Techno Vinyl New Releases - News

Compilation of Aardvarck mainly unreleased material from one of our favorite and dearest producers.
Limited Edition Of 300. Every sleeve is unique - achieved with a computer generated randomization process for each print.

Acronym returns to his Stilla Ton label with a two-track EP. One could say that with this release, Acronym assumes his ultimate form: the A-side brings us a devastating and room-proven piece of focused and propulsing Techno of the highest order. Cold, shivering synths twirls around the earth shattering beat, which is all held together with a dominant synth line throughout. On the B-side, we are reminded that Acronym not only masters our dance floors but also has a special tendency to capture moments both fragile and powerful. The sonic journey presented here is something special, which surely will keep a wistful dance floor satisfied.

Fourth installment for the Orbitr vinyl series.

Just under a year after their last big impression on Rekids, Private Press are
back with four more of their brilliant big room techno cuts.

This Polish pair hail from Warsaw and are focused on producing high energy and
dubbed out techno. Already this year they have released on the Ziema label and
had a strong 2018 two EPs on the highly regarded Indigo Area. Their powerful
sound is a perfect fit with the no frills Rekids label and these four tracks all do
plenty of damage.

Opener ‘Traces to Nowhere’ is an impossibly bristling track with razor sharp synth
stabs and jostling drums that are redolent of the masterful Shed. Part old school,
part a vision of the future, it is impeccably produced.

‘Paper Clip’ is a haunting, high speed dub techno trip with eerie chords and sound
design that keep you on edge, and ‘Wet Moon’ is a broken beat masterclass with
sirens, tense breakdowns and icy hi hat ringlets that is archetypal club weaponry.
Last but not least, the warm, atmospheric and unrelenting banger that is ‘The
Struggle’ sweeps you up and carries you away on a classy techno vibe and rolling
drums that you could listen to for days.

This is a devastating EP of high impact, high quality techno.

Libertine Industries is the new output dedicated to new talent and Libertine resident djs... Sbri is in charge of the first release with an outstanding double EP.

The artist André Walter is looking back on a countless number of releases and remixes with different projects and artists, as well as on his long term studio partnership with Chris Liebing.

The project he´s certainly most passionate about is STIGMATA, without doubt! After the succesful release of - Chapter One - The Complete Collection , which was mixed by Chris Liebing, it´s time for STIGMATA´s first concept longplayer PARASPECTRAL.

PARASPECTRAL is a symbiosis of Modern and Old School Techno from different decades. You will find EBM-influenced sound from the 80ties, 90ties-rooted Rave & Acid, old school STIGMATA tracks and of course, proper Techno of nowadays on this spectacular album. You can be sure: No two tracks sound the same! On top of this, all vinyl lovers are going to enjoy an exclusive bonus track on the limited record edition.

For two very special songs, STIGMATA teams up with RASCAL from ROTERSAND to add some brilliant vocals. So be prepared to hear something completely unexpected in - No Heaven and - Menacing & Sullen .

Whether with vocals or not, all tracks have one thing in common: Uncompromising TECHNO, made to kick some ass on the dancefloor!

Joining the WCF imprint with his 'Distorted Time EP', the Manchester based Transcode brings his driving sound to Egg LDN's in-house label to showcase his versatile approach to production. 

With the vinyl press being released at the beginning of November, followed by the digital version, which includes the bonus track 'Backlash', due out on 14th December, the EP includes two remixes by the club's close friends Secret Cinema and OC & Verde. 

'Timewarp' opens up the release, immediately setting a tripped out tone with its distorted vocals and a slightly menacing melody, which bubbles under the surface throughout the track. 

'Rotation' is a slightly darker and dubber production complemented by crisp hi-hats and well-rounded drums. It is a perfect intro to building up an extended set. 

Secret Cinema leaves his stamp on 'Timewarp' with an ominous Remix of Transcode's Original. Again, it fits into the shady feel of the EP but the Dutch producer brings an enchanting feel to the track, with a twinkling melody laced throughout. 

