Techno Vinyl New Releases - News

The Daniel Avery supported Russian DJ Dimitri Veimar preps his debut 17 Steps release, the ‘Planet EP’.

Planet opens up with screeching atmospherics, chuggy percussion and a brooding bassline that works it’s way towards a breathless synth line perfectly suited for pre-dawn hours.

Dean Grenier’s classy stripped back and sped up flip of the title track retains a crisp four-on-the-floor rhythm tailor made for the Berlin clubs he calls home.

On the B side 'Snowfall’ carries on where the A side left off. Electro synths and muffled breaks portray the sounds of a UFO control deck transporting the listener to an other worldly utopia.

The closing track ‘Alps’ is a stunning downtempo club tool that ends up forming the emotional centrepiece of the EP.

Lock up your 303s, Roy Of The Ravers is back with a brand spanking new album and it's quite possibly his strongest and wrongest to date! Following a limited run cassette version of the album, Who Are Ya lands on gatefold vinyl and spans 10 tracks and nearly 60 minutes of top quality turns, which sees our star player's BPM rising up into tougher, more hardcore-esque territory (Supremacy Acid, Roy Shat Over Ref) Who Are Ya also takes in some seriously smoked-out, slow-mo squelchers (Phaelon Acid 4, The Box) essentially making it a game of 2 halves (no mid tempo tracks allowed - ok??!) Through-out all of the album's giddy twists and turns however, it's Roy's trademark 303 constantly on the boil that crowns him man of the match, as he dribbles it skilfully from in and out of the mix, making him top of the league for acid once again. Hoorar!!

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer's brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world's number one techno label.

2017 is no exception, with Beyer's imprint hosting it's first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam's radio show that's broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week.

The A-Sides series acts as a perfect vignette of Drumcode's cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends.

The heart-throbbing bass in Amelie Lens' electrifying piece 'In Silence' sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill's rough'n'ready 'Mohave'. Pulsating and precise, 'Mohave' has highlighted many of Beyer's sets recently as has Wehbba's monster track 'Fake', which fans have been anticipating the release of all year.

Label-favourites Dense & Pika also feature on 'A-Sides' Vol. 6 with their hard-hitting 'Just a Beat' and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious 'Preset Heaven'.

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label's prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Black Label Series 03 on Banoffee Pies Records welcomes new additions to the fold with another low slung collection of minimal house and breaks. Opening with patient mystery the label debut from Monotronique delivers 118 bpm sample heavy 'Baggage With A Secret'. Nicely warmed, the A2 turns for the floor with Freerotation resident Tom Ellis in control on 'Third Morning', a groovy roller with glitched vocal loops. The curveball of this release comes on the B1 with a garage inspired high tempo d&b track, '23 Ghettobee' from Filip Szostak - One to cool or shake the dance. The B2 invites Lyssna Records own Flord King with another micro gem for the head bopping late nights on 'Shanti'. Together the four tracks investigating different moods with a similar style. BP X

Banoffee Pies Records ninth edition to their original series lands on BP009 featuring Vancouver duo Plush Managements Inc. aka D. Tiffany, rising producer and label manager at the wonderful Planet Euphorique, and Regularfantasy of Total Stasis, with their sub heavy trance state track with rolling hi hats "Plush Egg” on the A1. The A2 comes from Kiev born techno artist Voin Oruwu who joins with futuristic break beat drum rhythms and swirling vocal hook on “After All". The B side takes a darker turn with raw and clean dance floor garage from another Bristol local, Hartta on “Trust Issues”. The B2 ends with experimentation from the classically trained UK musician Keppel, with game like soundscapes in “Atari”s accelerating cinematic instrumentation. Music for the floor. One love, BP x

Brioski has been redefining his sound and style on a number of labels, Codek, Throne of Blood, Slow Motion, Nang. He is also the mind behind the Boot & Tax and Tamburi Neri projects.

The Mindless Sequence EP is a selection of the industrial post-techno style Brioski iscurrently pioneering. Warm, trippy, synth heavy tracks with a straight beat framed by sentence fragments. The sound signature is there, analog evolving basslines, icy pad stabs and unrelenting beats and the song structure reflects Brioski's art in its constant evolution.

