Techno Novedades

New EP by Odopt, delivering their secret remakes of hidden soviet-sonic basement tracks! Dystopian celluloid trips visiting painters of Belgrade, St. Petersburg’s errand boys and japanese antagonists.

New EP by Odopt, delivering their secret remakes of hidden soviet-sonic basement tracks! Dystopian celluloid trips visiting painters of Belgrade, St. Petersburg’s errand boys and japanese antagonists.

Kanzleramt presents 'Consistency Remixes', a three track remix EP of as-yet unreleased Ray Kajioka originals, hinting at new material on its way soon from the Berlin-based artist and Kanzleramt mainstay.
The EP will land on vinyl in September of 2016 and features remixes from Detroit legend Rolando, as well as The Persuader (aka Jesper Dahlbäck) and Kanzleramt label-head Heiko Laux.

Berlin based producer Zigan Aldi has always been open for different cultural influences in his music. An openess that might go back to his own background since Zigan had been brought up in the eastern part of Turkey, before he moved to Germany when he was 14. Apart from working in various jobs it was always the music that kept him going and let him experience his true passion. After releasing music on Bedouin's label trueColors or 3000 Grad it was about time his diverse music finds another home on Underyourskin Records. Therefore Zigan delivers five exclusive tracks that depict his approach to electronic music with a mostly downtempo vibe. 'Luton', 'Seems To Be' and 'Olin' follow the path of the label's as well as Zigan's philosophy a slightly oriental influence that meets darker multi-layered synth chords to create significant atmospheres that can work at any time at the club. 'Miracle' featuring SANDECK is just what the track title suggest: a musical miracle. As the track slowly enfolds its groove to the audience, it is the guitar riffs and the vocals that sum up magic of this track at this very intimate moment.

Amp Envelope is the stage name of Leo JM, Argentine producer of electronic music underground spirit. Their mixtures,
tracks and musical tastes run through different styles among which stand out techno, acid, electro and old school
experimental elements. Use only hardware synthesizers to produce and recorded using a DAW that runs under the
Linux operating system.

KID RIOT is the new alternative project of Juan Benedetti; a Dj with more than 20 years of experience in Argentina's Techno scene. Through that new alter-ego, John Benedetti aka KID RIOT has released his tracks in the most importants labels of his country, such as Subsequent, Mutok, Concepto Hipnótico, and more...In 2016, Kid Riot also just released an album on Labrynth (USA) and is working on forthcoming colaborations for Panel Trax (HU).

Selvamancer proudly presents its first release by Finnish producer Boneless One. The Barcelona-based label with Dutch roots is aiming to release pounding dancefloor mantras. Selvamancer is heavily influenced by mysticism as well as futurism, trying desperately to maintain its balance on a psychedelic tightrope throughout the multiverse. Its first release results in an exciting melting pot of vintage synthesizer jams and modern acid bleeps, the perfect playground of Helsinki based Boneless One. After releasing on Snuff Trax and Tabernacle Records sublabel Ride The Gyroscope he joins the Selvamancer family and cooks up four tracks of acid, rave, distorted techno and industrial-tinged dancefloor burners on his Woofers EP.

Chico Ningungo: Producer, musician and Argentine singer, dedicated to electronic and avant-garde music.
He is one of the creators of the multimedia group Circo Eléctrico,
founder of the label Central Eléctrica Discos and generator of sound content for media,
has actively participated as a cultural manager and artist in countless works.

Another exceptional talent has been brewing in the Idle Hands homestead of Bristol for some time now. Daisy Moon has forged strong ties within the creatively bustling city, from her current DJ spots at the ever popular Housework nights, alongside Shanti Celeste, Gramrcy and Golesworthy, her continued work with Bristol's Women In Music group via DJ workshops and industry advice sessions and her former residency alongside Idle Hands founder, Chris Farrell, and Danielle, at the much loved BRSTL nights.

In a sideways step away from the dancefloor, Daisy has prepped a diverse and absorbing EP for the label. Celestial tones and shimmering vocals form the building blocks of 'Geometry Of Curves' whilst 'Halycon' moves at a seductively smooth pace as it combines time stretched vox, sparse yet crunchy beats and plummeting soundscapes to great effect. Deft melodies and woody percussion signature the almost kitsch pop sounds of 'Anemone', whilst EP finale, 'Chambers', locks down ethereal sensations floating on a hefty rhythm, signing off a wonderfully impressive debut release from Daisy for Idle Hands.

"Luis Marte", Is A Renowned Argentine Sound Artist.since The Beginning Of The 90's, He Is One Of The Fundamental Actors Of The Argentinean Independent Electronic Scene.he Is Founder Of The Label Fuga Discos. He Has Earned A Space As A Renowned Artist In The Ibero-american Experimental Electronic Scene. His Work Has Extended Beyond Musical Production. Luis Marte Has Called Electronic Artists Of All Styles And Countries To Perform At The "festivales Fuga". His Works Go From Experimental Noise ToThe Purest Techno.
He Has Presented Live And Made Conferences / Workshops In Argentina, Chile, Spain, Italy, Peru And Portugal.

New York based Irish artist Orlando drops Happy Bossman, three different styles of bass cuts with the A1 "Happy Bossman" on a more grime club sound tip aswell as "Orogony" and "You Still Echo In Me" on the more experimental side. The b-side features two tripped out mixes by WhereTheTimeGoes head Lastminuteman known for his excellent tape series."

2x12"

A stunningly accomplished work, ‘Deep Rave Memory’ is an insight into Fearless’ worlds – both metaphysical and geographical. Pulsating in unison with the heartbeat of a modern metropolis, it was recorded at the Metal Box’ – his studio located on the peninsula of land where the River Lea meets the Thames.

The haunting and wistful blue ambient ‘Vision of You’ leads into the bracingly chilly ‘New Perspective’, which evokes a heavy rush where perceptions are blurred and vision is freeze framed, via elements of techno-soul, Sheffield Bleep and Mika Vainio.

A snarling beast of a track, the relentless machine funk of ‘Devil on Horseback’ perfects the pure cathartic release of dark ‘n’ hot body music, whilst ‘Acid Angels’ is a throbbing low-fi 303 requiem, which encapsulates that perfect dancefloor moment, when the first light breaks through the shutters.

A future classic and the album’s modus operandi, title track ‘Deep Rave Memory’’s discordant filter passes sweep across a hypnotic melody, communicating a deep sense of warm nostalgia and taking you on an epic journey – stretching out a single riff over 12 minutes – akin to the krautrock greats of which Fearless is so fond.

‘Atlas of Insanity’ is big room techno with pounding kicks, death-whip metallic snares and head spinning, spiralling synth lines that drill into your core. This is raw, impulsive and frantic music that sizzles with electric effervescence.

The Germanic kosmische idyll of ‘Driving with Roedelius’ is a homage to one of Richards’ heroes – Hans-Joachim Roedelius – and was inspired by his experience playing a set consisting solely of the electronic pioneer’s music, at a festival celebrating his life and career.

On the album's closer, Fearless recounts, “‘Broken Beauty’ is something I’ve always strived for in my art. It’s inspired by Robert Frank, William Eggleston and the way they could take the most inane object a turn it into something of beauty. It’s equally schooled by the aggressive simplicity of King Tubby’s dubbing and the transcendence of Joy Division’s ‘Decades’. The sparse allure of the best dub and techno is something I’m always striving for; being able to conjure emotion with the fewest possible elements; to not fix what’s broken, but to make it shine.

Limited to 500 copies.

Clear Vinyl

Regarded by Dominik Fernow as the “best US noise project in terms of texture and composition”, Skin Crime return to Hospital Productions with an immanent inversion of noise convention
exploring ideas of tense, slow-burn patience instead of aggressive intensity.
Brutally active between the early ‘90s and mid ‘00s, Skin Crime took a 12 year hiatus until 2016 and the bloodshed of their instantly sold-out, 20CD boxset of archival material. That same year they
also issued ‘Ghosts I Have Been’, a crushingly bleak album inspired by Japanese mythology and ghost stories which have paved the way for this new one, where the band’s Patrick O’Neil and Mark Jameson continue to refine their instincts into the dankest brand of organic ambient noise.
In key with their ghostly Japanese muse, specifically the “Bakaneko” or “Ghost Cat” movies of the ‘50s and ‘60s, as well as the writing of Lafcadio Hearn aka Koizumi Yakumo - author of ‘Kwaidan: Stories and Studies of Strange Things’ - Skin Crime’s music in ‘Traveller on the Road’ is all about presence and the suggestibility of hypnagogic and half-awake states. Their cold-fingered sleight of hand is applied to exceedingly fine layers of textural enigma in long, unbroken tracts that hold the listener’s gaze with frightening power.
‘Avoid Large Places At Night’ takes hold with intravenal potency, very subtly drawing eyes to half-mast with its mechanical womb-like ambience, and stealthily introducing subharmonic rumbles
and peripheral rustles that suggest unseen spectres lurking in a thicket of ghosts. A lack of sudden movement only ratchets the threat levels to seat-edge. Likewise with its deeply soporific subs
and texturhythms, the B-side’s ‘Black Cat From The Grove’ continues to numb the senses in a noise style, but eviscerated of all open aggression, preferring a dense mode of suggestion that only emphasises the unheimlich nature of their music.
It’s a masterclass in saying it without saying it, and effectively amounts to a missing link between Kevin Drumm, Painjerk and Mika Vainio, or even Rainforest Spiritual Enslavement and Meitei, that should not be missed by any fans of the above.