Manchester based OC & Verde bring their stamp to the release with their remix of 'Rotation'. Using a blend of drawn-out synths to build up a powerful lead, packed with raw percussions, it certainly shows the sonic direction the duo has been working on over the last year. 

Completing the digital edition with a bonus track, Transcode rounds off the EP with 'Backlash'. A punchy and unrelenting track, it's a peak time tune which is one of those tracks for a heaving dance floor to relish in what the Mancunian producer is all about. 

R&S welcome emerging UK bass and techno producer Yak AKA John Randall for a 5 track EP of rugged broken beat techno, following up stellar EPs for Version, Martyn's label 3024, and VA releases on Le Chatroom and Brotherhood Soundsystem.

A classically trained instrumentalist primarily based in Sheffield, Randall began making his name as a resident at the cities seminal Pretty Pretty Good parties, quickly picking up the production bug and in recent years scoring a number of heaters, most notably the propulsive techno of 2017’s Mido EP on Version which reached the top of Phonica’s illustrious
Singles of the Year list.

Finding a kinship with the off-kilter grooves found on Swamp 81, Hessle Audio, Livity Sound and Timedance amongst others, Randall's releases have been tipped by the likes of Ben UFO, Martyn, Objekt, Call Super, Laurel Halo and Midland and marked him out as a name to watch.

Restless rhythms are in full attendance in the inspired rush of the tracks 'Wide Eye' & 'Spore'; "I started them the day after going to a sick party when the energy from the previous night was still fresh in my mind". The idea for the track 'Skooma' came to Randall while at home messing with foley samples and processing random noises like scissors cutting and paper being crunched. 'Termina' was constructed after a week long binge of listening to ambient soundscapes, movie & video game soundtracks and fellow R&S allum DjRum's album on repeat.

Randall's attention to detail and sonic craftsmanship alongside irresistible rhythms are a key part of what makes Yak music so alluring. “The music I make is always underlaid with a strong percussive foundation first and foremost," Randall explains "I think interesting and groovy percussion makes the difference between a track that's cool to listen to and a track that makes you move your body.”

The masters for this classic were lost long ago. We have carefully restored them from Mint Vinyl and had remastered at Subvert Central Mastering. Check out the You Tube Videos for a taste of the quality achieved.

Remastered and recut by MUSIC PRESERVATION SOCIETY

DJ Tango (RIP) was a D&B scene legend and originator.

This series are remastered from Digital Originals and include Dubplate only versions of some classic tracks from the early years

Next move from Artefakt and Delsin is a selection of their label back catalog remixed by a few of their personal favourites in modern techno days. Forest Drive West and Evigt Morker both deliver slamming and hypnotic techno workouts. Where Polar Inertia and Valentino Mora take a dive into deeper territories. It resulted in a well balanced pack of exciting drum grooves, hypnotic loops, smoky dub techno and cinematic ambient.

Here's a new atmospheric techno release by Conforce on his own imprint Transcendent. After his last gem on Delsin records he seems to be on a roll again with his sophisticated trademark techno sound. Conical Surface showcases a diversity of carefully selected techno tracks, all with the profound character you can expect from a new release by Mr.Bunnik. Lush pads and interstellar bleeps send you straight into his musical universe again. Performed and recorded with accurate precision for maximum impact. May Conforce be with you.

Electric Rescue is back on his own imprint to his new album, the third one and the most powerfull one no compromises techno and electronica music, a film of his 2 years past life, authentic, personnal and unique vision of the actual techno scene and life, pure !

I'm happy to present the talented The Reason Y from Berlin. After his EP on Pan-Pot's label Second State The Reason Y showcases his diversity with straight dark techno but also a warm melodic tune - Almathea . On top the man of the moment - Kevin de Vries - made a wonderful remix of Almathea (Monika Kruse)

Food Music is massively privileged to officially bring you Xpansions “Move Your Body”, as the next instalment of Shadow Child’s ‘Curated by’ series.

With all manner of DJs reaching for the original 1990 hit still to this day, we’ve remastered it exclusively to vinyl and brought you fully official reworks from today’s elite.

