House Vinyl New Releases - News

Since I started to produce music in the mid 00's, I undoubtedly bought the idea of puzzling my productions into nice labels like a Tetris game. This 'survival of the fittest' thinking has under the years resulted in a whole bunch of works that I made a strong connection to, but that no one else never got the chance to do, ending up in an empty folder. There are so many times that I just feel to open up my heart and brain and let people that I have a connection to take part of it, and this is the closest that I can get. The sounds that I like: the warmth, the dust, the ugly, the distorted, broken and worm has been privileged for certain kind of music. Music that I love, but that I maybe not always can play when I got the chance. Those two ideas combined gave me the idea to set up a little imprint. I'm gonna name it Dirty Hands. What that mean is up to you. What it sounds like is also up to you, and that's why I wrote this instead of thoroughly describing the tracks.

Toronto based producer Cosmic JD signs Varme's fifth release with an EP titled “Plant Algebra” - an incursion into his vast sonic spectrum, ranging from steady 4/4 club oriented tunes to breakbeats and electro inspired musical themes.

sehr schöne techhousetracks !!! A awakening

Brothers Amedeo and Matteo Giovanelli aka Mathame have quickly garnered attention through their dusky, atmospheric Techno releases on illustrious underground labels such as Anagram, ARTS and Afterlife Records utilising a wide range of hardware (from cheap analogue synths to obscure drum machines) as well as their experience as visual artists to create their free-flowing, signature sound.

For its third instalment, Ethernal welcomes the brilliant Saudade. The French producer has carefully crafted three minimal cuts with an irresistible groove on analog machines. The whole is filled with tight stabs, strong drums and deep basses. On the remix duty, the one and only Brawther has made some serious damages with an intense reinterpretation of the main title Sknob.

Renowned Jazz musician Ulf Kleiner lands on Ian Pooley’s Pooled Music this April with ‘Tubes’Grande’ featuring three remixes from the label boss.

A long term collaborator of Pooley, lending rich keyboard work to the legendary producer’s records over the years, Ulf Kleiner is better known outside of electronic music. Taken from his 2020 LP, ‘Pianoskop’, ’Tubes Grande’ is a light but immersive piece of acoustic modern Jazz that, at just 3.36 minutes, begs repeat listens. Pooley’s interpretations, a ‘Main Version’, ‘Dub’ and ‘Analog Piano Dub Mix’ lead Kleiner’s work to the dancefloor in distinct ways, showing off the producers deft touch and studio experience across the package. From the decidedly organic, mid-paced house of the ‘Analog Piano Dub’ to the dense, electronic melodies of the ‘Main Version’ to the blissed out ‘Ian Pooley Dub’ this Pooley in the form of his career.

Heiliger Bim Bam! Die Cockroach “Fluffy EP” ist schwer gesucht! Zum ersten Mal jetzt digital und als stream erhältlich. Ein trippy house Hybrid, produziert by Hendrik Wilhelms and Marcus Friedel.

Die Cockroach “Fluffy EP” ist der erste Re-Release, des legendären Compose labels, 1994 gegründet als Compost Records House Division. Mit Künstlern, DJs und Produzenten wie DJ Linus, Moon Machine, Jerome Isma-Ae, Pufo, Marcel Krieg, Ralf Gum, Future Funk u.v.m.

Haltet Ausschau nach weiteren tollen Compose - Reissues in den nächsten Monaten!

Hendrik Wilhelms first release saw the light of the day in 1989, when he was 16 years old. He founded Toolbox Music in Viernheim with 3 partners. All the first releases on labels like Compose Records, Generator Records, UCA, Time Unlimited, Urban, Boy Records a.o. were recorded in the Viernheim Studio. During the Nineties the studio moved to Walldorf at the Session Kulturwerk, where Hendrik Wilhelm produced more than 100 releases & remixes, plus live shows with Deaf Nuts (Stereophonie-BMG) & Studio 69 feat. Karl Frierson. One of their productions entered Hollywood, as an soundtrack for an animation-film. After the closing of Toolbox Music Hendrik Wilhelms constructed and was part of the establishment at the Anixe Studios at Musikpark Manneim. In 2008 he moved to Switzerland, where he nowadys live with his family, and where he still produce music with a wide window view in a beautiful green landscape.

We are proud to bring you our next vinyl release from our very own EWax resident Tim Etzel who has brought his highly energetic, spacey and vibrant sound to the label for the first time. In his own words the "Morning Hours EP" is fitting of any sunrise and designed for those special after hour, first light of the day moments.


