuses to go out of style; any self-respecting DJ who manages to snag a copy of one of his many twelve-inches will not easily let it go. But you gotta find one first. To help you with that we’ve gathered three tracks originally released in 1996 on Asad’s own Reverberations label, remastered and recut from the original DAT tapes for maximum dance floor pleasure.

repressed !

This re-released the first track of The Micronauts, "Get Funky Get Down", accompanied by his remix by Daft Punk (The first they ever did!). Both were originally released in 1995 on the London label Phono (which Also discovered Matthew Herbert, Morgan Geist and Freaks aka Luke Solomon & Justin Harris ...). Never before reissued, the original version makes a comeback noted for two years in the playlists of the diggers of London, Berlin or Brussels ... Notably those of Jamie Fry, English DJ living in Berlin, who realized for the occasion the "J Dubs Edit ", in line with the sound of his 100% vinyl sets (Jamie is the producer of the famous Stablo series, which Can reach 100 € on Discogs, and co-directs with Radio Slave the label The Double R). In conclusion of this EP is the "Nature's 1994 Cassette Version", totally unpublished and recovered as its name On a tape recorded in 1994.

(25th Anniversary Edition) Originally released on F Communications 1997. Laurent Collat is not a newcomer to the French electronic scene. It was in 1988, with the discovery of New Order, that the desire to compose his own songs arose. His techno-pop compositions drift gently towards a house and techno sound, with the arrival of the baggy movement from Manchester and the acid-house wave.

ManooZ returns on HOUSEWAX with another great release.
The EP #2 contains also fanstastic remixes by Agnès and Paul Deepnlow Moore.

Spencer Parker returns to Radio Slave’s Rekids with ‘The Theme’ EP, the DJ/Producer’s most distinctive single to date.

Comprising three originals and a remix from Pink Concrete, ‘The Theme’ EP sees the Berlin-based Brit known for blending house, disco and techno delve further into his ‘80s new wave influences hinted at in his recent ‘The Love And Sex’ EP for HE.SHE.THEY.

First track ‘Theme’ is Parker at his most musical. With simple piano licks, digital strings and soaring choral swells, this is an anthemic piece that oozes class. ‘Radio Waves (After Dark)’ sees staccato synth leads play off a pulsing bass while the titular vocal sample and aesthetic recall some of Parker’s work under his lauded It’s Not Over pseudonym. Closing the originals is the arpeggio driven ‘The Work Out’, an undulating late-night cut displaying Parker’s penchant for high energy arrangements.

It's with great pleasure that we announce the return of New York's synth wizard Steve Moore to KOMPAKT - pretty much exactly 10 years after his much lauded first appearance 'Bayern Kurve' on our SPEICHER series.

Steve Moore is widely recognized as one half of Italo Disco-tinged horror-prog project ZOMBI, his numerous thriller movie soundtrack works (The Guest, VFW, Mayhem, Bliss, The Mind's Eye) as well has his clubbier output on Ron Morelli's L.I.E.S. imprint.

The title track of this 4 track EP, "Frame Dragging" sees Moore in full spine tingling mode. In case you've ever stepped into a hot bath on a cold day (in case you haven't you should try it) you should be well familiar with the phenomenon of being incredibly cold and hot at once. That's exactly what 'Frame Digging' does to the dance floor. Goosebump massacre.

"Gamma Quadrant" combines emotive balearic elements with a rolling minimal house track that reminds us of early Playhouse glory. Or is it early Kompakt?

'Gravity Well' and 'Protostar' are both taking a more chilled out route. They perfectly bookend both sides of the record and showcase Moore's stunning ability of creating suspenseful, spaced out beauty.

While our World has stopped, the music flow must continue to represent an anchor for all of us. We are happy to present RWL007, another travel between lights and shadows for our little boys, or if you prefer, our personal vision of music. Nils Weimann and Stephan Bazbaz on the originals, Silat Beksi and Vincentiulian on the remixes. Supported by Sit, Arapu, Raresh, Charlie, Herodot, Prichindel, Silat Beksi, Lizz, Barac, Cosmjn, Sepp, Nu Zau, Petre Inspirescu, Mihai Pol, Viceversa and others.

A stunning collection from the vaults of one of London's true maverick electronic producers - Matthew 'Bushwacka!' B.

Across 2 volumes we are treated to the deepest selections, rarities, remixes and collaborations from the Bushwacka! studio covering almost a decades worth of music and projects. Sonically traversing styles, vibes and genres 'Listen Up Vol. 01' shares a glimpse into the varied Bushwacka! sound world, a wealth of ambient melodies, techno, breaks, deep house and tech-house all rooted firmly in his unique production and engineering flavour. A history spent in the mists of underground UK rave culture and a career full of high profile residencies, global DJ-ing and endless studio sessions has enabled Matthew B to truly hone his musical voice and his ear to create a 'sound', it is this sound that we present to you here in all its glory.