Using original salvaged parts from the Xpansions vaults, we have remixes from Krystal Klear, Rebūke, and Loods who all bring a fresh take as we enter summer 2019.

Krystal Klear heads up the mix package, taking us into electronic bliss with his sublimely fresh synth stabs and a huge breakdown that will tease all your senses.

Rebūke’s massive techno twister is set for the big rooms too, with a new riff following the bassline melody, trippy vocal production, rolling percussion and his trademark crescendo’s.

Finally, Loods takes us on a retro house tip with pulsating hi-hats and a new take on the melody with bumping bassline’s and energy.

Peder Mannerfelt & Pär Grindvik push the Aasthma envelope looser, faster, and stranger on a
second limited edition 12”, featuring one cut of blistered power ambient, plus a sidewinding
cybernetic techno twyster - properly f*cked & deadly dancefloor gear highly recommended if yr
into T++, Ugandan Methods!!!
A strong new addition to both artists’ oeuvres, the 2nd Aasthma 12” follows the same formula as
the first, and again finding a smart balance of immediate rawness and classy sound design, but
this time slightly altering the parameters to more reckless and experimental appeal.
The smoky ambient blush of ’Rotating Blue Device’ unfurls a fine mesh of gauzy mid-ground and
prickly surface disturbances to bend the mind’s eye and presumably sound steeply psychedelic
in altered states, which finely sets the tone for ‘Los Angeles’, where they spar with thorny techno
drums and surges of bass voltage in a roving, undulating, crisp but distorted mass that will swill
the club out something rotten.
No brainer.

DJ Tango (RIP) was a D&B scene legend and originator.

This series are remastered from Digital Originals and include Dubplate only versions of some classic tracks from the early years

This is the 9th release on RIOT Radio Records, an independent techno label based in Scotland.

This 12' is the 4th of many releases to stem from our V/A - 'STAY TUNED Sampler - Vol. I' LP whereby each artist on that compilation will have their own individual release.

Neil Landstrumm is a legendary producer whose influence within the techno scene cannot be understated. He's had many, many releases over the years on the world's best labels including Sativae, Don't, Peacefrog and his own Scandinavia imprint. He's also accredited with remix duties on our 7th release by The Horrorist.

There's two original tracks on this release, one remix by JoeFarr and another by Sunil Sharpe, all are bona fide club stompers.

This release sees him returning to his electronic roots with 'I Want No More Moaning' being crafted on his trusty Roland TR-909 and a Jupiter synth just like in the good old days, something he's not done for a very long time. So this one's something special altogether.

It's time for you to Stray from the path .......... it's time for you to RIOT .......... and NO moaning about it.

Re-issue of the much sought after Univac release on Bunker! New Spanish talent, industrial/EBM mixed with dark robot electro, very menacing! Black vinyl version.

Hailing From Montreal, Canada Is M.s.l. For Their Bakk Debut The Duo Present Three Rugged Floor Oriented Tracks. A Fast Paced Belter For The A Side And Two Nuanced Electro Tracks For The Flip. Comes In Hand Printed Artwork Provided By The Bakk Quebecian Consulate.

ELLLL continues her prolific 2019 run with a new EP for the expertly curated (and newly revived) Paralaxe Editions label out of Barcelona. Fresh off releases on Glacial Industries and First Second, the Irish-born, Berlin-based shapeshifter takes a creative turn here, setting aside her bassy excursions and techno flirtations for something much more cinematic in scope. Rich in melody, this record finds ELLLL taking an orchestral approach, weaving together piano swells and delicate strings to create a truly immersive listening experience. Mastered by Rupert Clervaux.

Sworn Virgins are back on Soulwax/2manydjs label, DEEWEE with two more hugely effective club tracks entitled ‘Lazer Beam / Take Your Lady.

From the green hills of Albania to the back rooms of New York City, Sworn Virgins bring the light. A strangers hand on your shoulder, bright red painted finger nails scratching your thigh, all those beautiful things that made you leave that small town you came from. Greased up and ready to go, close your eyes and take it in.

Dj Tango (rip) Was A D&b Scene Legend And Originator.

