Techno Vinyl New Releases - News

For our second REVOLT release we decided to showcase this compelling EP from our Scottish friend Hans Bouffmyhre, who gets remixed by one of our favourite artists, Kessell.

Collecting orders for repress

***
She's daffodils and morphine,
the tender cannonade of
lovesick napalm.
She's the trapeze wire
in a thunderstorm.
Enkindle me cruelly.
***

Pedro Zopelar and Benjamim Sallum started jamming and performing live sets in São Paulo in 2016, when Ben was only 15 years old. At that time they where doing freaky improvised live perfomances in tribute to a popular youtube video called “My Girlfriend Is Programming The Roland TR-909, Making a House Beat”. Using that huge name the duo performed live before Theo Parrish at the RBMA festival in São Paulo 2017, and was the first that the track GIDI was played. In 2018 “My Girlfriend” releases their first record dropped by Subsubtropics, (a Brazilian label that previously released “Dreams”, “Design a Wave”, “Seixlack & Zopelar” and more).

The Apron EP is a compilation of My Girlfriend’s tracks there are more influenced by a Brazilian approach on neo-soul, house and funk. From the first raw jams to these particular vision from “what is Brazilian music from nowadays”, the duo represents a fresh sample about what is happening into the club music scene there. Benjamim Sallum is resident at the famous party “Mamba Negra” headed by Cashu and Laura Diaz (Teto Preto, Carneosso), and since his 15yo developed a fast progress on the art of making tracks and DJing. He runs his own label “OXI”, where he often drops some crazy cassettes EPs from himself and his friends. Zopelar is multi instrumentist, DJ and producer based in SP, responsible for the keyboards, synths and basslines of the record. He studied piano on his youth and made music college in rio with 18 yo. Based in SP after his studies till now, he runs another well known party named “ODD”, where Funkineven played in 2017 (both Rio and Sao Paulo editions) and knew all that crew.

The opening track “piercing”brings pads and strings recorded and manipulated on a MPC sampler with some dreamy lead synths on top. GIDI is a tribute to all the church keyboard players in the world. And there is also another tribute to a specific music school from late 70’s in Brazil called club da esquina (“B2 Corner Club”), headed by legendary singer and composer “Milton nascimento”, is a typical sound from Minas Gerais, State where Pedro was born and raised till his 17 years old.

Perseus Traxx makes his Schrödinger’s Box debut with a 4-track EP of experiments forged in the depths of Northern England. Pristine plateaus and eerie sweeps cover the entire first side, a Perseus Traxx from 2090, shimmering in and out of phase within a murky acidic landscape. Introspective and thoughtful throughout. B1 surges forth with resolute intention, headed straight for the singularity. The UK’s answer to Legowelt – Timothy J Fairplay finishes off the final quarter with a summer-garden Techno banger. Purple / transparent vinyl.

The HARP EP is to be released on PRAH Recordings and offers a balance of movement and feeling. ‘Banshee’ and ‘Feeler’ are both dance tracks intended for the dancefloor, whereas ‘Why Can’t I Remember Your Name’ and ‘Heart’ are two tracks meant for times of contemplation.

Inspired by the time when hardware was the only real option for making dance music, applying the same limitation and tactile approach lead to the creation of these tunes from a technical perspective. The equipment used was primarily analog and outboard, with the utilisation of tape for recording ‘Banshee’.

London via Margate composer, producer and multi-instrumentalist Raven has collaborated with many well-respected artists including Kate Tempest, Paul Weller, Mica Levi, Kwes and Bullion. His music upholds a balance between the orchestral and electronic, abstract and conventional. Parallels can be drawn to the artist Arthur Russell,
in terms of their diversity, creating tracks you can dance to, but also songs and music for reflection.

All tracks are taken from the results of the second week of Raven’s PRAH residency in Margate which has seen the likes of Kelsey Lu, Adult Jazz, Ben Vince, Lone Taxidermist, James Greenwood, Deep Throat Choir, Flamingods Lung Dart & London Contemporary Orchestra. Each have spent time writing and recording in the studios
as part of a free artist residency program offered by PRAH Recordings’ arts wing the PRAH Foundation.

2026 Repress

Celebrating dubwise origins, Mole Audio delivers two fresh remixes of their very first release: Andy Martin ft. Gavsborg's Plato & Caves.