This autumn, The Chemical Brothers will release a new, fully expanded version of their classic third album Surrender. The 20th anniversary deluxe reissue will feature the original 1999 album with previously unreleased ‘Secret Psychedelic Mixes’ of Surrender album tracks as well as a selection of the remixes from the time and a DVD of restored promo videos and film of their legendary Glastonbury 2000 performance (still reckoned to have drawn the biggest ever crowd to the Pyramid Stage). Surrender will be released as 4 12” vinyl and DVD sets.

Following her strong debut EP on Warp Records sister imprint Arcola, Copenhagen’s Anastasia Kristensen, renowned for her energetic sets, presents M A X I M A, a four-track EP of animated techno and elaborate sonic geometries.

Kaleidoscopic patterns and angular drums launch straight through the spacetime continuum. Fusing elements both hyper
modern and old school, Anastasia crafts an expansive package for the most discerning psychonauts.

Released on Magenta colour vinyl.

Is it possible to capture the sound of a state of being, of a memory, of a past sensation? Is there a possibility to translate a thought which once was into vibrational waves? Behind this concept is based much of this work, this research carried out in the early autumn days of 2018.

Memory Disks. Volume One. Chevron. The Blackpool born sorcerer is conjuring up spellbinding tracks that boil and bubble between supernatural rave, occult acid and inverted techno. Dripping from speakers, a concoction of swirling chords simmer as a spiced shower of razor edged rhythms are poured into the pot. Shadowy notes ghost like phantoms behind crunching beats, beastly bars growl as keys slide and slither between nine short, medium and long excursions into the glow-stick festooned musical mind of Jonathan Valentine. Nestled amongst the bewitching synthesizer psychedelia, peering from behind the purple forests and white dwarf frogs, are less frenetic works, a soft balance to the frenzied chicanery and chrome plated magic. Simply put, a weird and wonderful EP where the only stable point, the only spot of secured safety, is the needle on the record.

10" Picture Disc



Purveyor of chrome-plated cosmic funk and Berlin-resident Heartthrob returns on his newly minted ISNINST imprint to deliver three futuristic jams worthy of only the sleaziest of intergalactic parties. 'Discount Dancer' sets the tone, marrying the infectious energy of classic Roland grooves and maxed-out acid funk to compelling effect, cruising along under a relentless cowbell that acts as a rallying cry for the sordid revellers of his dreams. On the flip, 'Lets Talk About Reading' draws upon that prior energy and focuses it into a jacking homage to the fallen star of Paris Is Burning, Venus Xtravaganza, awash with crackling atmospheres and gauzy pads that serve as a stark juxtaposition to the militant drums and contagious bass line that underpin them. Finally, a bonus for digital heads as live-take 'St8-2-Tape' shows him in full on analogue freak-out mode, fusing claustrophobic lo-fi drums with sultry stabs and classic Rhodes chords to create a timeless jam worthy of any format, past or present. Available as a 10 Picture disc and digitally

Repress limited to 100 copies.

Two classic and sought-after 1992 rave anthems played by the likes of Ellis Dee and Top Buzz at raves including Fantazia and Obsession. This repress includes the two original versions, plus a remix by DJ Jedi.

Like a fragrant quatro formaggi pizza, Motormännen invites you to 4 singles tracks. Motormännen continues to take responsibility in social issues and informs the Swedish people about non-current events in politics and society.

Motormännen make information techno infused with an air of Swedish nostalgia through a filter of retro-futuristic skepticism. The music is packed with minimal acid loops and samples with excerpts from Swedish politicians, documentaries and Christer Glenning, reflecting on times when the cold war and the traditional welfare state were dissolving. Inhibitions were relaxed and new, foreign influences crept into the body of society and the old information monopolies. Motormännen’s tracks are visually enhanced by messages from pictures and videos from the 1970’s and 80’s.

Mastered by Joakim Westlund (Alpha Mound)
Artwork by Jim Kaneko

Like a fragrant quatro formaggi pizza, Motormännen invites you to 4 singles tracks. Motormännen continues to take responsibility in social issues and informs the Swedish people about non-current events in politics and society.

Motormännen make information techno infused with an air of Swedish nostalgia through a filter of retro-futuristic skepticism. The music is packed with minimal acid loops and samples with excerpts from Swedish politicians, documentaries and Christer Glenning, reflecting on times when the cold war and the traditional welfare state were dissolving. Inhibitions were relaxed and new, foreign influences crept into the body of society and the old information monopolies. Motormännen’s tracks are visually enhanced by messages from pictures and videos from the 1970’s and 80’s.

Mastered by Joakim Westlund (Alpha Mound)
Artwork by Jim Kaneko

2x12"

Dutch Techno master Orlando Voorn has opened up his archive for the first of what will be an ongoing artist focused series brought to you by new imprint Above Board Projects.The compilation will be spread across 2 double 12" volumes and will feature tracks from many of Voorn's pseudonyms including; Fix, Baruka, The Ghetto Brothers, Mute & many more. We are proud to introduce the first of a 2-part archival collection entitled 'Diligence'. Each track featured on the compilation has been carefully selected and programmed in conjunction with Orlando Voorn and the Above Board Projects team. Voorn has an extremely long and storied career in making music and is severely underrated as a producer in our humble opinion. His DJ skills are, of course, legendary, with him winning the prestigious DMC mixing championships in 1986 in his native Holland and making a career as one of the country's leading Hip-Hop DJ's. As a producer he has long been linked to numerous legendary producers and releases, counting labels such as Fragile, Metroplex and more as homes for his output. His association and collaborations with Detroit have been the stuff of legend since day one and some of the music contained within these compilations celebrate that while showcasing some of the more overlooked tracks from the man's more than extensive catalogue. Part 1 includes some serious rarities and some straight up, futurist Techno heat, take the majestic technoid melodies of comp opener 'Diligent' from one of Voorn's most well loved alias' FIX for example, completely worlds apart from the jacking and sparse Funk of Baruka's killer 'Technision'. Flawless selections from the early 90's sitting alongside later productions only go to show how diverse and talented an artist Voorn is and how fresh and vital his music still is today. An essential collection for any serious techno lover.

Sitting down and writing about our latest EP was a fun but challenging exercise, we scratched our heads and this may sound bad but we couldn't think of deep, dark interesting stories on how we made these tracks or what they represent. These jams are simply a combination of previous and random happy accidents that have come together and saying anything else would be a lie. This however does not mean that the thinking behind them is completely random, the three cuts that we selected for this EP we feel are a journey of experimentation and a culmination of unexpected sounds and feelings. A word that we found best described the EP was 'Irony'. The most ironic thing we feel is that the main basis of these tracks were born on the stage during our live performances and they have now been reworked and moulded into a record. We however feel that this brings an interesting element to the EP that yes it is recorded and set, but you are not quite sure where the next sound or feeling will come from. A hi hat A kick It is pure 'organised randomness'... I suppose we should talk about some of the music and try and explain what we mean! We start with 'Pe dos', which in plain English means inside out and it was a track that we had started back in 2011. We were flicking through our 'curiosity closets' one day and found it, we played around with it and heard a kick drum that was not arranged correctly in the sequence due to a random manipulation of the sequencer. Our first thought was to just change it, but then we decided to wait..... when all the other sounds of the tracks came together we threw the kick back in and BAM, Even the acapella voice of the track was screaming. Therefore it was a simple for us to name this track as we worked on it in a completely back to front and 'Inside Out' way!

Questionmark Records first vinyl only release, featuring four original tracks from rising star Direkt. Elaborate, moody, quirky minimal export from Bucharest.

For Superconscious' fourteenth edition the label looks inwards once again to its enigmatic senior co-president Fantastic Man. Almost two years have gone by since his last contribution (as P.M.T.C) and as the world spirals ever deeper into the abyss, turntables everywhere are a welcome form of escapism for many, now more than ever.

