With this fresh and innovative sound, Taupe fully reflects the musical concept of Impress project.
“Helion" represents the Techno and Detroit feelings that you can experience along a special journey that will let you play your imagination.
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A four track vinyl sampler of the new compilation series from Crosstown Rebels, allow us to introduce Spirits. Label founder Damian Lazarus has compiled what he describes as 'a fresh psychedelic journey into the mind', aiming to bring together a collection of new artists from both his imprints.
Opening up is Audiojack's 'Reverie'; a heavy kick from the start is succeeded by spoken word on the subject of meditation sets the scene appropriately. dubspeeka's 'Lyssa' is next up with a sturdy bassline, eerie synths and a haunting melody reminiscent of yesteryear.
On the flip and Alice Rose seduces in 'Another Way' produced by Raw District. Her voice, similar to that of Bjork, perfectly encompasses the heavy bassline and hard-hitting percussion.Finally 'Be Mine' by Siopis featuring Ellbee Bad gets straight into the action with hard-hitting reverberated low notes, steadily building up through sentimental vocals and enticing synthesis
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Dark industrial edged Techno. A various artist EP with stomping 4 to the floor material and serious breakbeat chaos. Brace yourself and drop everything you are holding.
The vinyl comes with a sticker of the labels iconic logo.
After recently making an appearance on the 100DSR compilation and having released on Ann Aimee in the past, Area Forty_One now steps up for a full EP on Delsin.
The Dutchman proves himself to be an elegant producer of electro that has a super future soul to it across the four tracks on offer.
First up, 'Nocturnal Passions Part I' skips on snappy drums through an ethereal galaxy lit up with neon trails and twinkling lights. It's a vastly spacious track full of celestial vibes and expert production before 'Reminiscence' deals in more serene pads and glassy melodies and conjures the sense that you are lost floating in deep space without a rudder. It's a beautiful place to be for the way it has no real drive or direction.
Then, 'Freefall' trudges along some heavy, gloopy drums. All around are huge mirrors of melody that shine and reflect light back at you and leave you marvelling at their sheer scale and sereneness. Final track 'Isolated Soul' sure does sound like a forgotten cut from the Blade Runner soundtrack with its sad synths, skipping beats and raining melodies. There's a rather menacing sense of tension pervading the whole track that makes it all the more engaging.
This is a truly captivating and musical EP that exudes a terrifically cosmic and celestial aura.. here's hoping it's the first of many from the still mysterious Area Forty_One.
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The clergy is pleased to introduce you to a new initiate: Birds ov Paradise. This highly anticipated Hypnus debut comes split into three separate EP's which will be released one each full moon starting October.
Some of you may be acquainted with the music of Birds ov Paradise already as he's put out two stellar records on Jens and Aniara Recordings in 2016-2017, as well as making a contribution to our podcast series The Memoir where his sound was put on a grand display. Those of you who are new to the fantastic dream world of this very talented artist will quickly get lost in the flowing rhythms that drives his magical deep techno sound.
Early support from Etapp Kyle, Ness, Slam, Iori, Refracted, Svreca, Cio D'Or and Dorisburg to name a few.
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Running the anything goes travelling warehouse rave "Fusion mes Couilles"
Emma DJ and Ishaq have created a unique situation with their party series in Paris. The two have been able to do what not many have, which is create a party environment strictly on their own terms, with no outside influence, no pandering to agents or the trends of the day and no outside money rearing its head trying to influence. This endeavor is no small feat considering the oversaturated and bland nitelife climate over the last years in the city. The result of their hard work, has been a large scale dedicated fanbase that trust them, hands down.
Over these years both Emma DJ and Ishaq had been working independently on their own productions as well, with Emma DJ recently releasing a slew of tapes in a hyperactive, machine gun manner, while Ishaq makes his first appearance on wax here.
On the "Fusion" split lp we get four tracks from Emma DJ on the a-side and four tracks from Ishaq on the b-side...both artists bring their unique takes on modern dance music on each side of the record from gnarled acid, to tweaked IDM, to broken techno, or ADD chopped guitar loop beats, this is a truly unique release documenting the sound of the top crew in the Paris underground.
Artwork licensed from NYC street photographer Richard Sandler
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Rovas imprint is back with the first solo ep from the Argentinian young talent JUAAN after his release in Abstrack Future's split.
Mysterious sounds and sequences shape into hypnotic melodies, with 90' touches and powerful basslines turn this energetic release in a dance floor's killer.
