Techno Vinyl New Releases - News

Introducing a new label and musical direction for Lee Renacre from 100Hz with, PUSHER. His aim is to push the boundaries of electronic music by using different time signatures and poly rhythmic patterns, and by not using 4/4 patterns and the standard hat clap beats it’s possible to create a different style of mood and dancing which is deep loose and skippy. Pusher has a bold new Techno sound and also a gentle side with tracks of deep emotive strings and melody’s.

This Series of tracks is called Drug Music, a stripped down funky style with unusual beat patterns and poly rhythmic elements best enjoyed and fully understood when in an euphoric state, always recorded from a live studio jam where Lee’s improvised sounds come to life with some unexpected results. Lee also collaborates with artist and good friends for some extra depth and to mix up this unique style of electronica.

The first of the Pusher EP’s is a thumping minimal and full on affair with infectious killer acid riffs in odd time signatures. Crisp funky modulating hats monster bass lines and dramatic interplanetary sounds with live tweaks, twists and turns. Also some seriously deep and intense music is coming from this live jam situation with a thrilling string track to round off the Pusher experience.

Open Letter to the Government of Georgia and Madam President Salome Zurabishvili

Dear Governing Class of Georgia and dear Madam President,

I hope you will allow me to first write my sincere greetings. I will spare you the J'accuse, but I am going to delve into a sinister and shameful situation for our otherwise beautiful country.

My name is Irakli Kiziria, I was born in Georgia and I am a musician living in Germany for almost two decades. I first heard about Mikhailo two years ago through friends and activists. I listened to his music and met him during an interview with Electronic Beats that happened in 2018. To be able to meet him in prison gave me the chance to exchange with him on different projects. It is not easy to collaborate with someone alienated from “regular” society, with no access to the internet and so on, but it is also very interesting. After almost a year, I am very happy and proud to announce that my label is ready to release our record on June 15th.
I believe music is an expression of freedom and that Mikhailo expresses in his music his longing for it. Maybe if you listen to his music, you will hear the voice of our brothers and sisters in prison. Maybe you will feel and understand that he and many others do not belong there. Maybe you will find the courage to change these laws that hurt so many of our brethren. And maybe you will try to help them see their families and their friends sooner.

My name is Mikhail Todua, I am turning thirty-four this year and I was raised in Tbilisi. Music was always my passion since childhood, which is why I decided to work in this industry. Thirteen years ago I met a girl named Salome in a club, we fell in love and I married her before she gave birth to our daughter who is now nine years old. Sadly for the past six years, I have only talked to my little girl on the phone. She thinks I live very far away in the USA because we did not want to hurt her at such a young age with the truth.
On September 12, 2013, while I was driving back to Tbilisi from holiday, I was randomly stopped and taken into the local police station. After which I was sentenced to nine years for possession of the drug MDMA (for personal use). After two years in jail, I was granted the right to work on music, and the penitentiary administration allowed me to arrange one room and transform it into a music studio. Music is one of the most important things in my life and I could not be without it. I collected various parts of music gear that people sent me. It was not easy, and I had to depend on the kindness of many people to get what I needed. During my time in prison, I have managed to release five records. This is a labor of love that I craft and work on during the 5-hour blocks of time I get five times a week in the studio. I have created music for a play based on 12 Angry Men and for the documentary Facility 16. I also offer music therapy for my fellow inmates.

My name is Salome and I am Mikhailo's wife. We are preparing his music studio space that will be ready for him after his release. Of course, Mikhailo has changed, but I do not know if the reason is due to his arrest or simply time, because many people change and improve without going to prison. I do think that prison showed him a different side to everything. He uses time as productively as possible there and I believe he is using his abilities to the maximum. What he is doing there no one has done before in Georgia. In September it will be six years after his arrest and I think that this a lot of time for such an offense.

My name is Beso. A few days after I had been released from prison, after serving eight years on drugs charges, three police officers took me to the police station demanding cooperation in order to prosecute Lasha.

My name is Lasha and I was arrested in 2013 for the possession of 0.00009 grams of desomorphine found in a syringe. An amount so small, it cannot be seen with the naked eye.

His name was Demur, he was twenty-two years old and in August 2016 he committed suicide. The young man left a note which spelled the abuse he had been subjected to. A policeman had threatened him into revealing the identities of people suspected of dealing marijuana in the town of Samtredia.

