House Vinyl New Releases - News

First release from a new electronic label based in Warsaw. Funded by Rafal Grobel - DJ and promoter behind S1 Warsaw records and a host of Boiler Room events in Poland. Grobel encouraged legendary Polish hip-hop label and urban wear brand Prosto to join forces to promote local artists worldwide with their combined experience and taste. In direct translation "most" means "bridge" in Polish but also stands for Music Of Stories Told.

The Beginning compilation brings together artists from various genres. Album includes solo tracks from recognizable Polish producers like Eltron John, SLG, The Phantom aka ex-Ptaki, Klaves, Hatti Vatti and Matat Professionals among others. The tracks on this album sampler 12" are spontanious collabos between Eltron John & SLG as Seltron 400 and The Phantom & Newborn Jr. aka Matat Professionals. The first duo has three EPs scheduled under the alias and the second just released an EP on Rhythm Section as Earth Trax & Newborn Jr.

The artists were invited for a session in a house in the woods which has been transformed into a temporary studio to share common vibe in music for the album. Prolific photo material from the event was included in the cover. Album comes out on vinyl as 12" sampler and 2LP gatefold, on CD in regular and limited packaging and in digital format.

London based House label Inermu brings the eighth in their Vinyl Only series in the form of this 4 track VA. Including tracks from Guy Johnson, Revivis, Kreutziger and Rotty.

Curtea Veche Serii Speciale kicks off with Argentina's up and coming talent Percunta , on 12" Transparent Vinyl
Ltd press

Stay Random Natasha presents ”Magic Archive”, a collection of vibrant cuts, crafted by continental players known for quality. The A-side sees Spiri:tual with an abstract big-system teaser, followed by Dcore and Anrilov’s glitched out tour de force. On the flip side, Odette reveals a beautiful microhouse classic while Vincent pushes us into spacey realms. A timeless blend of gems keeping to the label’s randomized appeal.

repressed !

It was in 2014 when a mutual friend introduced me to Victor Ruiz while he was staying here in Berlin. I invited Victor to my studio where we had a fantastic session, playing our music to each other, listening to stuff we like and simply talkin and connecting. Since then, we became close friends as well as starting to work together. Victor has released two outstanding EPs on Electric Ballroom by now. This summer we met again and recorded three tracks. The result is our first joint EP, of which I am very proud.

A Versatile Ep, Combining The More Techy Elements Of House With Old-school And Progressive Remixes.

Thomas Stieler - Keep On
This One Comes With A Techier Approach. Lovely Vocal Hooks With A Decent Hypnotizing Melody. With A Progressive Bomb Interpretation By The Mighty Schlepp Geist.

Thomas Stieler - Shave And Cut
Shave And Cut Is A Deeper Variation Of The House Genre. Evolving Textures, Plucks And A Thriving Beat Transforms It To A Dancefloor Adapted Track. Remix Duty Comes Twice From Our Friend Jamy Wing, Where You Can Hear Something Similar In Two Completely Different Ways, Which You Need To Check Out.

One of the first visitors to Planet Euphorique, Melbourne-based producer Roza Terenzi makes her triumphant return with the first LP release on the label. A playful yet cohesive collection from post-electro and extra-terrestrial techno to dreamy prog-house and low slung zingers, bumping us into the new decade. Modern Bliss, the sound of Roza Terenzi fully realized.

Never shy to experiment with unconventional sounds or mingle influences, the album presents 9 offerings to suit every flavor of raver. Opener, "Jungle in the City," takes down-tempo to a new astral plane with blushing pads and tumbling pixels, perfectly poised for a spine-tingling after hours sunrise.The title track "Modern Bliss" featuring Barcelona based singer/producer Ivy Barkakati encapsulates the dancefloor euphoria we have come to expect from Terenzi; in essence the energy of this release, contemporary jubilation and contentment amongst a chaotic world. Flickering percussion prancing above deep rolling bottom end, allowing bubbling stabs and synth sequences to lift Barkakati's intoxicating vocals to dizzy heights. “Exactly where I need to be, my thoughts create reality” truer words…

