House Vinyl New Releases - News

Malin Génie is back on Tomorrow Is Now, Kid! with this very special four track EP Pushin' On. Limited pressing of 250 copies pitch black vinyl. His first release Malingering EP in October 2011 gave us a taste of what this 25 year old Amsterdam producer confects in his soul kitchen. Now the génie is out of the bottle once again with a brew of beats that is guaranteed to give everyone a euphoric dance floor and party experience!
Tomorrow Is Now, Kid! sees the convergence of music, internet and live events as the ultimate opportunity to bring music to people. The label releases tracks with a passion for genuine underground House music. We produce successful events with different concepts, are the driving force behind the Transistor Rhythm club nights in Club Up and have had label nights in Amsterdam, Berlin and Lisbon.
Tomorrow Is Now, Kid! or TINK! Records as it was originally called in 1989, was one of the first House labels in The Netherlands. Certainly the first to release Soulful House and Garage tracks onto the dance floors. TINK! Records became a household name with releases by artists such as Black Tulip, Eddy de Clercq (EDC), MTC, MDA. feat. Lilian Vieira, R.J.'s Rule, Formosa and Thyone Girls.
We relaunched the company 3 years ago with the intention of re-releasing all the great music that was made 20 years ago and now we finally realized that dream.

Further explorations where quality is key & deep vibes are the order of the day. Chris Mitchell (Plan B, Vanguard Sound), Tony Ollivierra (Ibex. Planet E, Rush Hour), & commandante Patrice Scott lead the charge. For headphones, or late night floors.

Next up, PARKWEST bring's you a tasty two track from young newcomers APARTMENT 4/4.
Two heavy dancefloor cuts, both HIGH ON HOPE! "THE ISMS" is a cry for change over deeply moving strings, a serious bassline leads us up and away.
"CITY DREEMS" brings to mind the hopes of young horn players heading north to the Windy City.
A simple brass hook & a thumpin' rhythm Once again, it's no fad, no gimmicks... just REAL HOUSE MUSIC!

Making all the right moves with previous form on Aus, Needwant and Tusk Wax, Ejeca is well tapped into the revivalist house zeitgeist with these hale and hearty jams for Waze & Odyssey. Solid Inner City chords and crisp, bright drums abound on side A, with "Night Rays" sure to inflict some damage with its fulsome square wave bassline. On the flipside, "Never Forget" ups the tempo for a cut that dresses like tech house but moves like 2-step. Waze & Odyssey themselves bring a smoother, deeper vibe to bear on their remix of "Riddim", pulling the melodic content right back to subtle flecks for a greater dramatic impact.

UK release on export ban but we can get the French release! - no doubt it will be limited

Perlon founder Zip, real name Thomas Franzmann, has compiled the latest edition of Fabric's illustrious, long-running mix series, featuring material from Vakula, Terrence Dixon and Kenny Larkin.
With all the verve and blissful energy of his DJ sets Franzmann builds his own musical universe across the mix, unmasking his mysticism at first with the revealing reverbed chants and analogue stabs of Vedomir's 'Dreams' before veering off into the awkwardly sinewy melodic structure of San Proper and Steven De Peven's collaboration, 'Pam Pam'. The poise of the way Vedomir's ethereal opener runs into the clipped drums of 'Pam Pam' sets Zip up for further of these intelligent arrangements. Using these kinds of morphing vocals as a key tool, Zip draws for them on more than one occasion on the first half of fabric 67, using them to slice through the mix, creating these weirdly beautiful moments that serve to mesmerize the listener.He's not shy of using proven dancefloor wrecking tools either, using Nail's 'Till The Feelings Gone' very early on and unapologetically hinging the mix on the 'Moodyfied Mix' of Jovonn's rare 1995 groove, 'Satisfied'. But as much as he's able to let these little moments of release fly out there wantonly, he shows that rare ability of being able to dovetail his more stomping moments with the sparse, disjointed technicality of DJ QU's 'Everybody Dark', the irk of the distorted lead line on The Sun of God remix of Armando & Steve Poindexter's 'Blackholes' or the direct drive

