Techno Новости

UK Techno heavyweight Mark Broom and Berlin's Discrete Circuit have teamed up before - but this is their first fully-fledged collaboration aimed squarely at conveying just how well this combination works. A heavy hitting merger from both sides of the channel, boldly stating that form follows function. This collaboration is to the point.

MBDC The A side opens with a superbly engineered kick and counterpoint texture that allows for an otherworldly synth to slowly worm it's way out of the abyss. Frequencies open and shut to allow for the exact exchange of energy welcome in the mix. With no trickery, and at just the right moment, a pulsating binary hook reveals itself in the track and guarantees the desired effect. The A2 tilts the hat toward a stripped back motor city influence. Groovy, tooly, slightly dissonant. Blips, claps, punctuation where it works. Just the right shade of reverb and modulation, push and pull in the arrangement, reveal the versatility of the track and round out the opening side with punch. The flip side, and third track from the collab is also direct, firing up with the ubiquitous clap on the one. Looping acid and a purist minor stab alongside sizzling hats and rides force the energy ever upward. The break is needed as the expertly air drenched acid line opens up the whole space before driving back down into the intensity for the remainder of the cut. The final track of the EP features a remix of the B1 by Astray's other in-house producer, H4L. Back with a frenetic, broken, idm influenced belter of a remix with scattered and distorted 808's - all reigned in cohesively with some stellar beat science and gnarly touches. These 4 numbers are built for impact.

E-Unity unleashes a batch of endorphin loaded club nuggets for FTD. Following up much lauded EP's for Oscilla Sound and Intramuros, the French producer takes his signature leftfield dalliances several steps elsewhere, to jubilant club-centric heights.

The Debut Record From Ectomorph That Launched It All, The Project, And The Label Interdimensional Transmissions In 1995. This Is The First Time It Has Been Repressed In Over A Decade, And We're Using The Original Masters Complete With 3 Lock Grooves Cut By Ron Murphy. For The Digital Version We Have Remastered The Songs With Neel From Enisslab.

Kmyle is back after his powerful EP Skryptöm 31, with a new massive Album.
In this upcoming masterpiece he is combining deep melodies and energetic forces to create a constant atmospheric tension. Cohesive and modern, this album shows us the multi-faceted
expression of Kmyle's music. Designed beetwen skipping beat, skittish drums and powerfull bassline, «NORTHERN LANDSCAPES» is made with sensibility and precision. Each track reflects a moment of his life and a side of his personality. Together, they bring us to a cosmic journey through space and time, surfing on a melancholic vibe.
Worn between hypnothic state and powerfull sonorities, this album delivers us a pure and emotional Techno. Full of elegance and sensitivity for your beautiful soul... Enjoy !

Illegal Alien next catalog number IARLTD006 belongs to Italian artist and Illegal Alien member, Mari Mattham. Instinct is the name of his brand new work and includes three remixes by Xhin, Fabrizio Lapiana and Iori, all of them providing outstanding
interpretations of Instinct.

Gynoid Audio label is back on wax after a long summer break with this latest offering from Swedish producer Mikael Jonasson. The A-side kicks off with "Fata Morgana" which is without doubt a techno rave weapon of the highest proportions. On remix duty here is Marco Bailey with hard-driven, pounding techno tool, while the flip side belongs to Flug who delivers not one but two brilliant remixes of the title track. Firstly is the deeper, rawer, more hypnotic mix, followed by a more spacious, clubby, acid-techno version.

Already gaining support from Cari Lekebusch, Truncate, Len Faki, Keith Carnal, Advanced Human, Gary Beck, Sam Paganini, Rraph, Noaria, Drumcomplex, DJ Hyperactive, Jeff Rushin, Coeter, Yokushe, Chris Liebing

Russian producer Nocow returns to Rekids with an enthralling full-length album entitled 'Atoner' this November.

Real name Aleksei Nikitin, Nocow is known for his versatility, producing a large body of genre spanning work on labels like Clone Royal Oak, Figure, Fauxpas Musik, Gost Zvuk and Styrax. The St. Petersburg-based producer debuted on Rekids last year with his 'Samaya Dolgaya Noch' EP, a mellow release complete with vocal driven cuts as well as 2-step rhythms, and now returns with a myriad of productions in a fourteen track album entitled 'Atoner'.

'Atoner' opens with an eponymous track that gently unravels with soaring synths and subtle percussion before Nocow's voice emerges alongside twinkling atmospherics in 'Complie'. Throughout the long player are also intricately produced short tracks sitting between the two and three-minute mark such as looping vocal number 'Dancerecter', the melodic and rattling 'Leto' and ominous 'Delore'.

Ostanovitsa' is a murky offering featuring a meandering organ riff, leading into the pitter-patter drums and serene chords of 'Starveme (feat. Tayut Ogni)'. 'Come Along' is a crystalline and otherworldly experience from start to finish, whilst 'Melting Lights' is comprised of echoing, subterranean sounds, making way for reverberating snares and metallic stabs in 'Standalone'.

Husky murmurs and soothing notes then make up 'Neva', moving into the syncopated beat and idyllic chord sequences in 'Can't Get Enough' ahead of 'Stonecold' and its icy aesthetic. Finally, the album reaches a mesmerising conclusion with the spellbinding 'Footer'.

The next EP on CCDC comes from Owen Ni. The 19 year old from Alabama shows up with some deep
tunes that ride the line between house and techno in his EP entitled Studies'.

A1: Adolescence - Chunky percussion begins the experience quickly followed by morphing chord
stabs that give of a bright feeling of energy. The percussion changes as the stabs make up the
headlining space, later a vox chords come in to help fill out the tune. Meanwhile a pulsating bass line
is riding so subtly in the underneath the brightness.

A2: Running By The Beat - Deep chord flow while the kick drum slowly appears to establish the
groove. A voice is heard meanwhile the baseline is pulsating. Minimal percussion is heard, yet really
it on the slow build until the entire groove is established

B1: Running By The Beat (Whim-ee Remix) - Whim-EE decides to take it into straight beating
territory. The tempo picks up as the distorted kick drum wangs the woofers. Percussion comes in
slowly, and an acid line takes up the main attention of the track. The vocals are in audible, however it
fits the feel of the idea. Sparse elements continue to make surprise appearances, as the chords are re-
freaked.

B2: Studies - Swirling chords scrape through the air showcases Owen's emotions. In beat down mode,
the percussion comes in slowly to establish a groove. The percussion is low and really for those
heads that like to rock those slower hypnotic waveforms.

The Mojuba sublabel a.r.t.less is very proud to present a retrospective by Detroit Techno veteran Martin Bonds aka Reel By Real in two parts. This release features the most seminal output by Martin Bonds who truly is one the most underrated Techno artists from Detroit and often remain not credited when it comes to the history of Detroit Techno, although he has been an inherent part of it since the early years! Maybe some of you remember the classic Marty Hardy mixes on KMS - yeah, that's him too! Each and every of the six tracks is a undeniable timeless classic, which embodies the true soul and spirit of Detroit as well as the youthful enthusiasm and power from the pioneering years of Techno. Some of the tracks are now seeing a proper release for the first time, due to the fact that they had been only released as a limited whitelabel on Juan Atkins Metroplex sublabel Interface Records in 1990 and 1991. So it is no wonder that the original Surkit 12 is one of the most sought after Detroit Techno records. Not to forget to mention that the retrospective also features a very rare collaboration with legendary Anthony Shake Shakir called Serene! To remain true to Detroit artists, the artwork for this project was created by the one and only Abdul Haqq from Third Earth Visual Arts who is giving Detroit Techno (e.g. Underground Resistance, Transmat, Red Planet etc.) a unique look since the late 80s. A limited handmade artwork cover to house both records will be part of the first 12. To get the most out of these classics all tracks were restored by Don Williams and remastered by Redshape! We hope you enjoy this classic music as much as we do, because this is the real thing and this is just the reintroduction of Reel By Real for some new action.

RS (Rinchoa Stress) began in 2014 as a group of close friends, even before they started producing. The warm shout-outs in closing anthem "Hino RS" reveal the affection they feel for each other, just after the main melodic hook gets going. Things got serious in 2016 when Narciso, then 17, decided to take production seriously and relaunched RS as a proper crew with DJs (himself, Nuno, Nulo and Lima), producers (himself, Nuno and Farucox) and MC (Pimenta).

