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Techno News
UK techno founders B12 return! The duo's history famously started in the early 90's with their music appearing under a plethora of monikers under the "B12 Records" umbrella - 12" vinyl with notorious cryptic messages engraved in the run-out grooves, before being collected into album form and release on Warp. After a hiatus in the late 90's, the pair resurfaced briefly for some live shows, a flurry of hugely sought-after 12"s and a 7-part CD anthology. They then abruptly disappeared again - this is their first appearance in 5 years, fittingly on Glaswegian imprint Soma. (Their seminal Warp Records album was named Electro Soma...is there a connection) The Bokide 325 EP Is it a planet to be explored, or the journey through a personal hell Only a few know for sure but at the end of this voyage expressed in the best way B12 know how, layers of sounds, beats, synths, lush pads, and seductive melodies the hope of a whole new reality is reached. It conjures up foreboding, planetary soundscapes - rooted in the more ambient, filmic side of their output, is it a reflection of recent turmoil within/ the artists personal lives The EP opens with "Into the Void", whose simple but emotive synth line weaves its way across a variety of beats and sounds, and takes the listener into the depths where the true journey can commence. Onwards, darker and more mysterious notes loom up throughout "Descension" and "Unsound Mind", with pounding bass throbbing underneath, leading further into the world of shadows where the alarming awareness that something isn't quite right never truly leaves you. It concludes with Terra Incognita, the final track of the EP - an unknown place, left to be discovered and completed by the listener.
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Through the years, Dragosh has established a solid following for his quality releases like his recent appearance on the Fabric mix series compilation mixed by no less than arpiar's Rhadoo.
'Teoria' is a finely crafted EP of four tracks where intricate rhythms coalesces with synth pads and textures to create mystic atmospheres. The last touch is given by another talented romanian artist like Priku, who reconstructed 'Didiracrac' giving it his typical sound signature.
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The pride of northern Sweden, Varg, is back with his new moniker, Grav. This mini album features 6 brand new songs of his unique electronic darkness & melancholy. Limited 300 copies, vinyl only.
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finally repressed !
Möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. It's a band, producing, playing live but it's also a label created only for the trio productions. Each releases will propose 3 tracks from the 3 artists. For that third one the famous trio propose 3 huge techno bombs Mö7, Mö8 and Mö9, 3 huge techno killer using rough skins with raw edit. Speech less and listen to that we can call Pure TEchno.
While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. Of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies. The potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre's diversity and dynamism.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.
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Product comes with Deluxe hot foil stamping print in a Gatefold Cover! Electrica Salsa - Revisited 30 years later - remixes by Roman Flügel and Henrik Schwarz France, Italy, Austria, Germany - quite precisely thirty years ago, one electronic track turned the European music charts upside down: Electrica Salsa' by the Frankfurt project OFF - a collective producing their tracks at Master Music Studio. The founders of Organisation For Fun' were no underdogs: Michael Münzing and Luca Anzilotti would go on as duo SNAP! And write global hits like The Power' or Rhythm Is A Dancer", writing pop history. And the third member of OFF was then 21-year-old Sven Väth, today one the most notorious international DJs. Michael and Luca were the masters of equipment, responsible for the mixing desk and the recording tape we used to make the master tapes. I was the one providing song ideas, grooves and bringing a good mood to the studio.
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SANTONIO ECHOLS RELEASES HIS FIRST VINYL EP ON CHAPTER TWO RECORDINGS
Santonio Echols is part of the first wave of producers out of Detroit. His sound is a combination of Techno to Deep House, and fans have been patiently awaiting this projects release. He has teamed up with legendary Orlando Voorn and Moire Patterns to create Vol. 1 on Chapter Two Recordings. For the vinyl release Side A will have the first track Back 2 Basics featuring Mike Anderson. It is a special remix by Clemens Neufeld produced by Santonio Echols. The second track will be Walk Away solely produced and mixed by Santonio Echols. Side B will feature two tracks Get Up produced by Orlando Voorn, and Jun produced by Moire Patterns. This Vinyl EP will be available this month.
Santonio started his career under the group Reese & Santonio along with Kevin Saunderson. They produced hits entitled: The Sound, How to play our music, Force Field, Bounce your body to the Box, Self-Evidence, Structure, and many others recording under the record label KMS Records/ Kool Kat Records and London Records. Once separating from the group, he moved forward and started his own imprint: Cyren Records, D Records, and Chapter Two recordings. Santonio continues to produce and record until this day.
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'On Line': a collaborative album in parts, focused on themes of repetition, poly-metrics, transformation and abstraction. Volume 1 features contributions from Livity Sound protégé, Simo Cell, Berceuse Heroique regular, Don't DJ, and Wisdom Teeth label head, K-LONE. All of the tracks were written specifically for the project and in tandem, and all are connected by a constant pulse and communal headspace. The record opens with Simo Cell's 'Symmetry': a slow crescendo of whirring pads, melodic percs and dotted rhythms, all underpinned by thick slabs of sub-bass that, with each heavy hit, seem to collapse the track's atmosphere down and in on itself. Next, Don't DJ follows with the oblique, discordant chug of 'Übergang Zur Metrotram'. As with all of Florian's works, the track pulses with an organic, animal quality that completely belies its mechanical origins. Again, the track's space is filled with drifting pads and clanging chimes - but this time the atmosphere is close, discordant and chokingly dense. Last up, K-LONE clears the air with 'Woniso'. The track grows slowly out of a series of beautiful harmonic counterpoints - morphing patterns that come and go in the mix to reveal their individual colours and contours.
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Aus Music bring a summer of firsts to a close as they follow up records from the newly collared Recloose, Trevino and Paul Woolford with another new addition to the team: Tom Trago. The Rush Hour regular joins the ranks with 'Being Broke' - a bright and groovy four-track aimed straight at the dance floor of this season's closing festivals. The A side offers up an original and dub version of the title track - a bumping House groove built with playful vocal samples and nifty synth lines. On the flip are two version of 'Good Lies' - the first rolling out over its elongated duration with sharp, galloping hats and free-flowing Rhodes notes. Tension begins to develop as the track steadily snowballs gathering vocal snips and a menacing bass line while the 'Good Christian Edit' offers up a lighter, more early-doors affair bringing a nicely rounded package to a close.
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Resolute Label returns after a short hiatus with a stellar selection of underground cuts by a fresh artist collective.To kick things off we have Nightdrivers - Mass Prod & Rufus - who bring us Driving On The Wheels of Love , a track fuelled by House, Techno, raw 808/909 drum programming and quirky edits. Noha drops a highly percussive dance floor number full of swing and garage vibes as our A2 with Resolution . On the flip, Serialism Records head honcho Cesare vs Disorder & Tolga Fidan provide a beautiful number in Take 2 , with its infectious groove and beautiful strings. Our B2 and Vinyl Only exclusive cut from Jack On Black - Joe Le Groove and Jib Rafill - turn up the heat with a full on rolling Techno gem, driven by distorted toms and crisp drums. Its a sure shot dance floor winner.
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I Love Acid started as what was meant to be a one-off party, back in April 2007, with Luke
Vibert, Posthuman and friends playing a night of Braindance-style acid at Corsica Studios in London. A second party was organised a few months later...and then another...and now, it's ten years later - with over a hundred events in over a dozen cities, countries, and festival stages - celebrating all forms of acid and the sound of the Roland TB303.
In 2014, a record label was born out of the club night. Strictly vinyl, no downloads and no represses, each edition limited to 303 hand-numbered and stamped copies. That series is approaching number 14 now, with each record selling out usually in days or even hours. This compilation is a collection of artists representing the many facets of I Love Acid - from acid house to ambient, techno to breaks, electro to experimental.
Released on a custom designed USB stick shaped like a TB303, crafted to fit & work with CDJs, on a keyring and cast in rubber to protect from wear and tear. The stick itself is 8gb in size allowing the owner to add plenty more music and make use of the stick how they wish.
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Via Maris kicking off proceedings for Studio Tape-Echo's very-own 'Mechanical Reproductions' imprint, with two acute soundsystem-styled burners. Young blood Via Maris makes his first mark with two weighty Bristol Techno slabs on the brand new label project from Alex Digard, bossman at 'Tape-Echo' - Via Maris has operated just below the radar for some time now, with strong support from the likes of Lurka, Asusu, Batu, Rhythmic Theory and many peers in the scene. It should also be noted that this debut 12 does not bare the mark of a newcomer at all - drop these on a worthy rig and watch the damage unfold. Followers of the Tape-Echo aesthetic will have noticed the dedication to, and unique application of the many facets of the printing process and it's many variables, happy imperfections, and mechanic textures that inform much of Alex Digard's design work.The label's manifesto - head to tape-echo.com for more info, of course - declares this venture as another outlet for the exploration of 'creating the multiple' - wether that's vinyl or print. Suitably, this record comes with a cogently styled, and wholly rational label sticker on the centre and the record is equipped with an A2 litho print, perfectly suited as an adornment for your wall. Cut & mastered by Lewis Hopkin at Stardelta, and pressed at Optimal Media in Germany, the mission statement for a high-quality end product is very clear here..
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Temple of the Jaguar' is the first release on Eomac's new label 'Eotrax'. A single sided pressing with an exclusive B-side etching by artist Sal Stapleton. An 11 minute conceptual track that attempts to explore structure and narrative, texture and tone, taking techno as a starting point, but seeking to move beyond its conventions and expectations.Conceived on a visit to Teotihuacan near Mexico City, inspired by both the cosmic and earthly power of the place, 'Temple of the Jaguar' attempts to find a way back to the animalistic nature within us all. A reconnection to the dark, sensual part of us that has been repressed for centuries in a limiting and limited, fearbased, patriarchal society. A reconnection to the body. A reconnection to femininity. A reconnection to wildness. To intuition. To sexuality. To earth.
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Escorting Sarah, a DIY techno project that explores musical desires through the fetish of wax and the lust of hardware, return for a second instalment. Kicking off with 'Video Shop'; cavernous drums and discordant vocal shards rip throughout whilst 'Curb Crawler' is , a heady wall of sound that delves deep with a serious punch. 'Hotline' rounds things off with a laser guided assault on the senses.
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Few Nolder has created a fitting second EP for Gardens of God's Sodai label, spotlighting the cream of electronic talent coming out of Lithuania. 'Ace Of Space' confidently delivers three original tracks that build upon an already solid reputation.
Showing a steady upward trajectory, Few Nolder has established himself as an internationally respected DJ-producer'sosaidXLR8Rofhisrecentwork.Hisopeningtrack'Balance'isthemostunexpectedtrack Linas Strockis AKA Few Nolder claims to have done in years. He is particularly surprised with his approach,discussing the deep percussion and long tail cowbells together with windy tex tures, and lush hypno feel'.
While 'Teaser', which Gardens Of God played during his Back to Back with B.Traits on BBC Radio 1 recently is contrastingly unrelenting. The m elody evolves into a monster', he says of the record, which can be heard in the metal snares and enchanting flute. On title track 'Ace Of Space' Nolder wants you to imagine stars passing by in their intergalactic travels (whilst the drops) are like a return from an uncharted nebula'. This is an EP based on big melodies and endless spaces, and a worthy fit for the burgeoning label.
