Titrate is a platform for the publication of high-resolution sonic pieces, set out on a path of continual research and exploration. TITR001 comes from hems, pressed to 180g vinyl housed in reverse board print.
Spread across five tracks, the release transits a number of spaces - from the post-inertia stirrings of "Chaotic Affair", to the cutting and more austere drone layout of "One". Cosmic tech broadcast "Beautiful weekend with friends" is a fizzing metamorphosis that melts and mutates itself into "Switching Gears", a darker and more liquid environment. The final track "Stain" concludes the release with a musique concrète touch.
With an overall meditative albeit experimental tone, this package is replete with rich textural qualities luring the listener
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Surrender to the call of NowNow Records as Lee Ann Roberts presents her second release via the imprint, the Alter Ego EP - featuring remixes from Tred, Milo Spykers, and Lokier.
With the ethos that even the most brutal beats can feature soul and subtlety, Lee Ann Roberts' brand of contemporary techno demands full listener attention. Equally inspired by yesterday's rock n roll misfits as she is with dance visionaries, the Amsterdam-based, South African-born artist has found a prominent place within the global industry since her Beatport-hit Suara debut, Miyamoto. Thanks in no small part to a relentless work ethic and a willingness to travel far and wide as an ambassador of sound, Roberts has climbed the echelons of the harder side of dance through sheer determination and creativity. From humble beginnings to underground Los Angeles nights to the stages of international destination festivals like Caprices, BPM, Verknipt, and DGTL, Lee Ann's vibrant touch sets decks aflame wherever she goes. With NowNow Records, she guides a platform for like-minded artists, urging spontaneity and open-mindedness through its colloquial translation "soon".
After NowNow's first-ever V/A release, Lee Ann Roberts provides her second release Alter Ego via the imprint NowNow Records. The four-track Ep is nothing short of what you'd expect from Roberts and NowNow - a ravey throwback with interpretations for all hours. Her eponymous A-side is a percussive driver not for the faint of heart. But, equally dominating as it is enigmatic, Alter Ego sets the pace for things to come. Berlin, by way of Australia's Tred provides the Ep's first remix, a high-powered, relentless ode of rave nostalgia. Next, Antwerp underground hero Milo Spykers takes the reigns with the Eps B1. His take sees Alter Ego transform into the galactic territory - extra spacey but equally bold. Finally, Berlin's one and only Lokier puts the icing on the 90s rave-inspired cake with her psychedelic, peak-time stormer of a remix. If you've caught any of Lee Ann and Lokier's back-to-backs over the last year, you know what you're in store for here - a staple track of those sets.
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Finnish electronic maestro, Turunen's previous solo ventures without his Morphology cohort are rare. The last time was a track for AC Records in 2013 (which was remastered earlier this year for Bandcamp), but appearances have also cropped up on Abstract Forms, Muhk and Bliq in previous years.
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bigbait006 explores the undefined space between Elektro, House und Dub-Step. On this Four-Track-Vinyl-EP S-Max, Peter Clamat, 2=~ Geweih and Citizen Funk mingle together to make a statement on electronic dance music
Damage and Their Slices” is a collaborative album NVST and Theo Muller, in which they invite the listeners to a deep dive into an esoteric universe where dark magic meets political revolt.
The Swiss artist NVST shouts, preaches, stirs up and questions the consciences of his audience with a deluge of words about this sick society, the capitalist infection and the abuse of power. In tune with this mantra of georgeorwellian rhetoric, the music by Frenchman Théo Muller turns the malaise of the content into form: paranormal psychedelia, arcane dub, industrial ectoplasms, esoteric ambient and paranormal drones. In short: a friction of electronic sounds that Kraftwerk, years ago, unwittingly defined as metal on metal. Live, this call to action to necromancy and revolution takes on an amphibious, organic, almost cathartic and revealing form.
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Main Sequence Records is the label by the inventor of Dekard’s Dream synth – world famous company Black Corporation based in Tokyo.
The first release called Temnota is coming from Tripmastaz techno alter-ego – Trackmaster Dre.
4 cuts of pure pulsing and hypnotic techno meets electronica.
