Techno Charts

down2present the fifth release.
d2e005: matthias’ beat of blades

three deep cuts by the one at the helm, which without doubt will throw you into a whirl.

For the follow up release Amsterdam legend RDS delivers four heads down and effective and lanky cuts on the Nesreh label. Hailing from Amsterdam, with a slew of releases under his belt on labels such as Undersound, De Lichting, Kalahari Oyster Cult and Jamming Is Life. Mastered by Isabel Schroer at Olo Mastering.

After some time, The Don returns to the series for number 4, with 3 previously unreleased tracks all recorded between the 90’s and early 2000’s. Remastered from the original CD and ready to spin many years later.

Limited to 300 copies.

Remastered & cut with Marco at Analogcut.

The mysterious Witness of Venus takes command of the Zazù spacecraft and continues his cosmic exploration. With Lost & Found, he drifts into a dreamlike sound world inspired by a specific sound of the trance and techno of the 1990s — the one that evokes wonder without excess.

As the label’s second release, Lost & Found is a gentle tribute to a timeless spirit of dance music, where the dancefloor becomes a place not only to move, but to dream.

Final chapter of the Monochrome series by Okain.
Started in his Berlin studio a few years ago and completed just before moving back to France, these tracks mark the end of a special period.

They are the last recordings made in that space, capturing a moment in time.

The Monochrome concept was simple: one track, one day, one idea.

This EP brings together four new cuts, each drawing from different influences across deep tech house, dub techno and UK garage.

Long-running event series Point inaugurates its new label with the debut EP by co-owner Laimonas. These four tracks draw on the weighty lineage of EBM and electro to evoke fragile mental states and their sublimation into cathartic dancefloor experience. ‘Ček’ is a brooding, almost military opener, its implacable beat tempered by expressive synth work and a striking mid-track break. ‘Fusion Glasses’ gets funkier, with ricocheting shards of percussion and jazzy keys, while ‘Editional’ leans darker, its roiling textures punctured by cosmic fanfares. The closing title track ‘Fragile Signals’ pairs the strict march of classic EBM with wordless vocal fragments and tense harmonies. This is a highly accomplished and intensely personal debut, establishing Laimonas’s voice as a producer and Point’s position at the leading edge of contemporary club music.

The unmatchable style of the Brazilian artist on KEY! No introduction needed.

Starting in 2021 the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took usfrom the industrial and post-punk sounds of the late 70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today.

Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. With the nascent rave scene obliterating boundaries, this was a moment where the darker, harder industrial electronic sounds of the mid 1980s were crashing headfirst into the ecstatic wave that was washing over clubland creating thrilling juxtapositions. Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.

Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.

This is Chapter 1.

Red Vinyl

From the Brvtalist:

The Brvtalist is pleased to premiere a new track from Radical G. The prolific Belgian producer returns with a massive new LP titled, The Deserted Kingdom. The album contains 10 original tracks including the new Horrorist collab and in addition the full package comes with 8 remixes from Arnaud Rebotini, Imperial Black Unit, David Carretta, B1980, Shlømo, Hadone, Lokier and CJ bolland.

A massive release featuring some of the biggest and best from across the industrial, techno and EBM spectrums, very few artists can successfully navigate all these worlds but Radical G has done it again. With our crushing premiere today of “Chaos and Silence” to the pulse pounders from Hadone and Schlømo, this one has it all.

Portugal's Dextro returns for second EP of stylish deep techno on Mutual Rytm with ‘Planets And Stars’. Dextro’s tunes have long been a staple of Mutual Rytm label head SHDW's sets, with the esteemed veteran previously landing on the label with his ‘Covil Dos Abutres’ EP last year. His return with ‘Planets And Stars’ features a selection of his most requested IDs from recent times, with the Portuguese DJ/producers featuring as a longstanding favourite within the European underground since the 90s through his stripped-back, economical sound that is rooted in masterful design and intuitive grooves. He is a true studio craftsman, whether going deep or more destructive, and that range is on show here as he makes a splash for his sophomore outing. SHDW notes, “‘Planets And Stars’ feels like his most refined and focused work to date. It also further strengthens our relationship, rooted in a shared vision and values around music and how it should be presented.” The EP kicks off with the heavyweight ‘1000 Places’, a track that will rattle walls as eerie synth whispers and sonar blips snake through the mix. ‘Industria Acéfala’ is just as hypnotic with a deep blend of rolling bass and rooted kicks, while unsettling tension comes in the one-note synth loops and scratchy texture. ‘Planets and Stars’ provides an intergalactic trip with cosmic dust, conscious spoken words and an infinite horizon that has you gazing off into the distance. The all-consuming ‘Perpendicular’ is shadowy with impish motifs darting about the mix as watery droplets fall into cavernous kicks. ‘Winter Letter’ is the final 12”cut and is perfectly deep, linear techno with gorgeous ambient details that turn your thoughts inwards. Three digital bonuses expand the trip: ‘Torresmos com Pão’ is unsettling and sparse, ‘Historia da Vida’ ramps up the tension with oversized hi-hats and rising synth turbulence and finally ‘Ghost Particles’ has shimmering bell sounds evoking a spooky moon-lit church in the dead of night.

DIFF007 Distributed by One Eye Witness.
All tracks Written & produced by Autokinetic in Minneapolis, Minnesota, USA.
Mastered by Tangible Air.
Designed by Felix Lücke.
Stickered cover.

DFR is back with a rather mysterious alias first appearance. Signal Priest delivers four dance-floor workouts that intersect between techno, trance and electro with admirable sense. TIP

Layton Giordani brings out his first MADMINDS vinyl to celebrate his opening duo of releases on his imprint. Released on wax, 'When It Kicks' sees Layton's debut collaboration with dance legend Green Velvet - on the flip side, 'Call You Back' features Layton's standout link up with GENESI & Be No Rain.

