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Techno Новости
Все
GLOK is the electronic alter ego of Andy Bell; best-knownas the guitarist in venerated shoegazers Ride, alongside stints in other famous groups, with a noteworthy solo careertoo. This October his first album proper as GLOK - 'Pattern Recognition' - is released via Ransom Note Records' sisterlabel Bytes. Although usually renowned for purveying the finest quality jangle, drone and general guitar-based magic, Bell's forayinto dance music should come as less of a surprise than immediately meets the eye. There are parallels between the genres within the sonically-deep layers, hypnotic sound and trance-like headspaces, or, as he puts it more succinctly: "GLOK is all about the push and pull between electronic and psych in my music." Although not a full-blown concept album, 'Pattern Recognition' has a loose thread which takes in a week of life, from weekend to weekend, with each of the vinyl's four sides capturing different mind states across that transition. Each side has a distinct feel that's different to the last but inherently cohesive - much like the changes an individual goes through over 7 days. Across the album with loving craft Andy weaves together throbbing dubbed-out acid, steamy jack trax, levitational psychedelia, sparkling Balearic, techno, Kosmische, shoegaze, art rock and Compass Point-style post punk -with just a hint of ambient, new age and contemporary classical too.
Modularz presents a new release by Japanese producer Hattori Hanzo - recorded in seclusion in a studio near the mountains of Mt.Fuji Japan
- Hattori delivers a great body of work focused on Extremely functional tracks with lots of driving rhythms, space influenced hypnotic grooves with the right amount of tension and drama. This is a sure thing get it quick - TIP!
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For catalogue number 73, we are happy to welcome a new face to the label. KMYLE, like many of his fellow French artists who contributed to Break New Soil before - comes up with an amazingly unique EP! His four original tracks sit comfortably between hypnotic and raw Techno and play with ethereal atmospheres on top of that. Especially „Hematom“ is what we would call a perfect Techno track - stripped down yet totally capturing and mesmerizing through the menacing melody line. "Dephn" calls the dancer in us even more! And then there is „Routine“ and „Rise“ - both perfect examples for Sam´s exceptional talent for creating lush athmospheres through melody. And well, then we included a little remix of Rise in the package as well…. but listen for yourself ;) =
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*Repress*
Dutch producer Danny Wolfers aka Legowelt needs little introduction unless you’ve spent the past two decades buried beneath a Mont Blanc avalanche. His enormous collection of synthesizers, as well as his unwavering love for analogue production tools, justifiably places him in the synth music “Hall of Fame”. Since releasing his first material in the early 1990s, Legowelt has incessantly produced music and continues to display seemingly limitless creativity. As a result he has built an unparalleled discography that also includes an assortment of artist aliases.
Legowelt’s new EP ‘System Shapeshift’ will be released on Lapsus sub label C.E.E., specializing in more club-oriented sounds. The label returns to action after a two-year hiatus, during which time its intrepid explorers failed twice to scale the dizzy heights of Nanga Parbat. Now back at sea level C.E.E.’s head honchos have confirmed the release of Legowelt’s new five-track EP, bursting at the seams with 30 minutes of unrelenting old-school techno, synth house and snaking electro bathed in pure acid. The EP is a genuine time bomb, ideal for the most discerning of electronic music lovers.
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Scalameriya is back for Genesa's lucky 13, delivering a release packed with his razor-sharp drums, unique sound design, cinematic breakdowns & dramatic synths. "Imperial Visage EP" could be called a family-effort, with his wife on the vocals of the tittle track and his brother, Razbibriga, on the remix-duty for B2.
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Italian Techno maestro SLV returns to Soma with his biggest release yet, the Under Pressure EP. With a slew of hits + an album under his belt at Soma, SLV ramps up the pace with this latest release. Two thunderous, rave-infected tracks lead the charge with remixes from label heads Slam and veteran Thomas P. Heckmann.
Opening track Perpetual Slaughter rips through the speakers with riot inducing vocals tearing at the heart of this massive bomb. Phoenix Rising continues the hard hitting theme as pulsing synths drive continuously letting up only momentarily before thrashing drums explode through. Soma label bosses, Slam, drop a typically wild remix of Perpetual Slaughter working in their own interpretation of the original's synth hook, complete with a decisive percussive assault. Legendary Techno artist Thomas P Heckmann delivers a seriously funked up, 90s-esq version of Perpetual Slaughter. Manipulating his hardware and twisting the synths to give his typically authentic and renowned, body music sound.
The story continues and for the second release in the Astra Spectra series, Science Cult co-owner Stefan Weise aka SYRTE presents five intense and dark electro tracks. The theme of this EP revolves around the delicate nature and moral implications regarding humanity’s evolving relationships with machines.
All 5 cuts on this release, presented as a limited run on red transparent vinyl explore our relationships with machines and those in our future. Many of the sounds were sampled from Stefan’s studio using electromagnetic sensing microphones. The soul of the machine is in every track.
Stefan Weise envisioned the “Astra Spectra” series as a celebration of mankind’s vision for space exploration, past and future, while also expressing a love for space science, science fiction and the spirit of discovery. Each release in the series is representative of a color frequency in our sun’s absorption spectrum and the element which is represented by that, hence the name, which means “Solar Spectrum”.
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Tag & Wandrach are returning to Burial Soil and this time with a bang. For this amazing EP they could win none other than Legowelt and Maelstrom to remix their song "Zusammenkunft". And in traditional manner our Label head Ravn Jonassen laid his hands on their b-side tune "Aus Der Ferne". You can expect some great variety in all the remixes.
White Vinyl + Full Printed Cover.
Modulhertz strikes back with The Traveler Ep, 4 tracks crafted
by the minds of Chich & Temudo, with a remix from the one
and only - The Advent.
Both artists teams up defining the label's identity, sharing a
common aesthetic vision and taking their sound to another
level.
Supported by: Matrixxman, Slam, Truncate, Mental
Resonance, Keith Carnal, Etapp Kyle, Eric Cloutier, and many
more
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- A1: Strapontin - Musc (Feat Josell)
- A2: Pal - Wangedrag
- A3: Kato De Vidts - Heightened Aliveness
- B1: Azo - Astral Sunrise
- B2: Dardenne - Alpha
- B3: Krankk - Follow Me
- C1: Dana Kuehr - Parallel Play
- C2: Lunar Convoy - Desiccate
- C3: Kappen - Saturne Lovers
- D1: Schroothoop - Nos Nos
- D2: Bass Toast - Gratitude
- D3: Cheb Runner - Marbou7A
In 2022 Listen is presenting its very first compilation as an extension of its year-round Our Scene platform. This release unites a wide spectrum of electronic music on a double gate-folded vinyl. With 12 artists serving up anything from ruff techno to ambient, the Our Scene Compilation sketches a profile of the diversity that characterizes Brussels’ music scene.
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Night Songs is the latest record from awakened souls, the Los Angeles based husband and wife duo- James and Cynthia Bernard (marine eyes). In the Spring of 2021, they found a good night's rest was more important than ever to help them through pandemic days of schooling kids from home and balancing work and life. After going on an evening walk, James and Cynthia would write in their bedroom studio and test the evening's songs out for sleep. Even prior to being together, they both loved searching for just the right album to calm their minds at the end of the day. Night Songs is their combined version of a sleepy evening record, exploring slowly evolving loop-based ambient primarily using bass guitar and vocal textures. The tracks which ultimately made it on the album helped them relax enough to go to a place where thoughts fade.
Night Songs is the latest record from awakened souls, the Los Angeles based husband and wife duo- James and Cynthia Bernard (marine eyes). In the Spring of 2021, they found a good night's rest was more important than ever to help them through pandemic days of schooling kids from home and balancing work and life. After going on an evening walk, James and Cynthia would write in their bedroom studio and test the evening's songs out for sleep. Even prior to being together, they both loved searching for just the right album to calm their minds at the end of the day. Night Songs is their combined version of a sleepy evening record, exploring slowly evolving loop-based ambient primarily using bass guitar and vocal textures. The tracks which ultimately made it on the album helped them relax enough to go to a place where thoughts fade.
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Following on from his 2021 debut on Phantasy, ‘Qué Sientes’ ft. Tee Amara, Cromby returns with another release that’s long been a secret weapon in his high-energy DJ sets everywhere from Berlin to his home city of Belfast, accompanied by an expertly-executed remix from Head High. Once again, Cromby provides one of his own sublime paintings as the artwork for 'Loving'.
Distinctly playable as either high-velocity house or pure rave with a refreshing streak of suspense, ‘Loving’ fires out the gate with inspired wonkiness, tripping on hardcore chords and a vocal sample manipulated to lunacy. Cromby reaffirms his instinctive ability to tip a dancefloor over the edge, planting multiple explosions of serotonin, the sort of drops that might shatter the windows of his beloved Panorama Bar, then confidently returning to a timeless groove.
Given the material, Head High, the alias of René Pawlowitz (AKA, Shed), proves a sublime choice to take on ‘Loving’. Delivering his first remix in a number of years, Pawlowitz induces a different kind of pressure, once again indulging in his lifelong devotion to classic organ chords, timeless breakbeats and the kind of chemically enhanced atmosphere bottled firsthand on the Frankfurt rave scene of the early nineties.
Complimenting the valleys of energy previously sculpted, Cromby winds things tighter on the rolling ‘Acid Trifle’, weaving percussive passages that speak for a reverence to Latin-House rhythms amid an undulating acid journey.
Deathmachine presents his second album, Mutability, a concept record reflecting on the hidden power of technology. Diving deeper into the themes of Engines Of Creation, Deathmachine's debut album released in 2013, Mutability considers society's present dependence on technology before casting off into an imagined future that is either advanced, destroyed or liberated by escalating automation. Mutability is Deathmachine's most musically diverse and accomplished record to date, featuring "classic" Deathmachine-style hardcore drum & bass with newer excursion into in grimey halftime ("Show Me The Truth"), techno ("Resilient") and more poignant forms of drum & bass ("Atoms of Honesty").