Flipping it over to the B side things heat up, “Yo-Yo” chimes in immediately with a tough onslaught of metallic polyrhythms and a pulsating melodic bassline coaxing you down a path less travelled and preparing you for the sexy sub action that demands your attention, "That Track (Rewired Mix)", buckle up to sweat. Sweet relief comes with the C side “Exhale”, dipping in tempo; esoteric atmospheres to fill your ears, something fresh to absorb with each listen. To close off the record, something old and something new, “Eternal Lust” a delicate ode to the lovers and from the vaults “My Reality Cheque Bounced (Feat. DJ Zozi)” - a raucous party starter serving up that label defining sound, futuristic and bombastic, tipping its hat to the break.

With subconscious salutes to the astrological world of OG maven Fiorella Terenzi, “Modern Bliss” invites you into an encapsulating, electronically ethereal universe. A record to summarize the myriad of diverse and evolving sides to Roza Terenzi, the full length allowing her to capture a moment in time with possibilities to transcend dance music expectations. It’s the listeners' decision whether to take a personal introspective journey through the sounds - or share the bliss with friends, united strangers and all those who dance in harmony on the tiny Planet Euphorique...

Mr G returns to his Phoenix G imprint to drop his new LP, 'Personal Momentz', on November 10th 2014.

2012's 'State of Flux' on Radio Slave's Rekids imprint was the last full-length from Mr G, along with his '
'Retrospective' compilation in 2013 the prolific British producer has spent the last four years delivering stand out singles on the likes of Running Back, Toi Toi and Don't Be Afraid as well as a renewed focus on his own, long running Phoenix G label.

The album itself is a sublime deliverance of the sound that has become so closely associated with the UK selector and artist - twelve raw & robust cuts that keep you locked from start to finish. As the title suggests the new project stems from particular inspiration and is best illuminated by the man himself.

'Well, ain't this a surprise Took me a year to do the last album and this one wrote itself over 10 days - my first times back in the studio ( aka The Heightz) since losing my Dad! As ever with me the music never lies and, through it, you'll see the twists and turns I take - outpouring inner vibez and hoping to get to a new destination .........., what/wherever that may be. These are Personal Moments rough rugged and Raw..... pushing some good air. Ohh, and I can hear the mixer needs a service so yep LoFi. Now I'm feeling as though I can see light showing it rays readying me to do battle again with that thing called life....... Hope you enjoy My collection of Personal Momentz.... Dedicated to those who have lost or in-pain and suffering!"

repressed !

MOTHER RECORDINGS proudly presents TRACKS. A brand new series expanding its evergrowing family and showcasing music from friends for friends in a very promising Sampler. TRACKS Vol. 1 is the start of what it will sure come to be an outstanding collection of fresh club tracks full of deepness, funk and flavour. 4 amazing tracks from our own bests and talents you will soon start to hear a lot more about. Enjoy and never forget MOTHER RECORDINGS, LOVE THAT IS MADE TO LAST FOREVER ! ! !

180g Vinyl // Vinyl Only

German label Bondage Music delivers the six instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Markus Homm, Andre Kronert, Pornbugs and Dust Yard.

Planetary Notions return with their 6th release on this 3 track split EP. The London based outfit that specializes in low end driven cosmic boogie delivers 3 futuristic minimal cuts in a no nonsense style here.

Berlin based Per Hammar's A-side dub techno leaning "Short Waves" provides a slick driving galactic soundscape that transports the listener into outer space with its square bassline, cosmic tones and intricate pad work.

Worker Union's B1 "Pattern 030" rolls out in a mesmerising minimal dub house groove from the get go and locks in chunky chords and skippy drums over a huge low end kick. A true DJ tool groove here with strong French flavors apparent throughout.

The final track on the EP is by Berlin based "Walker" and the B2 is named fittingly as "Minimal Beauty". Punchy 4x4 drums underpin dreamy planetary pad tones and a super funky bassline with glitchy minimal edits, a beauty of a track to finish the EP on.

I am very excited to celebrate Terminal M's 20. anniversary this year! Whoooohooo!

For this reason there will be some Terminal M compilations coming out from our artist family. Please enjoy part 1 of the Terminal M - The Future compilation! (Monika Kruse)

repressed !

