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Correspondant present the vinyl sampler for their 3rd label compilation. Following in the success of the previous two entries in the series, this latest edition provides a perfect snapshot of how the relatively young label has matured over three years, with contributions from a range of artists including big names (such as Roman Flügel and Chloe), close Correspondant family (like Man Power and Red Axes), and exciting new rising talent (including Bird of Paradise and Sigward).

With eight tracks, split over two records, Compilation 03 sees curator and label owner, Jennifer Cardini, displaying an even wider musical breadth than the previous two compilation incarnations, but still represents the undefinable yet unmistakable sound which truly marks out Correspondant as unique.

It was just a question of time to reach the point when Wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. He still suffers from too much so called 'minimal' in his eyes and he wants back the energy he is missing on many occasions... 'You know, techno without bass is like f...... without screwing him in...' Some might say he`s too late with this song, but that`s simply Wayne! In his universe the meaning of time is different to what we all would expect. Anyway, he finally checked out Garage Band on the Mac he recently "lended" from somebody he does not even know, and here we go with his first very own song. Lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation "Trio", but to make a long story short: it`s Wayne`s message that the so called "minimal" sound is definitely over now: "Always klick and always klack, I can not tell how much it sucks..."

A third Foundation chapter has begun, lucky to have on board a special friend for his first ever appearance. Four cuts have been sequenced somewhere in France during the previous year, in transmission towards a placid-robotic horizon expressed through broken drums and non linear grooves. A dose of saturated arrangements will be clearly experienced in this piece of work. 

Because Life's is a recollection of Momentz.

Written and Produced by Ernesto Ferreyra (Cadenza, Loosen Up) and Alexis Cabrera (Fun, Rationalism)
Cover art : Javier Bellomo
Distributed by vinylfuture

SUPPORT: Ben UFO (Hessle), Oli_N (Phonica), Ander B (Robsoul), Eltron John (Uncanny Valley), Simon Caldwell (FBI radio), Herzel (Hivern Disc), Nori (Posivision), Sascha Funke, Nathan G, Dmitry (Neo Violence) Acid influenced many of us. In fact, for a huge proportion of us, acid kicked off this sweaty, painful, yet incredibly fulfilling journey. The 2 originals by Dircsen utilize the 303 in different ways - the opener 'Beyond Collapsing Silence' sounds like an instant acid house classic with its energetic drums & dreamy atmosphere, whilst 'Depth Scan' slows it down, focusing more on hypnosis. Rounding off the 3-track EP is an idiosyncratic remix of 'Depth Scan' by L.I.E.S. legend, Florian Kupfer. A dubbed out original gets well and truly saturated.

Rico Casazza is an electronic producer, DJ & teacher, based in London. Having produced music for over 11 years, he has established a solid musical identity with releases on labels such as Soma, Archipel, Plastic City & Wiggle. Following his killer 'They Move Fast' EP on Beef last summer, we now welcome him back for his first 12" with us. The productions are unique but you can tell they are from the same magical Casazza signature...raw acidity, enslaving basslines and subtle percussion.

The EP kicks off at a measured pace with 'Yurican', whose self-assured acid line sits wonderfully alongside the track's reflective atmospheres. 'Argue' then evolves this acidic energy, still praying to the sky but pumping its fist higher than before....laying the patchwork for the final original on the 12", the euphoric dance floor obliterator, 'Macabre'. To finish, bringing your heart rate down with caution, Dirscen has provided a drugged out remix of 'End 2016'.

Kavalanic Languges number four comes from the discredited psychologist H. Russell-Ashe. A suite of hypnotic acid love songs, with the twisting 303 lines and hypnotic ~20 minute runtime of "Vanderbilt" causing serious dance floor psychosis, while the more even-keeled "Kivaaluun" coasts on a bubbling sea of snare drums and bass hits.

The perfect balance between spontaneous melodies and astonishing beats, the exact dose of freshness and the basic ingredients that you can only find in top classic techno and house tracks. This is what many producers look for when they get into the studio, but this vision isn't something you can force: you either have it or you don't, but you can't fake it.

