House Vinyl New Releases - News

New Interference Pattern by Tyler (LCD Soundsystem) and MAndre

Amir Alexander's 2nd full LP lands, this time on the powerhouse of Just Jack Recordings - providing a journey through techno, acid and house.

From the space-age melodies and overdriven synths of "Lemmings Off A Cliff!", to the pounding acid & infamous "My House" vocal on"In The Beginning!", the LP starts with a bang. Halfway through the broken beat and blippy "Rude Boy!" stands out, along with the big room gospel house gold of "Blessed Are The Meek!".
"Weep Not!" takes it full circle - matching a similar distorted bass to the opener with some exquisite synth work. No wonder all the titles have exclamation marks - this is 8 tracks of serious tackle!

Boothroyd releases a remix 12" from debut album on Fnord Communications the London / LA based label recently responsible for unearthing post-punk band Shame. Cutting his teeth in 2014 with debut EP Idle Hours on revered NY electronic imprint Triangle Records, and more recently contributing to critically acclaimed Grime LP's on 1-800-DINOSAUR (Trim) and Rinse (Maxta), Boothroyd reappears in 2018 with 'Pure Country' a typically idiosyncratic and forward thinking debut album.

Part 1 and Part 2 are pure future sound of retro 80's, Calypso Signal a real syncopated booty shake.

The regular Bobby Donny producer gets his groove in check with 4 uk garage style edits of 90's era songs. Comes as a vinyl only, hand numbered series. Limited to an 800 run.

Initially paying tribute to the analogue absurdity, sonic diversity and sheer imagination of the early 90s dance music landscape, Future Four returns after a hiatus of several years, pushing into new eras, machines and ideals with 'Connection'. Initially a solo project of Andy Meecham, the brains behind Emperor Machine, Chicken Lips, and Bizarre Inc., 'Connection' is the first Future Four release to feature the contribution of Erol Alkan as a permanent member, and is a coupled with a remix from I:Cube.

A veritable powerhouse of synths, vintage drum machines and all man-ner of effects, 'Connection' unfolds with minimal tempo and maximum impact, as sequences of unexpected electronics gradually build from every direction, each landing with the razor sharp precision associated with their composers. Cascading synths overflow like fizzy drinks, pro-pelling the track along an electronic patchwork of FM synthesis and psy-chedelia.

On the remix, I:Cube takes the unpredictable rhythm of 'Connection' and coaxes it's versatile, multiple elements into a timeless slice of boogie house. Nurturing the outsider Casio feel of the track under a musical heat-lamp, the always forward-thinking Frenchman emerges with a cut that could easily soundtrack both sun deck and space station.

It's almost 20 years ago that Hector left Mexico to pursue his dream of DJ-ing. On this journey, he has learnt that there is no room for complacency, and to stay sharp you need to test your skills.

'VLack' is a new imprint created by Hector for techno focused releases, that he also enjoys playing and producing, outside of those deeper more minimal grooves.

Through his years of working at Phonica Records as a young and aspiring DJ, Hector was exposed to many genres of electronic music. Many of which he had never heard before, and this was the hugely inspirational time that musically shaped
him as an artist.

For the first release on 'VLack', Hector collaborates with an artist he commends for being an unstoppable powerhouse, Nicole Moudaber.

Nicole is not only recognised as one of the most passionately followed DJ/producers in the world, but also an event promoter, record label founder and radio host.

A one-woman army, marching her muscular take on techno all over the globe having played at the world's most revered nightclub institutions as well as hosting her own brand of MoodRAW Warehouse events and MoodZONE festival stages.

Having met Nicole through Smokin' Jo, the two naturally clicked. This led to Hector producing a remix for Moudaber's 2015 collaboration EP with Skunk Anansie singer Skin. A project he admired Nicole for, and the way it sought to break the boundaries
down.

Working together, Hector and Nicole's production style gelled perfectly as they understand each other musically but respect each other's individual sound. Mixing the two producers styles together was a challenge, but one the pair relished.

Taking their time to ensure the end product was something they were both happy with.
The 'Retrosaw' EP has three dark minimal cuts representative of both Hector and Nicole Moudaber.

The first track 'Retrosaw Dub' is full of swelling subs and brooding
bass with minimal percussion.