Few Nolder has been creating music for over a decade with a steady succession of releases on Ghostly International, Planet MU, Connaisseur Recordings and Needwant Recordings.
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The second Eliptic vinyl is coming from GIAS, fresh collaboration between Julian and Andrei Stoian, Bucharest based producers. This 3-track release perfectly combines various feelings and it takes you through happiness, melancholy and joy.
A-side Un Anume' focuses the action around the occasional spoken vocals helping things roll along, groovy and perfect for the main part of the night. On B-side Pedant' is a little darker and melancholic, but maintains the obsession with rough-but-groovy rhythms and mind-bothering bass vibrations.
Stop Cadru' is the track that puts you in action through each element, waterish sound, sustained by subtle hats and voices and a powerful bass line.
Cadre' is pressed in 200 copies, 180g, Vinyl Only.
Early supported by Rhadoo.
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INC. TUFF CITY KIDZ REMIX!
The first lady of underground music Hannah Holland makes her debut on Crosstown Rebels with Fade To Me featuring her long standing collaborator, friend and fellow Londoner, Josh Caffe. Cult favourites Tuff City Kids aka Gerd Janson & Philip Lauer step up with a remix and dub to complete this stellar collection.
Having met on the dancefloor at one of Damian Lazarus's parties in the early 00's, Holland and Caffe bring their signature sound, which they describe as 'sleazy as hell!' With a career in underground dance music spanning over a decade, Holland is a lady who understands what works. With her experience and Caffe's vocals, Fade To Me is for those who long to be absorbed in the music.
German duo Tuff City Kids provide a tight remix that ups the tempo and twists the sound into their own, and conclude the EP with a sublime dub version. Having previously remixed Azari & III, Avalon Emerson, Sven Väth and Scuba to name a few this is a duo that are revered by their peers.
DJ, producer and founder of the labels Batty Bass and Native City, Hannah Holland is a solid figure within the underground dance scene. Earning her stripes through early London residencies at Trailer Trash and Dalston Superstore, she has since toured the world, had a monthly show on NTS and released on Nervous Records, Get Up Recordings and Classic among others.
Josh Caffe is an assured figure within the scene, having been a vocalist for numerous house and techno releases, DJ'ed at some of the biggest festivals, resident and founder of Night Sheen whilst also producing his own music.
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Last In: 7 years ago
The new Italo-German duo baked four tracks of pure techno style! The two partners in crime Mike Väth & Marco Piangiamore have their first release on Vinyl together on our AFU Limited. A full-energy partnership, obviously influenced by the famous movie with Arnold, with tracks like Terminator, Cyberdyne, No Time and Arpanet.
Adam Beyer (Drumcode): "terminator is cool!"
Villanova Arpanet: "sounds good! big !"
LxS: Good stuff ×) "thanks for the music - L"
orlando b: "slamming great ep"
Dr Motte: "We love techno with no compromise! Here is one by Old Raver Mike Väth & Marko Piangiamore!"
Israel Toledo: "Cyberdyne for me, i will play it for sure, great EP, thanx."
deKai: "Terminator!!!!!!!! Aber alle Tracks rocken so richtig. Vielen Dank dafür"
g-man akak gez varley: "love the " Arpanet " track .. full support from G-MAN / LFO"
Tom Wax: "Kickin techno! I like!"
Zuckermann: "proper, intense techno, like and will play"
Morel Xavier: "cyberdyne!!!!"
Alalunadevalencia radioshow: "Great EP, thanks"
AKA AKA: "Sarah Conor calls you"
Raphael Dincsoy: "terminator"
AnGy KoRe: "strong ep,thank you!"
Patrick Kunkel: "cool"
Mark Deutsche: "big one"
Dave Simon: "Banging Release, will play for sure!"
Further support by Marcel Dettmann, Richie Hawtin, Paco Osuna, aso.
We love and release on Vinyl !
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Connected Vol.2 is fully dedicated to Italian techno. As there are many producers from Italy, we picked 2 artists to who we feel particularly connected to their music - Sisko Electrofanatik and Mr. Bizz.
Sisko Electrofanatik is known for several releases on Yoshitoshi, Bush, Monique, BluFin,Armada Music and of course his own imprint Gain Records. Here we go now with Blind which is a heavy techno booster, predestined for the prime time. His second track Cosmo rolls through the floors and gets displayed better in the way of an anthem.
Two more excellently produced techno pieces come from Cagliari boys Mr Bizz, who were pushed after their debut releases 2013 on Dubfire's label Sci+Tec and Monika Kruse's Terminal M. Dark Shadow is a well sorted Techhouse into Techno track and includes their typical dark voice snaps. Proper functional techno with a buzzing sub,surrounded by halled elements and spheres, is the matter of Workplace . Connect your mind and feel the vibe!
Paul Ritch - Download for Paul Ritch , thanks you ! Cosmo (Original Mix) 10 / 10
Danny Tenaglia - Thanks!! Dark Shadow (Original Mix) 7 / 10
Kaiser Souzai - BIG package. All tracks are bomb. Thx Cosmo (Original Mix) 10 / 10
Paco Osuna - Will try thanks - wink -Emoticon Cosmo (Original Mix) 6 / 10
Marco Carola - downloading for marco carola, thanks - Cosmo (Original Mix) 6/10
Sami Wentz - "Thanks for the music, Support from Sami Wentz"Cosmo (Original Mix) 8/10
Filterheadz - "Cool thanx! Workplace (Original Mix) 10/10
Macromism - - support" Cosmo (Original Mix) 8/10
Spartaque - "Great release! Will play for sure! Cosmo (Original Mix) 10/10
Dubfire - "Downloaded for Dubfire, thanks! Dark Shadow (Original Mix) 10/10
Koen Groeneveld - Tracks 1 and 3 are cool Cosmo (Original Mix) 6 / 10
Spiriakos - nice EP...will test it..thanks Cosmo (Original Mix) 7 / 10
Dario Sorano - sisko good one. i like it thx Cosmo (Original Mix) 8 / 10
Kerstin Eden - thx for sending, will try Dark Shadow (Original Mix) 5/10
Tomy DeClerque - great pack ... will play for sure Workplace (Original Mix) 7 / 10
Chube.Ka - Blind for me Blind (Original Mix) 7 / 10
Mattew Jay - Cool ep! Cosmo (Original Mix) 10 / 10
Forest People - support! Dark Shadow (Original Mix) 10 / 10
Roger Dee - great ep!!! dark and deep...techno Dark Shadow (Original Mix) 9/10
Twist3d - Solid groove on both sides of this release !!! Will play them this summer Dark Shadow (Original Mix) !! 7/10
Daniel Cuminale - Great Releas !!! For me Cosmo (Original Mix). I will play at the next Gigg. Many Thanks9/10
Sven Sossong - nice EP , support thanks Workplace (Original Mix) 8/10
Sebastian Schroeder - Workplace & Blind! (Original Mix) 7/10
Diction - All great, thanks! Cosmo (Original Mix) 8/10
Alex Wolf - Cosmo for me! <3 Support & Will Play Cosmo (Original Mix) 10/10
Armine Egde - download for Amine Edge & DANCE . Workplace (Original Mix) 6/10
Kelvin On - Will use on a open air! Mr. Bizz - Workplace (Original Mix) 8/10
Christine Lau - Nice One!!! Workplace (Original Mix) 8/10
B-Vek - Yeah ... Love it ! Thx :) Workplace (Original Mix) 9/10
A-Brothers - nice release ,) thanks!! Cosmo (Original Mix) 9/10
Andrea Frisina - Will support Blind (Original Mix) 6/10
Niklas Beyer - NIce! Blind (Original Mix) 8/10
HodarMuzzik - 'Blind' for me, thnx for the music Blind (Original Mix) 6/10
James Variant - Blind is massive, will test at the weekend, thanks and support Blind (Original Mix) 7/10
DEAS - "Cool ep. Thx ! Cosmo (Original Mix) 8/10
Stacey Pullen - "cool thanks Cosmo (Original Mix) 5/10
Alex / Dr.Zoldberg - "Solid release. Downloading for sonus.fm Thank you"Blind (Original Mix) 6/10
Anthony Castaldo - love it Workplace (Original Mix) 7/10
Robert Owens - "Cool tracks Dark Shadow (Original Mix) 8/10
Edgar De Ramon - "Downloading, i'll try it out, THX!! :) Cosmo (Original Mix) 10/10
Spiral Tribe - "good ep dark shadow rocks Dark Shadow (Original Mix) 10/10
Chicago Loop - "Blind is cool. Thanks :) Blind (Original Mix) 8/10
Durtysoxxx - "dark shadow is dope! Dark Shadow (Original Mix) 10/10
Alessandro Spaiani - "Thanks for the music! Blind (Original Mix) 7/10
Michael L Penman - "Sick release Think I will play all of these :) Dark Shadow (Original Mix) 9/10
Rob Hes - "Wow! Dark Shadow! HUGE! Dark Shadow (Original Mix) 7/10
C-Sky- "Nice Ep. Dark Shadow (Original Mix) 8/10
Criminish - "Support! Cosmo (Original Mix) 10/10
Nino Scarico - - nice"Cosmo (Original Mix) 10/10
The Southern - Blind (Original Mix) 7/10
differentgrooves.com - "Sisko Electrofanatik - Blind (Original Mix) Blind (Original Mix) 7/10
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Roman Flügel and Andrew Weatherall supply two outstanding remixes of Phil Kieran recent album 'Blinded By The Sun', which David Holmes claimed is 'one of the best electronic dance inspired records in recent times.'
Mixmag described Phil Kieran as 'one of those producers that impresses with every release' so it comes as no surprise that two music heavyweights have jumped on board for remix duty. Kieran accounts Flügel and Weatherall to both having a heavy influence on his career. German DJ and producer Roman Flügel is easily one of the most revered names in the dance music spectrum. His take on 'No Life' is a masterclass in production. Flügel has created a track that is powerful whilst also superbly intricate. Flügel holds over twenty years of experience, extensively releasing on a number of labels whilst also co-founding Ongaku, Klang and Playhouse Recordings.
UK born DJ and producer maestro Andrew Weatherall remixes 'Finds Love' and reminds the listener of how beautiful electronic music can be. Combining cosmic layers with the ethereal vocal, this is a lesson in what a remix means. Weatherall has been experimenting with techno since the 90s, and well regarded as one of the world's most influential DJs.
Kieran created a ten track narrative in 'Blinded By The Sun', inspired by his experiences in the industry. It was met with high acclaim globally and this remix package further imprints his vision on pioneering imprint Hot Creations.
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'Different Shapes & Sizes' is a new, 3 part series of EPs from Berlin resident Spencer Parker forthcoming on his Work Them Records imprint over the next few months.
Conceived as a neat way of showcasing Parker's love for different shades of house and techno, 'Different Shapes & Sizes' takes a walk through the Rekids artist's love for the subtle differences in the genres he tends to focus on most in his sets.