Dj, producer and label owner, Joris Biesmans' new Rhythm Cult Records EP reflects this bright and pushing energy music only found in those who innovate without sounding pretentious. Based in Berlin, you will easily find Biesmans sets in city's main clubs, from Salon zur Wilde renate to Watergate or Chalet. You don't need to find his studio to discover what he's been recently on, just use your vinyl needle and enjoy Sunday Love, Step by Step and Steady Stabbin' without rushes. Be careful, no one will let you go home if you play one of Biesmans' tracks in a club.

Young Irish-producer Rebuke continues his rapid ascent to the top with two original productions on Hot Creations, primed and ready for the dancefloor.

Rebuke recalls being worried that Along Came Polly may have been perceived as being 'a bit too weird', but once it caught the attention of Jamie Jones, there was no stopping it. He says that the hype surrounding this EP 'is something I've never experienced before...and it always get a great reaction'.

On Along Came Polly, Rebuke showcases his innate ability to craft a weirdly, wonderful slice of techno. On the B-side, Rolo is a much housier affair, weaving together a bouncier bassline and sultry vocal stab.

The alias of Reuben Keeney, Rebuke, has only been in business for a short while, but his efforts have already proved to be fruitful. He has garnered support from the likes of Nic Fanciulli and released on labels including Saved and DFTD, as well as having a successful club night under his belt, where highly regarded names such as Camelphat, Darius Syrossian, Ejeca and Huxley have all played.

This is Glenn Storey's 2nd release on Jupiter Label which comes in the form of a four track EP on an exclusive purple vinyl limited to only 250 copies, across the four tracks the sound is Glenn's deep percussive house sound that has found its way into many a dj's selection over the last two years all across the UK, Ibiza and as far as South America.

"Wub yew" is a straight up club track with plenty of groove, built around a bassline and shuffling percussion and vocal. "Funk in the trunk" has a deep funk guitar bassline which drives the track along with a varied drum pattern which is held together with use of a trumpet and ride cymbal. "catacombs" is more of a slow burning affair with a rolling drum pattern and haunting sax breakdown. "nomaD" completes the four tracks with its quirky jazz samples.

Leading Berlin house label MOTHER RECORDINGS hits five years of age with the first EP of a three part Compilation anniversary release to mark the occasion. It features some of the core label members in MAT.JOE, NHAN SOLO, SUPERNOVA, ROBOSONIC and showcases the straight up house sounds Mother is so well known and loved for.
Starting with MAT.JOE with their overall #1 Hit - Love Stream in a very special Tropical Mix. This Mix is only exclusive available on our limited Vinyl Edition. The boys bringing the carribean vibe and coolness with fresh percussions and a funky groove!
NHAN SOLO opens the account with - For The Groove , an energetic house track with big vocals and driving drums that will rock any club to the core. It's full fat and dynamic and really makes an impact.
Lapsus Music bosses SUPERNOVA then offer up - The Loft which is an upbeat track with big synth stabs that are bright and shiny. It's one to get hands in the air and never lets up.
ROBOSONIC's - Spanked is another warm and heart felt house cut with silky drums and synths bringing deep flavours. Vocals, nice chords and cute samples fill the track with emotion and SUPERLOVER's - Time For House closes things down with more amped up house thanks to the loopy chords, bristling sense of energy in the vocals, and reversed stabs.
This is another full fat EP of essential and contemporary house sounds from one of the best labels in the game.

Ellum Black, the new sub-label of Maceo Plex's notorious imprint, focuses on the dark and intellectual side of techno. This second record instalment features Spanish producer Architectural. Following an EP on the main branch of the label in 2017, Juan Rico aka Architectural delivers 3 forward thinking cuts for this record.

Architectural is known for his detailed and magnetic productions and on 'A Girl With No Friends EP' he goes deeper into the hypnotic edge of his soundscape. The first track we hear 'Romanticism Movement' creates a statement for the vocabulary of sounds Rico used for this record such as low frequencies and deep grooves. The title track follows on the B-side with develops on these textures. Closing the trio 'Never Yours, Boy' finishes the EP with another variation of Architectural's romantic techno repertoire.