Out of "Bagdad" (Rinchoa, Rio de Mouro), in under 2 years, RS made a name for themselves with tight, across the board grooves, working melody and metal beats with equal proficiency. "Caipirinha" and "Constipação Do Poco" adopt a more muscular batida architecture and rave on with proper metallic cargaa; "Guerreiro" brings out a brilliant, dissonant main motive, defying some rules of melody and timbre; a string of semi-tarraxos follows: "Lingrinhas" and "Atrevimento" insist on the "wrong" side of melody in less than 2 minutes each and, at 2:04, "Futuro" slows down even more in a reflective mood while all around everything appears to be falling apart (listen closely to the explosions in the distance); on to the longer stretch of "Abertura", a house number where every element seems to follow its own independent course, carefully placed in a separate track, all moving in the same direction. Narciso and Nuno layed down all compositions here, teaming up as the core producers of RS, growing up post DJs Di Guetto (2006 - see our timeline elsewhere on the web) and into the crew's now regular gigs at Príncipe's monthly residency (@Musicbox, Lisbon).

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...and then the Log Lady said: "Beauty is in the eye of the beholder. Yet there are those who open many eyes. Eyes are the mirror of the soul, someone has said. So we look closely at the eyes to see the nature of the soul. Sometimes when we see the eyes -- those horrible times when we see the eyes, eyes that ... that have no soul -- then we know a darkness, then we wonder: where is the beauty There is none if the eyes are soulless."

comes with a huge 22x28 newprint poster in japanese sealed poly sleeve . Chicago's Beau Wanzer returns to the label with his signature sound of crunched out bizarro electronics. BEAST ALERT..TIP!
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Unmistakenly, Wanzer has carved his own niche through the years as this ep rightly reflects the vast range of styles he works in. From the hypnotic head nod of Wick Hunny to the juicy back alley electro wave of The Grim Whim or the nasty metallic stomp of He Spilled my Drink we get Wanzer in top freak form, mangling the drum machines and pushing the synths to the edge. A welcome return to say the least.

Polish producer CYD joins the ever impressive E-Missions with six leftfield cuts in 'Disassemble Yourself' EP.

Launching in New York last year, the first three E-Missions releases came from co-founders P.Leone and Caiazzo. Since then the label has relocated to Berlin, developing its roster throughout 2018 with quality releases coming from Tred and Rush Plus that further cemented the label's growing reputation as one of the most interesting labels to emerge in recent years. Joining the roster now, CYD aka Karol Kazmierzewski has been making music under various aliases for the best part of two decades and has developed a versatile yet distinct sound as a result.

Swelling synths and grainy effects open the release in 'A Warmness You Can't Touch' before moving into the downtempo beats and scintillating melodies of 'Halcyon Dreams'. Up next, 'One Winged' ups the energy with crashing percussion, twisted effects and serene female vocals, making way for a layered composition complete with echoing atmospherics titled 'Hidden In The Forest'. With its dystopian aesthetic, 'Initiation' is the most ominous on the package, whilst 'Not So Shallow' incorporates chopped samples and quivering chords for a hypnotic conclusion.

The first long player on Pressure Traxx welomes Dario Reimann from Darmstadt. Known for his releases on Sensual, La Peña or OFFM he shows here in full length why he is one of the most interesting new school producers out there. Delivering 8 diverse cuts that will stand the test of time, easily. Step into "Dario´s Castle".

In a constantly evolving world, there's always room for fresh power and new players in already richly filled landscape. However,  there's always room for more - especially with a scene that is constantly caring for innovation - and that's where Blackrod Records comes in.

This label is founded by Hungarian producer Depthon (a contraction of the words "depth" and "on") with a nonsensical approach to music. As said in the label's statement, the music released hereon, is also a reflection of the mindset of this techno artist. He came a long way, crawling through different genres but ending up in his favorite and most versatile style.

And in January, his very first physical release of music will happen on his own imprint. An EP on black gold loaded with 4 weapons that are ready to add up to every quality techno mix and also will destroy the dance floor.
3 of Depthon's own works and in addition a remix by Glaswegian techno prodigy and Sleaze Records labelhead Hans Bouffmhyre. "Last Train" is the first pulsating and powerful track that works as the opening window of this EP, followed by the remix by Bouffmyhre, which could could be described as an immaculate upgrade to the original.

On the flipside, it's "Faded" that is exemplary to the saying "less is more": dark and simple pads on a compelling background that surely will keep one's attention throughout the course. Last but not least is "Timelapse" that contrary to the other tracks uses high pitched synths as a lead, in combination with hissing hi-hats and a constantly changing scenery.

Alltogether, these tracks form a solid collection of forceful tracks and a perfect debut of an artist and his new label.

HM 1203. Remastered 2016 edition..

Firmly established Industrial Detroit crew cranks out an EP that could have been a solid early 90's Wax Trax! side project with solid beats and cyberpunk grittiness. - ACIID HOUSE
by Fluxion A/D
Born in the warehouses of Detroit long time instigators of the Eastern Market broken beat underground Fluxion A/D captures the Detroit Industrial deep current like no other possibly could. Fluxion A/D is the next manifestation of this cyberpunk network core collective 'DeLIENMetria, Di_sect" improvised precision.

Incl. Remixes by Alexi Delano & Dema

Freak In Records Label Head Frank Valon (Italo Business, Frequenza) and Treibjagd Records mastermind Fleischer got their acts well together for the timelessly sullen, yet darkly energetic - Sad Song . Thus the title, we feel no reason to disrespect a certain autumn and winter vibe when sadness comes in the form of such beauty!

There's strength in letting go, as many philosophies tell you, and they are right. You can absolutely let go to this one...

Fall deep into the cushions of the warm and well-rounded Original mix, blending the iconic and soothingly soulful vocal with dubby aesthetics and an arrangement that soon makes this track a real song in your memory.

Or float in space, where US deep techno lover Alexi Delano (Drumcode, Plus 8) transcends this track to. With even more glimmering synths and pads he keeps the vibe of the original yet, but adds a lil' extra light to the whole topic!

Italian Producer Dema (Sci-Tec, Trapez) focusses on the classic, low-slung Dub chords for his remix. And lifts you up with a certain extra shuffle on the beat.

Played and support by :

Stacey Pullen, Marco Carola, Oscar Aguilera, Gel Abril, Valente, De la swing, Paco Osuna, D.Diggler, Franksen, Sisko Elektrofanatik, JP Chronic, Mental X, Alexi Delano, NOAH, Loui Fernandez, Nihil Young, Simon Ricci, Javier Benitez, Matt Handy, Lady Rose, Erefaan Pearce

On the occasion of its third release, LumièresLaNuit and TONESERIES co-founder, Edouard, is glad to welcome back Brussels-
based music composer, live performer & DJ Ground Tactics on An Der Grenze. Indeed, in 2015 Colin aka Ground Tactics made his

Ground Tactics is devoted to reaching new music horizons and emotions through an experiment including structures and
harmonies. This experiment occasionally results in contrasts and uncommon pathways as demonstrated in his The Return EP.

After his Dawn Of City Lights LP (LLN006) released at the end of 2016 on the occasion of LLN's 2 Year Anniversary, Ground Tactics
proposes on his The Return EP (ADG003) a more Techno-side of his work: linear, straightforward and effective.

An Der Grenze brings together Techno music and photography in order to take you somewhere between heavens and oceans.

©Photography by Laura Vongsavath alias Phanom.

After already dropping one cut on our all-encompassing initial compilation, celebrating 25 years of the club, we're happy to announce Joel Mull's follow up and first solo release on Distillery Records. Mull is an always welcome Tille-regular, one of the most prominent ambassadors of the Swedish Techno sound and a versatile producer that's constantly churning out high profile material since the mid 90ies. A cachet that's underpinned by this batch of tunes, kicking off with "Magnetum", an Industrially tinged blend of Techno, building on filtered polyrhythmic elements, a swelling bass and subtly implemented pads. He's going for an arrangement that's eschewing overcomplexity, in order to boost an utmost force on the dance floor. Next up is "Momentum" that sonically ventures down to even deeper levels of machine room ambience, emitting wafting plumes of bass, being flared by flashes of sawing clangs and pushed forward by a synth- based micro-theme that's wandering through filter-modulations. A massive big room weapon. "Connected" comes embedded in crackling and rustling soundscapes, but make no mistake, its kickdrum is out to blow off any sonic haze to make way for an Acid theme that slowly emerges from ambush. This very tune gets a remix treatment by none other than Mathimidori aka Mathias Kaden who's turning the character of the tune into a rather chilled out, groove accenting, Dub- resonating state of matter. The digital package then also features "Continuous Symmetry" as a bonus track, that's upping the ante again, yet appears a bit more leftfield in this cycle of Mulls new material.