Gavsborg is a towering figure in Jamaica's dancehall scene. So when Andy found an acapella, he set to work on a renegade edit. Subsequently approved and embraced by Gavborg himself, Andy's interpretation provided the launch point for Mole Audio - and is re-envisioned twice more here.

Paired with the original A-side, the B-side remix comes courtesy of south London’s legendary Dub War. Benny ill & Bill Robin are progenitors of the original London Dubstep sound, and their Dub War releases on Tempa are highly prized among collectors.. Pairing hypnotic beats with spacious textures, an insistent analog bass line weaves its way through an infectiously dystopian atmosphere.

Taking a minimalistic house-driven approach, Andy's all-new Mad Magnetism Version brings Gavsborg's original vocal to a prime time environment. Sizzling high hats and diving bass drops combine to keep the dancefloor in motion before insistent dub chords further elevate the urgent atmosphere.

Combined with the original and Nit Yardman's remix, the resulting package once again showcases Mole Audio's unique approach to modern dub aesthetics.

2015, Kenneth Werner aka AS IF has released his first vinyl release with ROHS! - MOMENTS EP. This EP is a pure retro-futuristic Acid-Downtempo vision. Initially it was released on white label 7 inch vinyl of 50 ONLY limited copies. It has been reissued in 2019 with a totally new face/design and on 250 limited copies for the world. This is a pure gold futuristic gem on wax.

Following on from his killer album on Organic Anaolgue, HVL presents an EP for movers, with work that draws together a refreshing variety of styles on an upbeat selection.

4 excellent old skool but modern Jungle Tekno tunes from Matt Teksteppa Wilkins on his new imprint, Innercore Project

'Environment' is My Disco's uncompromising album of avant-industrial and synth despair for their staunch allies at Downwards. It was written and recorded during winter in Berlin, 2018, in a studio previously used by Einstürzende Neubauten, Keiji Haino and Pan Sonic, and channels those heroes'
uncompromising aesthetics into a radical departure from the band's previous releases, leaving behind gnashing guitars, cold metallic percussion and gloomy pads reverberating in derelict,
factory-like space
Gutting out the driving, mathy repetition of their prized early work (2010's Steve Albini-produced 'Young/You' is a favourite of Karl O'Connor/Regis), the Melbourne-based trio now recall the ungodly offspring of Raime and Swans, operating with an increased appreciation of space, rhythm and tone that will shock even the hardest to please explorers of avant-rock and industrial fault lines.
In no uncertain terms, its 8 tracks plumb the depths of a foul mood, strafing thru a series of antechamber-like stations like some inelegant beast encumbered with clanking manacles and ankle restraints. Thanks to the visceral, vivid nature of the recording and production, the devil lies in the synaesthetic sonic/visual detail, riddling a mostly wordless narrative that perfectly says it
without saying it.
Biting down first with the jagged metallic klang and gnawing drones of 'An Intimate Conflict', the album continues to fetishise both bleeding-raw and cinematic themes thru the torture chamber
ambience of 'Exercise In Sacrifice', and the red-lining tone poem 'Act', leading into belly of the beast bass growls on 'Rival Colour', before the dissonant, keening might of 'No Permanence' calves
off into a closer to end all closers, with the band's Cornell Wilczek feeding Buchla Easel tones into the empty tank strikes and fetid atmosphere of 'Forever' with a febrile effect worthy of Rainforest
Spiritual Enslavement.
By any measure, 'Environment' is one of Downwards' most singular albums, and a must-check for disciples of proper, unheimlich sonics.

Artefakt returns to Semantica to present their second Album entitled Monsoon.

Artefakt returns to Semantica to present their second Album entitled Monsoon.

A passionate tribute to a time before techno... or was techno already there? Beautiful and highly limited package, gold/silver labels, dot-matrix printed insert and sticker included. Don't sleep.

Chicago's underground pioneer DJ Skull presents SolarOneMusic's Techno City Series Part 2. After Detroit's Scan 7 comes Ron Maney with 3 techno banger tracks. And last but not least one remix by the smart guy Albert van Abbe.

Known to many for his infamous ambient dub techno album, Rigning, Adalsteinn Gudmundsson's landmark release took us deep amongst the rain-drenched forest. The beautiful, slowly shuffling atmospheric masterpiece set a blueprint for the notorious style we now know him best for. Fast forward ten years, and the gently falling rain from Rigning has now intensified. Yagya has shifted to something with more energy, a more defined groove, and a growing euphoric state: Stormur.