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DEVIKORPS is the collaborative project of HUREN x SARIN... Deviant emanations spewing from the same MORBID MIND - macabre sampling, abrasive drum programming and hallucinatory soundscapes to exorcise the darkest and most depraved periods of Berlin PSYCH WARD lockdown/meltdown.
DEVIKORPS sound & imagery is deviant industrial and experimental Audio/Video perversion. DEVIKORPS gestation can be traced as far back as 2012 in live audio/video violations at the Museum of Contemporary
Canadian Art for the "Videodrome" event series by Jubal Brown.
DEVIKORPS deubt entitled "Injektion Site" is comprised of a six track 12".
Sweden's DJ Lily returns to his own LILIES late March for the imprint's fifth release.
Gothenburg, Sweden based artist DJ Lily heads up the BROR and LILIES labels and has been releasing his high octane take on techno via both of them over the past few years, as well as welcoming the likes of Arkajo, Jor-El aka Joel Alter and Sandra Mosh onto the imprints with original material.
Here DJ Lily returns to LILIES with four fresh techno cuts for LILIES5, his first EP since BROR05 back in early 2018. "Lilies Were Here (I'll Carry You Home Little Foal)" leads on the package with a sturdy percussive foundation while ethereal pads, echoing synth swells and pummeling low-end tones wander throughout. The "Dadda Made Me Do It" mix of "Lilies Were Here" follows next, this time opting for robust 4/4 drums, vacillating synth flutters and cinematic atmospherics.
"Immediate Access" leads on the second half of the EP with a bumpy, distorted rhythm, frenetic resonant tones and expansive delays before "Brace Brace" closes the package, fusing bubbling metallic percussion with thunderous drums and unfaltering hats to create an intense, peak-time workout.
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"exquisitely produced and expertly rendered"." Pitchfork "startlingly accomplished and nuanced performance" The Quietus "the delicious irony of her lyrics remains intact, as does the freshness of the music" The North Devon Gazette "She's often described as a storyteller, and in interviews, she's spoken about wanting to win a Grammy or an Oscar," Resident Advisor VINYL COLOUR IS TRANSPARENT. For the first time ever, Frozen, by the Clovelly spawned artist Klein, will be available on real vinyl. 'Frozen' was previously released in two different versions: a two-cassette edition entitled Frozen: The Motion Picture Music Soundtrack that featured all the tracks from the film, and Frozen: Music from the Motion Picture, a bandcamp edition contained a selection of highlights from the soundtrack. The album was an international top 10 success, reaching #2 in the US and #1 in the UK, and contains three hit singles; "U got this" (#18 in the US and #10 in the UK), "grit" (#8 in the US, #3 in the UK, and #1 in France) and "tribute" (#7 in the UK). "mark", specially composed for the film Frozen, won both the Oscar and the Golden Globe for Best Original Song. Klein, herself, took home the Golden Globe for Best Actress in a Comedy or Musical, and the film won the award for Best Motion Picture - Comedy or Musical in 2022.
The debut album from NonniMal, who's an eclectic Icelandic techno producer with a reputation for taking the road less travelled when it comes to music. The album is bursting with creative ideas, atmospheric soundscapes and rumbling beats. From the glacial atmospheric dub techno burners of Fjola all the way to the to the mindbending enigmatic techno driver Merida; the fans of inventive and oracular techno will find something to embrace. Expect the unexpected.Thule Records is considered by many to be a pioneer in the field of dub influenced techno music; and has been a starting point for many of Iceland's most renowned electronic musicians since 1995.
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- A1: Light Tunnel Ft Mutado Pintado
- A2: Transmission 5 Ft Mutado Pintado
- A3: Headtrack
- B1: Paris Dub 3 Ft Paris Brightledge
- B2: Machines Our Coming
- C1: Lovin U (Ahh Shit) Ft Dj Genesis
- C2: We Ain't
- D1: Eating Glue Ft Mutado Pintado
- D2: 300 Hangovers A Year Ft Mutado Pintado
- D3: Paris Dub 1 Ft Paris Brightledge
From the moment you hear the first warm pads you know this is going to be an epic journey. Not really. Here is some more repetitive, machine bass music for DJs to play loud & dancers to freak to. Featuring vocals from Mutado Pintado (NYC), Paris Brightledge (Chicago) & DJ Genesis (Detroit)
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Shadow Work is Alex Cargill's (The Central Office Of Information) debut solo album on Subexotic Records (although he is no stranger to the label, having previously released the co-written TV1 as Transient Visitor, as well as the split release Passing cars In The Rain with hyacinth). With previous titles on such highly prized cult labels as Castles In Space, Woodford Halse & Colander, Subexotic are delighted to get in on some COI action with this intriguing new chapter in Alex's musical journey. Describing his current influences, Alex sites genres including synthwave, vaporwave, early 90s hardcore and techno, as well as recent work from the likes of Dalham, Plone, Moon Wiring Club, Polypores, Field Lines Cartographer, The Night Monitor and the Clay Pipe Music label.
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VIDO's way of independence with her first vinyl release on her own label. Coming from Frankfurt(Main), over many milestones to Berlin. "With limited given medium, creating something".
Enjoy the journey of a trippy, meditative, still a bit obscure danceable record of the VIDO Alias and her Alter Ego "M-Drive" that shows the last track with a voice insert.
solid white vinyl / 180 grams
British Electro veteran Bass Junkie returns for his second vinyl outing on Bass Agenda Recordings, this time with a full-length album. As his last release, "Low Frequency Fugitive" indicated, he has been working hard on developing his trademark sound and taking things forward; no mean feat for someone who has been ahead of his time since he began releasing Electro in the mid-nineties. He has succeeded though and everything he is loved and respected for is here, plus some advanced structures and elements - Bass Junkie evolved - a true Sub Sonic Survivor. The harder edge is here in tracks such as "Blast Them to Infinity!" and the insanely hard kick of "Star Destroyer". His funkier side shines through too, in tracks like the shimmering space funk of "Rum and Raspberries". For fans of his exceptional vocal work there are treats in store too, particularly in the aggressive attack on the modern state of things that is "Reset".
Token sees the return of Brussels-based Border One for 4 tracks of no nonsense, body focused music. This collection of tracks, meant to deliver uncompromising groove, affirms Border One's sonic identity through his use of evolving yet persistent tension brewing above hypnotic elements. This signature storm adds a dimension to Cyclone that guides the listener between club and mind by adding this constant yet recognizable anticipation.
The EP opens up at full capacity with the title track; bent metallics over an intimidatingly deep kick are stalked and circled by a sinister pad that leaves only to release maximum tension. This peak-time cut is followed by the subdued A2 'Halo' where, this time, melodic ambience is prioritized. Light toms drive us forward to undress a track with a patiently strained arrangement, partially through a filter only opening fully midway through, imposing the producer's pace. Border One then lifts the energy with 'Stratus' through 1/16th rhythmics with an almost psychotic arpeggio and tunneling hi hats in a track that can be visually described as racing fractals. The invigoratingly hypnotic quality of 'Stratus' creates an ultimate closed-eye dance floor experience to then pull us into 'Spheric' that closes the EP out in an entirely new but familiar cosmic atmosphere. Space is given to this last cut, with short plucked synths resonating through vast soundscapes, giving the project an ethereal closing over lighter, bouncing percussion.
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repress 2022
Bondage-Music welcome back Mihai Popoviciu, to present his new “Azul” EP comprising four original compositions from the Romanian artist, the release contains 2 vinyl only tracks.
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Collecting for repress
The original palingsound from Rotterdam continues in 2016 and following up on Paling Trax 2 is a collaboration that finds its roots in the ghetto streets of Rotterdam...
Paling Trax 3 is a split EP featuring two Rotterdam-based underdogs; Mitchell Goor and TAFKAMP. Raw club techno cuts. Forthcoming in April 2016 during Fishing Store Day.
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UMX is here with the Bloodmoon EP a Split release between Natural Nate vs Jiggabot and Dj Mike Devious
These producers are back with 4 banging Electro/Breaks tracks
Like you can expect from Nate , his tracks are uptempo and energetic , Bloodmoon is more dark and mysterious and I’ll Never Leave goes more to the deeper parts of your soul , a great piece of work this is.
Same goes for Mike , both his tracks “Random Droid” and “Initiate Drone” , you can hear the oldskool with hiphop influences but in a today’s sound . This is some proper electro . 2 masterpieces.
Make sure to get this one for your collection
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The first release on Emile Facey's Plant43 Recordings sets the tone for his new label with a showcase of his trademark shimmering, melodic electro. The three tracks take the listener through an array of deeply emotional soundscapes while keeping the electro-funk beats to the fore, another outstanding display of a unique style nurtured through over 20 years of production. A co-founder of London's Bleep43 crew, Facey has been promoting underground electro and techno since the late 90's. As a producer he's been releasing records since 2005 with a string of releases on respected scene favourites such as Central Processing Unit, Frustrated Funk, Semantica, Shipwrec and Cultivated Electronics, among others. He has played live alongside DJ Stingray, ERP/Convextion, Surgeon, Legowelt, DJ Overdose, Urban Tribe, I.F., Svreca, Datassette among many others.
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The follow-up compilation from the 10-year celebration back in 2017 continues along with the same energy that Smokin' Sessions are so well known for, offering floaty and uplifting productions with detailed beat work, along with that all-important heavy serving of lower frequencies.
We hear some absolute classics from names such as Djrum, Geode, Versa & Rowl, Escapism Refuge, Occult, Mercy, and some newcomers to the label in the form of Marenn Sukie & Synpal. There are 5 exclusive, unreleased tracks in total. 2 stunners from Synkro, 1 from Biome, and another 2 from Synpal. Some seriously impressive productions throughout.