Great 3 track EP on a new Amsterdam imprint...TIP!
The label say "Contrary to what you would expect from a record called 'Grey EP' and its frosty artwork, the first release on Tape Records Amsterdam sounds nothing but colourful, distinctive and hot. This is the debut of Deniro (real name: Reynier Hooft), a young producer who resides in The Hague and only works with vintage synthesizers and drum computers.On the Grey EP he takes you along on an astral trip and indulges you with deep synthesizer leads, shifting pads, clear-cut hi-hats and relentless rhythms. TAPE001 is a deep, but uplifting release. And whereas the whole EP has a certain nostalgic ambience to it, at no point does the music feel outdated.
Even though Deniro's sound is clearly influenced by early techno records, the Grey EP is no tribute but a beautiful example of modern electronic music in true Detroit fashion. The lush, sometimes even Japanese sounding melodies make you dream of deep blue oceans and deserted beaches of far-off tropical islands. But despite of their dreamy character these tracks will definitely work every dancefloor. This is machine soul of the highest calibre.

This december is the birth of Singular records, Marcelus'own label, based in Paris. Since two years, the dj and producer
Ermerged in the techno scene, releasing his own materials on labels such as DJ Deep's Deeply rooted house records, Delsin's
Ann Aimee or legendary Tresor records, played by established techno djs over the globe, and playing out himself in renowned
clubs like Tresor, Fabric, Propaganda or Berghain, it has been quite an intense start for the french joke.

The only thing that keeps Detroit Swindle from actually being from Detroit is that they are born and raised in Amsterdam, a little over 6000 kilometers away. So even though they've got their 4 feet firmly positioned on Dutch soil, their heads and hearts are rooted deep into the soul of the motor city.
Detroit Swindle consists of Lars Dales and Maarten Smeets, 2 guys that, without actually growing up together, have had pratically an identical musical upbringing. A vibrant mix of Motown-soul, funk, hiphop and jazz inspired them from an early age on and after a varied exploration through techno and house, they met eachother by mutual interest in Detroit inspired deephouse.
Detroit Swindle have a clear vision on the music they produce and play. If you can't knod your head to it, it's probably not theirs and they probably won't like it. Their productions are best described as contemporary interpretations of classic soul tracks with melodical grooves, jazzy chords and bumpy basslines. So in short, if Marvin Gaye would have made house music, they would have been his biggest fans.

2LP inclusive CD version + 2 bonus tracks
Ulfo is the debut album by map.ache.
A selection driven by determined chords carrying tears of optimism.
Presenting 10 tracks as shelter for hope, decorated with the shadow of a white rose in a mirror of silver.

Here we are with 2nd release of the Geneva based label CADUCEUS RECORDS!
Quenum and Lad old friends are joining their forces for the 3rd time to make a beautiful trippy track called 'ITHACA' in reference to the greek poem of Cavafy . This long melodic exposure is completely suitable for dance floors with strong and powerful bass groove mixed with subtle harmonies and melodic sequences.
The track gives us this idea of a voyage full of adventure and full of discovery. And as the moral of the history says what is important in life is not the destination but the path. It's also true in music. Think about it.
We have also the honor to have a beautiful rmx of the master of the genre Petar Dundov. He borders with sublime with his interpretation of what 'Ithaca' should be....