Stormur, sees Yagya continue to evolve his sound into the pure techno realm. His unique palette still identifiable, but the focus now on the swirling hypnotism, the delicate tonal progressions, whispering vocals, and the underlying current that transports you. From the forest floor to the soaring treetops, the dense whirlpools of mist, and the breathtaking landscapes are now seen from above.

Confident in its simplicity and efficiency, Stormur is focused on the subtle flow and progression between tracks akin to a full DJ set, transporting you from one chapter to the next. Each track taking its cue from the previous. The tonal shifts are minimal, resulting in a trance-like state throughout the ten movements, best absorbed in one sitting, with guest vocalist Hatis Noir (Erased Tapes) providing an angelic voice amongst the shifting patterns, swirling synthesizers and driving grooves.

20 years since the original release on Richie Hawtin’s M_nus imprint, Exalt Records reissue the minimal classic – Swayzak vs. Theorem ‘Break In At Apartment 205’ 12”.

The two main tracks from the original release have been remastered by Paul Mac and comes on black vinyl with artwork by Grid Pattern.

No-nonsense, 12' releases. Cut loud for your pleasure.
DJ-focused, functional records made for having fun on the dance floor. Rooted in UK club culture and taking inspiration from techno, house, garage and breakbeat, every release will have at least one track that absolutely bangs.Human Resources christens this new series with two tracks of absolute heat.Lovingly delivered by the crew at YAM Records

Known to many for his infamous ambient dub techno album, Rigning, Adalsteinn Gudmundsson's landmark release took us deep amongst the rain-drenched forest. The beautiful, slowly shuffling atmospheric masterpiece set a blueprint for the notorious style we now know him best for. Fast forward ten years, and the gently falling rain from Rigning has now intensified. Yagya has shifted to something with more energy, a more defined groove, and a growing euphoric state: Stormur.

Stormur, sees Yagya continue to evolve his sound into the pure techno realm. His unique palette still identifiable, but the focus now on the swirling hypnotism, the delicate tonal progressions, whispering vocals, and the underlying current that transports you. From the forest floor to the soaring treetops, the dense whirlpools of mist, and the breathtaking landscapes are now seen from above.

Confident in its simplicity and efficiency, Stormur is focused on the subtle flow and progression between tracks akin to a full DJ set, transporting you from one chapter to the next. Each track taking its cue from the previous. The tonal shifts are minimal, resulting in a trance-like state throughout the ten movements, best absorbed in one sitting, with guest vocalist Hatis Noir (Erased Tapes) providing an angelic voice amongst the shifting patterns, swirling synthesizers and driving grooves.

The first Prodigal Son release features a newcomer from France, known by the name EXAL. He is a resident dj for Blocaus in Paris often held at La Machine Du Moulin Rouge. His first ever record is sure to make an impact with two excellent originals already proven to do damage to dance floors with good results and they are backed up by two stunning remixers on the flip side. Inigo Kennedy and Hector Oaks both put their own uniquely epic spin on Exals original tracks. The vinyl has been mastered by Matt Colton at Alchemy Studios here in London and the artwork story begins with our guy Sariel Keslasi from Tel Aviv.
Already supported by...
Abstract Division, Bas Mooy, Dustin Zahn, DVS1, Etapp Kyle, Francois X, Henning Baer, J. Tijn, Jeroen Search, Johannes Volk, Len Faki, Marcel Dettmann, Oliver Deutschmann, Paul Mac, Peter Van Hoesen, Sandrien, Samuli Kemppi, Sigha, Truncate, Phase...