In his welcome return, Fantastic Man offers another fresh slab of fast-paced atmospheric rave jams to the fray. These four slices are intended - as the name suggests - for the one place where we can still come together, and for a moment, forget the troubles of the world and party like it's 1999.

EYA Records is back with their first double 12.Music provided by Belgian producer Innershades,Uruguayans finest Two Phase U,Berlin based Otis and Arma resident Zots.An eclectic selections of tracks that reflect the label vision.Limited copies.

The masters for this EP were long lost. These recordings have been made by Ron Wells using a high end LINN cartridge, restored digitally (clicks, noise, rumble) using Izotope RX by Robin at Music Preservation Society and Remastered by Subvert Central Mastering by Bob Macc.

Third release by Prague-based collective Harmony Rec. featuring four deep techno cuts by label's very own Jamida accompanied with a powerful remix by Luigi Tozzi.

One day, deep in the night, these 3 dudes, walking in the night, decided to meet up the day after in the studio for a session in the night.

“In The Night” is the result of that night where everything was recorded in just one take in the night.

The night after, talking with Francesco Farfa on the phone while he was hangin in a night club, these guys just asked straight if he was available to do the “In The Night Mix/Version” of “In The Night” by In The Night.

The resume is that in just 24 hours “In The Night” was born.

Welcome Noseda from Belgium on Delude Records Vinyl Limited.
On the A - Side come the track - The tunnel, a deep and dark stomping techno track for the underground dance floor. The remix of this track is sponsored by the label head Tom Almex. He comes with a straight, but reduced and especially punchy remix, which sounds extremely demanding. On the B - Side come the track - Peace of Live, a very dark and spooky techno track. The master of dark melodic techno sponsored a very fat remix in best Patrick Arbez style.
200STK. // LIMITED // VINYL ONLY // NO REPRESS

The classy second installment from the Killer Demarcation series. Purist Techno and bomb drops from Russ Gabriel, Zadig, Lee Holman and Dyad. Flawless!

Tiefenrausch returns with a Various Artist EP. Gathering three unique dub techno musicians linked through deep chords and driving basslines. While Biodub and Upwellings already contribut- ed their part to the label, the new member Star_Dub joins in with his raw vision of dub techno.
The leitmotif of the Progression EP' consists of concised chord clusters above groovy basslines, thick kicks and reverbish atmospheres. Biodubs Varial' opens the EP with a club oriented tune made of long build ups and compli ying drops. Subduction' by Upwellings follows this direction. Echoing chords utter between pumping basses and driving hihats. The EP is closed by Aero- naut', where Star_Dub does what he is best known for: creating raw and powerful soundscapes.
The release is designed by Alex Ketzer who joins in for a collaboration with the illustrators Mag- dalena Paz and Florian Gassmann for the next releases of the Tiefenrausch label. The audio is mastered by SALZ music and the EP comes on 180g vinyl and shrink wrapped.

INFO: Forging recent sounds together with long-lost tracks from the ’90s, label head Faki dishes out an EP full with favorites, his dubby takes on them sure to cause a fever on the floors. Starting things off by honing two old-school tunes, the first one a fast hardware-jam, which gets its lead synths toned down for a fresh perspective.

Then a classic blueprint for dub-techno, which Faki already remixed in 2015 for its 20th anniversary, is now brought back for a more lively and dynamic interpretation.Taking to novel releases, Sound & Sequences’ reverb-heavy journey into dub is amped with percussive forces, granting it an additional drive without sacrificing any of the meditative qualities of the original. ... With trance missing in the mix, NTHNG comes to deliver, and Faki returns the track as a deeply soothing version ripe with cosmic energies.

Ripperton is back with his first compilation on Tamed Musiq! Split in two vinyl parts including his favorite producers: Matt karmil, Lord of the Isles, Jackmate, Crowdpleaser, Dj Nature Iron Curtis, Mary Yalex or Andy Hart. House music with depth and warm! TIP!

Token readies the third instalment of the Ø Phase Versions series.

Over the years, Ashley Burchett's work as Ø Phase has become a benchmark for modern Techno production and the British producer has long since been a mainstay of the genre.

The Versions series pays homage to Burchett's illustrious discography, reissuing new mixes of classic material - some of which has already featured on the Belgian label.

On this third edition, Burchett turns in new, peak time interpretations of tracks Espresso, Obscura & The Crossover - alongside a stunning remix from fellow UK Techno auteur Steve Bicknell, who reworks Token classic Xylo 3.

Infinite Tape Loops Vol.1" immediately brings to mind the emotional and gorgeous series of Albums "The Disintegration Loops" by William Basinski.
The records revolve around a very short melodic loop of approximately N/A seconds, that plays through the whole pieces from the beginning to the end. Around them, strings and pad harmonization fill the gaps with a gentle tapestry of long diluted sounds becoming the primary element of the compositions.
Timbric variations are the push that gets these compositions to flow, amplitude automations and gradual filtering develop a certain movement and introduce changes in the background-figure relationship of the two main sound actors. This floating, a heavy sound is lightly elevating, into light sounds that become grounded in appearance and disappearances, underlining a static, eternal landscape that will never change its behavior.

Hot on the heels of his debut solo EP issued on the label in late 2018, Milo Spykers returns to Lenske with his much anticipated second outing, 'Observable 93'. Where his previous, 'Infinite', was marked by a certain minimalism in approach - zeroing in on the depth of field and hypnotic power of its reverbs and delayed intricacies, this one has the Belgian producer slinging out a sharper-than-ever tetralogy of strapping big-room agitators that waste no time or energy in useless courtesies, rather well whelming his audience headlong into a deluge of raging kicks and hellish drum swirls to maximum effect.

All horsepowers roaring, 'Beyond' sets the tone right away with its heavy battery of pounding kicks and cavalcading drums whipping a frenzy as full-on cascades of liquid-like synth modulations and rumbling echoes interweave in hazardous precipitates. A straight-out binary stormer, the title-track then puts on the kind of no-nonsense hardcore rave buildup that'll have your brain going on overheat without further ado. The very idea one can make of a peaktime thriller, warheads locked and loaded onto giving the dancers a tough time picking their legs and brain up once the lights are back on again.

Sure to drain every drop of sweat from your sore body in less spins that your washing machine needs to wring your favourite AC-DC tee, the strenuous B-side opener 'All You Need Is A Thought' rotates and revolves like a satellite gone out of its orbiting trajectory into deep space. Tailored to drive any sound-system into a corner, 'The Invisible' tops it all off in particularly nasty fashion, keeping the pressure gauge in the red up until the woofers have given up the ghost. With this strikingly forceful and ambitious sophomore 12", Milo Spykers clearly sets his sight onto a new horizon of potentialities, confirming his status as one of the emerging techno artists to keep your eyes on. Closely.

Hot on the heels of his debut solo EP issued on the label in late 2018, Milo Spykers returns to Lenske with his much anticipated second outing, 'Observable 93'. Where his previous, 'Infinite', was marked by a certain minimalism in approach - zeroing in on the depth of field and hypnotic power of its reverbs and delayed intricacies, this one has the Belgian producer slinging out a sharper-than-ever tetralogy of strapping big-room agitators that waste no time or energy in useless courtesies, rather well whelming his audience headlong into a deluge of raging kicks and hellish drum swirls to maximum effect.

All horsepowers roaring, 'Beyond' sets the tone right away with its heavy battery of pounding kicks and cavalcading drums whipping a frenzy as full-on cascades of liquid-like synth modulations and rumbling echoes interweave in hazardous precipitates. A straight-out binary stormer, the title-track then puts on the kind of no-nonsense hardcore rave buildup that'll have your brain going on overheat without further ado. The very idea one can make of a peaktime thriller, warheads locked and loaded onto giving the dancers a tough time picking their legs and brain up once the lights are back on again.

Sure to drain every drop of sweat from your sore body in less spins that your washing machine needs to wring your favourite AC-DC tee, the strenuous B-side opener 'All You Need Is A Thought' rotates and revolves like a satellite gone out of its orbiting trajectory into deep space. Tailored to drive any sound-system into a corner, 'The Invisible' tops it all off in particularly nasty fashion, keeping the pressure gauge in the red up until the woofers have given up the ghost. With this strikingly forceful and ambitious sophomore 12", Milo Spykers clearly sets his sight onto a new horizon of potentialities, confirming his status as one of the emerging techno artists to keep your eyes on. Closely.

