Techno Vinyl New Releases - News

02 schwerkraft 03 mutanten 04 spacedout 05 gogogo 06 mode 07 dangerspace 08 weltraumboogie 09 lux 10 zeitraum 11 sex is out 12 vierspur

The sophomore release from Ali Wells' new specialty imprint Submit, Feral Grind (SUBMIT002) collects tracks from a wide swath of producers who operate at the intersection of techno, drone and DIY electronics. Curated by Wells and music journalist Justin Farrar, the compilation features a balanced assortment of well-established innovators and under-the-radar sound explorers.

The names Pete Swanson, Prostitutes, Burial Hex, Profligate, Bleaching Agent, Hive Mind and Indignant Senility will certainly be familiar to those who keep abreast of the latest developments in cutting-edge electronic music. Over the last several years, these musicians have exerted considerable impact on everything from 'technoise' to 21st-century industrial. In the process, they've released music on labels as diverse as Spectrum Spools, Type, Diagonal, Not Not Fun, Digitalis, Opal Tapes and Wells' own Perc Trax.

Feral Grind also spotlights numerous artists not widely known outside of underground-noise circles. Their inclusion is proof of just how extensive and far-reaching the interface between techno and noise has become in recent years: Housefire, from North Carolina, unleashes a multi-layered din of crunchy distortion and shattered groove exploration. Going by the all too appropriate moniker Trogpite, Nick Painter vomits-up cough syrup-drenched horror lurch and caveman groans reminiscent of Dread-era Wolf Eyes. Speaking of which, Wolf Eyes' very own John Olson specializes in harsh-beat deconstruction under his alias Henry & Hazel Slaughter. Equally blown-out is the relentlessly pulsating work of Philadelphia's Mincemeat or Tenspeed. Then there's The David Russell Snake, whose whiplash-inducing productions are a direct reflection of the Cleveland musician's deep roots in harsh noise and power electronics.

First Contact EP is living proof that music has no geographical boundaries; UK and Latvian artists come together to bring electro funk of a celestial standard.
Since his debut release Miotek has stood out from the crowd. Whilst many electro producers pursue the dark path or focus on the heaviness of their sound this Latvian producer and head honcho at Seven Sisters Records injects a high level of musicality, intelligence and groove into his work. For this EP we see him collaborating with Salmz, Latvian born and based artist to produce space funk electro of the highest calibre.
Nibiru sees the addition of a vocal element in the form of 4th Genome, the alter ego of the man behind the Bass Agenda Radio show and record label; adding a further layer to the precise dynamics of the Miotek/Salmz composition.
On remix duty is long established UK talent Sync24 (Cultivated Electronics). The fit here is spot on, Sync24's talent for blending the funky side of electro with driving power beats and bass lines results in a superb dance floor pressure cooker of a remix.

der zweite streich !! stark, die tracks wollen gespielt werden

Two years after his landmark debut Aftertime, former Vex'd member Roly Porter presents his second full length LP, Life Cycle Of A Massive Star. The piece explores expansive scale and macroscopic processes through the thematic framework of the birth and death of a cosmic star system. The album is underpinned by a parallel investigation into the human response to this vast celestial order and its overarching dialogue with the infinitesimal lives we lead. The material considers the crucible of space as a poignant symbol of the brevity of existence and highlights humanity's part as both observers and participants in an endless cosmic cycle of creation and destruction. Whilst the album continues on from Porter's previous work, through fractured eruptions and volcanic textures, it equally invokes a more historical mode of reflection. Enacting a distant remembrance of the history of electronic music and a dreamlike recollection of a Wagnerian landscape. "Life Cycle Of A Massive Star" will be released on vinyl with a gatefold sleeve and CD on October 7th by Subtext Recordings.

The moscow electronic project reledom starts under a label bomjbar with three new tracks on a record named as "first steps". the first steps is not only new tracks, but it also goes out of russia as the previous releases were in a format of cd and were on sale only within the country.

First EP and vinyl release from this surprising Detroit secret!
We don't know who or what, so we'll let the music speak for itself.
For those in search of something new, buy this record.

Ellis De Havilland's original 'art brut' and authentic 'idiot savant' music: lost and found heavy and raw, wonderfully obscure and brilliantly retarded, crazy and intense acid house ghetto trax from the Chicago underground '89 - '91. Released on Bunker's new 4000 series. 200 copies edition!