London-born Parker has been in fine fettle this past few years with his It's Not Over project riding high while Work Them Records has been lauded for tracks and remixes from the likes of Radio Slave, Rodhad, Pittsburgh Track Authority,
Young Male and Dan Beaumont.
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After a hiatus of more than ten years, one of house music's most essential and influential labels is back in the game. That label is UMM, originally from Naples in Italy, which is now re-launching with a fine EP from Milan based producer and DJ, Ten Words.
UMM, which stands for Underground Music Movement, is a label which defined a unique style of house music in the 90's. Relying heavily on a fresh underground Italian sound that it cooked up with some key artists, it was the first label to do so thanks to working closely with the likes of Visnadi and Daft Punk, Fathers of Sound and Francesco Farfa, Glenn Underground and MAW, and Todd Terry and Roger Sanchez amongst many others. Now it is back where it belongs, unearthing fresh new talents and directing the global dance music agenda with each exciting new release. Behind the relaunch is Media Records, the most successful dance label in Italy since the '80s, which is headed up by long time music producer Gianfranco Bortolotti, who himself has put out more than 150 gold certified singles and albums and who will also re-launch the BXR, Heartbeat and Underground imprints in 2017.First out of the blocks for this great new chapter is an EP from Ten Words, who hails from a family of musicians and also has formal skills on the piano. His early releases gained strong support from legends like Sanchez, with further releases coming on labels like Black Hole. DJs like Loco Dice, Paco Osuna and Claude von Stroke often reach for his tunes, and his last release climbed high into the Top 20 of the Beatport Techno Chart. "I make music with passion and without preconceptions of genre and style' says the man himself, and he really proves that here.
Up first, Eighteen featuring Ghost Wars is a broody house track that is deep and seductive. Rubbery drums and icy hi hats all get cut through by big frazzled synths and there is plenty of spooky atmosphere in the grooves. Satellite is another standout track, this time going more direct and physical with driving drums and spanned synths whipping about up top. Epic and elegant it is followed by a 10WS remix of Eighteen that is rock solid and raw and designed for a big warehouse with its solid kicks and molten melodies. Last of all, the same cut gets reworked by End to End and comes out as a hypnotic and heady roller that burrows deep into the night.
This is a triumphant return to the scene for UMM and one that suggests this legendary label is going to be just as essential second time around.
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The Experience is a project by Andrea Benedetti and Eugenio Vatta released back in 1992. The track "Madcap" was realized during the period of the collaboration of the duo with Lory D'S Sounds Never Seen period and it's an experiment that mix techno, breakbeat and sample extravaganza at its best. The main track "Tubes" was a deep techno monster presented in two versions. One has been recoreded live with Andrea Benedetti managing drum machine and bass, Eugenio Vatta sampling, chords and effects and Paolo Dieni on percussion. The second one has more emphasis on melodies and effects with different equalizations and volumes concerning percussion and drum machine. A lost jewel brought to you by Flash Forward for your pleasure.
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Support From: Barac, Loopdeville, Nima Gorji, Arapu, Archie Hamilton, luly.B, ittetsu, Ted Amber, faster, Dan Formless, Dan Farserelli & many many more
We are moving forward with new sounds this summer, and are happy to shed some light on our '4Plae Blanc' project. This series is geared towards slightly lighter vibes, and 001 will really set the tone for what is to come.
Hailing from the city of Bucharest, Nice ' N Trick have been earning their stripes over the past couple of years, which includes having works on labels such as Mulen, Heisenberg, Arupa, Baile Musik, Tzinah and many more. Their track 'Adiacent' delivers the vibrant sounds we love, brought together with tight percussion and warm soundscapes.
Another gem from Bucharest has contributed to 4PLVB001. Direkt has become a good friend of the label and we are extremely happy and proud to have him on board this release. 'Caries' is a bouncy and atmospheric track that delivers a solid analog sound - another factor we feel passionate about. No doubt this wont be the last you hear from Direkt in coming months...
Percival is also an analog head. This Detroit artist has bundles of musical knowledge and a love for many types of music. His track 'All Night' is a vocal orientated track with crisp hats and snares, and a pounding kick throughout - we love the mood this track set's at parties.
In the past few months, 4Plae founder ADMNTi and head honcho at Samani - F.eht, have formed a collective, FAT. Their remix of Percival's track sets a moodier vibe in comparison to the original, and wraps up the release nicely with evolving synths and techier sounds.
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Vinyl only. 180g. Flug003 Various release from Roar, Adam Touch & Marino, Sumau and Oscar Saliba, techno notes for dancefloor and single listening.
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Various Artists - Incl. Matt Karmil Remix,Ena Cosovic Remix,Pistol Pete&Omar Santis
When We Have Each Other, We Have Everything
SVEDJEBRUK V/A - When we have each other, we have everything (SVED014)
Svedjebruk's first V/A release features remixes of old gold by Matt Karmil and Ena Cosovic, new music from Svedjebruk debutant Vattenrum, plus collaboration by Omar Santis & Pistol Pete. Deliberately curated with juxtaposition in mind the end result turned out unexpectedly coherent. Don't forget: Maximum volume yields maximum fun - Enjoy!
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As a full-analog studio crack he has produced 5 Albums and more than 50 Eps with his very own interpretation of techno. His music still has a 90's ghetto vibe, with as much energy as a punk band, but to make it clear to everyone, it's techno music to its essence. He has just finished new Remixes for Chicago Legends Robert Armani and DJ Deeon, as well as for Matthew Herbert.
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'Soak by James Hadfield, featuring Danny Linton, is one of the main reasons for the launch of Me Me Me and a record I love so much I have done my first rem ix for the label,' explains Man Power. Further remixes from Axel Boman and Bird Of Paradise cement a stellar third release on the burgeoning Me Me Me imprint.
Soak is a distinct and uncategorisable piece of electronic music, with a rich thread of emotion running through it so strongly, it remains within each remix, albeit distilled in different ways. Fellow North Eastern Englishman Bird Of Paradise (Correspondant / HAKT) turns in two differing atmospheric interpretations of the track (one appearing as a digital exclusive), while Studio Barnhus supremo Axel Boman brings his own inimitable style to his rework, and Man Power's delivers a dreamy and forlorn infusion on this magnetic record.
James Hadfield has been releasing music over the last ten years under several guises including Lizards and Elizabeth Collective, although remains an elusive figure in the bubbling underground house and Balearic scene. Soak sees him teaming up with Danny Linton , best known as post dubstep producer Funk Ethics.
Man Power's ear for the more captivating and experimental side of electronic music is being championing through Me Me Me, putting discerning dance floors to the test through its releases. 2017 contributions include Mike Simmonetti, Chida, Fort Romeau, Hammer, Rex The Dog, Daniel Maloso and many more .
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repressed !
Our man Kardinal from France does it again and supplies us with no less than three new fat Techno tracks for the peak time freak out ! With his own style he has without a doubt a fine hand for great and exciting Techno tunes !!!
We love and release on Vinyl !
Sasha Carassi "Bomb!"
Pablo Discobar "top !!!"
Karotte 'spur of the moment is cool. like it.'
Dr Motte 'i love music on vinyl. it soundz so SEXY!"
Hermanez 'Nice release here, tnx !'
Roel Salemink 'Awesome release!!!'
djtonyrodriguez 'Solid man, thanks!'
Raphael Dincsoy 'cymbolator for me'
Chuck Flask "cool tracks"
Emerson "good tracks"
Martin Merkel 'will try out Spur of the Moment'
Thomas P. Heckmann "Cymbolator roxxx !"
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Drew Sky and Lester Fitzpatrick, two techno soldiers from Chicago with multiple releases on the legendary Dance Mania and Relief Records, respectively team up for their magik killer EP on Dizzy Tunes. Dare to differ, the heat will push you back. Remixes by Roman Zawodny and DJ Krime!
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Owen Offset's - Inhale strikes for AA012 with a massive remix bundle. After the thriving - Platen EP , the Maltese DJ &, producer will get back to what he can do at his best - breathtaking techno. So the original is an exciting masterpiece, driven on a low-beasty rotating bassline. A looming and menacing synth enters the track, followed by a female moan full of relish - or is it just an inhale Decide yourself.
Remix round one is from none other than Sven Wittekind. The boy from the Abstract family adds some rawness and pounds straighter through the speaker and scores with a filtered acidic bassline. Like a mighty techno trip.
Boss-time for remix number two: Dominik Vaillant takes a wild ride and opens the synth for a turbulent and expanded flight. Don't stop inhaling.
The topping of the remix bound comes from techno legend Joey Beltram. He stirs his experiences into this interpretation and the result is a highly elaborated piece of powerful techno with a touch of retro-sounding elements, but contemporarily fresh!
There's still a magic in this guy's studio and gives the full EP an excellent accolade.
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To begin the year with, Antinote summoned Panoptique and JC Satan's Paula to release a badass two-tracker, paying a pared-down tribute to a very overlooked period in recent musical history: the accursed electroclash-era.
.
At a time when 'Balearic' has become the new musical gospel, the holiest adjective one can use to describe one's music (and therefore, electroclash has become the musical antichrist - to keep going with the biblical comparison)... while everyone seems to glorify stuff like Ibiza's 'endless sunsets', the duo happily kicks over the anthill with a song, a record and a band soberly called Succhiamo (first person plural of 'to suck' in Italian). The title-track straightforwardly announces what the main elements of Succhiamo's music are: over-saturated simple patterns of drum machines and EBM-infused lines of synths backing overtly sexual vocals in Italian. Nothing more, nothing less.
On the flip side, Succhiamo deals with the same formula in depth, engaging this time in detailing a meaningless list of products available in the 'supermercato'. The song conveys a nihilist - but fun - attitude, and it just sounds as if the band was crashing a car in a commercial zone in high spirits... As a kind of inheritor to Ich Bin, Succhiamo offers to bring some stupidity in the club and gives serious dance music producers the finger, like some irreverent Franco-Italian Beavis & Butthead.
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Chicago-based legend Traxman, who is one of the most well-known ghetto house producers, is out and about to release 6 brand-new dancefloor trax on Dizzy Tunes.
He has been active since the mid-90s, boasting multiple releases on legendary Dance Mania Records.
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My mind made of darkness, has known continuously interrupted flash taken back by the stronger, following ones.
Iive felt my limbs moving without having control. The other side of me, the most unknown to me, the most instinctive one, took place.
Dissimilar sounds have battered my most secret dreams, without giving them peace anymore.
Never existed soulsis foot steps have obscured my silence, giving me only restlessness.
Eyes open again, suddenly, silence.
-Utopian Soul-F
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Straight analogue machine jack music for DJs to play at the dance floor.
Tin Man, born and raised in California, did a wonderful acid remix and complement this EP.