Second part of this two episode series on Subnet records. Following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. These two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. All the tracks were recorded live! Just using analog sequencers, mpc, analog mixer and synths... Directly to a recording device. In the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

Amos’ Flat is a three part album by VASE in collaboration with Opal Tapes & INDEX:Records: an odyssey of sonic manoeuvres through ambient, bass and IDM. This trilogy reveals VASE dissecting compositions down to sparse rhythmic explorations, disruptive power shifts and nebulous bass bliss.

Amos’ Flat: Room 1 will be sculpted into the physical form of a 12” vinyl record, released by INDEX:Records, followed by Opal Tapes reeling out Room 1 & 2 on double Cassette Tape.

Room 3 transcends into the digital, where VASE passes the brush to fellow artists, to rework into their own decorative pieces. Featured artists for Room 3 include Basic house, Fis, Katsunori Sawa, Shelley Parker and PYUR.

Pär Grindvik & Peder Mannerfelt’s Aasthma twyst out a lush breakstep rave night flight starring Penelope Trappes on the 3rd volume of their black label rave series Proceeding the club-ready pressure of Aasthma’s ‘Only The Appraiser’ and ‘Los Angeles’ 12”s, Penelope Trappes (The Golden Filter) returns the favour of Aasthma’s remix for her ‘Connector’ cut with a dreamily detached vocal placed high in the mix over sweepingly dramatic strings and
swaggering breakbeat techno momentum destined for the warehouse.
Rerouting early ‘90s hardcore breaks via tempered late ‘90s trance melancholy and ’00s breakstep ruggedness, title tune ‘Army Of Love’ hits a classic mark somewhere between J Saul Kane, early
Vex’d and the tight Hard Drum rolige of DJ Plead, while the following, slower version ‘The Task’ sees the same elements devoid of vocals and dragged down to a creepy 110bpm crawl, revealing ghostly synth spectres haunting its hunched breaks.

Bash (AKA Julio Bashmore) graces Trules fifth release and the first in a series of ten inch singles with Jubilee, a sub heavy, minimal, UK garage dub that manages to marry the sparser techno vibes of his Conch releases with the subtle anthemic quality of his other alias. A real dance floor sneak bomb.

Al Wootton provides a two-stepping dub remix on the B-side, chopping the drums and echoing everything out to infinity.

“Assembly Sequence” is a split EP featuring two of the four founders of Kajunga: Berndt and Cloudy Kid. Having taken root in Minneapolis and frequenting cities like Detroit and Chicago, the EP has an inherent Midwest feel. This marks Cloudy Kid’s third release with Kajunga and Berndt’s second. Berndt has also released with sister labels Clave House, and Corndogs out of Detroit.

Assembly Sequence is controlled by the mechanical nature of its creators. Berndt and Cloudy Kid split the arrangement down the middle to manufacture a sonic signature they believe can be used to drive the biomechanical functions of life-space.

Side A begins by fusing ethereal groove polymers with stabilizing oscillations from Berndt’s precision pump rhythms; On side B, Cloudy Kid neuro-casts an injection chassis turbine on the entire structure, constraining the rhythmic patterns to rip deeper into the corrosive noise planes of the collective Darkmind.

Brand new 12” from BLD on his own imprint. 3 highly effective cuts of stomping break beats combined with 303's, hypnotic basslines and mellow chord synths.

Kmyle is back after his powerful EP Skryptöm 31, with a new massive Album.

In this upcoming masterpiece he is combining deep melodies and energetic forces to create a constant atmospheric tension. Cohesive and modern, this album shows us the multi-faceted
expression of Kmyle's music. Designed beetwen skipping beat, skittish drums and powerfull bassline, «NORTHERN LANDSCAPES» is made with sensibility and precision. Each track reflects a moment of his life and a side of his personality. Together, they bring us to a cosmic journey through space and time, surfing on a melancholic vibe.
Worn between hypnothic state and powerfull sonorities, this album delivers us a pure and emotional Techno. Full of elegance and sensitivity for your beautiful soul... Enjoy !

Low Tape is being on a roll lately with his unique interpretation of electronic music and a vast amount of outstanding releases. This time he joins eudemonia with the ‘True Dayz For Confessing In Luv’ EP and continues his work where he left off. The EP is a perfect blend of different electro tracks with emotional as well as forward thinking moments.

Profits will be donated to Musicians Without Borders.

Mark Broom's long-awaited solo EP debut for Hardgroove is upon us and, true to form, for the M-Plant and Beardman producer is a masterclass in groove led, funk-laced techno.

'Outta Sight' opens the EP with purposeful, undulating stabs mirrored by a powerful sub while the second cut, 'L4LV' heads down a dystopian yet crunching, drum-led path to hammer its point home.

The title track is Broom at his stripped-back best, with just a handful of elements and deft arrangement doing all the work while track four, 'TR1', serves as a neat, dancefloor wrecking summation of the moods, sounds and production touches of the preceding three cuts.

Limited Repress 2019 !

Straddling the line between deep house and techno, MDA Lab's second release reissues the 1996 Nova Zembla classic "Pride", along with three new bangers: MDA Analog offers up "Pride 2019" - a slower and funkier version fit for the times. "Choose to Live" presents the listener an escape into positivity-laced reverie hinting at the deeper days of halcyon. Lastly "Running Away from Home" navigates more firmly back into techno realms.

Cryovac Recordings is a collection of artists with a personal style that bleeds through their work. Cryovac artists have a relentless energy and passion for the music called techno. They are warriors with a clear vision and discipline on a course that is their own. The Cryovac crew believes in the vinyl record and has always been drawn to its’ unique quality it gives to sound. This e.p. celebrates the record shop, a crossroads of ideas and inspiration, where connections are made solid in the unity of the underground.

Rebecca Goldberg twists the 303 around a relentless 4/4 groove that evolves tweaks and pops into a sonic neurosis. Her yin yang approach applies a smooth steady delivery moving parallel to a raucous funk. The collaborative effort of Andy Garcia and Mike Kretsch produced a techno with moody rises and falls, stark kicks, and eerie effects held together with heroic energy. Toms and knocks, digital barks and farts, random clicks and ticks all fall into a galloping composition.

The modern, avant synth/dance-pop frolics of ‘Moi’ catch Steven Warwick (Heatsick) at his impish but droll best for PAN. Returning to PAN six years after his standout Re-Engineering album,
Warwick returns to similar zones of enquiry as 2016’s ‘Nadir’ - the first release under his birth name. With ‘Moi’ (which we definitely hear enunciated with a playful pucker), Warwick further emphasises the personal, playful nature of his work with 10 melodic, danceable and pop-tart arrangements accompanied by a range of vocal personas; from his naturally droll singing voice to more alien and leaned-out styles, plus a guest platitude by Turner Prize nominee, Jo Pryde.
Bubbling up with the pickled 2-step and Lolina-esque lilt of ‘Open Fire Hydrant’, Warwick clearly draws upon a UK dance music heritage - and its Afro-Caribbean and US inspirations - with the
freshest, exceptional style that percolates throughout the album, strongly informing its biggest dancefloor highlights such as the warped trancehall bumps of ‘Salvation’ and the crooked crankshaft of ‘Kaleidoscope’, along with the the brittle boned shimmy of ‘Rush’ and the hard but elegant drive of ’Silhouette.’
But they’re only half the story, which really comes together with contrasts in the fizzy downstroke of ‘Kind of Blue’, on the Black Zone Myth Chant-like psychedelic daze and blunted vocals in
‘Consolatio’, and the album’s standout ‘Danke’, which revolves around Jo Pryde’s gentle utterance of the title weft into ominous ambient clag, connoting a sort of humility that knowingly becomes
both less and more meaningful with each reiteration

Tralala Blip are an Australian unit of differently-abled musicians hailing from the Northern Rivers of New South Wales. Over the past decade they have carved out a unique position in the Australian electronic music community. Working to overcome a range of challenges imposed by their disabilities, Tralala Blip have created a range of approaches to instruments, performance and composition that allows them to seamlessly create music together. Eat My Codes If Your Light Falls is their first full length album in over five years. It charts out an entirely new sonic universe that is the resolution of several years of intense live performance and expanded studio experiments. Produced by Lawrence English, the record explodes their working methodologies and reveals a collective sacred heart that is fuelled by their intoxicating post-electro pop melodies and diarised lyrical poems.

Eat My Codes If Your Light Falls is in many ways the first work in a new chapter of what Tralala Blip are becoming. It resolves their experimental practices and focuses that energy within a tight framework of explicit song form and entirely personal production aesthetics. This is their voice, articulating their stories. It’s for us to listen and begin to understand that which lies in parallel with our everyday. Beyond their extensive performance commitments, they have presented their work as special guests of TEDx, have had a stage production created about them and have instigated many workshops for other differently abled musicians and artists. Their goal is to reconsider the nature of creativity, especially music making and to push these process beyond any sense of the normative or commonplace.