The New York Haunted label owner "Drvg Cvltvre" drops 3 new tracks on Concrete Records. Strong synths, acid bass lines and aggressive sounds are the elements that always characterized Drvg Cvltvre's music, in this EP he shows another more sophisticated and personal side: pads and ambient suggestions coexist with the strong basslines and rhythms. A different approach that gives a more deep and mental oriented tone to the tracks. A lot of percussion add raw sound characterized this three tracks, a just balance between the raw house genre and the violent techno sound.

Based out of Zurich, Switzerland, producer and DJ Idealist has become a respected figure in raw, dubby house and techno over the past six years via his releases on Echocord,Berg Audio and his Idealistmusic and Details Series imprints, picking up support along the way from the likes of Mike Huckaby, DJ Deep, Tini and Mandar to name but a few. After last years long player on Copenhagen's Echocord we see him again returning to his own label for the second EP of the Inverted Series.

the eleventh installment on idealistmusic - four cuts of techno, dreams and emotions„

D-Knox (Donnell Knox) returns to his own Sonic Mind label for the start of a new collaboration with Mark Hawkins, otherwise known as Marquis Hawkes.

Knox is a living legend who's been making music for over 25 years since growing up in Michigan's Kalamazoo (a city halfway between Detroit and Chicago). The man from Kalamazoo who now resides in Warsaw (Poland) has forged a career of intense quality, which began with releases on the likes of Jay Denham's Black Nation and Elypsia before he launched his own Sonic Mind label in the mid-90s.

Many will know the Marquis Hawkes name for his releases on labels like Dixon Avenue Basement Jams, Clone, Aus Music and Houndstooth. What may not be as well known are his origins in the UK, cutting his teeth DJing (whilst living as a New Age traveller) at illegal events in the mid-90s before launching as a producer under his real name, Mark Hawkins on the likes of Djax-Up-Beats.

We're proud to present these four tracks of pure electronica on a Ferox debut EP from Macedonian maestro Mihail P. Despite his young age, it's easy to hear the influence of 90's UK techno in this release with a slight hint of Terrace and Dan Curtin.

With five quality releases under his belt, Mihail is already fast becoming a favourite on the underground electronic scene and obviously injects his own techno soul into his productions. Available on 180g vinyl only.

200 copies only! Very strong 5 track dub & Detroit influenced techno compilation.

It's that time again... Every summer Jennifer Cardini's Correspondant imprint celebrates another ground-breaking year with a far-reaching collection. Ranging from palpitating ambience to chuggernaut technoid trips; the stirring 16 track set features late night creations from old friends (Red Axes, Zombies In Miami, Mike Simonetti, Moscoman) new friends (Simple Symmetry, Perel, Julian Stetter, ) and friends that have been Correspondant kindred spirits since day one, but have never had the opportunity to cast their magic on the label... Until now (Black Merlin, MR TC, Yula Kasp & Mi.ro). As always, the vibe is deep, smoldering, emotive, innovative and unapologetically cosmic as we're pushed headfirst into Correspondant's boundary-less soundscape. From the coiled spring funk of Javi Redondo's 'Fictional Friendship' to the hypnotic harmonics and trippy vocal textures of Uriah Klapter's
'Breeze' via the slinky arpeggiated charm of Marvin & Guy's 'Cowboy Disco', it's another sublime excursion from one of the most consistent and considered imprints on the left side of techno.

This debut from longstanding East German maestro Mathias Kaden is no exception

A bucket-list EP for the Gera-based artist whose followed and collected from Winks label since inception, Nova is both a personal showcase and a homage to a label thats inspired his tension-heavy signature. Adding to a discography that boasts some of most respected techno labels possible (Vakant, Mule Musiq, Watergate, Desolat, Freude Am Tanzen), the Nova EP flexs Kadens darkest and deepest tendencies and includes certain signatures that many of the best Ovum releases share: acid, a direct and effective single word sample, versions and a DJ tool that will blow your dancefloors heads off.

The acid mix of Nova sets the scene. Acid through Kadens perception; its warm, its subtle, it strips right back to a naked groove before thundering back into a head-shoeing finale with devastating effect. Its complemented by Mathiass alternative version; an atmospheric mix where the acid is switched out for rippling, dubby synths and a relentless drive that has just a touch of a French kiss to it. Loaded with a sweet shuffle in the percussion, you could lose your head in this for hours. Throw in the acapella/FX DJ tool and Marco Faraones turbine acid beast and you genuinely can lose yourself indefinitely in this release. Laced with a classic spoken word theme throughout, Mathias sums up Ovum perfectly
Its how I always see Ovum: The past is the future. The future is the past. Ovum is one of the most Timeless Labels I know!

