Techno Vinyl New Releases - News

Second Various Artists release on SNTS' label Sacred Court.

2x12", Cover by Abdul Qadim Haqq, 56 Page Bubble Chamber booklet included!

Gentrified Underground presents an interdisciplinary project
tackling the sonic fiction & afrofuturism of Drexciya.
Thought as an extension to the Bubble Chamber exhibition happening at Mikro & UP STATE Zürich, GU releases a 2x12 vinyl compilation and a booklet with contributions by Abdul Qadim Haqq, Charlie Mills, chukwumaa, Dominiqueh White, Gentrified Underground, Maïté Chéniere and tracks by Xor Gate (Gerald Donald), Shawescape Renegade, DJ Dijital, Plant43, The Exaltics, Kuldaboli, Iko, Tom Ware, Luz1e and Sansibar.

The goal of this compilation is to showcase the reach and influence which Drexciya had on generations of electronic music producers while linking them together with compositorial predecessors from the early 80s. The musical timeline of the compilation starts from 1982 and reaches its contemporary end in 2019.

The 56 pages booklet contains unseen and unreleased Drexciyan drafts by Abdul Qadim Haqq, an interview between him and GU, contemporary art contributions by chukwumaa, Dominiqueh White and Maïté Chéniere and an academic essay by Charlie Mills.


"More than twenty years after their first release, the sonic fictions produced by Drexciya, the Detroit based electronic duo founded by James Stinson and Gerald Donald at the start of the 1990s, continues to enthral contemporary cultural practitioners. By reimagining the Transatlantic Slave Trade as a fiction of enforced mutation, the Drexciya mythos opened, and continues to open, a speculative space for the reimagining of the posthuman condition, and for questions of becoming, origin and mutation in relation to capitalism, finance and futurity." - Kodwo Eshun.

G TOWN RECORDS returns in style with a sophomore release from Brisbane’s finest - X CLUB. Following on from enthralling electro and techno EPs on Steel City Dance Discs and 1Ø Pills Mate respectively, the pair show their full deck of cards with ‘NOW OR NEVER’, a four track representation of driving top down in the pouring rain.

Having risen up through the ranks of Brisbane’s colourful club scene, Ben and Jesse’s electric pairing has offered up some of electronic music’s freshest tracks in the past year; these four being picked straight from the root, pressed directly to wax and straight to your doorstep via Galway City.

We kick off with ‘Concentrate’; an unrelenting rolling mesh of drums and tense vocals that culminate to X CLUB’s almost signature UK break sound that doesn’t skimp in intensity. Following on from that we’re met with one of the most in demand tracks of the past year following constant radio and club play, ‘Inna Trance’; an audio representation of a noughties donk and trance fan’s Las Vegas wedding gone wrong.

We flip to the B side where the aptly titled ‘SPORTS THAT REQUIRE PETROL’ takes us back to the gym for a performance enhanced drum workout before drowning us in pads and letting us up for air as we approach the emotional crescendo that is the final track. ‘Elevation’ sees the listener don their best Ryan Gosling-esque driving gloves before embarking on a rain soaked journey to finish the job; it really is NOW OR NEVER.

GTOWN002 stamps X CLUB’s place among the elites right now and certifies G TOWN RECORDS as a label not to be ignored going forward into a brave new world.

Bright Sounds welcomes BLUNT. The new musical project by Paris based graffiti artist and creative Vincent Desmont where he connects the dots between his musical outings and his visual works.

Over the course of four tracks he delivers a lively package of warm and driven dubtechno. It's a complete and well rounded debut on the ever reliable and fresh Bright Sounds imprint.

***
When you are
standing still
and things
are really slow
***

It's been a while now since dance music stopped suddenly and also it's been a while since the Exium duo released stuff here at home.

Hector and Valentin have been busy in their studios during these uncertain days, extracting the best out of their minds and tools to create this four tracker. If you are familiar with the Exium sound over the years, you can feel here a sort of comeback to their primitive roots. The sound is harsher, more violent, the components are a chosen few but well standing in the mix, the rhythms are broken and twisted. Nothing easy for the ear. If you push the boundaries like they do, there's still hope in techno as a constantly new and risky journey. Totally the opposite of cloning what is done.

"Ascendo" relies on a broken kick surrounded by industrial noises and distorted textures. Merciless

"Atheris" uses again nonlinear drums as the basement, spicing the recipe with overdriven pads and abstract sonic elements.

