Ein zeitloser Klassiker der belgischen Electro-Pioniere Suicide Commando, der bahnbrechende Track "See You In Hell", erfährt eine infernale Wiedergeburt auf dieser strikt limitierten, edlen picture Vinyl-Single! Folge uns auf die höllische Seite der elektronischen Musik! Die A-Seite dieser exquisiten Vinyl-Edition für Sammler enthält den Meilenstein "See You In Hell", einen Track, der nicht nur Pflichtprogramm auf jeder vernünftigen Electro-Goth-Party ist, sondern auch das gesamte Hard-Electro-Genre mit definiert hat, als Einfluss für viele nachfolgende Bands. Als zweiten Song spendiert die Band ihren Hörern dazu noch den raren Klassiker "Save Me". Die B-Seite dürfte das Herz eines jeden Suicide Commando-Fans und Sammlers höher schlagen lassen, enthält sie doch nicht nur eine bis dato unveröffentlichte Version des Club-Klassikers "Murder" (im Original auf der "Stored Images"-LP), der hier in völlig neuer Form vorliegt, sondern auch eine weitere Rarität: eine seltene Version von "Remember", die bis dato nur auf der lange vergriffenen "Limited Contamination" CD von 1995 erhältlich gewesen ist. Zusammengestellt auf einer extra-schweren, strikt limitierten Vinyl-Scheibe, ist dieses Sammlerstück ein Muss für Fans und der ideale Weg, einen zeitlosen Klassiker in einem fetten warmen Klang zu erleben, wie ihn nur Vinyl bieten kann. Also: Nadel in die Rille und ab geht die Post ... See you in HELL!
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Morphosis' Morphine records boldly step into the archives of one of Philadelphia's best kept underground secrets: synth composer, Charles Cohen. This excellent release beholds seven key tracks (recorded between 1979 & 1988) that go into uncharted polyrhythmic / ambient / cosmic territory....TIP!
The label say " First chapter in the trilogy of Charles Cohen retrospective works, featuring some of his early works from the Philadelphia's 'No Man's Land' Art Installment, the 'University Of Texas in El Paso' and 'The Painted Bride' Art Center performances. This release also features the track, Dance Of The Spiritcatchers, which previously appeared on the Music From No Man's Land EP by Ghostwriters, a split record with Jeff Cain, originally issued in 1980 on Zero Records."
Issued in three parts this vinyl series will culminate in a full CD release to be announced later this ye
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For the very first time over 2 x 180 gram black vinyl LPs,
Gene's 2001 album Libertine will be released alongside the
new Edsel CD Deluxe Editions on January 27th 2014.
Gene were formed in London in 1993 by singer Martin
Rossiter, guitarist Steve Mason, bassist Kevin Miles and
drummer Matt James, Mason and James having previously
played together in Sp!n. Inspired by the songs of The
Smiths, The Jam and The Faces, Rossiter's literate vocals
and Mason's fluid guitar lines were perfectly complemented
by the intuitive rhythm section of Miles and James. They
released four studio albums and a collection of B-sides and
radio demos between 1995 and 2001, were named Best
New Act at the inaugural NME awards in 1995, and went on
to score 10 Top 40 hits.
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In 1974, Ritchie Blackmore's bandmates in Deep Purple refused his request to cut a cover of Quatermass' 'Black Sheep of the Family.' Demonstrating impressive commitment to the song, Blackmore set out to record it himself with the help
of then-emerging vocalist Ronnie James Dio and members of his band Elf. To have enough material to release this as a single, Blackmore and Dio collaborated on 'Sixteenth Century Greensleeves.' Pleased with the results of the recordings, the
two fleshed out a full album and Blackmore formally parted ways with Deep Purple. Blackmore and Dio named this new band after the location where they initially discussed their collaboration - the legendary Rainbow Bar and Grill on West Hollywood's Sunset Strip. Rainbow was born.
