House Vinyl New Releases - News

Full Cover Art with large translucent Sticker
Hello! Barnbarn means"grand child" in Swedish and is a sub-label to Studio Barnhus where i will be putting out mostly my own music, apart from my usual engagement in the mother label. It will be a vinyl only affair and always designed by Robin Ekemark, the genius childhood friend of mine that did so many artworks for me in the past. Hope you will enjoy it!

"When the sky turns dark, the world sounds a lot different." (De:Bug)
Dark Sky represent progression. The London duo have never settled for a specific sound nor dwelled in a single niche too long. What's striking about all their releases is their passionate love for all kinds of electronic music not exclusively dance floor related. This is no different with Othona, the second album from Dark Sky on Monkeytown Records. Across nine tracks Matt Benyayer and Tom Edwards manage to reinvent themselves once more by merging contemporary techno, classic electronica and their roots in British bass music into a touching and thrilling whole.

With releases on Black Acre, 50WEAPONS, Tectonic and Mister Saturday Night, Dark Sky have numerously proved their versatility. There's the vibrant deep house of In Brackets, the colourful 2step and breakbeat excursions on Black Rainbows and the vocal-laden melancholia of imagin. Othona picks up on the sound of their 2014 debut and tweaks it just in the right spots. Matt and Tom left vocals off altogether and left the intriguing melodies, shapeshifting rhythms and heavy bass do all the dramatic work. This album reveals them as an integral part of the Monkeytown family as well as innovators in their own right.

A large part of Othona is the result of Dark Sky's touring experience. Years of putting together their live sets encouraged them to focus on hardware instruments and samplers, preferring a more hands-on approach to computer screens. The album is also heavily inspired by photos and field recordings they took of isolated structures within different landscapes. One particular location which caught their attention was Bradwell-on-Sea in Essex, which is based on an ancient Roman fort called "Othona". After visiting the site on numerous occasions they discovered a small self-sustaining community of people living right beside the structure, which had its roots in the aftermath of the Second World War. "Its early pioneers created a movement that sought to pursue reconciliation and understanding between people of different faiths, cultures and nationalities', Matt and Tom explain. "This notion of harmony between individuals really inspired us".

The idea of harmony is not only rendered in the artwork by Harry Cresswell, which was based around the location, but can be heard throughout the album. Othona is always challenging and never takes the easy route, but its tracks constantly reveal the purest form of beauty. The title track opens the album and gently introduces its musical range with emotive pads, elaborate beat programming and subtle club signifiers, which steadily develops into the epic midtempo trance of "Domes". The slightly nostalgic synth melodies and cute bleeps of "Badd" bring to mind classic Aphex, which is never a bad thing, while "The Walker" channels ubiquitous melancholy into a standout moment of euphoria. Dark Sky are never short of emotional elements, but they know very well where to put them. Just listen to closing track "Field Tower", giving the kick drum its final overwhelming appearance - no doubt that this is going to be a highlight in their new live set.

Far-out debut from Jonas Palzer with dragging Royer remix.
First 200 copies come with Risograph bear print.

A new series of 12s from KRIHL begins. The UK duo deliver muscular, skeletal house and techno fuelled with hardcore sensibilities.

Please welcome T.M.A with their debut EP 'Apparillo' on Heulsuse. T.M.A are two talented producers with a strong feeling for deep house with a funky touch. Their EP consist out of two tracks. The title track ‚Apparillo' has a catchy, powerful synth line and a solid groove. Wendal', the second track, is full of beautiful melodies with a lovely arrangement and atmosphere. Heulsusenpower !

Little is known about Chicago's TB Arthur except that he makes essential acid and techno. Sometimes solo, sometimes with Magda as Blotter Trax and this time out it is on his own (312) label. Entitled "Footsie EP" , this four tracker also includes a remix from Derek Plaslaiko, who Arthur first met at Record Time, the famous Motor City record store. Opening the EP is Let's Do Footsie, a deep and woozy, mind melting cut with acid lines, gooey synths and icy hi hats all snaking and slithering round each other in slow motion. Things grow ever more wild and uptempo and you end up fully on your toes. The Bunker New York man Plaslaiko then steps up with a slithering electro remix affair of a track from TB's Test Pressing 3 release. On the flip, TB Arthur drops Venice Beach Acid, another brilliantly freeform and jumbled track with rooted drums, random claps and gloopy synths that drip like treacle. It's brilliantly fun and playful. Closing the EP is Body Scrub, a churning, reverb heavy affair with flabby acid lines, synths that burrow deep and an intently weird and freaky feel that really makes it stand out.