Fernando Cappelletti Also Known as CAPE throws Three original tracks driven by pumping basslines, progression of Chords and Pads that define the soundscape of Rosario de Santa Fe Knight.
Cape's opera prima for our Record label is here!...

repressed !

We are happy to present the Terminal M debut of longtime friend Felix Kröcher, who's one of the leading techno djs from Germany, headlining festival after festival and convincing every week with his highly influential radio show on Sunshine Live.

Terminal M head honcha Monika Kruse is equally happy that shootingstar Victor Ruiz from Brasil found the time for an amazing remix which also Felix Kröcher played in his sets the whole summer.

Summer season just started and we're kickin' it off with a pack of quality cuts brought to you by Flashmob, Danny Serrano, Clio, Spencer K and Collective Machine: It sounds as good as it is. Flashmob's - Year 1993 is a deep organ tech tool that takes over big and small rooms alike, just made for peak time hours. Danny returns with Slate, a laidback track that hooks with tight snares and a locked groove. Next up are Spencer K and Collective Machine who joined forces for this release and we hope they're up to repeat it, since that's all where doing with Sonic Attitude and Hit that Way(Digital Only) . Clio completes the package and brings us some good summer vibes with I Need You , need anything else

MR078 CJ JEFF - In MY MUSTANG FEAT. DJ KAS

We at MOTHER warmly welcome the hottest import from Greece CJ JEFF and believe us this signing is hot, hot, hot !!! :)
CJ JEFF is a long time house Greek talent who has been serving up underground hits on such labels as Objectivity, 8Bit and Yoshitoshi for many years. He now steps up to the always on-point Berlin label MOTHER RECORDINGS with a brand new house tune that will rock any dance floor this summer!

"In My Mustang feat. DJ Kas is a party-starting track with frazzled basslines driving below the slick drums. Iconic vocals bring plenty of raw, street wise attitudes to the table and freaky synths help make the tune really pop. It's got a futuristic vibe as well as plenty of soul and is inventive from start to finish.

MR079
Played and loved by: CLAPTONE, CAMELPHAT, STEVE LAWLER, FLASHMOB, RICHY AHMED, HUXLEY, RIVA STARR, DETLEF, ROGER SANCHEZ, MARK KNIGHT and many more.

MOTHER RECORDINGS welcome SIMION back for his 3rd EP. A hello of a three track EP entitled AIR JORDAN. This artist has really made a big impression over the last couple of years with releases on labels like Snatch!, Suara and his own imprint Hedonism.
The title track AIR JORDAN goes first and is seven minutes of face melting house, full with ecstasy and uplifting female vocal that makes your hands raise in the air!

Then comes SOUL TRIPPIN feat. the legendary ROLAND CLARK on the mic, a tougher and rougher house tune with wooden drum sounds, freaky vocals that are expertly treated and loopy sub bass that really pulls you in. Add some fire vocals and spoken words that really set things off and you have a sure fire winner.

Exciting new producer Yves Tomas releases on Rekids with ‘Pilot EP’ this May - a bold and versatile debut release exhibiting the artist’s broad range of influences.

Hailing from London but with roots in Bristol, Yves Tomas is a producer, vocalist and DJ brought up in the centre of UK club music. Since experimenting with music through his childhood and early teens he’s gone on to become an engineer, working in studios alongside some of the biggest names in grime and pop music. This has led to him developing his own unique style of electronic music as a reactionary expression to working in the meat grinder culture of mainstream music. He now joins Radio Slave
Rekids - a label known and respected for discovering many luminary figures in electronic music.

With its otherworldly melody and echoing effects, ‘Braindead’ is a downtempo track that remains beatless until the halfway mark, moving onto the beautifully arranged ‘MA1’ with its reverb-drenched breaks, quivering synths, and ever-evolving chopped and looped vocals. ‘River’ then incorporates elements of grime and jungle courtesy of its lively stabs, soulful chords and compelling rhythm built on punchy percussion. Taking things into a spiritual direction, Elephant & Snake’ meanders forward using
syncopated drums, washy chants and elevating organ keys before ‘Callout FM’ follows with its rattling snares, twisted arpeggios, and crystalline pads.