Celebrated internationally for their relentless pursuit of a level playing field in music creation, they have been fortunate to be supported by festivals such as Unsound, Liquid Architecture and arts facilities such as ZKM Kahlsruhe.

The future is expansive and multi-abled, Tralala Blip invite you to get amongst it.

alter basic channel stuff, ein klassiker vor dem herrn

special handstitched felt backed 7” sle

Consisting of homemade electronic and mechanical music heard exclusively via British TV speakers as an eerie backdrop for the Polish made stop-motion adaptation of the Finnish comic strip classic. Custom composed for radically reedited daily five-minute episodes (alongside reconstituted storylines and the narrations/impersonations of comedy actor Richard Murdoch), the short cues written and played by two Leeds based post punk avant- theatre composers helped exacerbate the programme’s bizarre spectral storylines and characters earning a firm fixture of fear, intrigue and infatuation in the hearts and memories of a slightly confused electro fed generation. Ticking all the boxes that attract freak folk enthusiasts and synthusiasts alike, the combined efforts of Steve Shill and Graeme Miller deployed thumb pianos, backwards tape effects, wooden pipes and a Wasp synthesiser (the almost affordable post punk synth of choice) to replace the original 70’s German jazz soundtrack, thus dramatically mutating the tonality of the one hundred episode long saga. Miller and Shill’s unique DIY approach follows characters like Moomintroll, Sniff, Snuffkin and the Snork Maiden as they encounter hobgoblins, sand lions and the mysterious Groke complete with their individual detuned electronic voices and thereminesque whimpers. Based on the original sprites invented by Tove Jansson the modified fuzzy felt figurines were designed by animator Lucjan Debinski at the legendary Se Ma For studios in Poland for German syndication resulting in what many regard as the definitive and most enigmatic version of the story succeeding further animated adaptations form Japan and Russia.

Sharing the same nostalgia and oblique exoticism as The Singing Ringing Tree, The Little Mole, The Magic Roundabout and other reconstituted imports seen on programmes like Granada TV’s Picturebox, The Moomins and its synonymous theme tune and sound effects render this limited 7” vinyl release an essential addition to the record shelves of soundtrack collectors, domestic electronic fans and absent bygone tele addicts as well as animation and design enthusiasts on account of its unique imagery and packaging. Housed in a very special custom-made felt backed 7” sleeve depicting original production stills this limited 45 single comprises an extended take of Woodland Band and a never before heard cue from the forthcoming Lost Tapes LP.

Like the running lengths of the original episodes these rare specimens won’t stick around for long so act fast, relax, regress and rejoice for the return of the Moomin trolls.

The Palm Trees Whistle In The Pink Meteor Shower. An Entanglement Of Nature's Mystical Tones Settle. Sonics Trigger Movement In The Oceans Crust While Giants Filter The Earth's
Waters, Thrusting The Waters With Their Gnarly Space Knobs. The Damsel In Distress Is A Hadronic Mechanical Design Like No Other, Moulded, Tested And Shaped By The Entheogen
Melanges Of The Omegian Race. Many A Cosmic Knight Whipped There Sword Out To Retrieve , But In Rightful And Aware Conquest The Dilation And Deja Vu Of Multidimensional Experiences Returned The Opal Tone To The Omega Men. The Midi Rain Will Dance , And The Grooving Aqua Orbs Of Life Will Continue On. - Eddie

Detroit’s Delano Smith joins My Baby Records to release two soulful originals including remixes from Guillaume & The Coutu Dumonts and Chuck Flask & Keith Kemp.
Of the original crop of Detroit DJs, Delano Smith is now one of the last remaing. Coming up at a time when the world was just discovering the influence a DJ could have, Smith battled his way to the top in a tough scene full of talent. His story is long and intriguing, running parallel to many of the developments not just in music but society at large that have shaped our modern world. Delano has continued to DJ worldwide for many years whilst delivering quintessential releases on a consistent basis on labels such as Sushitech, Mixmode, Third Ear, and now My Baby Records following artists such as Remote Viewing Party, Rex Sepulveda & Acid Pimp and Mister Josooa & Rickers.
‘No Fear’ kicks things off with slick bass grooves. The rolling muffled vocals and smooth riding riffs blend together, providing this slick deep house cut with truly intoxicating atmospheres. ‘We Go Back’ delivers organic, stripped-back percussion balanced with soul-infused keys and mellifluous notes throughout the track.
Canadian producer Guillaume & The Coutu Dumonts who’s known for releases on Circus Company and Musique Risquée provide a minimal remix of ‘No Fear’ laying focus on aquatic modulations, robust drums and reverberating low frequencies until the Motor City duo Chuck Flask and Keith Kemp round things off with a smooth remix of ‘We Go Back’ offering hypnotic rhythms fused with funk driven synths and shimmering jazz elements.

Analog Fluids of Sonic Black Holes is a new full-length by Philadelphiabased artist, poet, and musician, Camae Ayewa, who performs under the name Moor Mother.
A sonic black hole is a place where fluid moves so fast that it traps all sound.
To be entangled in its gravity is to feel the pressure of an unjust system -- corruption so powerful that it drowns out whatever you throw at it. Analog fluids are resistance -- individuals who work to create and preserve community in the face of immense darkness and cosmic pressure.
Begun in 2017 as a sonic counterpart to Ayewa’s art show at New York performance space, The Kitchen, Analog Fluids was refined through exhaustive touring. It tracks Ayewa’s emergence into an expanded artistic ecosystem, with contributions from a distinctive set of friends and collaborators like Justin Broadrick (Godflesh, Zonal), King Britt, Saul Williams, Giant Swan, and Bookworms

Planning the imminent arrival of the 50th release on Touchin’ Bass, label boss Andrea Parker was digging through the warehouse during a stock take and it became apparent that there was something missing. There was a gap in the catalogue numbers. Where was TB036? Searching the archives it transpired that, for one reason or another (not least Parker’s inability to count), there actually wasn’t one.

So what better way to backfill this now documented gap than to welcome the multitalented guitarist and drummer, mathematician and multidisciplinary improviser Maria Gamboa Perez into the Touchin’ Bass fold with an updated focus for 2019.

Perez combines elements of rage, chaos, tension and anguish to form a visceral style. Her musical terrain and talent is shaped by dissonance and NO art. Under the moniker NonZero!, Perez brings Matrix Equation to the fore; a heavy 8 track EP with electro aesthetics from none other than Carl Finlow Scarletron/Silicon Scally/Voice Stealer.

Beginning her artistic career as a teenager playing as a bassist and guitarist in groups with influences from Noise, Avant Garde and the No-Wave, Perez was introduced into several areas of electronic music during the club culture years in Madrid and opted for styles such as Electro or Industrial, at which point she began to be interested in the introduction of rhythm boxes together with traditional drums.

Her passion for sound synthesis and musical exploration led Perez to introduce electronics into a solo project under the pseudonym NonZero!. Under this name she aims to make electronic music her field of sound research and for years has been continuously searching for existing relationships between sound and mathematics, focusing on the perceptual limit between music and noise.

Matrix Equation indulges in an evidential brooding angst, shifting between abstraction and the kind of elevated introspection carefully harvested over the years. With dramatic frontage in parts, blasts of boisterous energy and machine mayhem, its deployment of surprise, shifting focus and spontaneity operate in an assured statement.

Splintered beats and a foreboding sense of tension give way to a more DJ friendly logic of instinctive introductions and codas of gradual builds and breakdowns as Finlow further reworks the results to great effect.

Bondage Music label-founders Pornbugs return to the imprint this September with their 'Pacho' EP, backed with remixes from Pablo Bolivar and Phillipp Gonzales.

Leipzig/Berlin based duo Pornbugs make a welcome return to their own label here with two new original cuts, 'Pacho' opens the package with stripped-back drums, a bulbous bass line and choppy piano chords running alongside a bubbling arpeggio lead and tension building stab sequences. Pablo Bolivar's 'Rawmake' of 'Pacho' follows, edging things into deeper territory with dropped tempo dusty drums, airy pads and an amalgamation of wandering, resonant synth lines.

The second half of the release, pencilled for release as vinyl only features another original from Pornbugs, entitled 'Larica' and featuring a similar aesthetic to the lead with fluttering dubby chords, a refined drum groove and unfolding atmospherics carrying the groove before label regular Phillipp Gonzales turns in his remix to complete the package, taking things in a more raw direction with heavily swung crunchy drums, pulsating filtered stabs and billowing vocal murmurs.