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- 01: Acid In My Mind
- 02: Whats On Your Mind
- 03: I Just Want To Be Free
- 04: My So Called Robot Life Part 2
- 05: Physical Pain (Original Mix)
- 06: Im Not A Freak
- 07: Acid Is The Reality
- 08: Matinee
- 09: Fucking Face
- 10: Moonoo
- 11: Jack Your Body (Cd Bonus)
- 12: Spare Time (Cd Bonus)
CD
SolarOneMusic is proud to announce this special record. Andreas left us suddenly at june 20th in 2016 after long health problems. Around that time we finished with him "The Worst Of Gehm" release. He was so happy about this project!!! Even one week later we got the terrible message that he died. We put alot of love and effort in this project to give him his last big monument! Special thanks to all his friends and labels like Mathematics Recordings, Abstract Acid, Creme Organization, Psycho Thrill and of course Bunker. RIP in Andreas! We will never forget you!
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Hot on the heels of In.Toto's inaugural release late last year, label owner B.Traits comes out of the blocks with another brace of tracks on the single 'Basic Scenario / Breathe Out'.
'Breathe Out' displays a definitive love of classic techno tropes; basement room bouncing beats and shuffling, bristling hats delivered with urgency and a slickness that has become a hallmark of her productions over the years. Chopped up vocals are pressed through the effects mangler, puncturing this driving techno cut laced with essential 909 rides and flanged percussion.
On the flip, the rubbery and pounding drums of 'Basic Scenario' is just as strong; the dense and reverberating beats providing the perfect vibes for a Berghain or Tresor sweat soaked session, as rising synths and frenzied hand claps produce a real element of drama, ramped up with B.Traits' own vocal monologue, suitably twisted by FX to polish off a well rounded and energetic club cut.
With her first In.Toto release selling out of its vinyl run within one day of going on sale, things are looking very promising for the BBC Radio 1 DJ's label, set up to offer a platform, not only for her own music, but for like minded producers and artists she has admired and promoted on her show and in the clubs. 2017 looks set to be a busy year for the label, so watch this space....
B.Traits 'Basic Scenario/Breathe Out' is released on handstamped 12' purple vinyl & digital download on XXX February 2017.
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This week's drop comes from DJ FORD FOSTER - 5 yes count em FIVE BADAZZ HOUZ JAMS that absorb everything from Soft Pink Truth to Dance Mania.
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Last In: 5 years ago
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The 2nd release on the Homopatik' record label features two version of Indian H' from Homopatiks one and only House Mannequin!
Endless party music! Excellent vibes! Highly Recommended! Please order now while supplies last!
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Last In: 7 years ago
Mesh-Key is thrilled to present this mind-bending solo album of electronics and vocals from legendary Japanese musician Phew. Phew's career began in the late 1970s as lead singer of Osaka punk group Aunt Sally (whose only full-length was released by Vanity Records in 1979). Ryuichi Sakamoto produced her debut solo release in 1980, a two-song single, and in 1981 Pass Records released her debut album, a bonafide masterpiece recorded with original Can members Holger Czukay and Jaki Liebezeit at Conny Plank's studio in Germany. She has forged a singular path over the past thirty-plus years, collaborating with folks like Anton Fier, Bill Laswell, and Seichi Yamamoto (Boredoms). It's borderline sacrilegious to compare an artist as unique as Phew with anyone else, but for those unfamiliar with her work, 'Light Sleep' might be described as a more animated Nico singing (in Japanese) for early Suicide. Prepare to be floored.
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Last In: 8 years ago
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Remixes of 'D' by US. experimentalist Sun Araw, 'B' by Swedish progg rockers Dungen, plus previously unreleased / unfinished Prins Thomas original track 'J'
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Xinobi's new album is pretty much an album rooted in the NOW. Its emo electronic music you can dance to. You can say Atmospheric House with Spoken Word, dreamy electronic with a Pop feel, ethereal Techno, dark chill Leftfield fulfilled with uncommon lyrics on the dance music world.
On The Quiet' is a dance floor-focused story about the transition of many electronic musicians from punk rock and skateboarding into house music and about how dance-music can be a field for social conscious awareness.
It's common knowledge that the second album from an artist is his most difficult task. On The Quiet' proves to be an exception to this idea. After countless successful singles and remixes Xinobi found his own style on his debut album 1975', released in 2014, and improved that style on this set of songs that now stands a new landmark on his career.
On The Quiet' is a reflex of the path that many contemporary electronic musicians have crossed, starting on punk and developing into diversity while keeping some of the ethics of punk school. One could say this an D.I.Y. record. Xinobi played and self-produced the whole album and even released on Discotexas (a label he co-owns with Moullinex). Friends were invited to sing on some tracks and there's Ian MacKaye's (the man behind such important bands as Minor Threat, Fugazi or the Dischord label) voice about skateboarding manners and urban alternative interpretations. The record also features an artwork by Braulio Amado with extensive biographical writings, all the lyrics, interviews with Igor Cavalera (former member of Sepultura and Mixhell) and David Andersson of Punks Jump Up beautifully crafted with fanzine-styled aesthetics.
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Xinobi's new album is pretty much an album rooted in the NOW. Its emo electronic music you can dance to. You can say Atmospheric House with Spoken Word, dreamy electronic with a Pop feel, ethereal Techno, dark chill Leftfield fulfilled with uncommon lyrics on the dance music world.
On The Quiet' is a dance floor-focused story about the transition of many electronic musicians from punk rock and skateboarding into house music and about how dance-music can be a field for social conscious awareness.
It's common knowledge that the second album from an artist is his most difficult task. On The Quiet' proves to be an exception to this idea. After countless successful singles and remixes Xinobi found his own style on his debut album 1975', released in 2014, and improved that style on this set of songs that now stands a new landmark on his career.
On The Quiet' is a reflex of the path that many contemporary electronic musicians have crossed, starting on punk and developing into diversity while keeping some of the ethics of punk school. One could say this an D.I.Y. record. Xinobi played and self-produced the whole album and even released on Discotexas (a label he co-owns with Moullinex). Friends were invited to sing on some tracks and there's Ian MacKaye's (the man behind such important bands as Minor Threat, Fugazi or the Dischord label) voice about skateboarding manners and urban alternative interpretations. The record also features an artwork by Braulio Amado with extensive biographical writings, all the lyrics, interviews with Igor Cavalera (former member of Sepultura and Mixhell) and David Andersson of Punks Jump Up beautifully crafted with fanzine-styled aesthetics.
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- A1: Kilter
- B1: Acaica
Dark Sky return with two highly effective techno tracks featuring dark and roaring basslines at the center, the London duo leave no doubt that they haven't lost any of their acclaimed production skills.
"Kilter" is a rhythm-driven club anthem, featuring a sweeping bassline that nods to classic Dark Sky, while on the Bsdie, "Acacia" opens with ethereal synth pads before giving way to a onslaught of low end goodness before slowly revealing building percussion which finally climaxes in all its thumping glory.
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Scienceofuse is a new electronic music label from Ljubljana, Slovenia. Its purpose is to transmit futuristic frequencies by using the science of creation to transcend percieved limitations. Connecting the advances in our culture and technology with the important lessons of visionaries that came before us.
The label's first release, 'Responsible Design' by veteran DJ and expert knob-twiddler known as Electronic Badminton King (E.B.King for short) is an acid-tinged affair with a darkish early noughties electro vibe on the A-side, while the flip delivers an abrasive technoid banger coupled with a deeper floating acid cut.
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Black Brook Limited presents the next smasher EP by Mike Wall (mastermind of Wall Music) straight from Berlin,
He is no unknown face, he released lots of quality material on his own label & on well known Techno Labels.
The Forthcoming Black Brook Limited will completed a remix of mr. Arnaud Le Texier himself-
The Remixes by Mono.Xid & Xristos makes the records to a must have collector item.
Supported by:
paco osuna / Joseph McGeechan / Astronomical Telegram / Pig (pig and dan) / XHIN / sleeparchive / Gabeen /
Krenzlin(Tresor Berlin) / Corey Biggs / Unam Zetineb/UZB / Mattias Fridell / Manuel Di Martino / Juho Kusti /
Regal / Analog People / Dave Brody / Kwartz / Pfirter / Bodyscrub / Mary Velo / DJ Hyperactive / Mekas /
V-Obsession / Hd Substance / antonio de angelis / http://deathtechno.com
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Sigha is back with a new double A-side in the same vein as the last: A booming, atmospheric achievement, showcasing his signature attention to detail and exploring the concepts of purity, faith and religion.
After joining the Token family with the release of Our Father/A Better Way Of Living in 2015, Sigha is back with another double A-side in the same vein as the last: A booming, atmospheric achievement, once again showcasing his signature attention to detail and exploring the concepts of purity, faith and religion.
The resounding intensity of Christ Figures is layered with emotive and staccato melodic elements. At times distant, and then rising to the forefront of the soundscape, in their more muted moments these elements only hint at the form of a melody, their restraint heightening the track's sense of melancholic romanticism.
On the other side, Sigha advances on the themes from the track Puritan on his 2012 album Living with Ghosts. New Puritan offers a similar hypnotism, with an untiring interaction between mid-range and bass that demands transfixion from the offset and retains it until the end.
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150 copies only, because we are unknown and unrespectable. Music from Le Chocolat Noir, Tryphème, Russell Alderton, Luke Eargoggle, BLCKMOON77 and Kim Rapatti for your emotional sorrows, choose for now,the energy transmission , take and congregate. The breakable experience of an unconventional trip, but not so modern as that.
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First release on The Weevil Neighbourhood by clandestine artist Anthone.
Repress: Black vinyl in brown cardboard discobag. Hand-stamped and -numbered. Comes with artwork- and info-card tied to the sleeve
"And another quite obscure but very recommended record from the Weevil Neighbourhood label. I actually wouldn't be really surprised if this Anthone act was the mysterious musician behind the "Larvae / Pupa / Adult" first series on this imprint, for the three track of "Aloof" carry the same sharp but encompassing combination of dub techno, darkish glitch and dubstep bass. Potentially club-friendly, but very rewarding to the active listener who takes time and dives into this EP, here's a piece of wax which undoubtedly comes from Berlin and manages to mix well some of the most typical sounds of this city. Recommended." (Nicolas Chevreux/ Ad Noiseam)
"Anthone is the Weevil Neighbourhood's marquee artist. The exact identity of who Anthone is, however, a mystery. They, it, he, she, them, have only delivered quality for the label so far, beginning with the three-track Aloof from 2012 that features a sinisterly abstract piece of rave called "Rebound". Somehow it's cheerily atmospheric while being heavy as a truck at the same time. The label's next release was Anthone's more serious Double Dub / Clear View 10", with both tracks sounding like the internal movements of giant weevil bug that's been built out of scrap metal and controlled by an evil little cretin from a Jean Pierre Jeunet film." (James Manning/ Juno Plus)
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INCL. BIRTH OF FREQUENCY RMX!
Jonas Kopp: Great Stuff , thanks!!!
dvs1: birth of freq for me.. and black series..
ben sims: digging all cuts, thx!!
rebekah: full throttle energy on this ep! nice one!!! :)
Pfirter: Great ep, support!
antigone: perfect tracks both remix and original will play them for sure !
Dimi Angelis: Black Series for me!
Sev Dah (Proletarijat / Random Island / Mote-Evolver): A1 and B1 will be played,amazing energy in the whole EP!
Kessell / Exium: Good stuff, thanks.
