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Act Natural Limited. Vinyl only. 200 copies only. No repress no digital promo.

(INC. TREVINO REMIX

One half of Laszlo Dancehall with Leon Vynehall, Christian Piers returns to Dusky's 17 Steps with three tracks of machine driven music aimed at the dancefloor.
Leading with the heavyweight techno of 'Detachment', the package also includes the dark mechanical rhythms of 'Expanse' and drum workout 'Strain', as well as Trevino's stripped back dub techno interpretation of 'Detachment'.

"When the sky turns dark, the world sounds a lot different." (De:Bug)
Dark Sky represent progression. The London duo have never settled for a specific sound nor dwelled in a single niche too long. What's striking about all their releases is their passionate love for all kinds of electronic music not exclusively dance floor related. This is no different with Othona, the second album from Dark Sky on Monkeytown Records. Across nine tracks Matt Benyayer and Tom Edwards manage to reinvent themselves once more by merging contemporary techno, classic electronica and their roots in British bass music into a touching and thrilling whole.

With releases on Black Acre, 50WEAPONS, Tectonic and Mister Saturday Night, Dark Sky have numerously proved their versatility. There's the vibrant deep house of In Brackets, the colourful 2step and breakbeat excursions on Black Rainbows and the vocal-laden melancholia of imagin. Othona picks up on the sound of their 2014 debut and tweaks it just in the right spots. Matt and Tom left vocals off altogether and left the intriguing melodies, shapeshifting rhythms and heavy bass do all the dramatic work. This album reveals them as an integral part of the Monkeytown family as well as innovators in their own right.

A large part of Othona is the result of Dark Sky's touring experience. Years of putting together their live sets encouraged them to focus on hardware instruments and samplers, preferring a more hands-on approach to computer screens. The album is also heavily inspired by photos and field recordings they took of isolated structures within different landscapes. One particular location which caught their attention was Bradwell-on-Sea in Essex, which is based on an ancient Roman fort called "Othona". After visiting the site on numerous occasions they discovered a small self-sustaining community of people living right beside the structure, which had its roots in the aftermath of the Second World War. "Its early pioneers created a movement that sought to pursue reconciliation and understanding between people of different faiths, cultures and nationalities', Matt and Tom explain. "This notion of harmony between individuals really inspired us".

The idea of harmony is not only rendered in the artwork by Harry Cresswell, which was based around the location, but can be heard throughout the album. Othona is always challenging and never takes the easy route, but its tracks constantly reveal the purest form of beauty. The title track opens the album and gently introduces its musical range with emotive pads, elaborate beat programming and subtle club signifiers, which steadily develops into the epic midtempo trance of "Domes". The slightly nostalgic synth melodies and cute bleeps of "Badd" bring to mind classic Aphex, which is never a bad thing, while "The Walker" channels ubiquitous melancholy into a standout moment of euphoria. Dark Sky are never short of emotional elements, but they know very well where to put them. Just listen to closing track "Field Tower", giving the kick drum its final overwhelming appearance - no doubt that this is going to be a highlight in their new live set.

FR Fels is making his debut on Ortloff Records with a four track journey through analogue mindscapes. Record and sleeve are provided with a phosphorescent silkscreen print.

Robert Hood Remix!

Canadian Paolo Rocco kickstarts the New Year with his Judgement EP on Hot Creations. The first release of 2017 is an international affair, with Manchester born Trevino and one of the most spoken names of last year, Greece native Detlef on remix duties.
Initially making a name for himself through his DJing skills back home in Montreal, Paolo's productions entered the market in 2012 with instant international support. His releases on Real Tone, One Records, Saved and others were all met with high acclaims as were the compilations he mixed for Defected and Get Physical. The creation of, 'Judgement' and 'That's It' prove Paolo truly understands what works on the dance floor.
2016 saw Detlef reach new heights whilst also debuting on Hot Creations with his 'Kinky Tail' EP. He returns to the label with a devastating edit of 'Judgement' and his rolling signature sound.
Trevino aka Marcus Intalex ramps up the EP with his remix, centred around shimmering high hats and a freaky groove. A champion of how a DJ can achieve success in two different genres, Trevino has released on several of the most praised drum & bass and techno labels for a number of years.