BOMB! Late support from Lillavobos, Culiano, The Tarminez Sisters, Mionel Lessi and others. Digital only, no vinyl bullshit!

This is the stuff your parents will either love or hate. Mysterious production and DJ tag team Alma & Mater cooked up some extraordinary disco edits out of some ancient music of the recent decades, that are guaranteed to crash your wedding or underground warehouse rave. Early support by: John Talabot, Axel Boman, Job Jobse, Ame, Kornel Kovacs, Toshiya Kawasaki.

Making unstoppable waves within the electronic music world over the last few years, Greek artist Argy's expertly produced and hypnotic productions are combined with an innate ability to create seductive and highly strung soundscapes during his DJ performances.

Subconscious Algorithms release their second transmission from man machine Derek Carr. - SA002 - follows on from Derek's groundbreaking album on Subwax.
Infusing a cosmic sense of rhythm and timeless emotional melodies.
Deep Motor City music for the Future from Subconscious Algorithms.

'Moonshine Heater' is the debut release from Marlowe, a new studio and live project from Laurent Bovey (AKA Laps). The title track is a crisp and melodious piece, the mechanical groove bubbling with dubby FX and heavy synth shots against the hypnotizing melody. On the flip, 'My Minds Mine' comes in a darker shade, paranoid synth sweeps and a brassy analogue riff weaves around a minimal yet funky drum arrangement. Another great groove from Marlowe, and capturing that classic early Cadenza sound perfectly. Wrapping up the release is 'Power Plant', another detailed and precise mood piece, deep and unique, taking it's time to build and take effect. Marlowe does not deal with 'bomb tracks', these are sophisticated tracks for the more discerning music fan. Marlowe AKA Laurent Bovey has amassed an impressive catalogue of work since the mid-2000s, solo and as part of Digitaline. Releases on Cadenza, Smallville and Cityfox have set the standards for minimal electronic music.

Six years on from his debut album on Cadenza, Mirko Loko returns to the fold with a follow up album ("Comet Plan") and a single ("Kolor"). 2009's 'Seventynine' long player helped catapult Mirko's profile, not only as a producer, but also as DJ, regularly spinning alongside the Cadenza crew, and with Detroit luminaries such as Derrick May and Carl Craig. And it's on this single that Mirko invites friend and peer, Carl Craig, to remix under his C2 guise. Wearing his influences on his sleeve, Mirko is obviously indebted to the techno music of the Motor City, and these classic Detroit tropes are certainly used in the building blocks of the original mix of 'Kolor", a sprawling and pacey intergalactic journey sprinkled with a dusting of xylophones, bells & chimes, as the melody is driven forward for a heady trip across the night skies. On the flip, Planet E founder, and highly respected Detroit electronic producer, Carl Craig, weighs in with the first of a two-part remix (part two features on the digital release of the single). Keeping the 4/4 framework of the original mix, and stripping back the percussion somewhat, the C2 Remix Part One is brimming with Craig's trademark sound, from the elastic synths and flanged percs to the heavy low end line that comes in about two thirds of the way through. A perfect introduction to many of the aural treats in store on the 'Comet Plan' album out on Cadenza in May.

Future child of Paula Temple's Noise Manifesto, Decon/Recon puts strength and artivism into a new idea of scene. The first Decon/Recon release is planned on 20 April 2015, both vinyl in limited edition and digital. The brand new project is based on a new series of electronic dance music releases presenting a unique and libertarian approach to collaboration, production and dance floor action. It converges artists' samples in an open archive which is reassembled in four different tracks by the artists themselves. This project wants to put identity into a crisis by giving a collective authoriality and by letting all hierarchies collapse into a collective resonance who dares to become.
Decon/Recon is not just about new forms of self representation, the deconstructive process of the "artist" status in terms of superiority or the elaboration of new politically active business models but about composition as a scene and quality dance music at its best. The release will de/compose four future pioneers who responds to the names of Aquarian Jugsa new alias from Jam Rostron aka Planningtorock, rRoxymore, Oni Ayhun and Paula Temple herself as Jaguar Woman. The Releases' paratextual structure will play the same game. All artists shall be credited on the cover without authorial connections with the title of their own tracks exposing the listener, reader, dancer in to taking active part in the whole process.
Where Deconstructing is Reconstructing, dancing is enacting future live models into present floors.