You could say the same about Mathias. Get to know.

5th from London based “Art Of Dark”. 4 fresh cuts from Berlin based Italian producer Matthias.

Pangaea returns to his Hessle Audio label with new music for 2020. The in-demand track 'Like This' has enjoyed early plays from Daphni and Jamie XX on Radio 1 and comes in two versions for different dancefloors. 'Midnight Plane' on the B side takes things deeper but remains propulsive, fusing elements of dub techno and various UK styles.Vinyl limited to 500 copies.

999999999 open the doors to the new wave of techno talents. Dyen, Nico Moreno, Wndrlst and Kozlov contribute with 4 direct techno bangers.

Blue Vinyl

Four hard acid techno tracks from Pacou, limited to 303 copies, pressed on heavyweight solid blue vinyl and mastered by 6BIT DEEP in Copenhagen.

Synthetic and still human. The realization of the project "Mind Asset" took place as a kind of "therapy". The first EP on Human Sense Technology was written and produced by Braintalk. In his melancholic way he put the emphasis on dreamy surfaces, knitted rhythms and distorted structures. The inspiration expanded within his personal development. For this reason the titles "Conscioussnes", "Mind", "Synapse" and "Path" found their place on the EP.

Multi Natural is a new example of Christina’s organic chamber music. We enter nine composed chambers. Nine rooms to inhabit, constructed out of elements that are slowly fusing. The album is a string of semi constant metamorphosis. A gesture appears, is elaborated upon—or is halted and replaced by a new gesture. Multi Natural has multi focal points, quite dissimilar to Christina’s other works that tend to have a more linear path.

Within this album lives a composer who is not afraid to let the content take over. In this, obviously composed work, there is still a large space for all those sounds to act freely. It is almost like Christina is waiting for the music to compose itself. This technique speaks of respect and trust for the listener, since it gives thelistener freedom to personally connect the lines.

When you put the needle on this record, everything turns to stone. The music flows and nurtures. Sounds that come from various realities—molded into a mutual understanding. With each spin, new events catch the ears. Like looking at alandscape, perceiving new details close and far with every gaze.

When Christina warps both time and space for you, it comes to you as a gift.

Oh, lovely appearance of death, No sight upon earth is so fair; Not all the gay pageants that breathe, Can with a dead body compare.

- Charles Wesley, A Funeral Hymn for a Believer, 1780

So begins New Atlantis, the fourth full-length album by longtime Berghain resident Efdemin aka Phillip Sollmann. The words, sung by 60s California art icon William T. Wiley and embedded in glowing drone swells, set an otherworldly tone for Sollmann's first solo release on Ostgut Ton. Over eight tracks, New Atlantis oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann's deep dancefloor productions as Efdemin with his sound art and experimental music projects. The latter include 2017's Harry Partch- inspired Monophonie performance and 2018's Panama / Suez EP with Oren Ambarchi and Konrad Sprenger. Long drawn to utopian musical traditions, Sollmann took inspiration for New Atlantis from Francis Bacon's unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. In the story, Bacon imagines futuristic 'sound houses', which contain musical instruments capable of recreating the entirety of the sounds of the universe; a 400-year-old prophesy of today's digital sonic reality. Through Sollmann's lens, Bacon's vision ebbs and flows over 50 minutes in varying speeds and colors, emerging as a tapestry of different utopian musical traditions - through billowing synth lines, early Detroit techno, resonant wooden percussion, trance, droning organs, dulcimer, electric guitars, hurdy-gurdy, just intonation, poetry, hymns and murmuring voices. Sometimes they merge into epic, rhythmic journeys like the 14-minute long title track; other times they appear as a briefly open sound portal ('Temple'), or in the forlorn human voice on 'Oh, Lovely Appearance Of Death', calling to be freed from jail of the human body and pass into the afterlife. Like previous Efdemin albums on Dial, New Atlantis veers off the techno path to explore other musical territory. Here however, Sollmann occasionally abandons the club entirely, returning only to push its boundaries with other instruments, mythologies and psychedelic story telling.