Featuring a broad selection of music taken from the cult Plank and Oblong labels and more, choice remixes and tracks from longtime friends and collaborators including Asad Rivzi, Layo Paskin and Dez Ingram, 'Listen Up!' is an essential collection for lovers of underground electronics of every style. All tracks featured have been transferred from the extensive Bushwacka! DAT archive and remastered with love by Lawrie Curvepusher. All artwork and design handled by the Atelier Superplus studio. Manufacture and worldwide distribution by Above Board Projects, 2020.

Drumcode Limited was created as an offshoot of Drumcode for special tracks focusing on exceptional music. Keeping tracks on a vinyl-only format gives the music a special collectors quality and a sound synonymous with audiophiles. Past releases come from Adam Beyer, Alan Fitzpatrick, Tom Demac & Glimpse, Ben Sims, Steve Rachmad, 2000 and One and Marco Faraone.
Heiko Laux's stimulating approach to electronic music showcases his ability to flutter between genres with various aliases, projects and sounds. From starting out in 1994 in the heat of the uprising techno, Heiko has experienced many movements in the music-sphere however he will always play an important role and symbolize the globally celebrated golden age of techno. With no interest in remaking albums or dwelling on the past, Heiko is constantly moving forward, finding new inspiration.
Joel Mull is a techno DJ and producer from Sweden who has released on labels such as Drumcode, Truesoul, Audiomatique, Saved, Cocoon, Kanzleramt and Music Man. A product of the small but highly productive scene that has grown up in Stockholm, it comes as no surprise that Joel's discography is heavy on associations with other key players in the creation of the distinctive Swedish techno sound such as Adam Beyer, Jesper Dahlback and Cari Lekebusch. Mull's sound is a living force; steeped in techno history but with both eyes firmly fixed on the future. Laux and Mull's make their debut to Drumcode Limited with a heavy, two track release. The tracks come packed with erratic percussion, deep kick drums and tantalising crescendos. Laden with interesting samples, futuristic sounds and high hats a plenty - these high intensity tracks keep the energy levels soaring throughout. The release demonstrates the duo's diversity as producers and ability to create tight, unique techno tracks.

What began as a challenge to fight creative stagnation, soon grew into a fully-fledged audio-visual project for Belgian DJ, producer and live artist, Biesmans. Setting himself the goal of making three tracks per week for a month, he re-scored ‘80s pop culture moments – including films, TV shows and games, resulting in a brilliant 12-track work encompassing new wave, indie, dark wave, electro and
disco.
Moving his modular-heavy studio to Berlin in 2014, the ensuring years saw Joris Biesmans drop heat on Correspondent, Disco Halal, AEON, 17 Steps and Future Disco. He’s been a core member of Watergate
family since his arrival in the capital, working as the club’s sound technician. He made his debut on Watergate Records in 2020 with the well-received ‘Electric Love’ EP.
The ‘Planes, Trains & Automobiles’ album took shape in April last year as the lockdown was starting to take grip and Biesmans needed a positive distraction. Ensconced in the music of his childhood and ‘80s
pop cultural fodder, he locked himself in his studio and set about creating, later digging through archival footage to match the music. Biesmans, who previously undertook work scoring films, was so absorbed by the process, he’d sometimes do it in reverse; allowing the vintage media be the guide. Throughout the period, the clips were shared each Monday, Wednesday and Friday on his Instagram, building up a firm following from fans, friends and colleagues. And thus, the project found its wings, developing into an album.
Throughout the dozen tracks, highlights are plentiful; from the neon ambience of the Kraftwerk-inspired ‘ ‘Cosmic Cruise’, which later accompanied a smoky scene between Tom Cruise and Rebecca de Mornay in ‘Risky Business’; the sun-soaked, retro-pop title track, which became the album’s first single, and was paired with a jubilant dance scene from the Breakfast Club; ‘Cold Void’, the album’s second single, which saw Biesmans link up with fellow Belgians Boi Wonder and Tom the Bomb for a dark wave creation built around a heavy guitar solo and set against a backdrop of Blade Runner clips; and the silky electro funk of ‘Another World’ that soundtracks scenes from Miami Vice.
Biesmans explains about ‘Planes, Trains and Automobiles’: “I started this as a lockdown challenge, in which I would make three tracks per week for a month, alongside providing videos where I re-scored
footage of 80s pop culture moments. Inspired by the movie of the same name, I picked the title because it ties to the theme of ‘mobility’. Our society is based upon being mobile and when Corona hit us, we
could taste a bit of being immobile. As an artist that meant, I could focus on making music 100%. No distractions, no weekend gigs, no parties just making music. This new lifestyle resulted in my first album.
A journey into the past but looking forward to the future, experimenting with other genres and techniques to make a real album that goes beyond club music.”

*Repress*

Afterlife Recordings ends 2018 with an impressive statement from German duo Innellea.