Northern England based Outcross Records bring you 'The Break Out' EP this November by Inland Knights backed with a remix from label heads MAM (Miguel Campbell & Matt Hughes).
Inland Knights have been heavily involved with electronic music since the early 90's, building an enviable reputation through their 'Smokescreen' free parties in that era and later starting the reputable Drop Music imprint which over the years has seen support from the likes of Luke Solomon, Phil Weeks, Laura Jones and Lee Foss, evidently showing the diverse appeal embodied in their music.
'Bounce' opens the release here and in true Inland Knights fashion storms in with a raw shuffling rhythm. A gritty, penetrating saw wave bass hook is thrown into the mix and the duo's signature hip-house vocal chops create their own melody on top of the track's sturdy foundations. The latter stages introduce hypnotizing filtered arp lines and sweeping house synths to the hub of the track, adding further melodic movement and rounding the piece off as classy, retro inspired house music with a forward thinking appeal.
Next is 'Broken Up', taking on a more stripped-back form with heavily swung drums and an acidic bass-line driving the track. The cut steadily evolves with subtle modulation creating an ever-evolving movement, before breaking things down and introducing organic bass licks, hi-pitched vocal chops and warm brass tones into the consequent stages.
Closing the release is 'Broken Up (MAM Remix), the duo drop the tempo and infuse the cut with their signature slo-mo disco drums, staccato hooky bass and tasteful filter work. MAM tracks have become instantly recognizable for their 'French House' feel and understated, less-is-more approach and here they deliver that once more dissecting the key elements of the original and remolding them elegantly.
Inland Knights 'The Break Out' EP is out on Outcross Records November 2012.

Unlucky for some but not it seems you or us, DOT013 comes comprised of a hat trick of deep and sultry, some would say R'n'B
flavoured slow jams, made for those sexier evenings when you feel the urge to want to nod your head, wine your body and give those
hips something of a work out as opposed to just pointing haphazardly to the sky whilst hopping between legs and occasionally
pulling your best 'ooooh listen to that bass line' face. Though those evenings clearly have their place as well.
James Welsh has, it must be said, lived quite the life already, from touring with post-punk outfit The Rise, riding BMX in Texas or
remixing everyone from Britney Spears to Depeche Mode or DJ-ing around the world as part of Ocelot, a key player in that whole
blog house scene from a few years back. Basically the boy has been there and done it, he didn't even buy the t-shirt, he designed it
and then sold it back to you and your folks for a massive profit. We said it was R'n'B flavoured and R'n'B flavoured it is. The Way
sounds like James got locked in a basement with Baby Face, Brandy, Monica, Jodeci and Montell Jordan and was forced at gun
point to make a track that could be played in those sexy nightclubs that all the ghetto stars go to, where they spray Cristal over each
other then have a fight and post a twitter picture of their war wounds. Fighting and champagne spraying is optional though sexy
dutty-wine dancing is not.
If we had to classify one of these tracks as 'the peak time one' then Walk would be it, now our
mum always told us to walk before we run and we don't like classifying things too much so let's just say that if you want to make
loads of people jack, but in more of a sexy way as opposed to that frantic jerking shenanigans they used to do back in the early
nineties that was recorded on beta-max then this is the track to employ. It's low-slung and sultry, jacking house music, which means
ladies like it too.
Hold should perhaps be named Hold Tight, as in 'you'd better strap yourself in and hold on mate'. But it isn't. If you like your music
slowed down with enough low end to dislodge your undercarriage then this is the track for you. It's got some spoken word vocal on it
and some chanting that crops up from time to time but the rest just kick-drum and bass, loads of loverly, slow, elongated bass. It
sounds more like you are in the jungle than in a night club, so more Greystoke than Grey Goose.

It's the monster Paperclip People hit, remixed by Slam and pressed onto vinyl for the first time. This is a limited edition, one-sided 10" on colored vinyl, and also includes three exclusive lock grooves of theoriginal version of 'Throw' for your peaktime pleasure.
GREY VINYL 10" WITH 3 LOCK GROOVES