First to take the reins of the DJ-Kicks mix series in 2019 will be ever evolving UK artist, Leon Vynehall. His 26-track mix features new material from the man himself, as well as exclusives by Hessle Audio and Timedance affiliate, Ploy, rising newcomer Peach, and Pavilion, plus a number of gems that will be available digitally for the first time ever.

LHS opens the VOIGHT Label with 4 futuristic cuts of industrial techno.Themed around the components of the human eye, the tracks explore the borders between the peaktime dancefloor and blurry after hours. GoldFFinch add a functionalistic-reduced interpretation.

LCSeries006 arrives with the first solo label owner vinyl reelase.
Tracks taken from his latest album Purification, that was released exclusively on a limited CD edition, already sold out.

Finally four of the tracks comes on vinyl only, drive techno directly to push forward on the floor. Get purificated with the new LCSeries.

AdMaiora continues his unstoppable journey searching for the finest techno and tech house. To celebrate our 16th release we will mainly focus on the techno world with an exclusive EP from Tuscany born Marco Effe with Amsterdam based 2000 and One on the remix side.

Marco has being pushed to the big audience by Sven Vath in 2012, when he released on Cocoon his most famous track 'Jellied Eels'. In the last couple of years he didn't stop producing music with releases on labels such as Etruria Beat, On Edge Society and SCI+TEC to name a few.

In his debut EP on AdMaiora he smashes with two original techno destroyers. 'Basewax' is an heads down bigroom techno cut to set on fire any dancefloor with a nice combination of regular techno drums and Detroit inspired synths. The second track called 'Rawhere' is another distinctive raw gem which marks Marco as one of the most genuine talent in the techno scene: massive pad shots, rhythmic toms and delayed synths make of this one the next must-have for the summer.

On the remix duties we are more than excited to see the Dutch man himself 2000 and One. The '100% Pure' and 'Area Remote' boss makes of 'Rawhere' an explosive 909 killer remix, exploiting all his experience as a producer. The things go straight and hard without a break until new pads and bassline kick in to twist all the things done before.

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BLK DRP is back. This time Michael Klein invited Eduardo de la Calle and TWR72 to support the #2 of his label. Deep groovers and strong smashers in here.

Recorded in the Autumn of 2017 at their studio in Vancouver's Deep Blue, MVX / U41A' is the first new music from Minimal Violence to be released on Ninja Tune's Technicolor imprint and the first to be recorded outside their usual home production space. The result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. Their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo's often raw and disorientating live set. Formed in 2015 the duo, consisting of Ashlee Luk and Lida P, have a string of releases to date with labels such as Lobster Theremin, 1080p and Jungle Gym Records. Drawing on Luk's years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier UK rave and hardcore.

Thirtyonetwenty - the international dialling code for Amsterdam - is the city's hot Techno imprint co-founded by Sandy Huner and Dave Ellesmere in 2007, now run solely by Sandy. For Thirtyonetwentys next strike we welcome back Nick Hollyster & Robin Orlando!

In 2008 Nick Hollyster who is originally from Paris moved to Valencia where he met Robin Orlando, who also happened to live there at the time, the two shared a strong passion for music and a friendship was born, it didn't take long before the duo started colaborating on tracks in the studio, which resulted in various releases on labels such as ThirtyOneTwenty, Plastic City and Resopal Shallware.

For their second release on Thirtyonetwenty they deliver two deep Detroit influenced tracks, also included are two remixes by Techno legends 2000 and One and Steve Stoll, enjoy!

Repress!

As hard-line as the title threatens, as martial as the artwork displays, as genuine as techno can be - with his latest release on Snork Enterprises, Phil Kieran has created a tremor and once again proves his uncompromising unique sound, for this time somewhere in between iron relentlessness and poisonous composure. In a somewhat extrapolation of "Totally snorked" his
second release on Snork Enterprises "Shred Beef" sharpens his tune up to the peak of intransigently pulsation, with a whiff of "I think I´m a monster". Marching up front with its bass-line, his new tracks pursue a sound that mirrors the mercilessness of true underground techno. Pure. Harsh. Don't give a shit!

After making his initial mark with a grinding fog of slowed Techno on Sigha's Our Circula Sound label, Michael Jefford aka Positive Centre has traversed the electronic BPM scale with a sonic signature of ghostly synthetics that make the switch between industrial aesthetics and illusory sound-scaping.
Within this nucleus, Jefford's recorded history as a Live Performing Artist, DJ and Producer has always reflected what at once can be microscopic, whilst still being the largest object in view. Each track on Forever Optimum sets a different location and perspective on an active set of mechanics - like watching fragments in motion, reacting to different forces.
Having previously released for a range of Techno's more adventurous labels including SNTS, Stroboscopic Artefacts, Opal Tapes and not forgetting his own In Silent Series label. Positive Centre's 3rd Album 'Forever Optimum' stands as a beautiful anomaly in the 2018 HORO catalogue. Continuing the point of the HORO label: being open to the beguiling musical arcs that keep us redefining our sound.

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When the flowers bloom at the awakening of the season. With translucence shining like liquid stars decked out in glorious hues of pink, purple and blue. When the trees grow and the birds fly out. When they gently beat their wings, gliding upon the blue canvas of the sky. You get touched by the sounds and the beauty of it all. It lights that fire deep within you... Reedale Rise shows us the way of things,.. as it was then, and still is now.

Following on from the success of 'From The Dark Volume 1', Cultivated Electronics return with another world-class track-list of artists from across the globe. Masked, modern-electro stalwart The Exaltics, kicks things off with 'I'm There', a moody, shoulder-shuffling roller, while French veteran Maelstrom follows up on the A2 with a paranoid 4x4 synth jam entitled 'Red Squares'. Flip to B1 and Label founder Sync 24 collaborates with Privacy (Lobster Theremin/Klasse Recs) for the haunting yet anthemic 'First Install'. Netherlands-native VC-118A (AKA Mohlao / Multicast Dynamics)steps up with 'Machinarium'. The second disc sees tracks from Zeta Reticula (AKA DJ Umek), Ekman (Trilogy Tapes/Berceuse Heroique),The Operator (with a track taken from the golden days of Djax-Up-Beats) and Obergman (Abstract Forms/New Speak), all executing their freakish spin on CE-style tracks, with paranoid synths and tight, pacy beats set to rock peak-time sets for many months to come.

VENT is when you say all is fine with ash in your mouth, is when the surface is all, is when the years lead nowhere, is when effort is loss, is when the rulers have defeated themselves, is when you scream with your smile, is when the surface absorbs the space and when you do not say it, is when the body contradicts the surface, is when it is said, is when the dialectics of the voice has been defeated by the synthesis. Wallis is when Tolga Baklacioglu presents two experimental cuts, and two cuts of abrasive stripped down techno.

The latest in GYNLTD vinyl series is this superb brand new EP from Sydney's DJ Hi-Shock under his Advanced Human guise. 'Kilimanjaro' is a hypnotic journey of filtered synth stabs, driving rhythms and pulsating basslines that will appease fans of proper techno. Two magnificent remixes from Black Hats and A.Mochi are also included.

Already supported by Milton Bradley, Steve Parker, GabeeN, Michel Lauriola, Paul Nazca, Unbalance, Philippe Petit, DVS1, Arnaud Le Texier, Ben Sims, Dave Miller, Adam Beyer, Mattias Fridell...

Diffuse Reality presents a new vinyl. Powerful techno direct to the dance floor.

Wats Records crew is happy to announce its next release. Four industrial techno tracks composed by one of the most talented polish DJs and producers, Concept Of Thrill.
The first track of B side 'Materia' is a trippy track with broken beat and ambient synths instead the other three tracks are simply fire for the dance floor with hypnotics sounds and heavy basslines.
A really nice masterpiece of pure techno.

A collaboration of seismic proportions, we present 'The Last Renegade' from Safire, DLR & DRS, backed with two experimental DLR forays called 'Dreaming Of A Place'. Sinister, brooding and shaped with intent, 'The Last Renegade' sees Safire & DLR combining to create a half time beast, with the piercing vocals of DRS a perfect fit. Developing the 'Dreamland' themes from his last album, DLR explores dub and techno influences and more downtempo vibes on two mixes of 'Dreaming Of A Place'. Digressing from the more typical Dispatch format, DLR, along with Safire & DRS,
express their artistic freedom to display the depth in quality within the label today.

For the vinyl heads, there will be a limited run of heavyweight clear vinyl pressed, shrink-wrapped within a bespoke, full colour sleeve.