Sciahri and Sublunar are happy to welcome back Clotur with his new EP, One Touch. A release that highlights Clotur’s ability to blend refined groove structures with a distinctive and instantly recognisable sonic language. The EP opens with One Touch, a deep and seductive cut enriched by Suēno’s distinctive vocal, creating one of those tracks that instantly stays in your head. It then moves into Drummz, driven by dynamic and unpredictable rhythms, refined groove work and a strong sense of movement. On the flip side, Endless Love blends deep, repetitive structures with a balance of modern and old-school influences, before closing the vinyl with Fragments of Us, a track that perfectly captures Clotur’s talent for unique sound exploration, paired with an infectious bassline that lingers long after. With this EP, Clotur further establishes himself as one of the most distinctive and hard-to-replicate artists in the current scene.

The Hacker teams up with Rein for ‘We Come Alive’ on Rekids. French producer The Hacker joins forces with vocalist, songwriter, and producer Rein for ‘We Come Alive’ on Rekids, arriving 19th June 2026. A longstanding figure within the underground, The Hacker helped shape the early electroclash movement through his analogue-heavy sound and influential releases on labels including Turbo Recordings and Dark Entries, while Rein has built an international reputation through a darkwave-influenced sound that blurs underground and crossover electronics, alongside releases on Boysnoize Records and live appearances with Front 242 and Nitzer Ebb.

Built as a tribute to the dance floor “We Come Alive” explores the feeling of liberation and connection that only exists late at night. Think an Alison Moyet-inspired vocal over stripped-back machine funk somewhere between LFO and Kraftwerk.” - The Hacker & Rein

The Hacker & Rein’s ‘We Come Alive’ pairs sharp, angular rhythms with punishing low-end pressure as acid lines twist through scintillating percussion and jacked-up drums. Amid the machine-heavy intensity, Rein’s vocals cut through the mix with clarity and emotion, lending a euphoric edge to the track’s raw, strobe-lit energy.

Pelle makes his mark with the first release on the Time Item label with the Deep
Currents EP, a high-pressure set of tech house and techno cuts designed for the
club. Relentless grooves, punishing kicks, and hypnotic tension build tracks that
hit hard and hold tight. Club-ready from front to back.

After a year of silence since the last catalog a new record is now coming to life, notes from the imaginary-world played & programmed by So-Fi.

“Mind Migration” is So-Fi’s debut release on Superluminal Recordings, four tracks inspired by unexplored old and modern techno sectors. Tribal rhythms are wildly unleashed in dialogue with obscure-spectral textures, a musical composition within its influences being reflected also by the artist’s prowess as DJ been witnessed in many clubs.

α1 ѕтrαɴɢε ѕyѕтεм
α2 ɴεѕтιɴɢ
в1 voιd ѕυɴ & ѕтorм
в2 ѕwεαтy coɴvεrѕαтιoɴѕ

Written and produced by So-Fi
Master & Cutting by Analog Cut Mastering Studio
Artwork by Cleymoore
Front cover photo by Elena Tredici
Catalog: superluminal02
©+Ⓟ Superluminal

Fuse leans further into its proposed aesthetic of biting club tracks with a brand new release by Cirkle. ‘Infinity Drift’ balances powerful sound system sound design with lush ambiance, creating standout moments on a dancefloor with a taste of nostalgia. These tracks explore the richness in themes that techno can have when made by someone who’s spent years meticulously crafting it. ‘Skyland’ asserts itself first with impressive pace. Swift chord stabs open and close to create waves of excitement and craze in the track while percussion shuffles along to add impact; Cirkle is an artist of all rooms and dimensions. Shrill sound design cuts through the stereo field creating a wormhole in the middle of rhythmic determination. Tension balance and anticipation are his specialty and every transition whips his dispersed elements into singularity in the EP, specifically the title track. A truly musical piece that embraces the crowd with vintage warmth, ‘Infinity Drift’ tones down the dissonance in exchange for something closer to astral exploration. These larger than life themes are never lost on dancers and serve to unify the dancefloor into an organism instead of pushing sound system violence. This is a theme that is omnipresent in Cirkle’s music and carried through into ‘Stimulus’. Here, the Greek producer dips into the hypnotic bordering on psychotic, stretching arpeggios and delays across drum transitions and time. The dimension of ‘Stimulus’ matches the preceding tracks with ease, but stands out in its effect, rolling a powerful synth through reliably tuned percussion. For the final track, ‘Impulse’ sees Cirkle prioritizing the importance of drums. Pressing hard on the drive of the kick, rides and filtered claps squeeze their way out of the low end to create an infectious groove. Stabs of ethereal pads envelope the rest of the EP, leaving space for the rest to breathe. Bumping along the way, Cirkle lands the EP with class, cementing himself further as an artist whose knowledge of the dancefloor creates a singular experience.

With the launch of Flirt, Alarico distills the essence of his current techno vision while sketching its next phase.
This is techno stripped to its most instinctive form: rolling basslines, teasing vocals and seductive rhythms with hints towards deeper and more melodic realms.

CIVIC INSTRUCTION are HADONE & UFO95. Presenting their first release under a new guise on their new label TSSRCT. Three perfectly executed, consecutive mid 2010s reminiscent cuts. RIYL Avian, Shifted, Stroboscopic Artefacts and so on. Deep and dark!

A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.

Eric Cloutier's career has always been defined by a certain kind of relentless, monastic discipline. With My Friend The Abyss (PALINOIALP01), Cloutier continues to bridge the gap between the selector and the creator. The album title itself suggests a reckoning with the internal-a realization that time is the only distance between an artist and their masterpiece-resulting in a body of work that feels less like a collection of tracks and more like a hard-won transmission from the deep.

Forged in a crucible of stress, chaos, and loss, the LP eschews the easy loops of his earlier output for a far more complex architecture. While Cloutier's signature hypnotic pulse remains the bedrock, the record expands into a startlingly broad lexicon: the dub-wise weight of "Havittaa" and the tribal intensity of "Desassossego" sit alongside moments of fragile ambient beauty. Perhaps most surprising is the inclusion of "Ligrothism," where Cloutier explores the broken rhythms of drum and bass, proving that his obsession with "Palinoia"-the Greek term for perfecting an act through obsessive repetition-has led him to a place of total creative fluidity. This isn't just club music; it's a masterclass in atmospheric tension.