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Paradise Industrial Complex is the incubation against greed and exploitation. Your imagination springs to life as Sansibar draws a mysterious map to his subconscious. He kept his ideas secret until bolstering them with additional observation and experiments. The result is an avalanche of detail—there seems to be no corner of his mind that he did not enter. The world of Sansibar evokes an electrifying sense of discovery where fragile sound waves evolve into something beautiful and powerful leading to trigger chills.
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Hamburg based label ohne kommerziellen Wert delivers another massive four tracker, crafted for the dancefloor. The A-side hits you fast and heavy with the irresistible stomper Twilight by Strathy & Boyd Schidt, followed by Lucinee's acid- fueled big room banger Ritual. STUTE opens up the B-side with his industrial-psy- bastard Beutz before RO/AD's Sinope bewitches your senses to control your motions. 200 copies limited.
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999999999 introducing 'RAVE REWORKS' for the second chapter of their limited series. Deadly effective, old-school rave trips, resampled and reworked. 180 gram vinyl. Mastered by Conor Dalton.
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Mathias Kaden returns to Rekids with four-track EP ‘Control Your Mind’, featuring a remix from Marcel Dettmann.
Previously appearing on Rekids in 2019 with his ‘Liberate Drums’ EP, Mathias Kaden makes his second appearance on Radio Slave aka Matt Edwards’ label with four original tracks of razor-sharp material, as well as a remix from Berghain resident Dettmann.
‘Control Your Mind’ opens with the impeccably produced title track, an electro flecked roller. Featuring hypnotic synth work and subtle automated inflections, the cut effortlessly glides, peppered with the occasional titular vocal refrain from Sven Väth puncturing the groove. Shifting into 4/4 territory is ‘Conviction’, a restrained but stunningly effective track that makes full use of memorable off-beat synth stabs and shimmering 909 percussion to constantly drive the track forward.
On the flip, Berghain resident Marcel Dettmann turns up the heat with his remix of ‘Control Your Mind’. Filtering the vocals, the MDR and BAD MANNERS boss also delivers a resonant bassline that works in tandem with knocking percussion, as creeping pads morph and evolve over the duration of the track, creating a trippy and propulsive banger.
Classic dub techno aesthetics are front and centre in ‘Substance’, a track destined for the golden hours between late at night and early in the morning, while finishing the package in fine style.
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Gigolo Records founder DJ HELL remixed this classic masterpiece, a new and already timeless interpretation.
The original was released in 1991 on the famous underground label Outer Limits/Quark at the early beginning of electronic music. And at this time it was already one of the biggest club hits in the exploding world of the Manhattan nightlife party scene. Mastermind Javier Rosario produced this phenomenal record in the UK and the first imports hit the US underground scene the early nineties with a bang. It became soon an anthem for the legendary Danceteria nightclub and spread from then all over the world.
The new release includes the original and a remix by Dj Hell and will be released on Dj Hells new own imprint "The Dj Hell Experience" distributed via Word and Sound on digital and vinyl.
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A1, "Capitulo 4". We find Gregor surprisingly accepting of his new reality: far from going crazy, he has serenely discovered in his new self everything he didn't know and didn't perceive as a human being. "Capitulo 4" is an incredibly precise description of the awakening of the new Gregor. Shadows, fog, sinuous silhouettes that are impossible to identify. In one word: confusion.
B1, "Capitulo 5". Vertigo starts to ease, we can hardly feel the anguish and the heartbeat is gone. We are in a new reality and although it seems a done deal, every movement he makes tells Gregor that understanding this new world and his perception of it will not be easy. Chapter 5 demands our everything while we listen: our full dedication and attention to the last minute detail that reveals a new horizon and its new colour, or lack of it. A horizon that, nevertheless, is more perceptible for Gregor, because he can now capture all sorts of colours and emanations.
B2, "Capitulo 6". Light. Gregor still ignores that most domestic insects have a strong aversion to intense light, but his human conscience is still intact and it will take him a long time to reprogramme certain habits, instincts and automatic behaviours, like a preference for lit environments. The painfully intense sensation that his antennae convey to his tiny brain when faced with light is an effective path to learning: little shocks that Reeko reproduces in this track, surrounded by an oscillating and changing ambience that redefines itself each time we listen to it.