'Retrosaw 2' sees the addition of some moody synths on top of crisp hi-hats. The last track from the EP 'Busted' brims with bubbling bass hits, distorted mechanical sounds.

Koehler opened into the hill a spacious wound and digged out ribs of gold. This is his second offering for the ESP Institute. Side A, behold a wonder! They but now who seemed in bigness to surpass Earth's giant sons, now less than smallest dwarfs, in narrow room throng numberless—like the conjurers of Light Magic beyond the Tuscan mount; or faery elves whose midnight revels by a forest-side or fountain some belated peasant sees, or dreams he sees, while overhead the moon sits arbitress, and nearer to the Earth wheels her pale course: they, on their mirth and dance, intent with jocund music charm our ear; at once with joy and fear our hearts rebound. Such place eternal justice has prepared for those rebellious; as far removed from the rave and light of a sunrise set as from the centre thrice to th' utmost pole. Oh Side B, how unlike the place from whence they danced! There the companions of the artist’s departure, o'erwhelmed with floods and whirlwinds of tempestuous fire, he soon discerns; and, weltering by his side, one next himself in power and next in crime, long after known at the ESP Institute, and named Koehler. If he whom mutual league, united thoughts and counsels, equal hope and hazard in the glorious enterprise joined with me once, now misery hath joined in equal ruin; into what pit thou seest from what height fallen: so much the stronger proved he with his thunder; and till then who knew the force of those dire arms. Farewell, happy fields, where joy for ever dwells! Hail, The Grand Illusion, receive thy new possessor—one who brings a mind not to be changed by place or time. These two songs will sit you dove-like brooding on the vast abyss.

Techno, Disco, Italo, Electronics, House, Library, Cosmic and Ambient frequencies - These are the bedrocks of the Midnight Drive ethos and sound. A label shining a light on overlooked or unheralded creations and respectfully reissuing them for the contemporary audience. A label that respects and understands the connection between these disparate and sometimes forgotten forms of musical expression and celebrates them.
For the latest instalment of the Midnight Drive story we look to our own rich and fertile home city of London. Formed on the Southside of the city in the late 80's Carl Grant and Tony Gallagher's long running LA Synthesis project has given us some of the most forward looking, modern and compelling Electro and Techno over the span of the last 3 decades. 'Harmonic Disassembly / Skyline' was originally released in 1997 on the cult Evolution label and made a lot of noise with the brilliant futuristic B-boy video for 'Harmonic...' getting regular airings on MTV's Chillout Zone among others. Both tracks are sleek, cutting edge examples of electronic music that is as much inspired by Joe Zawinul, Herbie Hancock and Steve Reich as it is Kraftwerk, Tangerine Dream and Jonzun Crew. Now, almost 20 years after it's original release we see a full repress of one of the jewels in the LA Synthesis crown, a truly cult record that stylistically transcends time and space and sounds every bit as groundbreaking and fresh as it did in 1997.
This is the first time 'Harmonic Disassembly / Skyline' has been reissued. This high quality repress has been made possible with the full involvement of Carl Grant and Tony Gallagher aka LA Synthesis from their personal DAT masters.
Remastered by Curvepusher. Artwork and design by Atelier Superplus.

Sometimes special events cause equally special responses, and we at THEMA must admit we felt blessed the first time around when Norm Talley stepped up for us and delivered one of our biggest bombs to date. Even with such a universally respected name, we just weren't ready for all of the feedback we received; truly it was overwhelming, and we thank all of our followers and fans for letting us know how it sounds over there.

London based OdD are a natural fit for Infuse with their rolling hypnotic grooves featuring in the sets of the Fuse crew for the past few years. Their Cold Fusion EP kicks off with Get Away, the EP's vinyl only track; a deep edged shuffler, custom fit for those hazier dance-floor moments. Roll The Beats has a distinctly tripped out sensibility whilst 'Making Moves' ups the energy
with a sprightly house-edged

Fresh out of the OdD archives Tapes of Old 3 is enveloped an air of antiquity. Cut straight from the tape reel, A1 'Oops' is charged with reams of static percussion and low frequency oscillation. B1 'Abhorrent SNIP' captures a galactic essence where waves of bass meet synth in a beckoning symphony of creation. B2 'I'm Complete' marches in to close the EP with tight snares cutting into the undulating it's flow and grounded with smooth session of kicks. This postmodern production is pure energy in motion, constructed with an otherworldly soundscape and a purpose for mindful mysticism.

