Techno News

After launching with Jaxe’s acid bomb Seekings earlier this
year, Dom Trojga is back with a bang (and five smiles). Uniting
artists from Ukraine and Poland, and ditching genre
considerations in favour of a shared wavelength, Domownicy
Różnoracy Cz.1 is all about further revelation of the imprint’s
purpose. First up is synth enchantress Poly Chain with the
storming ostinato of Moonhaze (first track ever signed to the
label, but not her last, by any means), followed by the beaming
legend SLG and his soother-shaker Hello Utopia. On the B-side
Jaxe strikes back, teaming up with the uncanny Bejenec
(CHECK OUT HIS LIVE SHOW, FOR REAL), for a hefty slab of
tekno-funk that is Seamless. Finally, label founder Eltron
rounds things up with his own quirky Rym Cymcym. The
beautiful label art has been drawn by the inimitable Martyna
Bolanowska. Playing this record is good for you, so don’t
hesitate.

Don Williams – The legendary Mojuba Don Williams is on fire. No holds barred GTA ride. The Chase. Run for your lives.

Cassegrain – Cassegrain places us in the eye of a mechanical storm. Valves bursting, pressure mounting, compensation needed. Avoid system failure.

In the next chapter of the neo-acid invasion, Neoacid05 delivers a V/A with 4 acid-techno bangers.

The last track sums it up appropriate: The power of acid!

The third collaborative EP sees Clergy boss, Cleric team up with French artist Kmyle. On remix duties is blueprint boss, James Ruskin. A perfect way to conclude the final chapter in this series of releases. (CRG011 - 015)

On the 2nd release of our limited vinyl series, Etui founder Insect O. shows a more diversified musical work. The sound ranges from break beat-electronica to rough and deep techno. Whilst you are standing on top of Victoria Peak in Hong Kong and looking down to the City, you see majestic birds flying around the massive skyscrapers. In this moment you can feel the harmony between the stressful city and the nature surroundings. This feeling was the inspiration for Insect O.´s 'Birds over Hong Kong'. Once again he spreads his love for deep techno with spacey chords and driven beats. Marko Furstenberg made a more Detroit techno inspired remix of the track. He is well-known for his releases on Ornaments or Rotary Cocktail.
'Rusty' is like your 17 years old car with which you drive every weekend to some dark techno parties in dirty underground locations. With its straight beat and spacey organ sounds the track tells you all about rough techno. In 'Echoes of Antarctica' ice cold chords combined with a yearningly pad are flying over broken beats. It is an adventure to one of the coldest place on earth and shows a more experimental side of Insect O.'s work.

Melbourne based producer, DJ and co-founder of Sumac Records, Jon Watts delivers his Butter Sessions debut, Music for 3 CDJs. With over 10 years experimenting as an artist, Jon has an established history with the Australian underground scene. Music for 3 CDJs, showcases two contrasting sides, revealing his ability to seamlessly navigate manifold sounds.

The A-side presents three distinct tracks, thread together with restless percussion and a propulsive force. The introduction to the EP, Prohaasation, is a medley of techno and electro fabrics which progressively build before abruptly halting -- generating suspense for the track to follow. The feverish William gasps and screeches in tones that peak and fall, accompanied by audio maintained throughout; reminiscent of a malfunctioning fax machine. Now It's Done is a choppy and disjointed piece yet coherent in its structure that makes for a rewarding conclusion to the release's first chapter.

Subtlety and minimalism prevail for side B, as Jon gifts us with loops that swirl and churn. AMB 4 marks the first deviation from the narrative of Side A; sounding like hypnotic swelling from the bottom of a deep well. AMB 5 follows suit, divulging more of the picture. Carved out of a sound bed of field recordings, the nine and a half minute piece enchants with its repetitive arc, a spaciousness mirrored in the EP's farewell. The last track Piano 1, is an intricate study of a singular piano chord, examining the layers of the chord's sustain that are disclosed. A testament to Jon's unadorned restraint and confirmation of the old adage that less is really more.

MindTrip's label head, Pfirter, returns to his imprint with an assertive four tracker on wax and one exclusive digital download.

As he continues his hunt to the dance floor while remaining loyal to his signature sound of asymmetric rhythms, accurate arrangements and fierce synth lines, Pfirter is clearly focused on the heaviest side of his own palette. Dosis Multiple is his effort for sharing a balanced release of firm Techno cuts while playing with intensities, moods, hipnosis, tension and release.