Nearing the end, ‘Pilot’ is a stripped-back affair with sporadic kicks, a fuzzy bassline, and vocoder vocals until digital bonus track ‘Birds Of The Barbican’ ties everything together by generating an uplifting atmosphere destined to elevate revellers for many years to come.

For the next edition of Curtea Veche's mother series, Herck delivers the goods with this phenomenal three tracker , Supported heavily by the likes of Cezar and Dubtil

After completing his debut 12" for 100% Silk (which saw a release in Feb 2016) Hubert Clarke Jr spent most of 2015 focused on pushing the music of others, through Sydney's newest record store, Outer Time Inner Space.

Owning and being surrounded by a literal shop full of records provided motivation and inspiration but left little time for writing.

It was the incredible talent and passion of DJs and peers in the fertile house/techno scene at home in Sydney that proved to be an undeniably strong motivator. Dancing while local friends, Ben Fester and Andy Webb go ham b2b in support of Soichi Terada (a bill that included Hubert among other local talents) is a perfect example.

Wanting to capture and bottle the palpable energy and diversity of amazing nights like this in Sydney led him to write the tracks that make up this EP.

Taking cues from both Detroit and the UK, there's no set formula here, just a conscious effort to balance a love for sampling with an equally strong passion for musicality and live performance. Translating this through the MPC with the hopeful goal of keeping thighs warm in the disco... or ears cosy on the train home.

The waiting is over!

We're happy & excited to bring you this massive new release entitled ''Do You Like it'' by the Israeli duo Soulfeed. It includes remixes which shed a different light on the original mix.

First, the original mix produced by Soulfeed gives rise to both very powerful but at the same time subtle tones. Combined with the playful groove that spans the entire track, this mix will measure up to any occasion!

The remix by the NTFO's guys retains the powerful notes from the original mix but allows the track to evolve into a more intense acid like style.

Daniel Dubb takes his mix into a different direction by transforming the sound into a deeper tone. He showcases how deeply the track can become all the while keeping a very organic sound.
David Keno's remix stands in the middle ground of each of the tracks described above by stretching the sound towards a increasingly tech direction which gives the track an interesting up beat perspective.

In other words, this release showcases how one track can tack so many different paths all the while retaining the original root of the mix. It speaks to how varied house music can be and we like it that way! Do you

Bart Skils returns to Drumcode with his third solo release, 'Shadowprint'. Consisting of Bart's famous rolling drums and bass rhythms he has crafted an EP that is exceptionally functional. With each track Bart has added character by introducing vocals, interesting melodies and deep percussion to keep it interesting.

The EP is made up of 3 peak time tracks that are eloquently put together. 'My Part Of Town' is a bit deeper from Bart and contrast's well to the rest of the EP with it's melodic bass line.

‘Empirical Test Vol. I - VA’, our very first release, it’s finally out. Let us show you our minimalistic sonic lab. We believe in tracks for the dancefloor with an eye in experimental and introspective views of electronic music. A1. ‘Frics’ is probably the most well-known work here. Developed by Romanian talent Cojoc it has become a serious festival banger thanks to a killer bassline mixed with an aggressive synthesizer which remains a machine gun. A2. ‘Mal So Mal So’ arrives directly from Switzerland. Produced by Marques Sigi mixing spatial and analog sounds with an exquisite modular electronic sequence. The rhythm is marked by catchy kicks and swift hi hats plus some straightforward pads and effects. Classy and harmonious. B1. ‘Space Runner’ involves Angel Mosteiro and Joel Vazquez —part of Bohrium crew— premiering his first production as Akela. In this track the duo propose breaky atmospheres, rhythmic movements full of textures in a complete sequence of energetic synthesizers. The melody makes you traveling into a sonic, organic and hypnotic deepness. B2. ‘The Muggles’ by Panamanian producer Avidel proposes a playful, funny and easygoing track. Twisted basslines, fresh summer beats, nice grooves, and good vibes.

Artwork by Nachei.