Exactly one year after the release of their second album M eanderlust, Randweg r elease their first EP with remixes - by Nick Höppner, Alex.Do, Luke Abbott and In A Left Place on March 31st 2017. The Double-A-sided Anderlus t / Requisetales EP appears on Funken Records (vinyl - including free digital bonus track Comico Pera ( Der Dritte Raum Remix ) / digital). To understand how this record is intended, take a closer look at the artwork: no matter how you turn it: a backside does not exist. On their upcoming Anderlust / Requisetales EP, Randweg present rearrangements of tracks from their two former albums. The new versions clearly bear the signature of their producers, but the tracks also reflect the full range of the duo, which has found its very own sound with clarinet, bass and cajon. For the remixes of two tracks from the ir album M eanderlust, Randweg attracted Nick Höppner and Alex.Do. You can hear the joy both producers had playing with the original material, which was the basis of their versio ns for the Anderlust-side. While Nick Höppner transfers the calmly prancing Wokules Walzer into a subtle but euphoric house-track, Alex.Do slows down the tempo in his version of Pool, and plunges down deep into a warm downbeat-bath. Randweg 's debut-album Equisetales was released in 2013, and it would have been a pity if the two remixes from the early days of the duo remained unheard in their private archives. Luke Abbott surprises with an abstract-pl ayful version of the track Ball a nd In A Left Place turns Y ofa into an atmospheric club-track. The d igital bonus-track Comico Pera (Der Dritte Raum Remix) by Andreas Krüger is included in the download-package for the EP. He produced the album Equisetales in 2013 and founded the label Funken.

2 track 12"release from Silas & Snare, on new label Kaizen. Mastered At Metropolis

Techno and Sound Landscapes with the classic Viennese flair.

Entkunstung 001 'Darstellung' by Adorno, is the first music release from Vienna's Art Project Entkunstung': a platform dedicated to promote art, music and theory.

Hailing from the Russian city of Murmansk, AL-90 brings an all embracing dance sound perfectly in keeping with the Tape Throb Records ethos of distort, layer and rework. Littered with ghostly vocals and the blurred flush of multi layered beats, infectious bass moves the whole in rhythmic brilliance. The A sides, Cheremushki Groove and Fluid, will bring on dream of 90's VHS house with warm broken beats layered with lush vocal samples. The B side Cataract flies higher with a jungle storm waist deep in ambience and the EP closes with a distorted stomping rework of the title track by label founder The Cyclist.

Andreas Gehm aka Elec Pt. 1 serves up a 4-track blitzkrieg (no remixes) for the Midnight Shift X series.

Angelehnt an ein legendäres Konzert im Mai 2008, bei dem das Pariser Symphonieorchester Les Siècles unter seinem Dirigenten Francois-Xavier Roth Kompositionen des Detroiter Techno-Produzenten Carl Craig in vollkommen neue Klangsphären überführte, erscheint nun das Album "Versus", das diese Konzeption aufgreift und in Perfektion vollendet. Dabei wirkt der französische Pianist Francesco Tristano als Mediator, der Craigs Techno-Sounds in klassische Partitionen transformiert. Als zusätzlicher Spiritual Advisor war Carl Craigs langjähriger Freund und Wegbegleiter Moritz von Oswald an den Aufnahmen beteiligt, mit dem er zusammen in 2008 das legendäre "Recomposed" Album bei der Deutschen Grammophon veröffentlichte. Traditionelle Klassik-Orchestrierung trifft elektronischen Underground-Sound!