On remix duties men of the hour Fabe & Vitess have provided us with some special interpretations of Tim's amazing originals

Bart's EP kicks off with 'Brave New World', which uses pitch curved synth lines to create a unique groove before opening up the filter to be released back into the track. 'Hypnotizing' uses a percussion line that evolves into a melodic section within the breakdown that is supported by a catchy vocal line. 'New Ground' uses a trippy bleeps and a rolling drum beat to create a lively record. 'Cabana' is slightly different to the rest of the EP and offers a distinctive set-builder using a rising and diving synth line that is guaranteed to get people on the dancefloor.

The COVID 19 pandemic has given us some time to reflect and bake beats, loads of beats! Our main man, Felix Leifur, has been busy in the kitchen cooking up some steaming BROT heaters during his isolation in the middle of the North Atlantic.

BROT 05 holds five diverse cuts by Felix Leifur with one of those seeing Leifur joined onboard by a guest, the notorious dutchman Frits Wentink, adding his trademark glitched out wonkiness to proceedings.

Mind bending breaks from the inner workings of the isolated mind.

Sintope bosses NTFO return to Bondage-Music to their ‘Esperantza’ EP. Title cut ‘Esperantza’ sees the duo go to work, fusing rolling, crisp percussion with rich sub-bass, before ‘Uppercut’ interjects, unveiling a production packed full of swing, reinforced by robust drum licks, skipping hats and sweeping synths.

On the flip, the first vinyl only cut ‘Lux’ reveals a smooth, stripped back effort, with lush, deep pads floating effortlessly over hazy background textures, whilst the electro influenced ‘Avoid’ closing things out in fine fashion, as trickling lead lines flow amongst and intricate organic percussion patterns across seven minutes.

Months after their debut release, Bosconi Soundsystem is back with another killer package. The Italian production trio, consisting of Rufus, Mass Prod and Bosconi boss Fabio Della Torre, perk up here with Unrequested States of Bliss, a 2 x 12" offering that's packed from start to finish with spectacular dancefloor-ready cuts. The title reflects the contents of the album: psychedelic and minimal techno and electro music on a deep and dark tip that speaks to both the mind and the soul. The action kicks off with "Serotonin", a driving tech house jam that's full of driving, spacey atmospheric overtones. "Eclipsed" is a more introspective cut, while on the flip you'll find the anthemic swing of the utterly outrageous "Scaccomatto" and the psychotic electro of "Minor Thinking". The C side opens with the cavernous bass riffs and the ghostly voices of "Gravel Fire", followed by the funky grooves and twisted synth lines of "No Flowers". An unusual breakbeat track, it marks an interesting turn of direction of a release filled with intriguing motifs from the off. "Blackout" opens amongst a claustrophionic vibe, before things come down a peg or two on the dreamy, celestial strands of "Mandibola"

Non stop house tools! Directly recorded from his liveset, Marco D'Aquino aka Duwka, a half of Life's Track with his fellow friend Herva, provides the first series of 6 effective tools for every dancefloor and for djs who like to spin!

In the mood of some early Soundstream or even Dancemania trax, they are rich in funky elements, disco samples, powerful grooves! Find your tool, or just let the whole side rock till the end!

We have been really impressed by his releases on Dockside & Hizou, his music expresses perfectly our= essential vision of dark subtle and Intimate afterhour- like club sound with his edgy elegant and minimalistic approach over a raw and gritty sound recording, and especially our meaning of "groove", the whole enriched by his aquatic and unmissable original touch. It has been hard to make a decision over the wide selection of tracks from this ultra prolific producer who has actually a long history and background into the detroit techno scene, collaborating in the past for such labels as Transmat and managing the Buy Rite Records shop. What you'll find here it's basically what truly sounded to us as tough and timeless: the EP starts with the rollin funky blues of Kreatorz, while the second cut of A side is taken by the detroit driving trippy tool of Quincee; on the B side instead you'll find the techier dirty and hypnotic stripped down groove of E Way and the conclusive vocal house track of the record called Ucanb which goes more soulful

B-side comes with big "X" etching! Guillaume & The Coutu Dumonts 'The Drums' is an exclusive and limited 12" with an "X" etching on the B-side. The track is part of the Watergate X - Ten Year Watergate anniversary compilation and only available on Vinyl on this 12 release.