Luca Agnelli: great pack, amazing music! Black Series is my fav!
Johannes Volk: Great release, especially B1 and B2. Black Series has such a killer groove.
Benales: Great ep! full support, balance original and birth of frequency remix for me :-)
Fundamental Interaction: Solid release, thanks
Kaelan: Huge ep. Will play some of those..!
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First solo release by Kyoto based Katsunori Sawa on The Weevil Neighbourhood.
Repress: Black vinyl in brown cardboard discobag. Hand-stamped and -numbered. Comes with artwork- and info-card tied to the sleeve.
"Sawa's techno is infused with a dank energy, like it's being taken over by the undergrowth with every passing bar. Static and hiss blanket the empty space, and the percussion crawls in uneven formations. More often than not the effect is tinged with horror, as with the resonant shrieks of "Augur" or the unsettling death knell of "Black Sugar." "Phenomenon" comes closest to conventional techno, but still drags its feet with every lunge. The hangover after all the curling metal carnage, "NGM" feigns resolution, punctuated by brief flashes of white noise as it slowly corrodes." (Andrew Ryce / Resident Advisor)
"Another highly limited vinyl release on Berlin's Weevil Neighbourhood, with a musician from Kyoto called Katsunori Sawa. He's one half of the duo Steven Porter (the other being Yuji Kondo, not Steven Porter) and here he has a classic 12": white vinyl, four tracks, 45 rpm. Just like the good old days and the music is great too. It continues what we heard on the previous release by Steven Porter: minimalist dance music, not too fast (mid tempo this is called, mid of what I always think), repetitive with the use of sound effects enhanced. Delay machines like a fine dub record, yet this ain't dub. Rhythm plays a central role obviously, and sounds here not too dissimilar to Basic Channel/Chain Reaction of a decade ago (maybe it's about time for a revival, I thought) combined with a more abstract side of the axis Porter Ricks, Pan Sonic and Goem, topped with a dash of field recordings. Does that make any sense these days It's a pity I am not a DJ, I thought. I wouldn't mind this kind of stuff for an evening. This record by Sawa would certainly make it into the mix. No doubt more than once." (Frans de Waard / Vital Weekly)
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Celebrating his five years anniversary with a twelfth release, the french imprint CLFT decided to introduce a new artist on its roster. Argentinian producer Luis Ruiz delivers here a 303% Acid EP for his debut on the label. Dah-dah-dah, gwon-gwon-gwon, ga-gyown-gyown... This sounds very caustic, don't sleep on it!
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Electronic Emergencies' first release in 2017 is Histoire d'une Ame by Peine Perdue, the acclaimed synthpop/minimal wave duo from Paris and Berlin. The EP, which is divided into four tableaux, tells a story that was inspired by 80s cult movie Therese, directed by Alain Cavalier, about the mystical suffering of a nun who becomes a saint. Expect nebulous acid wave chansons with mysterious French lyrics.
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The State of the World E.P. brings you 4 new tracks by Philippe Petit. Appearing develops a positive tone through layers of heavy bass and a deep 808 kick that finally blooms into a warm synth line. Expanding exults happiness thanks to its multiple layered bleepiness, aiming to put the listener in a state of trance. Shrinking is a hard hitting percussive affair, whose relentless beats, driving hi-hats patterns and claps take you into what can be seen as a neverending downward spiral. Disappearing rings the alarm with a 132 bpm fury of pads and subtle acid, but it might already be too late...
Support from Rodhad, Len Faki, Johannes Volk, Boris, Samuli Kemppi, I/Y and many more..
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Four new stripped down techno tracks brought to you by Philippe Petit. Road-tested on several dance floors during the last couple of months.
Inspired by the streets of New York in the 1980s when these were rough and rugged, before it all got gentrified... The more East you went, the more dangerous it got - although it was scary at times, I miss that era!
Enjoy the Ride!
selected feedback:
Slam: love the tracks, this is dropping for sure
Laurent Garnier: super groove, I will play for sure
Eric Cloutier: the A side is bad ass
Alex.Do: Some heavy tripping tunes
Dan Curtin: all of these sounding tight
Brendon Moeller: this is a really great release , every track on point: wow, you are in the zone!
Oliver Deutschmann: I really like the E.P. Especially the 'Crazy' track.
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Limited Marbled Clear Vinyl Pressing! Detroit inspired dub techno from the deeper side of things.
There is a 7" bootleg of ORN034 (Rennie Foster: "Floatilla") going around and people are crazy about it. They pay unbelivable amounts up to $50 on discogs:
https://www.discogs.com/Rhythim-Is-Rhythim-Rennie-Foster-The-Innovator-Untitled/release/9897009
Thats why ORNAMENTS decide to do an official repress of it.
Be quick and place your order now!
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Snuffo an excellent artist captures us with its strong and resolute sound, a brilliant track not stop moving. A versatile artist at the time of the production and search for new sounds, always breaking new ground in the musical universe. It is also one of the members of duo Snuff Crew.
Andreas Gehm again with us always the lider on their territory acid, Keeping alive the old school, it is a great exponent of known género.También as Elec Pt.1. It leaves a fantastic intense and hypnotic track. Always captivating with its sound to which we are accustomed. (Great artist always present in our hearts)
Sintex Bortexx producer and dj in the world of underground, works with the styles of house, acid, techno. A addict of the programming synthesizer, incorporates the classic hypnotic bass line with old school style.
May Mc Laren always submerge us in a cold water bath Techno. The Argentinian weaves music with influences New Wave,
Classic Jackin' House, obscure freak Acid, Techno, Electro, (coldness, hardness and more...) But she also knows how to soften, put us in dark and malicious climates. Moving with finesse between forgotten punk gems, unrequited German industrial beat downs and some of her own creations. A style successfully tested on the dance floor . Always clever, energetic and vibrant, makes it even more pervasive. MML weaves a profound auditory tapestry, moving effortlessly through time, location and sonic fascinations. You know, like a real DJ, giving you what you need not what you want, striding through time & space to ensure the very best for their dancefloor and wider listening public. Keep a blood-shot beady eye on this act, talent this bright won't stay in the shadows for long.
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Vimana has traveled long distances aboard a celestial chariot to now base operations in South London. Servant, a spacious and funky true electro jam. This is their first release.
Let's Talk is Vimana's flat mate. Crystalopolis, twisted rubber band bassline action for the club. This is also their first release.
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Following a storming barrage of kicks and whistles on "I'm alright mate" via south-westerly label Timedance, Lauded sonic explorer Bruce settles on Hemlock and kindly offers a trio of exotic and rare tracks.'Before You Sleep' is a glimpse into the delirious vacuum of thoughts and weariness induced by habitual insomnia. Lethargic and leaden, the hollow kick drum casts a solemn meter punctuated with blasts of spectral resonance all set against an eerie distant chime. Each pulse weighs deeper as the temperature drops and atmosphere thins. Then it appears.
Cleansed with a lullaby melody floating towards the inevitable dawn, the scene is gradually swept away leaving but a hollow for the new day's air to fill.'In Line' is a scurrying, pneumatic dance spiked with a punch of sparky leads amid pressurised snares and percussion. Never quite settling, frustrated, twice reset the rhythm steadies and we begin to synchronise.
'Sweat' is constructed in plain sight using concurrent bands of symbolic frequencies, each melding together to forge a self-sufficient protective network. Ancient geodesic blueprints inform the design, bolstered by a microscopic workforce of nano-fx and half-drops. Once this would have taken centuries to complete, thankfully we now have the technology and co-ordinates to establish contact before the next wave arrives.
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Dzar, a new experimental techno project from Marseille, aiming to explore advanced interactions and capabilities between modern analog hardware and digital tools. After a decay releasing house music under the alias of Damien Zala, DZAR is dedicated to a more minimalist approach of electronic music. Inspired by graphic design, architecture, and numeric arts.
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Techno and ambient laden 4 tracker from Kader Yani, latest addition to Semper Memor.
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Old School veteran Andrei Morant who's very much now school' making his debut appearance on 4trk here with a stripped down dose of pure, beatin, erky/jerky tracks that drill their point in your head. No need to pepper this one with a verbose intro. Listen and learn......!! Can't tell you equally how excited we are to tell you there's a couple more Andrei Morant tracks coming also on a v/a vinyl compilation soon to follow!!
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Last In: 2 years ago
Footsteps,
savage smile.
Strap the damage to my face.
Iron fist,
it was never loaded.
We care no more,
we don't.
Early support by: Luke Slater, Oscar Mulero, Ben Sims, Marcel Dettmann, Perc, Clouds, Tommy Four Seven, Pfirter, Truncate, Max M, Thomas Hessler, Killawatt, Radial, AnD, Roberto, Paul Birken, Sigha, The Public Stand, Samuli Kemppi, NX1, Rebekah, Bas Mooy, Gary Beck, Ansome, Wire, The Advent, Nuno dos Santos, Unbalance, Blind Spot, Mark Morris, Erphun, Sebastian Kokow, Juho Kusti, Markus Suckut, Par Grindvik, The Black Dog, Darko Esser, Joachim Spieth, Happa, Martyn Hare, Sawf, J. Tijn, Doka, Lag, Luis Ruiz, Exium, Takaaki Itoh, Ryuji Takeuchi, Inigo Kennedy, Operator, Jeff Rushin, Shards, Darkfloor , Kriz, Exium, Ben Long, Fran Hartnett, Octave, Henning Baer, Dimi Angelis, Paul Mac, Jeroen Search, P.E.A.R.L., Dax J, Mike Humphries..
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Last In: 5 years ago
Zenith Positions is a 4 Track collaboration between Modularz label owner Developer and Italian producer and Repitch label owner Ascion. The two producers worked apart in their studios with a similar concept and idea to create a special ep fusing together vintage synthesizers, retro futuristic ideas and funk influenced rhythms with a modern feel. The ep as gained some strong support from all the major DJ talents worldwide. T
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The name Tochno, Russian for "Precisely" speaks for itself, being a hardcore, pure and at the same time straight-to-the-heart Minimal Techno music producing firm.
Tochno is the product of a long gestation of its creators. Waiting for the right time to get on the stage, it will bring Minimal Techno to the levels they deserve with a no-BS attitude and hours of top quality beats.
Tochno won't bring you the latest and shiniest plastic puppets of the market. We have gathered real artists, throbbing with desire to divulgate their music and they will do so in a way you won't forget.
And it's not just the attitude, our music comes on vinyl only. You won't find any material for talentless time wasters here. Only analog music to be handled by expert and loving hands.