5 tracks of diverse Croatian music today with Pannonia Noir pt. 2 VA with Le Chocolat Noir aka Honored Matres featured again this time with some dark kind of New Beat tracks. Also featured is new-comer, Foil with some techno which teases with acid qualities.

Gerd Janson compiles an exciting ambient-not-ambient compilation that includes exclusive tracks by Âme, Move D, Quiet Village Marco Passarani, Roman Flügel and Tom Trago!!!
Musik for Autobahns is the result of asking Gerd Janson for a collection that starts where previous efforts left off. While Computer Incarnations for World Peace (his compilations for Sonar Kollektiv) concentrated on tipsy new wave music done by jazz-funkers or neo disco-ists, Autobahns has an
unintentionally strong leaning towards ambient not-ambient, kraut pleasers and codeine house, i.e. Industrial Ambient and Electrifying New Age. It's all new and exclusive material by people who once or twice crossed paths with the compiler. You will hear Âme with their modular slambient concept sitting next to Amsterdam's Tom Trago off peak time duties, Roman Flügel with an old DAT tape wunderkind that shares a side with Heidelberg's very own Move D in love, outsider dance from CF & Daywalker alias Entro Senestre and Willie Burns as well as a greasy sounding Marco Passarani and finally Tensnake's romantic pop appeal that is a counterpoint to Maxxi & Zeus (better known as Quiet Village) and their 'Passion' for all beauties that lie beyond.
This sometimes unlikely gathering is hopefully unified by its non-parochial view of dance- and living-room floors, ambient noise and its effectiveness as a soundtrack to long rides up and down the Autobahn.

Dutch producer Nathan Surreal debuts on Biologic Records with Star Dust featuring remixes from Adesse Versions and Neville Watson. Exploring abstract, surreal and melodic electronic sounds, the Dutchman is a perfect addition to the Biologic roster. Appearing on a host of underground labels since 2014, Nathan is set to make a breakthrough with Star Dust' Balancing on the edge of reality and pushing further into the abstract and surreal worlds Star Dust unfolds through waving synths and dubby bass lines. $$$ is a darker track, the bassline punchier and driving acid-tinged synths create a dance-floor ready record. Next up Human Music has a more minimal introduction, building in intensity as the synths come through until finally the melody drops, maintaining the dreamy top line that Nathan is so adept at maintaining. Neville Watson provides the first remix on the EP, he adds reverb to the vocal, amplifying its effect on the track. Star Dust is intensified, perfect for late night, or early morning, dance floors. Addesse Versions remix of Star Dust is a twisted acid remake, a left-field and off kilter beat is slowed down to a psychedelic swirl, pulsating throughout the track.

For their debut release Rhythmic Science brings you a 4 track EP by 4 established artists to cater for all tastes.

*Derek Carr is in fine form with 'Centrepoint', a timeless detroit track full of soul. A nice chilled slow builder with lush Chords and melodies.

*Next up is Mark Archer with 'Chuch'. The techno legend delivers lots deep bass, bleeps and stabs, very reminiscent of his classic Nexus 21 material.

*On the other side things speed up considerably aiming at the dancefloor.

*Scotland's Black Jack serving up a detroit inspired track called 'futureclassic' with plenty of groove.

*And finally Mark Ambrose smashes the dancefloor with a heavy pounding techno track called 'insane'.
Relentless drums and haunting vocals that will stand out in any mix..

*E Marketing - Dedicated mailing list, numerous music forums and online review sites. Social Networking (4 well established artists plus the label) - Facebook, Twitter, Tumblr, YouTube, Soundcloud, Mixcloud. As well as close ties with many online radio/podcast DJs

200 COPIES ONLY! Joss and D.Lamar have long been more than capable production brothers, often hooking up with one another to concoct delectable house-inspired gems. For their latest workout on Joss' Artreform label, the Ukrainian duo lock horns once more for an EP that's positively draped in shimmering overtones - and another one that suggests there's plenty of talent
to be found when you go out East.