We are just a few names in the thousands that have been impacted by the current Georgian legislation. Our drug policy is one of the strictest in the world. Is it right? We are not just numbers, we are lives that are destroyed, children that are left alone, futures that vanish.

Maybe Mikhailo found solace in prison and became what he was meant to be: a musician, an artist. But what about others who don't find this welfare, this strength? People with no support that are pressured by a police force who often do not see us as human beings, because the current laws do not encourage them to do so. Please Madam President and our government, think about this youth that is getting stolen away. We have seen and endured these sufferings for too long. We can no longer be prolonging these hardships that are unfair and unjust. What we are asking for is not to decriminalize or legalize the use of drugs, but to correct the political errors which have led to and caused so much pain for the children, women, and men of Georgia.

Georgia has one of the highest incarceration rates with 252.2 inmates per 100 000 inhabitants, in Europe, only Russia has a higher rate. (Source: SPACE 2018 survey)

Georgian law does not establish a threshold for small quantities, which means that possession of even particles automatically qualifies as a large amount, triggering criminal liability and a mandatory minimum five-year prison sentence.

Between 2006 and 2008, the first two years of the “zero tolerance” policy, the number of registered drug offenses tripled. It also coincided with a tripling of Georgia’s prison population.

Modeselektor veröffentlichen eine dreiteilige, limitierte Picture-Disc-12"-Serie mit den Highlight-Tracks ihres Albums "Who Else" samt Vinyl-exklusiven B-Seiten. Die Single "Wealth" mit der Londoner Grime-Künstlerin Flohio erscheint samt Instrumental und Accapella-Version (Vinyl-only). "Who", die knusprige Kollabo mit dem estnischen Rapper Tommy Cash, wird mit Modeselektors atmosphärischem "Who Else" gespiegelt. Und der Dancefloor-Hammer "I Am Your God" mit Otto von Schirach ist gekoppelt mit dem nicht minder effektiven "Bronko". Alle Picture Discs erscheinen in vollwertig bedruckten Innenhüllen und Außencovern.

Since launching back in 2017, London label NorthSouth Records has released a quartet of EPs showcasing tracks from the likes of Christian Jay, Bilal, Rob Amboule and Henry Hyde. Here they return for the first time in 2019 with another action-packed, multi-artist extravaganza. Voigtmann kicks things off via the deep space chords, funky electronic motifs and intergalactic tech-house grooves of "Separation Attitude", before The PGA offers up a bass-heavy peak-time roller rich in retro-futurist riffs, watery electronics and crispy drums. Label regular Chris Geschwindner opens up side B with an attractive blend of two-step garage grooves and spacey tech-house melodies, while Henry Hyde delivers the synth-bass-propelled, electro fired melodiousness of "Hello Spcshp".

Legendary artist Mick Harris (Napalm Death, Painkiller, Scorn…) kicks off his 2019 with this EP of tar-black, bass heavy sonic violence. This EP features 4 reworks of “Salford Priors”, one of the heaviest tracks from his return-to-form album “Over Depth”, the first by Mick Harris himself, and 3 more by his longtime collaborators in the production guises of Fausten, Stormfield, and Monster X. The EP begins with an apocalyptic, dubbed out violent rework by the man himself, creeping in with a cold, calm eerie drone that quickly goes from zero to 100%, blasting into a full force attack of artillery percussion and strafing, shrapnel textures atop the landmine subs and characteristic Harris snarling mono-bass.

Julien Caraz has caused much distress over the years with the sheer rage and precision sonic assaults of his Monster X project. Here he eschews his usual frenetic tempos for a solid 130BPM, a sleek techno destroyer built for giant spaces and huge soundsystems in mind. The Combat Recordings boss has worked audiovisually with Mick since the Scorn AV at Bangface Weekend in 2011, touring with Fret AV in 2018. Here he switches back into audio mode to rework Salford Priors into a hard electro assault for the Stormfield remix.

Fausten is the shadowy, twisted collaboration between Monster X and Stormfield.
Having released a staggeringly twisted album on the legendary Ad Noiseam, Fausten
went into hibernation as the pair pursued their own projects, with only a few sporadic tracks surfacing over the years. The pair have been putting together an album’s worth of new material for 2019, beginning with a powerful remix of Salford Priors. Taking Fret back into it’s aquatic, fathoms-deep sonic territory, this remix is a behemoth work that moves at quarter-step tempo, allowing for more physicality and dynamics, the profound pulse of each profoundly deep bassdrum like an underwater volcanic explosion, with skittering percussion the resonates in the stillness.