Oh, lovely appearance of death, No sight upon earth is so fair; Not all the gay pageants that breathe, Can with a dead body compare.

- Charles Wesley, A Funeral Hymn for a Believer, 1780

So beginnt New Atlantis, das vierte Studioalbum des langja¨hrigen Berghain-Residents Efdemin alias Phillip Sollmann. Jene Worte, gesungen von der amerikanischen 60er-Kunstikone William T. Wiley und eingebettet in glu¨hend schwellende Drones, setzen einen ga¨nzlich anderweltlichen Ton fu¨r Sollmanns erste Solovero¨ffentlichung auf Ostgut Ton. Im Lauf von acht Stu¨cken oszilliert New Atlantis zwischen schnellem, kaleidoskopischen Techno, vielschichtigen Drones und akustischer Instrumentierung. Erstmals verschmilzt Sollmann die deepen Dancefloor-Modulierungen seines Alter Egos Efdemin mit den Klangkunst- und experimentellen Musikprojekten unter seinem bu¨rgerlichen Namen. Zu Letzteren za¨hlen seine von Harry Partch inspirierte Performance Monophonie (Volksbu¨hne, Elbphilharmonie / Kampnagel, Ruhrtriennale, 2017) und die EP Panama / Suez, als Trio geschrieben mit den Experimentalmusikern Oren Ambarchi und Konrad Sprenger (A-TON, 2018). Utopische Musiktraditionen standen schon lange im Mittelpunkt von Sollmanns Denken - fu¨r New Atlantis diente ihm Francis Bacons unvollendeter Roman gleichen Titels aus dem 17. Jahrhundert als Inspiration. Darin beschreibt Bacon eine fiktive Insel, die sich ganz der sozialen Entwicklung durch die Synthese der Ku¨nste, Wissenschaft, Technologie und Mode verschrieben hat. Im Buch werden futuristische, akustische Werksta¨tten erdacht - von Bacon ‚sound-houses' genannt. In jenen werden Musikinstrumente vorgehalten, die in der Lage sind, die Ganzheit an Kla¨ngen des Universums zu erzeugen. Eine 400 Jahre alte Prophezeiung der heutigen digitalen Klangrealita¨t. Bei Sollmann schwillt und ebbt Bacons Vision auf 50 Minuten in unterschiedlichen Tempi und To¨nen, sind utopische Musiktraditionen ineinander verwoben: wogende Modularsynth-Lines, fru¨her Detroit- Techno, klingbare Holzperkussion, Trance, dro¨hnende Orgeln, Hackbretter und Stromgitarren, Drehleier, reine Stimmung, Poesie, Hymnen und raunende Stimmen. Mal - wie im 14-minu¨tigen Titelstu¨ck - stimmen sie ein in epische Rhythmusreisen; hier entladen sie sich als sich kurz o¨ffnende Klangportale (- Temple'), dort fordert eine desolate menschliche Stimme (- Oh, Lovely Appearance Of Death') die Befreiung aus dem ko¨rperlichen Gefa¨ngnis und ein U¨bersetzen ins Utopia des Jenseits.

Ilario Alicante is back on the track and he simply beats the shit out us! The italian techno maestro presents a stronger than strong release that defines the Alicante-sytle in pure perfection. The extreme Detroit flavoured Alicante double pack tracker comes with remixes by Adventice and Mark Broom. Alicantes originals "Virgo Storm" and "Hypno" are based on a massive and masculine beat programming and wave the "Purpose Maker" and "Axis" flag like no other of his releases so far. This is heavy material - this feeds Rob Hood and Jeff Mills fans and we can see and hear Alicantes admiration for the Underground Resistance back catalogue here! Adventice (DJ Deep & Romain Poncet) remix for "Virgo Storm" follows this direction however it leaves out the manic synth elements and incorporates even more peaktime-floor-action-sounds that have only one message: Total dancefloor madness! Mark Brooms remix for "Hypno" introduces a very cool but deep-dark and filtered organ-bassline which gives his remix an even more hypnotic touch in contrast to the cheeky and nasty original by Ilario Alicante. This 4-track-package proofs that good and solid techno is still fresh and Alicante leaves a major footprint with this release! Play this loud and drive your speakers to the edge, azzurro Alicante is back on Cocoon Recordings!

