Space Textures returns for our third release here we bring together talents from across the electronic spectrum. Textures is a various artists concept to facilitate the release of some of our favorite and most influential producers. In Textures 1 we present – Infinity, Petit Astronaute, Fernie, and Motion Symmetry providing 4 exclusive tracks with sweepings pads and hypnotic rhythms.
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Five years in the making, label boss Emmanuel aimed to deliver what for him was the very best selection of artists and people he could ever imagine in one single roof. We have repacked and redesigned our very first compilation after the great first run. 20 artists, 5 records, 1 box.
The Box is a meticulous work of one entire year, every artist of the 20 selected delivered something that connects deeply with the label and the reason why they are part of it. The study goes beyond when artists get different colors of palettes and a different surface to paint, their known soundscapes come with something freer than the usual approach that they did in their singles.
This is a pinnacle for a label that always placed music in front of everything but kept the design and the aesthetics on a top-level each release, each year. ARTS V.
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Moon Harbour marks its historic 20th anniversary with a 10-track compilation of all new music. It features old friends like Marlow and Luna City Express, icons like Steve Bug and Butchand new
signings like Black Circle, so it is a fine representation of the label's famous sound.
Matthias Tanzmann founded Moon Harbour in 2000, and since then it has been at the forefront of the tech house scene. Even in the face of the major shift from vinyl to digital, a distributor going bankrupt
and the coronavirus pandemic, careful A&R and Matthias's own productions have ensured the label has remained utterly relevant. The Leipzig label has released countless EPs, LPs and compilations
and hosted label showcases all over the world. It has nurtured the careers of artists like Sable Sheep and Ekkohaus and has given a vital platform to new stars like Miane, Detlef and many more.
"Evolution is a natural process and important to artists as well as to labels," explains Matthias. "Music is always redefined and subject to trends. New generations of musicians want to create their own
identities through their sound. As a label, we listen to a lot of new music and try to stay open-minded within our own aesthetic range."
After a year of re-releasing classics from the label's back catalogue, the 20 Years of Moon Harbour compilation is all about fresh and exclusive music. It kicks off with Andrea Oliva's 'Return To The
Dancefloor,' a bumping cut driven by naughty bass before raw percussive energy from ANEK and tense cosmic melody Black Circle. Butch layers up tribal grooves and exotic vocals, then Luna City
Express mark the mid-point with the steamy house of 'Mami Wata' featuring Sunru's soulful vocals.
Marlow throws it back with some old school piano energy on 'Corktown,' Matthias nails a perfectly slinky tech house groove on 'Binford' and Ninetoes' 'Polanco Hills' ups the pace and drives forwards.
Closing out is the punchy and stripped back house of Steve Bug's 'Going Up' and Sven Tasnadi's loopy and hypnotic 'Cuckoo.'
This essential collection is further proof that Moon Harbour continues to shape the sound of contemporary European house music. Here's to the next 20 years.
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Hellcat industries is the latest scheme from the forever audacious bbbbbb family, focusing on cheeky dance floor bangers channelling the fun 90s not-so-serious techno anthems combined with the bbb oddball spirit, the modernised sound of 2k20 future stars and mad in-house label artwork.
‘Chanting from a Tiny Book’ is the second chapter of Hellcat where Bjarki and VTSS split a twelve inch together. "H311CAT02" follows the success of the first V/A with VTSS, Cadency, Kuldaboli and Bjarki on board, and continues sharing the tales of the cat from
hell.
After the behind the scenes work VTSS did as curator of the first V/A, the bbb team unanimously invited the polish selector and producer to continue her involvement with Hellcat naming her the labels A&R.
The tracks selected by VTSS for the second installation include her own productions with the banging ‘Batman Church’ and the more anthemic ‘How to Win Big’, complemented by the BBBBBB-SIDE which features Hellfire and Safety Savage from Bjarki - tunes VTSS has playing relentlessly in her sets over the past year.
The two collaborators come from quite different backgrounds but have been working together for two years finding and embracing a common ground and mission - to bring back the fun to techno.
The labels plans for 2020 include a couple of V/A’s and EP’s putting attention on maybe still a bit lesser known artists but with (in the eyes of Bjarki & VTSS) a bright future - another crucial mission of HELLCAT - with remixes from the label daddy and mommy included in digital form for every release.