Molekül celebrates its 10 year anniversary with its most ambitious release to date. The label brings together 16 tracks from artists who have shaped its DNA over the years. This compilation looks to the future rather than the past and represents the result of a decade of exploration, forming into a sound that is built on multiple influences, raw, peaky and impactful. The release features peak-time cuts from BAUGRUPPE90, Mark Broom or Zisko, alongside a new generation pushing techno forward like KUSS & Sicion, Seigg and Fran LF. It also dives into more hypnotic territories with tracks by JKS or Hemka, and delivers loopy and effective tools for the dancefloor from Mython, as well as a new standout collaboration between Beau Didier, Flits and Isaiah.

Dumitrescu, co-founder of the label, breaks his own boundaries with a 4-track EP exploring hypnotic structures and stripped-back techno aesthetics.

Eight years after his last solo EP on NORD LTD, Shkedul makes a formidable return with four absolute dancefloor killers. This release does more than just fill a silence; it reasserts his position as a producer with a fiercely distinctive character and an unmistakable sonic signature.

With the launch of Flirt, Alarico distills the essence of his current techno vision while sketching its next phase.
This is techno stripped to its most instinctive form: rolling basslines, teasing vocals and seductive rhythms with hints towards deeper and more melodic realms.

Between Tides marks the next chapter for Deep Steppe—a various artists cut balancing forward motion with the deeper foundation the label’s built on. The A-side leans into a newer lane. Mungo Sound Machine opens with a direct, no-frills party starter. Ballan follows, bringing an overseas touch that stretches the palette—loose, rolling, and just off-center in the right way. On the flip, things return to deeper territory. Kerouac kicks off the B-side with a funky, stripped-back groover—effective across a range of settings. Closing the record, Adam Rose, Miro, & JJ Selects come together on a collaborative tune. Subtle, patient, and dialed in. Two sides, one current.

The Comfort enters the double digits of its catalogue with the label’s most ambitious release to date by Saudi Arabian artist Noboot, titled “Call and Pulsate”.

Fluid in genre yet wholeheartedly electro in spirit, Noboot’s creative output shapeshifts across the record: from four-to-the-floor acid-tinged propulsion to time-freezing illuminations, with neon-coloured synths, body-twisting low ends and piercing drum hits mutating throughout the album, and often within the tracks themselves.

Noboot’s capacity for sonic manipulation is on full display here with the pieces moving with a captivating direction and command. Sometimes gentle, sometimes dramatic, but always carried with a particular elegance and poise. To listen to the record from start to finish is to step into Noboot’s own conceptual world, one in which the artist has the confidence to take floor-oriented dance music and elevate it both in spirit and form.

There is composure and ambition in this approach. Tracks move the listener from one emotional state to another in the span of six minutes: not merely teasing transformation, but by fully taking the listener there. To deliver on that ambition requires control and idiosyncratic intuition. If “Desolated Delay” and “Timer Set” are striking examples of Noboot’s capacity for propulsion, “Meter Tired” shows the other side of their talent: the ability to make time feel briefly suspended in a weightless flux of cybernetic psychedelia.

To achieve this once or twice would already be impressive. To sustain it across an album of this scale is rare in electronic dance music, and makes The Comfort’s tenth release a defining moment in the label’s catalogue.

Bite the Hand That Feeds You is rooted in a simple but confrontational impulse: to question what is presented as normal. The release reflects on the moral codes and social expectations that shape behaviour, challenging the idea that obedience and gratitude must be synonymous with compliance. Set against a world of contradictions, where values often feel hollow or inverted, the project explores the tension between survival and self-preservation, asking what is lost when conformity is prioritised over instinct. At its core, the release is about reclaiming autonomy from conditioning. The title's central image, a dog turning on its trainer, speaks for itself. A primal rejection of hierarchy and control.

Classic Detroit-inspired techno featuring rolling grooves, functional structures, and club-focused energy.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin

As the first release of Flux Code Recordings, Ferplay brings us this 4 tracks EP called “Electric Waves”.

Blending trance and breakbeat elements, acid sequences and punchy old-school drums, each track captures the energy of the 90s underground electronic music spirit.

Flux Code Recordings is a record label inspired by old-school and underground electronic music, exploring styles such as trance, breakbeat, acid and more.

It is born from the concept of music as a living language, an ever-changing code and a continuous flow of rhythms and melodies in constant evolution.

Flux Code channels the raw energy and the rave spirit of the underground electronic music culture, connecting past roots with future sonic pathways.

This record is built upon a desire to rave. To let out and absorb energy from the sounds and people around you. When the rave climate is on point you can meet curious characters, trippy minds floating around with an aura of good energy. We like to cherish them as Good Energy Trippers aka G.E.T.‘s. This EP is a tribute to those ravers who like to share good energy and understand that a party is made together, the better the mix of characters the better the party. EP consists of 4 tracks that blend tech-house rolling with more ravey energy!

WITH “RHYTHM FOR THE NIGHT”, SASCHA DIVE RETURNS TO BONDAGE MUSIC, PRESENTING FOUR NEW ORIGINAL PRODUCTIONS ROOTED IN HIS SIGNATURE DEEP HOUSE AESTHETIC. A SOLID ADDITION TO THE CATALOGUE — VINYL ONLY.

The programm with a personality, It will get on all your discs.
It will infiltrate your brains.

Yes it's (malware) bizzarre!

It will stick to you like glue and it will modify reality, to send in the bizzarre.

We are celebrating 15 years of Knotweed Records, exploring different shades of techno since 2011... This is Phase One!

comes with a coloured cover

Barking-born Jane Fitz, and Transmigration label founder David Fogarty, curate a collection of tracks from East London and Essex’s rich but largely overlooked constellation of independent record labels and distributors operating from London’s E16 to the edges of the Thames estuary during the 1990s.