Early DJ support from Ben UFO, Objekt, Pariah.

Further notes to follow once promo begins.

Minimalist, swinging, fast paced DJ tool Techno exclusives from DVS1's 'Fabric Mix'.

Minimalist, swinging, fast paced DJ tool Techno exclusives from DVS1's 'Fabric Mix'.

The next Planet X invasion is underway! Four mutated and banging hybrids have joined forces for the ultimate techno takeover.
First up is Q-Cumb, a former vegetable farmer from the southern parts of Iceland known for excellent cucumbers. Since he fled his homeland he has gained a notorious reputation in the world of electronic music all over the world. He is known as Odinn, cucumb45, Bbbbbb, kid mistik, slurp gurken, icelandic lamb, orange juice man, gurk, q-cumb, holidayboy slurp and last but not least, Bjarki. His track, Dreamers, is considered the track of the year by those who have experienced it on the dancefloors of the united consciousness. Lafontaine was spawned on the Icelandic highlands and channels Icelands musical energy through his earthy connections. His tune, Ailenated, describes his existence where he fights on a daily basis to combine his music with his daily life. The result is a musical outbreak consisting of terrestrial techno with an experimental feel. ThizOne cooks up the electro-mixture Bolt which is a political anthem that describes his anger towards Icelandic politics. Recently the Icelandic government has been brainwashing the population using corrupted electronic waves. ThizOne's track is an attempt to counteract these terrible acts of treason to our people. Matrixxman, one of the team members of Planet X, throws forward an Acid banger called 'Flexxin On Hoes' that will most definitely tear up the dancefloors of the galaxy.
On the next Planet X release Matrixxman will twist and turn a remix from Lafontaine and mutate that bitch into a nuclear nugget for the future. In other news the Planet X master himself is conjouring his own ep, his first in a while that will see the light of dawn later this year. Don't miss out on this release Space Cowboys!

The anonymous entity CHPTR derived from undefined controlled sequences progressing into endless alienated narratives, all live recorded and captured on the eponymous label, CHPTR.

Heavy EBM Techno banger

DJ Support
Ciel, Cromby, Ian Blevins, Tereza, Raresh, India, Interplanetary Criminal, Auntie Flo, Ronan, Shawn Reynaldo, Henry Greenleaf, Pathaan, Ben Morris, Yushh +more

MindTrip returns to the shelves with a new collaborative release, introducing head honcho Pfirter sharing the same 'room' with Token's label boss Kr!z.

Their Purification of Malice EP opens with Kr!z, presenting his first original material outside of his own platform; while on the B side, Pfirter extends his musical research with 2 trademark cuts. The final outcome is worth every second of the wait.

This is MindTrip.

Radio Slave returns to his Rekids imprint with the explosive ‘Stay Out All Night’.

As the artist behind ‘Grindhouse’, ‘Don’t Stop No Sleep’, ‘Another Club’, and many other timeless cuts, Radio Slave’s knack for crafting Herculean club tracks is unlike any other. ‘Stay Out All Night’ could be one of his biggest yet. With its cleverly arranged breakdowns, it's a high-octane track built on syncopated drums, lively breaks and chopped-up vocals. An absolute bomb. On the flip, ‘Wait A Minute’ thuds onwards with deafening kicks, rattling percussion, and an infectious stuttering vocal exclaiming the track’s title.

Proving to be one of the Berlin-based Brit’s most fertile years, the renowned producer continues to drop a broad range of releases and remixes on Rekids and beyond, including his three-part ‘Radio Silence’ album.

The label with the wrapped skull strikes again for a second vinyl. Industrial, raw, acidified techno, this various artist brings together techno DJs from several horizons.

The first side gathers French acid techno: one of the founders - Axel Picodot - shares this part of the vinyl with Charles Fenckler. Acid and hard percs are the main topic.

The second side goes deeper into the realms of techno. The two giants Ossian and Myler deliver two powerful coup de grâce to beef up the V/A.