This Series Are Remastered From Digital Originals And Include Dubplate Only Versions Of Some Classic Tracks From The Early Years

Alex Jann returns to Censor for the label’s second excursion into the unknown with three direct communications and a mix of the title track from Rotterdam’s Animistic Beliefs.

The EP’s title track Computoid.Transmission.X is a pulsating drum workout laced with dystopian pads, laser-cut leads, anxious bass lines and an evocative mutant vocal from an A.I. system gaining consciousness.

Animistic Beliefs create a darker texture in their Electric Eye Mix of the title track, sending the vocal and lead sound straight through the stratosphere via complex bass and arp phrases that filter and stalk around the lead bringing a deeper and more contrasting A2.

Firewall Culture comes as an intoxicating trip on the B1 with off-world FX, feral acid lines and a spacetime-defying style of vocal that haunt Alex’s work.

Jupiter Storms on the B2 ascends the EP to a higher plane with deep washes created from evolving pads adding space and movement to the final track of the release, all accented with glacial micro drops, syncopated beats and tight trickling synth sections. The release was mastered by Keith Tenniswood at Curve Pusher.

Spatial Cues releases split singles and solo EPs that sound out main(void)’s and Kon Janson’s shared musical space. Operating out of Berlin and London, the two artists join forces to showcase their mutual vision of techno music.

CUES005 aligns itself with the deep and hypnotic side of the series by inserting repetitive themes into flowing soundscapes and subtly shifting rhythms.

Spiralling deeper and deeper into a slowly evolving vortex of sound, CUES005 A emits gleaming signals into the expansive space emanating from its mesmerising bass line.

Held together by the gravitational pull of its sub-heavy kick drum, CUES005 B’s swirling drums orbit around a minimalistic synth pattern that echoes back in bleepy accents.

We're delighted to share this record from the Moscow-based recording artist OL aka Oleg Buyanov. His most recent work, the double LP "Height Difference" on the seminal Gost Zvuk label, saw him transmit his research in soviet sound heritage into a range of genres and tempos. On "Dismeteo", we see him inhabit a similar atmosphere, refracted through a different lens of influence. In Buyanov's own words, "The tracks are like concrete blocks & buildings lost in the woods. It's a point where correct geometry and mathematical constructions meet with organic forms.

In the year 2001, David Carretta released his fantastic Domination EP on DJ Hell's label International Deejay Gigolo. Vicious Game was a huge success for Carretta and Gigolo. 17 years later we release the track with a new Interpretation from Carretta. The track is coming with a strong remix pack. Mark Broom better known with releases on his own label Beard Man and releases on Robert Hood's M-Plant, Blueprint, Ostgut Ton (to name a few) is coming with two smashing remixes. The second mix from him is coming out as digital only. As a part of the duo Unsubscribe with Dave Clarke, the dutch producer Mr. Jones delivered us a strong Industrial Techno Mix for the peak time Set's. Last remixer on the record is GND Label Head S-File. He remixed a year ago Carretta's Hit Never Control and have a huge Floor Filler record in 2017 with Shelter and Nu Life. That release is after the huge success of Never Control and Machines Invasion, a big highlight in the GND catalog. We hope that you are as much excited as we are about this new Carretta record!

American producer FBK returns to Rekids with his debut album entitled 'More
Stories From The Future'.

Long-term house and techno heavyweight, Kevin M. Kennedy aka FBK has a
career spanning three decades. Debuting with a seminal release on Frictional in
'97, Kennedy went on to appear on labels like diametric. and Urban Kickz, whilst
more recent releases have landed on Barba Records, Suspected (alongside Paul
Mac) and Rekids - kick-starting the label's Special Projects series. With a close
bond to Detroit greats like Anthony 'Shake' Shakir, Daniel Bell, Claude Young,
Keith Tucker and Sherard Ingram (DJ Stingray), FBK is considered a true
contemporary. Returning to Rekids for his inaugural long player, 'More Stories
From The Future' demonstrates his versatility within the studio and mirrors his
genre-bending approach to performing, both as a DJ and live act.