Debut EP by long-time Freakadelle resident and one of Salzburg’s key figures within the electronic music scene for many years. Markmechanik has been extensively refining his production skills to finally make his long overdue first release of this cohesive body of solo work, which meanders easily between broken and catchy club music to otherworldly soundscapes and leftfield electronica.

Written & produced by markmechanik at Heizkeller Mastering by Mattias Fridell
Artwork by rochus.design
Print by Unschuldig Verdorbe

Michelle returns to Nicolas Lutz’s My Own Jupiter!!

Our first vinyl will go with a big bang!

Early support from Mano Le Tough, Dave DK, Maceo Plex, John Digweed, Gardens of God, Ame, Silicone Soul, Hunter/Game, Kevin De Vries, Massimiliano Pagliara, Fideles, Paul Ritch, Shall Ocin, Raxon, Mind Against, Ae:ther, Ilija Djokovic, Jeremy Olander, Frank Maurel, Alexi Delano & more

Barcelona based producer Adwer returns to his Bolygo Records imprint in 2020 with five alluring cuts entitled "Our Genome" EP with remixes from Amandra and Marc Pinol. Adwer has left his mark on the overall electronic music scene in the last few years through his melodic leaning productions that've picked up support from the likes of Sasha, John Digweed, Joris Voorn and Laurent Garnier. Adwer aims to capture emotion within his music with his synth focused tracks and euphoric vibrations that continue to solidify his reputation of being a purveyor of innovative sound design and gentle sonics.

"Our Genome" EP sees him deliver the first release of the new decade on his Bolygo label where he invites remixes from the Ahrpe Records label boss and French producer Amandra and Spain's Marc Pinol who is renowned for releases on John Talabot's Hivern Discs imprint.

"Messing with the DNA" begins proceedings with thudding kicks, growling bass rolls and dreamy oscillations fluttering underneath before "Recombinant" deploys undulating euphoria through tranquil tones, deep vibrations and progressing synth notes that unravel escapist intentions.

Amandra's remix of "Recombinant" lays focus on raw, crunchy percussion, lo-fi experiments and murky pads that keep you locked throughout whereas Marc Pinol's remix of "Messing with the DNA" offers up electro-styled grooves, cosmic waves and acid-tinged oscillations that carry outer space feels.

"Our Genome" then rounds things off with meandering, 80s styled synths, ethereal, revolving modulations and rumbling bass frequencies to finish.

Repress

Benjamin Morales aka Benales is a French artist who knows how to create perfect techno tools. The groove is his main thing... you can already understand it by listening to the old releases on the known SINO Records.

Cirez D is back again with three massive big room anthems on his Mouseville imprint. Straight out of the stall 'Dare U' builds and builds layering a pounding kick, soaring synths and rumbling bass enticing you in with each build up and subsequent drop, before repeating it all again to added effect. A2 - 'The Glitch' has an industrial and sinister feel to it, combining a rapid-fire bass and metallic sounding percussion before opening up into a melting pot of arps and sonic glitches.

'Black Hole' closes out the e.p drawing you in with a swell of synths, an unrelenting bassline and a killer kick pattern to send your mind into overdrive. With early support across the festival circuit, this is a three track weapon fit for any discerning DJs arsenal.

Played and Supported by Chris Liebing, Speedy J,Perc, Tommy Four Seven, Markus Suckut, Dino Sabatini, Jonas Kopp, Dadub, Slam, Technasia, Dasha Rush, Max M, Electric Indigo, Bcr Boys, Audio Injection and more.
The first vinyl release of the record label was born from the mind and the taste of Freddy K. A person with many years of experience, which is currently behind K1971 etc.. In the past, one of the minds of Elettronica Romana, Virus, Remix Shop .. and one of the producers of the old Roman techno scene (see ACV Records etc. ..).