Tiga veröffentlicht eine 12" mit einem bisher unveröffentlichten Track und einem Seth Troxler & Phil Mofa Remix! Es hat immer eine sehr kreative Spannung im Herzen von Tigas Musik gegeben: Auf der einen Seite ist er der Underground Techno Don, auf der anderen Seite wohnt ihm eine Pop-Sensibilität inne, die es ihm ermöglicht, herausragende Songs zu schreiben. Es ist diese Dualität, die ihn zu einem der spannendsten Charaktere der elektronischen Musik macht. Mit seinem neuen Album hat Tiga, in Zusammenarbeit mit Erfolgsproduzent Matthew Dear und dem finnischen Genie Jori Hulkkonen eine Platte geschaffen, auf der er sich "ehrlicher, offener und verspielter" fühlt, wie er sagt. Jetzt legt Tiga mit einer 12" zu seiner aktuellen Single "Always" nach, welche neben dem Original einen bisher unveröffentlichten Track namens "I'm So Boss" und einen Remix von Seth Troxler & Phil Moffa beinhaltet!

Following the success of his debut album, "DNA", Burnski returns to Constant Sound with a 4 track EP made for the dance floor.

Durch den subtilen Akt einer akustischen Trotzhaltung, die spürbar fehlt in der mehr und mehr konservativen und regelkonformen elektronischen Musikszene, gibt der talentierte Hamburger Produzent & DJ David August nicht nur sein Debüt bei Counter Records (Ninja Tune), sondern signalisiert auch ein neues Kapitel in seiner musikalischen Reise, auf der er sich immer geweigert hat sich anzupassen. Geboren in Hamburg, lebt der 25-jährige Künstler nun in Berlin. Er hat bisher bei verschiedenen Labels veröffentlicht, u.a. den Underground-Kreativstätten Innervisions und Diynamic, er hat Künstler wie Max Cooper und The Acid geremixt und wurde auf den vierten Platz als bester Live-Act 2014 und 2015 beim Resident Advisor-Poll gewählt.