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Rainer Maria Silke aka Berk Offset ist anscheinend eigentlich Gehirnchirurg und gleichzeitig Literaturwissenschaftler. Dessen Praxis liegt direkt unter einer Hochspannungsleitung. Sein Labor, im Labelregister unter Wakkler eingetragen, zapft ebenso die Oberleitung an. Hier lädt er regelmäßig gleichgesinnte Starkstromfreunde ein, die munter drauflos experimentieren.
Bei den Kollegen von Snork Enterprises ist er ab und zu als Gastdozent tätig. Sein heimatliches Wohnzimmer im beschaulichen Jena heißt Musikkrause. Doch auch hier legt er kaum die Füße hoch. Die Glotze einschalten, geht bei ihm nur im aufgeschraubten Zustand, um zu sehen, was da drinnen so geht und wie er das elektrische Treiben in Beats und offsetsche Ladungen umwandeln kann.
Für seine zweite Musik Krause hat er sich anscheinend ein paar Kabel in den Thüringer Wald legen lassen, um unter anderem den seltenen Fieberschen Drüsenpfeifer auszumachen. Das rege Treiben hat er selbstverständlich mit försterlicher Genehmigung in vier elektrische Jagdtrophäen eingefangen und somit die Riemannsche Vermutung bewiesen: Der Wald ist Klang.
Der fiebersche Drüsenpfeifer
Der seltenste Waldbewohner überhaupt, eine Kreuzung aus Uhu und Reh, der insbesondere in der Nacht die Nähe zum Menschen sucht. Speziell in nebeligen, blitzlichten und lauten Arealen des Hoppelklangs fühlt er sich am wohlsten.
Die obskure Obstkur
Bei so viel Ausharren auf Hochständen und Fernglasgucken, braucht es natürlich auch mal etwas kulinarische Entspannung. Aber nix da, von wegen frischer Obstteller. Auf sechzig Prozent hochdestillierten Obstler gibt es zur Zwischenvesper.
Der Wabberknecht
Vorsicht, dieser Waldling ist ein frecher Schlingel. Sehr zutraulich, frisst er aus der Hand. Schnappt dann aber blitzschnell zu und zerrt jeden Fütterer in seine Tanzhöhle.
Der Sackkiefler
Dieses kleine freundliche Ungetüm, schmarotzt sich durch die Nadelwälder, gräbt sich maulwurfartig unter Waldameisen-Haufen, um sich von unten an deren Brut zu laben. Fettgefressen kommt er aus der Höhlenwelt heraus und klopft mit seinen Klauen rhythmisch auf Kiefern herum.
Waldmanns Tanz wünscht
Oliver Goldt
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"Le Disque De l'Art Gué" highlights in a 10-track compilation the avant-garde and dreamlike work of Fizzè, in between medieval ballad, acoustic industrial and psychedelic world music. It includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987 + unreleased materials and remixes by Fizzè.
Compilation, concept and production by Fizzé, Orsett & Fischer
Analog mastering by Tim Stollenwerk
Drawings, obi strip and insert layout by Anne-Marie Gratton
The record cover represents the acrylic painting "Till" by Alex Rabus
Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.
Hot on the heels of his LOW BATTERY debut and the announcement of his next EP on Shall Not Fade, Club Glow cofounder Mani Festo readies his latest arsenal of breaks-fuelled dubs for the Lobster White Label series.
Having become one of the go-to names for high quality electro, breakbeat and jungle over the last few years - thanks to releases on Sherelle and NAINA's Hooversound Recordings, EBeamz and WNCL Recordings - the UK producer picks up where he left off, re-imagining rave futurism and hardcore sounds through his own distinctive lens.
'Digital Projection' is a terrifying cut of grime-laced jungle. Stripped-back, but packing a punch, its large, alien-like wubs will make even the cleanest of ravers need a shower afterwards. 'Jungle Poison' reconsiders the typical junglist template with a dose of 2-step influence that makes for a high-energy cut of bouncy UK fusion.