The cover takes us into the futuristic universe, as techno has transcended the ages. Credits to Luca Oltra

BNJMN's album Hypnagogia gets the remix treatment. The Berlin based Brit is a common name seen on Delsin since 2014. Here he invites four of his favourite producers to give their twist to his latest album. Featuring Efdemin, Luigi Tozzi, rRoxymore and Mattheis. Up first, Efdemin turns one of the title tracks into a driving and fierce techno twister where Italian producer Luigi Tozzi eases out the bounciness of Indub's original into an atmospheric dub-techno floater. On the flip rRoxymore does her magic with squeaky percussion riffs and playful melodies turning the original ambient jam into a vivid dance floor roller. Finalizing the pack is Nous'klaer mainstay Mattheis using his instinctive feeling for melodies to create a hypnotizing yet gentle version of Moth Lines.

Next up on UVB76 is Bokeh. Delivering a variation of genres and styles over a 4 track EP. Including some experimental techno, heavy drum & bass & an ambient piece for good measure.

Destiny Angel a magical track way ahead of its time. Now out again with a new master sounding more deeper than before, full of Drums , bass and high frequency evolving Chords. Fast and heavy. b1 Bleeps and Bits is a bass driven groove with shuffling house beats morphing along to electric sounds and effects b2 Just Tonight - Raw deep stripped down Beats and baseline with a a gentle vocal for those big sound systems . Great track for the late night Djs and groovers

HIKE: Cristal clear lakes, impressive mountains, soothing forests and Berlin techno music The Hike 007 Vinyl comes from SCHMUTZ, rooted in Belfast. Belfast is Northern Ireland's capital. It was the birthplace of the RMS Titanic, which famously struck an iceberg and sunk in 1912. This time we present you the Divis Ridge Trail. The Divis Ridge Trail is an approximately four-mile walk from the Long Barn to the Black Mountain and the Mournes. The route overlooks Belfast, with a 180-degree view of the city on one side, and of the Mournes on the southern side. Spot birds of prey, like peregrine falcons, along the way.

uplifting, perfectly crafted big room Techno anthems + UK Bass related bonus cut

With 4 releases under their belt and more to follow, it clearly shows the alliance between Hunter/Game and the Icelandic band Kura, can do no wrong. Their band, Landside, is now primed to get an accompanying remix EP following up from 'Signs of Change' and 'Desert Lake'.
Drawing their inspiration from a cumulation of music that inspires them, they call up a diverse selection of artists to the task, which present an astonishingly coherent vision. From the stormy modulated chords of Robert Hood and trickling pads crafted by Etapp Kyle, to the dystopian narratives expressed by Bambounou and Edanticonf, the re-visionings provide additional star-power to what is already a fine, shimmering series.

Michael Klein is back with another BLK DRP.
For this edition he got two underground remixes on board by The Horrorist and Farrago.

Takaaki Itoh, who ranks with DJ Nobu as a world-renowned Japanese DJ and producer, has already appeared on Kin-Ben, contributing to its 4th vinyl release in 2014. Now, his latest EP for the label is an outstanding piece of mesmerizing techno, accompanied with two remixes by Svarog and Kvest.

‘Back At It’ is TapesJamaican’s second EP, and follows 2018’s ‘Zero Seagull’. Like the debut, the Dublin act deliver three sublime techno soul tracks from the deepest end of the spectrum.

Early DJ support from: Moxie (NTS); Damo B (Outta Limits); Perseus Traxx (Bunker); Owain K (Innate)

The Italian Riot label is back on vinyl.

Frankyeffe this time decided to print two versions of the Oasis masterpiece remixed by Oliver Lieb and Frankyeffe.

Take You Higher, the new single from Heerhorst and we have also the first vinyl release of the new talent Rebel Boy!

Electro & Techno and acid monster !

Echelon (aka Jeroen Search) will present a deep mood-driven entry point to ovular subterranean techno.

excellent, low-key though effective Techno bomb

Phillipi is set to release his debut solo EP ‘Amadurecimento’ on November 29th via DEEWEE, the multi-faceted label and creative space operated by brothers David and Stephen Dewaele (2manydjs, Soulwax).

São Paulo duo Phillipi & Rodrigo dropped their beautifully uplifting debut album ‘Paciencia’, which earned the backing of an eclectic array of supporters including 6 Music, Mixmag, DJ Mag, PAPER, Tiga and Joe Goddard + more.