Joris Voorn's chart-topping 'Nobody Knows' receives a fresh 'Club' treatment from Dutchman, who now looks to bring his stunning Album to worlds dancefloor's.
The 3 x Vinyl release features 8 new versions from Voorn. Today we bring you the first of two exclusive Album samplers.
The first selection features the edits of the thrillingly visceral and captivating 'The Wild', a new version of the beat less opener 'The Monk' and the beautiful Kid A vocalled number 'A House'. We are also treated to a new version of the the hugely popular 'Homeland', featuring Matthew Dear, alongside the original's of MoMo' and 'Sweets For Piano.'
The second and final selection of exclusive 'Vinyl' mixes complete the club-friendly version of Nobody Knows and opens with the wonderfully uplifting 'Fall'. The bouncing melodic synth of 'Mugged' follows and precedes the original album version of 'So Long', with its haunting vocal from Kid A. Our final brace of goosebump-inducing tracks, 'Left' and 'Dust', close this incredible sampler.
FEEDBACK
Early support from
Danny Howells: Stunning as always... Momo is pure beauty!
Kiki: The Wild could be perfect for the beach parties at BPM!
Peter Kruder: These are all such great tracks from Joris. I like this selection a lot! Will support.
Acid Pauli: I am curious to try this in my sets! Will let you know how it works...
Daniel Becker (Trickski): Loving The Wild! Beautiful deep house the way it's supposed to be! thx!
Stephan Bodzin: Wow The Monk is such a beauty.... homeland in my box already thanks!!!
Oliver Schories: It's a very nice Album, and The Wild is my favoruite here.
Marc Marzenit: This is pure talent in sound and composition!!! Can't wait to play these beauties.
Dosem: Beautiful album by Joris, all tracks are truly fantastic!!
Paul Hazendonk: The Wild is the one for my DJ sets but musically I'm in love with Momo, such a nice emotional piece of music.
James Zabiela: The Wild, Monk & Momo are all really nice tracks. Will support these.
Ingo Boss: downloaded for Sven Väth best regards from Cocoon *ingo boss*
Marc Romboy: A very sensitive and soulful album by Joris. Every track has something special and touching! "The Wild" is great for the floors...
Thugfucker: Hard to pick a favorite here... All great stuff as always from Joris. On top of it he happens to be a helluva nice guy. Jeez... stop it already, you're making us look bad!!
Maher Daniel: Always on top of his game, Joris never disappoints!!
Nick Warren: I loved the album and love these, great work again Joris!
Karotte: Super, Super, Super!!
Andy George: Dopeness, album is sweet too!
Jody Wisternoff (Way Out West): Incredible stuff , Joris on top of his game. FULL SUPPORT!!
AFFKT: Loving this album, in fact I have selected it as one of the best of 2014 for some mags!
Guy J: Top release from Joris. Best I've heard lately!!
Nuno Dos Santos: Cool playable versions! Will play The Wild & Homeland the most i think. Thanx!
Anja Schneider: Every track is sounding great. Will play all. Thx for the music Joris!
Huxley: Just longer versions of already amazing tracks. Brilliant!!
Christian Prommer: This is good stuff from Joris. I love it all!
Alex Barck -(Jazzanova): A true Master!
Michel de Hey: Momo is a very special song...
Diversions - (CHRY Toronto, Canada): Nice ones - really digging the percussive flow, vocal edit and swirling atmosphere of The Wild (Vinyl Mix).
Jose Maria Ramon - (Ibiza Global Radio): Very nice! Will play it on Ibiza Global Radio, many thanks!
Igor - (Ibiza Sonica Radio): Great stuff here again from Joris. To be promoted at Ibiza Sonica..
Sounds From The Basement, Radio NRJ, Beirut: Great sampler from Joris!! Will feature in this week's show.
David Moreno - (Ibiza Global Radio): EXCELLENT release. Thanks a lot guys! Total support on my shows.
Shir Khan - (Fritz Radio, Germany): Cool sounds for my radio show.
Tom Breu - (WDR 1Live, Germany): Great tunes from Joris.. love the atmosphere!
Larse - (WDR 1Live, Germany): Bravo Joris!!

REPRESSED !

Laurine Frost steps up for the second release on Marionette. This is an exploration of all things deep and percussive. Ghostly, momentary quirks and modular tinkering fuse with popping drums and sampled live drums. The wonky knob gets turned up to eleven on the b-side with scattering jazz rhythms and resonant space age pulses firing in the periphery.

Well Street Records presents broken beat techno from the London underground

For the second time in as many releases, we at Second State are proud to deliver a brand new artist to the label. This time it's the Techno savvy Michael Klein from Berlin and with his Drawing EP, he delivers three stellar tracks cut from a master's palette.
Starting off with the title track 'Drawing', Michael takes us on a journey deep into the celestial spaces between lush dub and four-to-the-floor mayhem. Littered with
massive stabs of solar bursts, 'Drawing' is a thrill ride at a neck break pace perfect for lifting the whole place off the foundation.
Following the opening track is 'Illusive Space' and the name says it all. Like a jet engine, the drums do all the work, propelling the ship into hyper speed while just a couple massive blasts of a synth act as shifts into a higher gear with no slowing down in sight. With the final cut 'Pattern Movement', Michael enlists the help of Genevieve Marentette to pull off a colossal grinder of throbbing percussives. Interweaving
agile drums with auditory hallucinations of provocative female vocals chant what everyone wants: 'Get it'. We couldn't be happier to have this guy on board and think you will agree with us unconditionally. Welcome to the Second State family Michael Klein!