It's a match made in heaven, techno veteran Dino Sabatini meets up and coming talent Luigi Tozzi, who over the last couple of years has delivered stellar EPs for the likes of Hypnus Records, Dynamic Reflection, Mental Modern, and Sabatini's own Outis Music. Anyone familiar with the two will know they share an aptitude for adventurous and evolving techno. This is crystallised in this collaboration, which doesn't take the easy path of creating straightforward club tracks. Instead, the three tracks on this release explore the subtler sides of the two producers. That's not to say this isn't club music - it is - but they have a lot more to offer than pure functionality. The EP opens with Manticora. This eight-minute experience takes the listener through winding claustrophobia as ringing feedback pulses across the stereo field and cavernous rhythms dance about, hard to quite grab. These rhythms build to a point to which they solidify and fall into place, a point at which the track gains a feeling of propulsion, alongside shifting and emotive reverberations and resonances. Next up is Celeno, a track that slowly unravels under a backing of shuffling hats and a rolling kick drum. Twinkling synths swirl around before giving way to a rhythmic and compelling melody. Celeno's musical themes continue into the third and final track, Aello, which eases you in with softer drums while a haunting drone builds up. Over this, ghostly arpeggios develop alongside weightier drums that carry the track through until the end, leaving just enough time for the drone to ring out and provide a fitting end to the EP.

If there was one secret weapon to win a war for real techno music it is
Realmz out of Pittsburgh, Pennsylvania. After a series of digital only releases on Sonic Groove over the past three years, the timing for Realmz to hit with a 4 track EP on black wax is now with Sonic Groove's huge 20th anniversary event and label celebrations

Second and last part of the Narita remixes, this time wonderful and delicate interpretations by Voices From The Lake and Dasha Rush.

The third 'Editions series' continues where the 3nd stopped with another 4 track banger. Feat. Tassid, Squat Dom, Chris Liberator & Sterling Moss

New label based from Madrid starts with the mighty Andreas Tilliander for their first 12"

Four diverse acid-driven techno and house cuts from Vault Wax label boss, Beyun. With Detroit-influenced strings, gritty SH-101 pads, and emotive live acid lines, this introspective EP is ready for repeated listening and exploring altered states on 303.

Chicago’s HIEROGLYPHIC BEING’S “BLACK HANDS VOL 2″ features off kilter filthiness, techno fusion style breaks & distorted acid vibrations only he can do. “BLACK HANDS SOUND 5, 6, 7 & 8″ is included on this limited & & stamped release.

One Records return to celebrate Ten Years of the label with a 12 track Various Artists release split over 3 vinyl release. Part 1 features label owner Subb-an and new faces to One Adam Pits and Urulu as well as regulars Yamen & EDA. This EP delivers 4 club ready tracks for the dance floor starting a new era for the label.

DJ Support
Ell Weston (Banoffee Pies / Dr Banana)
“ace tracks - this comps lush. nice to see a load of friends on here too. support. one love x"
Ciel (Discwoman Work In Progress / Parallel Minds)
“i dont even need to listen to anything besides the A1 which is a monster. thank you all :)”
Enzo Siragusa “Great package. Happy Birthday One!!!”
Iron Curtis (Tamed / Acid Test / Smallville)
“splendid compilation! liking Urulu's track a lot. cheers, johannes”
Gideon Berger (Block9)
"The tracks are DOPE!!!!!!"
DJ Moxie "thanks for these, i’ve already been playing out the adam pits track. i really like that sunrise track!"



One Records return to celebrate Ten Years of the label with a 12 track Various Artists release split over 3 vinyl release. Part 1 features label owner Subb-an and new faces to One Adam Pits and Urulu as well as regulars Yamen & EDA. This EP delivers 4 club ready tracks for the dance floor starting a new era for the label.

It’s been a year since the Adana Twins unveiled the first Spektrum compilation on their highly-regarded TAU label, now they’re back with the second bumper installment. The guys have been hard at work A&Ring brand new music for this mammoth collection featuring 16 very special cuts from an array of artists, friends and family connected to TAU, all of whom embody the label’s emotive, forward-thinking ethos. Since TAU launched, it has established a strong identity focused on delivering emotion to the dance floor through compelling, often hypnotic, productions that incorporate elements of new wave, house and techno to present a distinct audio aesthetic. The Adana Twins have assembled a talented collective of artists around the label, each one bringing their own voice to the platform and elevating the energy of dance floors across the world.

The 5th EP on the label of our man Bastian Bux goes one step beyond. This time he delivers a lovely vocal track featuring Kyla Millette and the final result is a modern techno track plenty of soul and elegant vibes.