3 Tracks EP by Eduardo de la Calle, eclectic and deep journey with experimental and old school feelings.
100% Eduardo's style , wich includes his more deep and jazzy style, finishing with a mental and techno feeling track.

* With a number of high profile releases already behind him for labels including the legendary XL Recordings and Dusky's 17 Steps imprint, Hugo Massien has carved a sound for himself that sees him bring together elements from house, techno, dubstep and hardcore, all combining force to produce this killer 4-track EP, running at the techno-friendly tempos of around 128bpm.

* 'Advanced Aerial Threat' kicks things off with a fractured half-step rhythm that gives more than a nod to his formative years as a fan of the early UK dubstep movement. Stark, deadly and meticulously constructed, the rhythm taps a pace as wild bass stabs rip across a theatre of sound.

* Next up is the delightful melancholy of 'Ursa Minor' which takes a rolling breakbeat as its backbone before a Reese-like bassline emerges from beneath, rising and empowering. An intimate piano line comes in, providing an introspective element, balancing the otherwise rave-savvy ingredients in place.

* 'Candy Flip' takes things into a more electro direction, providing a reliable work out for the dance floor as the tightly tuned drums and bass hold down the spooky synth stabs.

* Last up, closing the EP is 'Divisions From The Start' where once again we see Hugo's intuitive sense of soundscape grandure, creating a kaleidoscope of moods all strung together with precision drum programming and heavyweight sub work.

* DJ Support from: Shed, Loefah, Pinch & many more.

London based hardware specialist no data available joins the null+void family with a four track EP of rugged, playful and effective electro driven tracks for the rave - ending in a blissful introspective 7am moment with title track the night.

Acid fans will have already heard nda's work alongside Matt Whitehead on Jerome Hill's much respected Super Rhythm Trax imprint under various pseudonyms. It's his live sets that have been winning on the dancefloor though, as much as his studio work - 100% improvised and raucously executed - this year they've brought the fire at Berlin's Greissmuehle and London's Corsica Studios.

DJ Dex aka Nomadico has written and produced 10 new unreleased tracks for this double LP 'The Code Switcha'. It features a range of tempos and sonic dynamics; from the slow burns of 'RTD 60' and '909 Soto Street' to the full on energy of 'Machine Learning for Homeboy' and 'HustLA'. There are also electro funk tracks like 'Still Cruisin', 'Radio 3031323' and 'Backyard Trippin'. Meanwhile, the moods and textures of 'Introversion', 'Innermission' and 'Staring Problem' are for deep listening. All of these are fused together by atmospheric pads, touches of acid and a veteran DJ's sense of rhythm and timing.

"At the crux of American-born, Shanghai-based producer Eli Osheyack's debut album, Sadomodernism, is a question of agency. Borrowed from film theory, the album title was originally coined by writer Moira Weigel to describe a waning European art house tradition that vehemently rejects 'naïve pleasure'—the tranquilizing comfort of conventional cinematic narrative, like mainstream Hollywood—and opts for violence and pain, with the aim of shaking audiences out of cinematic manipulation and into their own position vis-à-vis the malaise of contemporary life. Echoing the work of sadomodernist auteurs, Osheyacks's Sadomodernism is a deeply political project with critical ambitions. The smashing and blending of genres, from techno, industrial, noise and gabber to ballroom and metal, even opera, and spontaneous percussion arrangements, sometimes mixed with distorted spoken word, do not mean to please, but provoke through disorder and chaos. Laden with Brechtian alienation affects, Sadomodernism interrogates the notion of autonomy in contemporary music, club culture, and social-political life."

Karl Meier, Ken Meier and Jon Krohn, AKA Stave, are launching a label called Standards & Practices.

The three US artists, who share Chicago roots, have a pretty straightforward mission in mind for Standards & Practices: 'To provide a platform for releases by both Talker and Stave, as well as for material by other like-minded artists and collaborators.' Talker is the Downwards-affiliated duo of Karl Meier—a longtime techno DJ, now based in Berlin, who took part in RA's Playing Favourites series last year—and Krohn, formerly of the experimental rock group Male, who's also been putting out his own brand of abstract, industrialized electronic music as Stave for around four years. Ken Meier, a New York-based graphic designer, partner at Common Name and DJ—and Karl's brother—takes care of art and design for the label.

Standards & Practices' opening move is a Talker 12-inch, Battle Standards, the duo's third full release and first since their 2014 album for Downwards. A three-track EP built with material from their new live set and 'aimed squarely at the dance floor,' it includes a new version of 'My Favorite Colour Is Gold,' from 2015's The Immortal Eye compilation CD. It's due out in late July. Next will be Black Hills, a five-track EP from Stave that's expected in September.

Along with the soon-to-launch label, the Meier brothers recently rebooted their Fear Of Music podcast with some new mixes, including two from Karl.
(Resident Advisor)

2 last tunes of each sides are wiked techno tribe tunes, 2 first traks of each side are wicked unfromated drum & bass tunes. Lets call it a « two in one » !

ENCORE un nouveau FSL ! A écouter ! Bonne basse fluffy, carrée et un tantinet electro.

Exdcellent collection of acidcore/ Acid tribe tune, from 155 to 170 BPM... Once again Narcosis offers some new artists and some future great big classics... Acid zone for sure !

Cosmin TRG is back on Sportiv with two tracks of stark, angular beauty. Afterburn harks back to 90s era Techno of the hyperkinetic variety, in the vein of Regis's seminal 'Gymnastics'. The obssessive vocal mantra adds to its hypnotic, frantic rhythm. Electra on the flip is on a trance-inducing mission, with it's cavernous 808 kick driving a tribal groove, carried by a pulsating bassline and eerie percussion. Sportiv is a dexterous white label operation that brings you heavy-weight rhythmic performances from the world of techno athletics.

Released in solidarity with Tiga's anti-tech house crusade, a silent campaign fought everyday on the streets of your hometown, 'Blaze' finds Russian crypto-whiz Dimitri Veimar still dancing with the rawer-than-the-rawest-dog electro that's brought him to the dizzying heights of the mid-tier crags of Mt. Turbo Mountain. Throwing his weight behind what some in the media are probably already calling 'Tiga's War' was absolutely necessary following the events of a recent gig in Moscow. Veimar opened the night by playing no fewer than three Tiga tracks, which anyone who's read Tiga's Taboos can tell you is definitely a Tiga Taboo. Deeply immersed in the practice of pouring his own mineral water, Tiga ignored the hootin' and hollerin' of the VIPs crowding the DJ booth (including Dennis Miller and Diego Maradona), and proceeded to play a set entirely comprised of recordings of every embarrassing thing Veimar had ever said in his life. Four hours later, an emotionally-shot Veimar collapsed into Tiga's arms, with the magnanimous label boss whispering, 'I forgive you, Dimitri' into his ear. The release also features a 'broken techno' remix from mysterious European producer Florian Kupfer, who made us sign a Non-Disclosure-Agreement dictating that we can only describe him as 'mysterious,' 'enigmatic,' and/or 'European,' so we'll have to let the music do the talking.

Acid dancefloor mental tribe, with a bit of this pumpin' funk sound DJI style ! Hios first solo EP ! Must Have

First track brings the noise and will surprise the Purists i think... the kick brinsg a pure sound ! The three next tunes are more in the Tribecore vein, with a sweet hard sour kick and fresh melodious samples:) Key to the dancefloor.

Opening with a nice mental tribe non-stop twirling fangy sustained by a cool bumbing sub-bass... Second track, from Gelbkreuz is an acid psychedelic progressive trancy tribe sound. The flip starts on a slow techno tune, kind of a party starter whispering around... The finish, with la Meduse gently kick while a speaker prepare your ears to welcome an acid torture :) Big New Crew with a great sound ! Enjoy !

Dancefloor of course:) Collab between Floxytek and the new generations ! Sweet and Sour Tribecore sound !