The A1, named after the release title, is a summer techno drive, or a ride through a hot landscape in centralamerica, as the notes of marimba suggest. The subtle but crackling low toms reverb dictates the driving tempo,while the chasing hats warn of a night which is likely to be dirty and sweaty. Ready 2 Glow opens with anenlightening synth note softly spreading through the air. It`s the after-hour call, the quietness before a newstorm, which is about to boost and bring to surface the spastic contradictions of the drug-based soul liberatingafter-hour scene. Corners goes funk, the quirky and rugged bass line lays at the core of the groove. Above, we hear a multitude of spooky sounds and samples ranging from flying saucer sonic surges to playful stabs and bongo madness.The obsessive vocal echo, manipulated according to the abuse of different drugs, is a clear indication of that.Alza Pure Quanto Vuoi is almost taken as it was firstly conceived during a jamming session. It`s twisted,swinging, it breaks the scheme of groove flowing as the tempo suddenly escapes to a faster pitch, jacked out

After their featuring on Kyle Hall's Boat Party EP, the Bologna based duo Nas1 join the Bosconi Family with a lush six tracks vinyl strongly influenced by contemporary detroit house. A side starts with the chuggin and moody beat of "Black Coffee", then continues with the stomping and sexy midtempo of "I Don't Mind" and ends with the more mysterious, electroboogie raw jam of "Dallas Vertical Roll". On the flip we find the slapped roadhouse blues of MadTurkey followed by the twisted Gifted & Blessed's re-interpretation of "I Don't Mind". The EP ends with the melancholic and soulful textures of the shuffle groover "Hoarse Presence". Tasty!.

After releasing in the past two years with several projects as Nightdrivers, Tru West and together with Ekkohaus, tireless dj and records collector homeboy Rufus finally strikes back on Bosconi Extra Virgin with his first solo ep since 5 years named 'Black & Blues' , a 4 tracker vinyl of moody, sampladelic

mpc styled and lunar deep house. The record starts with the dark and mysterious funkiness of Blue&Black, an intricate but fluid dialogue between a carillon, jackin percussions, guitars accents, background voices and a dramatic strings

theme which are playing together and rolling all over an irresistible swinging groove. Next is 'Sad Eyes' a romantic, bit melancholic, deep but punchy house track enriched by afro latin percussive elements, striking 909 beats and catchy brasilian jazzy vibraphone riffs. On the first cut of the flipside instead you will find the sunrise-discoish-banger called 'Cosmic Echoes', a raw but excellent work of 70s jazzfunk cut up samples and hooks embedded into a triumphal oldschool house groove, while on the second cut, the ep ends with the dubby afterhour styled, quirky, smooth, bubbly, trippy beat of

'Cruisin'. Welcome Back Rufus!

Bosconi Records has long been renowned as arguably Italy's foremost exporter of house and techno music. 10 years in, they celebrate one decade in the game courtesy of 'Bosconi Stallions Volume 2', a 3 x 12' release that features some of the label's most prominent names. 5 years after the inaugural 'Stallions' release, 'Vol.2' is a timely reminder of the talents of one of electronic music's most consistent labels. Before we get to the music, a word for the artist. Bosconi's iconic stallion is presented again, this time by none other than Silvano 'Nano' Campeggi. In case you're unaware of the man's work, Campeggi is one of Italy's most renowned contemporary artists. Active since the 50s, he has portrayed cultural icons such as Marilyn Monroe and designed 'Ben Hur''s iconic advertisements, which is where he first developed his famous horses concept. His iconic images are associated with the golden era of Hollywood, and he also worked on artwork for the likes of 'Napoleon' and 'Casablanca'.Suffice to say, stunning artwork should only be matched with stunning music, and 'Bosconi Stallions Volume 2' is very much a triumph in this regard too. From Nas1, who kicks off the release courtesy of the brilliantly bleepy 'Peli Peli' (complete with 8-bit sounds) to A Guy Called Gerald, whose 'Always' sees him welcomed back to the Bosconi fold in emphatic fashion to label boss Fabio Della Torre (who perks up under his Minimono project alongside Ennio Colaci with 'Pandora Peaks'), this is a release that's stuffed to the brim with high-quality electronica.

The likes of Riccio ('Get It On') and Rei Loci (the suitably named '808') are reminders of the label's ability to introduce new talents, whereas British tech-house stalwart 100hz shows he's lost none of his panache on 'Tenderness' and Rufus (a member of Bosconi Soundsystem alongside Della Torre and Mass Prod) impresses on the haunting, eerie tones of 'Under the Line'. Mass Prod is another individual who makes a stunning solo addition here, with 'Mathemagix' a frankly mental piece of music that has to be heard to be believed.