The flamboyant and off-kilter title track from Rone's latest album, 'Mirapolis' is one of the last solo tracks that the producer composed in the spring of 2017: 'it's one of the rare tracks on the album for which I thought about the live performance. While putting the final touches to it in the studio, I imagined myself at festivals via memories of previous tours. I wanted to record a festive track, which completely stands by its 'funfair' vibe.' With this new four-track EP (including three remixes), combined with a new video by Aurélie Castex, Rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor - and our screens. Johannes Brecht, shadow craftsman of the Hamburg label Diyanamic's studios, offers a refined reading throbbing with cerebral pulsations. Appropriating the main theme in a subtle way, coated with multiple harmonic layers, his textures alternate white noise with organic basses that builds up to a delightfully classical cello outro. German-based figurehead of the South American scene, Comeme label boss and founding member of the late Closer Music project, Matias Aguayo, has never ceased throughout his career to set off little revolutions on the planet of demanding dancefloors. Playful and wild, Aguayo sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a huge wave of analog synthesizers that destroys everything in its path. French techno scene boss Laurent Garnier embraces the original piece in all its meticulousness and its psychedelic lifeblood.

For our second vinyl and from now on or our vinyl releases will be Vinyl only. We will go on this year
with our What We Like series a Various that will put together our fav underground artists. This time we
have V.I.C.A.R.I. the other side of Tommy Vicari Jnr , Frink and Eddy Romero owner of the label. As
you can listen also we going to keep a more housy sound into this format and we hope is in the likes of
yoall of you.

Seven years into its celebrated journey, Life and Death assembles its third and most adventurous compilation to date - Displaced Soundtracks. For the first instalment in a new series, DJ Tennis has given free rein to some of his most trusted contemporaries, enabling many of today's most respected dance music producers to display their hidden talents as composers. Gathering music from a long-aborted film, the collection stands as another bastion of Life and Death's perpetual evolution. Duncan Gray embraces dissonance, Black Merlin, Appleblim and Artefakt go interstellar and Fango channels post-punk squat music. Hades Rocket showcases the expertly-sequenced synth work that has graced Simian Mobile Disco's illustrious career, while Redshape revisits all the right sides of 80's Wave and Library music. Danny Daze and synth-savant KINK embrace non-standard tempi with great success, while Axel Boman delivers sitar-laced gospelhouse without a bass drum. Elsewhere, your favourite producer's favourite producer, Stimming, team's up with pianist Lambert and the pair learn to fly. Inspired and challenging, Life and Death ventures into their eighth year confidently, constantly evolving without compromise.

Correspondant's comprehensive fifth compilation is due to drop imminently. Once again Jennifer Cardini's label have recruited a seriously on-point rollcall of friends and family to contribute to its distinctive cosmic, deep, groove-laden veneer as everyone from Man Power to Marvin & Guy deliver their rule-free finest. Following the first EP sampler with tracks from Khidja, Jonathan Kusuma, Marvin & Guy and Kempes here are four more startling future-shocks from the forthcoming collection. Featuring stellar star-gliding synthetic soul from some of the label's oldest friends such as Red Axes and Javi Redondo, kindred spirits such as Fort Romeau and new friends like Colli Alban, it's the perfect set-up for the total knock-down that is the album. Guaranteed to be soundtrack our summers, dancefloors and souls for a long time to come...