017 years after first releasing a cassette EP from label boss Marsel van der Wielen under his Peel Seamus guise, Delsin has now hit the landmark category number of 100. Truth is, taking into account choice re-issues and specials such as the recent house series, there have already been scores more than 100 releases.
Nevertheless, in that time the Dutch label has become synonymous with a wide range of timeless sounds from house to techno to dub to electronica, nurturing and championing some of the most respected names in the scene, all of which can now be enjoyed on 5 separate, various artist vinyl EPs or one impressive two disc compilation.

Far from just a collection of tracks, the 100DSR compilation has been carefully curated to tell the tale of Delsin. Each record conveys a slightly different part of the story - be it house, techno, beats or electro - yet every one is tied together by the label's own underlying sense of desolate melancholy.

Across the five EPs and complete CD collection there are tracks from newbies and old favourites alike, including Sawlin and Delta Funktionen, John Beltran and Bleak, Redshape and Convextion, Gerry Read and Claro Intelecto.

As has done Delsin itself over the years, this special series of releases looks to join the dots between the past, present and future of techno.

Clone Classic Cuts continues their re-issues series for one of the most influential techno acts ever... Drexciya. The second selection of tracks including favorites such as ''Bang-Bang'', ''Positron Island'', ''Anti Vapour Waves'' and ''Journey Home'' complimented some lesser or unknown tracks. Raw, uncompromising music made with soul and creativity always has been the trademark of Drexciya (and also from their original label Underground Resistance) and this album is another showcase of their talents.

The Descent of Man EP is the third and last part of a trilogy on vinyl dedicated to Charles Darwin studies. This final chapter is focused on the darkest side of electronic music and his impact on human psychology. As Charles Darwin studied the evolution of physical and mental traits, we want to show how obscure, trembling and aggressive sounds generate an increasing sense of agitation and loss while mild and gloomy atmospheres can relieve the body and brain, achieving a peaceful state of mind.
Don't be afraid to move into a shady space. This is not the end even if it could be.

The greater Lisbon area is separated by the Tagus river, North and South. BNM (Blacksea Não Maya) are from the South side and PDDG (Piquenos Djs Do Guetto) from the North Side. This EP is the expression of work being done for the past couple of years through a monthly club night that put these crews playing together in downtown Lisbon.

Both BNM and PDDG have been producing a lot and we were blessed to have been able to meet them and help spur their enthusiasm for song structure as well as providing them with an outlet for rhythmic experimentation (you wouldn't believe the quantity and quality of rhythm tracks they produce for their own DJ sets). You will hear their names as signatures within the tracks, as an identifier for outsiders. They are familiar to us now.

DJs Kolt, Perigoso and Noronha are not only part of the same crew, there is actually family blood running in some of the guys from BNM. Home turf is Bairro da Jamaica, one of those neighbourhoods that look like they were bombed and shakily rebuilt (more accurately, never actually fully built). It is at the heart of urban disorder that BNM forged an identity, picking up signals from the rich musical background all African descendents carry in their blood and translating them through their hearts and minds.

"Afrooloove" is a sentimental take on afro house. Percussion is both King and Queen, the clipped bassline is strangely calm, doing its work regardless of all the surrounding elements, and everything melts together beautifully as the song evolves;

"Decalée" cruises at a different, faster pace. Rhythmic intensity is manifest on different levels, almost as if everything is running parallel and magically fits together. Halfway between kuduro and house, this one bangs hard and still manages to soften a few hearts;

"Dia Da Moka" is all about the interplay between a vocal hook and a twisted accordion melody. The rhythm track is somewhat subjugated but on close inspection it's as rich as all the best music DJ Perigoso has shown us: a bubbly bassline (sounding like a muffled tabla) and a sort of stuttering synthetic snare hitting every moving target;

In "Africa Congo" you can hear, if you like, the same pulsing bass drum as in countless Basic Channel / Chain Reaction productions, but that's because the bass drum is The Mother. Similarities end right there, and the fact this song is titled "Africa Congo" doesn't mean it fits within preconceived notions of what current African music is supposed to be. Noronha is showing all this talent comes from being a free agent, insulated from the outside world just enough so the rich patterns you hear sound like no other.

Side B is taken up by PDDG, a crew formed out of admiration for their elders DJs Di Guetto (The P on PDDG stands for Piqueno, meaning Little), now veterans who released the influential "Dj's Di Guetto Vol. 1" compilation back in 2006. Those were Marfox, Nervoso, N.K. and others. Their example was followed by really young kids mostly living in Quinta do Mocho, not far from the tail end of Lisbon airport's main runway. Firmeza, Maboku and Lilocox represent the crew for this EP.