Insane Code Recording is ready to amaze you with its second vinyl, containing 4 techno bombs suitable for the most demanding dancefloors. Gianluca Corsi, who needs no introduction, opens this new release with an astounding track called Emisphera, followed by Max Sensation, ICR Label owner, who brings out a modern techno journey full of vibe, called Hypnotic Suggestion. In the end, the record is completed with an original mix by Suave called The test followed by an impressive remix by Federico Guglielmi, who pulls out his personal vision of techno, rich in a selection of sounds that will take you on a journey between old school and new school techno.
Happy hunting.
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SYS02 proudly presented by FJAAK. Another charity project in order to give back to some of the places that have supported FJAAK so much over the years, coming in a time where giving back is most important. The second release contains 4 dirty slammers, again each one dedicated to the place it's named after. All revenue generated through this release is going straight to the pockets of the clubs. Long live Bassiani, District8, Flash & Basement. Thank you for believing in FJAAK and letting them do their thing!
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Dana Ruh's Brouqade has long been renowned for its many eclectic and unpredictable sounds. In that essence, the label's latest signing is a fitting fit. Kamran Sadeghi is an NYC based electronic music producer who is well versed in unconventional soundscapes. As likely to release an electronic music EP as he is turn his hand to film scores or more ambient textures, Sadeghi has collaborated with everyone from Patti Smith to Berlin club, Berghain. A live artist of considerable depth and panache, his signing to Brouqade marks another high point in the label's story.
On BQD042, Sadeghi delivers two originals as well as a collaboration with Dana Ruh. Kicking off the release is the sounds of Come Here'. An oddball mishmash of different sounds and strands, its a delicate track that clocks in at over 13 minutes. Minimal but never lacking in colour, it's reminiscent of Ricardo Villalobos at his most intoxicating best.
The B side gets underway with Compound Eye', a percussion-laced number that's more tailored to peak time pastures. Gradually picking up steam as it unfurls, it's soon imbued with a deep underbelly, the likes of which only adds to its appeal. Culminating the release is the sounds of Call & Response', the previously alluded to collaboration with Brouqade boss, Dana Ruh. Starting off on a zippy, scaled back vibe, it quickly picks up steam, resulting in a chugging number that's filled to the brim with flair and panache. A pair that evidently work great together, Sadeghi and Ruh's contribution to the EP is the icing on top of what's an all-round excellent listen.
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Vivid & colorful techno explorations from Gothenburg sound artist David Sabel in his Birds ov Paradise guise. Two trippy rays of sunshine through the morning mist with an Aniara remix on the flip!
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This is an appetizer : 4 “club” mixes of new tracks from Joakim’s forthcoming album Second Nature,all re-mixed by the man himself, navigating between hypnotic Techno, trance-inducing Downtempo
and percussive New Beat.
This is probably Joakim’s most ambitious project so far. An album about our relationship to Nature to make it short or how Western civilization disconnected Nature from Culture. Every song was born
using field recordings as a basis canvas, the sounds of Nature are the lead voice here. A nature that is transformed, sublimized, questioning our ideas of what’s artificial, what’s the wilderness, the place of humans in the age of the Anthropocene and painting a psychedelic landscape to open our ears and our hearts.
The artwork features a lenticular print (2 images in 1) showing Naruto, a monkey who took a selfie using a photographer’s camera who later tried to claim the copyright of that image. That claim raised questions whether copyright can be extended to “non-humans” and was ultimately rejected by the U.S. Copyright Office who specifically listed 'a photograph taken by a monkey' as an example of an item that cannot be copyrighted.
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We salute our 20th release by returning to where it all began: with one of SCDD’s co-conspirators and the inaugural release for the label, Mall Grab.
Steel City Dance Discs Volume 20 dons four tracks packed with MG’s synonymous energy and attitude – serving as a beacon of light amongst the swamp that be.
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"No Contact" documents the last nine years of live actions from O/H, the duo of David Foster (Huren, Teste, etc.) and Rich Oddie (Orphx, Eschaton, etc.) with recordings from performances in Japan, Russia, Holland, and Canada.
Limited edition of 99 copies on pink C74 cassettes.
Posthuman makes his Food Music debut with the infectious “You’re Mine”.
The Frank DeWulf-esque stabs and swagger from this tune have already had many "ID?” requests from people since airing on Rinse FM and a DJmag social media video over the last few weeks and months. Posthuman has taken his sound to a fresh area which is complimented by remixes by none other than Luke Vibert, with an ice-cool swung-groove, Black Girl/White Girl with a full on pounding Techno workout and on the digital package, newcomers Mac & Ward do the big room House thing to perfection! In addition we’ve included “Find Me On The Edge of Town”.. an acid-kissed piece of Techno which sits the cherry ontop of an awesome release for us on Food.