Mix Kruskova With Julischka And A Hint Of Maraska And You Get Bodin's Striking Three Track Ep Zabawa
Cevape For Your Life
Your Life For Cevape

ELLEN ALLIEN's work LISm is already being referred to as a milestone in the label's history: rarely has an album from the circle of BPC artists deviated so far from the club context as LISm. The label boss has radically disposed of all established musical templates and created space for 45 minutes of sonic experiments that lie well beyond any functional paradigm - a highly emotional soundtrack for one's "inner cinema", but also a creative process with a considerable fun factor.

A partnership of epic proportions is about to go down. Josh Wink, an artist known for crafting some of the finest house and techno tracks of all time is joining forces with Boysnoize Records, leader on the global scene for over a decade. Tying your techno in knots, Josh Wink's 'Shoelaces EP' is set for release.

Josh Wink is a master at Acid Techno (Just listen to classics like 'Don't Laugh' and 'Lumpy Oatmeal') so he's right in his wheelhouse on the Acid Mix of 'Shoelaces.' Throbbing electro rhythms and those signature acid squelches define this mix, with the notch turned up another degree on the circuit board for the Dub Mix.The package follows with a cut from Finnish producer Mono Junk, who offers a more stripped down take on 'Shoelaces.' Mono Junk's remix is raw yet no less in tense, providing the EP with its dark corner. Out of the cultural hive of Los Angeles follows Truncate. For the all out banging, hammering techno fans, Truncate's mix is a winning bet. Peak time, over the edge and bathed in acid.

'I'm happy with 'Shoelaces' being released on Boysnoize Records as it's a rarity that I release on other labels outside of my own label Ovum Recordings. I'm a fan of both the label and Alex Boys Noize, so I am excited to be a part of the greatly diverse and talented BNR family'. -Josh Wink

"It's a big honor to release Josh Wink's new record on BNR. Needles to say there are so many club bombs he's made and he's been a big influence for me as a DJ & Producer. With 'Shoelaces' Josh is showing us his love for 303 acid & breaks, it's a raw fun and very effective record, the perfect fit for BNR'. -Boys Noize

Sapiens label boss, Agoria, invites Cannes' highly regarded Limelight resident Nicolas Masseyeff to the floor with a deep, dark and enignimatic two track EP 'Muse'. Opening with EP title track, 'Muse' blends bold, ominous synth lines and stripped back percussion for a driven, Bodzin-esque cut of the highest order. On the flip, is the subtle groove filled 'Moment of Truth', neatly textured with layers of intricate percussion and brooding synth toplines.

Everybody on the West Coast knew Bubbles Bubblesynski. We were going to make a record with him before he was murdered. We made it anyway with audio from his Facebook posts and we'll be donating all profits to LGBTQ friendly organisations in San Francisco. Hypnotic, repetitive, pounding Acid House for DJs & dancers

International Deejay Gigolo proudly present the homecoming of the South-American Gigolo Queen Romina Cohn. After her 'I Want U' remix production from label boss Dj Hell last year, she presents now her 3 own 3 track EP called 'Let It Go". All three tracks combine an eclectic and powerful vibe with playful attitude and a homage to classic techno & rave sounds.

Art-aud is thrilled to present you a big thing. Its been in the work for a while, a project collaboration with the historical Italian label, Interactive Test. Founded in '91 from the crazy minds of the two brothers Franco and Riccardo Falsini, it was one of the first real underground imprints to born in Italy and to propose an innovative sound at the time, that soon after exploded all over the world more and more. With almost 40 releases done in a few years, the two brothers have really created an empire, a stronghold in the hills of the belle Florence. Now, after more than 25 years, we have decided to bring back the light to what for us are the most significant tracks and visions from their world, sign of a past but still very current present and future, in a sort of "greatest hits" vinyl compilation. Six tunes of six different names, and different vibes, taken from different eps (all rare to find now), nicely remastered from the source files by Alden Tyrell.

Replaced That Bass is a collaboration for a heavy rotation on 180g vinyl only! David and Marcus pleased to get Jaw from DOP kissing their track Replaced with his unique voice, get crowned by the timeless Norman Weber's Back To The Roots Mix. The other side is draped by That Bass from youANDme feat. Gjaezon which was released on Rejected (digital), yet. Enliven got the chance to decorate it with their special remix. So catch your copy because it is limited!