"Dedicado Projecto Princepe" is DJ Firmeza's hommage to the club night bearing the label's name. Our mutual respect comes full circle here in this raw, primal bouncer. Firmeza mastered a complex web of rhythmic breaks and shouts that translate a barely contained energy, they seem to indicate a very real physical effort being made to keep up with the
track and evoke the muscle needed to dance through the whole night;

"Remeche As Coisas" uses the recurrent vibes motive these producers always manage to recycle in a fresh way. Overall it's an abstract, broken beat, start-stop and wonderfully "disintegrated" affair, showcasing the rhythmic urgency always at the centre of this music;

Maboku comes out as the charmer in the crew. His "Instrumental P" matches flute with all kinds of percussion drops, extremely soulful ambience, a tense but love-drenched groove that transcends all ideas of afro house or even plain house;

You can hear some of the same strong points in "O Vento uma Verdadeira Amizade" ("The Wind A True Friendship"), a collaboration between Maboku, Firmeza and Lilocox. Different worlds collide here. Deep, sexy house, traditional African melodies (a very evocative Funaná accordion), epic horns calling to a love battle, military snares lined up for the call, and the softest of basslines sounding like a moody soundtrack to a chilling scene in a movie. We believe this is yet to be named.

We hope you will listen to this music outside of any set of rules and enjoy it for what is is: beautiful, intuitive, handcrafted, heartfelt.

The bomb that should have dropped way back when. After a career spanning almost two decades DJ Overdose debuts on Creme with his first full length album, upon which we remark with carefully considered understatement: 'A veritable tour de resistance in film noir electronics, Bizarro World is a dank and dark alley made flesh. Overdose's heavy soulful beats and soundscapes snatch your dreams right from under you like a shadowy kleptomaniac, masterfully pairing melancholy and ennui with fear and voyeuristic tiger-lurking-in-the-bushes paranoia. So lock up your future plans or you might very well find yourself without any'. For those who don't know, DJ Overdose is one of the OG's of the La Haya underground, one half of Novamen and the other half of The Hasbeens with classic and sought after releases on Bunker, Viewlexx, Murder Capital, Clone and Strange Life to name a few. In his spare time he doubles as a hand model for Bruce Willis.

Back to the Reve ! Nelumbo is a long beautyfull tekno house tune, full of evolution and secrets, with a superb pan pipies playing an obsessing melody. I miss You is a progressive bassline acid techno tune, in the vibe of Circular Rainbow 03 best tune... As usual Mr Reve ends his Circular rainbow with one experimental bonus track.... soulfull realese from the man who was also realeasing the XTRX tunes far in the years before.

The 10th Installment from Detroit imprint. 4 diverse artists highlight the release with electronics for all.
Stellar motown techno

he journey continues... Clone Records continue with the re-issue series of the early catalogue of one of the most groundbreaking and influential techno acts ever... Raw, uncompromising music made with soul and creativity that has always been the trademark of Drexciya. This is the 4th release in the series and contains arguably some of their rarest and most astonishing tracks such as Black Sea, Mantaray, Hydro Cubes and Depressurization.
Design and layout by Klen.
Mastered by Alden Tyrell.

Boris Bunnik has finished his third full- -length album as Conforce. Entitled Kinetic Image, the ten- -track album is to be released on Delsin in November following on from his standout offering, Escapsim, back in 2011.
In the last few years, Dutchman Bunnik has established himself as one of the most prolific producers in many different sonic realms. From deep, stripped down explorations to raw and rugged techno via conceptual and cinematic sound design projects, he is a master craftsman who coaxes evocative sounds from both analogue and digital tools whether working as Versalife, Silent Harbour or any of his other monikers.

Kinetic Image, though, is the sound of Conforce producing without the dancefloor in mind. It's the sound of him moving away from the past and into the present. The album has very much been designed to be heard in one sitting, as a complete experience that moves away from regimented 4/4 beats and into slower, more surreptitious tempos.

The result is an all consuming sonic journey of intriguing and inspiring sounds that range from full on cerebral excursions into vast open spaces that throb invitingly (Scientific Trajectory) to underwater daydreams that suspend you deep in an ocean as various mycobacterial details float by. There's also more industrial sounding fair that depicts a desolate warehouse in perennial decay (Semantic Field) and mysterious echo chambers that spread out all around you as celestial light beams and haunting melodic ripples gently float by as per the excellent Temporary Reversals.