Yellow Vinyl

Fundamental Records' interesting electro music project called ''Electric Eclectics'' does not end with the monster release of 21 vinyl records in a wooden box (with tracks from Arpanet, Cygnus, Carl Finlow, Cignol, Jensen Interceptor and Microlith to name a few), but comes with the additional ''Ghost Series'', that fit perfectly in the remaining space of the ''Electric Eclectics'' box. Each record is a picture of the electro music released in the line that Fundamental Records has us accustomed, each sleeve silkscreen printed by hand in the same color of the vinyl record. Talk about the music itself is something that Fundamental Records try to avoid in each release, if you want to know why you only have to check the project Music for The Other People Place to understand this philosophy. Best advice, check all these excellent tracks!

"Music is changing, the world is getting smaller.. Highlife brings you fresh new music from corners of the world you’d least expect." An early slogan we adopted in 2010.. On the eve of our 10th anniversary and as we question our relevancy, we close out the year with fresh new music by a brand new project.. and what a BEAUTIFUL case in point!

Brought to you in collaboration between Skinnydeep from Masiphumelele - one of the largest townships in Cape Town - and Jesse Reiner of Brooklyn, NYC. The two producers bonded over a shared sensibility in electronic minimalism, Zulu rhythms, house and techno and began a year’s long international collaboration resulting in Unyuko - meaning 'going up' in isiXhosa, one of the Bantu languages of South Africa. It references ‘upllifting’ or ‘a rising’ after struggle and couldn't be a more appropriate title.

We're very honoured and excited to present this to you now.

Following up his pair of cryptically luminous EPs for Northern Electronics in the past years, Evigt Morker presents his debut album, Krona. With a shuffling atmosphere that's hard to pin down, the album chronically fixates on the degradation and construction of rhythmic drills with finely rendered parts and patterns. Spiralling the listener through a set of stormy soundscapes, Krona keeps placing the horizon just ahead, and just out of reach. The unease that Evigt Morker invites us into is electrically charged and threatening to crack. For all its syncopation we are relentlessly swerving through the works, afraid of teasing an arcing static shock from the blistering commotion. The album's propulsive tracks are settled against a pair of stunning ambient compositions that capture some of the tension from a distance. Technical dexterity and perfectly pitched intensity stakes out Evigt Morker's debut album as an impressive statement.

Limited special edition on green marbled vinyl!!! Brilliant nighttime techno stompers by Fabio
Agostini & Philip Row make this ep a very special weapon in the recordbag of every dj!!! Played and
supported by Chris Liebing, Sasha Carassi, Markantonio, Damon Wild, Patrick DSP, Xavier Morel and
various others!!!

You know what gravity is, right? That force that keeps our two feet, face, back, ass, ears, knees on the ground…. That force that ensures that even after 25 years Ovum can still pull out serious surprises, join more dots beyond the dots and welcome true legends to the label for their debut.
Celebrating 22 years of Josh Wink’s cult acid classic ‘Sixth Sense’ they’ve invited old friend Shlomi Aber and a bonafide Master At Work, Louie Vega for a set of remarkable updates. Celebrating his first Ovum appearance, Louie takes the lead with a whole menu of mixes that provide total mix creativity. The lead mix hits with that essential New York swing. Stripped back to its naked form, the drums bump your hips and shoulders into submission while a rubber ball bassline and Ursula Rucker’s signature spoken word lock you down. A complete flip on the paranoid, pacey original, it’s Louie Vega at his very best and most dancefloor-focused.
Vega’s remixes are joined by two equally alluring twists from long-time mate Shlomi Aber. His first is a pumping, uptempo techno twist that nods to the original while his Hidden In The Dark offers a much darker twist. Bare to the broken beat bones, it’s a trippy escapade into much shadier corners of Shlomi’s sound. Restrained, tense and cavernous; perfect for Ursula’s vocal to totally hypnotise and pull us back down to earth. Extra sensory business this summer, these aren’t remixes – they’re whole new chapters.

Special limited collector's edition on green transparent vinyl! Played and supported by Alex Bau, Joseph
Capriati, Technasia, Mark Morris, BCR Boys, Kyle Geiger, Logotech, Octave, Pfirter, Space DJz, Gayle San
and various others!!!

Malik Hendricks is a rhythmically inclined aesthetic enthusiast born in the 80's, and raised in the 90's. A DJ for over a decade, he has always approached music with a rigorous curiosity and views the dancefloor as the ideal arena for collective cultural appreciation, a place where the quest for knowledge meets the quest for experience. Dance is the true language of the body, and a gateway to the recognition of our shared humanity.


Money Cat Records - Round black records bringing good luck. Linking motion with emotion, dance unites the body and soul of all who participate. Music from Brooklyn to the world. Established in 2018.

Volume 1 consists of daring ambient works, experimental compositions and adventurous sound design explorations. It showcases the Belgian producer's forward thinking approach to electronic music in all its aspects.

Repress

Just Jack specialises in showcasing serious House and Techno in a not-so-serious manner. 8 years of fervent promotion has plotted a remarkable string of parties across a variety of venues in their hometown of Bristol as well as international clubbing meccas, London, Ibiza and Croatia.

Progress has snowballed in recent years through their proclamation as 'Best Club Event' in DJ Mag's 2012 'Best Of British' awards and an ineffable 8th birthday celebration including Moodymann, Omar S, Bicep, Midland, Paul Woolford, Roman Flugel and Gerd Janson.

Present form considered - the next logical step has been to assimilate the experience of 8 years of record collecting, pushing boundaries and obliterating dance floors to create an erudite label, aiming to outlet
tangible chunks of the spirit and passion that's fuelled Just Jack's success.

In keeping with the ethos behind the bookings, the idea is to showcase forward thinking, dance floor orientated House and Techno slayers and without a doubt, the inceptive record is exactly that!

Stepping in for the inaugural release is Amsterdam based Beesmunt Soundsystem. With previous releases on Soweso Music and a stack of worldwide performances (both live and as DJs), the auspicious pair deliver 'The Baby Maker' EP- an opulent blend of course and forceful drums, sultry vocals and resistlessly effective bass grooves all backed up with a moody and spectral revision from Chicago's Amir Alexander.

'Close To Me' opens up with a full-bodied kick and a bubbling bass line punching against a textured surface. Brash and granular stabs wade in and create a tight swing under an arresting vocal chop.

Amir Alexander's 'Body To Body Deep Dark Excursion' (as the name would suggest) stretches 'Close To Me' out over 8 minutes of brooding synths, swirling bass patterns and lazily blossoming percussion.

'How I Wish' feels slightly more playful than its predecessors. An uplifting vocal interacts with a jutting piano line while gritty drums work to maintain a degree of intensity and bolster the package as a solid first release - no doubt the first of many.

Die Italiener Reform veröffentlichen erst seit 2016 Musik, haben in Techno-Kreisen aber bereits für Furore gesorgt und werden von den größten Namen der Szene unterstützt. "Quartet", Reforms zweite EP und insgesamt vierter Release auf Second State, ist elektrisierender Techno vom Feinsten, von einem Duo, deren Tracks mit spannungsgeladenen Melodien, klug eingesetzten Vocals und straighten Drums einen ganz eigenen Touch haben, sowohl in enge Clubs als auch in große Hallen perfekt reinpassen und jeden zum Tanzen begeistern.

2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. seventh release is our hero roman flügel’s debut single on mule. it was dream to release his record. title track on a side is electric soul house tune and b side is hypnotic jazzy deep house. it reminds us bit kuniyuki…

Purveyors of contemporary electronic music Anagram return with their second remix EP that calls upon some of the scene's most compelling and uncompromising names. Coalescence, the next chapter from the label, will unfold as a series of remix EP's reinforcing the labels core values of community, togetherness and growth. The first instalment reflects on their previous three releases reimagining four titles under the controls of Drugstore resident Tiljana T, Ostgut Ton legend Ryan Elliot, Klockworks artist Newa and the Tel Aviv based Yotam Avni. Orchestrating the rework of Elad Magdasi's 'Liquid Dreams' is Serbian talent Tiljana T who runs with the cinematic ideas behind the original but uses snapping hits, ebullient bass notes and plenty delay to fuel the cut with a new lease of life. The accompanying A-side sees Ryan Elliott do what Ryan Elliot does best by keeping things straight up four to the floor transforming 'Sound of the Siren' by Barbara Ford into pulsating peak hour material. On the flip side are two remixes taken from label co-founder Sinfol's latest solo EP 'Pull Back'. First up, Newa gets the blood rushing injecting breaking beats and furious energy into 'Life Of Measure' resulting in a high tempo no-nonsense techno affair that embodies the sound of the bustling Tbilisi scene. Tying together Coalescence Vol. I is arguably the most dynamic choice of the four remixes in Yotam Avni's 'Final Push' Remix. With a meticulous assortment of intricately crafted synth lines and sequences, he manages to deconstruct Sinfol's title cut of its acid workouts and replenish it with an equally rivalled amount of energy. Four artists, four remixes, Coalescence Vol. I!