Reevolution is the name of the EP in question, and while it may allude to some sort of political overtones, the one thing that'll leave you after listening to this EP is the statement of the music on offer. In original title form, ''Reevolution'' is dark and atmospheric but driving too, the sort of track which quite expertly plays on the talents of both producers. Full of mysticism and breathy vocals, it's restrained when it needs to be but also full-on on occasion.

On the remix front, the guys welcome Metodi Hristov to the table. His take on the track is more straight up and set towards a strict path, although it too isn't lacking in the ambiance stakes. Yet more excellent work from the label, we're quite sure you'll be digging this one for some time to come.

Support from Sasha, Betoko, Animal Trainer, Butane, Camea, Chris Fortier, Digitaria, Him_Self_Her, Horatio, Joyce Muniz, Leon, Luna City Express, Marc Poppcke, Mihai Popoviciu and others.

Mr.G is extending his well received Personal Momentz LP with an add on disc. 4 G style club tracks that fit perfectly with the original discs. This record could/should be used as an addition to the original album.

One day back in end of the Eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: 'Mind Merge LP' is a beautiful quintessence of Detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it'll be as timeless as many of their records before.

Four track vinyl EP of "Undertow", featuring two remixes (vocal & dub) of "Undertow" by Tuff City Kids (Gerd Janson and Lauer), a remix of
"Burn" by Baba Stiltz, and a new version of "Left to my own devices" produced by Stuart Price based on the Super Tour version.
Artwork design is by Farrow.

This the latest single from their critically acclaimed 'Super' album.

the new release by youandme (kammer music) on snork !!! great minimal tech house stuff !!!

Bristol has long been known for its deep love of everything dubwise, from reggae through to the flourishing bass scene the city is now synonymous with. Hailing from this melting pot, dubspeeka continues the tradition with 3 heavy cuts that effortlessly blend speaker punishing subs with the driving, crisp techno that Oliver Huntemann's new Senso Sounds label is becoming known for. First up is Move - the title an unavoidable directive seemingly emitted from the propulsive groove. The track oozes menace and tension -its heads-down attitude will go over big on harder-edged dance floors. Likewise, title track Fargo is relentless in its mission - the tough bottom end and tight groove is offset by some surprisingly subtle pads - but the result remains a hypnotic bruiser of a cut. Spiral Tribe, named after the legendary free party warriors of the 90s, completes the release. Every bit as at home in a dark warehouse as a outdoor rave, dubspeeka seems to be flying the flag for true tough-as-nails party music - and long may it continue.

Jey Kurmis needs little introduction after an amazing 2015. The Hot Creations and Moon Harbour Favorite delivers a stomping underground ep with fellow producer Shannon. Two underground bass driven tech originals are complimented with remixes from man of the moment Jacky, whilst Apollo 84 shows us why he's in demand for remixes with his collab alongside Konflicted Soul.

DABJ favourites Denis Sulta & CT Trax make a welcome return alongside mysterious new boy Fear-E!
Denis Sulta lives in a Bedouin temple in a far off eastern land where he lounges in his imperial bed chamber surrounded by a bevy of beautiful women. These scantily-clad, exotic felines soothe his body and mind with an array of mystical massages as he lies on his luxurious ruby red, Egyptian cotton sheets. He only drinks the finest Buckfast wine and dines on delicious delicacies from far flung corners of the globe. So, thank the lord he was willing to give this up, jump down to the basement and lay down Time 4 Prayer, another fucked up dirty funk Sulta classic. Denis tags in Fear-E for his DABJ debut. Candi's Quadra is a sexy wee off the shoulder number that'll have you goggle eyed and panting for more. On the flip, CT Trax completes the mouth-watering line up to smash home two winners and lift the trophy for the All Stars.