'Modular Life' brings deep resonating lows, liquid pads and clinical percussion,
before the psychedelic vocals of 'I'll Sit Back, You'll Jack' join smashing snares
and intensifying synths. Exhibiting erratic sound design, 'Layers of Fear' comes
complete with pumping drums and intense hi-hats, until 'Hassling' offers a
stepping groove, thick pad stabs and deep sub movement. 'Headless' gets
modular heavy with bubbling effects and shuffling rhythm, preceding the driving
kicks of 'Gate Closing' where ghostly vocals meet enveloping acid growls. 'The
Boxing Lesson' delivers punchy kicks and steppy snares under lofty atmospherics,
ending on 'The Finisher's Heart' where evolving detuned synths flow over powerful
percussion.

Each vinyl sleeve is individually painted with highly-pigmented acrylic, using a single-movement brush technic. (Limited edition of 500)

ara is a new record label curated by David Letellier, a.k.a Kangding Ray. ara is a platform for recording artists with unique sonic identities that seeks to induce deep emotion through sound ; focusing on singular artistic endeavours, created with patience and dedication. While rooted in electronic club music, ara will not follow any prescribed sonic path : it will explore a palette of diverse sound worlds who evolve through parallel series of curated releases. Each series will represent either a concept or a particular musical direction, which will be mirrored by its own design approach. Since releasing physical records is increasingly becoming an irrational choice, each record will be irrationally produced as an hand-made work of art, involving procedures and techniques such as manually-applied ink, brushed acrylic paint or tape. Each edition will be individually numbered, recognisable as a part of a whole, while being slightly different by nature. The first release, by label curator Kangding Ray, will be the first step of this journey : organic, emotional club music, for the body and mind.

And he is back! After the successful last EP on Terminal M, Metodi brings us again a funky 4 track ep in his very own Hristov style. Enjoy. (Monika Kruse)

Seasick Acid is an aquatic addition to the Gunnar Haslam multiverse, a twisting realm of mirrored realities and fully realized continents with their own submarine logic systems. We asked Gunnar Haslam about the story behind this EP, his third release on The Bunker NY, confirming that he has not been recently seasick but did grow up by the ocean spending plenty of time on boats as a young man. Seasickness thus established as a part of Haslam’s personal history, he went on to explain “the best nights out hearing music are the rocky ones, not the smooth voyages” flashing to the experience of a very deep rave as a large ship with all hands on deck working to keep the whole thing afloat. All four tracks bring a woozy driving force to the dance floor that are sure to keep everyone bobbing along disorientedly.

Dixon Avenue Basement Jams are proud to present "Rainbow Body" by Nightwave on their new sub-label Neutralizer Records.

New music from Nightwave is what life is all about.

Check out her new fantastic release for Dixon Avenue Basement Jams’ Neutralizer sub-label if you’re in any doubt. Rainbow Body EP is 4 tracks of Detroit influenced dance floor damage, taking in and breathing out lush melodic techno, driving ghetto beats, steppin’ authentic electro and bold yet synthy house music. It’s a release that does it all and with such style and confidence. You’d be a fool to miss out.

Limited Hand Stamped Vinyl and crazy story inlay included

The first of a new series of VA releases, Casting Shadows reimagines archival music through the eyes of our favourite DJs. Each volume is overseen by a different selector, inviting us to look through the peephole of their crates.

Cutting the ribbon, we invite German luminary Mick Wills. Active over 3 decades, a perennial influence and looming figure across the wave and techno scenes.
Wills refashions 3 of his favourites, giving them the trademark ‘Cut’ treatment for tender floors worldwide.

The first track sees a crucially overlooked Baby Red Torres number 7” fully expanded to 5 am percussive meltdown business.

Next up synth-botherer Paul Nagle sees his early tape emission‘The Mesomeric Effect’ re-cut by cool hand Mick, coming in hot & throbbing in all the right ways.

Closing on a dramatic note, Kehrschliefe’s Leonid Brezhnev (previously on Polytechnic Youth) is opened up, ripped apart and smartly re-dressed, oozing class and menace.