Nearly 5 hours on this 4xCD set of John Digweed recorded live in the mix at the Bedrock Anniversary party at Fire & Lightbox, London. Over 50 tracks and remixes from some of the best underground producers including the likes of Simian Mobile Disco, Tiga, Deetron , Gabriel Ananda, Robert Babicz, Max Cooper, Kollektiv Turmstrasse, jozif, Ben Pearce, Luca Bacchetti, Todd Bodine, Pig & Dan, Butch, Paul Ritch, Justin Martin, Catz 'n Dogz, SIS, Smash TV, Julian Jeweil, Subb-an, Phonogenic, Technasia, Guy J, Heiko Laux & Diego Hostettler and many others.
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Bring U Up originally appeared on Roman's Blackmale label in 1995 as a rumbling slice of New Jersey garage complete with gospel samples and Romanthony collaborator The Trojan Horse. It was a bit of a cult favourite with underground heads like DJ Deep. It wasn't until Roman completely re-produced and re-sang the song in 2000 that it fully took on anthem status. Out went the heavy kicks and hypnotic moods and in came James Brown horn stabs and a live beat that sounded like Bernard Purdie had joined him for the session (the drums were actually provided by Roman himself). The result was an instant club hit with everyone from Pete Tong to Francois Kevorkian that reached (a very respectable 74) in the UK national charts.
On this 12' Deetron's takes the funk vibe of Roman's 2000 version and toughens it up for todays dancefloors, Lee Webster adds a monster baseline and some serious beats. On the flip-side the original Blackmale version is re-issued on vinyl for the first time as is an unreleased DJ friendly edit of the 2000 version done by Kevin McKay.

Three lush tracks taken from the upcoming Tevo Howard "At All Pursuits" album !

Remixes by Kink and Steve Rachmad of two Nina Kraviz cuts -also features two short acapella tracks for the creative DJ... !..... limited 12 !!

A new label based on the collectable cigarette football cards.
Three original tracks and one remix by Tusk from Tusk Wax.
Interesting variety in tempo and atmosphere but all firmly aimed at forward thinking dancefloors.

Andreas Saag returns to Local Talk with a follow-up to his Back To Life EP, this time he's invited longtime friend and studio partner Cazuma Mori, together both of them offers the Local Talk fans house music with a distinctive production technique.
"Nostalgia" is a warm stomping basement beats floor-filler, with a fat bassline tempered by rising chord textures, smartly coordinated with the pulses in the track.
As the track evolves the kick drum charge forward the bassline making the chord an addictive and unforgettable hook.
Both Saag & Cazuma showcases their skills in tackling slower bpms too.
The B-Side "Can't Hide It" comes with intricate keyboard work and deep atmosphere that's driven by an appealingly on-point house bassline. The track picks up a new elements at just the right moment to keep you on board the whole 8 minutes.

Ace, ltd to 250 copies only release from this Bliq, Minuendo, Deep Explorer recording artist. Deep one. Check!!

Although the productions of BILL YOUNGMAN and JOHN TEJADA are more or less the opposite of ANDERS ILARs, they have something in common, which is a tendency to the rather dark, dream-like and maybe even destructive side of music. Children of the 90s. JOHN TEJADA's remix of MYSTERY TRAIN shows once again the unique talent of this shy Carlifornian musician. TEJADA replaces the distorted beat from ILAR and creates a deep sounding track, which builds up on warm and hypnotizing beats coming along light as a feather - how good can it get BILL YOUNGMAN remains true to himself and transforms the patterns and sounds towards less softness, more edges. Raw mechanical grooves.The maxi single rounds up perfectly with a halfbeat track from ILAR, an original taken from his recently released album ELVA. Fast dubstep, fast electronica. Both mixes will surprise you when you least expect it to create those magical moments on the floor. Have a listen, and you will hear what this means.

Following up Ben La Desh's excellent debut on their Black Ops sub label the SLEAZYBEATS crew have brought celebrated Kiwi beat merchant Frank Booker back to the fold with the Beat Down & Out EP.
Frank's been less than prolific releases wise, but you can be sure every one is a keeper.
Great EP's on Untracked, Japan's Wonderful Noise and the Fall Out EP - which was Sleazy's final release - sold out in week one.
Much like the musical content of the acclaimed Hit It & Quit It radio he hosts with Recloose, Frank dims the lights and turns up the heat for his Black Ops offering, a seriously accomplished dancefloor weapon concocted from the finest samples, crispest beats and heaviest low end available.
Years of experience in moving the floor, combined with the finest ingredients means the Beat Down & Out selection will be an enduring feature in the world's best record bags

VACANCES RECORDS was established in 2012, by DJ/Producer Freischwimmer based in Kyoto, Japan.
We Release timeless and authentic music under the key phrase,
'Contemporary Dance Music'.