Bonar Bradberry and Tom Thorpe, AKA PBR Streetgang, return to the Futureboogie fold with a gutsy and energetic big room floor filler in '12.32. As regular contributors to the label (their last offering being a collaboration with X-Press 2), the duo ramp up their production aesthetic with swirling acid licks, gnarly bassline waves, pumping drums and searing strings. Clocking in at over the 12-minute mark, PBR are given the space to really work the elements, which result in a magnificent production that will really work some dancefloors this summer. On the remix, London based producer, Fort Romeau, works his magic, off the back of stellar singles and albums for the likes of Spectral Sound, Running Back, Ghostly International and Live At Robert Johnson. Keeping the pace and mood pumping, and remodeling the melody riff, Fort Romeau takes us on a deeper, more cosmically energised trip, soaking the synths in reverb and cranking up a touch of distortion to keep things raw and vital.

Thrilling atmospheric house in two directions. A-side is mental synth-driven power jam with a tough bass. Proper flaming stuff. B-side is a sublime steel-drum inflected mid-temo triplet house groove. A spacey melodic grower! Shahrokh Dini produced both tunes in teamwork with Beanfield and Michael Reinboth in Munich.

Purveyor to the house royals and regalness, Shahrokh has got an atttracted widespread support througout his long long career as a DJ and true house producer. Not so many peeps may know that he had releases on Strictly Rhythm back in the days (late 90s) and with a boast of enviable releases on Compost Black Label he was supported by Amé, Ron Trent, Jimpster, Dimitri From Paris, Rainer Trueby, Sasse, Laurent Garnier and many many others.
By the way, Shahrokh Dini is not only a house producer and DJ, he is running clubs since the mid 90ties, frequently he promotes club-music events, he has various DJ residencies, and recently he opened a new club called - Monk' in his hometown Karlsruhe.

The band is proud to announce one very last The Neon Judgement release to their fans; a limited shaped picture disc vinyl. No other than Dave Clarke, the baron of techno, asked the band if he could remix TV Treated. The Neon Judgement were a huge inspiration for Dave, just like for many others artists. On the flipside the fans will be able to find a special radio edit of TV Treated, one of the biggest hits in the long and rich history of the band.

DRIVETRAIN (Detroit, USA) - This is Detroit' ...label founder, Derrick Thompson detonates an explosive, acid-tech fireball of tweaking frequencies accentuating a commanding vocal homage.
J.GARCIA (Detroit, USA) - Ask Yo Self' ...a sub-sonic groove, brimming with peaks and valleys of elemental funk finely seasoned with a penetrating voice articulation.
ELLERY COWLES (Chicago, USA) - Dolphin' ...the long overdue return of Ellery melts his trademark glossy pad arrangements with a propulsive rhythm beatdown.
JEROME BAKER (Chicago, USA) - Put It To Work' ...the underground tech-house specialist debuts on Soiree Records with an organic banger laced with gritty stabs atop unrelenting percussion.


MOTORWIND...when The Motor City meets The Windy City

ZK Bucket is on fire delivering another nuclear bomb, next to his great Outcats Oddity release, on his own Zaun imprint. It's hard to find words for this stuff.

Daze's track "Compton" (LT012) was one of the best things of 2015.

"Slums of Grand Central" is built from those same guts, transposed in a more wistful direction. This is an ideal mood cue soundtrack for high school cafeteria outcasts.

On the B side , Torn Hawk builds a typically melodic lace-space out of shreds of the original track. Then a scumbag named Decor runs "Slums of Grand Central" through a rented chipper/shredder for a fun and sludgy defacement . He returns the shredder to Home Depot, destroyed, held together with artisanal twine and duct tape.

For Cardinal number8 we are happy to present you Ilario Liburni.

