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Streng limitierte White Label 12inch von Peggy Gou inklusive Remixen von I:Cube, Jay Daniel und Jamal Moss!

The heavenly 'Skywards' leads the way upwards with tenderly treated spacious drum programming and light-as-air atmospherics while darker and deeper cavernous tones create the yin-yang balance of lightness and dark. 'Broken Spell' continues the uplifted vibe of a spell that when broken, blooms open with an intoxicating permeating sweetness like an exotic fragrance that lingers in one's memory. 'A New Day' leans slightly more towards a heavier driven track featuring a funky bassline with bright electronic notations as counterpoint while drifting, dreamy pads keep the overall mood airy and light. The off-kilter knob is turned way right on the bouncy final track 'Disjointed Route', injecting dashes of wry quirk alongside a lightly moving groove.

Detroit duo Ataxia offer up their 'Kodak Moment' EP via Visionquest this March, accompanied by an edit from label co-founders Shaun Reeves and Ryan Crosson.

Eric Ricker and Ted Krisko aka Ataxia have been at the forefront of the contemporary house and techno scene for some time, racking up releases on some of the leading labels across the globe such as Leftroom, Nervous, Culprit and Play It Say It, making the duo one of Detroit's finest exports in recent years. Here we see them making their debut on Visionquest, the label of fellow Detroit natives Ryan Crosson, Shaun Reeves and Lee Curtiss.

'VHS' leads the package with murky synth swells, resonant synth sweeps and fluttering square wave bass tones at it's core as shuffled drums carry the ever-evolving hypnotic groove along. The original mix of 'Kodak Moment' follows, shifting the focus over to snaking bass lines, mind-bending, modulating synth whirrs and dynamic, choppy percussion throughout.

Reeves & Crosson's 'Edit' of 'Kodak Moment' then rounds out the release, stripping things back to ethereal atmospherics and shuffled drums whilst subtly stirring in the original's hooky bass groove as the interpretation unfolds.

In 1990, raising their voices over the sound of Neuropolitique's 'Mind you don't trip' Sebastian S. and Mike DMA (Direct Memory Access) met, breaking the ice by swapping opinions on LFO and 808 State. They later went on to create the first live configuration of BWP Experiments (Bad Woofer Posse Experiments, for more info see basicmoves), and produced dozens of tracks together which, for the most part, were live takes and remain unreleased. Only
a few made it out into the world, and to this day have stayed well under the (discogs) radar:
Our Techno Theory' was put out on an 8-tracker cassette by Research and Development,
while only two productions 'Escape' and 'Pay your taxes' were pressed on vinyl for the same
imprint. Now Sebastian S. (aka Caustic 14) returns to the label with two previously unreleased tracks
found in his personal archive. 'Excalibur' was produced in tandem with Mike during the last
session the pair ever did in Sebastian's studio (Z'ha'dum) in 1996. It's a vibrant hommage to
their common passion outside of music: Sci-fi. This track refers specifically to the series Babylon
5 , which was a revolution in the genre, and the first tv series to outdo Star Trek (the intergalactic
reference since the early 1960's). The idea of being 'united against darkness' was key to the
series, and the motto remained essential for Sebastian, Mike and Deg's music productions,
collaborations, live shows and dj sets. The influence of what had been a passion since
childhood can be felt in their sound: unconsciously they had dreamt up the soundtrack to their
own space journey. The second track 'Cliffhanger', a solo production by Sebastian S., is a dig from several years
earlier (1994). The Detroit influence is strong here, yet the signature Caustic 14 "space opera"
melodies hold their ground and shine out.
We are very proud to propel this Belgian electronic music heritage out into the world.

In memory of Matt Cogger.

walrus & islas , September 2018.

Late September will see Ceri release her 'Truth' EP via Decay Records, backed with remixes from
Julien Sandre (Blind Box, These Days, Rawax) and OCH (Trelik, Bass Culture, All Inn).

London based producer and DJ Ceri has been steadily on the rise over the past decade. She shaped her
distinctive DJ style playing nine hour sets in the second room of Corsica Studios as one of Jaded's
official residents.

Her rising reputation then led to recognition from many electronic music institutions, such as fabric and
Percolate in London and Back To Basics in Leeds. Further afield, after supporting her music, Jamie
Jones welcomed her as a guest for his Paradise party at DC10 in Ibiza and she has graced the decks in
Berlin, Mexico, Switzerland and Italy too.

Amongst these impressive feats, Ceri is also widely recognised for her studio talents, with her releases and
remixes being played by everyone from Richie Hawtin to D'julz.