The first release from The Bug’s ‘PRESSURE’ label in 2019, is an absolute sound system crusher from JK Flesh (aka Justin Broadrick Godflesh/Jesu/Zonal etc…). Three tracks of the slowest, heaviest, dread techno you are ever likely to hear. Plus a remix from The Bug himself, in full doom riff mode. Kevin Martin (aka The Bug) is quoted as saying “I’m as proud of dropping this epic 12”, as I was of being the person to release Godflesh ‘Love is a Dog from Hell’, many moons ago on my old label Pathological Records. This time around, Justin again redefines absolute heaviness, but in a club format, as he gets sociopathic with his homicidal riffs and deep space explorations. Absolute malevolence, a complete body slaughter. I virtually begged Justin to let me release ‘In Your Pit’ ! haha. And i’m very happy he agreed and additionally passed me two more tracks of utter dirt”. JK Flesh has previously released music via Speedy J’s Electric Deluxe imprint, Regis Downwards label and Vatican Shadow/Prurient’s Hospital Productions. He also recently released a split album with Goth-Trad, entitled ‘Knights of the Black Table’. In 2018, PRESSURE unleashed the Bug collaboration with Burial as FLAME 1, released Miss Red’s outstanding ‘K.O.’ album, and detonated 12” club destroyers by NAZAMBA and G36. If this ‘E.P.’ is any indication of what 2019 holds for the label, this year will further intensify the label’s promotion of “Dub, Dancehall, Grime and Dirt” and absolute speaker shredding carnage.

In this record you can find cosmic electro with more experimental and melodic electronica. Intelligent electronic music in its purest form.

Wout Records proudly presents its fourth vinyl release. Various artists X' contains five of the most outstanding Wout artists. The World From Denise's Eyes' by Michele Anullo & Veitha is an emotional tech house exploration between synth driven melodies and crystal clear drums.

The composers have built in a classy melodic bass with an enormous engaging touch. Giuseppe Bottone brings us closer
to the techno edge with his track Desiccant'. You will dive into a world of synthetic drones, surf on rough clap sounds and get enchanted by electronic structures. The track is made of an overwhelming deep atmosphere. Goodbye My Hero' demonstrates Alvise Torrisi's abilities for producing tracks with
long intros, thoughtful synth pattern and increasing dynamic. Especially, the melody is a breath-taking beauty of music... definitely another anthem for the summer. David Di Sabato's Never Night On The Moon' is much more reduced in sounds compared to the other tracks of this release, which induced a
fine balance of trippy atmospherical rhythmics, raw dancefloor energy and sound design. W004LTD bridges the gap between state-of-the-art techno, melodic techno and tech house. We can't wait for playing this record.

The lifespan for humans is estimated at less then 100 years in this dimension. Due to this limitation, they seem to lack patience trying to attain their goals in this world. I’m sure that this is the case for most humans in particular, but the focus in this mission statement will be based on the Electronic Music Scene.

From the first arrival to this world and watching the current state of electronic music unfold, things seem a bit stagnant. There seems to be a drastic influx of so-called artist/ producers that are trying to influence the genre and the passive aggressive assault on what the pioneers have created. Until these souls truly study the art of music production, their track releases should be frowned upon. Their foundation should be to learn how this sound was created and how they can contribute to it moving forward.

Why not study to be a techno historian, it’ll only be a benefit. If you don’t understand the past, then there is no real future. Life-forms in this dimension need to understand the past to change the future, otherwise we’ll make the same mistakes over and over and time after time nothing will ever evolve. These words do not speak for Eqwel, however my feeling is that Eqwel has been spawned to contribute quality music to this genre for the indefnite future.

The mass understanding of Techno is the main goal for Eqwel, because if you truly understand this music, you’ll be mentally teleported to another state of mind. This audio telemetry is the answer to get lost inside the relentless nature of the low end frequencies, that is filled with percussions of high intensity. It’s been over well over a year since Eqwel has been contributing to the electronic music scene on a deeper underground level, so it’ll take some time before the earthlings are ready to be introduced to some new ideas. This society has been programmed to only like what they are told to by massive advertisements, with such vast dimensions why listen to these commercial programmers.

Listen to yourself. Music keeps us feeling alive, during our stay in this sedative society. Words & Observations by: Shadow
Tracklisting:

7inch Side A: Float in the Air (5:59)
7inch Side B: The Spot (5:59)
CD Track 1: 2456K Intro (1:06)
CD Track 2: Receiver (5:45)
CD Track 3: Matter of Time (7:44)
CD Track 4: Pace the Ride (8:33)
CD Track 5: DSLBroadband Switch (1:29)
CD Track 6: Audio Telemetry- Eqwel Version (6:52)
CD Track 7: New Dimension (7:10)
CD Track 8: Bottom End (8:53)
CD Track 9: 5G Language (3:04)

62ND CELL (reads sixty-second-cell) is the latest alias of UK producer Dave Campbell aka Hi-RYZE but also Ubik, Timenet, Kibu, Autonation and other sought after electronic classics from the early 1990s. Dave is enjoying a renaissance this year, releasing fresh outstanding electronic music with a new double 12” LP The Wood for the Trees on his own label YozMaz. Fusing classic techno programming with high-end production techniques, there’s a track to suit all dance floors and hi-fi home listening.