3 cuts your way from one of our favourite basement surgeons. Look out for the second volume of Casting Shadows, carefully compiled by an interplanetary presence .

Mastered by Alden Tyrell.

The Kioku EP is Wata Igarashi’s third release on The Bunker New York, showcasing considerable emotional range that speaks to his long career as a sound designer. All four tracks feature a cinematic, expansive quality that make it easy to imagine how each could fit specific moments across the arc of a party. Different aspects of the music are carefully balanced and combined: seemingly simple patterns in the foreground are animated by precise intensities at play in the background.

We encourage you to give this one a listen on a proper sound system or headphones to fully dive into the intricacies of Igarashi’s sound design. “Reflecting on his feelings about these tracks, Igarashi tells us that, “there are many times when you’re listening to powerful music and you are not really able to think but your body still remembers how to move and breathe”. Kioku means “memory” in Japanese and Igarashi goes on to explain that “all the fast and complex melody combinations (of the title track) make me imagine how our memory functions: connecting via synapse and nerves, going all over the place...the music comes from my experience and memory.” The complexity and beauty of our thoughts and bodies are mirrored in these fine productions that make up the Kioku EP.

Played and Supported by Kenny Larkin, Laurent Garnier, Adam X, Speedy J, Norman Nodge, DVS1, Pig & Dan, Perc, Max_M, Jonas Kopp, Freddy K, Kirk Degiorgio and more.
Cannibald Do you remember something about an LP of the 90s signed by Leo Anibaldi Yes! it's the label of Leo Anibaldi. Until three years ago his releases were on vinyl. Then he continued in digital format until now. Now it's time to release again a special vinyl!

There is something singularly unique and peculiar in the degree to which seemingly unsettling themes and extreme taboos have been explored, most notably in the medium of film, in the land of Nippon. Free from the constraints of reality, notions of grotesque brutality, torture, fetishism, and sadomasochism, to name a few, have oftentimes served as driving motifs in the examination of the true nature of violence latent in the most repressed reaches of the human mind. Concurrently, in the realm of electronic music, many Japanese producers have often been able to cultivate and harness a daring yet distinctly refined and inimitable form of organized sonic chaos, one almost instantly recognizable to the occidental ear. The music of Tomohiko Sagae, and in particular his latest contribution to Furanum's catalogue, The Spurt of Blood, is perhaps a quintessential example of the confluence of the former themes and latter medium.
At the outset of the record, the beholder is faced with the 'Vacant Eyes' of a staggering monstrosity, a subdued and subjugated automata in the midst of a bleak dystopia, nearly lifeless but for the grudgingly conceded advance of its death march. As a battery of gratuitous aural violence led by a dominant synth is rapidly unleashed in the subsequent composition, a growing malaise transforms into fractured bone and psyche alike, with no distinction made anymore between the tearing of metal, flesh, or the fabric of the mind. Culminating in 'Severe Pain', with limits of endurance breached and descent into madness the only seeming form of respite, relentlessly rolling drums and hauntingly sublime howls provide the context for the dawning realization of pain as a virtue in and of itself, when a demented pleasure and the exhilarative liberation that lies therein begins to emerge. In the final act, reinterpreted by Furanum stalwarts Uncto, roles are tellingly reversed as the vacant eyes of the victim become that of the oppressor. With cold-blooded precision, the original is reengineered into a force of merciless domination, its elements machined and recalibrated for pure power.Words: PSD

Collecting orders for repress

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black car's running in the rusty light of a bohemian sunset while the desert cursed dust over the words of scared man
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Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music.

The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it.

RAGE is approaching its 30th anniversary. Its sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on a journey through the sounds of RAGE, accompanied with personal track by track notes from us. Music from London, Detroit, Sheffield and beyond features, with a deep selection of tracks such as Tic Tac Toe's monstrous roller 'Ephemerol', Top Buzz's anthemic 'Living In Darkness' and the deepest Morales dub of D-Mob's 'That's The Way Of The World' . This will be a true masterclass in the sound of the underground, from the inside out.

This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019