Title-track 'Truth', inspired as a response to Brexit, takes the lead with pulsating subs, bumpy rhythms,
tight-knit percussive shuffles and menacing sawtooth bass tones while spoken world vocal tones stating 'we
are all equal' and how we should live 'not with our minds, but with our hearts', further fuel the murky,
atmospheric aesthetic. Julien Sandre steps up to rework 'Truth' next, stamping his mark on things via
ethereal atmospheric flutters and robust, swinging drums.

The second original from Ceri, 'Be Mine', opens up the flip side, this time round embracing low slung
rhythms, a choppy tom-driven bass line and dynamic, tension building feel throughout with resonant synth
licks, vocal shots and string gradually unfolding. Autoreply main man OCH then closes the release with his
take on 'Be Mine', delivering a typically stripped back and groovy interpretation from the Berlin based artist,
focused on intricately programmed percussion and gritty bass stabs.

After a little hiatus Hamid's H+ ( HPLS ) returns with the addition of DCHA-DCHA to its roster .
The latter debuts on the label with "" Opus Incertum "", a ten trackers album split across two parts , each packing a compelling assortment of sonic swindles and trickeries.
Opus Incertum showcases a subtle mixture of slow and fast, with each track having its own colors and twists but yet achieving to remain part of a cohesive assemblage delicately crafted for your listening pleasure .

artwork from : Kieran Behan

After a little hiatus Hamid's H+ ( HPLS ) returns with the addition of DCHA-DCHA to its roster .
The latter debuts on the label with "" Opus Incertum "", a ten trackers album split across two parts , each packing a compelling assortment of sonic swindles and trickeries.
Opus Incertum showcases a subtle mixture of slow and fast, with each track having its own colors and twists but yet achieving to remain part of a cohesive assemblage delicately crafted for your listening pleasure .

artwork from : Kieran Behan .

Taking it back to the old school and manufactured in the space of 5 week, this handmade nugget of black crack beat the previous release and all it's issues.

Dr Spaventi once again provides the expert mastering to some artisanal Yorkshire electronics from Northern Powerhouse.

The full range of frequencies have been lovingly captured and set for eternity into nice and solid, hand pressed plastic before being bound in gorgeously minimal white paper "inners". Adding individual nuance to each and every record, is a stylised image of the visionary York philanthropist, Joseph Rowntree. Details of which tracks are which are lovingly incorporated into this image using a black ink to stand against Mr Rowntree's brilliance. The hand screened label, uses the latest in dual pizza/kitchen table printing technology™ with a tried and tested lounge floor drying system to ensure any moisture is gone before the vinyl is shipped, so that transport weight can be kept to a minimum and savings passed on to you.

The Quiet Master Breaks His Silence! Deason's "life" E.p. Is An Homage To The Classic Detroit Sound By One Of Its Most Respected Artists. "life" Takes Familiar Detroit Techno Elements And Delivers A Fresh 4 Track E.p. Of Dancefloor Pounding Peak-hour Modern Classics. Limited Edition Clear Vinyl.

It's a pleasure to get behind your friends from around world, in fact that's the motive behind the breadth of the ESP Institute catalogue, but its truly a special feeling to represent your friends and your neighborhood at the same time. Producers Sonns (Alexandre Mouracade) and the mysterious Venice Beach native Tavish Graham are both long time friends of the ESP Institute family, we break bread, we take care of each other, and we cherish our collaborations more than anything, but we're also neighbors. That said, ESP is proud to announce a homegrown endeavor, the debut of Sonns & Tavish. The two have long been stewards of the Los Angeles underground, but after loads of early morning banter and the camaraderie that comes with this smoke'n'strobe life, they've now committed their singular vision to print—two epic cuts that make us proud. Side A's title track Trycksaker is a thumper, a mid-tempo big-drum-laden beast that chugs the whole way through carrying an array of eerie bleeps and fleeting sighs. Side B's Roguish Days pulls together influences from various corners of the pair's DJ repertoire, gelling a wicked breakbeat with a wormy acid bassline and even more exotic sighs, something that might possibly grow into a signature of sorts. This release is ready just in time for the Spring/Summer exploits, and we couldn't be more proud to finally enjoy hearing these heavy-hitters in the club. Tip!

LiveJam Records' backbones EMG and John Swing make their first appearance as Vinalog on the sought-after Limited series of the label. This promo release prepares the ground for an upcoming double 12' soon out on LiveJam Records. 300 copies of heavy duty analogue cuts.