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LTE presents its debut release titled Long Term Evolution, a 6-track compilation bringing together pieces from six artists from around the world. Music we fell in love with, sounds we find appealing, paths to explore. Between now and then.
LTE is a newly-born music label from Prague. Its goal is to build a platform for local and foreign musicians, producers and sound artists. Label's focus lies on contemporary electronic music and a wide spectrum of genres. Learning, trying and experimenting. Putting love, time and effort.
Bad times, good timing.
Following the highly acclaimed Obsolete EP and remixes on RFR records earlier this year, DJ Schwa is returning as WD-40 Trax with his new studio collaborator Jan Pos. The 5 track EP rediscovers the energy of the noughties tribal techno as peaking stormers topped by a dose of proper acid psychedelia contrasting with blazing grooves crafted for easy dancing.
Attention: WD-40 Multi Use Product contains petroleum distillates and should be handled with care.
- Repress with new label artwork.
- Comes in a generic sleeve.
The clergy is pleased to introduce you to a new initiate: Birds ov Paradise. This highly anticipated Hypnus debut comes split into three separate EP's which will be released one each full moon starting October.
Some of you may be acquainted with the music of Birds ov Paradise already as he's put out two stellar records on Jens and Aniara Recordings in 2016-2017, as well as making a contribution to our podcast series The Memoir where his sound was put on a grand display. Those of you who are new to the fantastic dream world of this very talented artist will quickly get lost in the flowing rhythms that drives his magical deep techno sound.
Early support from Etapp Kyle, Ness, Slam, Iori, Refracted, Svreca, Cio D'Or and Dorisburg to name a few.
We hope that you enjoy the trip into the Bayou.
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There seems to be something in the water down in Hastings as a veritable hive of electronic music artists have been busy making beats in ever growing numbers down there - including Kim Cosmik.
Kim's debut on 20/20 Vision is an impressive and highly original mix of techno, electro, broken beats and industrial sounds, destined to destroy the long-anticipated dance floor revival. Although overall the record is abrasive, hard-hitting and takes no prisoners - beneath the surface, in tracks like 'Drifting' we also find nuances of emotional musicality that shed vast streams of light on the proceedings. The record does indeed kick off with intent though with 'Night Flight' - a blistering techno workout that would resonate magnificently in the mighty Berghain hall. There's no holding back the menacing bass line, fortified tough jacking groove on this one as strong synth lines and strings embellish and complete the soundscape.Over to 'Ore' which cranks up the gears into an industrial techno slammer packed with abstract outer-planet sound design finished off with pounding overdriven drums programmed with military precision.
On the flip side is a gem called 'Nocturnal'- this is the cut that first really caught our attention at 20/20 Vision, with it's merciless industrial dubstep kick drums and brutal precision. It's a simple, stripped back workout held in place beautifully by a discordant string - there's just no escaping this fierce ruling diva. Not for the faint-hearted but those who dare will be rewarded.
Kim's final track 'Drifting' is the jewel in the crown that provides the light after the storm. It's a blissful, cosmic, jazz fused musical tapestry driven by break beats, while compassionate strings infused with Kim's own vocal harmonies and subtle piano motifs glisten and glide over the track adding soothing layers of harmonious quality. Drifting is the perfect close to a truly stunning debut EP.
Horse Category closes out its first year with the third Phonopsia release, Peaks and Troughs, completing the reconciliation with older material that spans these first releases. The three slower techno tracks share little in common besides their tempo, while the faster closing track offers something more DJ friendly.
- A1: Projekt Gestalten - The Beast Within
- A2: The Princess Of Death - Trance
- B1: Projekt Gestalten - Trial And Execution Of The Black Wolf
- B2: The Princess Of Death - When The Saints Go Marching
- C1: Projekt Gestalten - Prey To Be Undone
- C2: The Princess Of Death - The Shrine Revelation
- D1: Projekt Gestalten - The Curse Of Engelhart
- D2: The Princess Of Death - Curse, Shattered
- D3: Projekt Gestalten & The Princess Of Death - Requiem For The Swan King
"The Beast Within" is the new album by Brazilian artist, Diego Garcia; exploring gender identities within contemporary electronic music. The artist uses two of their distinguished artistic identities: The Princess of Death, her feminine identity - where there is an exploration of a more introspective and corrosive textures commonly associated with patriarchal values; and Projekt Gestalten, his masculine identity - where melodic and hypnotic sounds, often associated with matriarchy, are emphasized.
In this project, Diego's aim is to dichotomize their gender identities inspired by a point-and-click adventure game from the 90's called "Gabriel Knight 2 - The Beast Within". The story was written by American game designer, Jane Jensen with original music composed by her husband, Robert Holmes. The protagonist is on the trail of a strange wolf, murderer of a little girl. Gabriel was asked to take care of this evil and suspects that this case is paranormal in nature. Together with his assistant, Grace Nakimura, he discovers the dark truth behind the history of Bavaria. The gameplay alternates between Gabriel and Grace and its storyline is only explored indirectly by Diego - as it is deeply connected with their childhood and formative years and still remains as one of their all-time favorite games.
Just like in the gameplay, Diego alternates between both of their feminine and masculine identities in order to create original pieces of music. As Projekt Gestalten, an array of dance tracks are functionally presented; ranging from melodic and trippy to club-ready driving techno; dissecting a more rational aspect of the game's storyline. In contrast, The Princess of Death goes into an ambient and experimental approach; exploring liturgical themes that includes a dark and dystopian cover of the traditional gospel song "When The Saints Go Marching In", a song that is featured throughout the whole franchise of the game in many different versions. In the end, the gender polarizing concept is extrapolated and both aliases are finally merged into one another; leading to the Gestalt principle, alluded to in Diego's main alias, being fully applied as a whole.
The project's ultimate goal is to challenge preconceived notions of how a specific gender should sound/behave and to explore light/dark, sacred/secular, good/evil, male/female using, as the blueprint, a gender-neutral game where the player is forced to assume a feminine and a masculine role in order to navigate through the story. All of these ideas are perfectly aligned with Diego's own trajectory as an artist and their distinct artistic identities featuring distorted gender values - which comes full circle in this project.
The next EP in Blueprint's 25th birthday series sees another collaboration for label head, James Ruskin. Following EPs alongside both Truncate and Mark Broom, this time Ruskin teams up with DVS1 for 'Chapter One'.
Back in 2016 the label was celebrating its 20th anniversary and the release of the 'Structures and Solutions' compilation which featured their track, 'Page 1'. As one of the highlights of the compilation, it received multiple plays on BBC Radio 1 and a place in Resident Advisor's Top 50 Most Charted tracks during its month of release.
Taking the hugely atmospheric 'Page 1' as their starting point, they continue with 3 more fully immersive techno "pages" to create this full EP.
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Hypnotic, scuffed dancefloor movements, dub-dilated drum workouts &
heavy-lidded ambient zones.
Made in Hong Kong before the storm, Manchester and Bristol.
Born and raised in Hong Kong, Scott Young’s music traverses a wide sonic palette, encapsulating leftfield dance music, musique concrete, experimental film soundtracks and lush ambient excursions.
Following a noteworthy appearance on Samo DJ’s Born Free imprint, a series of accomplished releases on Discos Capablanca and a mesmeric contribution to the 2019 Opal Tapes compilation ‘Amateur Vampires’, Young returns with his most significant output to date.
Comprised of five tracks that work towards different styles, ‘Ket City’ is intended as an intimate ode to the United Kingdom, and a response to the oppression of algorithmically filtered modernity and the drudgery of work. Diving into hypnotic, artfully fractured dancefloor movements, dub-dilated drum workouts & heavy-lidded ambient zones, ‘Ket City’ is a diverse prospect that nevertheless reveals the execution of a unique signature.
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Collecting oders for Repress
Solid Void EP is Setaoc Mass sixth release on SK_eleven following from the Reframe EP which came in December.
The British producer plays to his strengths and delivers four tracks - rich in depth, texture and hypnotism.
Light falls opens the EP with its gentle ambience combined alongside welcoming, warm synth-lines. A2 and B1 True Lies and Eurythmic both take the tougher route, brandishing two cuts of tough techno Sam is known for, always ready for the peak-time. The EP is wrapped together with a signature electro excursion Jenagan Sivakuma - rife with euphoria and groove.
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L’Embrasse is a compilation originally released in 1987, less than 50 copies were distributed at the time through local shops and it is a portrayal of a unique and very little known scene, generated in the deep underground milieu of Amsterdam. None of the tracks presented on this album has ever been re-released after the ultra-limited original edition on cassette format appeared.
At the time, a dozen different acts were featured: Menko (S.M. Nurse founder), Robbie Horsfall, Peter Van Garderen (Nine Circles founder), Der Rudi, Antonia (Tonny Timmermans), No Honey From These, Incredible Coöp (S.M. Nurse members), Tranquil Eyes, Beatnik Love Affair, Cheiron, Spin & Kokkie and The Male Ego.
Die-cut 300-gr cardboard jacket. All the elements on the cover have been hand stamped. Includes download code and numbered insert. Mastered by Ruud Lekx from the original tape. 200 copies.
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DIALOGUE was conceived as a series of musical letters written back and forth between Luke Slater, Anthony Child (aka Surgeon), KMRU, Lady Starlight, Speedy J and harpist Tom Moth (of Florence + the Machine) at the height of the pandemic between 2020 and early 2021. Using the common language of rhythmic ambient electronics, each DIALOGUE features three actors in a sonic conversation of longform improvisation between 15 and 25 minutes in length, with Luke Slater the common denominator. The results are a brooding, psychedelic exchange of melody, texture, bass, oscillation, key changes and volume swells, which organically merge into complete compositions. It’s music that both reflects and transcends the artists' common reality of isolation – a meditative, consciousness-expanding conversion of musical ideas born from necessity. Cosmic but not escapist. And very much of its time.