"Cyclotron" is the only 4/4 cut here. A random square wave distorted synth line is the leitmotiv, joined by different layers of sonic components creating an aggressive sci-fi joint.

"Low Pressure Discharge" closes the release returning to abstract breaks as foundation, with metallic industrial hits on top.

A truly essential EP of the deepest Electro-Funk sounds.

From the vaults of Canadian power-house record label Big Shot we're proud to present a fully legitimate and remastered repress of Hi-Bias' seminal self-titled EP from 1990. Produced by Big Shot records mastermind Nick Fiorucci and Michael Ova this 4 tracker mines a more Electro / Freestyle centric sound that glides effortlessly. Cool, sleek, bass-heavy and immaculately programmed and mixed, the EP is an essential for lovers of analogous grooves, bass and timeless machine-funk. For example, EP opener 'Wind It Up' does exactly what it says, metronomic, clicking drum machines lead us into some epic synth breaks and a tense, sparse mood... a dramatic build-up that eventually crescendos into a deep, futuristic bassline, beautifully mixed and produced this sonic high-quality feeling is evident across the whole record, from the downtempo blissed-out Hip-Hop beats of 'More More More', to the dystopian Electro grooves of 'Don't Look Back' and 'Drive It Home' the whole record is totally heavyweight in every way. Original copies of this 1990 masterpiece are very very hard to come by with second hand copies changing hands for tidy sums when available.

This is the first in a long line of Big Shot reissues, all remastered from the original source materials and with the full involvement of the rights holders.
A collaboration between Above Board distribution and Big Shot records, Canada. Remastered by Optimum Mastering, Bristol UK. 2018.

Lazarus is back on Shaw Cuts with "The Rescue", a swashbuckling tale of sheer heroism, revolutionary sentiment and resistance in the face of oppression.

Following the fall of the Sung Dynasty, minister Wen, who pens a patriotic song to inspire the nation, is imprisoned by the conquering Mongols. Sung patriots plot to free the lord from the Celestial Prison by having themselves arrested and a spy release them once inside. But the prison general sets a deadly trap. "Harbinger", its heavy drums, mystic pads and untamed spirit perfectly describes the menacing scene inside the prison.

With the help of free-spirited hero Le Heru, patriot Bai Yaerh escapes the carnage. With more fighters in tow, he returns to the prison with a new plan to tunnel underground. Yet this too is a cunning trap that forces Le Heru to cover up the heroes' escape. The intense buildup of "Light The Torch" with its echoing chords and noisy elements, invigorates and drives the pack forward.

After convincing a Mongol-raised guard captain to join them, the patriots make a last attempt to save lord Wen by posing as Mongols and slipping into the jail. They finally reach Wen who has starved himself to death. The shifting drums and emotional synths of "Sinus Node" sets the serene tone needed to compensate for the loss, signaling a promising new dawn.

The legion finds hope while battling out of the prison to preserve the moving song the minister composed before his demise. "Cyto" and its melancholic mood filled with revolving breaks, powerful arpeggios and shimmering drums, leads to a shocking and disturbing end that is hard to handle.

Since debuting on Central Processing Unit with 2018's Projections EP, Silicon Scally has averaged a release a year for the Sheffield label. New offering Revelations finds the one born Carl Finlow keeping up that hit rate. Both Finlow's name and his many aliases have become bywords for top-draw electro productions since he first emerged in the mid-90s, and Revelations is no different - this is dystopian machine-funk of the highest quality.

With its burbling electro groove, piston-precise drum programming and plethora of gurgling synths, Revelations' opening title-track comes beamed in direct from the Dopplereffekt realm. However, as well as being a mid-set weapon of serious heft, the manner in which Finlow daubs the track with some plaintive synth chords will also bring just a hint of pathos to the dance. That wistful edge quickly dissipates when following cut 'Walk Over' homes into view - ushered in by eerie, paranoid synth work, 'Walk Over' has an air of technoid ghoulishness to it which invokes John Carpenter sparring with Egyptian Lover.