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(Amsterdam | NL) Surrender to the call of NowNow Records as the imprint from Lee Ann Roberts' sets the release of its first V/A compilation. Featuring Aida Arko, Brecc, Blicz, and Geerson, NowNow Various 1 sets the space between the subtlety and soul of Hard Techno with a tasting of proper talent. Pre-orders are available starting on 30 September 2022.
The now Amsterdam-based South African artist, Robert's created NowNow Records as a destination for communities and cultures to come together in sonic bliss. NowNow Records has championed off-the-grid Techno through its inherent state of urgency since Robert's kicked off the imprint with 2021's I Want You Ep. Since, NowNow Records has been celebrated as a go-to destination for the harder edges of Techno, with releases from WarinD, OGUZ, Ana Lilia, and Benny Guzi all offering their respective takes on this unmistakably relentless sound.
After two successful years, NowNow Records' first V/A features Vienna's Aida Arko, whose A Long Night Into Dunwall kicks things off with her typically industrial, dark, and percussive groove before melding into Brecc's appropriately titled Praise the Rave. The Utrecht-based artist, known for his relentlessly energetic sets, draws from much experience with this one, and it shows! Next, Paris' enigmatic Blicz lets the music do the talking with Independance Night before fellow Frenchmen Geerson closes the affair with the bonafide banger, Domenical Mass.
The complete release is not one for the faint of heart but definitely for those looking for that moment where the music takes you travelling without ever having to leave where you are.
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Highly anticipated by both fans and music critics, Fossil Archive 003 is a blanket of techno adulation, full of sky-high feeling through its warm and expansive energy. 'Perisphinctes' which received a radio exclusive on B.Traits' BBC Radio 1 show in August, marks itself as part of the vanguard of modern techno. Purposely incompatible with the masses, it clearly lends itself to the underground, pushing its charisma in the direction of the label's earthy vociferation. With its driving montage, its monolithic kick and general depth, it holds its own in any given setting. Evoking a weighty hospitality of sound, 'Tiziani' supplements bleak with feel-good synth exertion. Straying from the conventional framework of techno, this is a stripped back, atonal portrait of effectual techno culture. Without confusion, this unblemished and wholesome howl of voice brings with it a rich, affable buzz, perfectly suiting both the big room and more intimate homely surroundings. For Roberto, this far-reaching release imposes on none and invites all to clinch its hauntological embrace, and with previous releases gathering support from the who's who of Techno, it's sure to do just that.
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STAR_DUB is back on his own Label. 2 cuts of deep driving dub techno. 2 cuts of electro and raggae influenced dub. Limited to 250 copies!
From Dub With Love!
all tracks w+p by Matthias Schildger
b2 by Matthias & Christian Schildger
mastered by Wigbert
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In a true celebration of Italian electronic music from across the generations, Bosconi is honoured to present unreleased works from the legendary Alexander Robotnick. A true titan of Florentine music who helped define the Italo disco scene with a glittering run of evergreen club classics, Robotnick is still as creative now in his 70s as he was when first firing off his trademark arpeggios in the early 1980s.
For a few years now Robotnick, real name Maurizio Dami, has mainly released new or previously unreleased music via his own Hot Elephant Music. As such, we're thrilled to present three original tracks on vinyl, cut hot and ready to set a disco alight. Transcending the trappings of retro-fetishism, vintage this or old-skool that, the tracks on this 12" could be called techno or electro as easily as Italo - it's quite simply impeccable dance music as delivered by a master craftsman.
Adding to the sense of occasion celebrating the foundations of the Italian scene, we're equally thrilled to welcome Marco Passarani to remix Robotnick's 'The Hidden Game'. His appropriately titled 'Legacy' mix operates as an alternate version in the traditional style, holding true to the essence of the original while offering a slightly altered perspective. It's a distinct mix with Passarani's own distinctive Italo flair plain to hear - if anything his version sounds more retro than the original - but it's still very much invested in what Robotnick created to begin with.
Given the influence both these artists have had on the musical culture our own label is built on, this release holds a special place in our hearts, and we're excited to be sharing it with the world, where the throbbing basslines and sparkling pads can work their magic under the disco ball in a thousand dimly lit dance spots.
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Porta dei Mondi is the title of the new vinyl release of Distant Echoes on 24/H.