Mysterious Vastness documents a hidden and largely detached scene that only forms into something coherent with hindsight. From a time when record labels could press and hand-distribute 1000 copies locally, the late 80s acid house and outdoor rave scenes were moving from the fields to the clubs of London and DJs such as Colin Dale, Colin Faver and Darren Emerson were dominating the airwaves and parties with a distinct mix of other-worldly techno, trance and out-there house music. Among the seemingly bland post-war housing estates and factories, a scattered handful of producers were experimenting with early versions of music production software to create an exotic, end-of-the-century soundtrack to the suburban-meets-industrial landscape.

The compilation features a selection of finds from East London’s second hand record or charity shops over a period of 15 years. Many of which have featured in Jane’s sets over the years, most notably the “Beyond The A13" Podcast for Furthur Electronix. A mix she described at the time as the soundtrack to an area of London “totally bereft of natural beauty, but to me, somehow always full of mystery and wonder.”

Second vinyl release on our label, this time presenting what we consider a timeless piece. Light Blue File delivers three cuts steeped in jungle flavour, heat and red lights. Intensity and minimalism. intricate elements and details that fuel the tension and trance on the dancefloor.

New Trance Pandemic, a dark, hypnotic release with deep, dense sound and atmospheric rhythms. A dive into a deep state through shadowy textures, pulsating groove, and minimalist energy that truly unfolds on big sound systems. Perfect for late-night sets and intimate dancefloors.

2026 Repress

The Architects of Shadows explores the volatile undercurrents shaping today's polarized world, where extremes on all sides vie for influence and control. Against a backdrop of rising nationalism, digital echo chambers, and deepening distrust, each track captures a stage in the gradual radicalization of society. Through dark, immersive soundscapes, the album delves into how unseen architects exploit fear, amplify division, and pull the strings of public sentiment, leading society toward ideological extremes. The Architects of Shadows invites listeners to confront the forces behind the fracturing of Western societies in an era marked by profound political and cultural polarization.

The VA saga continues with the sixth edition and holds 4 previously known artists and mainly new appearances on the label. A melting pot mixed of 12 flavored cuts with a modern take and classic orientated approach on techno.

New year, new stars, same route. The final part of our VA series embodies a futuristic and meticulously crafted production of atmospheric and incessant techno.

Outstanding artists named Hadone, HWRD, Justine Perry and Quelza bringing their unique flair to the table to tell a profound story full of eclipsing soundscapes and eternal width. The four dark and intangible contributions are made to tear down floors whilst maintaining their sophistication and depth.

Out on April 5th - Make sure to grab your limited copy and be ready for the next one!

2023 Repress


Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.

Repress !

From Another Mind celebrates its fifth anniversary with 'Versionen 008’, a mammoth remix package of SHDW & Obscure Shape tracks from Héctor Oaks, Ø Phase, Exium, and more.

Comprising nine remixes of the German producer/DJ outfit, 'Versionen 008' covers four sides of vinyl and features adaptations from a wealth of modern techno talent, rising stars, and scene veterans alike,
with Hadone, MRD, Stigmata, Exium, Héctor Oaks AKA DJKAOS11, Introversion, Ø Phase, and DJ Boss making contributions.

With the influences across the release darting between acid, techno, and rave, 'Versionen 008' is a no holds barred journey into the sounds of dark, cavernous rooms and sweaty basements alike, providing a
keen insight into who SHDW & Obscure Shape are passionate about as artists.

From the fast-paced, dub techno infused MRD version of ‘Der Weg Des Kriegers’, the explosive energy in Exium’s remix of ‘Blick Des Bösen’, to the two versions of ‘Die Augen Des Teufels’ by Stigmata, who effortlessly provides a dose of early 2000’s nostalgia, all aspects of the pair’s musical tastes are covered. Héctor Oaks takes ‘Kein Entkommen’ in an otherworldly direction, painting the track with his
signature voice, while Ø Phase brings his powerful and hypnotic sound to the duos ‘Verlorene Seelen’.

Elsewhere on the release, ‘Die Prophezeiung’ receives a shot of trancey energy from France’s Hadone and Introversion breathes new life into ‘Blisswunden’, developing the track into a melodic dream
amongst metallic percussion. The penultimate ‘Feuersturm’ gets the DJ Boss treatment, as the Slovakian DJ/producer transforms the track into a dynamic late-night roller.

Taking in these variety of moods across the remixes, the compilation sways between different strains of techno, from anthems to DJ tools, covering both modern and vintage to provide a diverse compilation
that will no doubt be warmly welcomed by DJs and listeners alike.
Favouring fiercely high-energy and gritty productions, the duo has used the label as an outlet for their dark, intense sound to the rapturous responses from DJs and dancefloors and 'Versionen 008' sees them celebrate five years of the imprint in typically uncompromising fashion.

Craig Richards' 2013 track 'Sleeping Rough' is finally repressed alongside two new mixes on the flip side B1: 'Trying To Sleep' remix and B2: 'Trying Not To Sleep' remix.

Sound minimal, metallic, clean and repetitive... this is Fergus Sweetland EP on KEY.

4 bouncy tracks by the Spanish Vilchezz. Simple and raw rhythm !

With skynet T.6, the time has come for ROBOTRON to expand the network of SKYNET CYBERSONIX. From the signal zones emerges DOPPLEREFFEKT – with a conceptual transmission between time-fields, entropic resonance, and asymptotic states – entitled EONFIELD. Issued as a limited edition of 200 × 12″ copies, available on black or silver vinyl – including a numbered insert sheet, a sticker, and one of 50 randomly packed posters.

Eonfield is a conceptual framework in which reality is treated as a field defined not primarily across space, but across cosmological time scales approaching infinity. In this view, all physical states, structures, and observers are understood as functions evolving within an extended temporal domain, where the dominant variable is time in its asymptotic limit. As duration increases, local distinctions – such as form, energy distribution, and informational structure – undergo progressive smoothing under entropic dynamics. The Eonfield therefore describes a regime in which the evolution of the universe is no longer meaningfully characterized by discrete events or objects, but by the global behavior of fields approaching equilibrium conditions. Concepts like causality, locality, and state differentiation remain formally valid but lose practical significance as their effects are diluted across effectively unbounded temporal intervals.