Early support from Mamiko Motto, Glenn Astro, Ame, Pathaan (BBC Worldwide), Jamie George (Rinse), B Traits, Charlie Tee (Kiss), Jodie Wisternoff, Damian Lazarus, Tensnake, Anushka, Detroit Swindle, Claptone, Dubfire, Iron Curtis, Breach, Auntie Flo, Matt Karmil, Edmondson.... and Jamie xx
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Last In: 5 years ago
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Kosmos of sound phenomena is devoid of a distinct beginning and end, fluid and polymorphous. Stream of sound is continuous, no matter whether and which volatile events are registered, and which ones are omitted. It is a complex state which transgresses borders defined by source, signal and mechanism of perception. Pastoral/tropical soundscapes and post-brutalist compositions by Max Loderbauer and Jacek Sienkiewicz from their 'End' CD seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. Apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and IDM, leading into the spectral areas once explored by such pioneers and Popol Vuh or Ilhan Mimaroglu. Above all, etheric and extra-sensitive 'End' marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. Without vivid commentary and recognizable soundbites of the present, 'End' is simultaneously an interesting projection of hopes and anxieties of the New Age. Core of tracks included on the record has been produced on the occasion of Max and Jacek appearing as a live duo during 2015's Berlin Atonal festival, which resulted in well received 'Alpine-Tatra-Himalaian' EP 'Ridges". Remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.
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Mystica Tribe, the dub tribal master from Tokyo, drops his 5th EP and it comes with a superb Chrissy remix. Taka Noda aka Mystica Tribe returns to his own label, Mystica Tribe Records, with this banging 4 track dubby techno-ish bomb. It's deep dub all around on titletrack Jade Eyes, with the trademark Mystica Tribe melodica lifting the spacey, catchy oriental inspired melody. The Chrissy remix of Jade Eyes is a dubby disco party banger, instantly ready for the dancefloor. There are two more dub beauties on this EP: Love Light and Nightbird. Both tracks drive on deep melodies with Nightbird having beautiful oriental influences. It's the soundtrack to a Japanese spaceship crashing into the desert, its passengers getting picked up by passing nomads, ending up in a smoke filled oasis with palmtrees and belly dancers. Essential stuff for dub heads.
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Niko Marks exists at a musical intersection where Stevie Wonder and electronic music collide. Born in Detroit and raised by a family of musicians and singers, Niko was taught chord progressions by his mother on the piano and learned the rest by ear. He took just one music class along the way. It wasn't long before Marks' genre-defying path — and ability to sing, write, produce and play — would link him up with the next wave of Detroit techno.
In the early 1990s, Marks was working under the same roof as underground luminaries like Juan Atkins, Eddie Fowlkes, 'Mad' Mike Banks and Jeff Mills. As Underground Resistance established its iconoclast status, Marks joined collaborative production team Members of the House. On Grand River Avenue in the shadow of Cass Technical High School — Detroit's de facto producer of legends like Donald Byrd, Dorothy Ashby and Ron Carter — Marks was helping produce the Motor City's latest musical exports all before he could legally rent a car. It was almost like a revived Motown for electronic and dance music,' recalls Marks. The freedom of electronic music or dance music — I began to really get into that. You're not reduced to a traditional song format. You're more free.'There's no denying, however, that the traditional background Marks hails from sets his prolific catalog apart from the pack. Marks manages to bend those chord progressions learned on his mother's piano to his will today, creating a bevy of soulful techno and house tracks in his wake for labels like U2X Productions Detroit and Carl Craig's Planet E label. Starting in 1999 with his Niko Marks & the City Boy Players' release with Fowlkes, Marks has released new music nearly every year. As a live performer, he's found himself doing stripped down DJ sets as well as bringing his body of work to life as a jazz trio. The trio gives people something more real,
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Following 2014's untitled 12 inch on the Rush Hour "store jams" imprint, Amsterdam based Faster Action now surfaces on L.I.E.S. with a fresh two track 12 inch.
Stated as "DJ Tools for the DJs" this is what we get here, with the a-side sounding like an late-80s industrial strength 909 driven EBM cut, while the b-side goes strong with a metallic beat track perfect for the adventerous working DJ. 100 percent club approved! Act quick!
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Moteka is coming back on skryptom for his third release, Pierre Delort without Remy Maurin is MOTEKA and he kills ! He is coming with 3 Pure emotional techno tracks, long travel for the A side to an encounter. We have the chance to receive XHIN to remix the track imminent landscape. We let you enjoy deeply all that rough and deep sensations, enjoy !
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Last In: 5 years ago
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ONE SIDED 180 GR, 120 COPIES - VINYL ONLY - NO REPRESS!
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This vinyl includes a free downloadcode were customers get the
whole digital release (incl. Bonustrack) for free via Facebook !!
Anyhow fresh but still trusts! 4CR comes with his second vinyl - release,
and it sounds fat. "Menschenskind" has delivered with "Tequila" this time
a real Minimal House bomb with catchy tune character. Organic guitar -
samples and fresh Grooves sound like the fruity sweet taste of summer
which drips in the dusty and dry desert. A touch of western, High Noon
and heat under cloudless sky. "Menschenskind" gives us with Tequila an
acoustic place under the sun, the suitable drink and just the pure groove.
Alec Troniq, Sonntagsmusikant and Tinush deliver their great remixes on
top. While Sonntagsmusikant holds the striking theme first a little more
covered and comes along even more minimally, Alec Troniq with a stylish
variation of the subject rocks more offensively forwards. Tinush adds with
his Remix some Coolness and completes this 4CR Release. This package is
the fruity cocktail, which runs down the dusty throat, while the smell of
the sun and desert is omnipresent. Get a drink, and enjoy Tequila!
Irgendwie fresh aber dann doch vertraut! 4CR kommt mit seinem
zweiten Vinyl - Release, und es kommt dicke. Menschenskind hat mit
- Tequila' diesmal einen waschechten Minimal- House Knaller mit
Ohrwurmcharakter abgeliefert. Organische Gitarren - Sounds und
freshe Grooves klingen wie der fruchtig süße Geschmack von Sommer,
der in die staubtrockene Wüste tropft. Ein Touch von Western, High
Noon und Hitze unter wolkenlosem Himmel. Menschenkind gibt uns
mit Tequila einen akustischen Platz unter der Sonne, den passenden
Drink dazu und den puren Groove. Dabei liefern Alec Troniq,
Sonntagsmusikant und Tinush ihre großartigen Remixe on top.
Während Sonntagsmusikant das markante Thema zunächst etwas
gedeckter hält und noch minimaler daher kommt, rockt - Alec Troniq'
mit einer stylischen Variation des Themas offensiver nach vorne.
Tinush packt mit seinem Remix die Coolness und rundet dieses 4CR
Release gekonnt ab. Dieses Package ist der fruchtige Cocktail der die
Staubige Kehle runter läuft, während der Geruch von Sonne und
Wüste allgegenwärtig ist. Schnapp dir n Drink, und genieß Tequila!
On Stock and ready to ship
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LIMITED 300 COPIES COLORED EDITION
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Second chapter in the AF Voiceless series. The label run by Pervert keeps on broadening its own catalogue by adding artists committed to the underground electronic cause. This EP is a 5-track new voyage through analogue-crafted soundscapes, acid-injected breaks, thudding bass lines, warm and intricate melodies...the sheerest voice for the voiceless. AF005Y introduces new members to the family as Houston-based Daed (Ian Lambert), who displays his ability to create a perfect acid-glitched called 'Pulse Lunar'. Thus, 'Smiley moon' is above all a glimpse into the analogue world of the well-known Rolando Simmons, proving himself he's one of the brightest electronic artists of the moment. Sheffield based Dave Forrester (TechDiff) twists the modular in 'Jamuary' with a killer Aphexian/Jenkinson temper. Longing raving days are depicted in 'Quest' with an evocative electro halo by the hand of the Irish producer Cignol. Last but not least, 'Smoke', an acid junglist and braindance orgy signed by Gareth Clarke, known for his previous works on Canada's Sublight Records (Venetian Snares, Bill Laswell) and LoveLove Records. Limited and handnumbered as usual.
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A Sacred Geometry continue their label releases with Chapter III, a collection of tracks that are soft, serene and yet captivating. On the A side is 'Atheres', a track that takes over the entire space, building different sonic structures over the rhythm. 'Nineveh' is more hypnotising, with a sonic groove and a rising synth that move fluidly through the track. The B side is formed of two parts: 'Earendel (Part 1)' consists merely of a pulsating drum and high hats, with whispers of notes only beginning to form towards the end. 'Earendel (Part 2)' continues this but with more structure and tenacity, the beat becomes heavier, the melody more focussed. Collectively and individually the four tracks encapsulate the label's ethos and style, marking Chapter III.
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Last In: 8 years ago
Gunnar returns with 'Scale No Flam', his first 12' single for the label. Scale No Flam is both a love letter and a demonstration of why he can't stop getting lost in the sound. According to Gunnar, 'acid is just one of those things that creeps into your life and consumes everything around you - a psychedelic and textural approach to music that is simultaneously intense and smooth.
.
While acid has come to be defined by the Roland 808 and the 303, the hardware alone can't define the feeling, and Gunnar believes 'You don't need a 303 to make acid, you just need an open ear and an open mind.'
After getting Mike Servito, Justin Cudmore, Derek Plaslaiko, and Bryan Kasenic all running to the booth to see what the fuck was playing at various times when Gunnar was dropping the unreleased 'Scale No Flam' in his DJ sets throughout 2016, we had no choice but to press it to vinyl. Gunnar tells us he was playing around with trying to replicate the bass line of Heaven 17's 1982 classic 'Let Me Go' when 'things kinda mutated.' The A side is completely Gunnar's own with a dominating acid line providing the backbone to a flangey work-out that is simultaneously totally crazy and totally logical. On the B side, fellow Brooklynites and co-members of the Hot Mix DJ crew, Mike Servito and Justin Cudmore add their perspective with a remix that draws out the hidden angular funk.
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REPRESSED !!
Raw Waxes' sixth release 'One Man Army' features Irish techno artist Lee Holman offering a four tracker obsessive pack without compromises. The record is the second installment of a new series of vinyl releases displaying German illustrator Benedikt Rugar as artwork designer. The record comes in a transparent sleeve with an additional non-credited insert by Rugar representing the imagery of a 'techno ants' marching army going to war against Man.
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Techno veteran Jens "Lowtec" Kuhn drops the first release for new Malmo label BlundarFrom the loud tape hiss, spooky melodies and weirdo ambient dub intent of "Track 2", to the moody, early Autechre throb of Skam-ish closer "Track 4". Dancefloor-minded thrills come in the shape of hypnotic opener "Track 1" - all unsettling, one-note chords, restless rhythms and distant electronics - and the hard-to-pigeonhole madness of the schizophrenic "Track 3".
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A new reissue is coming from Merv. Two old and lost tracks, dating from '95 and '98 will be reissued by Styrax in September. While DeepChord in America, or the Thule crew from Island have been inspired by the Basic Channel blueprint sound coming from Berlin, a small group of artists tempted to push their own interpretation. Full of energy, strongly cauterized in mind, wanted to get rediscovered.In the year 1995 'Melted Vein' arose. Hypnotized, slowly but full of strength it became back to the theme. Merv educed their own variation, their own soul. You can hear their further development in the track ' Dust', from 1998. Pads and melodies, from different galaxies, mixed with ascending chords, kept together with the 909. Two tracks, two epic tracks, the pure Merv magic! Both have been re- mastered at the traditionally Berlin Mastering Studios D&M.