Epic tribe / hardtek tunes !
A bloody pumpin mental acid sound, newskool sound with a solid storytelling... Digital race of the

Fluidly hurtling in hot after NAA012, the newborn and MODXI, brings a refreshing ambience to Not An Animal Records with a deluxe, tasteful and elegant new release. MODXI is Sam Watts, who, with the help of his improvisational jazz saxophonist father, Trevor Watts and talented electronic producer Thomas Gandey, bring the new beat, Amalgam. The end result A wondrous 11-minute shuffle that offloads some pure emotive action. Choosing to cruise hood down, Dark-Wave-esk drums skid towards a persistent synth wobble and transmogrify into a sentimental masterpiece. Striking piano chords stretch to the foreground and Trevor's breathtaking sax complete the succulent harmonies, adding some serious psychotropic seasoning. On the B, experienced moonwalker Roman Flugel rattles the original into a nostalgic Techno bruiser - Toxic, pernicious, and seriously alluring. It winds up and down, weaves in and out, and in signature Flugel fashion adds more psychedelic edge. Whistling synth shots and a growling chunky bass are added to the captivating atmosphere, just before fully kicking off with destructive arpeggiation in the second half. Ouch! To close, the ever so mysterious Frank Butters returns for some explosive remix material, this time coming through with a deadly Electro heater. Watt's saxophone scorches through the high end alongside a howling bass-line undertone, taking this track someplace else. Stylish Vocoder & synthesiser licks add the finishing touches to this stomper.

Superb Rave / tribe tunes...
The tempos is 160 and the kick is solid, still carrying that pumpin groove.
Trippy acid structures.

Magic acid tribe and old schoo lhard tek release from back in the days.. .finally coming out now !

Voda (water) the second part of his trilogy sees Aleksei Nikitin delving deep into Baltic seas. coming up again with chilled flows of acid on Vdaleke, the bubbly yet driving thump of subaqueous Place-holder; then he goes diving even further on the flip, cruising through underwater caves filled with ten-tacles of twisted, seductive electro, gnarly acid-techno, before finally emerging in Iskatel, ears still ringing with harmonies of shredded beauty.

Dancefloor Hard Tek, old school tribe... A 160 BPM party cruiser with great intros and ambiances suported by a Hardfloor / Hardtek solid quare kick ! !!

Starting with a heavy hardfloor kicker, surrounded by Mental Acid sounds that first track defenitly sound Mentalcore in the best nederland style... Second tune descelerate and brings a hard techno acidcore warm swinging weapon.The flip offers 3 more Banging weapons , collabs from sound system main artists as well, still offering that harfloor kick changes and those acid sounds...A bloody good mid-core weapon of sound !

Radio Slave's reissue label, R-Time, returns with an in demand re-release of his timeless remixes of Peace Division's legendary 'Blacklight Sleaze (ft Pleasant Gehman)'.

Originally released on NRK in 2006, 'Blacklight Sleaze' landed at a time when Peace Division (Justin Drake & Clive Henry) was lauded as one of most bankable acts in house music having notched up a truly remarkable catalogue that helped define the genre from the late 90s onwards. Later that year, the Pleasant Gehman spoken vocal led cut was treated to a series of remixes from Radio Slave, another act who had firmly developed a similarly revered status in the scene.

These futuristic remixes, now fully re-mastered and sounding better than ever, take 'Blacklight Sleaze' to another level with thundering kicks, a pitch-perfect arrangement and tightrope balance between foreboding house and bone-shaking techno.

A huge anthem at Berghain, these remixes have been a favourite weapon in the record bags of many techno DJs, not to mention a regular fixture in Nina Kraviz and Rodhad's sets... now seems the perfect time for more 'Blacklight Sleaze'..

Mellow hardfloor wild remixers

Sean Miller makes a triumphant return to Seth Troxler's Play It Say It imprint with a new single that has already been getting played by tastemakers like Luciano. In addition to the original, K'Alexi Shelby serves up a fine remix that makes this another vital package.

Canadian producer Miller last released on this label in 2016 with Tiger Spirit, and has also put out essential tunes on labels like Supernature, Ovum and most recently Cadenza. Always making music with integrity and soul, he's been active since 2003 and had plenty of Beatport hits in his time. This new release is sure to be another.

Entitled 'Birds Do It,' the track is seven big and explosive minutes of exuberant drums and tribal percussion. Meandering bird calls burrow deep into your brain and the rawest of hits add drive and edginess to this supersized house tune. All in all, it's destined to blow up even the largest festival crowds this summer.

Remixer K-Alexi is a true Chicago great. He's been at the core of the scene since the eighties and releasing his raw grooves on DJ International, Trax and Transmat, as well as his own K Klassik label. His standout version is a flurry of drums and percussion, smashing hi hats and bobbling kicks. Tight melodies rain down and unrelenting pressure builds in the drums to make sure that crowd will be driven utterly out of control.

This is a brace of brilliantly destructive and forward looking house tunes and another fine marker for both Sean Miller and Play It Say It.

Fatal Number 7 ! Dancefloor and round kicks, Sweet and progressives... Old school never die !

Old school Tribe,supra efficient soundsf rom Smill DSP ! Banging Misspic track finishing a bit more fonky :) Matek throw the war in sound ... and finallyCoitelectronic goes weird progressive mental tribe. A perfect for this opus

Special Acid release from the Bass Addict crew !

One full EP from Teksa... A superb brilliant hardtekno sound, totally in the mood of Alextrem and his Hardfloor sound... With some good B1 tune : starting French drum/freebreak and turning tehcno after a half. Bassy !

Superb banging hardfloor acid... A side offers 2 serious kickers while B Side accelerate the tempo and bend the kick.

Over two decades have passed since The Mover AKA Marc Acardipane made his first appearance to the world of electronic dance music. Under the wings of Planet Core Productions (PCP) his releases spoke for themselves and he quickly earned a special pioneer status and cult following. The Mover was always a unique sound leaning towards the edge of darkness and abstract characteristics.

With several releases on his co-owned label PCP as well as R&S Records and Tresor he always managed to create unforgettable milestones of raw, apocalyptic yet danceable tunes that have remained timeless and individual until today.

With - The Mover - Selected Classics (Remastered 2017) on his freshly launched label - Planet Phuture and on "BOIDAE" he returns to the surface and shakes the world with a compelling assortment of the most impactful tracks in a remastered, fresh sound quality. Experience an uncompromising dystopia with tracks like - Nightflight (Nonstop 2 Kaos) , - Into Wasteland or - We Have Arrived . - Astral Demons , - Waves Of Life or - Spirit Slasher will pull you deeper into the center of your subconscious mind and certainly leave you dazzled.

- The Mover - Selected Classics is unquestionably one of those releases that can't be ignored and must be a part of everyones Techno collection!

Mental pumpin acid digging tunes... Deep !

The next Alien Jams release is "NEW" brought to us by Australian artist YAWS. Recorded earlier this year in his hometown, this 12" marks a new headspace for this London based producer, coinciding with a long and painful visa renewal process that kept him out of the UK for most of this year. YAWS brings forth an EP of six all killer no filler jam outs. Constructed during a period of transience and reflection, YAWS stripped back his usual setup to skeletal form, while placing an emphasis on process, experimentation and put simply, fun. While keeping a familiar thread of tongue in cheek throughout his work, "NEW" remains both raw and honest.

A-Sim, born Simon Hamelin, is a fresh electronic music producer from France. His productions wind up somewhere between UK bass, electro and techno with a focus on the rivalry between the dark and sweet side of all textures coming from electronic instruments. He released stuffs on R&S, Eddy Larkin and Rawax.

Ghost of Skye glides between lost innocence and joyful tears. It shines like a blurring star, like the glowing glass of your last drink on a late night.
My Opinion (even if you don't care) is the rotating, meditative call to prayer pumped on detroit electro steroids. Take my hand and dive into oblivion.
Unpeaceful Mind re ects our apocalyptic erra. The neverstopping dark and anxious pressure of society. The need of relief. Of escape. Of freedom.

All tracks mastered by Pole at Scape Mastering in Berlin.

New Belters straight out of Barvaria! In a nice bit of serendipity, our old pal Bostro Pesopeo (BLTRS010) introduced us to his Barvarian buddies, Dominik Marz & David Kochs. Who subsequently sent us some outstanding new music that we signed on the spot and for the first outing, we're very happy to complete the circle with a remix by Bostro himself. With early support from the likes of Ame - who has seemingly been playing the whole release - you're sure to be hearing a lot more of these youngsters in the coming years.

Presenting He/aT for his debut EP on Prodigal Son with two original tracks and
two remixes by Inland.

Unscene Record's debut 12-inch release, 'Theme of Roman EP', features three modernistic tracks from Grecian artists
Kostas Georgoudis and Alex Dimou (in a B-side collaboration). A1-Theme Of Roman (Original Mix) initiates the quest by
creating minimalistic soundscapes of a cinematic nature, translating to listeners as a prismatic chemistry of iridescent
textures, dub, and pitch-shifted voices. A2-Palouse (Original Mix), provides a discourse between vintage aesthetics and
futuristic dynamism, rendering a more abstract and atmospheric composition. On the flip side, track B1-Mozy (Original Mix)
demonstrates a steady rhythmic bass construction complimented by high-hat variations, while giving rise to a primordial
sense of movement and full bodied grooves.
Wholly, 'Theme of Roman EP' delivers a cohesive collection of original mixes, all of which stem from various parts of the
deep house/ tech house/ minimal techno spectrum.