For the first time, these exclusive extended versions of NJOI's seminal tracks are available as a 3 coloured disc vinyl-only release. Carefully lifted from their original early 90's live sets, these tracks have been re-crafted, extended and mastered to todays sonic standards and we're very proud to present 'Collected' on Food Music.
This project is much more than simply re-issuing the cream of NJOI's catalogue. As we enter 2022, we begin a year long journey with the duo, eventually unveiling 30 year old unreleased sought-after material for the first time ever, together with remixes from some of the todays finest electronic artists. It’s a privilege to complete the circle with NJOI and their timeless music.
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Adrien d’Elzius is giving his debut on Burial Soil, the title Brnsrgry (Brainsurgery) points out what to expect sound wise. Both originals will pull you deep down in a mystic dark whole, twirling you around and spit you out feeling dizzy from all those fascinating sounds.
Brnsrgry is more rave orientated, moving forward and leaving Devo going green with envy about how to whip it good.
Toxic Flood transports another energy, still scratching the worlds of Acid but way darker and mysterious. Great vocalist Miper asks: “Where will it lead?“
Time for you to find out!
The first remix comes from the one and only UMWELT, needless to say, this Electro banger hits you hard with its punchy acid line and it is roaring in your face: “I’m a dance floor beast!“
Second remixer on this release is the dutch Lloyd Stellar and faithful to his dutch electro origins, he created a journey to float away into cyber space.
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If you are wondering what the artist wanted to tell you by choosing this title, we will give you a small hint: It's
a cynical statement on something that for sure every party promoter has experienced at some point. The
rest, we will leave up to your imagination...
In real life, there's no mercy - neither is when it comes to the sound of this new Snork release by Syntax
Error. The four new tracks with meaningful names are not only a social criticism and another artistic
processing of the current development of the techno scene, but also a classic Syntax Error: rough, tricky and
good to groove.
Each track stands on its own, telling another story. 'Collateral Cosmopolitan' is a straight forward piece with
a highly memorable beat talking about the uniformity that is creeping in the waiting lines of more and more
techno clubs. 'I Wear My Grandpa's Glasses' presents a totally dodgy sound, which might be a little old-
school and even a little irritating - just like some fashion items you encounter on today's big city streets. 'No
Fog Is No Solution' is a tight song that definitely needs some good fog and a harsh strobe. And finally, the
last track sounds like a futuristic fairy tale from outer space looking on the world as if it is a 'Society
Bathysphere'.
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Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Red Vinyl
The Berlin-based Techno producer I Am Bam brings four tracks to the table on his inaugural label release. Leading with "Queen", "Trezor", "Ko55ke5", and "Owie", all high energy dancefloor killer tracks paired with catchy classical arpeggios and drums.
His track entitled Queen witnesses Bam's unmistakable sound, with a deep 90's vibe and catchy vocals.
Collecting Orders For Repress !
Techno Import is proud to present it's first own release.
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- A1: Pavel Bidlo -Break
- A2: Sensoreal - Mdma People
- A3: Paradiso Rhythm - Sade's First 909 Affair
- B1: Richard Scholtz - All About Sunset
- B2: Atho - Reflections
- B3: Filta -Tasty Dub
- C1: Hendriks Toth - Sundeck
- C2: Milos - Light As Powder
- C3: Iner - Etika (Feat Oiuna)
- D1: Ground16 - Never Mentioned Love
- D2: Deepologic -Veronica
- D3: Tomin Tomovic & Alpha Hypnotica - Iskra Života
Sofa Movements Records, a Slovak-Irish label, returns with its second Various Artists compilation named DVA (meaning "two"). Four countries, twelve producers. House, Deep House, LoFi House, Techno, Minimal. Filters, vocals, synths, raw beats and everything danceable from 115 to 127 bpm. Keep your eyes and ears peeled for this one!
The beginning of the opus gives us clues indicative as to what will come. It immediately plunges us into an electrifying, occult atmosphere counterbalanced by an ethereal outro marking the end of our journey, taking us home. The vinyl Hottan is a series of hypnotic tracks that delivers a message to our unconscious, every aspect of a this EP reveals to us what is most profound.
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Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
The next one, Bruce!
Climate of Fear follows up Soft Boi’s debut LP with a mammoth drop: 12 tapes ripped straight from the first two years of Berlin parties. Released one per month, the series moves from Izabel’s shivering chug through Nkisi’s deadly anarcho-gabber psychedelia, Polar Inertia’s sleek techno throb and DJ Python & Mad Miran’s impromptu closing b2b.
For the fourth installment in its twelve month tape series, Climate of Fear brings out a scorcher from the one & only Bruce. Recorded in the fall of 2019, the set shows the UK artist in unflinching form, weaving strains of UK club music with the effortless grace and power that has made him a household name. No genre is safe in Bruce's hands. Plug in your sub. Out November 2020.
Elena Colombi
Polar Inertia
Nkisi
Bruce
Relaxer
Bambounou
Shanti Celeste
Karen Gwyer
Vladimir Ivkovic
Izabel
Terekke
Mad Miran b2b DJ Python
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Disciples Of Annihilation,E-De Cologne,Dj Dano,Liza'n'eliaz,Somatic Responses,Dj Balli,Atomic
15 Years Anniversary Vol 1 LP 2x12"
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Last spotted on BNR exploring the carnal contrasts of pleasure and pain with Miss Kittin, Djedjotronic returns to the Boys Noize HQ for more nocturnal mischief... It's his first solo EP since 'Drum Program' in 2014, and he's marking the occasion with some serious toys.
Strap up for the 'Strapon', the grand salvo of this deep tech quartet. A sweaty pulverising tech jam with all the subtlety of a jet black 15' double ender, its sweeping bass riff sways back and forth guaranteeing the essential climax every time.
'Solar Bird' takes us deeper into the Frenchman's psyche as he takes us on a trip through techno past, present and future. Stark simplicity is the key message as radar bleeps ping hypnotically and a 4am atmosphere creeps up behind you shrouding you in icy drama.
Further into the EP we strike electro gold as Djedjotronic guides us through a maze of classic breakbeats with lavish metallic ripples, squelching acid flurries and industrial strength textures before we're bid a passionately paranoid adieu on 'System'... Minor key off-beat arpeggios buckle and bend while a downpitched vocal sample and mechanical whirrs and wheezes lace together mirroring the rugged rhythm arrangement.
Twisted, unique and devilishly dark. When a night starts with a strapon, who knows where it's likely to end Don't do anything we wouldn't do.
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Auf Seinem Neuen Album "r.u.r." Lässt Der Berliner Produzent Djedjotronic Den Kalten Machinen Warme Herzschläge Folgen, Und Umgekehrt. Aufgenommen In Einem Basement In Südfrankreich Besitzt "r.u.r." Eine Techno-futuristische Thematik Über Moderne Isolation, Robotik, Ki, Simulation Und Cyborgs, Während Es Musikalisch Hinweise Auf Ähnlich Gelagerte Produzenten-legenden Wie Cybotron, If, The Hacker Und Ivan Smagghe (zu Seinen Glorreichen Dj-tagen Im Pariser Pulp) Gibt. Der Aggressivste Dancefloor-moment Ist Zweifellos "take Me Down" Mit Douglas Mccarthy (nitzer Ebb) On Vocals, Ein Industrial-arpeggio-monstertrack.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
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Engyn returns with a very short longplayer: "Soundtrack For A Long Drive Home".
In the words of the artist:
“I had given up on releasing this music, thinking that the album was meant to stay unfinished. It was written during a brief respite from tragedy when I was learning to let go of pain in a positive way and reminding myself of the possibility of hope. It was a very special emotion, full of sadness, but a hopeful sadness. As it turned out the tragedy wasn't over I was only in the eye if the storm however, and this feeling that had inspired me to compose was soon ripped away. I gave up the hope that I would ever feel that same emotion again.
And so the music slept on my hard drive for over two years until the gentle push of a friend who simply stated that sometimes it is necessary to find completion in the incomplete. Then I began to see that without realizing it, I had written five songs that perfectly follow the five act structure of Aristotle. It’s the drama that repeats itself over and over in our lives. Recursively nested in each other, the small dramas within the large dramas within the ultimate drama, - that is ones life.”
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Live in Ravolution is the third chapter of the rave trilogy from Gauthier and his first vinyl release.
Gauthier is a French producer who propose a heavy melodic techno with old school influences, he designed this EP as a reflexion of the rave movement.
« Rave is fleeting like a dream and liberating like a cry »
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For the tenth edition of its tape series, Climate of Fear presents "Empire of the Senseless," a rippling, brooding session by Izabel. Recorded at an april 2019 party opening for Legowelt, "Empire" shows the Lullabies for Insomniacs boss in a molten halftime groove, drifting from fungal ambient to dark-aura'ed club crawlers. Rich, unnerving, sorrowful and sensuous. Feel your face melt.
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"We’ve reached book IV in Rupert Clervaux’s series of “Zibaldone” audio diaries, at which point we find him telling a different kind of story.
“The first three all had very specific themes, while this one feels a little bit looser and doesn’t have just one thematic thrust,” he tells me, which maybe explains why listening feels a bit like annotating. I’m underlining, emphasizing, drawing arrows from here to there, highlighting symbols and noting motifs, realising, questioning, eureka-ing. An impressionistic meaning’s been encoded in and we’re lucky to be given the space to play that most poetic and boundless of all mental games: narrativization.
There are no wrong answers, but Rupert offers some clues either way. If there’s any cipher here it’s “something like a meditation on the concept of ‘depth’––in all its connotative forms.” Think below the surface, (the) underground, yawning oceans, being ‘down in the dirt’, soil, roots, rootlessness, pulling at the dregs, collapse, profundity, stable and unstable horizons, distance, perspective, intuition, not to mention relative opposites: to be shallow, to be above, to be beyond.