The debut EP from Seltron 400, AKA, Polish dance favourites Eltron John (Uncanny Valley / Transatlantyk) and SLG (Studio Barnhus / Step), arriving on MOST, following a recent appearance on Catz and Dogz' PETS Recordings.

Stemming from a run of well-received back-to-back sets, these close friends emerge from the studio with two imaginative slices of house and contemporary electro, alongside a jackin' bonus beats accompaniment.

After a well-received Boiler Room set, the duo will promote their officialdebutin summer 2017with aproper live act.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Kicking off Part 6 Belgian ballista, Charlotte de Witte, makes her Drumcode debut unlocking a thick-edged club bomb in 'Remember.' The A2 sees Reset Robot land on Drumcode for the first time, having been the most released artist on Beyer's imprint Truesoul, with an exhilarating workout in the shape of 'Self Existence'

The B1 sees a welcome return for Ramiro Lopez with his infectious track, 'Delta', a full frontal, heavyweight slammer that builds and builds to a monumental peak.

Last but by no means least, techno veterans Christian Smith & John Selway unleash 'Burning Chrome', a formidable synth-laden track destined to be played on massive soundsystems, showcasing why these two producers are still two of the best in the game.

Leipzig´s Zwischenwelten Crew celebrates their 9th birthday with a new V/A record and their closest artists

Ninetoes launches his label Head To Toe

In April 2019 Ninetoes is set to launch his new record label 'Head To Toe'. The imprint will be be releasing on vinyl and digitally.

The first release sees Ninetoes drop his single 'Miracle', a solid underground house record with a nod to a 90's NY house sound, featuring remixes from the UK's hot young talents Mason Collective and the mysterious Lemberg from Berlin.

Having released on such luminary labels as Moon Harbour, Crosstown Rebels, This and That & Avotre, he has decided to take control of his output with a label he can call home.

Initially it will be a platform for his own productions, but as the label develops other artists will be invited to contribute to his carefully curated audio brand.

Ninetoes... I've always wanted to have my own label to be able to express myself fully, and to not be constrained by other people's A&R vision. HTT will enable me to release my own music, the music I love, and music to feel from Head To Toe.'

Following her recent outings on Optimo and Butter Sessions Matisa wants to take you to another special place. It’s not here. It’s not there. It’s ‘Elsewhere’… Making her debut on Biologic, young Italian newcomer Matisa’s adventure is plotted around three atmospheric, soul-affirming late-night gems that are all based around different chapters of the night and the mindset that comes with it. Loaded with an additional Kim Ann Foxman remix, this trip has something for everyone. We start with ‘I Need A Bit Of Poetry’, Matisa’s yearning for substance and meaning wrapped up in a bright, breezy timeless piece of house music that borders on the majestic realms of progressive. Think about poetry in all forms of life… Connections, adventure, but most of all - music. Deeper into the trip we glide; first comes Kim Ann Foxman’s crisp electro twist on ‘I Need A Bit Of Poetry’ which maintains that evocative rave vocal but switches up everything else for something much darker. Next we hit ‘Are You Not Sleepy?’ Inspired by the post-show brain chaos mindset we can all relate to, it’s up-tempo, it’s trance-influenced, it’s Matisa capturing that infuriating but exciting fizzy inspiration and adrenaline rush we all experience after a fulfilling show. For the final chapter of this accomplished label debut, ‘The Curtain Falls’, Matisa takes us back to the source of that adrenaline rush. A bubbling disco house thumper, all reverbed drums and big synths, it’s inspired by the moment when your set kicks in and the crowd are right behind you every track of the way and you lay your soul down bare for everyone to enjoy. If there’s a place more special than that, we’ve yet to find it. Welcome to Elsewhere… We ain’t going nowhere.

In 2016 Baaba Maal, the Senegalese master-musician, released his 11th album 'The Traveller' via Marathon Artists/Palm Recordings. Produced by They Very Best's Johan Hugo Carlsberg the record is a globetrotting portal into what can happen when traditional African rhythms both coexist and expand on dance-leaning sounds.Taking this approach to the next level Baaba Maal recruited dance floor minded producers to remix various tracks off the album. Including veteran Berlin deep house artist Henrik Schwarz, Auntie Flo known for his exploration of lesser-known strands of music & the Barcardi-house sounds of South African producer DJ Spoko.