Layout By Studio Tape-echo
Nightside Black Vinyl
One Time Pressing
Limited To 300 Copies

Progression..., like a spark shooting through fiber optic cable or a bullet train churning through the next tunnel, the acid-techno arrangements of Detroit-based DJ/producer Rebecca Goldberg have a velocity to them that's spurred by reverence for the roots of electronic and techno music conceived in her hometown, from the Belleville Three to 'the Godmother of House Music,' DJ Stacey 'Hotwaxx' Hale.

Palpable in the pulse of Goldberg's latest EP 313 Acid Queen is an urgent and inspired, cool and confident sense of picking up a proverbial torch, of propulsion along with preservation, of continuation as well as re-invention. Born vigorously forth upon the blooms and grooves of her synth scores for these five songs is the sharpest demonstration, yet, of her signature sound and vision.

313 Acid Queen reaches to and re-enlivens the traditions of Detroit techno with Roland's contemporary iterations of the 808, 909 and 303 drum machines, quintessential sonic characters utilized by the region & genre's seminal producers. The title refers, also, to the Detroit area's predominant telephone area-code, as she audibly reaches out to touch the essence of her city's distinct and dynamic neighborhoods and landscapes, most evidently with the field recordings from city streets and the animal populace inhabitants in the majestic Belle Isle Aquarium.

These kinetic, contemplative and coolly exhilarating tracks were conceived to carry on the tradition of Detroit acid techno in the contemporary world. Fittingly, Goldberg's first vinyl release comes on March 13t h (3/13), distributed internationally through Detroit Underground, a multidisciplinary arts collective & record label. Goldberg's fellow Detroit producer Ryan McCray has a deep sound and keen sensibility for acid techno all his own; he fell in love with the 313 Acid Queen track 'Aquarium' and remixed it to be an exclusive bonus track for the vinyl release.

A warm human hand sculpts the icy machine-like sounds into a meticulous harmony over undulating bass and entrancing snares, clasps and industrial heartbeats. This continuous circulation of sound and its ever beating rumbling-flexed sub bass found in Rebecca Goldberg's newest batch of acid-techno arrangements effectively replicate the natural functions of omega 3, or -3, fatty acids albeit in musical-form. Whereas ingesting the special carboxylic acids found in plant and marine oils woll fortify your vascular system into a well-oiled machine, Goldberg is using a table of various analog machines to manifest a similar, yet uniquely propulsive flow of energy through a composite of frenetic hi-hats and trudling kick drums, looping under spacey Rolands waving out reverb splashed frequencies coiling synthetic intonations.

The beats reach the feet, the bass unlocks the hips and the synths pull and twist the shoulders, staving off stagnation or decimating a collective clotting - we are loosened in restorative ways to the sleek assemblages of one of Detroit's leading DJs/composers on the electronic music scene. Goldberg's 25-minute odyssey is unceasing in its sinuous stream of mesmeric techno music, as if powered on by relentless agents found in the healthful acids for which this EP gets its title.

Goldberg has distinguished herself by cultivating the seeds of techno into something that designedly meditates on the enduring vitality of the organic and the holistic in our lives--even as our socialization, and maybe even our dance floors, are predominantly digital in character and operation. -3 continues to stimulate our brains in two ways, just like 2017's 313 Acid Queen. Her previous record used field recordings and found sounds from the shores of Detroit's Belle Isle and other neighborhood sidestreets to thread the simple majesty of the flora and fauna that sustains even if at the corners of a concrete metropolis. -3 is bringing you from the outdoors into the inner workings of your body--particularly the blood cells that act as fuel for your limbs, your lungs and your brain. It's the -3 fatty acids that keep your system strong and smooth. It's Rebecca Goldberg's latest acid techno fever dream that keeps you perceiving that (and other things) even as you dance...

The artist André Walter is looking back on a countless number of releases and remixes with different projects and artists, as well as on his long term studio partnership with Chris Liebing.

The project he´s certainly most passionate about is STIGMATA, without doubt! After the succesful release of - Chapter One - The Complete Collection , which was mixed by Chris Liebing, it´s time for STIGMATA´s first concept longplayer PARASPECTRAL.

PARASPECTRAL is a symbiosis of Modern and Old School Techno from different decades. You will find EBM-influenced sound from the 80ties, 90ties-rooted Rave & Acid, old school STIGMATA tracks and of course, proper Techno of nowadays on this spectacular album. You can be sure: No two tracks sound the same! On top of this, all vinyl lovers are going to enjoy an exclusive bonus track on the limited record edition.

For two very special songs, STIGMATA teams up with RASCAL from ROTERSAND to add some brilliant vocals. So be prepared to hear something completely unexpected in - No Heaven and - Menacing & Sullen .

Whether with vocals or not, all tracks have one thing in common: Uncompromising TECHNO, made to kick some ass on the dancefloor!

Very special and highly limited project from the Fundamental Records camp, produced by different artists that will remain anonymous if they choose to. Words about the project: ''The main aim of this project is, on the one hand, to provide the artist with complete anonymity in order to create in absolute freedom and, on the other hand, to offer the listener the work of the artist without any external distortions. The use of words to describe or define music is a senseless task. Most of the time the intention of descriptive text is not to shed light on the work of the artist, but rather to serve as a promotional tool to drive sales and increase recognition. This often has the unfortunate result of limiting the creator and his work. Music is all we need, any other additives are completely dispensable. This project is also a tribute to the legendary James Stinson, an artist who was blessed with the gift of creating with a mind that was completely free from prejudices. He took his music beyond the imaginable. Beyond any name, label or genre.''

Very special and highly limited project from the Fundamental Records camp, produced by different artists that will remain anonymous if they choose to. Words about the project: ''The main aim of this project is, on the one hand, to provide the artist with complete anonymity in order to create in absolute freedom and, on the other hand, to offer the listener the work of the artist without any external distortions. The use of words to describe or define music is a senseless task. Most of the time the intention of descriptive text is not to shed light on the work of the artist, but rather to serve as a promotional tool to drive sales and increase recognition. This often has the unfortunate result of limiting the creator and his work. Music is all we need, any other additives are completely dispensable. This project is also a tribute to the legendary James Stinson, an artist who was blessed with the gift of creating with a mind that was completely free from prejudices. He took his music beyond the imaginable. Beyond any name, label or genre.''

After contributing a smashing remix to the first release on blank, UK producer Kalyde is coming back to the emerging German imprint with a fantastic EP of his own. Growing up in Detroit, he never got involved with electronic music until he went to university in Bristol, where he honed his production and DJ skills before resettling in London. Not long after that crucial step, an impressive string of releases followed on great labels like Skint, Madtech, Avotre and Roush. Kalyde has rapidly advanced to be one of the most exciting new talents in the UK's modern house & techno scene, and also has become a sure shot on DJ sets of big players from the likes of Annie Mac, Loco Dice, Eats Everything and many more.

Kalyde is famous for his fantastic ability to provide a huge energy boost without getting reckless, no matter if at one of his legendary extended DJ sets or in the studio cooking up the next big dancefloor banger. The Clone EP on Blank is the perfect representation of this sentiment. Every single track is a bona fide floor filler designated to land in the crates of the best house & techno DJs on the planet. The title track explores Kalyde's very own vision of acid house, combining a frenetic bassline with his infallible energetic signature.

Next up is the absolutely fascinating track Omulate', which features a highly hypnotic voice sample and recalls the dark uplifting feeling of immortal Detroit classics. With the last original cut on the EP White Shadow', the young producer delivers another acid techno stomper, this time taking a drift to darker musical spheres. Closing this massive EP, the UK techno veterans Mak & Pasteman step up for a unique remix treatment of Omulate', mutating this track into a huge techno bomb prepared to cause serious damage on big, dark dancefloors all around the world.

RRRC-030 is busting in with two solid techno tracks

by german-based producer Kinky T and by Orion from Helsinki, Finland.

You have the right to remain dancing!"

Kowton & Parris in deep concentration...

In accordance with relativity, they are in some sense interchangeable, but we do know that they form co-equal parts of a larger 'thing' called space-time, and it is only within space-time that the most complete understanding of the motion and properties of natural objects and phenomena can be rigorously understood by physicists. Space and time are to space-time what arms and legs are to humans. In some sense they are interchangeable, but you cannot understand 10,000 years of human history without including both arms and legs as part of the basic human condition.