Revelations' flip is taken up by a pair of remixes that go deep on the A-side jams. The first of these sees Finlow himself setting aside his Silicon Scally cap and reworking 'Walk Over' under his own name, upping the eerie feel of the original still further by enveloping the track in icy atmospherics as well as phasing grizzled synths and wailing sirens in and out of the mix. Following close behind is Fleck E.S.C, whose reworking of Revelations' title-track marks a first appearance on CPU since 2018 for this French electro expert. Fleck E.S.C delivers a low-slung synth-funk masterclass here - as the track's laser-gun bassline invokes Drexciya, the producer guides the listener through a variety of shadow-realms populated by metallic clangs, insectoid chattering and some strangely hypnotic textures.

Silicon Scally (Carl Finlow) continues his fine run on Central Processing Unit with the Revelations EP, a set of steely electro bangers which comes backed up by remixes from Fleck E.S.C and Finlow himself.

RIYL: Dopplereffekt, Drexciya, I-F, Jensen Interceptor, 96 Back

Repress

"The Unfinished Fight Against Humanity" is SNTS' third full-length album following "The Rustling Of The Leaves" in 2015 and "Losing Sight" in 2016.

Ten tracks that are born from the combination of historical, mystical and current references, which lead to a reflection of how the human being can complicate its existence due to behaviour and the consequences that derive from such actions. The dark, hard and energetic rhythms of the album narrate the coexistence of diverse human values throughout history, from peace to war, from love to hate, from empathy to ego.

In words of the artist SNTS, "the human being has been created to live in society, the problem arises when society fails to coexist or compete to survive".

Following the success of their first release, Leeds-based label On Rotation returns with a 4-track EP from Australian producer Solar Suite. Expanding on the contemporary style of his debut release on Echocentric Records, the Slingshot EP shows off his ability to inject groove and a sense of fun into a trippy, compelling framework.

Joining him on the remix is fellow Aussie and Step Ball Chain label head Roza Terenzi, twisting the title track into a dark and brooding peak time stomper.

“This EP was written throughout Melbourne's 2020 lockdown, what seems like an eternity ago...
In hindsight, it provided me with the perfect opportunity to grow and learn as a producer.

Finding the motivation and drive to write and finish these tracks was a definite challenge,
but overall something I am very proud of and ecstatic to have the opportunity to be working
with Adam, Marlon, Chris and Katie to bring this to life.”

This marks the second release for On Rotation, the party turned label headed by Chris I’Anson, Lisene & Adam Pits. “We’re hyped to have Solar Suite on the label for our second release and excited to share what we have in store for the future of the label. Once again the artwork has been done by the amazing Bristol based Illustrator Patch D Keyes.” - Chris

Vault Series founder Subjected releases his sophomore album entitled 'Mother' on his Subjected Systems featuring ten ambient, leftfield and techno cuts this March.

An essential figure within Berlin's techno scene, Subjected has released on ARTS, the enigmatic STOOR and his very own Vault Series. Subjected Systems is a newer project which has so far hosted two releases, one from Transient X4 and another collaborative effort between Subjected and Andrejko.

The label showcases a post-industrial era, that keeps ties to the underground scene that gave birth to it but signals its occupation of a different realm than its predecessor. Subjected now returns with his second album for the label's third release. Entitled 'Mother', the longplayer came to fruition after Subjected became a father himself - inspired by processing the changes that were not
only happening around him, but to his partner and a new life.

Instigating proceedings, unearthly drones pave way for ominous risers in 'Untrue', before the electric 'You Know Nothing' thunders in, where buzzy leads are shaped by heartbeat kicks dictating capricious pace. 'Algorithm Lies' bounces with an erratic hollow bass while real organ samples render a dramatic tone, leading into the sinister 'Purification' with its ripping synths and clinical drums. An oscillating bassline joins stylish open hats in 'Nothing is Sure', making way for the luscious tones of 'The Lullaby of Marian' with its beautiful arps until 'Mother' generates infectious rhythm with intricate FX patterns over a steady kick. Nearing the end, 'Bloodborne Pathogen' offers a retro arpeggiated synth that meticulously develops and modulates throughout, before 'Trope' offers refreshing clarity with hopeful chords fluttering above heavily distorted yet distant drums. Finally 'Everything Should Be Fine Now' rounds things off with an exquisite ambient drone.

"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."

After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.

Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

clear green vinyl

"A shield against death,
Blood, fire and power.
The purity of feelings,
For an eternal youth."

After more than 5 years in the techno scene as an organizer, label, and agency, RAW is launching their first vinyl compilation including 16 original tracks from a well-curated list of top producers. The release features several early label contributors as I Hate Models, Under Black Helmet or Hadone with respected and inspirational artists as Perc, Somniac One, Thomas P. Heckmann, or Clouds to name a few.