A solid work, the one proposed by the artist, a journey through sounds and atmospheres reminiscent of nature that with its dynamism and precision creates very special rhythms and melodies.
A return to the origins could be the key to this work, in a world that is splitting into increasingly distorted and chaotic visions, Distant Echos' research wants to bring back classic techno in its music, but with a more modern and futuristic vision
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After a frenzied 2019 debut on Pinkman under his scarcely-used Amato alias, The Hacker brings his seminal sound to Mindri for the sublabel's 3rd release. Exploring desolate cityscapes and windswept tundras shrouded in winter's gloom, he provides 6 club tracks that are suitable for dancefloors at any stage of the night. From feverish 4/4 kicks to stalking electro and a chugging after-hours stomp, stripped back rhythms dominate throughout. Punching their way through misty pads in a relentless chase with metallic synths that are icy to the touch, these are 6 slabs of machine-driven grooves from a master of the art.
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AKME keeps being in a good form and is back with a new EP “Radical Forgiveness” with 4 original tracks and 2 solid remixes from Mikkel Metal and Altone.
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We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat equity vacuumed up off the dance floor by corporate parasites when the real future’s in decentralized skanking? But that’s why people in my position - the top one-percent in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has been described as “operating at the absolute vanguard of rave.” Please remember that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought, Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”
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Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback, the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s problems go away by pressing records, I would. And I can, so I will. This is only the beginning."
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Ben Metek open this dancefloor session with a powerfull tribe very inbetween style : Pumpin & Hardfloor.... Efficient since the start the non-stop progression is defenitly in the OQP style ! Then comes Zayonne and a futuristic Pumpin teaser that delivers his kick after 1 minute...The style reminds Arobass and Fky. Sweet tenderness ! B side belongs to X-Tech and his Techno Tribe 160 electro vibe ! He finishes the job with hardfloor kick, hypnotized by the 7 minutes long set mental OQP smile !
Francois Dillinger brings his futuristic visions to this classy new EP on EC Underground. It finds the sonic sculptor kick off with a warped bassline underpinning an eerie and slow motion electro cut on 'The Pilgrimage.' 'Tangential' is another snaking rhythm with mysterious pads and bouncing bass that makes for a truly original vibe.
'Message Failed To Send' has a hint of Kraftwerk retro-ism to its snappy snares and talk box vocals then 'When It Was Free' classes down with a gritty mix of celestial charm and deep space unknown.
These are next level sonics as always from Dillinger.
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„Rainbow Delta“ von der vierten 12“ Veröffentlichung überhaupt auf Ostgut Ton brachte in 2007 den Berghain Sound der frühen Sonntagmorgenstunden auf den Punkt. Der Track spiegelt die Stimmung, die einem dort nach der Peak Time, nach dem Climax empfängt: es ist ein deeper, schwebender Technotrack mit Dubchords und perfekt akzentuierter Percussion, pumpend und kontemplativ zugleich. Dieses Gefühl mag heute im Berghain in den Montagmorgen gerutscht sein aber Len Faki’s Track passt heute noch genau wie damals. Ähnlich wie auf der O-TON LTD 01 gibt es wieder einen Remix des Originals auf der B-Seite, hier die Jerome Sydenham Version von der O-TON 08 EP, die den Track in eine tonnenschwere, deepe Technonummer umfunktioniert. Beide original Platten sind lang vergriffen und die zwei “Rainbow Delta“ Versionen sind hier zum ersten Mal vereint auf einem Tonträger erhältlich. Streng limitiert gibt es nur diese eine Pressung, wieder kommt die Platte im geprägten Ostgut Ton Cover und ohne weitere Worte.
english version: “Rainbow Delta“ from only the fourth 12“ on Ostgut Ton released in 2007 managed to perfectly capture the Berghain Sunday morning sound, this special atmosphere, right after the peak time, the climax. A deep and floating Techno track with dub chords and perfectly set percussion; pumping and contemplative at the same time. At Berghain today this moment might have shifted to Monday mornings but Len Faki’s track still reflects this mood the same way it did then. Similar to the O-TON LTD 01 the B-side features a remix of the original, here it is the Jerome Sydenham version taken from O-TON 08, which transforms the track into a very heavy, deep techno track. Both the original vinyl records are long out of print and here both versions of “Rainbow Delta“ are issued side by side for the first time. Strictly limited there will only be one pressing of this EP and again it is issued in the embossed Ostgut Ton sleeve without further words.