Previously unreleased rave weapons from the iconic, Haunter Records affiliated Milanese duo's lost archive. 200 copies, vinyl only.

Pure Beauty !
Grey marbled transparent record... fat cut ! Bassy Hardtek or techno when played 33RPM... Pressed 45 RPM.

Quiet old school tribe from the most beautiful techno couple on earth ! A strange record where Hit Hat have been puuled away... get free of high freqs to enjoy the true real techno idea of an elelectronic creation, getting' rid of the Hit hat reflex.... Crazyness :)

Notice here we offer a listen at 33RPM 8, in a Techno downtempo, quiet Doom and totally great as well.... is this an accident ?

Timeless Italian acidic blinders. _ 200 copies, vinyl only, no repress.

Dusty grooves from the dunes of Scheveningen! Inspired by myth, legend and scifi; Legowelt conjures up four ancient mysticism and space odyssey themed tracks that will take you on another journey through psychedelic space and paranormal rituals.

✖ INCL 7 STICKERS, 2 BUTTONS + 2 FOLDOUT POSTERS
✖ SPECIAL „GLOW IN THE DARK“ PRINTS
✖ LIMITED TO 300 RECORDS WORLDWIDE!
✖ COVERART by SCOTT ROBINSON 3D (UK)
✖ MASTERING by STAZMA THE JUNGLECHRIST (F)
✖ DESIGN + PRINTINGJOBS done by e_wann (BE)

Next up for Rhythm Section's club focused sub-label - 'International Black' 004 is here and it is bringing the heat - this time from Tennessee, USA. Mister Saturday Night and CGI affiliate Alex Falk delivers a 4 track EP made with one thing in mind - the dancefloor. Taking influence from the likes Chevel, Levon, Redshape and Phase; Alex Falk achieves a singular vision merging American and European styles of Techno.

Opening with UPP, an effortless techno groove with a tight rolling bass line, classic lead stabs that pulsate, twist and turn as the heavy kick punishes the subs. BETA comes in next with a serious low end bounce - a distorted bass bump pushes the system to the max before being followed up by lower sub all swinging around a fat house kick and tight percussion - another club stomper for the serious rigs only.

The B side is a proper dub techno workout. Beginning with DAB a focused club tool whereupon sharp stabs progress and modulate throughout the track as tight kicks and hats hold down the groove. Its a serious wristbreaker that will cut through any mix. Closing the EP is GATES13, a more downtempo affair. Atmospheric chord stabs dub upon an 808 kick, a must for the warm up or warm down.

Modeselektor veröffentlichen eine dreiteilige, limitierte Picture-Disc-12"-Serie mit den Highlight-Tracks ihres Albums "Who Else" samt Vinyl-exklusiven B-Seiten. Die Single "Wealth" mit der Londoner Grime-Künstlerin Flohio erscheint samt Instrumental und Accapella-Version (Vinyl-only). "Who", die knusprige Kollabo mit dem estnischen Rapper Tommy Cash, wird mit Modeselektors atmosphärischem "Who Else" gespiegelt. Und der Dancefloor-Hammer "I Am Your God" mit Otto von Schirach ist gekoppelt mit dem nicht minder effektiven "Bronko". Alle Picture Discs erscheinen in vollwertig bedruckten Innenhüllen und Außencovern.

Following on from the success of the most recent Moscow drop ‘Waisted’, Archie Hamilton’s next release is ‘Make the Difference’ with New York’s Sole Channel Music and Muzik 4 Tomorrow founder aka Mr V.

‘Make The Difference’ in its original form is a mesmerizing and slice of anthemic vocal house laced with the spine-tingling and sumptuous tones of Mr V.

A track tailor-made by Archie for those life-affirming dance floor moments, Mr V’s vocals home in on the core values of house music in its purest form, unity and sanctuary in the freedom of expression.

On the flip is two club tools, Mr V’s acapella and Archie’s VIP mix, a fast tempo techno-driven banger geared for peak time energy.