Entitled Gemstones, this V/A is divided into 4 colored vinyls representing precious stones, promoting a hard and harsh sound from industrial to emotional techno stompers.

Greek electronic music platform, "π" turns seven this year and brings new features on its label catalogue. "Variable Remixes" is the first remixes EP of the Pi Electronics Various Artists series "PEVA". Five tracks from the debut compilation "Variable" - released in 2018 - are getting remixed by some of the label's favorite acts.

Unhuman's “Imminent Fear" gets an alternative Version by the legendary, Spanish band of Esplendor Geometrico. Damcase's "INKL Rules" is remixed by American producer Container. The untitled track of the Variable compilation, by the artist project "I am Legion, for We are many", gets reinterpreted by the Canadia duo of Rich Oddie (Orphx) and Huren as "O/H".

On the flip side, the track "GBNR17" of the label's "3.14" gets its fix by Spanish, industrial techno maestro, Geistform and DΛS' "Spinner" receives a special remix treatment by Athens' infamous ANFS.

Noise break-beats of different tastes on the A side, with stomping industrial beats for the club and sub-club environment on the B side.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Who better to step up to the stage to open Part 3 then Bart Skils, who offers a work of consummate skill in the form of 'West Of The Moon'.

Next up on the A side Secret Cinema team up Reinier Zonneveld to present 'Pain Thing' an electric techno workout featuring their trademark analogue bass & synth lines.

The B side sees Drumcode regulars Pig&Dan supply their powerful composition 'Pushing On' & in true Pig&Dan fashion it takes no prisoners from the get go.

Last but not least & rounding off part 3 Berlin-based producer & emerging talent Juliet Fox is brought into the fold with the infectiously engaging 'Wanted Me'.

***
Mord.
Morderstwo.
Rotterdam.
Herdersmat.
***

Debut album from INSOLATE incl. collaboration with MATRIXXMAN and singer SARA RENAR.

Exciting journey thru trans-dimensional vocals, acid drenched sequences and floor obligated bangers.

Early support from: Paula Temple, Sev Dah, Ben Sims, Truncate, Rebekah, Charlotte de Witte, Remco Beekwilder, Perc, Exium, Adriana Lopez

Incl Daniel Avery Remix

A pivotal figure amid London’s queer club continuum, Joshua James follows up an iconic trilogy of releases on Phantasy with a powerful swerve into pure techno with ‘Amber Rush’, complete with a remix by close friend and Phantasy labelmate, Daniel Avery.

Crackling with energy, its pendulous drums reminiscent of The Chemical Brothers in their Battle Weapon mode, ‘Amber Rush’ matches the thunder-dome ready scope of a big-room anthem with waves of psychedelic texture. The result is guaranteed rapid-fire synapse tickling within even the best (or worst) adjusted of dedicated rave brains.

Avery’s metallic-tinted reimagining subtly shifts the aesthetic of ‘Amber Rush’, gliding out of the strobe and into the fog. Wisely following the course of undulating euphoria mapped out by James, Avery transforms acid tension into graceful heights and somehow deeper plunges, ultimately settling on a killer groove.

Eclectic Limited, an Eclectic Production sub label dedicated exclusively to the vinyl production, celebrates its first release.
This production is a split EP which launches 4 explosive tracks. 2 original pulsations by Kenny Dahl and Entropia Techno Department remixed by ONTAL in an extraordinary earthquake deep industrial versions.
The techno darkest side has been glorified by these four tracks releasing pure electronic energy.
This is an exclusively vinyl Eclectic Limited production in a limited edition.

we wanted something to listen to in the car...”

Network’s 30th Anniversary celebration continue with a dig in the vaults finding three timeless treasures from UK Techno pioneers Nexus 21.

The “Progression Logical” 12” highlights how skilfully the Stafford duo - Mark Archer and Chris Peat - combined their love of Detroit inspired Techno with North of London Bleep culture.

This is the first time the much loved original mix of “Self Hypnosis“ (that track with the ice cream vans sound)has been released on a commercial 12”. Up till now it could only be found on a sampler 12” for one of Network’s iconic bio-rhythm albums, and on that LP Itself, with a remix being done for a subsequent 12”.

That original still sounds amazing. The 1990 recording was made at Derby’s much lauded Square Dance Studio,

Next year saw a move to nearby Nottingham and Network (nothing to do with the label) Studio where “Mind Machines” was conceived. This is its’ debut on any format ever!