Darkly Melancholic, Driving And Highly Original; The Tracks From 'daughter Of Darkness Ep Have Been Tested, Tweaked And Perfected At Sisyphos' Cavernous Main Room Hammahalle, Where Fidelity Spins Monthly As One Of The Berlin Club's Leading Residents. Tracks 'daughter Of Darkness' And 'the Huntress' Are Intuitively Inspired By The Sunday Daytime Vibe From The Berlin Club Scene, Whereas 'wolf Clan' Builds And Raises Energy, Written From The Perspective Of Being Behind The Decks As The Dj. Appeals To Fans Of Anna, Charlotte De Witte, Marcel Dettmann, Ben Klock, Adam Beyer, Chris Liebing, Nina Kraviz
Upcoming Shows
Monthly Residency At Sisyphos, Berlin

ORACULO RECORDS is proud to welcome the enfant terrible of Moscow dark techno scene OBER DADA and his partner in crime LERA FOER whom present themselves to the world with an outstanding EP full of dark energy to get in flames any dance floor. Electro and ebm fans will consider this one a truly holy grail. All tracks have been specially remastered for LONG CUT vinyl by Eric Van Wonterghem at Prodam Berlin.

Ray Kandinski's debut for LPH, Multiverse Connection, presents itself as the soundtrack to an airborne chase scene in an imagined cyberpunk epic. Excited synth lines wiggle through dense fields of metallic drum sequences and showers of jagged, jutting robo effects. The A-side is a launch into outer space orbit, the B, a juiced-up zigzag across the stars in hyperdrive. Futuristic house built with angular electro components and scalpel-sharp acid.

So here is something we've all been waiting for... One of the most sought after releases in the house/techno scene over the last 5 years is finally getting repressed! Kutchie Dub was one of the UK techno legend first productions after the big come back he had on Sushitech. A bold dub house groover and shall we say... timeless. It's not every day that Sushitech repress their rarities but the time was right to get a small amount of records pressed, on transparent vinyl! Some records were changing hands for silly prices online so this is a second chance for the lovers... don't sleep!

Tribe is a record label created by like-minded artists from Barcelona, with a bold purpose of generating and sharing their idea of timeless electronic music. The debut EP Tribe01 comprises four different yet catchy and charismatic tunes that meet at the same point - the dance floor.

As you take off from the A side, you discover an audioreactive tune 'Inertia' - a creation of Baraso & Sonodab aka Barson. The track has a genuine ravy soul spiced with an acid touch and a memorable pad that will get stuck in your head.

As you continue exploring A side, you recognize the 1996 masterpiece 'Hamstrung' by Freddy Fresh aka Modulator, head of Analog Records USA. This exclusive re-edit made with Freddy's permission has a legendary groove of 90's and filtered hats that make a good party great.

Moving on to the B side, you meet a serious dance floor burner 'Chromatic Life' - a creation of Artes. The track is a travel towards the unknown depth of acid, house and techno sounds - a journey you want to make.

As you finish your sound voyage, you discover a phenomenal 'Gravitron' by a mastermind John Shima. The track breathes a melancholic tune, garnished with John's unique charisma: detroitish pads, acid elements, and a well-balanced groove that will hypnotize with its vibe.

After a gap of a few years in between his latest releases (on Terminal M among others) Mar io focuses his attention on his own productions rather than sticking to remixes. He unveils a wonderful EP on Form & Terra Records which kicks off with the title track "Through The Night", a very special acid house smasher which will put every dance floor to a test. Then comes Max Cavalerra who puts the track through some secret alchemical processing and turns it into a dark and more techno-driven tune which is sure to make mind and body move even at 6 am in the morning. In addition, techno legend Patrick Lindsey celebrates his brilliant vinyl comeback with an irresistibly grooving remix which demands your attention with unprecedented drive and gets to the heart of Mar io´s original message "This Is What We're Living For". Last but not least, Mar io himself tops off this extraordinarily versatile EP with a grooving vinyl-only remix.