While ‘Paciencia’ pulsated with a euphoric beach party vibe, Phillipi’s solo project explores much darker territory. By uncompromisingly maximising the bass alongside a relentless beat, lead track ‘São Paulo’ is immediately oppressive and ominous. That intensity only amplifies as it’s blown open with tribal percussion, almost whispered vocals and glitchy synth stabs. ‘Vibe De Verao’ then takes a more progressive approach, with minimalist techno constantly evolving in surprising and inventive ways.

The EP’s second half extends Phillipi’s impossible-to-pigeonhole approach. In complete contrast to the preceding tracks, ‘9000’ is cinematic in scope and lighter in tone, feeling like the score to a lost ‘70s sci-fi cult classic that’s been reworked for 2019. And ‘Gelo Seco’ caps an unorthodox sonic adventure by setting a spliced, stuttered vocal simple around a dancefloor-friendly soundscape - making the title, the Portuguese phrase for dry ice, entirely appropriate.

As with all DEEWEE releases, ‘Amadurecimento’ was recorded, produced and mixed at the label’s inspiring headquarters Ghent, Belgium.

12" (180g) with color jacket. Spiral Deluxe is a band led by Jeff Mills. Initially formed for the performances in Japan (Tokyo/Kobe) and released "Kobe Sessions" EP (AX070) last year, they gathered again in October 2016 for European tour, when they named themselves as Spiral Deluxe. The upcoming record is live recordings from that tour and will be our 2nd series of "Axis Audiophile Series" with HD sound. Spiral Deluxe is a band led by Jeff Mills. Initially formed for the performances in Japan (Tokyo/Kobe) and released 'Kobe Sessions' EP (AX070) last year, they gathered again in October 2016 for European tour, when they named themselves as Spiral Deluxe. The upcoming record is live recordings from that tour and will be our 2nd series of 'Axis Audiophile Series' with HD sound.

A field of red lips. Swaying, swelling, seeping. Harsh sounds fall from the sky and perish in the thick undergrowth. Fragrant, glistening nectar exiting the red mouths, dripping smoothly down on the leaves below. The earth quivers. Soon they'll be gone, the red lips. Whispers of death in the cool morning breeze. This is what excites them so. Red soil, blood and ash. Fearless bees buzzing with life drink greedily and are rewarded with silence. The sound of translucent wings losing momentum; minuscule sawtooth waves morphing into sines. The red field listens with hunger.

This is not music about a fast train to Paris. This is not music for airports. From an East German perspective Gajek´s Vitamin D inscribes itself into the progressive myth of Krautrock by shifting the focus to a different side of German history marked by the material traces of the Cold War. This is music that knows about the coexistence of modernism and its ruins, music about the fact that both can be there at the same time: space programs and the damp smell of unheated houses. It's music that taps into the memory of sudden ruptures, trauma and loss, not out of melancholy but to mobilize the lived experience that things can and do, in fact, change. Vitamin D catches the spirit of motorcycles made from scrap metal, of washing machine engines strapped onto strollers to make lawnmowers; a sonic love letter to people living in the margins of infrastructural programs, collecting copper pipes and engine parts in archives of metal and stone, repurposing the rubble of a violent history for dreams of a different world. There, in secret basements, where machines were built out of trash and stolen parts, Gajek finds the sonic resources for an alternative futurism of private cybernetics and pirated airwaves, creating radical and joyful sounds that claim the possibility of something new.

Matti Gajek (he/him) is a product of socialist biohacking. Injected with high doses of vitamin D directly after birth, the GDR made sure his bones would be strong even if he never saw the sun. The practice of high-dosage-vitamin D injection, abolished in the West in the 1960s, remained a standard in East German childcare until the wall came down in 1989. It has since become a topic of conspiracy theories surrounding differences of East and West German bodies. The child of political activists, Gajek lived through his first revolution shortly before entering primary school. He grew up in the temporal anomaly created when the end of history was declared and the country he was born in disappeared. Gajek is a musician and artist, publishing records on Throttle Records, Monkeytown and Infinite Greyscale and composing for films, theatre, performances and installations.

Vitamin D is Gajek´s most personal record yet. Alive, detailed, urgent and fresh the album explores evolving textures of highly energetic digital production, vibrant rhythms and haunting lyrical work. Boldly expanding a futuristic and strikingly original musical language Gajek creates a beautiful and deeply moving work of great sincerity and emotional immediacy, making a provocative case for pushing what is possible in a world occupied with calculating what is probable.