Drawing on medieval classical progressions for inspiration, Blackmore's textured playing paired with Dio's fantastical lyrical imagery and inimitable vocals set Rainbow apart from their hard rock contemporaries. Featuring what would prove to be Rainbow's signature tune, 'Man on the Silver Mountain,' Ritchie Blackmore's Rainbow is a dynamic voyage. Blackmore's somber, melodic playing weaves a mystical tapestry over which Dio's tales of drawbridges, crossbows and kings settle like a knight on his steed. This influential classic concludes with a flourish as a cover of the Yardbirds' Gregorian chant-influenced instrumental 'Still I'm Sad' proves to be a perfect pulpit for Blackmore's rhapsody-like soloing.
Complete with a faithful replication of the original gatefold sleeve and dead-quiet surfaces, this Wax Cathedral reissue is pressed at RTI, America's best record plant. Even better, it's on colored vinyl.
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1995 pre-the-hype indie 7", repressed in limited quantities (!!), with three tracks: Wrecked Him, Waggy, and Zulu. New pressing, while they last, are on Blue / Orange or Green vinyl!
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DVD-1 Start Me Up
DVD-2 It's Only Rock 'N' Roll
DVD-3 Street Fighting Man
DVD-4 Ruby Tuesday
DVD-5 Doom And Gloom
DVD-6 Honky Tonk Women
DVD-7 You Got The Silver
DVD-8 Happy
DVD-9 Miss You
DVD-10 Midnight Rambler
DVD-11 Gimme Shelter
DVD-12 Jumpin' Jack Flash
DVD-13 Sympathy For The Devil
DVD-14 Brown Sugar
DVD-15 You Can't Always Get What You Want
DVD-16 (I Can't Get No) Satisfaction
Bonus Tracks
DVD-17 Emotional Rescue
DVD-18 Paint It Black
DVD-19 Before They Make Me Run
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Begonnen hat Herbert Grönemeyer die Aufnahmen für sein neuntes Album zur Zeit des Mauerfalls, im November 1989. Die Euphorie, in der sich die Republik damals befand, mochte er aber nicht teilen: "Luxus" ist eine bittere, eine unzufriedene Platte. Schon im ersten Stück, "Hartgeld", weist Grönemeyer auf einen drohenden Ausverkauf des Ostens als Folge der Wiedervereinigung hin. Auch "Deine Liebe klebt", "Video" und "Freunde" sind kritische, zum Teil sogar boshafte Lieder, im letzten Stück der CD, "Sie", thematisiert er die Folgen eines Kindesmißbrauchs. Alles schwierig Herbert Grönemeyer wollte sich mit "Luxus" seinen Ruf als ernsthafter Musiker erhalten, nachdem der Vorgänger "Ö" doch sehr poppig geraten war. Das ist ihm, auch Dank seines Mutes zu schwierigen Themen, gelungen.
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Seit ihrer Gründung 1968 haben Deep Purple weltweit über 100 Millionen Alben verkauft und mit Songs wie 'Smoke On The Water', 'Highway Star', 'Space Truckin', 'Hush', 'My Woman From Tokyo', 'Perfect Strangers' oder 'Knocking At Your Backdoor.' Klassiker geschaffen, die unzählige Bands beeinflusst haben und immer noch beeinflussen. Acht Jahre nach ihrem letzten Studioalbum "Rapture Of The Deep", eine Zeit in der die Band unzählige Shows gespielt hat und exzessiv getourt ist - die letzte Tour im Herbst 2012 hat alleine in Deutschland über 60.000 Tickets verkauft - hat sich die Band entschlossen ein neues Studioalbum einzuspielen. Ian Gillan sagt dazu: " Vor 2 Jahren wäre es falsch gewesen, vor 5 Jahren wäre es falsch gewesen! The time is NOW. Wir hatten das Gefühl es ist an der Zeit was Neues zu sagen und das haben wir getan. NOW What ! ist eine der wichtigsten Aufnahmen, an der ich jemals in meinem Leben beteiligt war.'