Once again Life and Death presents an assemblage of some of today's finest artists with a Various Artists release of such high quality that it could have easily stood out as distinct and separate releases. But together these producers and their contributions combine to create something even greater than the sum of their parts. A story assembled from different voices that slowly builds from Sei A's opening Muladhara-centered Hyper Venom' and takes off from there, following the path of these musical Mahatmas as they riff on various states of elevation.

Following Sei-A's opener is Locked Groove's shift to the Undenary with Eleven', a triumphant score for the everyman's ascent. From there, the ever adept Scuba comes strong with Glacial', a deep track that shifts focus back and forth between both what lies below the surface and what climbs above it. And then, finishing the rise upward is Alex.Do's expertly woven Rising' which delivers on the promise that its title offers, never backing down and moving ever onwards and upwards even in its final rising tones.

DJ Bone is Differ-Ent.

But then again, he always has been. A pioneer DJ and producer hailing from Detroit, whose technical skills are perhaps only equalled by the upper echelons of the city's most advanced techno trailblazers, he's nonetheless forged a path only of his own. Eschewing commercial expectations, scene pressures and anything other than his own exquisite taste, Bone has earned a vital, dedicated audience while remaining comfortably and individually underground.

Despite his stellar reputation, Bone's recent studio activities have steered him towards a new, altogether more personal direction. In late 2015, Differ-Ent's arrival on Don't Be Afraid with the 'Differ-Ent(Hrall)' EP paved the way for its follow-up, 'M.O.M.:' both were forceful slabs of psychedelic outsider techno, with the latter taking on a tangible emotional resonance as it honoured the memory of Bone's late mother. 'M.O.M.' quickly became one of the label's best celebrated and widely played releases. Bone, typically self-sufficient and known to turn down remixes for huge clubbing brands, was impressed by the Bristol label's honesty and persistence. As he continued to rock parties internationally, Bone set to work on an LP embracing his deeper, darker and more cerebral side.

Not that 'It's Good To Be Differ-Ent has found Bone veering away from the dancefloor. "It's like, the natural vibe for me is always going to be funky", admits Bone. "It's going to swing, it's going to have that element of soul. But the Differ-Ent vibe is almost angrier. Determined, perhaps is a better word. I would typically just go to the studio when I had an idea. To the point where I say, 'OK, I'm going to do something, I'm going to make it happen.' But the process for Differ-Ent...it's kinda methodical. It's borderline predictable. But the thing that makes it Different is that it could go any which way at any given time. And it can be harder edged usually, or it can go in a soundtrack direction."

Film plays a significant influence on the landscape of Differ-Ent, with the record's more melodic flourishes sometimes designed to evoke the doubtlessly imaginative chase sequences swimming around Bone's mind. If Bone's usual movements are 'Do The Right Thing', his Spike Lee joint, then in his own words, 'It's Good To Be Differ-Ent' is his tribute to Paul Verhoven's 'RoboCop'.

"The only way I think the album evolved differently was the electro stuff", recalls Bone. "I was excited about that. Because that was a different type of electro as well. It wasn't a normal, 80s funk kinda electro. It completely separates you. It's still for the dancefloor, but it's almost as if it shakes you to dance, rather than coaxes you."

'It's Good To Be Differ-Ent' certainly feels powerful, mastering a mix of Drexicyan tones and drums that align more with a newer wave of house and techno experimentalists. Many of these, from Hodge to Ø/Phase, have been an influence on Differ-Ent, all sharing what Bone describes as a unique affinity with "creepy shit." It's his thunderous, occasionally paranoid but overwhelmingly positive contribution to a forward thinking European scene he has come to relate to on a par with his native Detroit.

Much of ''It's Good To Be Differ-Ent' has been inspired by Bone's frustration. Frustration with the modern political system as well as the creative conservatism of his own scene. In the studio, he has created a unique riposte. But the commercial pressure Bone has always avoided is only growing stronger. Is it harder than ever to be truly different

"It's harder for the majority of people", observes Bone. "For me, it's really easy. I've been preparing myself for this for years."