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Private Selection's first full length LP comes in blistering form from Santiago Leyba. Recorded in L.A. and his hometown of Albuquerque, New Mexico, the songs on 'Western Vices' are a reaction to some of the bleaker circumstances that exist in these places. Not unlike Santiago's past work, this music reflects the paranoid and altered states that some people live in as a result of their surroundings. It lies in contrast to escapism and revels in dreadful realities to bring to life a highly rhythmic, woozy and disenchanted collection of tracks. The 12 songs are named after characters, landmarks and phrases associated with L.A. and Albuquerque, acting as reference points for the dialogue of sounds that hold them together.
Santiago Leyba has been producing music as a solo artist and in collaborative affairs since 2010. Raised in New Mexico, he currently lives and works in New York City. Leyba has recorded and performed most recently as Santiago (Unknown Precept, Private Selection Records), Western Versions (Pastel Voids), and U.S. Hard (Pastel Voids, Blankstairs).
From the artist --
"Western Vices is meant to be listened to at high volumes."
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Strahinja Arbutina is fast becoming one of those artists you need to keep your eye on. With his first vinyl release on New York's industrial label Bank last year, he has no issue with making your ears bleed. Here he dons 4 tracks for Vivod and they're all brutal. First off is Way Ahead, straight up 4/4 industrial techno. A2 is the aptly named Croatian Households, more of a broken piece but still haunting in its rhythmic neg dynamics. B1 is Labud Loop, probably the most accessible track of the 4 as it's nearer to straight up techno, fans of Levon Vincent will like. Closing the ep is K stands For... with a slow burning break beat and vocals screaming incomprehensibly, awesome track, awesome ep. This is the hardest one for Vivod so far surely!
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The Exaltics & Heinrich Mueller - Dimensional Shifting - Solar One Music Four years after their almighty collaboration on "Project STS-31 (Hubble Telescope Series Vol.3)", Solar One Music's cofounder Robert Witschakowski and half of Dopplereffekt duo Gerald Donald return with another cosmic album of their instantly recognizable trademark. Featuring ten detailed and luminous cuts of beautifully crafted emotional music, with deep narrative over tough machine groove, the opus takes you on a moody trip across craggy soundscapes made of abrasive tones, crossing the red line between tight-strapped melodic waves, subaquatic underground electro, and intricate structures. Expect nothing but stripped down layers mixed with chunky synthetic bass lines and stellar melodies over pounding 808 drums on this future classic tinted with nostalgia. Built as a journey through unknown territories, much anticipating "Dimensional Shifting" oscillates between moments of bravery on the dancefloor and moody sequences, keeping intact the aesthetic signature of the Jena-based electro emissary and the legend from Detroit. Album comes in gatefold cover and with download code.
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He brought the BASS from outer SPACE! 2 YER FACE!!! Once again bbbbbb records welcomes the ever audacious Volruptus, this time with ‘First Contact’ - a double vinyl 12 track album.
This otherworldly release demonstrates his tremendous studio abilities across twelve stellar tracks that span countless different tempos, genres, rhythms and sounds
>>>>>> play it loud
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Collaborators & close friends since the foundational years of Berlin and Detroit’s spiritual & musical partnership, two undisputed pioneers of electronic music, Carl Craig and Moritz von Oswald, continue to expand on a shared musical vision.
‘Attenuator’ is the first production to emerge from a series of studio sessions in Berlin and Detroit over the past two years, with more material to come in the near future. Although originally produced in unison, this two-sided single sees both Craig and von Oswald deliver their own distinct take on the material, each fluidly expanding on their uniquely intertwined heritage.
For his take on ‘Attenuator’, Carl Craig leans further into the fluid blend of track-led techno and warm musicianship that remain central to his work, building stifling tension as a prelude to a fervent brew of warm pads and celestial sax. Headstrong and deep, Craig embraces his dancefloor nous without sacrificing a moment of beatitude
In response, Moritz Von Oswald bathes the brass and the bliss of ‘Attenuator’ in the accomplished Dub texture he’s long been known for, unspooling layers of musicianship to roll forward a loose, fresh and equally fulfilling atmosphere, one that still maintains the arresting pulse established at the heart of the duo’s sophisticated, futurist philosophy.