Philosophically, the Eonfield reframes ontology around persistence rather than presence. Identity, within this framework, is not a fixed property but a transient configuration that becomes increasingly unstable as time extends toward infinity. Information is not annihilated but redistributed toward maximal entropy, rendering it inaccessible rather than nonexistent. The Eonfield thus represents a limiting description of reality in which all structured differences converge toward uniformity, and where the question of “what exists” is replaced by “what remains distinguishable over infinite duration.” It implies that being itself is subordinate to temporal extension, and that the ultimate condition of reality is not a state in the conventional sense, but a boundary behavior of all possible states under infinite time evolution.

Border One pushes his sound to new extremities with this latest EP on Token 'Spectral Tension'. Known for his driving, melodically abstract productions under eye twitching pressure, the Belgian artist takes his celestial signature and puts it to the test. These four tracks embody his sound: dancefloor experiments from a modular laboratory.



Exceptional in his sound, Border One adds 'Spectral Tension' as his seventh release to the Token catalog.

Interdance returns in 2026 with its fourth vinyl release, continuing a journey that began in 2023 and further strengthening a distinct sonic identity rooted in hypnotic club experimentation and meticulous sound design. This time, the spotlight falls on Dani Labb, a true architect of sound, delivering four original tracks, including one reimagined by Z@p. The EP is deeply focused on repetition as a language of its own, building groove through carefully layered textures and surgical precision. Music designed to be fully experienced on sound systems capable of embracing the entire frequency spectrum, where every detail reveals its purpose.

The journey begins with Phase Two, a restrained yet immersive acid cut that slowly draws the listener into Dani Labb’s universe. Its progressive structure unfolds gradually, revealing tranceinfused nuances and vocal passages that feel like moving through levels inside a parallel dimension. A2 brings Nordark, following the narrative established by the opening track. Heavy low-end pressure, resonant highs, and a sonic architecture where drums retreat into the background, sketching rhythmic contours while the synth work takes full command. The B-side opens with Enbad, where tension rises and the energy becomes more forceful. The drums gain weight and the sound leans further into techno territory, while acid remains the guiding thread throughout. Closing the record, Z@p reshapes Enbad with his unmistakable signature of mystery, tension, and hypnotic arpeggios that push the experience to the edge. A producer who needs no introduction.

Although humankind has made it to the far side of the Moon and back, there is still more to discover. Strap in… Rex The Dog is taking us further out into the lesser-known realms of space disco.

‘Far Out!’ is a reinterpretation of an early breakbeat rave tune from 1991 by Son’z Of A Loop Da Loop Era. It’s a tribute to a simpler time when all you needed was a cascading piano riff played through a powerful sound system, with your best friend by your side.

In Rex’s version, the breakbeats and piano have been replaced with a punchy 4/4 beat and an arpeggiated synth workout that cuts through the air like a laser. Houston, we have a hit.

‘I Need Your Body’ showcases Rex The Dog’s more introspective side, with yearning vocals spread across a heavily bouncing rhythm track full of mind-boggling dub effects.

This new EP cements Rex The Dog’s status as a unique voice in today’s techno world, as well as an incredibly reliable purveyor of highly emotional dancefloor smash hits.
Obwohl die Menschheit es bereits bis zur Rückseite des Mondes und wieder zurück geschafft hat, gibt es noch immer Neues zu entdecken. Schnallt euch an … Rex The Dog entführt uns noch weiter in die weniger bekannten Gefilde des Space Disco.

„Far Out!“ ist eine Neuinterpretation eines frühen Breakbeat Rave Tracks aus dem Jahr 1991 von Son’z Of A Loop Da Loop Era. Es ist eine Hommage an eine einfachere Zeit, in der man nur ein kaskadenartiges Piano-Riff brauchte, abgespielt über ein kraftvolles Soundsystem, mit dem besten Freund an der Seite.

In Rex’ Version wurden die Breakbeats und das Piano durch einen druckvollen 4/4-Beat und ein arpeggiertes Synth-Riff ersetzt, das wie ein Laser durch die Luft schneidet. Houston, wir haben einen Hit.

„I Need Your Body“ zeigt die eher introspektive Seite von Rex The Dog, mit sehnsüchtigem Gesang, der sich über einen heftig bouncenden Rhythmus-Track voller verblüffender Dub-Effekte erstreckt.

Diese neue EP festigt Rex The Dogs Status als einzigartige Stimme in der heutigen Techno-Welt sowie als unglaublich zuverlässiger Lieferant hoch emotionaler Dancefloor Smash Hits.

Mutual Rytm welcomes new school tastemakers Klint and Hemka to sub-label Versus for imprint’s second drop. SHDW’s Mutual Rytm welcomes back two standout label alumnus for the second edition of Versus, a newly-launched conceptual sub-label focused around two artists whose sound works individually and in unity. Hemka made an impressive and well-received debut with her full solo EP back in 2025, while Klint appeared on ‘Federation of Rytm IV’. Both artists hail from France, and have crafted a well-earned reputation for their own distinctive approaches to sound design - pairing locked in grooves with cosmic synth escapes. Across the EP, each artist delivers three individual takes on techno to make for an essential collection of high-end cuts, exploring the label’s ethos of creative symbiosis between two artists on one shared release. Klint’s tracks lean towards minimal yet highly effective, dance floor-focused DJ tools, starting with the lithe, stripped back menace of ‘Prism’, before the sparse eeriness of ‘Dobermann’ keeps you looking over your shoulder while remaining trapped in the groove. Third cut ‘Romance’ is more bold and muscular, with contoured drums and icy pads ramping up the tension and energy. Hemka then dives deeper into a hypnotic and anthemic direction while introducing her own voice into the mix. ‘Leave It’ is textured, percussive deep techno with shadowy whispers, while ‘Breathe’ has a dark, grinning undercurrent and scintillating snares fluttering over the drums. ‘Mindness’ then pairs spoken word atmospherics with taught drum pressure and an ethereal backlit glow. In addition, Klint's digital only cuts ‘1112’ and ‘Blue’ marry minimal synths with meticulously defined drums that hit hard, while Hemka's ‘Push’ is an anxious percussive trip, contrasting with the introspective emotional core of ‘Live To Tell’.