Mit Produzent Bob Ezrin, der sich neben diversen Kiss oder Alice Cooper Alben auch für die Produktion des legendären "The Wall" von Pink Floyd verantwortlich zeichnet, ist es Deep Purple gelungen ein Album einzuspielen, dass die Perfektion und Eleganz von - Perfect Strangers' hat und die wilde Freiheit von - Made in Japan' widerspiegelt.
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Seit ihrer Gründung 1968 haben Deep Purple weltweit über 100 Millionen Alben verkauft und mit Songs wie 'Smoke On The Water', 'Highway Star', 'Space Truckin', 'Hush', 'My Woman From Tokyo', 'Perfect Strangers' oder 'Knocking At Your Backdoor.' Klassiker geschaffen, die unzählige Bands beeinflusst haben und immer noch beeinflussen. Acht Jahre nach ihrem letzten Studioalbum "Rapture Of The Deep", eine Zeit in der die Band unzählige Shows gespielt hat und exzessiv getourt ist - die letzte Tour im Herbst 2012 hat alleine in Deutschland über 60.000 Tickets verkauft - hat sich die Band entschlossen ein neues Studioalbum einzuspielen. Ian Gillan sagt dazu: " Vor 2 Jahren wäre es falsch gewesen, vor 5 Jahren wäre es falsch gewesen! The time is NOW. Wir hatten das Gefühl es ist an der Zeit was Neues zu sagen und das haben wir getan. NOW What ! ist eine der wichtigsten Aufnahmen, an der ich jemals in meinem Leben beteiligt war.'
Mit Produzent Bob Ezrin, der sich neben diversen Kiss oder Alice Cooper Alben auch für die Produktion des legendären "The Wall" von Pink Floyd verantwortlich zeichnet, ist es Deep Purple gelungen ein Album einzuspielen, dass die Perfektion und Eleganz von - Perfect Strangers' hat und die wilde Freiheit von - Made in Japan' widerspiegelt.
At the end of October the Ghent based band Falling Man will release its self-titled debut album (distribution Rough Trade). The album is Falling Man's second release and follows the EP 'Hordes of the Battered' (2011).
At the same moment Vynilla Vinyl (the record label that sprouted from the Ghent Record Store Vynilla) releases a limted vinyl edition: 200 albums (of which 100 on coloured vinyl), with a silk-screen printed album cover (designed by Levi Seeldraeyers and Philip Callant).
'FALLING MAN snorts, chugs and fills his lungs with chunks of meticulously cut out mid-air madness. The outcome: streams of hot lava welling up, leaving dark scars on his back. Fearful tumbling in a storm of serrated guitars, whipping drums and threatening grunts...'
Key figure of the band is Sam Louwyck (actor, dancer, performer), who is best known for his work with Les Ballets C de la B, Bullhead, Any Way The Wind Blows, La Cinquième Saison, ...).
Falling Man have built themselves a solid live reputation and have supported bands like The Horrors, Ted Milton's Blurt, Caspar Brötzmann Massaker; they have played at festivals like Melkrock Tielt, RatRock Harelbeke, Schippersweekend Lauwe, TAZ, Ghent Film Fest, ...
The album was produced by Wouter Vlaeminck (cf Tomàn) and Falling Man's live sound engineer Peter Van De Veire (The Yellow Tape - studio). They have recorded the album entirely on tape, with a clear sound-signature of Vlaeminck, who captured Falling Man's live power and translated it to vinyl.
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Mannequin are pleased to present a crown jewel from the early 80s Italian Minimal Synth scene. TIP!
The MONUMENTS came into being in January 1981 in Turin when Mauro Tavella (keyboards, programming) and Andrea Costa (keyboards, voice) pooled their artistic experiences. From the outset they produced exclusively synthesised music, following the natural evolution in electronic music from the early days with monophonic synthesisers to the latest virtual sounds generated with the aid of computers.