At long last, Boston’s Isabella Koen delivers her long-in-the-making debut album of raving mutant body music, Trance riffs and industrial synth topographies forged with raw and brooding industrial sound design that marks her out among N. America’s most interesting new producers of electronic music. Big tip if yr into Jasss, Helena Hauff, Gesloten Cirkel, AFX...
Spanning proper techno artillery, Trance riffs and noise excursions, ’Melody Depleted’ expands on the ruffcut but classy ideas put forth on her tapes and 12”s for the likes of Peder Mannerfelt Production, Börft and Jacktone over the past half decade. It serves a broad but singular showcase of her ability to generate club punishing rhythms, barely-tamed electronic noise and surprisingly sensitive ambient space probes that revel in electronic music’s capacity to evoke fine spectra of technoid feelings with a say it-without-saying-it instrumental finesse.
In an emotive arc that takes in crude, rushy rave futurism (‘Im Laughing’) thru to dark, bolshy industrial tekkers (‘The Harm That I Dream For You’) and an outstanding nine minute finale of deep distance ambient hypnagogia (‘Hypnic Jerk’), Isabella’s first album most deftly transposes a sense of pre-millenial late ‘90s techno warehouse dread into a world dealing with its own register of worries. And like the work of Jasss, Nkisi or Helena Hauff, Isabella proves highly adept at translating the most vital, if elusive, aspects of her reference points with a totally fearless, up-to-date but timeless swerve.
Big hitters like the Peder Mannerfelt-esque breakbeat techno ballistics of ‘Roll Doll’, the wide-eyed, doomy trample of ‘Organ’ and the Stingray-meets-Colin Stetson styles of ‘Take One And Two’ share space with full on EBM techno boosters in ‘Send’ and ‘Mind Tear’, while the roiling synth noise of ‘Mnesia’ and the Drexciyan organism of ‘Through The Kitchen’ diffract her vision into adjacent areas of experimentation that make for a murkily transfixing album experience rather than a collection of rave tools. It’s a dead gritty course for lovers of electronic dance music that gets direct to the feet and leaves bits between your teeth.

UK techno legend Mark Broom returns to Rekids in February to release four uplifting cuts in the form of his 'Break 97' EP.

Mark Broom's musical career is certainly something to behold - with over 150 releases over the past 25 years, on top of regular gigs across the world's most renowned institutions, there's no doubting his work ethic and his influence upon the scene. A prolific artist and true pioneer in the techno world, having worked with revered labels such as Warp, R&S, Ifach and Soma, and in more recent times Blueprint, EPM Music, Red Sonja Records and his own Beard Man Records, his 'Break 97' EP kick-starts 2019 for Radio Slave's Rekids as the imprint adds yet another outstanding name to its roster following the likes of DJ Deep, Sebo K, DJ Spider and more.

'Break 97' sets the tone of the EP with a fusion of techno and disco, delicately blending funk-infused chords and resonating kicks amongst groove-filled vocals, before 'Heart' delivers inspiriting disco samples, punchy low end and elevating strings to reveal an effervescent aesthetic throughout. 'EFB' takes things up a notch, offering a dancefloor focused cut balancing rattling highs, vibrant synth flutters and a muffled vocal line, until 'G Theme' rounds out proceedings armed with robust percussion, electrifying vocals and undulating, euphoric keys.

First EP From Nostromo, new project by Sarin & Unhuman.

For More Than 20 Years Now, I've Been Lucky Enough To Develop Multiple Projects, Labels And Artists, To Sign On Quite A Lot Of The Biggest Techno And Electro Labels, But Also On More Underground Ones, Always With An Enormous Pleasure And With Skryptöm, I've Fostered A Team. Today, I Am Going To Take The Obverse Direction. I've Decided To Build Myself A Parallel Way Where I'll Concentrate On My Own Work, Intended Only For My Original Works And Collaborations With Electronic Artists I'll Have Chosen By Taste And Affinities. All Of This With An Artistic Guideline Which I Am Going To Follow. Just Let The Techno, The Electro Music And The Electronica Flow For Pleasure And Release Regularly What Comes Fresh Out Of The Studio.of Course, I Am Not Going To Stop The Other Projects, Skryptöm, Möd3rn, W.lv.s, And Projects With The Other Labels I've Started, But I Just Want To Take This New Road To Create A Real Way For The Futur Of Electric Rescue That I Want To Draw From Start To Finish, Music And Design. This New Direction, This Label Project, I've Decided To Call It Obverse. The Obverse From Skryptöm Going Against The Grain Of What's Happen On Skryptöm And Just Developp The Music I Feel With The Artists I Love. Obverse N°1 Will Consist Of 4 Originals And Remixes By O (phase) And Stanislav Tolkachev And Will Be Released On February 1st 2019.' Electric Rescue