Listening to something so epic now, that decision not to issue it at the time seems bizarre,but as Mark recalls: “The mad thing is it’s just a live mix because we wanted to listen to something in the car. We never finished it. That was live with us muting things, and and me changing patterns on the drum machines and turning the sounds up and down. There are so many small mistakes in it, but it adds to the character of the tune.”

A later “proper” mix was never done as Nexus 21 turned into Altern 8 and life got ravey.

The third track is well and truly an historic piece of Techno history - Carl Craig’s first ever remix no less.

Nexus 21’s “Still Life” was conceived as a homage to Inner City’s “Big Fun” and “Good Life”. Upon signing to Network, the label thought a deconstruction by Inner City’s Kevin Saunderson would complete the circle. A kind of Stafford does Detroit and Detroit does Stafford back with 808 and 909 knobs on odyssey.

Kevin obliged big time, and arranged for other remixes by then young Motor City hippersnappers MK and Carl. As the intro to his version proclaims - Mental!

Soul Development AKA Deka Selector is a DJ and music producer from Barcelona. He started playing vinyl and performing as a DJ in Ibiza from 2002 at Warhol Club, Diosa Discotheque and Tira Pallá Bar, and also played twice at international festivals like Sziget Festival in Budapest.

Nowadays he is focused in music production, composing his own music with rhythm machines and synthesizers. His first release was in 2016 called "Poker Hat", and "Roots" in 2017. Now, under the label Sounds Of Mass Distraction (SOMD) Soul Development is about to release his first vinyl EP in September 2020, "Treballa Dorm Consumeix".

"Treballa dorm consumeix" is the new artwork of "soul development" who, at this time, edits as an EP on vinyl format as also on the current streaming nets. The title disc mentions and actually criticizes, the consume urban society where the majority population in the world live.

The author, Javier Ortega Cejas, pretends to generate consciousness about our fail system where we walk: every day, we awake and go to our job posts to spend a huge part of our daily time to generate incomes to later on, spend and spend in objects, sometimes, not really needed. If so, eat, we need to eat, sometimes we get satisfaction just purchasing and purchasing objects totally superfluous. Do not lie to ourselves, to buy, generates satisfaction, but maybe, at a high cost: our health, physical and mental.

As Dalai Lama said with his own words, that, resumed would be: "occidental man spends its health to get money, later on, spends its money to get again health, and lives the present thinking so much on the future that finally, lives like it wouldn't never die, and dies as it wouldn't never have lived".

Clear Vinyl

Celebrating its 20th release, this edition of LF RMX features appearences from two of the scene‘s cutting edge producers: Richie Hawtin under his guise of Plastikman alongside Carl Craig‘s Tres Demented-alias.

While Hawtin‘s original might seem a minimalistic bleeping experiment to some, Len Faki‘s edit has plenty of groove to it. Equipped with substantial low-end frequency and a solid kick, the track slowly develops an ambience thats spooky, tribal and mesmerising.

The flip carries an equally strong rework, its grand acid riff and standout-vocals holding center stage, with newly added percussion driving the momentum that turn this one into a peak-time hitter in true crazed-out Tres Demented-style.

Repress

For the 5th release on their main vinyl series NZ-founded and Berlin-based outfit Haven have enlisted the help of Poland's finest new voice in industrial-tinged techno. VTSS, as the resident of the infamous and daring Brutaz party and Jansa1 club in her hometown of Warsaw, quickly made her name across the continent through her raw and aggressive live shows, energetic DJ sets, and a sound cutting the line between techno, EBM, rave and industrial. Furthermore, in 2018 she participated in the Berlin edition of the seminal Red Bull Music Academy and released her debut EP on SPFDJ's Intrepid Skin, further entrenching her reputation as one of the most exciting artists arising in the genre.

VTSS kicks off the EP with a slamming EBM-techno mashup in "Up & Down" on the A1, combining heavy kicks, creepy synth-lines and the screaming, atmospheric vocals of collaborator Karolina Bartczak. This genre combination is followed in "I Don't Think It's Better" on the A2, using its rolling drums and ominous synth-funk to create a defiant dance-floor killer. The B1 starts the flip side with "Nicetry" - bringing together VTSS' trademark eerie synth ambiance with tight electro drum programming. Finally, "Ununtrium" closes with a stomping broken-beat, amen-break bruiser that sustains the menacing character of the up-and-comer's second vinyl outing.