The release is full of surprises too. Life's Track (aka Herva & Dukwa) impress on the chaotic, UK-inspired strands of 'Wasting My Time', while Herva's gorgeous 'Crash Point' makes for a fitting finale. Elsewhere, up-tempo cuts from Dukwa ('Thanks Daddy'), Bosconi Soundsystem ('Tutto Gas) and Soutine ft. The Clover ('Florence Shuffle') ensure the listener stays enthralled throughout. A package that features a plethora of exciting sounds, the much-anticipated second 'Stallions' series is a real joy from start to finish.

A figure at the heart of the Parisian scene, Yoyaku favourite Janeret readies the third release on Chris Stussy’s blossoming Up The Stuss imprint as he delivers his four-track ‘Difference’ EP - a classy journey through slick garage-tinged melodies, dubby immersive textures, and rich house flavours.

2021 REPRESS - LIMITED 250 COPIES // YELLOW VINYL + NEW ARTWORK SLEEVES
Alex Ranerro is an producer from Slovenia, his musical output is embossed by his versatility as a music producer and DJ, embossed groovy sound packed with emotions.

Having released on PIV, Sintope and Talmann Records, Alex Ranerro makes a return to Bondage-Music, he delivers three new original tracks to drops his next EP on Bondage-Music.

On remix duty are the very talented French producers Politics Of Dancing.

Renowned live artist and Premiesku member Floog delivers four shimmering microhouse cuts on Archie Hamilton’s Moscow Records this September. Hailing from the vibrantly active house and techno scene of Romania, Floog has established himself as one of the country’s most distinguished artists with releases on labels like Mulen Records, Atipic, Joule and MEOKO. One third of the Premiesku group alongside Livio & Roby, he has specialised in capturing the infectious rhythm of drum machines and analogue synths with regular support from Apollonia, Petre Inspirescu, Raresh, Priku, Sonja Moonear, and many more.‘The Gathering’ kick starts the release with layered claps, a low-end analogue hook and tantalising high stabs, before ‘Balance Right’ continues his signature minimal aesthetic with sparkling bleeps, sweeping vocals and a catchy synth loop. On the flip ‘Amiba Ta’ gives an eerie feel whilst tight drums lock in the groove, until finally ‘Sepe Patru’ closes the package with decayed voices, bouncing side-chained bass and saturated snare layers.

After the two stunning Tenenement Yard albums on Eye4Eye, Altered Natives comes back on Bosconi releasinganother strong three tracker ep full of pagan and mythological inspiration called 'The Fates'. As the artist says,this EP was based on the Moirae, the 3 Greek/Roman goddesses who controlled fate. The Greek word Moirae iterally means a part or portion, and by extension one's portion in life or destiny. They controlled the metaphorical thread of life of every mortal from birth to death, so each track as be named for each one of them: the dark bass house anthem that opens the ep is Nona Clotho, who spun the thread of life from her distaff onto her spindle.

With no need for further introduction, the legendary Cleveland and now Berlin based producer Dan Curtin lands on Fabio Della Torre's Tuscan label Bosconi with 2 previously unreleased gems from his 90's DAT archive. The release is further enriched by Curtin's very first live rework of one of the tunes. After Releasing on such labels as Headspace, 7th Sign, and Sublime and with the recent repress of his historic Silicon Dawn album on Peacefrog including the supremely modern Population 2, here comes the previously unreleased Population III which moves even more forward into the outer realms of space and time. On the long side the farsighted and futuristic Metamorphic label boss delivers this marvelous continuation of the previous version taking it more into straight forward techno and even further into deep minded synth experimentation and acid bleeping. On the Flip we have a modern live rework of Population III which Dan has been playing around the world in his current live set. The live version goes a bit more into electroid landscapes but still maintains a straight groove for electro and techno purists most playful moments. The third cut is the epic acid banger and previously unreleased Redshift, showing already at those times that Dan Curtin was defying conventions and pushing boundaries and pioneering what we can now consider modern dance music while displaying melting innovation and deeply felt emotional content at the same time.

Supported By:
Raresh, Ben Ufo, Nastia, Dj Bone, Marco Passarani, Chaos in the CBD, Ame, dOP, Barbara Presinger, Iron Curtis, Lo Shea

As Fabio Della Torre, Corcos last solo release on his much-respected Bosconi label came out in 2012. Almost seven years later, Della Torre reprises the alias here, returning to his home label in stunning fashion courtesy of the sumptuous, brilliant and always innovative sounds of Bosco042.