Released On Trax In The Golden Year Of 1989 Chicago's Virgo Aka Friends Eric Lewis And Merwyn Sanders, Along With Peers Such As Larry Heard And Frankie Knuckles, Gently Pushed House Music Towards A More Musically Sophisticated Realm That Hadn't Been Explored Previously. Across 8 Tracks Virgo Took Us On A Deep Exploration Of Sound That Was Both Masterfully Arranged And Produced And In Direct Contrast To A Lot Of The Rudimental And Jacking Drum Tracks That Were The Flavour Of The Day. There Are Few Debut Albums In The Electronic Sphere That Can Claim The Title Of 'classic', But This Is Surely One Of Them. A Defining Turning Point In Dance Music, The Dawn Of What Would Later Be Referred To As The 'deep House' Movement And Sound Is All Evident With The Grooves Of This Legendary Record. Often Listed As One Of The 'greatest Lp's Of All Time', This Self-titled Odyssey Remains An Essential, Must Have Record That Never Loses It's Magic, Flawless In Every Way And Still Trailblazing Today. Every Home Should Have One. Remastered In Conjunction With Trax, Repressed From The Finest Audio Sources Available. Often Imitated, Never Replicated! 100% Legit.

Seth Troxler's Play It Say It label opens up 2018 with another release from the highly regarded Ataxia, who serve up their third EP for the imprint.The Detroit duo impressed with their previous outings on the label, The Supertouch EP back in July 2017 and The Acid EP in 2016. Since then they have also released on Leftroom and Nervous and continued their eight year residency at prominent Detroit venue TV Lounge. Their fresh take on Motor City techno often comes with flashes of acid and makes cyber punks Ted Krisko and Eric Ricker one of the most interesting pairs in the game. Opening up the essential EP is 'Quicksand', an immediately arresting and busy electro track with real machine soul. The bassline bubbles and boils underneath crisp percussion and emotive keys bring a sense of tenderness. It's a macho cut with robust drums and is sure to win over any crowd.
The fresh 'Hot Snakes' is a deep, menacing track with dark bass gurgling beneath the airy hi hats. Frazzled synths are dystopian and brain frying, and together the whole thing takes you into hypnotic territory with an intense sense of urgency that is impossible to ignore.Last of all is the freakiest of the lot. The brilliant 'Texas is the Reason' has circling bass that is warped and intriguing and will own any club, while the drums drive on and trippy keys are skewed and twisted up top. It's a truly intense record for late in the night that is sure to become a big tune.
This is an expressive and varied EP full of contemporary and innovative Detroit house and techno sounds and marks another step in the Ataxia story.

Hot on the heels of this summers anthemic release I Found You', Damian Lazarus & The Ancient Moons return with another heavy hitter: 'Fly Away' complete with stupendous Dennis Ferrer Remix. 'Fly Away' is another great beguiling, soulful masterpiece by Damian Lazarus & The Moons, featuring the inimitable vocal talents of Afronaut Zu, who transcendent voca leanings underpin the lush evocative production of the effortless string laden grooves.
On the flip and Dennis Ferrer delivers a monster of a remix; jacking the groove, dubbing Zu's vocal and mesmerising the dance-floor to maximum effect!

Following the release of his Projector EP earlier this month, Daniel Avery has enlisted revered London producer Four Tet aka Kieran Hebden for a remix of 'Quick Eternity', taken from the former's long-awaited second album Song For Alpha.

Hebden flips the warm, undulating synths and crystalline percussion of Avery's original in his own inimitable style, building shimmering, skittering flourishes before a pneumatic final half.