The second instalment of Clergys 'Splits' see's Obscure Shape and Maharti stamp their own style on the series over 6 tracks.

Rinascimento Elettronico presents its first vinyl release: R/E001 — Divide By Zero EP by Translate, featuring a remix by Psyk. Out May 28th.
Argentinian artist Translate, a well-established name within the hypnotic techno scene, delivers a refined and immersive EP built on deep, looping structures, textured atmospheres and subtle rhythmic progression. His sound navigates between tension and introspection, maintaining a strong focus on hypnotic continuity and dancefloor functionality.
On remix duties, Spanish master Psyk reinterprets Inactive with his distinctive signature — stripped-back, precise and driving — adding a powerful and functional edge to the release.
With Divide By Zero EP, Rinascimento Elettronico sets the tone for its vinyl series, focusing on forward-thinking techno rooted in depth, repetition and sonic identity.

Berlin-based duo Disguised land on Mutual Rytm with a splash of signature driving techno on ‘Nightrun’. German-born, Berlin-based pairing Alvaro and Domenik are Disguised, a duo that feels closely connected to their favourite club RSO and its Robus Floor, where most of their musical inspirations happen. They head up their own label, Inherit Records, and also host parties at Berlin's new C115 venue on the Berlin highway. Already this year, they have dropped an impressive collaborative EP with their studio partner and close friend Fabio, aka FANK, who features on this EP with his own vocals. Their sound is always defined by driving drums and hypnotic melodies that build up to intense dancefloor peaks, and here they showcase this to its fullest on their Mutual Rytm label debut via five vinyl-only cuts and three digital bonuses built and crafted to make a lasting impact. The powerful 'Where Thoughts End (ft. FANK)' rises up through the ground like an oncoming train, as drums rumble, synths peel off the groove, and moody voices have you looking over your shoulder. 'Nightrun' is glitchier and more textured, with a fractured energy that keeps you on your toes. 'Crusher Wheels' is a deep, back-lit, and trance-inducing sound made for 4am, while 'Ashes and Algorithms' layers up eerie melodic details with bulky drums for a spare but atmospheric trip. 'All You Find (ft. FANK)' is dubby, greyscale techno with a muscular rhythm and unsettling synths, taut and tensile, balancing right on a knife-edge. Three digital bonuses explore different moods - the subtle melodic touches of 'Silent Pulse', the cosmic energy of 'Sceptre Rd', and the rising optimism of 'Twinfall’.

Ricardo Villalobos runs wild on Mohammad Reza Mortazavi’s Persian tombak hand drum actions, expanding a 4 min kernel of inspiration into 24 minutes of mesmerising polyrhythmic traction. From an original ‘Swamp’’ piece that practically recalls Ricardo’s style of slinky minimal techno sorcery to begin with, the Chilean-German maverick derives a more driving tract of rough hewn rhythmic grit bound to hypnotise ‘floors for the duration. Accentuating the undulating bass and dialling up the volume whilst retaining the frictional grind of the original, Villalobos gets right inside the groove with typically obsessive tekkerz, plucking out additional string
motifs and tempering the flow with signature, taut but sinuous, loosey goosey flex that cross-pollinates cultures and gets right under the skin of the thing.

Ricardo Villalobos (b. 1970, Chile) is a pioneering figure in minimal techno, celebrated for his hypnotic and groovy approach to rhythm. Raised in Germany after his family fled Pinochet’s regime, Villalobos was drawn early to percussion - he began playing congas and bongos at eleven, developing a tactile relationship to rhythm that would later inform his distinctive production style. Immersed in both Latin American folk traditions and the emerging house and techno scenes of late-80s Europe, he began DJing and producing in the early 1990s, quickly achieving cult status within global club culture. Mohammad Reza Mortazavi (b. 1979, Iran) is a virtuoso percussionist known for his groundbreaking work with the tombak and daf, traditional Persian drums that he has radically redefined through new playing techniques. Mortazavi began playing the tombak at the age of six. By nine, he had already outpaced his teacher and won Iran’s national tombak competition - a distinction he would earn six more times. By his early twenties, he was widely regarded as one of the foremost players of the instruments. Since then, his music has continued to evolve, embracing new forms beyond tradition.

Starting in 2021 the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took us from the industrial and post-punk sounds of the late 70s,through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today.

Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. With the nascent rave scene obliterating boundaries, this was a moment where the darker, harder industrial electronic sounds of the mid 1980s were crashing headfirst into the ecstatic wave that was washing over clubland creating thrilling juxtapositions. Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.

Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.

This is Chapter 3.







f B2. Javi Redondo - HALT [Process]

Sa Pa launches Dub Techno For Life: a dedicated outlet for the artist’s more dancefloor-focused material - work that has largely sat outside the conceptual frame of his previous releases.

The label’s first release, Girls on Tour EP, opens with “Mokira Ultra Dub”, a 10-minute club rework of Mokira classic “Manipulation Musik”. Originally produced alongside an ambient version commissioned for Kontra Musik’s 2016 Kontra X compilation, the dancefloor mix was ultimately shelved until now. With Andreas ‘Mokira’ Tilliander’s blessing, it finally surfaces as a standalone Sa Pa production. A track too banging to go unreleased.

“Waiting For You” traces back to Sa Pa’s orbit around the giegling ecosystem via FORUM. Once lined up for an official release on the parent label before plans stalled, the track slipped into the archives. Buoyant and disarmingly pop by Sa Pa standards, it finds its place here as the A2 - tuned to the collective memory of mid-2010s German house music.

Harnessing the spirit of Chain Reaction from the abandoned patches and borrowed machines of a rainy night’s recording in Taipei, the B-side’s “Modular System” captures a late-night, one-take modular jam. A broken yet hopeful “World Saving Banger” closes the EP with some raw and IDM-leaning force, showcasing Sa Pa’s new label - and the Girls On Tour EP - as a space for neo dub techno ideals to take shape.