Arsenik Displays is a two part vinyl compilation and a collaboration between the label and artists across 7 countries.

The tracks are made by artists that have been long time supporters of our label and whom we admire for their work. Despite the range of artists, they still manage to deliver music associated to the label’s sound.

It’s a pure honor to accomplish this project together with Newa, Nihad Tule, Oisel, Savas Pascalidis, Albert Van Abbe, Pfirter, Dustin Zahn & Johanna Knutsson, and Sonia Sagan who shared her drawing for the A-side labels.

finally repressed

MAYAK returns back from summer holidays with a great release produced by beloved Denis Kaznacheev. Utricularia on side A gives as a excellent example of great dubby minimalistic groove. On side B you will be rocked by ultimate jazzy remix from SIT(Vlad Caia and Cristi Cons).

The next EP to land on VL Recordings comes from none other than the label chief himself, Hector.
Reanimating the label with a solid three-tracker named 'Rogue Traders', this is the producer's first solo dispatch on the imprint since his inaugural 'Jacuzzi Killer' EP in 2016.
'Rogue Traders' unleashes a torrent of brooding club cuts. Kicking off with the title track - a moody, cold-blooded weapon, and finishing on the thrumming bassline that supercharges 'Self Made', we're left feeling hellbent on finding Hector behind the booth.

Lone continues to thrive on his newly established label, Ancient Astronauts, with its second physical release of the year, the ‘Not Seeing Is a Flower’.Steering towards a new studio album from the Nottingham-based producer, the three-track EP takes its name from a Japanese idiom (見ぬが花), which suggests that reality cannot compete with imagination. Lapping at varied shades of the psyche, ‘Glyphic’ kicks things off with a heavyweight tribal techno cut inspired by Cutler’s experiences at Bass Coast festival this summer, fusing 303 acid with sweltering piano lines and otherworldly vocals for a transcendental dancefloor experience. The senses are heightened with title-track ‘Not Seeing Is A Flower’, which reaches beyond reality with slowly spoken samples effortlessly melting into a lush ambient techno backdrop reminiscent of early work from The Future Sound Of London, Orbital, and The Black Dog. Finally, ‘Boketto’ sees Lone embrace the same tone of downtempo trip-hop detailed on his albums ‘Lemurian’ and ‘Reality Testing’ with rolling percussion and meditative chimes drawing close on some of the producer’s most lavish work to date.

***
All one light
Old Rough Roads
One High Iron
Mainway
***

After years of terrorizing the Polish underground scene Syntetyk is kicking off with their first release made by their partner in crime – Dyktando. With his debut EP Dyktando brings you the story of Warsaw night life covered with a thick fog of paranoia.

Kontakt brings back two sought after minimal-dubtechno tracks by Metric System, which was one of many aliases used by Thomas P. Heckmann in the 90ties, where he explored the sounds of the legendary Sequential Circuits 440 and EMU SP-12. The original recordings have been carefully restored and officially re-mastered by Thomas himself. Limited coloured vinyl.

Orlando Voorn is back on Multiplex alongside the label debut of Luca Lozano! This new 12” compilation format is curated by Steen Kong. The concept of Obey The Night is to pit two producers against one another, each deliver an original track as well as a remix of the others work. The result is for the floor.

First up is Orlando Voorn, who Multiplex previously has released under his electro alias Ultra. This time though, Voorn supplies a beyond-groovy house tune in “Pull Up”, and his remix of Luca Lozano’s “People Person”, a deep thumper of a track. Not surprisingly, both have amble Detroit feeling.

On the flip side Luca Lozano kicks off with his percussive-heavy and quickly intensifying original “People Person”. This is followed by his take on Orlando Vorn’s track - and the ensuing “Luca Lozano Praise Baruka Remix” is a brilliant match of the individual sonic mindsets of the two producers.

Figuring out who'd do the remixes wasn't an easy task. After a long wait we can now announce that a new 12 inch will be out on Rotten City Records with a newer version of the original (previously released in Born bad Records), plus 2 brand new remixes from the infamous Marvin & Guy and the Franco-Spanish duo Holographic Planes, formed by no others than Damon Jee and label owner Alvaro Cabana.

We are adding to this release a remix of Vox Low of "Black Lake" from My Broken Frame, a track that came out only on digital on Gimme Shelter. This is a unique chance to get your copy of this amazing limited release. 200 x 12" in solid white (numbered), and 100 x 12" in black, so you better be quick!

Eindeutige Ansagen auf der KM019 seitens &ME. Hier werden massivste Floorpfunde serviert, unnachgiebiges Material, auf dem man sich gefälligst die Füße blutig zu tanzen hat. Hinkelsteine von Tracks, die unter sich jede Vocalhouse-Niedlichkeit, jedes Melodiechen und jeden sonstigen Firlefanz zermatschen.

Die A-Seite - Shallow' zum Beispiel, die ihren Namen wohl dem Zufallsgenerator zu verdanken hat, denn wo um Himmels willen ist denn hier die Seichtness zu finden Hocherregend, wie da immer wieder diese geile Subbasswelle alles unter sich begraben will. Adrenalinpeitschend, wie da die Kick so spröde vor sich hin marschiert. Architektonisch wertvoll, wie da die perkussiven Schichten aufgetürmt werden. Sämtliche Hirnstöme umpolend, wie da immer wieder dieses Hook-Echolot ins All rausfunkt und ortbar macht, wo der echte Rave zuhause ist. Und dann ist da noch - Heist' auf der Flipside, dessen Kick sich zur Aufgabe gemacht hat, pausenlos Backpfeifen zu verteilen, dessen Snare-Samples jeden Floor zusammen peitschen, dessen freidrehendes Break-Geklöppel augenblicklich hemmungslos macht und dessen anschließende Mono-Ton-Fanfare als endgültiges Signal zum Ausrasten in den Raum gestellt wird. Noch Fragen Die Antwort ist stets: Just because.

One and half years since her last outing on Second State, Amelie Lens returns to the label with her highly anticipated new 3-tracker, 'Hypnotized EP‘. Following up to the much acclaimed 'Basiel EP' issued in 2018 through her own imprint, Lenske, Amelie steps up right in time for the much busy festival season ahead with a pair of razor-sharp peaktime weapons, plus a nasty gabber-inflected remix from rising Belgian duo Joyhauser. With upcoming dates including performances at Sónar, Movement, Awakenings, Exit, Kappa Future and Sonus, needless to say these are bound to get dance floors on fire this summer.

Having triggered a massive response from the audience during her sets over the last year, the title track ‚Hypnotized‘ breaks the ice on a fiercely pounding note. Flexing out the heavy kick artillery, brooding chord stabs and cascading snares while Amelie's delayed vox hooks steadily sink us into a whelming state of trance. Reaching for the most remote recesses of the dancers' minds, 'Access' revs up the engine a notch further with its psychoactive synthwaves, furling and swirling across full bars of louder than loud 909 thump. Adding their euphoric spin to the lead cut, 'Hypnotized', Joyhauser seal the deal with an all-out ravey anthem of a rework, custom-built for epic, warehouse-sized maneuvers and iron-pumping mid-set apexes. Shockwaves are coming.

Patrik Berg is back on Terminal M with another strong release. Again he shows his versatile talent with four tracks which are perfect for every situation: peaktime hitters, afterhour moments, open air happiness and darker clubs.(Monika Kruse)

Disco Morato and Gegen Mann are Moscow based DJs and sound producers. By playing their music they try to touch the darkest aspects of human emotion expressing an atmosphere of body-control. Apart from DJing they produce music and signed to UK-based NEIN Records. And as a collaboration, they founded imprint “MAXIMA CULPA RECORDS” to develop their specific sound and vision of music. This release is also the result of their collaboration.

There are 10 tracks created with total freedom to experiment with sound.
Disco Morato

616 Lab, starts with its first issue #1.
Mysterious alien sounds turn away the earth’s people towards a distant universe.
Massive techno, but with a sentimental side which won't let you stand still.