As humans living on the planet today, we have become so removed from our original, natural habitat—the forest—that we forget our wild roots, our primal, animal origins. Music is one of the things that can bring us back to that place, that can put us in contact with a felt world of instinct, immediacy, and presence: a world where language and the problem-solving mind are not needed, where the music keeps your mind and body in the present moment, and the point of dancing becomes the dance of our inner wildness and animality itself. Hans Berg's Sounds of the Forest Forgotten affirms that music can bring us to a state of mind and body that can help us feel what we've forgotten from the forest. The overlaying project of the album is to conjure musical and conceptual resonances between mysticism and nature, summoning the incredible depth and force of nature that we usually miss, especially living in contemporary urban cities. Sounds of the Forest Forgotten channels the creativity, playfulness, and freedom of a life both before and beyond ours through the sounds of analog and digital synthesizers, a modular system, drum machines, and computers. Recorded between Hans's studios in Berlin and on the Swedish countryside, the album similarly shuttles between contemplative and ecstatic, between delicate and powerful, mixing sublime psychedelic techno compositions like 'Emerald Sea' with acidic dance-floor bangers like 'Storm' and 'Milk Thistle,' all nestled between contemplative and textural ambient compositions like 'Butterfly' and 'Glow Worm.' Berg is known for his enthralling productions and energetic livesets that capture dance floors with his particular brand of hypnotic techno, replete with angular lines, affecting melodies, pulsating basslines, and big drums. He also produces atmospheric scores and ambient soundscapes to accompany the video art and installations of long-term collaborator and celebrated artist Nathalie Djurberg. Berg's live sets have found a home in nightclubs around the world, with recent gigs in Berlin, Stockholm, New York, Tokyo, and Melbourne, to name a few. In addition to 2MR, he has released his solo work on record labels including Ian Pooley's imprint Montage, Klasse Recordings, and The Vinyl Factory. His ongoing collaboration with fellow Swede Johanna Knutsson - as Knutsson/Berg - has led them to start the label UFO Station Recordings, on which they release their own material. The duo also has released on labels such as Idle Hands, Default Position, Kann, and Random Island.

Following Lo Shea's industrial 'Iterations EP', Dusky's 17 Steps welcomes the mysterious Polymod to the label family with a three track EP of club tools that draw on classic acid house and techno influences.

Hooked with a vintage '88 piano loop and tightly sprung bassline, opener 'No Other' has been ever present in Dusky's sets since the autumn - already inspiring multiple posts in a certain well-known Facebook ID group, as well as causing one eager ID hunter to tweet Dusky with home played piano videos of the main loop.

For all its catchiness, though, it maintains an understated approach that plays on dynamics and contrast - a driving club tool.

Taking a darker route but maintaining the intensity, 'TX' goes for the jugular with a looping surge of acid and rolling electro rhythms.

Completing the trio is the spacious 'PG1000' that joins the dots between '90s ambient, proto-house and Detroit machine music at its most dreamy.

Kim Ann Foxman's Firehouse imprint storms into 2018 with an extra special re-release of the 1994 rave classic Scott Richmond and John Selway aka Psychedlic Research Lab, Keep On Climbin' .The package features both original mixes alongside two outstanding remixes from Deetron and Kim Ann Foxman. Mix 1 and Mix 2 sound as glorious now as they did when they were released. Mix 1, a bold, breakbeat construct, chopped vocal and emerging acid lines. Mix 2 places four to the floor. It's deeper with added percussion, soft chord stabs and an almighty breakdown to the drop. Deetron makes his debut on Firehouse with a tough, grinding version, underpinned by his signature, gnarling bassline sound. Kim Ann Foxman incorporates acid lines to her revision. It builds intensely from start to finish, using Angela Johnson's iconic vocal loop to perfection.

Rekids celebrates 10 years of Radio Slave's 'Grindhouse' with remixes from Len Faki, Slam, Obscure Shape & SHDW, Vatican Shadow, Markus Suckut, Lady Starlight and Special Request. First appearing on a release as part of Radio Slave's iconic 'No Sleep' series, 'Grindhouse' spawned multiple remixes from the likes of Dubfire, Danton Eeprom, Terrance Fixmer and Nic Fanciulli to become one of the biggest techno records since its original release. To commemorate this fact, Len Faki has produced two different reinterpretations in the first of four heavyweight remix packages.
'I didn't plan to go back to Grindhouse. It's a monster of a record and undoubtedly the biggest release we've had on the label, but after 10 years it seems right to revisit the track and also add some new versions from some of my favourite techno producers." - Radio Slave With Danton Eeprom's vocal resonating throughout, Faki's first remix features crunchy snares, ominous chords and shuffling effects before piercing synths come into effect in the latter half. Meanwhile, the second version rumbles forward with its undulating bassline, soaring atmospherics and echoing elements to round up two solid productions exemplary of the Figure founder's seasoned abilities in the studio.

Timely re issue of Reese's cult classic 'Just Want Another Chance'. One of techno's classic basslines that inspired a generation of DnB, Garage and Dubstep producers.

Originally released on Detroit's Incognito label, this re issue on Kevin Saunderson's (Reese) own KMS imprint and has been re mastered for 2014. Contains the original, dub and accapella versions plus a whole host of 'Rhythm Tracks' written by Kevin Saunderson on the B side for creative DJ's to play with.