Vinyl Only, Handstamped.

Minimal hypnotic electronic dub sounds from Contrast Wax label boss Mark Graham.
The package includes two groovy remixes from Coffee Pot (Limo + Guido Nemola) and Herr Spiegelhauer

After Their First Appearance On Curle Via 'naïf', The Mix Compiled By Efdemin Earlier This Year, Aubrey & Simone Gatto Now Deliver Their Debut Ep For The Label.

Forever cursed with 'deep-' and 'tech-house' labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, Avatism returns mildly angrier than ever before with 'Ate-Up', an EP the producer actually started writing during an MDMA-induced lucid dream after Vakant label boss spiked his drinks in 2011. To give his poor soul some credibility, we've enlisted AQXDM (Aquarian & Deapmash, fresh from their storming debut on Bedouin Records) and the mysterious Maenad Veyl (Veyl, Pinkman, Death & Leisure) on remix duties.

Limited To 300 Copies.

Handmade Screen-printed Sleeves

The Hard Fist Imprint Comes Back Harder With A Fourth 12-inch Ep, A Global Beat Inspired Work Mixed With Cosmic Synths And Acid Lines. The Two Minds Of The Label, Tushen Raï & Cornelius Doctor Joined Their Forces To Release The Striking « Lights Of Khonvoum », Trippy And Definitely Made For The Dancefloor.

Back To The Roots Of Their African Influences, They Produced 4 Tracks Inspired By Primitive Ritual Music From The « Cradle Of Mankind », Going Far Away From The Hype Of Highlife, Afrobeat And Afrofunk Groove.-

Many Mythological References Are Hidden In The Project And Most Of Its Samples Are Borrowed To Traditional Pygmies Music From Central Africa And Congo. As A Matter Of Fact, Khonvoum Is A Pygmy God Who Created Mankind With Clay: Black Clay For Back People, White Clay For Their White Brothers And Red One For... Pygmies.

Ectomorph Occupy A Unique And Strange Place Within Detroit Techno History. Founded In 1994 As An Inspired Reaction To Dbx, Basic Channel, Rob Hood, Sähkö, And Drexciya, They Released Their First 12" Singles In 1995 As An Attempt To Make Detroit Music For Detroit Itself, Rather Than Exclusively For Export. The Mystique Of Their Early Singles Led To Mythic Status And A Strong Underground Cult Following, Which They Have Continued To Develop Through Releases On Their Own Interdimensional Transmissions Label. Their Live Shows Are Legendary For Their Ability To Fluidly Incorporate Improvisational Techniques Into Synthesized Music (and For The Sheer Amount Of Hardware That They Bring To The Stage). The Ectomorph Show Is All Analog, No Computers Or Samplers Or Even Drum Machines: All Sounds Come From The Modulars And The Mountains Of Moogs. Ectomorph (now Officially Comprised Of Bmg & Erika) Reconvened In 2016 To Write New Music, Which Led To A Series Of Live Shows Where The New Material Was Tested Via Performance And Allowed To Evolve In Form. To Capture The Energy Of These Performances, The New Material Was Recorded In The Studio Totally Live, Multitracked For Further Engineering, But With No Editing Whatsoever. This Music, To Borrow A Phrase From Derrick May, Is What It Is. The Entire Album Was Recorded Live In One Or Two Takes In The Interdimensional Laboratories In Detroit. This Is The Sound Of The Idea That Is Ectomorph, Presented In Its Natural And Organic Format, Live And Improvisational.

LTD WAREHOUSE FIND !

Early support by: Stephan Bodzin, Joris Voorn, Dave Seaman, Troy Pierce, Hernan Cattaneo, Kaisderdisco, Monika Kruse, Alan Fitzpatrick, Pan-Pot and many more......
A new two track ep by Max Cooper sees vastly contrasting sounds and is lead by, "Fisted." Firing off like a gatling gun the snare drum is backed by single kick bass drum as we navigate this electronic battlefield.On the flip we have the aftermath of the battle and the beautiful soundtrack that is, "Ruptured." Stunning work from Mr Cooper once again.

This Is The Sixth Release On Eye Teeth, The Techno Sublabel Of Interdimensional Transmissions, By Berlin's Pascal Hetzel. This Ep Effortlessly Merges A Modular And Hardware Approach To Music Making While Fusing Techno, Industrial And Electro Influences. The Opening Cut incognizance' Is A Near Perfect Blend Of All His Influences, While The Ep Closer reformation' Mixes These Ideas Into An Energizing Very Techno Take On Electro Feelings. We Love This Ep And Really Look Forward To New Music From This Promising Artist.

Quite A Few People Take Jichael Mackson For One Of Munich's Best Producers. His Ability Of Combining Groove And Sound In Sustainable Tracks Is Exceptional. In zauberwald' We Encounter All What Makes Him So Unique: Large Spaces For Bass, Air Liquid'ish Vocal Samples And Last But Not Least This Trippy Element, Which Only He Can Control.
Mr. Morr Is A Funny Fella, You Can Easily Tell That By The Name Of His Track, Besides That He Is An Outstanding Dj. A Stylistic Shapeshifter Which Does Not Fit In Any Corset. All Supporters Of Deep And Breaky Dub Techno Should Open Their Ears Widely On boring747'.
David Hausdorf Is A Musician - A Studied Cellist, To Be Exact. Next To His Violin Case At Home, You Will Also Find Several Synthesizers, For Aside The Classical Music He Also Has A Profound Love For The Electronic Variety. wendeschleife' Is A Minimal Dub Groover, Which Will Not Only Excite The Fans Of The Basic Channel Catalogue.
Jonas Yamer (molten Moods) Has Definitely Created A Buzz In The Playlists And Dj Crates During The Last Months. His Band carl Gari' Is On Everyone's Lips And Recently You Could Marvel At Their Live Skills At The Rote Sonne Anniversary. Less Avant-garde, But No Less Impressive cruiser' Unfolds His Magic. A Finely Woven Ambient Carpet For Mind, Boy And Soul - This Is The Place Where We Rest For The Moment.

We're finishing 2015 with what is pretty much a mini LP by Borrowed Identity, an inspired producer based in Freiburg.
There's a lot here and we think you should just listen to and enjoy the record, draw your own conclusions, but what we will say here is the A is ballsy house and the B is tough techno that touches on trance occasionally. Get why it's called The Contrast

Detroit techno pioneer Kevin Saunderson has revived his underground house moniker E-Dancer with 'Into the Future,' a rolling futuristic nod to the sound of Detroit Techno. Swirling retro-future synths, echoed out claps and solid bass line that just screams Detroit. The track's gritty yet groovy sentiment is a perfect continuation of the very first E-Dancer album Heavenly, released in 1998.

Shaolin Deck Master Farron Is Up Next On French Imprint Renascence With A Four-tracker By Way Of Hammering Introduction, Featuring Extra Fatality Material From Bristolian Daredevil Hodge On The Flip. By The Second The Needle Drops, Expect Thunderous Echoes To Fill The Sky And The Heavy Air To Crack Into A Downpour Of Pressurized Kicks, Swift Breaks And Sustained Industrial Clang, Eventually Dissipating In A Dubby Mist Of Big-room Reverbs And Faded Nostalgic Tapestries. While 'veem' Engineers A Fine Combination Between Floaty Pads And A Heavyweight Mechanical Stomp, 't-junk' Rushes Further Headlong Into Old-school Ravey Breaks Terrains, Tinged With A Remotely Extracted Hint Of '90s Ambient Tech For Good Measure. Flip Sides And 'yenoh' Guides You Into The Barren Corridors Of A Rust-eaten Steely Maze, Each Face Of Its Walls Conducting The Groove As Some Venomous Plague. Topping Things Off In His Usually Spectacular Manner, Hodge Takes 't-junk' Into The Zone With His Tried-and-tested Mix Of Gut-churning Brizzle Bass, Rawboned Drum Programming And Transfigured Horn Blasts Ready To Sound The Revolt On The Dancefloor With Optimal Impact. Better Like It Rough, Chaps - There Will Be No Surrender.

Fjaak's path led them from the periphery to the centre and from there further through the world. Their self titled debut album for Monkeytown is as much of a summary of what had happened in the previous three years as it is an artistic statement. "FJAAK" combines the energetic peak-time sound of the Berlin-based trio's acclaimed Techno singles like 'Unten / Oben' with sophisticated breakbeat arrangements and atmospherically dense Ambient textures. These eleven tracks are the provisional highlight in a unique success story which started aside club culture's conventions and to this day refuses to compromise.