The 'Vigilans' EP combines wide-ranging elements - a heavy, guitar riff on the title track, unhinged drumming, zippy synth melodies and distinctive sounds - to stamp the Innellea identity on a bold and high-energy record. They push limits and refuse convention in fine style, making for a standout entry in the Afterlife catalogue.

youANDme is acclaimed collaborative project between Berlin based pair Martin and Daniel. They make raw, emotive underground sounds and Martin recently turned out a well received full length album on Ornaments that explored far and wide. They did official works for artists like Moodymann, Radio Slave, Seth Troxler, Lawrence and many others. They also run Rotary Cocktail and 3 other mysterious labels. 'Take Away' was written in summer 2014 with vocalist Black Soda from South Africa. The track is made from various hardware synth, and is filled with feeling. It is built on a bed of pinging drums and coarse claps, but the heaviness lifts with the arrival of Black Soda's breezy, spoken word vocals and some colourful xylophone like melodies. It's a proper underground anthem in the making, frankly. Then comes Loco Dice with his version. It is chunky, with grainy, sheet metal claps, twisted vocals and skewed synths that all make it robust and masculine. Sure to be massive when dropped in the right club, it is a fine bit of work from the boss. Pablo Bolivar then steps up to remix and flips the track into a more uptempo, gliding house cut with starry melodic patterns, punchy drums and filtered vox. It builds and builds to a peak and then implodes under emotive arps that are dotted left, right and centre, no doubt owning floors in the process.

vinyl only release!

We are very pleased to bring you this fantastic collaboration between Dubphone and Patrascu that includes three stunning pieces with their Talking Machines EP. The first track is Talking Machines and it shows an amazing combination of subtle grooves working in different layers where they integrate perfectly to each other among synth and percussions, making room also to the prominent vocal phrase lines that ends up being the main element during the short breaks, where everything is surrounded by a delightful minimalistic vibe. The second track, Chaos, presents a much more underground approach and its composed mainly of a percussive low-end and several backend textures that creates an amazing atmosphere and trippy feeling, but everything created with a superb production skill set by these two fantastic producers. At last we have a Dub Mix of Talking Machines, where we can appreciate this terrific piece without the vocal lines to take advantage of the rhythmic features and grooves this track has to offer.

Fantastic Mood II Swing re issue from Mood II Swing circa '94! Re mastered for 2014 from original files. Released in conjunction with Nite Grooves in original artwork.

Petit Batou is back with a new very beautiful episode, as its name suggests, "Fireworks" are full of colors and sound as well as the tracks, 2 minimalistic cuts with circular, enveloping basses, and pleasant organic textures.

For the remixes, we are pleased to welcome two renowned romanian producers, Direkt and Dragutesku who in their own styles have wonderfully treated the originals.

Must have ! limited copies.

Early supports from: Raresh, Mihai Popoviciu, Varhat, Silat Beksi, Vern, Costin Rp, Zenk & more...

The second time we turned on the machine it finally worked. A slow, cold rusty clatter quickly turned into a finely woven warm hum. There was a slight pressure in my head. In a flash I retraced every moment in my life that had led me to now. Eyes open, we began to explore. I let the others enjoy their time here as I knew it wouldn’t last long. Knowing the future, as well as the past, I still have no control.

White Vinyl Repress!

Revered UK label, tastemaker and authority Renaissance, the label that has not only been at the forefront of the electronic DJ scene but documented its navigation into popular culture have honored a landmark 25 years by inviting Hamburg based DJ and super producer Solomun to rework a timeless classic - one of a number of tracks that shaped the labels early years. The timeless classic Jam & Spoon Watch Out For Stella Mix is featured on the B Side.

A constant innovator, Solomun; whom himself has played an equally major role in redefining European house music spoke of the challenge when faced with the prestigious role of reworking one of the most influential tracks in electronic music, for a new generation.

Solomun’s enormous and poignant remix has already been a key track for selected DJ’s over the last few months including Tale of Us, Dubfire, Maceo Plex, Sasha and Pete Tong whom made it last weeks coveted Essential New Tune.

'Renaissance The ReMix Collection'. Is a concept focused on introducing new ears to seminal tracks that have remained significant and iconic to Renaissance for over two decades. True to form Renaissance highly collectable vinyl products will be beautifully packaged and presented in box set form and available as limited editions.

The series celebrates Renaissance’s musical legacy and firmly establishes its future place in the electronic music landscape.

After 10 years at the helm of the venerable label Scandium Records whose techno Productions marked the electronic scene, Paul Nazca is a new challenge: to start from zero and create a label alongside his sidekick studio Maxime Dangles & Florian Combe. Programme: the music came first, fresh, dynamic, varied. The artistic choices are made on favorites guided by the desire to share our passion. And to open the show, Paul is in command of the first output followed by Maxime before you discover new talent. So stay tuned!