July sees Radio Slave's Rekids invite Britain's renowned Swayzak to the roster with a Cold War themed release entitled 'Odessa Calling' EP.A name associated with quality, Swayzak's ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. Their impressive back catalogue includes six studio albums and appearances on labels like K7, M_nus, Curle, Ellum and Swayzak's own label 240 Volts, which was relaunched in 2017. Originally a duo comprised of David Brown and James Taylor, Brown has been helming the project solo since 2012. He now joins respected Berlin-based imprint Rekids with two inspired productions. 'Odessa Calling' is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. On the flipside, 'Numbers Station' continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

Aus Music follow up a string of exclusive releases from Primitive Trust with Tee Mango (one half of PT) Having released on Clone in 2017 Tee Mango comes back to AUS for his second EP in as many years. EP#2 carries forth much of the the same classiness he's well know for. A side 'Come A Little Closer samples a personal favourite 'Make It Last Forever' by Inner Life which is paired with playful drum rhythms and smooth rhodes chords. Prototypical opts for punchy drums and a swinging bass, a track that would work as well peak time as it would warming up. Wazoo rounds off the perectly balanced EP a deep cruiser with a pinch of acid.

After The First Single Release "baltimore" Of The Latest Terry Lee Brown Junior Album "labyrinth" At The End Of 2011
Plastic City And Terry Lee Brown Junior Present The New Remix Package Of The Album Track "bohemian Life". Beside
A Deep Pulsating Dub Version Of The Track By Terry Himself We Have Remixes By Jacob Phono & Siinus On The A And
Furthermore A Milton Jackson Remix On The B Side. A - Terry Lee Brown Junior - Bohemian Life (jacob Phono & Siinus
Remix): Denmark And Germany Based Producer Duo Jacob Phono & Siinus Take The Depth Of The Original Giving
A Huge Portion Of Groove And Rhythmic Energy To It.

Scottish producer & DJ Graeme Clark AKA The Revenge releases his second album 'When The Thrill Comes' on his own Roar Groove imprint on 11th May 2018.

'When The Thrill Comes' is a demonstration of a producer achieving a point of maturity in their work, able to exercise a sense of restraint, to allow for their sound to have space. It is also the opportunity for The Revenge to explore his own electronic music roots with a deeper pared-back sound more in touch with his earliest production experiences in house and techno.

Clark is no novice to the art of production and the sweaty alchemy of animating bodies on dance floors. He has been producing and playing electronic music since 1995, in many forms, though is well known for 'some of finest modern disco dubs and re-edits on the block' (DJ Mag). This passion for dusty disco and deep cuts is reflected in his long-standing collaboration with Craig Smith as 6th Borough Project which has yielded 3 albums and provided the foundation for the influential but now defunct Instruments Of Rapture label.

2015 was a momentous year for Clark with the release of his debut album 'Love That Will Not Die' on his own Roar Groove imprint. The LP picked up 'Best British Album' from DJ Mag, was shortlisted for Scottish Album Of The Year and drew support from leading DJs including Jackmaster, John Talabot, Solomun, Craig Richards, Axel Boman amongst others. Recent production work has both cemented and extended his reputation; with his future-facing remix for Auntie Flo being re-touched by Dixon for the Philomena label and his two EP's for Berlin's Dirt Crew Recordings reinforcing his love for solid club jams

Killer Doublepack With Rmxs By Milton Jackson, Roberto Rodriguez, Einzelkind, Johan Ilves, Francois Dubois, Terry Lee Brown Jr. , Manuel Tur, Neil Qiugley !!!

Poker Flat Recordings deliver another killer collaboration, this time between Berlin's youANDme and The Analog Roland Orchestra. The result is Reflection - an EP containing more than its fair share of pure dance-floor moments. The Analog Roland Orchestra is Michal Matlak, the Berliner whose intimate knowledge of dance music's most iconic machines has made him a much-in-demand producer and remixer. Teaming up with party starters youANDme as well as vocalist Black Soda, the title track of this release explores deep vibrations, merging 303 basslines, crisp 909 programming and a highly effective vocal. The Dub Tool reworks the vocals into a more spacey arrangement, adding atmosphere for DJs who like to keep their sets stripped back and trippy. The Hyenah remix flips the script and develops a deep afro-house inspired cut - the man from the Caymen Islands developing an irresistible groove stretched out over seven and a half minutes. The Acid mix gives an opportunity for the guys to get busy working the 303 to its full (un) natural potential, while the Morning Light mix locks into a cosmic vibe - shimmering synths over a smooth, rolling deep house vibe.