Jad & The- co-founder of the Beats of No Nation imprint from Australia- delivers three shimmering cuts while getting down to the deepest lake. The 12' comes with a mesmerizing moomin rework and a hand-stamped artwork on offset disco-sleeves- as always drawings and typography by Stefan Marx.

Special Triple Pack For All You Joia Lovers Out There - Contains Three Classic Releases

Joia030: Laidback Luke - Hot Hot Hot / Molotov
Joia031: Various Artists - Miami Sampler 2007
Joia058: Cossa Bossa - Koss / Boss

Astronaut Music welcomes Obrotka for a new track thatches backed with an excellent reshape from Vince Watson. The artist hails from Hungary and as well as his own radio show has played all over Europe. He has worked in record shops since the 90s, too, so has a fine knowledge of what it takes to make an essential track.

His Taurus in Sevilla is an organic deep and dubby track for the heads. It has deft sound designs, loose percussion that is colourful and alive and great trumpet sounds. The whole thing makes you want to shake your body and get down.
Scottish producer Vince Watson then remixes and strips things back so that the groove is more prominent. The resulting drums roll on and on and embellished with great synths, magical chords and overall has a spine tingling atmosphere that is richly detail and truly emotional.

Support: Cristian Varela, EElke Kleijn, Animal Trainer, Marc Poppcke, Dale Middleton, Lars Behrenrtoh, Karmon, Gab Rhome, Progressive Astronaut, Anderson Noise, Felix Da Housecat,
Francesco Quieti, Presenter, RTE (Ceoltronic Radio Show), Ireland, Editor, Tillate Magazine, UK, Sven Tasnadi, Horse Meat Disco (Severino), Neil Evans, Joe Morris, Editor, Decoded Mag, UK, Markantonio, Sasha Brown, Sebastian Oscilla, Andi Durrant (Kiss FM UK), Bill Brewster (2020 Vision), Editor, Jacbri, Croatia, Gonzalo Luque aka Soulwerk, Steve Lawler, Joseph Capriati, Editor, MagazineSixty, UK, Editor, EMF Mag, Greece, Wookieboy, Tariq Ziyad, Jimi AudioHell, Editor, Posivision, Japan, Sossa (Circoloco, DC10), Karim Benzirar, Audiojack) (2020, Leftroom), Paolo Tossio, Fabrice Dayan, Danny Slade, Editor, Inhale, UK, Urmet K, Dovim, Alex Fish, Presenter, Ibiza Global Radio, Spain, Horatio (Desolat, VIVa), Dubiks, Dennis Ferrer , Mirco Violi (Hypercolour, Bla Bla), Editor, House Music With Love, Sweden, Affani, Pirupa (Desolat, Cecille, Defected), and Nii Tei

Chilean Tempura Records and Aires Music owner Pablo Inzunza arrives on JWB with a quality EP following releases on Highgrade Records, 8 bit, Bla Bla and Little Helpers to name but a few.

Una Sombra is a slow-building slice of tribal-tinged techno, driven by bolshy tom throbs and a menacing, discordant arpeggio rhythm. Layer upon layer of snapping percussion and atonal stabs are built up as the track progresses, taking it from humble beginnings to a more intense crescendo.

Lukas Simmer (Bla Bla / Wrong State) delivers a deeper remix, all whirring synth FX and the slightest of percussion creating an infectious minimal groove as sub drops envelop the track. Aldo Cadiz (Desolat / VIVa / JETT) amps things up a little on his rework, honing in on the tribal element with a rhythmic bassline and organic percussion hits (cowbell, anyone), letting hectic cymbal rides and shuffling hi-hats bring the energy.

B-side Luminia is another exemplary workout. As with the title track, he keeps proceedings to around the five-minute mark, making for a succinct and deadly weapon. A gnarly, acidic bassline growl filters into play gradually with menacing intent, weaving in and out of the superbly hip-shaking percussive groove and warped vocal FX until white noise blasts and reverbs heighten the atmosphere further.