Zodiak Commune Records presents the second TRIP release called Mist Of Souls. This is a serie pressed on 10 inch containing long, deep and storytelling acid tracks one on each side.
One side is dedicated to Ounts (FR), member of the Fr k6tem and Celestial Bodies collective recordlabel. Lovely ambient break!
The other side you can find the local rarely gifted Lox (FR). Really nice spacetraveling sound on this one!

Ounts L'Ame Hante
When it is time for a soul to move on, it simply needs complete its final task.
After that a portal will appear...and no one knows where it is going.

Lox Nova
We enter to other side of the portal. This is the time a new star is born.
The circle is complete.

Semantica returns with Blazej Malinowski

The duo returns with the third part of their reputable 'vs.' series! Close your eyes and forget everything around you. All 4 cuts are pure "in the zone" techno trips.

About the series:
Enemy vs ARTS is a split-release vinyl series where each label controls the A&R of one side of the record. "Modern Penetration" follows previous releases "Excuse the Disorder" and "Man Worships Power".

Casting the net ever wider, Kalahari Oyster Cult have drawn in new music and a new artist for their latest release. Flora FM, a.k.a. Community Corporation a.k.a. T. Hawkins, has graced imprints such as Argot and Vanity and now debuts with Chaos Light. Trying to define the style of this sound weaver is a near impossible task, the gamut of electronics has been plundered to create this unique EP. From the aquatic hypnotics of 'Hallucinogenic Worm' and the hyperactive energy of 'Chrome Glass', Flora FM borrows from acid house, rave anthems and techno with a magpie like curiosity as he melts textures and tones like a master. Broken beats and rich xylophonic melodies coalesce in the bubbling 'Storm Cleaned' before the warm bath that is the Chicago hued 'Insist on You.' Chaos Light keeps you guessing until the very end, the erratic and frenzied reductions of beat and bass combining to form 'Inc Stop.' A youngster with the ear and ability of a seasoned veteran.

LFT003 is an introduction to the music that Jordon Alexander (Mall Grab) and long-time friend, housemate and sometimes-DJ-partner Alysha Fleiter (Nite Fleit) have worked on over the past year together. The product of swapping stems on tour, trains and at home, the ‘Moogie’ EP combines two individual and two collaborative tracks for the third release on the Looking For Trouble label.

After destroying dance floors worldwide, Nite Fleit’s “Hot Bot” finally sees the light of day at A1. With EBM-leaning atmospheric percussion and a huge pulsating bassline, this is a proven peak time club weapon.

Mall Grab’s “Reconnaissance” (A2) is another club-geared stomper with a throbbing bassline and breakbeat homage that operates deep within old-skool rave territory. Having made its mark as an unidentified dub in all of MG’s sets over the past year, “Reconnaissance” is now ready to be unleashed!

B1, “Anatomy of the Senses”, the collaborative debut from Nite Fleit and Mall Grab, is a promising introduction to future products of this fusion. With NF’s signature evolving and pulsing basslines/synthesis, and MG’s distinct drum programming/synth licks, this trance-acid-tekno 4/4 stomper is an unapologetic body-shaker.

Closing off the record, “Moogie” (B2) is the second official melding of the minds of NF + MG, an electronica-leaning electro number that feels as at home in headphones as it does on a packed dance floor.

Tred returns to E-Missions with four otherworldly electro cuts entitled
‘Fragments Into Nothing’ featuring a robust remix from Solid Blake.

Dropping his debut release on E-Missions just over a year ago, which received
support from the likes of Boris, Mama Snake, Volvox and Courtesy, Tred’s
continued turning heads ever since, performing both in his birthplace of Australia,
Asia as well as many of Berlin’s finest clubs, notably regular appearances at
Tresor. Kick-starting this year with a release on Australian label Doe Dee, he now
returns to P.Leone & Caiazzo’s consistently quality E-Missions imprint bringing
three twisting tracks.

‘Fragments Into Nothing’ is built on crunchy snares, soaring pads and aquatic
effects whilst ‘The Manitou’ is more raw in comparison with its thunderous kicks,
chugging low-end and sci-fi synths. Quick and intricate, ‘Disconnected’ features
an analog bassline, ethereal chords and distorted vocal murmurs, making way for
a slower, more muscular remix from Glaswegian producer Solid Blake.