The tempo drops as we venture into 130BPM breaks territory on 'Roam' - it's introspective and melodic aesthetics providing a moment of calm from within the eye of the storm - before 'Sleepless in West Norwood' captures that distinctive warehouse rave energy with a sequence of breaks-scattered techno.
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- Limited Edition auf 2023 Stück weltweit, handnummeriert zum 10-jährigen Jubiläum! Die 2LP erscheint im transparenten Vinyl (crystal clear), die Bonus 7inch im schwarzen Vinyl inkl. Gatefold Sleeve!
2013 verblüffte DJ Koze die Menschheit mit seinem zeitlosen Meisterwerk `Amygdala´, einem Album voller psychedelischer Strahlkraft, Tiefe und magischen Klangwelten, in denen es auch nach 10 Jahren Dauerschleife immer noch neue Nuancen zu entdecken gibt. Dieses Jubiläum feiern wir nun mit einer gnadenlos limitierten Coloured Vinyl Edition. Schnell Warenkorb Patsche Patsche machen!
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J Gabriel returns to Moteur Ville Musique joined by fellow New Yorker Connie Yin with their State of Mind EP. Serving up a 2 track affair they showcase their forward thinking style of deep house and hypnotic grooves. Joining them on remix duties are 2 men who do not need any introduction, John tejada and Diego Krause. Each bringing their unique style and interpretation of sound to seal the deal. This one is strictly for the heads.
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Amniote editions readies the DCX capsule with two beat oriented releases focused on tripped out atmospheric sounds.
Moloch Horridus debuts with four beautiful cuts of electro belters spanning from straight-in-your-face-no-bullshit stompers to more meditative moods.
DCX-4: Moloch Horridus - Self Guard EP
12” & digital
All tracks written & produced by Tred
Parietal Eye returns in collaboration with Cantil for two versions of Final Destination - explorations of sizzling hi-tek sci-fi soundscapes and turbo-driven drum programming.
DCX-6: Parietal Eye & Cantil - Final Destination
Mesh print & digital
All tracks written & produced by Yuri & Internazionale
The artwork is designed and imagined by Amniote household art director and co-founder Rose Marie Johansen.
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Four tracks of forward-thinking club music featuring his signature sound, taking in elements of Acid, Broken Beats, UK Techno and Dubbed out atmospheres. Melodies, hooks and basslines are plentiful on this one and the sights are set firmly on the dancefloor with most tracks landing around the 130-140bpm region.
'Atlantis' is yet another step forward in the evolution of a well-decorated but never stagnant artist who is ever-keen on exploring new possibilities.
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IB014 // THE FIFTH STIGMA - Deprived of Glory (Incl. remixes by Templer, Rommek, Yuji Kondo, Hyperlacrimae) Cassette/Digital Infidel Bodies is thrilled to announce the new Ep by the Paris based producer THE FIFTH STIGMA. Marking our 14th chapte
r on the label, 'Deprived of Glory' comprises nine energy-filled tracks steeped in medieval oniric nostalgia and techno-industrial influences. "Deprived of Glory' can be interpreted as a romance or an ancient drama telling about wars made to conquer new kingdoms, about sacrifices, pains, betrayals, religion, greed and power. Primordial human emotions and events in ancient history become a source of inspiration to bring to light the power of eternity of the ancient world which laid the foundation for the formation of the present world. The EP features the remixes by Templer, Rommek, Yuji Kondo and Hyperlacrimae; the well-known artists create the right mix of ancestral techno-industrial unmistakably shaped by their uncompromising sound, gliding through genres with ease and combining modern style with ancient austerity. credits Produced by Rodolphe Vidal as The Fifth Stigma Mastered by at Red Dungeon (Naples) Artworks and Paul van Trigt Design and Layout by Erminio Granata
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Originally conceived as a standard EP, the remixes of The Human & Assets' original composition Jugem Jugem have proven to be an eclectic array of high-quality tracks, ranging from warm and rounded minimal sounds to rumbling low-end rigidness - and a few classic techno bombs to round things off.
The project turned into a two-disc collection of remixes, each giving the listener a specific and original flavour of electronica. Remix duties were masterfully executed by Japan's own Ko-ta, known by his sly releases on DJ Nobu's Bitta label; rising underground marvel and Edit Select Record's household name Linear System, with his hypnotic syncopations - and to finish the release off in massive style, French heavyweight Moteka (Skryptom) brings his colossal version of the original.