Let Love Melt You Away.DSR.MR is a collaboration between Cloudface & Patricia.

While the saying goes that writing about music is like dancing about architecture, this seems to be rather unfitting when it comes to artistic works like ELECTRIC INDIGO's release for the next installment on SCR-DARK SERIES, the techno-leaning sub-label of Berlin's SUICIDE CIRCUS club enterprise of over 20 years of existence.
Depending from which angle you look at it, her forthcoming record is either a legit piece of artistic expression well worthy of being written about, due to her incorporation of digital bits, pieces and sound bites, ranging from fragments of granular sound synthesis to chopped-up voice recordings or spectral processings - while at the same time, it's simply two beautiful pieces of reduced, smart and abstract club music to listen and dance to, each accompanied by a hefty remix from a couple of hand-picked fellows in the likes of Bill Youngman and Dadub. Berlin's notorious techno stalwart BILL YOUNGMAN contributes a distinct interpretation with his slightly broken peak-time banger of a take on 'Cinq', wilst DADUB, the duo made up of two of the core artists (and mastering wizards) of the well-renowned Stroboscopic Artefacts-imprint, reconstruct the original 'Zero' to a fiercely pumping, blacker-than-black monster.
Yes, we are indeed very excited about this release, obviously, and we're really looking forward to seeing it hit the stores soon, as it turned out to be a rare case of heartfelt cooperation between like-minded souls and, first and foremost, friends, who engaged in a DIY effort to then have it culminate in an adventurous record - a kind of approach that, as another saying goes, was once referred to as True Spirit.

Limited to 250 worldwide, with the first 100 including full black and white cover art.
Following up the fantastic summer re-release of Upsetting Keys Empathy' EP, Path Records follows with its first new catalogue number since 2006. Path 008 marks the return of artist Fate 258, whose 1999 Why 2k' Path 001 EP has been a hotly sought after item on Discogs.
The three-track EP contains two exciting new mixes of cult classic techno track The Path'. The a-side version Path to Hell' is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. Path to Heaven' slows the groove down and adds warm Juno pads throughout the mix for a very deep Detroit flavored techno style. On the final track Heaven or Hell' sort of a broken beat downtempo piece, sparse vocals and Bladerunner samples mix to complete the dystopian concept. These mixes of The Path' are considered pre-mixes, as they were completed in 1998 before the original release of Path 001. Fate 258 is a project from Brooklyn producer Reade Truth, known for his work over the last decades on labels such as Planet E, Sonic Groove, N-Syde, Wurst and Strictly Rhythm to name a few.

Foreboding title, foreboding sounds. Berlin's redoubtable Oliver Deutschmann joins the Hotflush roster with "In The Moment of Death We Have No Regret'. 3 club-ready weapons, one blissed-out ambient cut. Do we really need to describe them in flowery prose No. Just listen and play. Loud.

Newly launced Samo Records is setting out to explore the depths of the dancefloor by celebrating the darker, moodier facets of electronic music.The NYC label's first release comes from Pixelife (Sean Dack), a highly accomplished visual artist and veteran of NYC's underground. In addition to releasing on such respected labels as Throne of Blood, Horn Wax, and Let's Play House, he also makes up half of GHOST COP, a band known for its textured synths, iconic vocals, dissonant beats, and captivating live sets. Incorporating the same expert sonic-layering techniques he employs in his live analog sets, he's created a dynamic EP that's both intimate in feel and broad in scope.'Omega Block' stomps out of the gate, all driving rhythms and throbbing basslines with an underlying element of frenetic foreboding — aptly reflecting these geopolitically tense times, while still remaining suitable for losing yourself on the dancefloor. The track gets the remix treatment by Bristol, U.K.-born, Berlin-based Antoni Maiovvi, a self-described 'electrodisco horror mindmelt DJ/live performer/film composer' who heads up Giallo Disco Records with Vercetti Technicolor. Here, he trades his trademark horror elements for successions of staccato beats and a stripped-down sensibility that successfully translates to perfect late-night-at-a-warehouse vibes.Chimeras in the Matrix' soars with gorgeous dystopian melodies overlaying squelchy undertones, revealing labyrinthine layers and anxious crescendos before building to a full-on acid frenzy. Producer/remixer/DJ Tronik Youth (who, like Maiovvi, also hails from the U.K. and currently lives in Berlin) is co-head of the prolific (averaging nearly a release a week in 2016) NEIN Records, which he founded five years ago with Ian Considine; the label has released music from the likes of Rodion, Curses, In Flagranti, Heretic, Man Power, Daniele Baldelli, The Emperor Machine, and Moscoman, to name but a few. He is also a member of Permanent Wave, a spooky, pitched-down, dark-wave-inspired disco project with French singer Justine. He brings a chuggy, bleepy edge to his take on 'Chimeras in the Matrix' with bouncy rhythms, multiple breakdowns, and echoing robo-vocals, taking the original's intensity down while upping the dancefloor quotient.