The MONUMENTS released in 1984 their only official record on Discordie, a mini LP called "Age" comprising six incredibly fantastic electro-pop tracks, here reissued by Mannequin Records with 2 bonus tracks, "Veiled Lady" and "The Seals", which are out-takes from the same period. All the tracks were recorded on a Tascam 8-tracks, with external synchronisation of the percussions, at the TKS Studio in Torino.
From 1987 onwards, they focused exclusively on music for theatre, radio and independent film, writing scores for the opening sequences of programmes for some of the most important Italian TV companies as well as soundtracks
for documentaries.
Anna Logue Records released "XXVII" CD in 2009, an anthology of their music that contains the best of their early work from the years 1981-84.
Some critics thought of this mini LP as being the best electropop record ever coming out of Italy. A masterpiece!
- 12'' LP on black vinyl, 33 RPM
- Limited edition of 300 copies
- 2 Bonus Tracks from 1984 (The Seals, Veiled Lady)
- Artwork reworked from the Original cover from 1984
*Strongly recommended to fans of New Order, Kraftwerk, Chromagain, Lisfrank.*
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New album by Cosmo Vitelli and Julien Briffaz (Tekel). LP comes with CD and download code.
Bot'Ox is a duo formed in 2005 by Frenchmen Julien Briffaz and Cosmo Vitelli. After a road trip to Babylon («Babylon by Car», their first album released in 2010), they come back to haunt dark clubs with a second album, «Sans Dormir», to be released November 6, 2013. The album consists of ten tracks, mostly sung, some of which have already been released in the form of singles and remixes with videos during the year. For the second album, the battered Cadillac comes to a stop in the parking lot of a deserted nightclub as suggested by the visuals presented with the project, abandoned French clubs as photographed by Phillipe Lebruman. In the same way as cars, far from being a futuristic symbol of progress and speed, can give a foretaste of the junkyard, the night club, a symbol of youth and vitality, contains in its promise of sleepless nights the inevitable ensuing fatigue. This decor is the ambiguous setting for songs that speak of love as any pop album does. In «Sans Dormir» however, insomnia is a solitary adventure. Opening with a spectral visit from downstairs - «Basement Love» - the album continues with «Grands Boulevards,» an instinctive nocturnal trip where rockabilly guitars rub elbows with moogs while giving an account of obsessions, recurring dreams and waking nightmares. «2.4.1» speaks of disillusionment in love while leaning towards soft rock.
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Radio Schwarze Welle ist DAS führende Internetradio
für dunklen Sound. Internetradio erlangt immer mehr an
Beliebtheit, denn hier kann sich der Hörer das Programm
aussuchen, das er hören möchte.
Im Bereich GOTHIC und DARK WAVE ist das RADIO SCHWARZE WELLE - DAS
der führenden und meist frequentierten Internetradios mit mehreren tausend
Hörern pro Tag.
www.schwarze-welle.de
Die Redaktion des Senders hat uns eine unvergleichliche Tracklist
zusammegestellt, die das Programm und damit den Geschmack der Hörer
exakt wiederspiegelt.
Unter den Titeln sind einige, die noch NIE veröffentlicht wurden und speziell für
RADIO SCHWARZE WELLE gemischt und zur Verfügung gestellt worden sind.
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The latest instalment in the 40th Anniversary singles' campaign, 7' picture disc of SorrowOriginally released in October 1973, Sorrow was Bowie's inimitable take on The MerseyBeats' version of the song (originally released by The McCoys). The single reached number 3 in UK, staying in the charts for 15 week, and also appeared on Bowie's 1973 covers album, Pin Ups. Bowie's version is an exceptional interpretation of a great song, so successful it has superseded the original and become THE definitive version. It will be available as a double A-side single, backed with a rare live version of Sorrow recorded at the Pacific National Coliseum, Vancouver, from David's hugely successful Serious Moonlight Tour on 12th September 1983. The single was mastered by Ray Staff at AIR Mastering.