"Idontknow" is Jamie's first solo artist release since his highly acclaimed BRIT and GRAMMY î nominated 2015 debut album In Colour. Without knowing the artist behind it, people have been raving to "Idontknow" since late autumn 2019 when Jamie first debuted the track. Since then, the track has taken on a life of its own in clubs and on dancefloors around the world, garnering huge support from the likes of Ben UFO, Four Tet, Caribou, HAAi and Bicep, or via Jamie's own residency on NTS Radio and the series of last minute, word-of-mouth parties he threw in aid of the MIND and CALM charities at north London's the Cause (where he was joined by the likes of Four Tet, HAAi and Koreless) and beyond.

Nídia flashes peak time dancefloor chops on a club-ready partner 12” to her superb 2nd album.
Where the album explores slower, melodic taraxho and R&B, Nídia’s 12” is built strictly for the rave with four tracks of proper dancefloor shapes made in her own style of electrifying body music compatible with heat from Nigga Fox to Nazar and the kind of style you might hear in a Shannen SP set.
‘Chef’ boots off royally with militant snares and rave fanfares locked to a churning technoid flow somewhere between Kuduro, Baile Funk and EBM trance, while ‘Hard’ rolls out on a stentorian, rictus march recalling vintage UKF, and ‘Jam Master’ strikes up high intensity trance riffs synched to industrial strength rhythms a la Nkisi, and the tumbling drums of ‘Munun’ sidewinds off along rhythmelodic vectors recalling a tempered Shackleton piece or a prime, deep Peder Mannerfelt workout.

The connection between destruction and creation. Creation in different shapes. Life's complexity and finding a devotion to the Flux. Some tracks are begining to transmit new visions.

One of the UK’s most respected electronic artists, Al Wootton (formerly known as Deadboy) presents his first album under the Al Wootton name, Witness.

BLNDR debuts on Boddika’s Nonplus Records imprint with four deep driving cuts for the clubs, and for your mind.

Completing the trilogy of releases in collusion with graphic artist Oliver Sperl, Belgian techno producer ED1999 chooses to nish on ORIGINAL SIN EP, a 4-track dark ex- periment of audio-visual harmony, complete with blasting industrial beats and doom- metal growls.
Original Sin EP hits you from the get-go with PANDEMONIUM, a track saturated with industrial reverbs and dark echoey vocals circulating around a central, elastic bass. PANDEMONIUM achieves a distinct energy, the anger and tension injected into the mix still coming through crisp and clear.
STRAIGHT OUTTA HELL follows up with a gloomy, dissonant piece with a thudding kick line pervading through a wall of metallic drones and distorted growling. The track emanates a bleak, nocturnal timbre, giving off a feeling of unfeeling cold and isolation.
The B-side opens with EVIL DISORDER, a cosmic, atmospheric take on the EP’s di- stinctly melancholic theme. Stuttering percs grate against the cold-steel sound of clashing metal structures to create a manic, alien sound accentuated by the roaring, tubular bassline rushing around in circles like a particle in the LHC.
THE FURNACE is the nal track in the nal instalment of this trilogy and serves up a twisted nale of harmonic robotic bass interwoven with a static, tension-inducing array of synthesised madness, creating an ominous obelisk of massive and miniscule movements. The track delivers one more guttural sonic blow before retreating back
to the lonely pulsating winds on which the track began.
ORIGINAL SIN EP marks ED1999’s third audio-visual collaboration with Sperl, who handles the graphics and cover art to accompany the music. The pair worked in tight co-operation, taking great care in melding together their respective music and gra- phics into one conceptual form. The EP will be released on PORPAX Records, marking the label’s fourth entry onto the scene.