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This record collects many intimate things and singular ideas about Voiski, it is also an excellent synthesis of his musical style, and how it is evolving towards a more and more unknown territory, where his "post-trance" idea collides classic Detroit influences, 90's techno (with that Underworld cover obviously) and a very unique sonic identity he has developed playing his synths with a bright and powerful sound design, and rich arpeggios.
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YPY is the work of Osaka based Koshiro Hino. Having recently released on labels such as Nous, his own label BirdFriend, and the legendary EM records Koshiro now presents the 7 track LP '2020' for Where To Now Records.
The LP leads with the slow building, off kilter title track '2020', where flurries of eastern horns skitter beneath evolving layers of wonked yet beautifully balanced percussive movements, coming off like a technoid homage to the fourth world works of Eno & Hassel. As is the case with much of Hino's music, as the piece develops it takes on heavier and heavier modes of experimentation and excitement - turbines whirr and fizz alongside layers and layers of percussion, constantly teetering on the edge of No-Wave breakdown whilst never losing sight of the rhythmic backbone, recouping from every moment of collapse with total grace.
Hino swings from this cacophony of rhythms on '2020' to the playful, straight-laced ghetto tech burn of 'Soup', using layer upon layer of low key jazzed melody and percussion to gather pace and momentum, showing another side of the YPY palette with a deep groove and melody indebted to the work of Carl Craig as Psyche/BFC and the like.
Hino creates a musical world that veers from the frantic to the sublime seamlessly and appears to ground his interest in the potential harmony of these two states - or more specifically, how the two can exist in a way which keeps heads down and bodies moving in a dancefloor capacity whilst challenging the listeners expectations at every turn. Whilst obviously this is not a new concept, it is Hino's own historic steeping in experimental drone, improvisation, and his work with his intense, hypnotic, minimalist psych outfit Goat which allow him to hold a unique position in this electronic realm.
Yusaku Shigeyasu (Juno Plus) further conveys this aura of Hino's work in a YPY feature piece for Juno Plus, writing - 'Intensity is a common thread that runs through all of Hino's sprawling productions. It isn't necessarily synonymous with a boisterous, forceful sound. He eschews conspicuous structures or overt arrangements and brings a sonic potential out of sober materials, creating deceptively stark pieces with a dramatic impact that capture and hold the attention from the off.' - Yusaku Shigeyasu / Juno Plus
Hino's more rockist influences are perhaps most pertinent on 'Ash' which embodies this improvisational and stark approach to rhythm. 'Soup' is a doomy, sludge hybrid of fizzing electronics and stoner swagger, owing as much to contemporary artists such as Earth and Om, as it does to the first wave of Japanese and German experimental psych of the early 70's. It's a piece which is unlike anything else on the record, a vital piece of the puzzle when understanding where Koshiro is coming from, yet leaving no clues as to where he is going.
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Yul's KRAKLET EP, a sensuous and cinematic minimal tune, was initially released by PIKIMUP in early 2015. Today it is re-released by Yul's own label RESISTE in a remastered version alongside with an exquisite video by movie director Louis Lagayette to illustrate the rebellious tune "Minigme" and two remixes (by Silencyo and Drux).
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- A1: Overthrow (Boys Noize 303 Overdub)
- A2: Starchild Feat. Polica (Tensnake Remix)
- B1: Euphoria Feat. Remy Banks (Skream Remix)
- B2: Euphoria Feat. Remy Banks (Amato Remix)
- B3: Euphoria Feat. Remy Banks (Acapella)
Boys Noize' Album "Mayday" offenbarte eine neue Musikalität des Berliner DJ/Produzenten und enthielt echte Songs statt rau-aggressive Club-Bretter. Die "Mayday Remixes" bringen uns nun wieder zum Ursprung des Geschehens, dem dunklen Dancefloor-Basement. Neben einem eigenen, absolut jacking Acid-Overdub liefert uns Boys Noize auf der neuen Remix-EP noch Club-Tools von Minimal Wave's Amato im EBM Sound, Dubstep-Urgestein Skream sowie Hamburgs einzigartigem Tensnake mit einer deepen Exkursion.
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Through ten-year-experience, CRIME RECORDS is now coming to life in the Salento area (Italy). Mainly based on electronic and techno music, CRIME RECORDS is an indipendent, eco-friendly and strictly old-school label.
The project comes from an idea of Ilaria Mazzotta and Matteo Ria and it aims to spread music only and exclusively throught vinyls and by two realeases every year.
The first release collects the music by the DJs animating the Crime Festival (Salento's summer electronic meeting) and connects Apulia's sound to the best International panorama.
NAIDA Lab will be the promoter of the label, pioneer in event organisation, refined and dedicated in good quality music spreading and careful to the dares of contemporaneity.
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Preternity' is a vinyl that collects together four of the most dynamic artists in electronic music delving into tracks from Dadub's forthcoming album 'You Are Eternity'. Dadub's album positions itself as part of an eternity which is forever recurring and in this context Lucy, Lakker, Rrose and Kangding Ray's remixes emerge as parallel versions of the original tracks. Revolving around the axis of 'You Are Eternity' the artists use analogue machines and digital devices to either encode or decode Dadub's vision. SA016 is preoccupied with sounds that point to our most basic assumptions. It's a collection of tracks that are determined to ask questions even if they can't really be answered. All four artists selected the Dadub track that they wanted to remake, and what has been pressed to vinyl are part instinctive reconfigurations and part reflected rethinkings of that source material. This vinyl is a unique look at the processes of four of electronic music's most keen experimenters and a moreish taste of what's to come from Dadub's debut album, 'You Are Eternity'. - Album launch: Dadub Live @ Berghain 16.02.2013
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Berlin-based Doc Sleep's debut EP on Bottom Forty is a record that pulls no punches and plays no tricks; it is instead a sophisticated, gorgeous array of minimal techno inspired by the darkest of dance floors. Doc Sleep's ear for sound and rhythm set the tone for your moments of eyes-shut dancing, giving you the chance to hang onto every subtle but flawlessly executed fragment of noise.
'First Solar' opens up with a contrasting blend of dark, rolling hills of bass and bright pads that quickly pick up a dangerous amount of momentum. The moment the track 'Between' pounds its first kick, you can't help but be immediately sucked in by Doc Sleep's ear for sophisticated, minimal, beautifully engineered sounds. Between is a track that stays on its groove while soft gorgeous pads pass over you like waves, it's the perfect time for patrons of a dingy basement dance floor to connect in the dark. Lastly, 'Ampere' is a track that lays out a solid techno soundscape that is mixed up at the listeners surprise with heavily reverb'd snare hits and brooding sweeps.
On the B side, two remixers bring Doc Sleep's EP into a different dimension. Bottom Forty label head Nark extracts the gorgeous pads and pulls them to the forefront of 'Between', starting with a long ethereal intro sure to stop and sway any dance floor before continuing into a grimy minimal 303 bass line as the subtle rubs to Doc Sleep's original sounds lend it an exasperated grinding element. The second remix from Bottom Forty artist Cid & Fancy takes 'Ampere' into a place of rhythmic organized chaos with synth stabs that shoot off like metal sparks.
We love La Fraicheur for her emotionally rooted and minimal grooves, and she doesn't dissapoint with her take on 'First Solar', a driving, linear rhythm with unexpected analog twists and turns and the most heated breakdown on the record that we've personally witnessed energize many Berlin dance floors into a dancing frenzy.
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Here it is! Future Beat Alliance's legendary Hidden Emotion album!
Originally pressed back in 1997, but just some few white label promos were made and it was never given a full proper release. This is a real timeless UK underground treasure featuring 9 absolutely stunning productions, all filled with warm emotions from the beginning to end.
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After Hollen's very successful remix for our Piemont release in summer 2013 we are happy to have him back with his full proper release on Terminal M. Since Monika Kruse loves and plays Hollen's tracks and remixes heavily it was only a matter of time to get together for this Terminal M premiere.
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On his thrilling, wide-eyed debut for Rabit's Halcyon Veil, London-based IVVVO gets deep under the hood of rave music's emotive mechanics and reasserts his crucial role in the borderland between lonely bedrooms and heaving clubs.
Good, Bad, Baby, Horny is a distressing but necessary distillation of contemporary worries in the bedroom and the dance. Largely shy of beats but heavy on symbolic, contorted references to '90s and '00s pop, rave, and video games, as much as the current ecology of effluent news feeds and rampant social anxiety, it plays out like a frazzled AI attempting to parse the confusion of memory thru state of infinitely up-to-the-second hyperreality.
Its four tracks fuse visceral and highly visual sonic cues in synaesthetic rushes that mirror our sense of physicality within the framework of daily digital experience, somehow isolating the motion sick feeling of hurtling toward a shared endgame with life flashing before our eyes, whilst simultaneously remaining static at the centre of a rave and resisting the perceived tempo of reality.
Scaling from the intensely queasy sensuality of the title track's gasps and deathly synth drop, thru the the sky-kissing guitar licks off Self Rape, to the frozen Eski shoegaze burn of I Fucked It Up and an elusive glimpse of ecstasy in Tongue Kiss Crying, the mood is perpetually high-strung yet melancholic, violent yet compassionate, perhaps best considered in terms of MDMA as a bitter salt or prism for reflective, therapeutic purposes.
It's definitely Ivo Pacheco's strongest work yet, and a hugely timely dispatch from one of rave's visionary contemporary se'ers.
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A collapse of any truth, absence of light, and spectroscopic industrial manoeuvres in the dark: this is Isolated Process Ep realized by Kwartz.
Isolated process is a robotic monotonic thought deep down the furthest abyss.
Belling drums alongside drones and solid grey basslines appears on first Function and Second Function:
two different points of view, two moments about the same hypnotic march. Milton
Bradley's remix is a slower exploration of what remains alive underneath the space. Slow
and cyclical beats hits back the mind once lost in the ocean.
Pure machine darkness.
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- A1: One Man Army
- A2: Deadly Persuer
- B1: Reconnaissance
- B2: Last Man On Earth
- C1: Reconnaissance (Kymyon Wknd Mix)
- C2: One Man Army (Haiku Remix)
- D1: Deadly Persuer (Cassegrain Remix)
- D2: Deadly Persuer (Distant Echoes
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Landing with a bang and in time for height of the summer season comes Eastern European producer and DJ Timmo, a rising tech house talent that's already released with the likes Drumcode and Waveform Recordings, now makes his mark with Gregor Tresher's always on point Break New Soil label.
On the In My World EP, the Bulgarian focuses on tempo, rhythm and drive, turning in a 3 track EP of non-nonsense dance floor ammo, eschewing remixes and collaborative numbers for a full fat collection that allows the budding producer to explore all facets of his sound.
Title track In My World pushes a heavy slab of sub bass, before hissing and ticking snares - packed full of swing and pace - push the track forward, as radiating, mid range bass pierces the track's plain. More groovy than Komplex - adorned by progressive melodies - it's dark overtones and unapologetic effects make for an equally as moody piece for those with itchy feet.
Next up Timmo asks you to Trust In Me, as he notches the bass up further, with kick and baseline merging into one heavy lead rhythm, while compressed snares lift up the track in bursts of major tonal chord progression, restlessly deviating through a simultaneous weaving of high and low melodic touches.