Spencer Parker returns on his own imprint this March with a four-track track release as Part Two of the Three Part 'Different Shapes And Sizes' series.

Following on from the raw and stripped back House jam aesthetic as seen in Part One, Parker kicks off this Techno release with 'Size Information' - a track with driving kicks, subtle atmospherics, and infectious panning percussion.

Next up is 'Shape Deviation', which hones in on a twisted 303 arpeggio and is saturated in white noise and backed up with entrancing drums, before 'Shape Fascination' goes into full drum machine workout mode with off kilter 808 claps fuelled by a hypnotic synth bass line.

'Size Devotion' rounds off the release with its raw and distorted kicks and simplistic yet effective mesmeric male vocal samples.

This will be the final release of WHITE.
After almost 10 years of releasing music on WHITE we decided to move on and to end this era.
We like to thank all our artists, fans and people behind the scenes who were involved and hope this release will make for an appropriate goodbye.
See you somewhere in some galaxy sometime...
yours oskar and adam.

Futureboogie brother Christophe and the eternally cool Danielle Moore get it together for the next release on the imprint and deliver a surefire summer sensation. 'Comeback' has anthem written all over it sunshine boogie disco bounce and deep melodic keys alongside Danielle's sultry voice it's a closing track for friends and lovers. On the remix front, hot London talent Casino Times strip back the vocal in a dancefloor builder while Christophe & Lukas stir it up with an old school bassline and anthemic synth stabs.

Detroit has been stretching its influence over creative Lisbon in recent years. Helder Russo, a newcomer, reflects that underground evidence on his debut 12" for Groovement. You'll hear that inspiration manifesting not only throughout his musical output but also embodied on the B side remix, delivered by the iconic and legendary motor city's producer Niko Marks, long time artist at Planet E Communications.

'I don't know' EP has been in the making for a while but it's finally complete, containing 3 original tracks and one remix by the great Niko Marks. It's a very surprising and mature result already gaining national radio airplay and rotation at some of the best clubs in the world like LUX (Lisbon) and Berghain (Berlin).

Helder Russo produces sexy and soulful music that makes the body move and spirit fly higher. The rest is just an immense space for us to fill in according to our senses.

Hailing from the UK, Tokyo-based J M S KHOSAH drops his debut EP on Apron.

J M S Is the joint owner of NCA with Apron's 'Brassfoot'

STILL HUMAN:
"It is no measure of health to be well adjusted to a profoundly sick society"

New Joy Orbison

The Ukrainian based producer follows up his remixes for GLENVIEW (for ONUR ENGIN's "NIGHT IMAGES" and LUSTY ZANZIBAR's "EMPRESS WU HU") with this 4 track EP of original tracks. A mix of deep and eclectic house: "AFFELAY IN TROUBLE", "PLAYAZ BREEZIN", the title cut and "RED RASH". Full picture sleeve. This is essential, don't miss it.