We kick off with 'What's the Case', a hypnotic, minimal wiggler that maintains a strong after-hours vibe throughout the course of its 7-and-a-half minutes. A trippy voyage into the producer's more restrained and foreboding side, it's a slick, sleek excursion that's full of multiple twists and turns throughout. Weird but most definitely wonderful, it's sure to go down a treat with discerning DJs especially, with its swinging groove sure to prove a particular treat.

The B side then kicks off via 'Down on Time', an unrelenting, jacking cut that's indicative of the early work of minimal techno pioneer, Robert Hood. A jacking, booty-shaking jam that features more than its fair share of oldschool vibes, this track is indicative of a side that the producer rarely showcases — but one that he's evidently more than capable of showcasing. Rough, ready and most definitely effective, it features the Bosconi owner at his up-tempo best.

'Monster Knight' culminates the EP courtesy of an uplifting, electro-inspired jam that's catchy and banging throughout. Notable for its elastic baseline and flashy, rhythmic elements, it brilliantly closes a fantastically eclectic EP that demonstrates three sides of the producer's sound in some fashion.

After several releases as Minimono & Quitefrut, finally, Fabio della Torre, Bosconi Label boss and dj resident since 1995 at Tenax club in Firenze, finally shows up on the Label with his own club-music project and artist name. The Ep, containing 4 tracks of proper, sincere raw and hypnotic dub techno, has also delighted by an outstanding afterhour playa time remix of 'Mr. Analogue Solutions' Eduardo De La Calle. The opening track 'Thrilled' is a warm, dubby, funky and driving dancefloor tool with a very contemporary dirty-styled production, analogue beats enriched by enriched by housey chopped

he return on bosconi of the wonderkids from Firenze Sud, Herva and Dukwa (aka Marco D'Aquino) as Life's Track, consists in a explosive blend of pure freestyle ghetto goodness!! Four burning tracks dense of special effects, sound manipulations through tape distortions and pyrotechnic structures: A side starts with the funky builder It Fell Down, a full on, rough and raw ultra filtered disco house dancefloor anthem in the vein of a more warped and f**ked up Bangalter or Shake Shakir, while on the second cut there's the aggressive and drunk ghetto blaster of Come On; On B side instead you'll find the breathtaking groove from the driving acid techno bossa of "Rescue me" and the electro breaks from lost cassettes of the melancholic and dreamy closing ep lullaby "Sometimes They Come Back"..

Martino Marini aka Mass Prod contributed to spread the seeds of the Bosconi Records nationally and internationally. Unforgettable are his early releases 'Bosconi Groove' and 'Paris,Texas' which gained a great success, especially thanks to the track '72 Minutes Of Scrubs A Day'. After many years of studying in consevatory of electronic music and improving his already exceptional skills within music production and composition, between a freaked out IDMish album on his own Wo Land label, releases with Herva on Kontra Musik, Marmo Music with the Tru West- The Leftovers projects and the Nightdrivers records with Rufus, the prodigal son is finally back with an edgy four tracker of pure anti-romanticism named 'Ears In My Eyes': the record starts with the perlonish, groovy and funky minimal house jam of Marmeria Mornings feat Vash (collaborator at Marmeria Studios in Genova and well known synth repairer in Italy), while on the second cut there are the sexy, electroish and ultra catchy SH101 bass line riffs of the title track 'Ears In My Eyes'. On the flip side instead let's get back to some swinging beats with the trippy and mysterious atmospheres of 'Marmeria Nights' while on the final cut more electro with another flying, rough and subliminal machine funk winner to close up this release called 'Aria Fredda'. It's been a long awaited one!

Bosconi is back with his third release featuring the naughty QuitèFruT guys, label boss Fabio della Torre and his parisian-berliner mate Mattako. The orginal tracks are the spontaneous results of two afterhourmakingmusic studio sessions and what came out are two proper minimal kickass bass throbbers, dry but fat dj-tool house that take inspiration from Daniel Bell, Baby Ford, Zip and Mike Ink works.