Quite a few months have passed since Adam Port released his last original material on Keinemusik. It's been almost too long. But then again, every expert will confirm, you won't see a Sonnenfinsternis' every other week.

Port's new EP is going under the name of that very astronomical curiosity and accordingly, the like-titled cut on A can only be the result of a rare cosmic constellation. It starts with a spoken word field recording. Could it be, someone secretly recorded parts of the internal pre-release labelmeeting We'll leave that to your imagination. But then, all solid facts. A forceful beat, decorated with hihat-hiss, stoically pounding synthbass, rattling snare-staccato and space-opening synth-layers. Finally, some siren's wailing, just in case someone didn't get the immediacy of this material. Classy floor substance, that is, with the scarcity value of an eclipse.

Working For It', as the first track on the flipside, is rather going for the deeper realms. This coproduction with Jennifer Touch, a singer/producer that just moved from Leipzig to Berlin, is built up on a cosy, warm synth-priming, that Touch congenially contrasts with her undercooled wavy vocals. An emotional rollercoaster, if you will.
And added to that, also the B2 originates from bilateral relations between Berlin and Leipzig. Tonight' was originally shaped by Good Guy Mikesh's Wave-Pop-project Here Is Why and should still be resonating from its initial release on KM018. Port, who regularly features the tune in his sets, now delivers a DJ-friendly, more accentuated version of this timeless classic.

Romanian producer Dragosh presents a captivating EP consisting of intricately layered percussion and mystifying, rhythmic melodies combined with deep, bass driven undertones to create 3 expertly produced tracks

Classic yet fresh, part of the pantheon but exploring new forms: Module Werk continues where last year's Interdimensional Traveler EP left off with a new stand-out four-tracker on Portuguese label Helena. GRAVITATIONAL TUGS comes on in a Detroit rush of hi hats, claps and snares over an offbeat bassline, as stardust synths spin off into space overhead.Minor harmonies and a sparse breakbeat take MOMENT OF INERTIA into darker territory, preparing the ground for the vintage Ismistik-style squiggle-and-stomp of RITUAL DANCE MACHINE.
The mood lightens finally with AWAKENING, the kind of contemplative analogue electro to put on at an afterparty at your place, once you've changed into your comfiest pyjamas. Essential.

Beautiful Strangers marks the return of Theo Kottis with this sampler of his debut LP. It reveals a new chapter in his artistic journey in which he resets his creative output, free of compromise, conveying his devotion to the dancefloor, and revealing a new concept that everyone can ascribe to.

'Reasons' kicks off the record with a slice of disco tinged house music - overlaying infectious guitar and string loops, with slick piano flurries to make for a sure-fire summer winner. The A2 houses 'The Get Down' - a more heavy hitting workout packaged for the dancefloor, with a percussive bassline over the top of a choice breakbeat, tied together by a thumping kick.

Flip it over and you unearth the lovechild creation of a 303 coupled with a Brazilian classic in the form of 'Acid Disco'. A driving kick / hat combo, squelchy acid and pitched down Brazilian vocals offer up a raw but energetic stomper. Finally, 'U Need To Keep It Simple' takes you on a more emotive and powerful acid trip. The sweeping synths building throughout the track coupled with soaring strings, alongside an alluring acid line....proper!

Bath-come-London party purveyors, Origins, take to channelling some of their creativity into the creation of their own Origins label. At the helm for the debut release is Bristolian up-and-comer Tommosini. Having heard Move D unleash the beauty of 'Another Dimension' at Freerotation last year, Origins knew they had to find out who the mastermind behind this deep house gem was....and the rest, they say, is history.

'Another Dimension' transports you through the galaxies via a combination of dreamy pads, crisp percussion, full-bodied bass and those sensual deep tinged vocals. Future classic in the making.

The A2 'I Don't Stop' carries on the U.S flavoured deep house with a vocal house track that wouldn't be out of place coming from the shores of Chicago masterfully intertwining a bumping bassline, soft organs and those introspective, luscious vocals.

Flip it over and you're treated to two interpretations of 'Another Dimension'. First up fellow Bristol bass badboy, Hodge, serves up a signature remix, chopping the vocals and layering them behind a pounding kick and machine gun percussion to give that bass heavy flavour he's become so well known for. Deadbeat steps up to close out the e.p. with a heavyweight techno rework of the original, complete with hypnotic bleeps, phased hats, and intermittent sub bass goodness, all tied together with a driving kick to give a real industrial feel to the remix.