Ferox welcomes the return of Alejandro Lopez's Hoax Believers for his second EP on the label. Following an EP for Spanish imprint Fanzine, Alejandro returns to Ferox with these four tracks of hi-tech funk, fusing Electro with the sound of Detroit via Madrid.
Available on 180g - Vinyl Only.

This is Kaiji's second release, and marks a welcome return to Kimochi Sound. These are colourful, moody tracks, tumbling effortlessly between swirling cosmic breaks, wisps of ambient experimentation, and chunky blocks of muscular beats. The music breathes inspiration, vibrant detail, and an aspiration towards harmony with the natural world.

R&S present the eponymous, debut, full length album transmission from Lost Souls Of Saturn.
Epic in scope, time and space, this multidimensional mind trip is for fans of Mark Leckey's 'Fiorucci Made Me Hardcore', David Morales' Red Zone dubs, Don Cherry's 'Organic Music Society', The Orb's 'Ultraworld' and KLF's 'Space' and much more besides.
This ambient house masterpiece combines flavours gathered from across the galaxy, stewing them up into a delicious primordial soup. Old sci-fi soundtracks, acid, free jazz, avant garde, musique concrete, world music and more all whirl around an underground-dance-music axis.
Primarily LSOS are Seth Troxler and Phil Moffa, plus further opaque participants congregating to combine music, imagery, and storytelling into an inextricably linked whole, all wrapped-up in a philosophy of their own making.

Bringing together two heavyweights of Techno was always going to result in something extra special and Systematic Recordings have done just that as label chief Marc Romboy joins forces with Tokyo based Ken Ishii on the epic Album "Taiyo." "Taiyo" with its cinematic atmospheres combined with futuristic Techno rhythms (as you would expect from them) is much more than just another electronic Album. It´s a trip, a journey, a catching dream sequence, with other words a long player expressing the concept to combine the creativity of two minds from two different culture areas, that is to say Germany and Japan. Marc: "Cooperating with Ken has been an incredible time and new experience to me. He came up with ideas, sounds, sequences and melodies I would never have had. The extraordinary touching mood of his biggest hit record "Extra" on R&S Records has come alive with this album again! This CD is for the club but for your headphones, too!"

Blissful, ethereal techno by Nous'klaer mainstay Mattheis. Three tracks of rumbling basslines, spellbinding melodies and modulating blips. Each release comes with one out of four posters designed by Sven Jansse.

After a long 15 year hiatus and due to popular demand, MDA Analog returns to present the debut release of MDA Labs - a label dedicated to reexamining the freshest roots of 90's techno. This first release, "Shine EP", contains a reissue of "Shine" from the incredibly hard to find classic Nova Zembla release (NZ061) from 1996. Also included is a new mix of "Paris", as well as a new edit of Shine and a track originally recorded in 1999 but never previously released entitled "Good Morning". Conjuring up a Detroit and Paris-influenced leitmotif of positivity-laced tones, beats and modulations, MDA Analog promises us the best is yet to come.

Ofelia ortodoxa is an electronic music project inspired partly in her family history and on the other hand as a criticism of the imaginary of the people of Medellin in the 80s and 90s in which society refused to accept the new trends of art.

INCL. PATRICE BAUMEL REMIX

22nd of May 2020 sees Croatia's esteemed DJ/producer Petar Dundov return to Belgium's iconic Music Man Records with his brand new 'Synesthetic Flow'.

The essential 2-track offering sees the sophisticated melodic Techno pioneer deliver one of his finest records in recent times, following his acclaimed fifth LP At The Turn of Equilibrium (released on the aforementioned label in 2016) and more recent releases on imprints such as GTO Recordings, Last Night On Earth, MOOD and Systematic Recordings amongst others.

The original version of Synesthetic Flow kicks things off, taking the listener on a 8-minute melodic trance-esque journey that boasts a sublime evolving arrangement encompassing, a solid four-to-the-floor rhythm, intriguing percussive elements and a distinctive arpeggiated synth melody that takes centre stage.