Italian Roberto Clementi has really struck a chord in the hearts of Northerners, with releases on Scottish Soma, Danish Echocord Colour and Swedish Kontra-Musik. Perhaps it's his ability to create evolving and often emotional melodic landscapes over raw, punchy beats that's especially appreciated north of The Wall. This is very much true for True Rotary Recordings, in any case, bringing Roberto Clementi in for the label's second release. 'To Balance a Tide' is perfectly set in the True Rotary Recordings universe, combining analogue warmth with genuine musicality. There's no question Roberto Clementi has soul and has willingly poured some of it into this release, the music has a considerable thickness to it that's very pleasing to the ear, yet it's still exceptionally artful. Clementi's soul seems to be an ancient one, given the timelessness of his tracks - old SVEK releases come to mind but with an added futuristic twist. This is music for dancing and music for dreaming, all in one package.
True Rotary Recordings is run by Joel Alter and Ena Cosovic. Stemming from a longstanding mutual appreciation for the combination raw techno with more seductive sounds, the label is a natural development of Joel's and Ena's musical and personal partnership. True Rotary Recordings represents their mutual musical vision and vibe that they love. Keeping it raw and genuine.

9 years on from their inaugural release from back in December 2004, Saved Records have now reached their landmark 100th release. Ever since SAVED001, Skylark presents Buick Project - "Chancer / Drop The Beat" Saved have stood as a benchmark for quality whilst nurturing new talent and pushing the envelope for electronic music as a whole. Celebrating the achievement in style, the Maidstone based imprint will be bringing together a mind-blowing collection of the label's favourite producers and DJ's, covering all aspects of the musical spectrum; from deep house to peak-time techno and will be available on limited vinyl samplers.

Saved 100 will feature original material from label bosses Nic and Mark Fanciulli alongside Saved mainstays Robert Dietz, Philip Bader, Stacey Pullen, Gary Beck and Alex Tepper. Mouth-watering remixers include Danny Daze, Frankie Knuckles, Joris Voorn and Adam Beyer with the likes of Subb-an, Spencer Parker, Terrence Parker and Mark Broom all also set to feature in a compilation that displays both the depth and dexterity of Saved Record's impressive back catalogue. The compilation will also come with an exclusive mix from Mark Fanciulli, serving up a label perspective from right within the eye of the Saved nucleus.

The Saved 100 tour began at Output in New York on January 3rd before heading off to Mexico for a stellar Saved showcase at this year's BPM festival. Continuing until April, it will then encompass shows in Tel Aviv, Dublin, Montpellier, Munich, Basel, Barcelona, Chicago, Miami, Detroit, Antwerp, Copenhagen, Toronto and many more.

Imagine being dropped into a spiralling warehouse of acid and sub-base pressure with only four tracks to lead you into the light. The He-Men compress Three Hours into a key change driver, stabbing and bubbling as you reach the surface gulping for air, bathing in the strings, dripping in acid-wash. Before you know it you've been whisked away to the halcyon days of yore, creeping around castle corridors. Leeds native DJPC then kidnaps your soul for a spin in Acid Mundae (24 Master) bombarding you with high hats, rolling baseline and old school pads and synths that take you to the dark underbelly of house music and beyond the black rainbow.

The shadow of DAWL's electro powered hand then commands you with Telepath, breaks and bleeps Morse code that compel you to dance. The menacing sample, 'I know what you're thinking,' crawls around your skull until it finally shakes you loose from his imperious grip. DAWL isn't finished yet. His Apache spirit breaks loose in Freestylin', a controlled dash of a tune that scratches all over your body, hauling you to his Hip Hop roots before dumping you, used and abused back on the dance floor waiting for an Uber to teleport you to the darkest after party you can find.

repressed !

Due to it's 10th anniversary, Kittball Records is going to release throughout 2015 a limited white vinyl series as special edition in four parts reflecting its most successful tracks within the past quarters. The first edition will include four original tracks by Purple Disco Machine, In.deed & Returd Of The Jaded on the A-side with PAJI and Wild Culture on the B-side pointing out the pearls from middle of 2014 until today.

LIMITED SUPPLY!

This is Land Of Dance! With the music by: Boston 168, Drvg Cvltvre, Jann, Dave Hargadon (Slowburn), Muskije Lycheeni, Seven Sins, Andrea Vietti. The pack will includes stickers and a CD with a selection of released tracks on LOD.

Two new cuts from sonic explorer Dorisburg! Immersive excursions that invite your mind to wander and your body to move.