It’s got me thinking of Bresson’s “Bring things together that have as yet never been brought together and did not seem predisposed to be so.” His: “Dig deep where you are. Don't slip off elsewhere.” Rupert has realized these—two favourite goals of mine!—here.
This is music that catches you at your own periphery, gives pause, has you offering a little “huh” to, asking “I wonder why” to. Again, it’s got me musing on another mindworm, this time from New York publisher and multi-sensory reading room Dispersed Holdings: “Feeling-making-knowing feedback loop; cartography of feeling; water as text, read to know the land beneath and around it, and body as reader.”
Is it ok to offer up these other contexts out of context? I think so, because Zibaldone IV articulates a similarly swirly tone. Like, we’ve got Rebecca Solnit talking through Kropotkin’s “Mutual Aid” and later calling out to Michael Ruppert a ways away, and “Easy Rider” is playing in the wings. We’ve got Susan Sontag magically contextualizing Mariah Carey with poet Thylias Moss triangulating in order to sketch out (Rupert again) “something a little more interesting than wilful eclecticism or that laboured and patronising kind of pop-savvy.”
Are we following? Whether yes or no Vanessa Bedoret follows on with a performance of a performance of Moss’s 'Water Road’: to be once or twice removed, via strange transitions, purposeful confusions, and, suddenly, seagulls. We’re on a boat with Ingeborg Bachmann—and how I wish I could actually be! But maybe thanks to this music I can as literature, films, friends, lethargy, coincidences, little mental links, eternal wormholes, lingering notions come together to imagine something better."
Text by Natalia Panzer
300 limited edition blue release of Bangkok-based child of Detroit Scott Hess returns with the latest in his vinyl-only 'Redlight' series.
Welcome to the interplanetary voyage of Redlight volume 2, the stunning result of a prolonged spell of concerted studio exploration by musician, DJ and producer, Scott Hess. During the enforced lockdown that much of the world endured earlier this year, Scott took the opportunity to hit the sonic laboratory harder than ever before, and the result is some of his most accomplished work to date.
Undoubtedly blessed with the essence of his Motor-city birthplace, there exists, too, a distinct extraterrestrial yearning in the music. Add to this a sense of cabin-fever-induced paranoia, and the result is a complete and coherent collection that's as funk-flecked as it is experimental in nature.
The heavy electro-fuelled flavour of 'Sirius City' is designed to activate maximum booty-shaking. Summoning some kind of soul dirt, Scott gets the beats clapping over futurist refrains and an almighty intergalactic top-line to .
On 'Stars', Scott invited friends from all corners of the planet to contribute vocal textures, with each of them supplying spoken word proclamations of various stars and constellations for him to skilfully work into the cut. The music evolves delicately but purposefully, with carefully placed textures complimenting the vibe-rich synth hook.
On 'Call Me, Acid' we find Scott in an adventurous mood. Bubbling bass provides a bed for idiosyncratic synth lines to meander over tight snares and other-worldly textures. The bold arrangement leaves room for each part to have its say before allowing the brooding acid to take to the fore.
'UFO' tips a respectful cap to a golden age of Detroit house and techno soul, with its heavy pads, crunching snares and infectious 303. Arguably the most club-ready cut on the 12", yet still endowed with a star-gazing quality of production and tone.
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Climate of Fear slides into the end of winter with a sublimely lush dose of warmth from the inimitable Shanti Celeste. For the seventh entry into its tape series, the Peach Discs boss spares no one: ocean-floor bass drops, wicked drum science and tight, tensile synths are blended with a dose of luminous warmth. Freaking nasty, joyful and tough as nails.
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This is the fnal chapter in a series of three 7" records which see Stefan Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals for a
collective return to highly energised club experiences. 'Singing Wire' is playfully swinging and feels surprisingly natural and decelerated for what it is – while taking you decisively and rapidly to its farend destination. 'Geared' is raw voltage with all the sparks fying. More bouncy than harsh, these tracks show impressively how diferent tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs and refective-lacquer details, with individual colour-coded inner sleeves. Comes with download card.
‘A celebration of the ever-expanding and evolving label family, LLI008 comprises an LP, a fifty-odd-page booklet (and eight page photobook and insert), further digital tracks and some web-based stuff contributed by friends new and old from far and wide.’
- A1: T Raumschmiere - Das Rauschen
- A2: Akkamiau_Ouroboros_Stratofyzika_Kummerang Sunk Drunk Rmx
- A3: Yaporigami-190507
- A4: André Uhl - Your Wish Is My Command
- A5: Hte Allegorist_Until Dawn
- B1: Lars Fenin - Mighty-Dragon
- B2: Peter Kirn - Peak Demonology
- B3: Jessica Kert - Sixteen Barrels
- B4: Brayan Valenzuela - Tricky Eyes
- B5: One Day_Nitta Aka Dinamite
Some sonic communities grow even in isolation, in the lonely obsessive moments in the studio as time melts away. Deep inside the Detroit Underground nests a Berlin underground, chasing those resonant shared sounds. DU Berlin draws together some of that love felt through music in the German capital. It’s not the wild city of reunification or *Berlin Calling* or tourist-style movies or the easyJet set. This is the side of the city that endlessly romances machines for the sheer joy of it, as The Allegorist titles her track, “until dawn.” And with some big names and emerging, ranging from mainstays to veteran agitators, the Berlin DU crew have telegraphed each other through productions and mutual inspiration. The results vibrate and rumble with sympathetic frequencies, but never limited to grayscale or dithered palettes.
DESIGN: Neubau Berlin.
Second instalment on Derailleur’s own Decade Box imprint, featuring a rather good remix from Carl Finlow. Derailleur’s arp driven, sub heavy original gets a signature reboot courtesy of Mr Finlow. Dorsia’s Adam Reid switches up the vibe, taking a more breaks driven approach to Derailleur’s electro version. While Finlow adds the funk, Reid strips back the elements to reveal a starker, more urgent vision of the original.
Following his timely 2004 debut on Varial, Derailleur has also released on Dust Science, Soma and Harmless. With a strong commitment to hardware based recording and performance, 2019 brings in a new chapter for the France based producer and DJ.
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What is the new label from Tobi Neumann and Patti Ense
What is a label based in Berlin
What is something between house and techno
What are those infamous parties from Patti
What.... First release is the Tiffany EP by Tobi Neumann, Dewalta, Patti Ense and Joel Harmsen
Nastia:
"my favorite is 01 01-A_Tiffany_What.._ so far - sounds very stylish and intelligent."
Nick Curley:
"Habe sie eben 2 Mal im Studio gehört. Gefällt mir sehr gut, vor allem die ersten beiden Tracks.
Freue mich schon sie im Club zu spielen."
André Galluzzi
"What nr 1, ein sehr gelungener start für ein neues label :) das original
own_me_what, ist ein schönes trippiges stück was einen auf die reise schickt und nie die spannung verliert. auch ein geiler opener , dewaltas remix gefällt mir auch sehr gut, etwas minimaler aber schön auf den punkt , wandert in meine kiste! danke "
Shonky:
"Well i have to say i really like your track Own me and Marianna who was in the room asked me what it was
So my feedback is really
What a nice ep for the first release,all the tracks are great with dope groove but my fave is Own me.
will play that for sure this weekend"
Dana Ruh:
"Das ganze pack ist super und es ist etwas für jede gelegenheit zum spielen dabei!!
Full Support! Freu mich schon alles auszuprobieren.
A: Mir gefällt die dichte der sounds und der Jazzeinfluss. Auch die Stimmung ist super. Wunderbare Nummer
B1: schöner drive und schön hypnotisch! Das mag ich ja sehr!!! Habt ihr das Modular schön mit eingebunden ja!
Soundmässig natürlich auch mega!!
B2: Sehr schönes Beat tool! Die Reverb Spielerein find ich super!!!"
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- A1: Butch - Lale
- B1: Bryan Kessler - Cucú
- B2: Nandu - Gates To The Galaxy
- C1: Invōker - Churches
- C2: Ditian - Forgotten April
- D1: Glowal - Pressure
- D2: Underspreche - Acid Gentle Moves
- E1: Musumeci - Pawn Storm
- E2: Shiffer - Magnum
- F1: Dodi Palese - Shape Played
- F2: Luke Garcia, Th3 Oth3R - Amplifier
- G1: Trikk - Movimento
- G2: Edone - Dissection
- H1: Coloray - Gazing Eyes
- H2: Impérieux - Stopped Growing For A Year
Part 16[41,13 €]
The time has come for our Secret Weapons Part 12. This series represents a mix of various soundscapes and moods, taking you on a trip from peaktime to afterhour; as Âme & Dixon have proven during their shows around the universe. It marks the beginning to the new decade and draws a bridge for creative areas to flourish.
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- A1: Butch - Lale
- B1: Bryan Kessler - Cucú
- B2: Nandu - Gates To The Galaxy
- C1: Invōker - Churches
- C2: Ditian - Forgotten April
- D1: Glowal - Pressure
- D2: Underspreche - Acid Gentle Moves
- E1: Musumeci - Pawn Storm
- E2: Shiffer - Magnum
- F1: Dodi Palese - Shape Played
- F2: Luke Garcia, Th3 Oth3R - Amplifier
- G1: Trikk - Movimento
- G2: Edone - Dissection
- H1: Coloray - Gazing Eyes
- H2: Impérieux - Stopped Growing For A Year
The time has come for our Secret Weapons Part 12. This series represents a mix of various soundscapes and moods, taking you on a trip from peaktime to afterhour; as Âme & Dixon have proven during their shows around the universe. It marks the beginning to the new decade and draws a bridge for creative areas to flourish.
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- A1: Number Nine - Dead Bodies Ecstasy (Edit)
- A2: Number Nine – Zim Boom
- A3: Orbit 48 – Rave On!