A-Future presents a fierce electro-charged production debut for EON Records.
After a solid summer of gigs at IICON Glastonbury, Inner City Electronic Leeds, Gottwood and Boiler Room, A-Future now shares a progression for his DJ project which has been impressing crowds across the UK with its range of left field beats and punchy up-tempo tracks.
Deploying tricks learned from his weighty record collection, the Birmingham based producer works in hardcore breakbeat flares, deep electro basslines and headsy IDM synths into original track No Era for what is a high-grade first showing.
Censor records head and long time friend Alex Jann and Berlin’s mysterious electronica producer Secret Universe provide a remix each. Jann comes in deep with a gritty bass line that drives his version with a solid flow primed for 140bpm dance floors. Secret Universe then sets etherial moments beside to belting syncopated jungle beat programming for a headsy and heavy take on No Era.
This is the second release on A-Future’s EON Records label which launched in March 2019 with Sepehr’s Cybernetic EP featuring Stratowerx and A-Future remixes.

2x12"

Boris Bunnik aka Conforce returns to Delsin for his fifth album on the label. Across eight tracks he delivers a wide range of styles yet keeps the ethereal and textural aesthetic of his sound recognizable at all points. His atmospheric approach combined with razor sharp percussion and intricately programmed synths make "Dawn Chorus" one of his most adventurous albums to date. Flirting with his Versalife moniker at times, this album leans to his experimental works, strongly optimized for dance floors using his unique sounddesign skills and unstoppable drift to reinvent himself.

The material featured on this EP was recorded in Berlin over the course of a legendary week-long exploit, the kind you read about at the movies. The music is a marriage of dark synth hooks and atmospheric sound design resulting from extensive Berghain-monitored brain damage. It is very fortunate that both artists were wearing their Twin Turbo friendship bracelets at the time or they may have never even gotten past the door. In terms of raw intelligence, the top one percent of those reading of this will have picked up on the cues that these tracks are techno. The rest have nothing to feel bad about. Our hope is that both communities can work out their cognitive differences on the dance floor every night for the rest of their lives. Our business model depends on it.

2x12"

"Reactions" is the debut album from First Tone, the musical partnership of New Orleans-based artists Turk Dietrich (Second Woman, Belong) and composer Duane Pitre (Important Records). While the project has been at work quietly sculpting their sound for years, "Reactions" is the first available set of recordings. Those familiar with the respective works of the two artists will be happy to find a collection of music that is very much of the duo, and yet totally unlike anything they've produced before.

Over six tracks, First Tone unfurl poignant, flickering compositional works that utilize pitch material that is tuned using the system known as Just Intonation (which Pitre has studied for nearly 15 years) in conjunction with various software and a single hardware synth. The result is a collection of music that is both organic and alien. Layers of tone and texture build and dissolve from the ultra minimal to the enormous, on occasion seamlessly blending the two. A wide array of striking timbres patiently wash over one another, at times sounding like organic instruments, at other times sounding completely otherworldly.

"Reactions" is a masterclass not only in sound design and dynamic range, but also in sonic depth. The album's approach to the usage of time and dynamics work together to create the perception of a three-dimensional spaciousness of sound. The holographic effects produced from the spaces between the album's sounds are mesmerizing, with discreet arrangements that demand repeat listens to fully absorb.

A multi-system conglomerate servicing planets within the Orion Arm of the Milky Way, TerraFirm provides the desiccated, toxified, irradiated or otherwise uninhabitable planets of this sector with a suite of services to rectify any environmental challenge From geoformation to carbon extraction, desalination to biome rehabilitation, TerraFirm has a full range of services to return your planet to its naturally thriving, pre-apocalypse state.

The second step in our patented remediation process is Mycelination; the seeding of subterranean fungal colonies. A robust mycelial network is the critical component in a healthy, biodiverse ecosystem. Mycelium connect all plant and fungal species, facilitating the exchange of nutrients and information between organisms. The same network absorbs decomposing plant matter, returning stored nutrients to the soil and releasing carbon dioxide to fuel your atmosphere's carbon cycle. Once mycelium are thriving the life cycles needed to support higher genera of flora and fauna will be in place.

This split release unites two female underground acts, both of whom have recently become pivotal parts of the contemporary electronic musical landscape in Japan. Hot on the heels of the acclaimed PAREDO EP compilation (TAL12), which has been released in May 2019 (and also includes contributions from Lena Willikens and Miki Yui), the SUPER MILD split album is the second outing by KOPY and TENTENKO on TAL. Their newest works punctuate their highly individual approaches to contemporary experimental dance music.

TENTENKO is a Tokyo-based electronic music producer. Her career began in 2013 when she joined the mainstream idol group BIS. Immediately after her departure from BIS in 2014 she commenced work on her solo project under her artist name TENTENKO. Since then she has radically reinvented her music away from glossy J-POP towards weird and industrial rooted dancefloor. TENTENKO first made a name for herself on the alternative Japanese music scene with a steady flow of live performances as well as collaborations with members of the legendary Japanese noise band HIJOKAIDAN.

For a few years now KOPY has been an unpredictable and charismatic part of the vital electronic music scene of Osaka. She has quickly garnered a reputation for creating her live sets exclusively with borrowed electronic equipment. Her name KOPY very much originates from this "concept". Apart from a few performances at Düsseldorfs famous nightspot SALON DES AMATEURS, she has been invited by LENA WILLIKENS to her showcase at the MEAKUSMA FESTIVAL in 2018. Her sinister dancefloor mystique is heavily steeped in the free spirited noise and rhythm cultures of her hometown.

Revisiting another classic for this issue of Len Faki's edits, he chooses Kotai's 2002 track BA3 Breathing, a standout-cut for it's ringing vocals and ominous bassline rumbles. With the original clocking in at the 10-minute mark already, Faki's tribute mix is not much shorter, but manages to fill the spaces between beats with lots of fresh details, lifting the song's energy to a new level, while retaining the soft but sexy vibe of Kotai's compostion. Tightening up the mix and making away with vocals alltogether, the Hardspace Tool-version then solely puts its focus on busty beats and percussive prowess, staking its claim as contender for bossiest bassline of the night.

As with all releases of LF RMX, the proceeds of this record will be forwarded to the Berlin organization Straßenkinder e.V. to be used in actions against child poverty.

Madben is back on Astropolis records with a pure ravey colored techno track in the pure main style from the artist, Moment of Unitarian gathering of the crowd. Light Sentence and Tension are pure actual techno weapons, raw and rough, deep and dance floor in the same time. And finally we are lucky to receive the Masters SLAM founders from Soma records for a fantastic pure techno remix, efficient, this weapon should destroy most of the dance floors, enjoy !

DREAMSCAPE

… is a protest album, a sonic scream, a re-evolution with a certain flavor to the first years of music made in Detroit in the 90s ...

Dreamscape Written & Produced by Negocius Man

Ellum Audio welcomes impressive new school talent Raxon for four suitably cosmic techno tracks. Raxon hails from Egypt, is Barcelona based and has risen through the ranks with a well-crafted and emotive techno sound on labels like Diynamic, Kompakt, Cocoon and more. This summer he has been playing the revered Resistance Ibiza at Privilege as well as festivals like DGTL. Though he has made big moves in recent years, Raxon has been deeply involved in the scene for more than two decades.
Opener ‘Andromena’ is a tense and futuristic groove that keeps you in suspense. Synths and chords ride up and down the scales without resolving and will make for a rapturous effect in the clubs. The superb ‘Vortex Cortex’ is stripped back, driving techno with a sleek bassline and sci-fi sounds making it all the more cinematic. The whole track feels like it is going to take off and carry you away to the stars. After the scene-setting ambience of ‘Introspect’ - a short and atmospheric interlude with more cosmic sounds, pulses and sonar blips - the excellent ‘Second Contact’ closes things out. A dark and prickly jam with expertly programmed drums that are broken and punchy, this one is about creating real intergalactic energy and is does that in style. This is Raxon’s most accomplished EP yet, and as such is perfectly at home on tgmthe mighty Ellum Audio.

Be As One boss Shlomi Aber’s latest driving four track release lands on Joseph Capriati’s Redimension imprint.

The Barcelona-based Israeli artist has refined his ability to deliver sub thumping releases for more than a decade. With previous appearances on Bpitch and Figure, Aber aligns perfectly with Redimension’s roster which features the likes of Fur Coat, Anthony Parasole, Adam Beyer and label head himself, Joseph Capriati.

‘Zohar’ opens with cantering chords, solid analogue kicks and splashing cymbals before ‘Tora’ then follows with down pitched keys, tight rides, a rattling synth line and subtle risers. On the flip ‘Woodhill Grove’ bubbles with a dark arpeggiated lead, slicing percussion and crackling distortion noise when ‘Going Distance’ then closes with echoed stabs, zapping electronic hits, swung drums and hissing hats.-hats, floating pads and a punchy kick.