7" Single
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Kulturkatzenjammer is the new album from Pajaro Sunrise, the musical project led by Yuri Mendez Jr. Yuri wrote, played, arranged, sang, mixed and produced everything except the drums on a couple of songs. The production on this album is less classic and more contemporary than earlier Pajaro Sunrise albums, which were praised by Uncut, Q and Monocle among many others.
The sound has moved away from the American folk of his previous work and come closer to electronica, which sometimes adds emphasis, and sometimes completely leads the show. However, what hasn t changed is the quality of the songwriting. Whether ensconced in electronic sounds or stark and naked, Yuri s songs are brilliant, moving, brimming with emotion and this, without a doubt, is the Pajaro Sunrise signature.
1. Hopefully Pt. 1
2. Good To See You
3. Long Forgotten Flowers
4. Minolta
5. A Love Like Mine
6. Gorgeous Georgina
7. This Place
8. This Vision
9. Il Sorpasso
10. Passing Birds
11. 086
12. Move Like a Ghost
13. Sink or Swim
14. God Doesnt Care Anymore
15. Hopefully Pt. 2
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It doesn't happen too often that a song grabs you by the throat in seconds. That's exactly what happened to us when we heard I Will, I Swear's track Long Days for the first time.
This intriguing boy / girl duo operates from Gent, Belgium and they have just finished recording their first songs together. Delicate tunes drenched in gloom with vocals that will leave anyone silent.
Their debut single "Long Days/Sleep" is on its way in the form of a limited 7" vinyl single.
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"Cool Wheels" is the new album of jazz-funk quartet Workout and represents a wide-ranging reflection on black contemporary music and its various forms. The group, originally from Mantua, after exploring the sound more "acoustic" jazz in the first album "Strange Decomposed" (Music Center), has been renewed in "electric" sound / style. Now the organic is : Gabriele Rampi (low, synth, piano), Marcello Abate (guitar), Nicholas Bardini (sax) and Riccardo Bringhenti (drums). The ten original compositions which make up the disc, written by bass player Gabriele Rampi, are in fact a real tribute to the beauty and mystery that characterize the soul and funk from James Brown on.
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Nach dem internationalen Erfolg der Lost Tapes, bringt Spoon Records nun die lang ersehnte CAN VINYL BOX auf den Markt. Die in Leinen verpackte Box, mit insgesamt 17 Scheiben hochwertigem 180gr Vinyl, erscheint Ende November 2013. Die Box enthält nicht nur die bekannten 13 Alben der Band, sondern auch die seit 1978 nie wiederveröffentlichte Out Of Reach, so wie unveröffentlichtes Live Material: Eine Aufnahme aus dem Jahre 1975 mit dem klassichen CAN Line-up: Holger Czukay (Bass), Michael Karoli (Gitarre), Jaki Liebezeit (Drums) and Irmin Schmidt (Keyboards). Der Live Bonus wird ausschliesslich in der Box erhältlich sein. Alle Alben sind in ihren orginalen Covern, zusätzlich befinden sich in der Box fünf Originalposter, ein 12'' Booklet mit unveröffentlichten Fotos aus dem Spoon Archiv so wie Liner Notes des britischen Schriftstellers Allan Warner (Morvan Caller). Das in der Box zusammenfasste Gesamtwerk reflektiert die facettenreiche Geschichte der Band mit ihren verschiedenen Sängern wie Malcolm Mooney und Damo Suzuki und Mitstreitern wie Reebob Kwaku and Rosko Gee.
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Significant Other is the second album by the nu-metal legends Limp Bizkit, released in 1999 by Flip/Interscope Records, the album saw the band expanding its sound from that of its debut album, Three Dollar Bill, Yall$, to incorporate further rock and hip hop influences. The album features the monster singles Nookie, Re-Arranged, Break Stuff and the Method Man featuring N 2 Gether Now.