Bristol stalwarts October & Borai join forces once again for their second outing on Happy Skull. The pair join the dots between sleazy EBM and rugged, hardcore atmospherics.

Lead track 'Fatal Rumba' is a titanium plated slab of latin funk for freakier, late night dance floors. On the B-Side 'Swipe Left' drops the tempo but turns the pressure up to boiling point, a chugging drum machine workout complete with pulsating 303's and dub techno chords. To round things off, Conch bosses Bash & T give 'Swipe Left' the full UK treatment, flipping it to a mutant funky roller.

Black Codes are back doing what they do best – heavy hitting, underground techno bombs, built for big rooms and bigger soundsystems.


Takaaki Itoh – Endorsed

The Japanese techno producer hits with an industrial powerhouse full of sonar bleeps that drift in and out of time, perfect to spin the heads of any unsuspecting dancers.

P.E.A.R.L. – Regrets

A monstrous and menacing pounder from P.E.A.R.L. melding huge kicks, modulated arps and crisp hats that cut right through. Rattling, distorted, heads down goodness that will shake the walls from start to finish.

Cristian Varela – Variable

Black Codes Experiments co-captain and one of Spain’s techno stars, Cristian Varela follows suit for the B1, ‘Variable’. Swirling pulses and analogue synths mix with crashing rides that pan from side to side, engulfing everything around them.

Ian Axide – Envelope

Alongside Christian, Ian Axide completes the Black Codes HQ masterminding. For the final slot Ian unleashes ‘Envelope’, a no-holds-barred weapon, bursting with unbounding energy, heavy low end and precision percussion - a fitting closer that’s full of the Axide touch.

Long time unsung UK techno artist Aubrey is to release Gravitational Lensing, a first artist album since 2001 and his third in all. It lands in early 2019 on Out-ER and across 12 tracks it finds him getting more personal and instinctive than ever before with jazz, techno, broken beat and house all colouring this most coherent of musical adventures.
Aubrey s discography dates back to the early nineties, when he was a key part of the UK scene on labels like Solid Groove, Textures and Mosaic. Up there with the greats from Chicago and Detroit, he has turned out a steady stream of music that marries perfect dance floor functionality with real musical invention. Always inspired by anything deep with a good groove, everything from synth band Japan to funk king George Clinton, electro break beats to Jean Michel Jarre all inform his work.

As a DJ, he cut his teeth playing the biggest raves in the UK with names like Carl Cox and Eddie C having been swept up by the acid house records that hit English stores when he was just 15. Add in a love of jazz, ambient and US house, and you have all the eclectic influences that this criminally under-the-radar artist has drawn on for his latest album.

It is one that finds him really put his personal stamp on his sound. It s a chance to be more who you are and what you feel without pressure to conform to a particular sound, it s a chance to be free, says the artist of the album process. It was partially produced at Out-ER s studio in Nard , Lecce over the course of a year s worth of studio jam sessions, and is his finest and most cinematic work to date.

Things kick off with the ambient synth modulations of Aerglo Visible before exquisitely loose jazz drums and sci-fi pads suspend you in the cosmos on Floating to Rigel. There is an experimental feel to the off grid drums, rippling chords and drunken keys of Doctor Portia that keeps you brilliantly off balance, and the first deep techno trip is Journey To the Blue Planet , which has gorgeous ambience swirling over rolling, dubby kicks and soulful Detroit synth work. Carrying on through more lush, musical synth work and inventive drums, there are moments of heads down dance floor power and hi-tech soul, serene techno landscaping and chord-laced deep house that is superbly cerebral throughout the album.

In all, it makes for a complete and storytelling record that draws on a rich variety of genres and reworks them into something deep, multi-layered and hugely emotional that works as well in headphones, at home, as it will in the club.

The willpower to guide the eye to the dreamlike. A profound devotion through research and music. A continuous trip the one into sound. and by whom decides to undertake it, made to build a productive space where a creative need finds its expression.

In 1996 Paul Birken released the classic and now rare as hens teeth 'Surfin Superior' double 12" on Woody McBride's Communique label. This was to be a revered and respected record that influenced many and is still talked about and played today. Now, some 19 years later he follows it up with part 2.

Nobody works as hard at getting human sounding chattering from their machines as Birken and here he treats us to 8 massive cuts of grinding Techno that are as humorous as they are danceable.