South London music venue, radio station and party series AAJA are relaunching their self-titled record label, with a four-track EP from producer and respected DJ, Controlled Weirdness. Titled ‘Sounds From A Disappearing City’ the release will kick-start a quarterly series celebrating South-East London's thriving, underground dance music scene.

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30 years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Back to 1990 and the Uk's Bleep Techno scene is in full flow. Following the success of 'Psyche', Peter Duggal set about raising the bar yet again with his follow up
'Labyrinthe' under his new alias Demonik. Originally released on the UK's hugely influential Rham! Records, this EP perfectly soundtracked the early rave scene in the UK and beyond.

'Labyrinthe' itself needs no introduction, a truly mesmeric and highly sought after warehouse anthem. The previously unreleased 'Labyrinthe' (Raw Mix) keeps up the pressure. Retaining the heavyweight sub-bass, this mix heads off into a sparser world of machine made funk and rave inducing stabs, whilst skittish bleeps and tones overlay the sinister chords and strings. There's yet more gold from the vaults in the form of '6-5-0-2' a once lost, and now found, future classic of the genre, where infectious melodies interweave and really stir the electro soul. Lastly 'Frenzy' adds an uplifting synth riff, making this episodic ride a true Bleep and Bass Bomb!

'Labyrinthe' has been legitimately re-released with the full involvement of Peter Duggal and features previously unreleased tracks and never heard before versions that Peter has unearthed from his DATs. This is an essential archival piece, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Italy’s Dorian Gray joins up with Potomac and Hypallage Project to release five mesmeric techno cuts on their Avant-Propos
Records imprint. Following on from the inaugural release on Avant-Propos that picked up support from the likes of Laurent Garnier, Oceanic, Steve Bicknell, Jonas Kopp and many more, label bosses Hypallage Project and Potomac continue their journey where they delve into the atmospheric and hypnotizing realms of techno with undulating deepness. ‘Medusa’ EP sees the label bosses invite three tracks from Italian DJ and producer, Dorian Gray who’s music is influenced by astronomy, symbolism and ancient cultures offering an introspective journey that can be heard on labels such as Ascetic Limited, Illegal Alien Records, Informa Records, Edit Select Records, The Gods Planet and No Way Records to name a few.

Dorian Gray’s ‘The Ninth Gate’ kicks off the EP with angelic leads journeying underneath the deep, revolving percussion and gentle,
fluttering synths before ‘Magic Spell’ keeps you enticed through stirring elements, dramatic choral pads and trippy soundscapes creating a mesmerising atmosphere throughout. Undulating euphoria, blissfully progressive modulations and entrancing moods keep
the absorbing ambience flowing gracefully in ‘The Medusa Nebula’.

‘Industrial Junk in Muddy Waters’ from Potomac offers up chugging
modulations, tripped-out grooves and otherworldly aesthetics floating above before Hypallage Project’s ‘Cruise’ rounds off the release by fusing cosmic brilliance, ethereal tones and hazy yet hypnotic feelings.

Repress
**
Mirror, lake, faces.
Thoughts, scars, days.
Once, fail, shades.
Filth, flames, paint.
***

After releases on Steyoyoke and Musica Autonomica we are happy to present the duo Innellea on Underyourskin. The "Magnolia EP" is hypnotising and straight to the point - Remix works are coming from Berlin based Francys and Duno Kardi from Tel Aviv.

repressed !

UYSR025 brings us the duo NINZE & OKAXY from Leipzig, Germany. The 'Sidereal Times EP' shows their love to the deeper sounds - getting completed by Remixes from 959er and DWIG with a powerful interpretation of 'High'.

This building was intended to fall. The dust in all 6 rooms suspends in the air and light glitters on each particulate, a piercing bright like a headache behind the eye. Knuckles chapped like a dancer's feet, a listener survives in the building like it's a home. Makes it a home. Frantic energy holding still remains frantic. Trying to swallow, trying to catch your breath. Enough dust to settle and make the building in its exact image. Beating at the walls only makes the walls once more, 6 rooms, listening and responding. This is the sound of a space that cannot be unmade. Sorcery is permanent.

Sugar's second effort for Euromantic is a reach for a life that's so easily obscured by the temptations of the modern world. This is musick for the times when you contemplate deleting your Instagram account.