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Named after the road signs on the local bypass, the Derbyshire band combined elements of folk musics from across the United Kingdom. Beginning as an acoustic trio, and later adding a rhythm section and the vocals of Jayne Marsden, they began to expand their sound, taking in elements of progressive rock and combining catchy vocal tunes with virtuosic instrumentals, including a synthesizer. Their self-titled first album was recorded in 1982-83 in Dave Pegg's
(Fairport Convention) Woodworm Studios. Will appeal to fans of Vashti Bunyan and Linda Perhacs. LP comes with inner sleeve with liner notes and rare photos
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The Rolling Stones are set to delight their millions of fans, and another generation of new admirers, as they unveil a treasure trove of vintage unreleased material from the 'Some Girls' era of 1978.
Comprising an entire album of fresh material, the songs form the second disc on the deluxe edition of the band's seminal, multi-million-selling 1978 album Some Girls, which is released on November 21. It follows the massive worldwide success and acclaim for Universal's 2010 reissue of the Stones' hallowed 1972 set 'Exile On Main St.'
The appearance of the unreleased tracks on the deluxe 'Some Girls' means that after listening to such gems from the original album as 'Miss You,' 'Far Away Eyes,' 'Before They Make Me Run' and 'Beast Of Burden,' fans can enjoy a whole new set of contemporaneous work by the Stones. A fresh and compelling collection in its own right, it's also the perfect complement to one of the band's best-ever albums.
The unreleased tracks mostly feature performances by the whole band - Mick Jagger on lead vocals, piano, guitars and harmonica; Keith Richards on guitars,piano, harmony vocals (and lead vocal on 'We Had It All'); Ronnie Wood on pedal steel, electric and slide guitar; and the vintage Stones engine room of Bill Wyman on bass and Charlie Watts on drums.
Produced by the Glimmer Twins, Chris Kimsey and Don Was, the material also includes guest appearances by Stones diehards Ian Stewart and Chuck Leavell on pianos, harmonica player Sugar Blue (who also provided the unforgettable motif on the 'Some Girls' smash 'Miss You'), and for trivia freaks even handclaps on one song by former Creedence Clearwater Revival frontman John Fogerty.
The collection includes a wealth of fine Jagger-Richards compositions along with some fascinating cover versions, collectively reflecting the stripped-down rock 'n' roll, blues and country flavours of the famed 1978 album. 'So Young,' 'When You're Gone' (co-written by Ronnie Wood), 'Keep Up Blues' and 'Petrol Blues' all evoke the band's enduring rhythm and blues roots. 'Don't Be A Stranger' is an infectious shuffle and 'Love You Too Much' an archetypal Stones rocker.
'Do You Think I Really Care,' with its lyrical imagery of New York City, and the mid-tempo road tale 'No Spare Parts' dovetail with 'Far Away Eyes' and the 'Some Girls' title track in reflecting the band's longtime love of country music. No Spare Parts will be released as a single.
As if all of that wasn't enough to keep the hungriest Stones fan happy, there are three exceptional interpretations to add to their long list of distinguished cover versions. Keith takes the lead vocals on 'We Had It All,' written by the great Southern songwriters Troy Seals and Donnie Fritts and recorded by such country greats as Waylon Jennings and Conway Twitty. There's a rocking take on Freddy Cannon's 1959 favourite 'Tallahassee Lassie' and an assured version of the Hank Williams standard 'You Win Again.'
'It's wonderful to see the quality of these tracks measuring up to the songs that came out on the original album,' says Ronnie Wood. 'It's an extension of what was going on then,' adds Keith Richards. 'Sometimes great stuff gets left behind and it's great to see it out there.'
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(180 gr vinyl + download card) The new Flying Horseman album (nr 3) sears the soul to the rhythm of a torrid summer's day. While the previous album, Twist, evoked the atmosphere of the deep, dark woods, City Same City is a breath of desert air.