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Dominik Eulberg, of Traumschallplatten, Cocoon and Kompakt notoriety, presents the next installment of the Hertzblut Recordings EP series in the form of 'Backslash'. The EP opens with 'Opel Tantra', a delectable example of a living, breathing techno orchestra in full effect. B-side 'Noch Ein Bass im Ärmel' sees plucked strings and key stabs pick out an alluring groove, as distant chimes twinkle evoking the enchanted forest ever-present in Eulberg's thoughts.
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Release no1 on Entropy Music, the new record label from icicle.
On this first release Icicle teams up with long time collaborator Mefjus to bring 'Efficient'. In the making for over two years, this quirky roller is steeped in detail and has an incredible amount of layers running through it. In the ever graying landscape of 'man-tek' it alludes to the typical formulaic approach with a monstrous intro but soon takes off it's mask and rolls out like the stepper that it is.
Alongside the title track are two solo tunes by icicle 'Time Waster' & 'Split Fibers' both attempting in different ways to find identity in an ever more technical musical landscape. Lending from 90's drum and bass and rave, both tracks are about groove above anything else. A somewhat stripped back approach to fusion reminiscent to Icicle's earlier work.
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Inhaling, exhaling and moving on with 10010 Records.
Another vinyl-only release by Ksky, the "Elevate EP", with lots of emotions and house music inside.
The main track 'Elevate' turned out to be disturbing like everything that's been going around.
But we've made a deal to go forward, so the following romantic tracks are 'For My Baby' & 'OUTTA'. Love & Space are always near yet incompehensible.
The last track is minimalistic 'Weirdub' and this is one of those cases when you don't need much to dance.
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The Abstract Eye is back once again with his first offering on the Technoindigenous Studies label, and it’s a heavy one! Here he gives us another mega banger with his Nine Oh Nine EP. This record uses one of the most historically important drum machines throughout its entirety: the Roland TR-909. The classic drum machine used by his predecessors in electronic dance music also happens to have been released during the year of his birth. You almost surely know the sound of the TR-909 in other contexts, but, as he always does, he adds his atypical twist to it and uses it in a timeless context. Each of the record’s four pieces could have been released decades ago or far into the future. Another Gifted & Blessed production sure to please and set the dancefloor ablaze!
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DJ Haus Enters The Unknown is a yearly compilation looking back at the last 12 months of UTTU releases - some obvious highlights but emphasis on overlooked b sides too. It's also an opportunity to work with friends outside of the UTTU label by including exclusive collaborations and tracks from the UTTU extended family. Ahead of the full compilation release UTTU present a triple vinyl edition of the exclusive tracks and collaborations featuring: Legowelt, DJ Deeon, DJ Seinfeld, DJ Normal 4, Marquis Hawkes, DJ Boring & many more.
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'Following a string of successful releases in 2015, head of Gråtone: +plattform is the mind behind the second release from the Norwegian imprint.
tm22 features three trancy cuts framed within in +p's signature percussive work.'
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freshly repressed ! The pairing of Andreas Baumecker (nd_baumecker) and Sam Barker (Voltek) seemed almost destined to result in some outstanding music. The fruits of a friendship and production partnership closely founded upon their love for more experimental dance sounds, the 'Candyflip' EP introduces the pair's debut output.
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J. Alberts “config” EP for Couldn’t Care More is one more step into his very own microcosm of electronic music wizadry: There is the flickering groove of “Armor”, myriads of cut-up sonic pieces morphed into a glorious track somewhere next to Techno and House and there’s the distorted quiet beauty of slowly breathing “config4”, ambientesque but filled with tension like Huerco S does it. There are the holographic breakbeats of “config5”, with voice samples and synth stabs melted in New Yorks fiercest heat and there’s the sped-up ambient groove of ghostly “config2”. The last track “Court” sums it up, a breathless groove mutation topped by spheric keyboard sounds. J. Albert gets it all together and he does it with a quite uncanny certainty. A different level.