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Our favorite anonymous duo lands on Brvtalist S.R. with a brand new EP which fuses the project's diverse sound and attitude. From the streets to the club, G-Spotlight highlights techno, trance, electro and more for 3 ultra-sentimental original cuts that may have you crying as you dance. From the title track to the pure nostalgic bliss of "Code 187 On Main Street", we are also thrilled to have a remix by Danish star Schacke which adds even more euphoria to the original.
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Hot on the heels of “Flesh Is A Prison” - the quirky, electronic wonderland he contributed to Cocoon’s phenomenal S compilation - the multi-talented Neil Landstrumm consolidates his position on the label roster with a debut 3-track EP that channels the uncompromising spirit of seminal UK labels like Network, Warp and Vinyl Solution.
It’s clear from the first few seconds of “Sun Universe” that we‘re being transported back to 90‘s UK rave culture at a point where rave, jungle and house were mutating into speed garage. Ruffness abounds as stuttering snare rolls accompany the rude boy bass, ragga samples and classic ‘hoover’ synth riff, while peripheral sounds circle the groove adding a contemporary twist. Staying true to the times, the arrangement plays it straight, alternating between two distinct structures - one labelled ‘jump up’ and the other ‘spread out’!
These timely juxtapositions of mood alone mean the track will blow up on any dance floor.
“Purple” continues in a similar vein, with a phat, warping bass line underpinning the blunted beats and dusty bleeps. Landstrumm rides the mix in classic old school style, cutting up the linear arrangement with sudden unexpected deviations, alternative rhythms and layered melodies that lend a hidden complexity to the relentless groove.
There’s a different energy at work here, one that flies in the face of certain overcooked, modern production techniques, finding more in common with a raw, vintage Carl Cox three deck mix tape, circa 1989.
To round things off, “Catnatized” drops the tempo for a slab of grimy, acid funk that recalls the early excursions of Sheffield’s electronic pioneers, with a hint of embryonic Amsterdam House thrown in for good measure. Once again the bass line grabs the headlines, rasping and morphing in its own peculiar language while twisted vocals tease the dance floor with the logic of the absurd.
It’s another refreshingly unique statement from Neil Landstrumm, rounding off a ‘must have’ EP that fits perfectly with the Cocoon ethos of championing the presence of the past.
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Porter Brook debuts on Trule with an EP bringing together deep, rugged techno with deftly programmed, steely UK breaks, intricate sound design, and shimmering pads.
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Taupe's imprint Colours proudly presents another palate of delicate musical brush strokes that aims to captivate and bounce its spectator. While Taupe's refines his art, this ep has the audacity to retain itself and focus on balance and control. It's a wonderful slice of wax that has many hidden sides to it, which for that reason make it a marvelous mystery to listen to. The ep starts off with a wish-wash of stabs, creating a pressing feeling of urge and uncertainty. Whilst its progressing, things seem to shake and tumble, but never falling. The inner A-side, however, has a clear purpose! An all-present tom knocks your socks off right off the bat, followed by a moist atmosphere and an appetizing hat. While A1 aims to disorient, A2 transports you right to an intimate car-drive at 5am. Flipping the wax won't flip the theme. B1 Perpetuates the feeling of nostalgia and unknowingness by tempting and dissolving the listener with fairytale-worthy arps. Swaying from left to right, follow this dream ride! And to top off this marvelous ride, B2 gently pushes the brake in order to ascertain a comfortable speed that is exquisite for some old-skool head-bobbing. Absorb that addictive bounce!