This is first release "BLIND SPOT EP".
The EP is inspired by vibes of classic house, chicago house &
underground dance music.
Sound design is simple but its really strong & fat, so deep.

"BLIND SPOT" Rush remix is a great deep & tech house tune.
Rush are two Italian guys, Alfredo Caforio and Gianni Sabato and already have released on several Labels.

Wenn es in den letzten beiden Jahren einen Newcomer in der Clubszene gab, der weltweit für ganz große Furore gesorgt hat, dann war dies John Talabot aus Barcelona. Unter seinen Fans finden sich Größen wie James Murphy oder The XX, die den Spanier für das Vorprogramm ihrer diesjährigen Nordamerika-Tour ausgewählt haben. Verglichen wurde er bereits mit Leuten wie James Holden, Four Tet oder Caribou. Sämtliche Lorbeeren hat John Talabot zurecht eingeheimst, ist sein Debütal-Longplayer doch ein ganz heißer Kandidat auf den Titel "bestes elektronisches Album des Jahres 2012". "Fin" erscheint nun als 'Special Edition' mit einer zusätzlichen CD, die neun Remixe sowie bisher unveröffentlichte Tracks enthält. Die Remixe kommen unter anderem von den Pachanga Boys, Bullion und Kenton Slash Demon.












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DJ NATURE aka MILO steps uponce again to the indispensable Golf Channel label, with his eagerly awaited debut artist album comprising all original material
A founding member of legendary Bristol sound-system collective The Wild Bunch (which spawned Massive Attack, Tricky and much more), Nature made NYC his home in the early 90's & went on to collaborate with the Major Force crew in Japan, before hooking up with GC boss Phil South, who thankfully persuaded him to don his production cap once again.
There followed a series of acclaimed 12" releases through GC which developed a trademark sound, a sound he's fully realised on 'Return Of The Savage'
Nature's unique take on modern black music is somewhere between the bass heavy sound system cuts on which he cut his teeth and the more nuanced vibe of peers like Theo Parrish
Irresistible, low slung and beautifully structured yet raw club pieces make up this outstanding selection -
a superbly packaged gatefold double LP (complete with download codes for individual tracks as well as the mixed version)
and an exclusive mixed CD edition (which also includes download codes for the individual tracks, as well as three additional skits) Serious business

Nikki Beach St. Barths is the latest collection of quality electronic music from the award-winning luxury beach club. Spread across two distinct discs that range from the subtle, deep grooves of Hot Natured, Tensnake and Candi Staton to the uplifting electronic anthems of Fatboy Slim, Sebastian Ingrosso & Tommy Trash and Digitalism, this is a comprehensive compendium of the world's finest and freshest beats and basslines.

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Superbe Remix-Version von Rainer Truebys letzter Maxi! Die neuen Mixe kommen von Dima Studitsky, Session Victim und Sello.

Bergerac releases are few and far between. Just 3 singles and one album since September 2010, all self penned by label boss Red Rack'em. He's pushed his hybrid sound of woozy deep house and arid bass driven garage techno into the hearts and minds of the scenes elite including Four Tet, Mike Huckaby, MCDE, Magda, Move D and Axel Boman.

Luke Solomon revisits his The Digital Kid alias late-November with the release of The Digital Kid vs The World 'A Minor Digital Experiment' on The Classic Music Company, an LP featuring all new tracks from Solomon, collaborations with Pezzner, Lil Mark and Bearweasel and a bonus mixed version. 'A Minor Digital Experiment' is the first of two Solomon albums in the next six months but is the only one which will see The Digital Kid alias applied and it serves as a parting shot for the alias, for now anyway. Debuting on Solomon's long defunct Acid imprint, The Digital Kid took a backseat as Solomon's career flourished into what it is today but the lure of binary proved too much earlier this year. 'I did this album because there was a few people I wanted to collaborate with so we got to work on some tracks.