Finally Komplex - a driving, mechanistic track that piles on the hypnotic, hydraulic overtones. Snarling, gnashing and tough, its drop heralds the arrival of a thudding kick drum, producing the back bone as the track hisses, pops and bangs through its deep groove and 808 claps.
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After ending 2016 with a host of end of year list mentions, Timedance returns for its first record of 2017. Label boss Batu takes the reigns to present three shapeshifting beat experiments, packed full of twists and turns. 'Murmur' is focussed around a single stuttering beat pattern, played across multiple instruments. After its initial stark drop the track evolves into a more measured form, whilst still ramping up its mind-mashing dancefloor purpose.Groundwork expands on the theme of subtle, but effective grooviness. Synth lines rise into bursts of spacious noise, ascending into the stratosphere before being clamped back onto the tenacious but constantly developing rhythm. 'Whisper' concludes the EP with giant throbs of sub and woozy but visceral pads; fading into a sea of reverb and modulation. It ends a release full of unpredictable and striking moments that have become synonymous with the label.
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Semper Memor is back with its third instalment, presenting a split Ep between Kader Yani and DLS.
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Last In: 7 years ago
REPRESSED !!
Comprised of Bristol based sound artists Adam Winchester and Christopher Jarman,
Dot Product comes to light in a swathe of noise, tone and texture.
Through years of research and experimentation the duo have sought to explore the creative potential from the inaudible fog of electromagnetic radiation, the internal resonance found in the negative space of an object, the circuitry of discarded electronics, and other such less-travelled paths of sound generation. In harnessing these clandestine sonics and bringing them within a listenable range, the resulting collages of sound have been shaped into a form that nods to the legacy of uncompromising British experimental electronic music, from early industrial savagery to bass-heavy soundsystem pressure. Such reference points are abstract though, for within the truly unique array of sources at their disposal, Winchester and Jarman have a new dialect in which to communicate.
Crucially, while there may be a scientific approach at the heart of the Dot Productmethodology, the results are far from clinical. There are subversive rhythms aplenty throughout the album, from the jagged ripples of 'Skafander' to the slow, dread-fuelled march of 'Springs'. There is also space for touches of melody; 'Atmosphere Processor' swoons with blue-hued melancholy, while 'Ice Patches' stalks on an ominous bass mantra.
After sharing the initial results of their research, the pair performed select live shows in Bristol and London, as well as being commissioned to create a sonic interpretation of Swedish horror film Let The Right One In. This debut album on Osiris is the culmination of these initial steps, these 9 tracks representing the most complete document of the Dot Product sound to no repress
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- 1: New Babylon
- 2: Vascular
- 3: Exegesis
- 4: Moor
- 5: Dragliner
- 6: Burial Moth
- 7: Mare
- 8: Agafia
- 9: Wound
- 10: Crop Ruin
- 11: Linthen Heap
- 12: Sin
- 13: Seas 2
- 14: Roraima
- 15: Manual Children
- 16: Edgelands
PTP is proud to present the debut album by Eaves, entitled Verloren-the first release inits post-Purple Tape Pedigreeincarnation. With the combination of his academic history in architecture and long-time interest in the internet both being inextricable from his music-making, this album sees the Brooklyn-based producer placing a lens to the relationship we have with digital environments -operating in the uncanny valley in which we seem to find ourselves. Using last year's GORILLA as a conceptual and sonic blueprint, Verloren, or lost' in German, progresses from the former's four movements and examines our role as a detached audience on a macro level. These 16 tracks continue to explore the relationship between sound and physical structure. This time, Eaves drifts through fictional representations of our world in the future, finding that our present day seems to mimic them. Verloren exists in a liminal zone, where the screen tears and everything is greyed-out and blurry. Although there is a sense of fleeting chaos throughout, each track seems to sonically map out a landscape within this cataclysmic sphere as Eaves travels across it. Ruin, memory, and the role speculative projections play in the way we interact with these concepts is central to Verloren, as is attempting to understand how we process all of this emotionally. Strings and synths swell over ominous beats, mysterious human-like sounds are buried under layers of sonic bombardments. Eaves also interprets Verloren as a warning - if reality mimics our ominous, fictional projections of the future, it's clear that our current systems aren't resisting as much as they should be, orperhaps we will always follow the fictions we create.
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A new reissue is coming from Merv. Two old and lost tracks, dating from '95 and '98 will be reissued by Styrax in September. While DeepChord in America, or the Thule crew from Island have been inspired by the Basic Channel blueprint sound coming from Berlin, a small group of artists tempted to push their own interpretation. Full of energy, strongly cauterized in mind, wanted to get rediscovered.In the year 1995 'Melted Vein' arose. Hypnotized, slowly but full of strength it became back to the theme. Merv educed their own variation, their own soul. You can hear their further development in the track ' Dust', from 1998. Pads and melodies, from different galaxies, mixed with ascending chords, kept together with the 909. Two tracks, two epic tracks, the pure Merv magic! Both have been re- mastered at the traditionally Berlin Mastering Studios D&M.
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Semper Memor's fourth Ep, a timeless dance floor winner for the darker hours from Berlin based artist Uqbar (aka Solune from Arcarsenal, BCR). Uqbar merges electro and techno elements with acid lines, electronica/IDM references, and spatial aesthetics. Including EBM infused remix from Detroit stalwart Chris Mitchell.
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Last In: 9 years ago
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- A1: Malika Ayane - Dimentica Domani (Jazzanova Remix Dub)
- A2: Joe Bataan - Ordinary Guy (Jazzanova Rework Extended Version)
- A3: Heritage Orchestra - Skybreaks (Jazzanova Remix)
- B1: Furry Phreaks With Terra Deva - All Over The World (Jazzanova Mix)
- B2: Spinning Motion - Naze (Jazzanova Remix)
- C1: Paul Randolph - Believer (Jazzanova Remix)
- C2: Atjazz Feat. Dawne B - Parallels (Jazzanova Serial Remix)
- D1: Outlines - Listen To The Drums (Jazzanova Remix)
- D2: Hugh Masekela - Stimela (Jazzanova Remix)
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Boundary: After a successful launch of his own imprint last year, label owner Aiken is now back with the second EP. His first release of 2016 and the second release on the Timelime imprint counts four four-to-the-floor techno bangers in his own signature style. Warehouse proof peaktime.
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Almost a year after its first release, Swiss label Framework Recordings offers a fine follow up from fledgling artists Domo with a remix from the well established David Durango.
Domo are a pair of Swiss producers with a sound characterised by a focus on atmosphere and depth, taking cues from the rawness of Detroit and Berlin. They are closely associated with this label and play extended sets at parties under this banner, and more than come correct with their moody offerings here.
The delicious 'Dustwave' opens things up with some stripped back and spacious slo-motion grooves. The percussion is rough and grainy, the synths are infused with a real sense of serenity and subtle rhythmic sounds help move things along so that any knowing 'floor will be locked in.
The brilliantly cavernous 'Sidetalk' is another emotive & deep house track for basements who like fat dubby sounds. Growing in stature as it unfolds, it is an effortless and economical track that will take any set to the next level in smart and surreptitious ways.
David Durango completes this Swiss package with a Dark Baroque Reinterpretation. He has previously released on labels like Poker Flat Recordings, Dessous Recordings and NRK, and his spooky offering here is littered with sonar pulses, gently ticking percussion and well crafted synth soul that is humid and human.
This is effortlessly stirring house music that from a label that already operates with real style and substance.
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'Heart' is visual artist Jesse Kanda's first musical release. 'OK, here is my humble attempt to try and put these songs in context .. to reflect and describe what they mean to me : 'Axolotl' is like a chant for giving it your best try. 'Womb' is maybe like the moment you're out and you hear the world unmuffled. 'Wings' is like a conversation .. maybe with yourself, maybe between two aspects of you, or with another spirit. 'Feline' is sensual like a courtship. 'Heart' is losing someone you love and your self. And on the sound of these melodies : My work might sometimes be coated with a layer of sharp pain like a blade to the eye or ears. But at the heart of it is always love, compassion, empathy. I think this coating is created to protect itself, like the walls of a womb, or armour. the same way that what's within us can protect itself and can be hard to crack. It's kinda in my nature to always try and turn this stuff inside out and expose it. Each of the songs on this EP have this quality. The melodies are treated to cut you like a serrated knife. But hopefully they are beautiful enough that you'd want to listen anyway. Thank you.'
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The ancient haruspex used to read chicken liver in a bid to predict the future and foresee natural disasters. Taking influence from this technic, Fango embarked on a long insular trip, reflecting down till the depths of his own soul. The outcome of this arcane ritual is "Viscera", a series of 3 EP's focused on the pure essence of Fango's artistic delirium.
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Like a slug persistently stuck to the bottom of a half-pipe in the community park over which there has been much debate, Grey People has long been making tracks within proximity of the teenage forbidden zone from the detached, elemental perspective of a dark, moist creature."Cryogenically Frozen" -- should we be Schwarzenegger cries liquid nitrogen teardrops but allows you entree to the dance floor, filled with the icy carved physiques of electro snowmen."Coma Tunnel" makes going flatline sound beautiful and sad. The fluorescent hum of the bulbs lighting the conical ceramic passage to oblivion provides a nostalgic pillow to press our face into.On the B side, the Tornhawk squad mess-up of "Coma Tunnel" begins with toddler-techno thuggery. Then guitar chews Grape Nuts cereal all loud in the ear of your high school principal. Then some screechy, finally soothing greeting from the angels that escort you to afterlife's beanbag chair.
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Catalogue Number PP018 has been work in progress for quite a while now. Wind-s originally appeared in a slightly different version as part of the soundtrack to one of Rohtheaters` plays. The track features all the typical Obalski elements we have grown so fond of in the past. Dreamy pads and odd melodies create the sort of ambient that carries you away somewhere else (Bravo!). We decided that it would be interesting to hear other artists take their turn on the material. The Japanese duo Mascaras (Chida & 5ive) transformed Wind-s in an atmospheric drum workout. Fantastically incorporating the breezy synth elements of the original into their flow of percussion. Press play - Lift off. The B-Side gives space to Nick Höppner's epic Techno groove. Ecstasy - evolving - progress.
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Last In: 5 months ago
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The latest release from Breach's own Naked Naked imprint is brought to us by Leeds based Viers aka Jordon Saxton. Part of the new wave of UK house and techno producers, the forward thinking producer already has five releases under his belt, including a 12inch on Seb Wildblood and Ape's 'Church' imprint. For his third outing on Naked Naked, Jordon once again assumes his Viers alias for another dose of dancefloor-ready techno. On the A side 'Dissipate' makes use of sparse elements to construct a hypnotic, minimal groove. Skippy hi-hats dance around a solid but simple bassline, creating a bouncy, satisfying energy. On the flip SMS's dubby stabs combine with rattling percussion to establish a driving, relentless rhythm. Full of intensity, this one is definitely built for peak hour dancefloor damage. Due to drop on 16th October, Viers 'Dissipate/SMS' release is another great edition to Ben Westbeech's Naked Naked Catalogue.
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