Unforgiving is the world, unforgiving the sound; Powerful, dark and mesmerizing Club Trax with a fierce undertone, that is the sound of Lostlojic on the first sublime 6 track TECH-UM release, a project by the Deeptrax founder and Techno enthusiast Chris Roorda, issueing white labels of deeper intelligent stormy techno on very Limited Edition vinyl of only 150 pieces.

Releasing under labels such as Furthur Electronix, Neo Violence or Thirty Year Records, Lostlojic is back on TECH-UM to spread his deep, funked up but ferocious sound. His experiences with different genres let him into deeper and more sophisticated realms of the electronic musical spectrum. Lostlojic's distinct sound and his experience as an excellent DJ and producer made him a perfect candidate for the first release of the newfound Frisian label. Deep sub-bass and drum-breaks with cutting, dubbed out, gloomy Lo-Fi accents dancing together to create a poetic and hypnotic piece of art made for the dancefloor.

A complete personal reflection and carefully selected project we are proud of to launch on this new Deeptrax sublabel called TECH-UM!

Leftroom carries on their 15 year anniversary celebrations in fine style with a new EP from Detroit legend Norm Talley, who serves up two of his own bombs next to remixes of a previously released Ataxia track.

Motor City star Talley has been defining a stripped back, dubbed out tech sound for many years on labels like Landed, FXHE and many others. He opens this EP with Pulscocks, a dark and chattery cut with a menacing bassline that lingers down low. It's a high pressure track for sweaty back room clubs. Cosmic Reality is a spaced out and hypnotic roller with deft minimal pads and an eerie sense of atmosphere that encourages you to get lost in thought.

His superb remix of his good friends Ataxia's Rickaverse comes in two forms - the MF Mix, which is classic Norm Talley with its razor sharp hi hats and dubby, watery chords, and his house leading 313 Treatment, which rolls smooth and deep with lush piano chords and warped bass.

These are four more cultured cuts from the always excellent Leftroom.

Repress

DJ Duke always had a massive number of alter egos. One he only used once in 1996 was „Orlando Detroit Connection“ releasing mesmerizing Breakbeat tunes, connecting the deepest shit ever with some analog synth madness and stomping, broken beats.

Duke about this EP:

It was called Orlando /Detroit because I had been playing in Orlando a few times and they were really into the whole breakbeat scene, which was around the time I started doing more electro/break beat stuff. I added Detroit, because it was really a mix of breaks with techno sounds on top.
I did the electro stuff with Techfunkers and it eventually evolved into more break beat and then some acid too mixed in, but this release was just a mix of old detroit and the Orlando break scene

so you also djed stuff like this?
Yes, obviously when I started out DJing and electro was born I was playing electro in the 80s, but after I had produced house, I liked to mix different genres, and I think I was probbaly oneof the only ones that was doing electro/house in 1993, but there was a fairly large scene in Florida and elsewhere where they played funky acid breaks, so I did some of that, and this release was spawned from that time.

In November, less than a year ago, talented Californian newcomer Tyler Friedman blew the Kontra-Musik office away with his demo. Now the first EP of two has arrived and techno again feels wild and refreshing. On the debut track Revolve dramatic layers of melodic and harmonic noize rise and fall in and out of a very dynamic composition. Sound textures flies and vibrates over advanced minimal rhythmical structures and sub bass before vanishing to give room for something new. On the b-side label mates Jonsson & Alter transforms Tyler´s take on dancemusic into a dreamy hallucination. For over eleven minutes Jonsson & Alter extracts bass sounds and gliding tonal textures of the originals and takes us on a deep and very trippy journey into Taxi Driver territory. Suitable the remix is called Tylers´s Dream. And we just love it.

Mysterious Brooklyn label and production crew getting in the game with some techno and EBM bangers. All are re-workings of recognizable or obscure classics. "Looping Blood" the clubbiest of the EP builds around a Controlled Bleeding loop and blossoms into a spiraling unstoppable groove accented by crashing reverbs and jackin drums. "Alaaarmed" is a pounding re-edit of Tommi Stumpff, early german minimal punk not unlike Nitzer Ebb. "Take Two" is a great remix of Front 242's epic industrial classic "Take One" dubbing out the lyrics for an instrumental approach. "Open Bar" puts the scissors to Skinny Puppy's early 80s classic "Last Call" Looks like the aptly named Effective Weapns label certainly providing some hot jams for this fall.