For the sixth release on their imprint, Voodoos and Taboos deliver “Other Land”, a 4-track EP showcasing their signature blend of diverse sonic landscapes. The record flows seamlessly through 90s-inspired Progressive House, sharp Electro, atmospheric Breakbeat, and clinical Minimal-Techno, balancing driving peak-time energy with deep, futuristic textures. A versatile 12″ designed to bridge the gap between different club aesthetics with high-fidelity precision.

House and techno's most innovative improviser, KiNK, lands on Mutual Rytm X.

Offering four more thrilling dancefloor weapons, the iconic talent lands on SHDW's new Mutual Rytm X Series to deliver the label's second release.

Legendary Bulgarian artist KiNK is widely regarded as one of the most respected live acts on the global scene. He is a noted tech wizard who creates loops on the fly, crafts killer drums and never fails to hypnotise dancefloors. He has released on almost every influential label of the last 15 years and taken his unrivalled live show to all corners of the world, often drawing on those sets to bring aspects and inimitable qualities from his performances into his tracks. This innovative approach has helped to solidify his reputation as a groundbreaking figure, inspiring a new generation of musicians and producers, and he once again showcases precisely why he's in a league of his own here with a first appearance on SHDW's newly minted Mutual Rytm X.

'Unicord' opens up this new EP in thrilling fashion with sleek, Detroit-style synth loops flashing up top as the heavy, pounding while warm drums drive things down low. 'Quantum Shake' brings 90s energy with new school sound deists - the dubby drums are fast and urgent, the synth craft is deft, and the percussion adds texture to a straight-up but sophisticated techno anthem. 'Pitch Down' then brings fantastically unhinged synth leads that spray and zip about the mix to boggle the brain. Rattling percussive loops and chunky drums keep things moving as those synths get even more wild. To close, the digital bonus 'Highpass Lowpass' is a masterfully muscular cut with rugged bass and taught synths interlinking to mind-melting effect.

Dj Immortal invites you to dive into his obscure experimental laboratory with “dissociation EP”, the first release on his own label, Glue Recordings. Oscillating between breakbeat, house and electro bits, the project blends genres and moods into a four-track journey made for sticky dancefloors and nocturnal explorations.

If you decide,
take us
who stand and smoke and glower;
we are rusty with sadness
and
feverish
with climbing broken ladders

All scene-shaking releases deserve their own vinyl pressing, and Dense & Pika's 'Colt EP' is getting it well over a decade after its 2012 release. Containing all of the EP's tracks, from namesake 'Colt' to 'Black Deep', 'Vomee' and 'Airless', this re-release carves the legacy of the U.K. into a must-have vinyl.

The first release of Sub Culture, Puzzle by Gregory Shiff, is a tech house masterpiece with both delicacy and an innate strength. The original release came out in 2003 on the American label Matter/:Form Records and immediately caught the attention of lovers of the genre. The release features four versions of Puzzle, including an “Unreleased mix” produced in 2003. A highly respectable repress for record bags, not only for those who love tech house.

The "TRACK TRAX EP" is the new vinyl of the "Computer Controlled Minds"
The yellow vinyl clearly indicates the direction – ACID!
As the name suggests, it will be a fast-paced race.
On the A side, our track days start with a driving track, it quickly becomes clear that this will not be a leisurely Sunday ride. It's going to be a tough race. When approaching the apex, it is always important to remain seated and open the tap slowly.
The second track is a confession of love to Kerb, he wants to be loved and touched. But this love also harbors great dangers. If you drive too hard over the limit, the Kerb will pay back mercilessly.
With B1, the DOWNSIDER brings ecstatic acid acceleration to the slopes. If the braking point is exceeded, it can fall massively to the ground. The experienced technoracer has everything under control and brings the necessary momentum to the next straight.
As the race goes on, the strength dwindles and a clean line becomes more and more difficult, but at the same time it is the key to the thrill. The struggle with body and machine becomes clear, every action makes the body burn. Giving up is out of the question, the race is only over with the chequered flag. But now off to the bar!
Last but not least on the B-side, two short bonus sounds for all mix DJs

The Computer Controlled Minds show their clear roots, ACID and hard RACE.
TCCM can be booked as a live act via insta: __NEXT_DOOR__. You will never forget the race!

Remixed and recreated from original recordings 2001 to 2008 in The Box by Jon Greig, Leicester UK.

Original versions were first released under the BeatBigot alter ego, apart from Toofast as Silver.

Across twelve original compositions, Ludwig traverses a broad sonic landscape, each track threaded together

by a signature touch that feels unmistakably his. Opener ‘Three Cases Forty Years’, alongside ‘E-Trinity’ and

‘Dieper en Dieper Goes Portugal’, highlights his singular take on dub techno, while ‘This I Didn’t Know’, ‘Practice

All Their Life’ and ‘Metropolixer’ drift into more textural, exploratory electronica.

Elsewhere, Ludwig leans into the raw, stripped-back aesthetic he’s long celebrated for on ‘Come to The End’,

‘Starlab Translate’, ‘Ill Progressions’, ‘Go Real Cloudy’ and ‘Things Are Moving’, before closing track ‘Galaxie C’est

Boom’ surges forward with a percussive, driving house energy primed for the dance floor.

DeepLabs opens 2026 with an exciting new release, “Förvandling,” from Tarik Hensen—the collaborative project of two exceptional producers, Martinou & Ben Kaczor.
This release completes a full-circle journey: rooted in Detroit techno, traveling through Malmö, and landing in Basel, where these influences converge into a singular, immersive statement.
Longtime admirer of both artists’ solo works, Luke Hess joins the project with his own interpretation of Förvandling, bringing his distinct Detroit-informed perspective to the release.
Förvandling is the Swedish word for “transformation,” describing the metamorphosis of a caterpillar into a butterfly.
The title reflects the evolution of techno itself—how it shifts and reshapes across cities, communities, and eras while retaining its core spirit.
Varp refers to the vertical warp threads in woven fabric—essential structural lines that hold everything together.
The track mirrors this concept: hypnotic percussion and immersive ambience interlace with melodic tones, unified through Tarik’s live dub mixing approach, creating a rich, fluid tapestry of sound.
Malm translates to raw ore, the unrefined material that, when forged with alloys, becomes durable metal.
True to its name, the track channels a deep, raw warehouse energy—refined into a functional gem through harmonious stabs, textured layers, and driving momentum.
Closing the EP, Luke Hess’s remix of Förvandling draws from elements across the original works while incorporating new audio stems from the DeepLabs studio.
The result is a seamless transformation of Tarik Hensen’s aesthetic into Luke’s unmistakable Detroit sound—an adventurous, atmospheric journey crafted for extended DJ sets and immersive dancefloor moments.
Tarik Hensen and Luke Hess invite you to weave these tracks into your curated selections and allow them to transform the dancefloor in unexpected ways.