- B1: Number Nine – Dodecadarian
- B2: Jean Bruce – Build The Future (French Theory Rhesape)
- B3: Men At Werk – A Spanner In The Werk
- C1: French Theory – 2006 =1988
- C2: French Theory – 2006 =1989
- D1: French Theory – Kids In Belgium
- D2: French Theory – (Lost On The Way To) Destelbergen
- D3: French Theory – Acid Reprise (Edit)
For years, the vinyl 12 inches from the French Techno-house & New Beat label N9 were nearly impossible to find, and devoted Oldschool Fans kept asking for represses.
Thanks to a joint venture with fellow Belgian label Fenix Fire Records, the wait is over! Here’s a deluxe 2x12' compilation, on 180g marbled red vinyl in a beautiful gatefold package.
With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!
The release also includes a digital version of the compilation, plus a 21 min megamix by Igor Altman, and 3 additional unreleased tracks, including the infamous cover of The Maxx's "Cocaine" in 2020
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What is the difference between here and there?
What are the differences between countries and races?
between men and women?
children and adults?
you and me?
We are supposed to be the same person, but we are all different.
We look different, we were born and raised in different environments.
Our personalities are also different.
These differences create interest and new discoveries,
but they also create discrimination and prejudice,
which leads to division.
In recent years, this situation seems to have become more pronounced.
"You and I are different.
But sometimes I might be the same as you."
In this uncertain world,
this is what I wanted to express in this music.
--K Nogami
"Where words fail, music speaks"... this is a central tenet for Steyoyoke keystone and melodic techno virtuoso Clawz SG. And how this music speaks! For his 5-year anniversary with the label that defined Ethereal Techno, the french producer once again delivers torrents and colourful kaleidoscopes of emotion.
This is “Between Shadows & Lights” LP, where uniquely original and immaculately polished sound design opens the doors, letting his unmistakable sounds fill the room from the first bar to the last. He is a gifted storyteller and an undisputed master of the analog synth domain; evidence the deep yet gentle bass growl, to fountains of sawtooth harmony, intricate layers weave and envelop, yet each waveform is as clearly defined and as pure as crystal.
This is a personal journey that lifts the spirit ever higher, to stratospheric levels of elation, souls of both artist and listener being exposed and transported to a far dimension of bliss. Whether a fan of the artist or the genre, do not miss this very special release, which will also be available as a limited double vinyl featuring a bonus track.
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Dylan Forbes is a man of sustained grooves. But for the next release on Haŵs, the Irish DJ producer deviates slightly from the sounds of his previous back-catalogue to investigate the idea of collective ideals from the solitary walls of his lockdown studio back in 2020. The resulting output is ‘Mind Expander’, an idiomatic release of club-orientated house and tech tracks marbled with introspection and the hopeful craving for dancefloor unity.
The opening ‘Ride The Flange’ jumpstarts the engine with an emphatic house beat, sitting beneath swathes of misty synth lines that trip over each other in their eagerness to peer into the void beyond. ‘Mind Expander’ takes the pH back to 1, with acidic iterations, delicate chimes and a protracted build up that yields a sense of broadening thoughts and augmented senses.
On the B-side, ‘Searching’ slots together gruff, probing basslines beside melodic contours that seem to dance together with a subtle rapport like two figures treading the verge between companionship and intimacy. ‘Take U Over’ intensifies the euphoria for the close, assembling a prog-inspired motley crew of synths, reverbed soul vocals and breaks to gently charm the traveller back down from the 4-track ride.
It’s said that reality exists in the human mind, and nowhere else - so let’s make the shared journey worthwhile.
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One oldschool full side from FKY and two acid tribe progressive tunes. DST prod rings you up !
« The´ore`me » is french experimental electronic figure Franck Vigroux's new EP. Vigroux's music describe a dystopian reality where humans and nature fights the material world. Hard-kicking loops, drone doom and industrial sounds, the EP is full of tension that coursed through the veins of is last solo releases and collaboration with Mika Vainio.
Artist Biography: Franck Vigroux's music is made of tectonic tensions, beats, electronic textures and a very personal approach to sonic exploration. He has performed and recorded with musicians such as Mika Vainio, Reinhold Friedl, Elliott Sharp, Zeena Parkins, or Ars nova ensemble instrumental. Vigroux's uniqueness comes from his artistic approach that integrates new media and performing arts. He designs transdisciplinary shows and audiovisual concerts, collaborating with visual artists such as Antoine Schmitt and Kurt d'Haeseleer. Vigroux's records have been published on many labels
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Invite's Choice Records continues on the path chosen with a 3-track vinyl release which showcases some new and well-established names.
Hertz Collision has the honour of being chosen to be the only artist showcasing a track on the A-side. This eerie, melodic track sets quite a special mood for the EP to start with. The B-side is opened by Wrong Assessment with a track that's focussed on the low-end. This synth-driven track fits well in the mood set on the A-side, but continues with a heavier drive. The droning kick draws you in and makes you want to go dance the day away in smoke-filled rooms. Savas Pascalidis finishes the EP off with a banger true to his own style that relies on the drummachine for it's swing. This oldschool, loopy techno banger closes another outstanding EP by Invite's Choice Records.
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We are celebrating 20 years of Kellermusik Records with a new vinyl record.
Exactly 10 years after "Forget the Past". Klima fresh Kellermusik sound in a contemporary guise
We would like to thank R.A.N.D. Muzik and of course all the fans who have always remained loyal to us.
Without you this record would not have been possible.
To the next years of Kellermusik Records!
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Ruff Stuff joins the Shall Not Fade family serving up six luscious jams for their new coloured vinyl series.
Italian producer Ruff Stuff conjures up a six tracker packed full of fun and good energy. Ruff Stuff joins forces with Shall Not Fade regular Black Loops for two tracks on the project, creating future dance floor memories.
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Superb acid mental sounds... Another dimension... Swinging and progressive, with new ideas (like this echo on the flip side reminding me the echo in that subversive wicked movie "Don't Look Up")...
Also to notice... Played at 33 RPM the A & B side tunes are absolutly great too (check our 2 last previews)... Someone at the shop were asking me for some 120 BPM mental acid techno... I think maybe the answer is here : play the 45 at 33... Like the Hardtek french movement was playing records 45 in the early 90's... But now playing 33 instead of 45... Turntablism is all about that I suppose :)
Ibiza Records brings you Archives Vol 13 with sum flavours of the early 90s when the scene was emerging from Hardcore into Junglism thus the creation of Jungle...
This 4 track of gems from Sky Joose & X-Certificate taken from Ibiza's vast back catalogue showcases their musical talents. These tracks were done as promos but were never put out on general release strange enough. So now's the time they can shine some formidable tracks showing the crossover from hardcore to jungle...
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Deep in rhythm, mystery and emotion. After completing the double trilogy Chapters & Scenes, SNTS has created this album to show his darker and non-human side. The LP marks SNTS' first full-length album release with a remix from Polar Inertia. A total of 8 tracks make up this release, which will be edited only on vinyl and on limited edition.
"Looking inside oneself, the reflection of the real and the imaginary, the communication between the presence and the disappearance of our ego, the internal battle of the mind. This confrontation with the disappearance of living and existence. Who hasn't ever felt scared of the journey of their own thoughts That rustling of the leaves around you..."
Supported by: Sigha, Positive Centre, Lucy, Manni Dee, Teste, Paula Temple, Rødhad, Terence Fixmer, Electric Indigo, Ben Gibson, Donor, Inigo Kennedy, Radial, Giorgio Gigli, Pfirter, Edit Select, Takaaki Ioth, AnD, Svreca, Casual Violence, Etapp Kyle, Tommy Four Seven, Jonas Kopp, Francois X, Henning Baer, Alex.Do Truncate, Claudio Prc, Bas Mooy, Adriana Lopez, Ryuji Takeuchi, Speedy J, Paul Mac, Angel Molina, Chris Liebing, Iori, Go Hiyama, Flug, Birth Of Frequency, Ben Sims, Juho Kusti, Thomas Hessler, Nihad Tule, Dave Miller, Deepbass, Eric Cloutier.
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clear vinyl[25,00 €]
'PULSE 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by SYNE and Influx. SYNE is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his SYNE alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP. 'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy. Influx is James Bernard from the US, who is most recognized for his solo work in recent years. Influx was his trance/techno alias for much of the early to late 90's and released his work with well-respected UK and US labels.
Mysterious producer Raphael Beneluz, aka Prince de Takicardie, took his pseudonym from the first French anime called “Le Roi et l'oiseau”. In his sound, he constantly tries to discover new facets of techno, filling it with his personality. In just a year, he has released three releases, including the "Matrix Computer Poetry" EP on the German Twig, "A Man's Hurt" EP on the Lumbago from Lyon and "P" on the British Cartulis Music.
Komponente and Kurilo were preparing their debut live and were in search of a new sound, so the record has absorbed many elements from different genres.
A and B sides are completely different, but they are one in the atmospheric flow. Each track has its own idea and purpose for the dance floor, it's up to you to choose. The artwork for the release was created by the designer Dima Phase.
Limited vinyl only 200 copies
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This crazy project brings good vibes... Many generations and loads of smiles ! These 12 tunes have been patiently put aside with musicians who patiently wait for this project to come out. I must thanks them... And to thanks them in addition to the LP comes an insert with a crazy comics by ExpExp and.. on the other size a board game to play (maybe with your exp fenwick dragsters ^^ ) … Ah about the music : it's a full pumpin selecta, with some old school fellow of the genre like X-Tech, Crystal and Fky, some middle ages not-so—old but so-soso like Little Guy, Tournevis … or Matelk and Protokick .. or more fresh like Pandro... Through … this is a bible to me. And I'm really happy to deliver a beautiful project precise in the music, the cut, the mastering, the visual and all that.... Enjoy dancing, partying and stand up straight towards the cops !