Early support by Priku, Gescu, Sepp, Nu Zau, Lizz, Miroloja, Macarie and some more.

vinyl only !

After appearing on our sister label Truesoul and also the A-sides Volume 2, dubspeeka releases his first full EP on Drumcode.


Basing his sound heavily on his uniquely dark and twisted melodies, dubspeeka has created a brooding, atmospheric EP that capture each individual feeling on the techno scale from bouncing, energetic tracks to melancholic offerings.
His use of Percussive sounds add energy to tracks such as Primary K290 and his array of eloquent lead lines add depth and character that can be heard on Primary K293.

Third part in the very exclusive 'Schatrax' repress series. Handstamped 180 grams coloured vinyl.

Two NYC residents, Sid Vaga and Herald, combine to deliver a heavy-hitting, techy pumper that samples two legendary disco divas side-by-side and is destined to usher in peaktime elation wherever and whenever it’s dropped.

'NEEDS' returns for it's 1st birthday celebrations, returning to where it all begun with a record in aid of mental health and featuring the talents of DJ Normal 4, Red Axes and Hodge. Following on from the Needs x HeForShe record earlier this year with Peggy Gou & Juju & Jordash, the label are back with a record aiming to raise awareness about mental health and encourage positive conversations surrounding the subject. Artwork by 'Samresh Shrivstav'.
- All profits donated to Mind UK -

Blue Vinyl

A previously unreleased set of ’87-’93 bleep techno, trance, ambient, noise and breakbeats by synf boffin Dave Burraston’s cult NYZ project - recommended for followers of early AFX, Autechre/Lego Feet, FSOL/Humanoid, Mappa Mundi - newly minted on The Death Of Rave.

Following his mind-bending ’SHFTR FRQ’ LP for The Death of Rave in 2018, the award-winning, UK-born and Aussie-based artist/scientist excavates his HD from a golden era when synf and computer music boffins were building the future in bedroom studios, using then early versions of Cubase and Amiga software to establish the templates for decades of rave and electronic dance music to come. However, like a rare, mutant dinosaur skeleton that doesn’t fit historic models, NYZ’s unarchiving of ‘OLD TRX 87-93’ offers a complex and unusually chaotic range of ideas for this era - from meditation tape-sampling downbeats to nutty proto-speed garage and animated noise - that plays out like a comic book or pulpy sci-fi narrative and smartly showcases the breadth of Dave’s prized imagination and technical nous.

In 11 parts arranged for a properly immersive listen, ‘OLD TRX 87-93’ wends from squashed ‘80s cyberpunk sci-fi in ‘damage’ to the hypnagogic swag of ‘self_hypnotic_tapez’ via a spectrum of mutant dance floor and avant oddities alongside a bezerker breakbeat razz in ‘patheticsocialmisfits’ and what sounds like proto-speed garage in the warped bass of ‘flatline’. But he never uses the same drum pattern twice, and thanks to the inclusion of wildcards such as the scorching noise piece ‘JP4_PhonosonicsRM_DRN’ and the sleazy proto-trance of ‘CEZbulgan’, the sequencing ideally lends itself to jacked-in headphone mooches as much as domestic and raving use.

The results are surely comparable to the haunting early rave and ambient sound of AFX’s ‘SAW 85-92’ as much as the freaky ideas found on Brian Dougans’ proto-FSOL project, Humanoid ‘Sessions 84-88’, or the hardcore breakbeat ruggedness of Autechre’s Legofeet, yet all done with a trippy sound design and time-out-of-joint feel that’s singular to this remarkable record, and speaks to the artist’s wealth of experience; from his role as a BT trouble-shooter in the ‘70s, to his work on landscape-sized sound art installations, and his legendary ’SYROBONKERS’ interview with Richard D. James. It’s an immensely enjoyable and enigmatic album sure to spark ravenous interest with old and yung skool ravers and electronic music fiends.

Just in time for the festival season on Mars, Øyvind Morken returns to Full Pupp with yet another batch of unlikely bangers.

Hodge is a man of truly Well Rounded talents - creating infectious melody laden deep house with Outboxx, across to his own weighty bruk-techno movers for the likes of Deadplate Records, to his recent truly forward-thinking collaboration with the ever inspirational Pev.