The new Flying Horseman album - their third - sears the soul to the rhythm of a torrid summer's day. While the previous album, Twist, evoked the atmosphere of the deep, dark woods, City Same City is a breath of desert air. Still, each track is imbued with an ominous light, a sense of the gathering storm.
Buoyed by a rhythm section that's at once playful, pared-down and percussive, the songs flow like a river, governed by their own laws only. Unpredictable and marvellously eccentric, the overall effect recalls the work of other utterly unique musical artists (early Fleetwood Mac, late Talk Talk, Brian Eno, Talking Heads, Joy Division). There's also a distinctly African influence - particularly Nigerian juju music and Malian desert blues.
The album consists of twelve songs, divided into two parts.(City and Same City) The band's wealth of individual talent, combined with the strong vision of producer Koen Gisen and frontman Bert Dockx results in a varied, layered masterpiece; a gripping, hypnotic fever dream in twelve chapters.
Bert Dockx is clearly on a roll. He delivers this pièce de résistance, barely a year after Twist and a few months after I/II by Dans Dans, his other - much acclaimed - band.
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Early support from Coyote, Idjut Boys, Pete Herbert, Leo Mas. Deeply rooted psychedelic disco. Remix by Tokyo-based Englishman MAX ESSA. 180g vinyl deluxe packaging
The Dubless originally from Tokyo came back again with a brand-new song, "ICARUS". The release of the original version of "ICARUS" is the most long-awaited song along with the others in the latest mini album. The original sounds like 80's symbolic bass-line represented by Giorgio Moroder but the remix has changed to more raw groove by live drumming having some resemblance like brand new Daft Punk album which huge effects to dance music scene for all over the world. Also their remake has achieved not just longer, but more simple than the original version. The remixer is a world-famous DJ, Max Essa, who has released his successful brand-new album 'Won Ton Sunset'. We can enjoy his 80's style, one of his characteristics, throughout the remix. Especially, the middle of the song with piano is not only powerful but also elegant and it accelerates the song even faster. It is the remix with danceable and musical elements. A mastering Engineer, Chester Beatty has released high-quality techno music since early 90's. He is also known as a person who taught The Dubless how to create music. He has received excellent reputation in composition and mastering from plenty of experiences in his career. The beautiful jacket featuring a motif of "Birds", which catch people's eyes, is an Suno Fujimoto (sanpo design)'s work . Its typography done by Art Director, G, is thought of brevity of Zen. He shows that the record is not an expendable but an art work.
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Die erste Welle der 7inch Veröffentlichungen auf 359 Music wird von der Band Mineral abgeschlossen. Mineral sind eine multinationale Band aus Paris und Dublin, die von Talking Heads, The Pixies, Syd Barrett, Kraftwerk, Gainsbourg, The Beach Boys und Bela Bartok beinflusst wurde. Die B-Seite bietet eine Coverversion des My Bloody Valentine-Klassikers "When You Sleep". Weltweit limitiert auf 359 Kopien!
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recorded this new 7-inch in an old lightship moored on the River Thames in London, where the band moved in April.
The recording and mixing with Rory Attwell (Warm Brains,Test Icicles) only took one weekend on the river and produced the roaring, restless "Rats In The Palm Trees" and its daydream memory B-side, "Fortuna."
'I know it shines in you, but it burns me through, you're the mirror telling lies,' sings Joel Flyger over the reverberating distortion of his guitar on 'Rats In The Palm Trees.' Bassist Adam Page provides a propelling riff and drummer David Larson offers a rocking rhythm. The stays-in-your-head titular chorus is a literal metaphor, Flyger says. It's about great things being soured by something nasty or undesirable.
'Fortuna' is a self-reflective song about personal change. It has a lazy, woozy feel as Flyger sings, 'I miss the good in your eyes, it changes with all that you do.' But Popstrangers turn up the volume to ask, 'If you could change, then would you'
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