Promesses and KRAAK are proud to join forces on the occasion of Apulati Bien’s first vinyl release, “Azone”. Evelen apocalyptic braindance cuts make up this enigmatic album, where synthetic-insectoid soundscapes melt with raw ghetto beats for a result that is somewhere between mutant footwork, deconstructed dancehall and melancholic poetry that can be found in tracks such as “Non Riesco” (which features Italian vocals from Brussels-based artist, Radio Hito). Apulati Bien’ music breaks the boundaries between the real and synthetic world, and at the end of the album the question remains: Am I a robot?
Azone will be available on February 18 digitally and in a limited edition green vinyl with a handmade silk-screened insert.
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Repress
Chris Liberator and Darc Marc with some classic Acid Techno over 3 trax, with "Acid Music Has Come To Set You Free" already causing mayhem in the acid community with it's subversive anti-system mantra. "Heart Of The Underground" is pill-popping fizzy Acid Techno, whilst "Something Dark This Way Comes" goes for a more atmospheric and menacing vibe.
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Mannequin Records is elated to introduce in the family RXmode, Dutch producer/DJ of darkest electro on Earth.
Having releases on Bass Agenda Recordings, Elektrodos Recordings and Crobot Muzik, this new 'Tunnel' EP is delivering an highly contagious acid-electro.
Limited edition of 100.
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"I released "Easy" as a digital bonustrack on my debut album in 2019. I never thought the track would reach as far as it did - with support from Nina Kraviz, I Hate Models, Courtesy, Charlotte de Witte and many others - and now I'm very happy to give the track a proper release on vinyl. Along with it are two brand new tracks that I hope you will be welcome as well." - Third Wife
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"Verdant returns with an intriguing release and continues to follow its unique, meandering path through the electronic music landscape.
The label's tenth record invites listeners to explore rich, enchanting, ambient textures and the sonics for which the Verdant name was first associated with decades ago. Naturally, the line up and music is overflowing with quality and its 4 artists are afforded an expansive 20 minute, untitled, single cut each. One of the UKs cherished electro producers, Reedale Rise, graces side A with a rare excursion into beatless space. Next, Out.lier casts an imaginative spell before talented live and recorded musician Jo Johnson captivates with cascading synthesis. Romanticise The World (who appeared under an alias on Verdant before) closes, assembling Detroit Escalator Inspired landscapes to fall into.
Ambient music how it needs to be experienced on vinyl."
More gems from the Otherworld tape vault - two previously unreleased Stasis cuts from the early nineties and one classic from the golden era of UK Techno. Artifax
This acid flavoured techno classic needs no introduction - originally released on the seminal Likemind label, now newly remastered for vinyl release from the original DAT. Monolife (Original Unreleased Mix)
A rebuilt/remixed version of this cut was also released in the early nineties on Likemind (Likethemes EP), this mix has never been issued before on any format - 2021 remaster for vinyl release from the original DAT. Occasions And Adventures (Previously Unreleased)
Recorded around the same time as Artifax in 1992 this 10 minute techno epic again has never been issued before and has been remastered for vinyl release from the original DAT.
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Before starting work on the self-produced album, Owens, a 28-year old Londoner, turned her keen ear towards dance music after working with techno producer Daniel Avery in a London record store. Her voice and contributions can be heard on Avery's Drone Logic. Since then, she self-released two white label 12's, with the Oleic' EP to follow. Her debut solo album is first and foremost Owens' vision, a record that exudes a startling level of intimacy even in its largest-sounding moments - such as Arthur,' a percolating mixture of looped vocals and rustling rhythms that rides on a perpetual near-crescendo. The song is a tribute to the late iconoclastic musician and kindred spirit Arthur Russell. He wrote music and stayed true to his vision up until the day he died, ' Owens explains. He didn't compromise as an artist, and those are the kind of people I look up to - people who know what they want.' On S/T Owens translates that self-assertiveness into a record that explores a variety of moods - sadness, anxiety, darkly shaded ecstasy - with a trippy-eyed clarity and confidence that only bodes well for the future.In addition to Avery, who has a co-write credit on Kelly Lee Owens' ghostly Keep Walking,' Jenny Hval also appears on the album's lead single, Anxi.' It's a track that shifts from drifting tones and distant vocals to warm squelches and tunnel-vision club beats. It has been my most freeing and open collaboration so far, and my first time working with a female,' Owens says of working with Hval. "It was a very powerful experience for me, I felt she brought something strange and quite beautiful.'
Clear Vinyl
Superb transparent record with transparent serygraphy.
Music by praised Tzii : experimental cinematic ambient, deep distortions of oriental soundscapes.
Noises surprises !
recorded from 2010 to 2012 at Venetie studio and erasmus studio by tzii himself, this record is perfectly situated in his own discography between HUMANS (TZII 2008/ARN008) and A SHOT IN DARK (TZII 2018/TS004) passing by the first TZII on NIGHT ON EARTH in 2001 or even SAND HEART RAGE (TZII 2013/TUT031 & 2nd F52) and THE GREEDY RAVEN AND THE FOUR BRANCHES (SOLAR SKELETONS 2015/ZZR054).
the central tool of this record is an electronic tabla, an MS20, voices, a shenaï, many effects and increasing the use of various samples of voices, violon etc.
mixing in side a two hits between muslimgauze and third type tapes, buddha bar as an introduction of a piece with tendency harsh surgical ethnic-breakcore noise well severe all that in frank cuts, brutal with a good toast of noise. at the end of side a we also find an enigmatic mental ketamine hole more calm and intimist sprinkled with ultra sounds.
side b as for her, is opened by an ultra violent white noise but very quickly caught up by two long ambient tracks to intensely lose the balance, very close to the door between the conscious and the unconscious with drones of shenaï and delay.
mastering & cut by angstrom mastering in 2020 kali yuga.
visual by ssm.
published during summer 2021 kali yuga in 33rpm 12" by kali nada.
223copy.
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Ever effervescent producer Kangding Ray continues to connect experimentalism and dancefloor, hitting home hard on his newest EP on Figure.
Storming out of the gate, Doppler Shift packs the momentum to take off, its dry-thumping arp-ride raising the levels from zero to hero. Meditating on murky sounds, Branches displays the producer’s extraordinary skills at splicing together seemingly disparate DNA of sounds to create otherworldly but compelling tapestries of rhythm.
Turning things for the flip, from colourful dub chords emerges Terra, a driving tune reminiscent of the 90’s spacey chill-out-rooms of. Taking it a notch deeper, Robust builds its lively groove around modular experimentations, the machines ultimately becoming an extension of the artist himself.
A special bonus for the digital version, final track Deeper begins unassumingly beatless, only to pick up the pace for a blissfully trancey journey.
Patrick Cowley was one of the most revolutionary and influential figures in the canon of electronic dance music. Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study electronic music at the City College of San Francisco. By the late ‘70s, Patrick’s synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including #1 hit “You Make Me Feel (Mighty Real)”. Cowley created his own brand of peak-time party music known as Hi-NRG, also dubbed “The San Francisco Sound.” By 1981 Patrick had released a string of his own dance 12″ singles, such as “Menergy” and “Megatron Man”. That year, he co-founded Megatone Records to release his debut album Megatron Man. Meanwhile, Patrick was hospitalized and diagnosed with an unknown illness, which would later be named AIDS. Recovering for a spell, in 1982 he composed two more #1 hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album Mind Warp. His life was cut short on November 12, 1982, when he passed away two weeks after his 32nd birthday from AIDS-related illness.
Mechanical Fantasy Box is a new collection of 13 unreleased songs recorded between 1973-80 released in tandem with Cowley’s homoerotic journal of the same title. What you hold in your hand is a collection of Cowley's work from the years preceding his meteoric rise as a pioneer of Hi-NRG dance music. This was before drum machines. Before programmable, polyphonic digital synthesis, this is experimental music in every sense. Sounds flows from funk to kraut to psychedelic ambient electronics inspired by Tomita and Kraftwerk. As David Diebold stated in Tribal Rites, “Patrick Cowley parted the veil and entered a dark world of forbidden forces, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.”
Some songs were mixed from 4-track stems by Joe Tarantino and all songs have been remastered by George Horn at Fantasy Studio in Berkeley, CA. The vinyl comes housed in a black and white gatefold jacket designed by Gwenaël Rattke featuring a photograph by Susan Middleton, liner notes by bandmate Maurice Tani and an 8.5x11 insert with notes.
Proceeds from Mechanical Fantasy Box will be donated to the San Francisco AIDS Foundation, who have been committed to ending the pandemic and human suffering caused by HIV since 1982.
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Raven returns to Rekids with ‘Mania’ this September.
Born in Canada and now based in Berlin, having spent time in Los Angeles, Chicago, Barcelona, Toronto, and Mexico City and more in between, Raven is a singular artist distilling influences ranging from Techno, Electro, R&B and more into her own genre-spanning, vocal-driven productions. Following her debut EP ‘Flames’ on Rekids in 2020, which picked up support from the likes of Joy Orbison, Deetron, and many more, as well as an appearance on Amelie Lens’ Exhale imprint earlier this year, Berlin-based DJ/producer Raven returns to Radio Slave’s imprint once again with the fierce ‘Mania’ 12”.
With ‘Flames’ featuring five original tracks, Raven narrows her focus on ‘Mania’, turning in two killer techno cuts backed with alternative mixes of each. Leading the A side is ‘Nobody’, a hypnotic late-night affair peppered with emotive vocal hooks and trippy synth leads, followed by the ‘Sudden Urges’ mix, which sees the track stripped of its pulsing 4/4 and replaced with haunting atmospherics, breakbeats, and additional synth work.
On the flip, ‘Cold Sweat’ returns to the club with a dose of speaker-rattling kicks, mind-bending leads, and siren-esque effects before the ‘Comedown Mix’ brings a subtler approach, with electro-flecked drum patterns, dense ambience, and spacious reverberations rounding out a standout second release from Raven for Matt Edwards’ Rekids.