Felix Wagner, Aaron Röbig and Kevin Kozicki were still teenagers when they developed a distinct sound which positioned itself outside beaten paths, both geographically and musically speaking. The trio cut their teeth in Berlin-Spandau's open-air scene and celebrated their frst success in the city's center shortly thereafter before taking the Techno world by storm with their elaborate analogue sound. Having released a few records, they found a permanent home on Modeselektor's Monkeytown in 2014 while incessantly traveling the world.

When asked about the story behind the tracks of 'Journey Through The Outer Darkness from the Inner Light', Jamal Moss answered with a laconic "No story. No dogma. No Hype". After all, his despise of extra-musical paraphernalia is proportional to his productiveness in the studio. But there's always a story. On April 9, 2016, Hieroglyphic Being played a live show in La Casa Encendida of Madrid within the festival Electronica en Abril. Some days later, the recording of the full set was uploaded to YouTube. When we watched it, we were totally captivated. Those eighty minutes of music had the raw power of all of Jamal's body of work, but with a heightened sense of transcendence. Cosmic, spiritual and intensely beautiful, it sounded like a lysergic reinterpretation of Detroit techno transmitted from a galaxy yet to be discovered. As most of the material was unreleased, we reached Jamal in order to try to press it into vinyl. The result is 'Journey Through The Outer Darkness from the Inner Light', a 12" that reunites eight of the individual tracks that conformed that Madrid performance. When inquired about AUM, the sacred sound all the tracks are labeled after, Jamal referred us to a book by author and naturalist Joseph Bharat Cornell. A book that the author himself presents with these words: 'The sound of the Cosmic Vibration is AUM, and listening to it brings the greatest bliss imaginable. AUM is the Omnipotent Force that propels each soul toward Spirit. It's the sacred, inner fire. As you approach the cosmic blaze, you feel at first its radiant, soothing comfort; then, as you come closer - AUM's liberating flames consume you - and bring you to God". There might be "no story and no dogma", but, suddenly, it all makes sense.

As one of NYC's most innovative individuals, Incienso are happy to announce Kiki Kudo's debut full length EP 'Splashing'. Operating seamlessly between the mediums of music, food and general vibes, her new release follows up the 'Mineral Sequences' mixtape on Good Morning Tapes, plus a track on Physical Therapy's allergy season compilation 'Physically Sick Vol 2'.

After starting music production just last year with one sole piece of hardware (but DJing in NYC years before), these are some of the wildest songs in time. A self-described mix of 'Nanotech Pop, Synth Jams, Kitchen Wave, and Listening Techno' - somewhere between the experimentalism and anything-goes ethos of the downtown scene, the out-there exploration of City Pop, and a world all of her own.

International Black's 6th release comes from critically acclaimed electro supergroup London Modular Alliance. Operating from a refreshingly simple credo of: 3 men, 0 computers, many patch cables - LMA create their music on the fly using soley modular synthesis. Consisting of Koova (brokn toys), Pip Williams (Central Processing Unit) and Yes Effect, these three experienced producers have blown minds with their ecstatic live performances across the globe. Coming in hot after releases for Kirk Degiorgio's A.R.T. Records and Hypercolour, their release for International Black takes no prisoners. Opening the A side is 'Same Repeated Cycles', an ice cold electro inspired groove featuring LMA's signature modular synthesis. Engineered to perfection and mastered by Matt Colton, this cut delivers a new level of toughness to the International Black catalogue. On the B Side, 'Acid Lab' takes a more gentle approach: slo-mo electro drenched in acid. The lead tb303 riff floats in an abyss of dubbed-out dystopian psychedelia. Closing the record is 'Volatile State' , an otherworldly piece of alien sound design which simmers ominously for over 2 minutes before exploding with an extra-terrestrial electro force which simply can't be ignored. Each listen reveals a new detail of this impossibly intricate yet incredibly effective record. Designed for the club, engineered for the mind.

Repress

Delsin Records' Inertia series is back with a powerful four tracker from Yan Cook. The producer from Ukraine has also released Delsin's main label and associated Ann Aimee, as well as Planet Rhythm and Cooked. He makes straight up techno that arrests your attention and does just that again here. 'Toucan' is first and is a spangled, underwater techno track with gurgling lines wrapping round shuffling percussion and insistent drums. It's one to get into your head, while 'Puffin' is more physical, with more warped synths and paddy drums woven together into a fluid, rippling groove that never lets up. The drums on 'Dialogue' are deep and land with real resonance while dubby chords rattling out to the horizon. Last of all 'Flamingo' is the most manic of the lot, with hi speed synths and booming drums all coming together to make for powerful, sub shaking and room filling techno madness. TIP!!

Following their previous Mantra EP, Polybius Trax present here another three track EP from Mantra showcasing a variety of acid styles. Opening track, Blackout, is a solid, no-nonsense acid techno workout, perfect for a strobe filled warehouse, and features builds and drops layered with ethereal tones. Emanation is a maelstrom of moving synth sounds, bouncing delay lines and vocal-like klaxons that combine to disorientate the listener. Final track, Mirage is a classic bad attitude acid track with an unnerving acid line that weaves in and out of aggressive percussive lines.

Groovers, drifters, modifiers: Berlin duo Mistake Made present their third EP on Vault Series.

New from Nite Vision who are Nigel Rogers (Perseus Traxx, Northern Powerhouse) and Craig Stainton (Acid Phreex, Mantra, Monofonix, Myriadd) with a slamming techno track plus a wicked remix from Canadian mainman Rennie Foster, pressed on limited edition, hand stamped & numbered one-sided black vinyl housed in a white paper sleeve with a printed insert info sheet.

Oscar Muleros contribution to the Token catalogue goes all the way back to 2008. The ferocious Take Seven EP was the start of a longstanding partnership between the label and artist. Between this first release and the more recent Suborbital Trajectories EP, Mulero also provided Token with 2 releases as Spherical Coordinates, producing sophisticated big room and bleep tracks. Through his lengthy and prolific career, Mulero has not contented himself with producing dancefloor tools alone. The full-length Perfect Peace, released in March this year on Semantica, demonstrates this well, with Autechre and Aphex-flecked IDM and electronica sounds dominating the work.The new Electric Shades EP also has elements of this extra depth. The record opens and closes with sci-fi theatrics: Electric Shades throbs and pulses under eerie space atmospherics, while Dying Asteroid sonically details the demise of a small celestial body in clinical detail. But this record also operates with the solid functionality of Muleros earlier work. The Voyage is agitated and bleepy, while heavy roller Signal Trace plays deeper with similar themes. Triad and Extension too are weighty highlights, affording the record plenty of utilitarian benefit for DJs and home listening enthusiasts alike.

A 4track EP from the Allergy Season boss Physical Therapy that will make you fly off from the love zone into a celestial and dreamy horizon. A cocktail of stirring drums and emotional synths.

The new FEMUR release features the Swiss duo SAVAGE GROUNDS, agents of a dirty, raw and miserable sound. 'Es un flash electrónico' is a true exercise of proximity and freshness combining mid-tempo landscapeses with stimulating accelerated bursts. The release consists of 3 original tracks and a remix by Esplendor Geométrico, which elevates the original called 'Última línea' to another dimension.

The Talented Italian Dj And Producer Shkedul Signs The First Ep Of Pulse Msc's Techno Sublabel: Alk Recordings. The "præsent Ep" Furnished By The Owner Of The Record Label Nord Ltd Is A High-intensity Release, Composed Of 4 Mechanical And Surprising Tracks With Powerful Kicks And Raw Sounds. Gonzalo Md, Important Member Of The Techno Argentinian Scene Is Also On The Ep, Signing A Very Good "sinister Remix" With Shamanic Accents. A Release To Listen To And Get Urgently!

After the celebrated Metabolism LP from last year, Sigha is back with a 4-track cut for TOKEN84. This untitled record remains understated, playing with variations on a theme whereby the similarities exist seemingly to illuminate the differences between the tracks. The relationship between Circular and Hum is reminiscent of Sigha's 2016 New Puritan flip on the earlier offering of Puritan from 2012; with Circular presenting a tight, meditative loop in high-mid frequencies while Hum inhabits a similar space, only seemingly from a distance. If those two are close, measured and controlled, the other tracks on the record demonstrate more freedom and abandon. Gliss is huge and heavy, while Flare's sonic elements interact playfully and scatter as the piece progresses.