The Label from Fort Romeau and Ali Tillett present their first release of 2018 and the 10th in the catalog so far.
Lauer starts the year off on the right foot with two prime time slices of that signature Lauer Power™ sound he's known for from his releases on Running Back, Permanent Vacation and as one half of Tuff City Kids with Gerd Janson.On the flip The Golden Filter follow up an excellent long player on Optimo Music with 2 deep technoid excursions. Blackspray' pairs whispered vocals with warehouse shaking kicks while Aya' injects a little slinkiness into the proceedings. Sure to be enjoyed by discerning disk jockeys of all stripes the world over!

Every record includes a downloadcode to get the whole digital
release for free via Facebook !!
Another primetime release from Fabian Schumann & Black Vel
including Remixes from the Mangue members David Jach (Keno
Records), Raumakustik (Grain Audio) and Alec Troniq (Ipoly Music).

supported by: Hanne & lore, Oliver Schories, Marc de Vole, Nico Pusch a.m.m

London's FREQUENCIES UNKNOWN present their maiden transmission 'INTAZONEZ', a collection of fractured and futurist melodic machine experimentation with a human soul. Label operators INTAREALITY give a 4 tracker that channels myriad influences while retaining a rare air of mystery and the essence of hazy studio encounters and programming sessions late into the night. Woven through the threads of each track is a reverence for London, Sheffield, Detroit and Berlin, a lifetime of passionate study, pirate radio and raves, these cuts are the soundtrack to your night-time journeys circa 2028. Music to zone to through unfamiliar corners 'INTAZONEZ' is a 4 part quest constructed deep into the early hours.

French Kitchen Records is back with a bang just in time for spring! As a first 2014 treat, the label is proud to return with a new uplifting various artist Ep including 4 unique tracks by Luna City Express, Ferro, Alfred Heinrichs & Möggli. No doubt, the FK003 will win the likings of many djs & crowds across genres!

A1 - Opening the A side, Luna City Express offers us here a smartly produced track with a warm deep melody! Tight analog synths & effective claps, 'Anytime' is a straight up percussive house affair set to light up the night.

A2 - With its dubby dark groove, 'Endless Winter' takes us into a deep, chunky and steady atmosphere where drums and basslines
smoothly fuse together. Ferro keeps it simple with basic elements yet effective to achieve maximum power!

B1 - On the flip side French Kitchen artist Möggli is a thick and punchy techno track & it's rolling bass! After several vocal featuring for Shlomi Aber or Marc Romboy, Möggli is proud to come up with her first official release, 'La Llorana'!

B2- Finally, Alfred Heinrichs feat Viviana Alvarez 'You Show The Light' completes the package with a journey into deep techno
landscapes that features the outstanding voice of German singer Viviana Alvarez. Catchy & hypnotic, Heinrichs 's dark grooves
should literally sweep you off your feet.

Mint Condition - The record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London, Coydon and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....

Frisk - A shortlived, late 90's project brought to you by the team of Terry Francis, Jiten Acharya & Gideon Jackson, all active members of South London's infamous SWAG & Eye 4 Sound crews. Having only one 3 track 12" to their name, Frisk delivered this much sought after and coveted EP of sleek tech-house grooves on the aforementioned cult Eye 4 Sound label in 1997. If stripped back, funked-up and bass heavy jams are your thing then you need to check the absolute roller that is 'Peeking', a bottom end pleasing, acid churning percussive monster with all the trippiness you could hope for. 'Stabbed' on the B-side almost foretells some of the futuristic bassline pressure that would eventually emanate from Croydon only a few years later, it's not straight house or techno, it's an electronic steppers sound-system killer! The EP finishes with 'Just Don't', a garage-esque jam with delayed claps and stacks of funk, the track builds and builds and recalls the fractured machine soul of Detroit or the broken beat stylings of the West London mob. Sure, these jams all have varying influences, but they stand alone in their originality and sounds as fresh today, in 2019, as they did in 1997! A proper rare London record right here. No snoozing!