The first time Richard Francis and Frans de Waard met was in Tokyo, Japan and they talked a lot. The second time was in Boston, USA and they danced all night long. The third time was in Nijmegen, The Netherlands and they recorded a lot of music together. During the course of a very long day they recorded in Frans' studio using a small modular set-up, Korg MS-20, computer, tapes and field recordings, all captured on a multi-track tape where it kept sitting for quite some time before Frans decided it was time to make heads 'n tails out of it. The usual process of editing and mixing resulted in the release that is now called "Retired Dilettantes". No track titles as both sides are to be seen as one composition all together. From delicate static and complex electrical textures to the bursting of loud drones.
Richard Francis is a sound artist working with electronics and field recordings. He has released solo and collaborative albums on Senufo Editions, Entr'acte, Glistening Examples, Korm Plastics, Banned Production and Aufabwegen. Recent collaborators include Frans De Waard, Ralf Wehowsky, Anla Courtis, Bruce Russell, Mattin, Jason Kahn and Francisco Lopez. His works have been performed, presented or exhibited at Issue Project Room, New York; Uplink, Tokyo; ZKM, Karlsruhe; Werkstatt fur Improvisierte Musik, Zurich; Adam Art Gallery, Wellington; IMA, Brisbane; The Toff, Melbourne; St Paul St, Auckland; Tuned City, Berlin; Alt Music Festival, Auckland; Te Tuhi, Auckland; Cave 12, Geneva; Radio New Zealand National.
Frans de Waard (1965) has been producing music since 1984 (Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, Modelbau, etc.). In 1984 he started his own record label Korm Plastics, releasing music from Arcane Device, Asmus Tietchens, Jim O'Rourke among others. He has worked for the pioneering Dutch label Staalplaat (1992-2003) and since 1986 as a reviewer for his own publication Vital (now Vital Weekly), a magazine which has been an online source for underground music since 1995, and which celebrated its 1000th issue in 2015. In 2016 Timeless published in France his first book, an autobiography of life in Staalplaat titled This Is Supposed To Be A Record Label. His interests in music creation ranges from ambient to noise to what he describes as 'silly disco music'. He has played concerts in Europe, USA, Canada, Russia and Japan, and collaborated with Steven Wilson, Jaap Blonk, Andrew Liles, Radboud Mens, Keiji Haino, Pan Sonic and others.
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Richie Hawtin today releases ‘Time Warps’, his first dancefloor focused EP since ‘Minus Orange’ in 1999. This is the first release on a new extension of Hawtin’s iconic Plus 8 label, From Our Minds (FOM1).
Few can match Richie Hawtin’s contribution to techno over the last three decades. A restless pioneer, the Canadian artist’s importance as a producer, which includes music made under aliases like Plastikman and F.U.S.E, is matched by his influence as a curator for iconic labels like M_nus, Plus 8 and Probe. Now, through a pair of brand new, long-form club tracks, recorded in lockdown and boasting a combined length of over 30 minutes, ‘Time Warps’ channels the blurred, stretched perception of time that has been so characteristic of life in
2020.With constantly evolving, precision engineered loops delivered at a pulse-raising tempo, patient pacing and a seamless yet unpredictable progression, the title track is a lesson in building the kind of mesmeric dancefloor moments synonymous with the producer’s name. The alternative mix 'Time Stands Still’ takes a
radically different approach, with stretches of ominous ambience that manage to slowly dial up rather than suppress the tension, deferring release until the perfect moment. A statement of intent on a new imprint, and a long-awaited return.
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2x12", vinyl only, ltd., printed art sleeve
Inspired by Fellini's famous drama The Nights Of Cabiria the italian couple Giovanni Verrina and Germano Ventura a.k.a Howl Ensemble serves their second album on Nervmusic. Through the mixture of italian, japanese and russian influences the 6 original tracks and remix from Ark describe perfectly how the passionate art turns to dancefloors.
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After the strong reception of his split EP with Silent Servant, solo work for both Cititrax and Jealous God, Oliver Ho (also known for his Raudive alias) expands upon the themes in his earlier output. Now though, he is presenting Broken English Club as the multifaceted project that it is. He fearlessly exposes a range of emotion through varying sound, texture and song structure. The result is a manifestation of his influences (post punk, noise, techno, grindcore) melded into his own unique vision and culminating in an album that sounds absolutely massive
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Arís (pronounced: ah-reesh) presents the first in a new series of 90’s/early 00’s Irish Dance reissues with ARIS01; 2 remastered tracks from Bumble’s 1992 EP ‘West In Motion’ b/w a new remix from Brame & Hamo to celebrate the release’s 30th anniversary.
We are proud to welcome Fear-E for his Dark Entries debut ‘Grey Skies In A Dear Green Place’ out February 28th. Fear-E is the moniker of Scott McKay a Glasgow based DJ and producer. Scott has already made a name for himself as one of Glasgow’s most technically-gifted and diverse selectors over the past decade. Then a slew of releases on the home-grown Dixon Avenue Basement Jams and Super Rhythm Trax introduced Fear-E, equally skilled studio operator, to the world.
‘Grey Skies In A Dear Green Place’ contains six club-ready tracks to “smash sound systems and illuminate sweaty warehouses.” The title is a reference to a nickname that Glasgow has, coming from Cumbric, means 'green hollow' or (dear) 'green place'. Layering cut-up vocals with warm thumping beats, Scott creates a stripped-back yet deeply jackin’ vibe. Call these tracks what you will, “acid attacks”, “club destroyers”, “pickle ticklers?!” All songs have been mastered by George Horn at Fantasy Studios. For the cover, Scott commissioned legendary Detroit illustrator Alan Oldham, who’s artwork has graced established an identity for Transmat and DJAX-UP-BEATS, to create a futuristic portrait of Glasgow in black & white and with green kryptonite flourishes by Eloise Leigh.d
Operating System is a time capsule straight through ROBOTRON’s hard-disc archives. Mission Millennium was planned to be his very first outcome as INTERFUNK containing productions recorded between 1999 and 2000 with a major focus on detroit electro & technobass – as known and beloved from the heydays of DJ GODFATHER, AUX 88 and DOPPLEREFFEKT. Don’t miss the first run on colored vinyl equipped with juicy artwork and a limitation to 95 numbered copies.
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A limited edition 12" blue and white mixed with black colored vinyl record.
"Organic textures and industrial experiments."
Supporters of HYPNUS003 by BLNDR:
Alessio Pili, Antonio de Angelis, Astronomical Telegram, Cassegrain, Chris Page, Cio D'Or, Deepbass, Eomac, Gianluca Meloni (Modern Heads), Hector Sandoval (Exium), Mattias Fridell, Samuli Kemppi, Subforms, Takaaki Itoh, Unam Zetineb, Reggy van Oers, Xhin, Yuka, DJ Sandrien, Eric Cloutier, Echologist, Slam, Dubfire, Arnaud le Texier, Adriana Lopez, Ness, Kriz, Surgeon, Speedy J, Tadeo, Attemporal, Chris Leibing, CTRLS and many others.
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Forged in the cavernous labs of Indianapolis, the XK3 EP by producer D.Strange, dives into the metallic underworld of alienated shadows to create brutal, icy electro. The submerged acid-tinged opener, "Sonic Recoil" ascends with a snarling pathos of trap hats that pierce through the looming fog of the club. "Negative Center" haunts in cunning dexterity and grooves with a jacking pace of brooding momentum. Somewhere in the maze of resonance droplets, cascading hats, and the ominous synth pads, the track "A Black Liquid Filled My Lungs" hypnotizes in its atmospheric acid electro hybrid. Right out of the gate, the self-titled track "XK3" punishes with off-beat synth shards and glitchy, mechanical snares that snap in anthemic propulsion. While "Ghost of Kashif" weaves itself in esoteric, yet evocative, soundscapes with an absolutely grooving, club menacing fashion. Rounding out the release, fellow Indianapolis producer Noncompliant contributes a cruel electro sub-heating take of "XK3" to help warm the boreal landscapes of the EP.
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Born in Brazil, Marcela Dias Sindaco is a former classical piano and cello player. Now she's releasing her first EP ever on Deeptrax Records!
At a young age her father introduced her to bands like Popol Vuh, Cluster and Tangerine Dream. Marcela’s style didn't fit conventional Brazilian music, as she instantly fell in love with these experimental bands. Later on in her life while traveling Europe, she discovered the underground club culture in cities like Berlin, Paris and Milan. Highly influenced by this, she started working on new music and through using her fathers studio she wrote amazing tracks at an outstanding level. All tracks are filled with raw basslines, pumping 808 beats, and not to forget some beautiful vocals. Craftsmanship is the word here!
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UK techno legend Mark Broom announces his ‘Fast Fünfzig EP’ for Radio Slave’s Rekids this June, ahead of a full LP for the label in July.
Mark Broom’s mammoth discography shows an artist who has put in the hours, boasting appearances on legendary imprints such as Robert Hood’s M-Plant, Warp Records, Pure Plastic, Bpitch Control, and of course Rekids. Alongside his solo work, his collaborations are an equal tour-de-force, with groups such as The Fear Ratio with James Ruskin counted as fan favourites.
Here though, Broom takes the reigns solo, drawing on decades worth of experience for a 12” of mind-altering cuts for one of electronic music’s most vital labels. Lead track ‘Fingers’ sees the British DJ/producer toying with rubbery basslines, glistening pads, and chunky percussion to deliver an irresistibly buoyant house track. ‘Slow’ follows suit, bringing another dose of deep low end next to eerie leads and shining synthesis.
On the flip, Broom enters electro-tinged territory on ‘Wild Style’, tying unruly machines together with vocal chops over a staggered, off-kilter drum pattern. Taking the B2 spot, ‘Facteur’ sees a reflective touch to the EP as emotive progressions unfurl under robust, mechanical hits, providing a cohesive and captivating taste of the LP to follow in July.
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