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On behalf of re:discovery records, it is with great excitement that we announce the 1st of a 3EP set highlighting the music on 1990's Norwegian electronic act Neural Network. In 1993-1995 they released 2 full albums or Origo Sound that featured label mates Biosphere. In 1993 they opened up for Prodigy and shared the bill with other seminal acts like AFX, Autechre, Orbital and H.I.A among other heavyweights. However, their 2 full albums 'Brain-State-In-A-Box' & 'Modernité' did not get picked up by any other label or distributer and their popularity stayed regional. In fact a 3rd album was never released (Until part 3 comes from this series!) and sadly they went their separate ways to form other electronic acts in 1997. We hope to shine a bright light on their early music. Side A features the wonderful aquatic adventure in 'Aqueous' followed by a shift into the sci-fi realm with the mysterious 'Mechanical Heart'. Two great examples that show off the group's deep post rave sound for the future. A real melding of styles. All 3 EP's have inserts where the band shares their memories of the early days.
All these tracks in the series are placed on vinyl for the first time with fantastic artwork by UK's Grid Pattern. Dare to Dream! Its not only our credo at re:discovery records but it's also our goal in hearing music that was made for the stars.
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Indeed, while he's best known as a DJ/producer in his own right, Duvante's own A&R skills are impressive, with Residual counting on everyone from Fym to Boo Williams to Garrett David over the years. As with their last V/A (the brilliant Refraction Vol. III), the label owner has done another expert job at rounding up some great troops here, with four emerging producers delivering the goods courtesy of Refraction Vol. IV.
We get underway courtesy of Rukka's 'Stellar Radiation'. Full of zippy, nimble synths and clever cowbell sounds, 'Stellar Radiation' is a brilliantly constructed slice of intergalactic funk that brings the rabbit role in some style. Teakup's 'Believe' is a more stuffy, techno-focused cut, the likes of which has been produced in a unique, urban-influenced vein. Miscellanea I on the Is / Was label, it's another reminder of the Ohio native's undoubted talents.
'Sepehr's 'Exit Your Body' plays out like a vintage cut from The Martian. Loaded with funk and soul motifs and characterised by its 808 sounds, this is techno of a real swagger and panache. Deep but brilliantly catchy, it's indicative of the label at its very best. It's then left to Italian producer Pressure Point to see us out, a task he fulfils in some fashion thanks to 'So Far So Good'. Another track with its roots in classic sounds, it too maintains a sort of contemporary edge. Really fascinating and sumptuous stuff that strays down different paths throughout the course of its almost 6 minutes, it closes the release in truly emphatic fashion.
Space-influenced tracks that bring the listener to the heart of the funk cosmos, Residual's latest serves up a brilliant and dexterous voyage to soundspheres that are well worth getting lost in.
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Terence Fixmer's path through the changing techno landscape of the past 20 years has been anything but direct. Indeed, the French born producer, musician and Planete Rouge label founder has long been influenced by the periphery of continental European dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, EBM-inflected techno with classic releases such as 2001's Muscle Machine or the collaborative Between The Devil LP with Nitzer Ebb's Douglas McCarthy as Fixmer/McCarthy. While the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, Through The Cortex sees Fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. Across eight tracks at a compact but varied 40 minutes, the LP touches on an aesthetic hinted at in recent Ostgut Ton releases (2016's Beneath The Skin EP and 2017's Force EP), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility. Through The Cortex is techno with a voice - or rather multiple voices - guiding listeners through hypnotic, space- and social-themed terrain as a kind of dark soundtrack to darker days. The result ranges from the slow John Carpenter-inspired Escape From Precinct 13 funk of 'Expedition' and the patient yet muscular stomp of 'Fury' to the mesmerizing Suicide-like pop of single 'Accelerate', where Fixmer, using his voice as an instrument, chants the track's ambiguous title in an invocation of systemic change/collapse. Elsewhere, the story is told with more abstract and wailing vocals like on 'Shout in A Black Hole', or in the warm, entrancing chords floating across the stereo image in ostensibly changing time-signatures on 'A Halo Somewhere' - the LP's uncharacteristically kosmische musik come-down. The track, and Through The Cortex as a whole, reflect what can be described as Fixmer's idiosyncratic take on both techno subgenres as well as the larger pool of electronic music in general. This broad approach translates into a sound that is not only difficult to pin down, but also one that lends itself to multiple listens.