An aquatic vibe pervades - no doubt a side effect of recent projects under other monikers - and the title itself relates to the fact that Conforce wanted to make moving images and art that evolve and unfold like passing landscapes. He sure has done that, because Kinetic Images is like an imaginary soundtrack to the last days of Atlantis... it sucks you in, it churns you about and it makes for music that consumes your whole conscious and rewards it with very real sonic imagery.

As is always the case with this label, the album comes with bespoke artwork from Dutch designers Graphic Surgery who are inspired by 'urban environments' and 'experimental electronic music from the 1990's'. Created using an analogue spray paint/stencil technique, each 'box' or 'step' is an original image on paper and gives rise to the aesthetic of minor failures. As such, the repetitive and monochromatic design they have come up with for Kinetic Images is both structured and architectural yet dynamic and fluid at the same time. Completed with crisp typography and luxurious amounts of negative space, it's artwork as considered as the music it conceals

Having made a name for himself as a heavyweight ambient, electro and techno producer as Conforce and Versalife, Bunnik is now ready to release his second release on his Transcendent imprint. The label started to expand his musical vision, and is focussing on deep and abstract mental sound excursions, also by future talents from the local scene in Holland. After stepping out of his own on the Red Shift EP, the producer delves even deeper into the unknown, into a world of filmic soundscapes, evocative sonic imagery and spacious abstract worlds. Forever keen to harness his studio technology, Bunnik comes up with a coherent but versatile mini-novel under his Hexagon moniker. Cold, but with a soul shimmering through the carefully crafted synthetic sounds. Beautiful release!!

SOP is back! Nach dem Forever Hit holt sich Labelhead Bait & Switch diesmal Verstärkung von Retreats Family Member Phillip Saul sowie den Liedermachern Enemenemeck , die gleichzeitig den Lead Gesang stellen. 
Zusammen spinnen sie sich Ihre Welt um am Ende gemeinsam die "Zeche" zu prellen. Wem das noch nicht genug ist, der bekommt spätestens auf der B-Seite beim Remix von K:lender Chef Pierre Deutschmann ordentlich was auf die Ohren. 
Rundum ein außergewöhnliches und doch sehr grandioses Release, welches nicht nur auf der Tanzfläche funktioniert und dass den Sommer 2011 sicherlich "Zechen" lässt.

Eye records is the digital label from Ganez Le Terrible.
And on this digital label there are some good tunes ! Together with him, we decided to give the best of these a chance to exist on wax, choosing 4 of our favourite tunes on the Eye whole catalog... A wicked melt powerfull techno and minimal tekhouse : dancefloor killerz !

Out of the dark depths of the underground emerges, once again, the purveyors of proper electro with a fresh new record to settle the score. Marguerita-Recordings delivers with a 10 track various artist compilation record, Telex Magick, which features artists from Europe to USA to Asia and back...the true essence of the electro underground is back.

Thereissomuchsoul-suchvehementchutzpah-
buriedwithReelingSkullwaysthatit'sdifficultto
viewitasanythingotherthananunmitigated
triumph."(TheQuietus:BassClefalbumreview
May 2012 )
"It'sastimelessinitsownsmallwayastheChicago
canonthatinspiredit."(TheWire:BassClefAlbum
review June 2012)
BassClef'slongplayer'ReelingSkullways'wasmet
withawaveofcriticalacclaimwhenitarrivedon
PunchDrunkbackinearlySummer2012,
demonstratinghisvision,passionandskillfor
electronic music as an artist and producer.
TherecordcapturedtheattentionofdirectorSteven
McInerneywhohaspreviouslydirectedvideosfor
CircleTrapsandVesselsaswellaseditedvideos
forBlocParty,JonHopkins,TimExile,,PVT,
WagonChrist,VladislavDelayandmanymore,
inspiring a collaboration between the two artists.
Nowreadytobeunveiledinallit'stechni-colour
glory,PunchDrunkwillbereleasinga'Stenaline
MetranilSolarFlare'EPtoaccompanythevideo
featuringthreenewmixesfromBassClef,Coseph
Jonrad & Peverelist alongside the original mix.
BassClef'sremixcomesallgunsblazing,drawing
on....

SETI recordings tune in to a new ArD2 transmission. With the title 'night lights' this 5 track EP explores the dystopian ArD2 universe with 4 tracks that go from the atmospheric low tempo beats to the heavy bass club orientated records.