A mainstay in the underground house music scene for almost twenty years, Joeski makes his next move on the mighty Crosstown Rebels with a sublime 'Tribute EP' to the great divinity Obatalá.
The EP journeys through three tracks, where ethereal layers are used to infiltrate the dancefloor and varying tribal percussions, native chants and vocal haunts flow effortlessly throughout. From Yoruba religion, Obatalá is an Orisha, Sky Father and creator of human bodies. Joeski explains "I've been wanting to do this tribute for a while now. It's a creative musical offering to Obatalá. I feel like Crosstown is the perfect home for it too."
Joeski's roots are in the underground house scene of NYC in the 90s, where he played regularly at historical clubs such as The Limelight, Tunnel, Palladium and Roxy. Later establishing himself as a producer he began releasing music on NRK, Siesta, Shaboom, Tango, Junior Boys Own and many more. He also runs his successful label, Maya Records.

Brothers Danny and Kieran Clancy continue their run of highly infectious, club-centric singles, releasing once again on their own Krankbrother imprint which has built up a consistent catalogue of music since the label's inception in 2015.

'Dreamscape' may share the name of legendary 90s raves, but here, Krankbrother lay out an understated house groove driven by its melodious bass and supple chords. Gradually picking up the energy by deploying contagious acid lines, celestial vocal refrains, and ramping up the drums with crisp open hats and transposing rides, it's a feel good track and mood lifter of the highest order.

Hotly tipped producer, Fort Romeau, is enlisted on remix duties, off the back of stellar singles, remixes and albums for the likes of Futureboogie, Spectral Sound, Running Back and Ghostly International. Rolling house beats get wrapped up in those gorgeous pads as the remix takes on a transcendental twist as the 303s worm around the arrangement, the hushed female vox providing a big wall of succulent sound that provides a great alternate take on the original mix.

A respectful nod to the past is ever present in the Krankbrother's productions, but with a production aesthetic that keeps things fresh and relevant for the most discerning of modern dancefloors. This is most evident in 'Disappear Here'; lush and ample pads set a familiar tone as high strings and a nimble lead riff usher in a killer breakbeat, accentuated with a contagious bassline and sub bass booms. Sun rising vibes if ever there was!!

Info: x300 Hand stamped copies

After spending the past three years cutting acclaimed records for such esteemed imprints as Innervisions, Hotflush, and Acid Test, Recondite has re-joined the Ghostly International fold with an EP that builds on the robust field recordings and pale, moonlit melodies of the Berlin producer's break through LP Hinterland.
Named after the foreboding family of birds that includes ravens and crows, Corvus is a chilling listen bookended by two very different versions of a spellbound new track called "Capable." While the original version is aimed squarely at shadow-drenched dancefloors, Ricardo Donoso's remix mutes Recondite's skeletal drums and restless rhythms in favour of richly woven strings, ghostly ambient grooves, and frost-bitten samples. It's as if we're drifting without a dance loop to light the way—caught in the web of a complex sound bank that's cinematic yet strangely subdued. The middle section of Corvus is mesmerizing as well, as "Kauz" shuffles and shimmers in front of a star-splashed skyline, "Huibu" casts wooden sticks against poison-tipped synth parts, and the EP's title track melds the harsh cries of Bavarian birds with a tense beat. And while Recondite admits his new material is "a bit more serious" than his last couple 12-inches—it was loosely inspired by everything from The Revenant's Ryuichi Sakamoto soundtrack to Max Frisch's heady novel Homo Faber, after all—the Rottal-Inn native insists there's a light at the end of this particular tunnel. Or as he puts it, "Melancholic doesn't necessarily mean dark. Music can be happy and moody."

Dope late 80's Electro from Melbourne. Three mixes (including instrumental) of this nuts tune Serious recommendation!

Floatin Slammin Balotelli Bazooks

Italian bred artists Uakoz & Alex Lentini deliver their debut OFF EP, after earning much praise for their recent outings on Terminal M, Flash and other labels.

A love for spacy techno is the common element of all 4 originals. While Isolated & Puzzling rely more on psychedelic sinewave melodies, Nothing More & Changeless feel closer to dub techno.