This EP has been legitimately re-released with the full involvement of Terry Francis and all license holders for 2019 and remastered by Bristol's Optimum Mastering from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

first press ltd pink vinyl !!
Gaining more and more success over the past 2 years, Marvin Zeyss
has become one of the scenes upcoming ones to watch for sure.
Releasing on some of the biggest labels out there, it was no accident
Beatwax label-boss Homebase signed him for their 7th release.
Already being remixed by names like Maya Jane Coles, Simon Baker
or Shur-i-kan, Marvin Zeyss' productions are nonetheless
something you shouldn´t miss in your collection.
With Marvin Zeyss , Homebase and Markus Homm (Diynamic,
Highgrade, Ostwind)both being from Nuremberg theirselves - just
like the label, this is an all-in-all Nuremberg release! And as you
can hear, this formular worked out very well.

Support Infos:
Played & supported by Dubfire, Moika Kruse, Paco Osuna, Bebetta,
Oliver Schories, Abnormal Boys, Jussi Pekka, Gunar Stiller, Beatamines,
Spedro, Philipp Wolgast, Tholli, Bleed,Alex Delano, Turm 3,Anderson
Noise, Richie Hawtin, Horotio,Oscar Barila, Brothers Vibe,
Motorcitysoul, Benna, Dole and Kom, M.A.N.D.Y., Patrick Zigon, Slam,
David Jach, Glanz & Ledwa,, Marco violi, Sven Tasnadi and many
more.

2nd Strike by the Moensters on their own playground. Charming, melodic Originals combined with superb remixes from End of Tape and Daso (Systematic, Stil vor Talent, Connaisseur, My Best Friend).

repressed !

The ever excellent MOTHER RECORDINGS serves up more club gold, this time from MARTIN WASLEWSKI. His CLOSER release features two tight tacks that prove he has a lush sense of house groove.
Waslewski is a German who grew up on hip hop and now having turned to house finds himself at home under the roof of labels such as Hommage, Monaberry and Heulsuse. All these playgrounds offer him a deserved platform where he never fails to come up with the goods, as is the case again here.

Up first here is CLOSER, six minutes of deep, feel good house music with romantic vocals and colourful chords. The beats are lazy and well swung and this one is perfect for summer parties and terraces this year. On the flip, COME TO ME is stripped back and more driving, with a tech edge to the beats. There is more great melody though, and some smeared synths that add a sense of scale and weight.

MONKEY SAFARI - Beach Martin ;-)
MAYA JANE COLES - Come To Me is my fav of the two, thanks!
DJ EASE / NIGHTMARES ON WAX - Good summer vies :-)
MIGUEL CAMPBELL - Full support mate!
LUNA CITY EXPRESS - closer is very nice! will play" thanks;-)
JOZIF - Come to me is the one here!!!
MAT.JOE - Go Martin, Closer Summer HIT!
TENSNAKE - Summer is here, timeless is great, thanks!
CRAZY P - Yep def taking these out at the weekend!
RICHY AHMED - nice disco vibes for summer!
GROOVE ARMADA - Sort of hard not to love really!
LARSE - Both tracks really cool, funky stuff! thx
JORIS VOORN - Summers´disco house!
RIVA STARR - Nice release, .. Thanks!

After the strong debut outing with Canada's finest Nick Holder, the Selections imprint return with this latest exploration from Rough Recordings founder Tobi Danton. Starting things of "That's right" combines low thumping bass grooves with delicate pads to form a beautiful representation of peak time energy. This theme then continues on the a2 with "1988", a cut which would fit perfectly booming out of the once legendary Chicago warehouses. B1 once again ingrains that Chicago influence, with a deep Knuckles esc cut that is sure to evoke emotions at the end of the night. Finally, Kevin Over takes on the remix duties on the B2 with a warping dub fuelled rework which does not hold back on the low end.

next 1605 Therapy with Axel Karakasis, Christian Varela, ...

The 5th plate of Engineer invites the listener to a far away journey provided by Farid Odilbekov, Wyro and Doubtingthomas. During this trip you will explore sitar-like modular synths sequences of Tibet, swim in the deep waters of it's amazing remix, feel the energizing summer vibes of Sreda and witness the space ocean magnitude of the Motherland. Enjoy the ride!

Vinyl only, no repress.