Pressed on Orange vinyl and limited to 300 pcs.
If you like acid this record is essential.

Repress from the second Squatt... originally pressed as a 45 RPM this time we did it 33 RPM ^^ krkrkr exactly the reverse engine than the TK32 / Suqatt 01 repress... ins'tn'it disturbing ? Test it 45 ?? ahahah ^^

Fresh from outings on Super Rhythm Trax, Killekill and Power Vacuum, and following on from April's 'Toy Box Part One', Jerome Hill is back to complete the series with part two, presenting four raucous Technoid trax in glorious Technicolour, striking out and injecting some humour and rowdiness into the techno landscape. "Donkey Bite" is the one everyone's talking about, borrowing an old vocal sample and updating it into a pleasurably rolling Chicago style banger that will appeal to fans of his track "It's Time For The"... Next up is 'Slither', that does what it says on the tin... A creepy and subliminal sludgy bass roller! Flip the record for the deranged, banging and distinctly wormy "Mr. Worm" and then the Toy Box saga finishes up as unconventionally as it began, with the lop sided lumber of "Torque Talk". Available on lovely grey marbled Vinyl.

Long running label Don't presents 2 beast tracks from Minneapolis Techno legend Paul Birken making his 5th appearance on the label. Paul has been in great demand the last few years regularly touring the USA and Europe with his incredible live set up. These tracks both feature his trademark heavy crunch and literally pummel any sound system they're played on. Also included are 4 rock solid Locked grooves featuring beats from the tracks. This release is presented on clear 10' Vinyl and is strictly limited to 300 copies.

Don't hits hard with 3 Monstrous new tracks from original Brighton innovator, Tobias Schmidt.
Tobias Schmidt is back and at the very top of his game with these three amazing tracks that all channel the spirit of the label to a T and have been smashing up dance floors during his live sets and at the hands of those with advance copies ! - Massive.

Tobias Schmidt follows up his 'Call The Fucking Cops EP' (Don't 027) with another smasher to back up a string of live appearances over the summer at various festivals and clubs around the world, once again cementing his position as one of Techno's true mavericks. There are 4 tracks this time, each one hitting hard with something unique on offer...

Already making waves with a series of releases and remixes for labels such as Hottrax, True
Romance, We Are The Brave, Nice Age, art | werk, and forthcoming music on DJ Haus’ Hot Haus
label, 9th House brings his astrologically charged house to this special vinyl only release.

‘Keeping Me Up’ emits huge rays of sunshine, with its piano driven house chops and soulful vocal
licks. It’s of no surprise, then, that the likes of Midland, Dan Shake, Peach and William Djoko are
already playing and supporting this one. On the flip, ‘The Calm Of Libra’ channels early 90s
break-beat house, coming over like a modernized Nu Groove track, the aficionados will appreciate the
musical sentiments here for sure!

Meda Fury welcomes Tom Wrankmore aka Eliphino to the imprint for a stunning EP of thunderous breaks, 303’s and serious sub-bass pressure. Hailing originally from the Leeds, but with wider travels to settle down in both London and Berlin, Wrankmore’s music embraces hip-hop, rave, and UK garage. He now serves up
a pungent confection pitched between the Hessle Audio crew, Joy O and Demdike
Stare’s most recent efforts. Having released heaters for Brownswood and Hoya Hoya over the years, Eliphino now debuts as part of the Meda Fury family with the Realistic Sex EP.

Wrankmore has been locked away in his studio for the last 1.5 years, abstaining from gigging and releasing records to knuckle down and produce, emerging with a new darker edge and a much more hardcore sound. Tom explains: “The theme of the EP
is trusting your intuition in an information flooded world. I’ve collaborated with visual
artists Tom Pounder & Jon Harris who have created two videos for the release, one for Disc Rhythm and one for Realistic Sex." Meda Fury boss Nick Williams; “Tom's new music epitomises to me what modern club tracks should sound like - wild, energetic, deadly. He’s discovered his own dark new world of sound fusing breakbeat, acid, speed garage and even industrial stylings”

7 track EP/mini album by L/F/D/M 's Richard Smith - ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.

Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”

7 track EP/mini album by L/F/D/M 's Richard Smith - ‘Dream Bleeds’ overflows with body jerking industrial, raw acid/techno, and hints of the warehouse sound of the late ‘90s and the caustic spirit of EBM.