OFF-head Andre Crom created a very functional remix, reinterpreting parts of "Puzzling"'s notes with a bass synth, and a hypnotic arrange that works steadily towards a central break.

DRIVETRAIN (Detroit, USA) - Twisted Samba'...Derrick Thompson blends a 3 dimensional Latin inspired cocktail of African percussion with a collaboration of velvety vocals.
DJ SINJIN (Toledo, USA) - A Midnight Summers Drive'...driven by an infectious bass groove, the elegant chord progression develops an animated late night stimulant.
MARC COTTERELL (Bude, UK) - Love Is The Message (Feat. Claudia)'...the gravitational pull of bass repetition plus steamy sax and irresistible spoken persuasion equals pure dance intensity.
DROYD PAXTONE (Bari, ITALY) - Mephala'...submerged and techy, a debut filling the atmosphere with moody pads and incessant bass rhythm, rooted in intelligence.
CHERRYLUX: sweet and juicy, deep and deluxe

Daniele Di Martino now comes back with an EP that is made for long and dark nights in the small clubs. Therefore, Di Martino goes back to his roots by creating straight deep house combined with a pushing bassline, as he does in the original version of Faust - providing a result that is perfect to be played somewhere in the deepness of the night when there is no time for hesitation. The second track Different comes a bit more melodic, includes vocal snippets and leaves space to breathe und feel - while the bass is as dark, it could dig an aisle in the middle of the dancefloor.

Daniele Di Martino's two tracks are reduced to the minimum - thus, they present a little less of the easiness and playfulness of his former releases - however, this is no chance but the producer's way of expressing his development as an artist.

The third track leaves a completely different impression as it is made by techno-legend Thomas Schumacher who gave Faust his personal interpretation. Since Schumacher is an expert in creating clear and straight-into-your-face techno sounds the result comes harder and even straighter than the original. It crowns the EP by leaving no space for thinking or dreaming and reflects the intention of the whole trilogy.

The follow up to his "LIFE ON TITAN EP" now repressed on limited colored wax as part of MATHEMATICS 20th anniversary reissue campaign! 4 tracks with the title track and "FORGOTTEN LIGHTS" on the A side and "WHAT ONCE WAS" and "AHEAD OF TIME" rounding out this EP of classic house and techno vibes.

Mr Tophat, an enigmatic Swedish house head who's awkward grooves and unconventional arrangements has heads nodding across the universe. From Another Dimension EP was inspired by his addiction to the club tracks that Music For Freaks originally released, with Rob Mello's No Ears Dub version of Discorobot in his top 10 tracks of all time. Here, Mr Tophat generously serves up 3 of his textbook trips down the rabbit hole. This is entertainment for the freakiest of people. Aliens From Another Dimension is a squeeky adventure in sound, navigating the inner workings of Mr Tophats imagination and penchant for Sci-Fi. Prophet Funk is a chugging, progressive slice of hip house surrealism. Its quirky call and response melodies and gawky vocals are straight out of an episode of the Twilight Zone. New Release Information Message To The Stars is a love song to the multiverse and the stars that reside within her. A funky breakbeat is underpinned by discordant melodies and lead lines that resonate with the head and the hear

ROGER 23, ORSON WELLS, PABLO MATEO and LEAVES deliver their versions of previously released tracks on 777. This limited double digit remix rally comes in a silk-screen printed cover!

Bambi is back and as effective as ever!
50WEAPONS proudly presents two stripped back club tracks by Bambounou, our main man for dancefloor euphoria. Watch him drop both of the tracks in his Boiler Room set in Paris in September 2013 and you'll understand what we mean. YouTube commenters have since been all over these tracks.

'Feel Like This' is built around a hypnotizing vocal sample with hi hats sharp enough to cut a hole right through your braincells to activate your dance-nerves. Leaving your synapses to the mercy of the pounding kick drum which is fat enough to get everyone in the room moving.

'Onto This' sees Bambounou unleash his talents in a very NY-esque way, with those sharp skippy hats that are definitely drawing on UK garage and one of the grooviest organs we've heard since "Kaoz on King Street". Both tracks will definitely reap lots of support, from Panorama Bar to the beaches of Croatia and back to Paris.