After the release on french label Basse Resolution and after a couple of years since his last Ep on Bosconi, having released with the 'Under The Line' track one of the highlights of our latest 10 years compilation and as BSS together with his mates Fabio Della Torre and Mass Prod, Rufus is back on Bosconi with a new four tracker record which goes on a new direction compared to the past music he did. 'Ritual Chants' was mainly recorded in the abandoned industrial area of Milan called Bovisa and probably for this reason the release sounds all around a bit sci fi, cinematic and especially gothic. All begins with the raw techno jam of 'Fast Rituals' where structured mellow and dreamy synth lines combine with the dusty, aggressive and driving rhythmical transportation of its drum section. Fast Rituals is one of those electronic pieces which tells you a story from the beginning till the end, so please pay attention to it. 'Sapere Sparare' looks calmer but actually has the more mental and psychotic feeling of the whole record, driven by an intoxicating and fat bass line, rough jazzy beats and a lot of twisted out fm synths goodness whose times are punctuated twice by the warning female vocal theme of the track. 'Last Shot #5' instead is a jacked out, hypnotic and darker broken house track dense of pumping low ends and subtle but glorious synth riffs properly made for the late hours and totally in the vein of a Baby Ford - Minimal Man production.'Tenebre" closes up the EP with its horror movie atmosphere, drilling drones here and there, big bouncy bass lines, reverberated snares, drama strings and a dominant sinister melody which slightly reminds of some old DBX track.

very limited !! only 100 pieces!!
Rounding up the finest of our rare breeds for a show-stopping steeplechase, Bosconi is proud to invite the world into our

stables to demonstrate the sound we have been rearing for the past five years. Leaping from the stocks in a flurry of highpedigreehouse and techno, our Stallions bring forth the values we hold dear in electronic music, from young foals such as

Herva and Nicholas to seasoned steeds like A Guy Called Gerald and Nick Anthony Simoncino.

It is the beginning of a new ride, every stallion has its own peculiarities, its color and its preferences: the house sounds of

Riccio and San Proper & The Clover deliver the power of Apacz (022), while those Bass of the Brothers in low (Alex Picone

and Mass Prod) strengthen the security of the black Neged (023). The Raw sound of the I.F.M. duet (Marcello Napoletano and

Fran Mela) instigate the oddity of Teona (024) since the epic ride of Athena (025) made between the dub techno sounds of

Ennio Colaci and the Detroit/Chicago atmospheres of The Oliverwho Factory and Nick Anthony Simoncino. Like every time

you ride a new stallion, is an experience that shakes your legs but eventually restores trust and desire, feeling and loyalty in

the race towards new musical interpretations.

It is better to let the horse follow his own path, and pretend it's yours. There is no secret more intimate than that between a

rider and his horse. (Robert Smith Surtees)

Teona will lead the third and penultimate Stallions gallop along with home Bosconi Records. Starting from Dry Scream by Alex Picone, a forest full of warm sounds and rough that only analogue instruments and a tape recording can give. Follows, always on side A, Quanto tempo ci rimane a track of the mysterious matrix Nightdrivers edited in terms of house by label boss Fabio Corcos. The vinyl rotates, thoroughbred gallop in the B side, where they find themselves in a syncopated bassline with

Dirty Vibes of I.F.Ms, aka Marcello Napoletano and Fran Mela, and a broken rhythm and essential characterized by a hypnotic groove that aims at creating an atmosphere featuring in Dark Clouds, produced by young people from home Bosconi, Herva and Marco D'aquino aka Life'S Track..

For the fourth and final round of the Stallions compilation, Bosconi Records closes in style with Athena: muscular four tracks that run between Detroit and Chicago sounds, Dub and Ambient aiming at the discovery of new, unexplored horizons. Selected big stallions, which feature the best of their talent trying to cover up unknown journey and territories but leading to surprising results. The Oliverwho Factory with a rousing Mind Free, Nick Anthony Simoncino of an entrancing and picturesque Tramonto Techno, Nicholas with a soaring and disruptive From Somewhere Else and Ennio Colaci on beautifully

nuanced Hinterland, close one of the most interesting art projects in recent years increasingly raising even more Bosconi Records in the Olympus of globality.

Shiftr label Parliamnt is back again with a great VA vinyl only límited press, transparent vinyl.

KiNK returns with the second release on the still puerile label Sofia. The second of many to come, „Nagore“ features four tracks again that are incentive, innovative and ingenious at the same time. Based on the incantations of KiNK and guests like Red Eye, Kei and Sofia’s guiding spirit DJ Valentine, you get a mix of free-flowing techno, bass bumpers, ravey IDM tropes and pitch-wheel house or four smart bombs, if you will. Graced with technical prowess and creative powers, this is once more proof that the man cannot set a foot wrong. Remember the future!

SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it’s a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.