Additionally the EP contains a Heinrich Mueller guest appearance remixing one of the tracks found in the record.
ArD2 is an electronic music project based in George Orwell's novel 1984 that combines music and sounds instead of words to tell a story set in a near future.
Project developed by producers Penelope Martin (Zwischenwelt, NRSB-11) and Ekis along with visual distorter Desh.

collecting orders for a repress!

2 tracks recorded by copeland and John T. Gast in Stroomi Rand, summer 2013. Available on 12 inch 180g limited edition vinyl. TIP

To mark the occasion of Delsin hitting 100 releases, the label is to release five new various artist EPs throughout the rest of the year.
Besides a special collector's box edition, all EPs will be offered separately, with limited edition colour runs and unlimited black copies. All fifteen tracks will also be compiled onto one CD. Label mates Convextion, Sawlin and Ross 154 (aka Newworldaquarium) contribute one tack each for the third EP in the series.

Heavy techno dude Sawlin offers up just that: stiff rhythms of industrial percussion, grainy lo-fi pads and plenty of fuzzy textures are all on display in his seriously heady jam 'Zeitstempel'. Next up is Convextion with his breezy, summery jam 'Verna'. With a squelchy and snaking bassline and subtly uplifting pads, it twists and turns as it drives forward, and so will you.

Finally for this installment, 'Moon FM Desire' (first released on 15dsr CD) is a serene and slo-mo trip by Ross 154 with tumbling drums and thin, heavenly pads. A piece of music full of pain and lovelorn drama by the man also known as Newworldaquarium.

collecting orders for a small repress
After his debut album on Stilleben, Komarken Electronics drops his first vinyl release on Solar One Music.Deep and unique electro sound featuring an Exaltics Remix. Lim. Smokey
Clear vinyl!

By bursts of silence that seemed woven deafening persistent and grinding Agnes' earrings, scream, hand drill, it is that it is possible to mix, they will break the hustle and bustle, to listen to all the way from the village interruption. Did the Richard Where am I His bed was empty. Indifferent, in the field miles away pills and his grandmother danced his vision to horrowshow beat repeatedly reckless and unrestrained cruel twist, Richard has a gruesome demise of more than 20 contorting mess the limbs of his . In the rush of his early, he had forgotten to shut the door behind him.
Early support from Perc, James Ruskin, Francois K, Four Tet, Ben UFO, Pangaea, Pearson Sound, 2562, Untold, Tiga, Call Super, Inigo Kennedy, Nathan Jonson, Randomer, Errorsmith, Cassegrain, Paula Temple, Alex Smoke, Optimo

Anecdote Records releases its long anticipated and seriously overdue 1st vinyl Ep.
A quality limited edition 12" featuring 4 established producers each offering a large slice of their own acid. * John Shima - 'Connection', the track starts of the Ep and provides deep lush pads setting the scene for a dreamy spacey detroit feel awash with the tones of acid synth that just takes you on a complete journey from start to finish. Nothing short of blissful. * Affie Yusuf featuring Laila - 'Nursery Time', no stranger to acid, Affie lays down a hypnotic 303 groove that just rolls on and builds. Laila provides the vocals and tweeks the 303 creating a totally unique track leaving a full smiley face. * Orson Bramley - 'Bang', the flip side moves things along another gear and the 303 funks away to a frenzy, chopping and twisting along to a head numbing tune, coupled with a vocal sample the track leaves you with guaranteed floor action. * Mark Archer - 'Cogzy', working side by side the 303 & 909 lock patterns and funk their way around each other, leaving you with a classic, crisp and yet fresh tune that will just continue to be inside your head at the end of the night. * Four tracks all with a different 303 acid flavour and yet they all feel so right with each other that it leaves a sweet pleasant taste in the mouth. This limited vinyl is already getting much support and is anticipated to move from the shelves very quickly.

Ob mit Monsterproduktionen auf seinem eigenen Label Boysnoize Records oder mit sensationellen DJ-Gigs vor tausenden tobenden Fans, ob mit Remixes für Depeche Mode und Daft Punk oder mit Kooperationen mit Künstlern wie Snoop Dogg und Chilly Gonzalez, Boys Noize hat sich einen Legendenstatus erarbeitet und steht heute mit an der Spitze der weltweit besten DJs/Produzenten. Sein Fabric-Set aus überdrehtem Techno, turbogeladenem Electro und hochenergetischem Jackin' House ist zugleich Lehrstunde und repräsentatives Markenzeichen, eine frenetische Raveparty aus 70 pulsierenden, schweißtreibenden Minuten.



