Here however we wanted to showcase some of the more unconventional ideas he incorporates into that original yet essentially house & techno related direction of his. After discussion we discovered this was somewhat inspired by science fiction novels. And why not

'Holographic Prose' opens proceeding, skittering about in an anti-gravity atmosphere the bass literally 'comes up' in this. Fluttering melodies and wooshing chords over a piston-driven rhythm builds the tension until all electronic heaven breaks loose on deserving dancefloors.

Tripmastaz touches down on Infuse as he delivers the four-track ‘Whut Klubb Phuture Holdz’ this May.

Having released a wealth of quality cuts across the house and minimal spectrum for over a decade, Russian-born DJ and producer Tripmastaz has grown to become a go-to producer for many, serving up his dynamic blend of house sonics accented by hip-hop influences via notable imprints such as Ovum, Yoyaku and Bass Culture. Following collaborations alongside the likes of DJ Sneak, Guti, and Satoshi Tomiie, and sets at European hotspots including Heideglühen, Watergate and Rex Club, the Plant 74 Records boss now makes his Infuse debut as he delivers four fresh productions in the form of his latest EP, ‘Whut Klubb Phuture Holdz?’.

EP opener ‘Klubb Lonely’ welcomes a low-slung effort guided by slinking hats, rumbling sub-bass and resonant synth leads, whilst ‘Da Phuture’ combines skipping percussion, sweeping atmospherics and tripped out vocal hooks.

Next, the lively ‘Original Rudebwoy’ sees sharp hi-hats meet two-step drum arrangements atop of menacing garage tinged low-ends, before closing proceedings with ‘Someone’ – a paired-back, groove heavy production led by infectious vocals and airy chords throughout.

For the 20 years of Terminal M I am happy to present some special releases this year.

Luca Morris & Mozzy Rekorder deliver us a great techno version of the longtime house classic „Gypsy Woman“. Since last year this version ruled every set of mine. (Monika Kruse)

After a busy Summer on the road, South London's Silverlining returns to his home-grown imprint for the tenth release on his cult series.
The EP opens with his sublime 2019 remix of Arctor and Jay Hill, previously unrleased on vinyl.
On the flip are two reissues: the first of his 1998 remix of Ravi McArthur from Reverberations; and a Detroit-inspired electro track written at the tender age of 19 back in 1995 under his early Spook in the House guise.

Digital Rain Systems hail from Winnipeg and their music presents a perfect halfway point between the lounged-out house of Vancouver and the more ethereal beats bubbling up from Montreal. The project started as a way for Cole Woods and Jory Hasselmann, both members of the band Human Music, to explore their budding love for house, techno and ambient music. The result—simply titled "Vol 1."— sounds like a duo discovering decades' worth of electronic music all at once. They list Larry Heard, 808 State and Windham Hill Records as influences for a sound that skirts the edges of classic techno, dusty house, dub, electro and New Age music. Those might be standard influences these days, but Digital Rain Systems put them together in a far from standard way. Woods and Hasselmann’s recording techniques stay true to their live music roots: recorded off-the-cuff in a single take straight to tape from a BOSS mixer. The songs are built around samples and fastened to heavy, bucking basslines and twinkly chords that come from their modest collection of hardware. It's a rough-and-tumble sound that recalls the early work by Canadian acts like D. Tiffany and Aquarian Foundation but is very much their own. Take the plunge on this adventurous spread of audio. You’ll be glad you did

The latest drop on Aesthetic comes from Gruia, a Romanian producer with serious credentials thanks to his recent appearance on Sonet. "Neutron Starlet" is a trippy, playful minimal tech house workout with zippy sounds darting all over the mix. "Din Eter" gets into a more pronounced swing, and uses a sustained pad to create an ethereal mood that should inject some spiritual energy into the party. "Jalea Viului" keeps things steady and rolling, but there's still space for flamboyant FX buried in the mix. "Un Vechi Inceput" finishes the record off on a tense note, using minor keys to keep you on your toes without slouching on those all-important wiggles and squiggles to keep things funky.