Richard Smith says about ‘Dream Bleeds’, “attaching meaning to songs is often arbitrary but when the visceral feeling of music, particularly instrumental body music, is laid bare, the interaction is immediate and physical. These tracks thread together; each starting point completely open, each new step informed by the last. I find it interesting that the process is the same but the outcome somewhat unexpected; shaped by emotion, inspiration or even constraints of time, they evolve as they do in that time. They reach a different end point due to that evolution of circumstance.”

Having kicked off the year debuting a new audio-visual performance, enduring techno outfit Octave One announce new music for 2019, with a series of EP’s entitled ‘Locus of Control’. Featuring many unreleased nuggets, the series will feature unreleased tracks which were tried
and tested at a recent Valencia Boiler Room set.

The term ‘Locus of Control’ is a psychological concept that refers to how strongly people believe they have control over the situations and experiences that affect their lives.

“Musically we are exploring the ‘power or powerlessness people feel over the things that shape their world’.” State the Brothers.

Side One kicks off with ‘Lies In Truth’, euphoric piano meets melodic stabs layered with feel good crescendos and a positive uplifting baseline. Intelligent synth builds and layers making for a super strong lead track. Followed by Injection (String Free edit) with an intensifying and pulsing rib rattling bass.

Side Two features the full version of ‘Injection’. The thundering bass takes you on a journey of transcending arpeggios, developing progressions and meandering melodies making the track a peak time cut.

Who is Boelja? Who is Sebastian Mullaert? Who are they really? Are they the finite body and a collection of thoughts? And who are you? Are you your memories or perhaps your projections of the future? Or are you this present moment?

What is silence? Is it solely the absence of sound? Or are all sounds springing out of silence and falls back into the same? And what is sound without context? Is it just nonsense? Or is there something more universal to it?

Where did the second vinyl go? Is it sitting in an attic or warehouse somewhere waiting to be discovered? Is it being played as you are reading this? Is all of this just a game? Are YOU being played?

Did someone make this music or did the music just happen? Where does the process of creation start? Where does it end? And who is the listener? How does the listener affect the music? Is there really any separation between the creator, listener and the music? Are they all one and the same?

What is next? Where is all this going?Is there an end? Or are your actions just another event happening in this never-ending stream of consciousness? And to whom is it happening?

PYRAMID TRANSMISSIONS presents the 2nd solo release on the label from PT creator ADJ.

STREET LIFE Part 2 continues the theme of Part 1 with another 4 tracks of bass driven future electro music from one of the longest standing members of the scene.

STREET LIFE Part 2 is more pure Future Bboy music with punching kick drums, Alien melodies and crunchy glitches for that unmistakable ADJ sound aimed at making you dance while getting in your head simultaneously. ADJ always looks to the future but with nods to his past of 808 electro music.

* ATR is a new venture from the Kniteforce famlily of labels. An attempt to slide back to certain years in the progress of the rave world, making music that sounds exactly like it was from that particular year, even if it was not. So here we have the classic Jimmy J & Cru-l-t track “Six Days” taken back a few years before it was released and changed into something that might have been. Likewise the other tracks on the vinyl – all are modern day built, but all would sit perfectly on an old mixtape from 1991, or being played in the early hours of the morning at an illegal warehouse party….

Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

A BRUTALIST BLOW. A DARK EXERCISE IN PROGRESSION. A PUZZLE THAT OUTLIVES THE EXECUTION OF HARMONY.

Vanta is a construction for the savage. It reaches the profane along with the cryptical. The EP includes 5 tracks in which Zomby redetermines his access to techno by developing a language that is archaic. A language that is his own.

Compilation of Aardvarck mainly unreleased material from one of our favorite and dearest producers.
Limited Edition Of 300. Every sleeve is unique - achieved with a computer generated randomization process for each print.

Acronym returns to his Stilla Ton label with a two-track EP. One could say that with this release, Acronym assumes his ultimate form: the A-side brings us a devastating and room-proven piece of focused and propulsing Techno of the highest order. Cold, shivering synths twirls around the earth shattering beat, which is all held together with a dominant synth line throughout. On the B-side, we are reminded that Acronym not only masters our dance floors but also has a special tendency to capture moments both fragile and powerful. The sonic journey presented here is something special, which surely will keep a wistful dance floor satisfied.