DJ NATURE aka MILO steps uponce again to the indispensable Golf Channel label, with his eagerly awaited debut artist album comprising all original material
A founding member of legendary Bristol sound-system collective The Wild Bunch (which spawned Massive Attack, Tricky and much more), Nature made NYC his home in the early 90's & went on to collaborate with the Major Force crew in Japan, before hooking up with GC boss Phil South, who thankfully persuaded him to don his production cap once again.
There followed a series of acclaimed 12" releases through GC which developed a trademark sound, a sound he's fully realised on 'Return Of The Savage'
Nature's unique take on modern black music is somewhere between the bass heavy sound system cuts on which he cut his teeth and the more nuanced vibe of peers like Theo Parrish
Irresistible, low slung and beautifully structured yet raw club pieces make up this outstanding selection -
a superbly packaged gatefold double LP (complete with download codes for individual tracks as well as the mixed version)
and an exclusive mixed CD edition (which also includes download codes for the individual tracks, as well as three additional skits) Serious business

Tabernacle mainstay John Heckle issues his second full-length outing on the label. Here he delves into psychedelic territory with tracks that effortlessly sway from the fruity to the outlandish.

played by: Twenty 4 Seven, 2 Unlimited, Raver's Nature, Dune, RMB, Sunbeam, DJ Hooligan, Guru Josh, Right Said Fred, Happy 2b Hardcore, Sin with Sebastian, Genlog, Charly Lownoise & Mental Theo, Jam & Spoon, Masterboy, Nalin & Kane, MC Miker & DJ Sven, Captain Hollywood, DJ Quicksilver, Sash, Eifel 65, Ace of Base, Mo-Do, Technohead and full support by the one and only Milli Vanilli Reunion Tour

Four exclusive tracks from Elbee Bad that conclude the True Story of House music compilation on Rush Hour....more class cuts!
Following the recent Elbee Bad compilation, we bring you four more tracks that were not included on the album. This EP showcases tracks that he produced for and/or with other artists. More classic stuff that was released on some of the leading NYC house labels at the time. Keith, Kat & Blondie for Nu Groove, Lord KCB for Easy Street and The Wizard & The Prince for City Limits.
This release again shows the early house mastery of Elbee Bad as well as his diversity. The Keith, Kat & Blondie shows his deep, eerie side, his freestyle vibe on The Wizard & The Prince track (which became an early UK warehouse/breakbeat hit) and his hip hop roots on the Lord KCB track.Again, a fine example of the formative years of NYC house music.

A dark, driving techno remix from TRENTEMOLLER (who also produced the orig)with some kick ass drops, breakdowns and almost no vocals. Extended out toalmost 10 mins long. Awesome. B/w MARTINEZ's equally long, more minimal anda bit quirky remix. Two great mixes for the techno heads.(MUSIC FOR DREAMS)

Strut proudly presents the first definitive retrospective of one of the most influential labels and producers of Chicago house music, Cajmere and the seminal Cajual Records imprint, celebrating a huge 20 years of hard jacking classics and seminal US garage.
It started from a love of early Chicago house and as a hobby, piecing together tracks on a "sixty-buck keyboard, a cheap four-track and a cheap drum machine". Curtis A. Jones, chemical engineering student and long-time '80s video games obsessive, then left a Masters course at UC-Berkeley, returned to Chicago and unleashed his first DIY tracks in 1992 on the 'Underground Goodies' EPs for ClubHouse, setting the blueprint for his early raw, cut-up production style. Soon after forming his own label, Cajual (with the CAJ taken from his initials), he unleashed the madcap, bubbling groove 'Coffee Pot' (later re-titled as 'Percolator'), a worldwide club hit.