27. The Chain - Maje
28. Boys Noize - XTC (The Chemical Brothers Remix)+ Spank Rock - DTF DADT (Acapella)
29. I-F - Space Invaders Are Smoking Grass
30. Kölsch - Goldfisch + Boys Noize - XTC (Acapella)
31. Apparat - Arcadia (Boys Noize Reprise)

Repress!

One part English eccentric, one part electronic music whizz, Feed Me aka Jon Gooch aka Spor aka Seventh Stitch (his electronica side project) prefers to do things differently. 'Calamari Tuesday' is Jon's first full-length album.

You're just as likely to find Feed Me sharing a bill with the likes of Foals, The Prodigy, 2ManyDJs or Bjork, than with rank and file EDM DJ/producers, and he sells out the kind of live venues most of the latter can only dream of (often playing multiple shows in each city). He doesn't DJ. He collaborates with bands like Crystal Fighters ('Love Is All I Got' is included here). And he'd rather do press interviews through his alter ego, a character named Feed Me from which this project takes its name.

On the live front, Feed Me sold out a 20 date US tour earlier this year, and then returned for a sell out 'homecoming' gig at London's Forum (which followed 2012's sell out show at the Electric Ballroom), where he debuted material from the album. London witnessed the kind of immense light and laser show and production that has accompanied his festival shows for Fuji Rocks, Exit festival, Reading, and Leeds - occupying the stages once reserved for the Chemical Brothers, Underworld and other live electronic music acts from the genre's 20th century heyday.

When most people envisage a futuristic interface between man and machine, they likely picture 7 foot gleaming cyborgs a la Hollywood's age-old vision. Not Gooch. His perfect symbiosis between man and machine is about 3 foot tall, green, and boasts the kind of teeth that would make Sigourney Weaver think twice. Feed Me was created by Jon and built with the help of animatronic genius, John Nolan, who's worked on projects including Harry Potter, Dr Who, Clash Of The Titans and many more.

Musically, 'Calamari Tuesday' shows that peaktime electronic music can be a thrill ride for the mind as well as the feet. It bristles and crackles with energy but shuns the default setting you'll find amongst certain plug-in obsessed peers. This album represents Jon and Feed Me's journey so far, resembling something of an aural biopic of them both to date. He says many of the lead synth lines "were created by the pair in his Hertfordshire garage and fashioned from common household goods". We suspect he might not be telling the truth, but that's Feed Me.

'Calamari Tuesday' is released on Jon's new label, Sotto Voce, which will be home to all his Feed Me exploits and releases from other artists.

Für Clark bilden seine Remixes die Spannbreite an unterschiedlicher Musik ab, die er in den letzten zehn Jahren veröffentlicht hat. Mit einem Unterschied: sie wirken gelöster, weil man beim Umgang mit Material anderer Künstler mehr Freiheiten genießt. Und wenn diese Künstler dann auch noch persönliche Freunde sind, hat man die Chance, sich in neues bislang unbetretenes Terrain zu bewegen. So geschehen mit Clarks Remixarbeiten für Massive Attack, Depeche Mode, Battles, Amon Tobin, Health oder Maximo Park, die sich alle hier auf dem umfangreichen Sampler befinden, der von einem bislang unveröffentlichen, beidseitigen Remixaustausch mit Nathan Fake gekrönt wird. Für das außergewöhnliche Coverfoto zeichnet sich übrigens niemand Geringeres als die in London ansässige, deutschstämmige Fotografin und Künstlerin Alma Haser verantwortlich, deren durch die japanische Faltkunst Origami manipulierten Porträtfotos derzeit die Kunstwelt begeistern.

Hier kommt Teil 2 der neuen hochkarätigen, prominent besetzten, aber anonym gehaltetenen Terror-Techno-Liaison zwischen Berlin und Los Angeles, zwischen den beiden Top-Labels Boysnoize Records (u.a. Boys Noize) und OWSLA (u.a. Skrillex). 300%iger Break-Acid-Tech-Noise von Dog Blood. Musik mit ausgestrecktem Mittelfinger. Inklusive Mr. Oizo Remix (12"-exklusiv).

.......Marvin Gaye and Tangerine Dream together in an elevator in Detroit !

From The Hague, Cancerdog is bringing back the mid '90's legendary acid planet years of a.o. Beverly Hills 808303 with hardpounding and menacing industrial (post) acid bangers and mash. On the flipside of the coin comes Star-Kid with dark and epic weltschmerz techno swingin' soundtracks for the Apocalypse, the movie, that is...