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After a long lockdown and moving to Berlin, the label is back with the next release on Lost Control 2097. They've been waiting for too long to release this record but it's finally here. And OH, it was worth the wait. Salford's very own 'The Fly Insect' (a lot will know him as Johnny Abstract in the Bohemian Grove era) has amassed a large silo container worth of radioactive mutant funk that he's been holding onto for a long while, literally 100 years. Lost Control have been lucky enough to open the taps on this Fly tanker and this EP/mini album is just a slippery snippet of the the sub-aquatic machine-musik. There is 6 tracks of dripping 90s.......the 2090s; ranging from cybernetik techno to ambient electro and back straight at it with heavy robotics. There is one emotional monster of a moment called '12 (Acresfield)' which is a tribute track to the late great Dave Ball aka D-Ball (another electronic legend from Salford). It's been getting repeated plays on our NTS show for good reason. But Decay is the lead track, AND LEAD US IT WILL...into the utter depths of another Fly based multi-verse. Don't sleep on your chance to grab Fly history and don't say so we didn't warn ya. Limited to 300 copies. Digital will also be available for those not wanting wax. This is one for the all the mutants out there. Stay Bzzzzzzttttttttttttttt!
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The last installment of Adam X's recently revealed long running mini series ' The Secret Initiative' goes out with a huge bang. Adam returns with two infectious EBM techno club cuts 'Cognitive Circuits' & 'Incorporeality' paying hommage to the early 90's Frankfurt / Dorian Gray Techno EBM sound which played a big role in Adam's youthful musical upbringing.
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Crazed Behaviour collaborates with Scottish powerhouse YTP putting together an intoxicating vinyl release in SUBASTRAL INFATUATION. Embarking on an intergalactic electro journey, YTP has enlisted trusted cohorts J Wax & Jensen Interceptor as his right-hand men.
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Kirk Degiorgio is becoming somewhat of a mainstay on the Belgian De:tuned label. Here he returns with 'The Unveiling'. The title track stands out with a classical synth progression and beautiful harmonies, resulting in an uplifting Detroit fused techno cut. 'Descent Module' takes you on a driving acidic trip and has all the characteristics of a hypnotic floater for the after-hours. On the flip you'll find two exclusive remixes from Kirk's 'Communion' album on De:tuned. Ian o'Brien showcases his vast musical talent and opens up his soul with a warm and lengthy retake of 'The Ladder'. Luke Slater debuts strongly on De:tuned and provides a rare The 7th Plain remix of 'Absorption Spectra'. Luke's take is a sentimental and lush ambient techno interpretation where its unique sound oscillates between a melancholic state of nostalgia and modern escapism.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
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Inner Tension back with its second release again by label owner, Blazej Malinowski. This time with a Dasha Rush 'Darker Shades' remix. 4 highly playable tracks for any and all moments in the night or the day. Another quality release touching on dark and tripped out techno journeys.
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green vinyl / printed sleeve / 180 grams
Hadone's nine-track LP shares a first glimpse of his immersive 'Things We Never Did' concept.
November 2022 sees the inception of not only Hadone's first ever feature LP but also his artistically driven and expansive label project 'Things We Never Did'. Marking the first release on the imprint, 'What I Was Running From' spans nine individually unique records, including a special collaboration with friend and fellow French producer Askkin. One of the standout breaks tracks on the LP, it was the first track they made together.
A culmination of all things influential in modern underground techno, blending 4x4 raw techno tracks with more spirited melodic pieces, Hadone's debut LP is a telling celebration of several immersive sub-genres combined with his renowned sonic despondency. The result: a careful balance of richly electronic emotional cuts and racy industrialised techno with a gritty minimalist feel. "Not only the music is destined to evolve, but the whole environment that goes with it will be rethought on a recurring basis" adds Jeremy.
Title track 'What I Was Running From' was made after he finally found inspiration after the pandemic and was written in an hour. "I think my best tracks are made fast, as they don't reply in any intention but feelings only, therefore they are natural and reflect my true style" adds Jeremy.
Its fast paced bassline and jittery stabs, give the track a choppy break beat influenced vibe opening the album with true intent. 'What I Was Running from' offers a transcendental eye through the looking glass at a project that incorporates music, a digital interactive universe, a fashion collaboration with precocious
Parisian footwear brand Phileo. A creative collaboration which has resulted in a limited collection of 2 styles, available on both TWND's digital universe and Phileo direct.
For the 1st year designs, graphism by Raphael Clerget "leverages the power of art to underline the importance of saving our relation to time and improve focus." Raphael brings his vision of complexity and darkness through refined aesthetics carried out for the digital universe, label and merchandise.
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