Earth Dog Records label heads djfix & Jek present the 12th release on their label, Unknown Species.

The A-side, “Unknown Species,” highlights the duo’s signature bass driven, swampy tech steeze. The original track snaking listeners deep into tech-house hypnosis, with neck-snapping, pitch bent basslines, spiraling vocal chops, and crunchy looping drums.

To beef things up, they’ve asked Koduku for his deep techno take on the title track. He takes the original to a hypnotic sweet spot with time-stretched rippling textures and subtle, hard hitting percussion.

On the flip side, “Datura” and “Earth Dub 2” go full on freak mode. Tunes perfect for the deepest, darkest part of the night, or as the sun starts to break through a smoke-filled dance floor.

Pre-orders available now through One Eyewitness, with digital available via Earth Dog Records Bandcamp.

Credits:
Written by Ethan Donovan & Jack Anderson in Bedstuy, Brooklyn
Mastered by Mike Grinser, Manmade Mastering

This journey officially debuts with a Various Artists EP that perfectly embodies our sonic research, transcending musical genres and form to focus on pure feeling and connect to a timeless energy.

Opening the EP is Dismal with Holocryptic Woods, a 'psychedelic jungle' progressing vortex that challenges perception. Following is Little Sea with Jaguaro, a journey that evokes the golden-age aesthetic of progressive trance, balancing hypnotic structures and organic references to nature.

On the B side, Rambal Cochet presents Unreal Engine, a dark ritual at 135 BPM where Memphis rap meets acid spirals and neon atmospheres. Closing the VA, Electrodynamique delivers Ezo, an immersive electro trance dedication to the magic festivals’ nights feelings, rounding out the mosaic of identities of this project.

Surrender to the flow.

2026 Repress

Priori returns to Kynant Records for an EP of dubbed-out, eyes-down house and techno.
The Montreal-based artist explores dense, patient grooves, assisted by singular Jamaican voice Gavsborg on the opening track.

Written & Produced by Francis Latreille
Vocals on A1 by Gavin Blair
Artwork by Grant Gibson
Mastered by Anne Taegert (Dubplates & Mastering)

Various Artists - Collector IV (FURV4)

Future Romance returns with another V/A EP called „Collector IV“, the next chapter in its vinyl-only series dedicated to the label’s most in-demand releases. This edition brings together four standout tracks that move effortlessly between melodic house and techno, crafted by a handpicked selection of distinctive artists. Each track has already made its mark on dancefloors worldwide, earning strong DJ support and international recognition. Collector IV underlines Future Romance’s ongoing passion for curating timeless club music, pressed with care for true vinyl lovers. Featuring tracks by Solee, Microtrauma, SNYL & Berny, and Cyantist.

b A2 Ø phase - The Tower


[b] A2 | Ø [Phase] - The Tower

In 1995 Celvin Rotane’s “I Believe” carved its place in house history. Powered by the unmistakable “Huh!” sample a soaring high string breakdown, and a phat kick that slams into a massive crash, it became a global club anthem, lighting up dance floors from festivals to beach bars. An evergreen classic, it still moves crowds today.

Now, 30 years later, it returns as a fully remastered and refurbished package on limited vinyl. The release features the original Dub Mix plus remixes from DJ Misjah and Rozzo from Switzerland, now rather known as Lake People. And there is more on the way, with remixes coming from Johannes Albert, Cinthie and many more. Huh, we believe again.

The new step of GIMIC: Soundscape Waves Vol . 1 — the debut compilation from GIMIC Records on a double vinyl, Various Artists. Two records, two worlds: experimental & electronica explorations vs raw club energy. Featuring Hadone, Dangermami, NMSS, Canblaster, Darzack and more — the GIMIC soundscape comes alive.

PRESIDENT are an anonymous UK-based collective operating at the intersection of heavy music, electronic experimentation, and cinematic atmosphere. Refusing to conform to the traditional structures of genre or identity, PRESIDENT prioritise intent over image—shifting the spotlight away from individuals and firmly onto the work itself.





Musically, they create a hybrid sound rooted in alternative and post-rock, layered with industrial textures, programmed beats, and dynamic arrangements that lean into tension, release, and emotional weight. Their material moves with precision—considered, deliberate, and always atmospheric. Every element serves the wider vision. Having launched without fanfare and operating without personal profiles or commentary, PRESIDENT has cultivated intrigue through minimalism and control. Their visual and sonic identity is cohesive and considered—every release, image, and post feeds into a tightly held narrative. There is no chaos here. There is no guesswork. Built to exist outside the noise, PRESIDENT are not here to chase attention. They are building something that invites deeper investment—designed to be discovered, not sold. After 3 months of cryptic teasing, anonymous UK-based band PRESIDENT are taking the Rock scene by storm. Post one of the most talked about performances of Download, PRESIDENT unveiled their debut EP, King Of Terrors.

I've always admired DJ Rush for one simple reason: he brings the Funk to Techno like no one else. His tracks are instantly recognizable. The Major’s off-grid grooves are wild, unique and downright irresistible. You just have to move when they hit. That's why I'm beyond proud and excited to present my own take on DJ Rush’s classic "Get On Up”. It’s a track that captures everything I love about his sound. Even more special: For the first time in 20 years we're also releasing the original (remastered) version by means of a strictly limited 12” picture disc. Thomas Schumacher.