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Born in Croydon, UK in 1960 and working in Switzerland for decades, Michal Turtle has led a storied career as a composer, arranger, technician and producer, consistently aligned with some
of the most exciting bands and projects within the realms of pop and experimental music. A figure as masterful in the realm of expansive ambient recordings as advertising jingles, it’s only in recent
years that Michal’s solo productions have gained acclaim and a cult following that continues to grow ever wider.
Turtle made a long-awaited return earlier in 2020 with the extended ‘On a Canvas Lived a Baby’, a one-sided twelve of new material released on Planisphere Editorial. Now, the Basel based label
invites a diverse and international cross-section of electronic musicians to reinterpret the artist’s back-catalogue, each delivering a thoughtful remix driven by the same sense of curiosity,
exploration and genre-blurring that Turtle himself helped pioneer. Each track on the remixes collection was originally recorded between 1980 and 1985, in between Turtle’s regular tours with established bands. Opening the collection, Laurel Halo adopts her LH alias for a textural and tripping revisit to ‘Phantoms of Dreamland’, transporting the haunting original to a hyper-detailed alternate dimension. Zoning back in, Neue Grafik finds typically eclectic form with ‘Men in Green’, turning the dials and blending ideas as if tuning between the emerging musical scenes that defined Turtle’s early-eighties life in Camden, London. In stark contrast, avant-garde polymath Felicia
Atkinson designs a ‘Fennel and Moon’ version, weaving between earthy field recordings and an aching piano line, conjuring an almost ritualistic atmosphere, far from the city. Radical musical turns continue to define the collection as son of Detroit, Jimmy Edgar takes
‘Rainwater Fijit’ down a dark, damp tunnel, expanding on the pitter patter of Turtle’s more outlandish studio experiments, blending vocal experiments with fresh funk. Colombian experimentalist Lucrecia Dalt pulls further bizarre shapes from a patchwork of samples, a heaving,
gasping industrial shuffle, before French producer D.K. returns a stronger rhythm, both building on Turtle’s lovingly naive tributes to the legacy of sample culture and his trusty ARP2600.
Ostgut Ton mainstay and Panorama Bar resident Nick Höppner proceeds to sensitively rewire ‘Maid Of The Mist’ into a blossoming, introspective celebration of melody and ambience, an
almost weightless experience that lends itself well as a breather before Luca Duran’s analogue, acid-tinged take on Spookie Boogie takes Turtle’s esoteric touches back into the direction of the
funk and italo records at the heart of his initial inspiration.
The Remixes final chapter continues to expand in distinct and wide-reaching sonic directions. London’s Object Blue seems to slow time itself across her sublime interpretation of ‘Ball Of Fire’.
Initially Turtle’s tribute to Howard Hawks 1941 film classic and the legacy of old Hollywood, worlds further collide into rolling, weightless bliss.
Fellow Swiss citizen Mehmet Aslan stirs an enchanting, percussive mystery that unfolds with great
pleasure on El Teb, while Parco Palaz conjures not one but two radically different remixes of ‘Are
You Psychic?’, demonstrating both their imaginative nous, as well as the depth of Turtle’s legacy.
Finally, an irresistible vocal contribution from Oso Leone adds even further colour and joy to ‘Maid
of The Mist’, sending off this ambitious collection on a transformative, dream-pop high.
With further details set to be revealed, there is an ongoing development focused around the
accompanying art and visuals. The Peruvian born and now Amsterdam based graphic designer
Jonathan Castro leads the art direction, along with visual artist Chris Harnan. Both artists look to
explore the intersection between sound, imagery and its reorientation, exhibited through the
musical contributors and visual translation.
“I am happy and honoured to have been the spark for this remarkable compilation.
The magnificent work done by this collection of very special people speaks for itself, so listen and
be transported. It has been half a lifetime since my original tracks were written, and I am gratified
to know that they are somehow still relevant enough to be reworked and reinvented.”
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On his newest triplet, Len Faki lets loose alien-induced sounds and strange frequencies from far outer space. The A-side goes for Mod21, an enigmatic Italien whose instinct for building a sketchy vibe shines through too on Faki‘s remixes. They‘re both radiant,
sparkling from somewhere buried deep down, their hollowed-out drums and crisp sonics conjuring up an orbital charge! The flip boasts a beefed-up version of Irakli‘s 34 Choices of Gender, its bassline subtly morphing underneath a string of complex net of woven sounds. A slowly brewing vortex finally discharged in true Faki fashion.
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