Alongside the pioneering Croatian's original, Amsterdam's Patrice Baumel is on remix duties, adding his own unique style to deliver a fascinating club-ready framework that complements the original's lush melodies brilliantly.

iPM is proud to announce its very first vinyl, fruit of the inspiration of iPM's label heads A-Kintero and Mateo Holguin. NYC based Dj/Producer PJay has performed Live at many of the old school New York City Clubs. He is a Teacher of analog sound and modular synthesis and he is behind iPM's very first vinyl. With two tracks, one ambient and one Techno mix, both are characterized for their immersive and profound analog sound. "Crawl" is a laid back relaxed track which takes us on a journey of atmospheric synthesizers and deep bass lines with consistent drums that are sure to delight us, perfect for openings and closings. Brendon Moeller needs no introduction and he's on remix duties with "Space Jam", taking this track on a groovy happy vibe. This is definitely one to get people moving on the dance floor. "Space Jam" complements this Ep with a funky vibe where the cosmic synths takes the roll along with a moving and bouncing bass playing in sync with the consistency of the drums.

V/A - 5 Years of Granulart" album split.
A/B disc at a discounted price.

"V/A - 5 Years of Granulart" album split.
C/D disc at a discounted price.

Blind Delon is back! This time, we are welcome in the Chapel among the "People of God" for their tenebrous prayer. Synthwave is taking a devilish turn for this release, carried by two electro-rave remixes from Maelstrom & Umwelt.

The EP is comes in a full color sleeve.

A must-have in every vinyl store and haunted mansion!

The Daniel Avery supported Russian DJ Dimitri Veimar preps his debut 17 Steps release, the ‘Planet EP’.

Planet opens up with screeching atmospherics, chuggy percussion and a brooding bassline that works it’s way towards a breathless synth line perfectly suited for pre-dawn hours.

Dean Grenier’s classy stripped back and sped up flip of the title track retains a crisp four-on-the-floor rhythm tailor made for the Berlin clubs he calls home.

On the B side 'Snowfall’ carries on where the A side left off. Electro synths and muffled breaks portray the sounds of a UFO control deck transporting the listener to an other worldly utopia.

The closing track ‘Alps’ is a stunning downtempo club tool that ends up forming the emotional centrepiece of the EP.

Lock up your 303s, Roy Of The Ravers is back with a brand spanking new album and it's quite possibly his strongest and wrongest to date! Following a limited run cassette version of the album, Who Are Ya lands on gatefold vinyl and spans 10 tracks and nearly 60 minutes of top quality turns, which sees our star player's BPM rising up into tougher, more hardcore-esque territory (Supremacy Acid, Roy Shat Over Ref) Who Are Ya also takes in some seriously smoked-out, slow-mo squelchers (Phaelon Acid 4, The Box) essentially making it a game of 2 halves (no mid tempo tracks allowed - ok??!) Through-out all of the album's giddy twists and turns however, it's Roy's trademark 303 constantly on the boil that crowns him man of the match, as he dribbles it skilfully from in and out of the mix, making him top of the league for acid once again. Hoorar!!

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer's brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world's number one techno label.

2017 is no exception, with Beyer's imprint hosting it's first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam's radio show that's broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week.

The A-Sides series acts as a perfect vignette of Drumcode's cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends.

The heart-throbbing bass in Amelie Lens' electrifying piece 'In Silence' sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill's rough'n'ready 'Mohave'. Pulsating and precise, 'Mohave' has highlighted many of Beyer's sets recently as has Wehbba's monster track 'Fake', which fans have been anticipating the release of all year.

Label-favourites Dense & Pika also feature on 'A-Sides' Vol. 6 with their hard-hitting 'Just a Beat' and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious 'Preset Heaven'.

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label's prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Black Label Series 03 on Banoffee Pies Records welcomes new additions to the fold with another low slung collection of minimal house and breaks. Opening with patient mystery the label debut from Monotronique delivers 118 bpm sample heavy 'Baggage With A Secret'. Nicely warmed, the A2 turns for the floor with Freerotation resident Tom Ellis in control on 'Third Morning', a groovy roller with glitched vocal loops. The curveball of this release comes on the B1 with a garage inspired high tempo d&b track, '23 Ghettobee' from Filip Szostak - One to cool or shake the dance. The B2 invites Lyssna Records own Flord King with another micro gem for the head bopping late nights on 'Shanti'. Together the four tracks investigating different moods with a similar style. BP X

Banoffee Pies Records ninth edition to their original series lands on BP009 featuring Vancouver duo Plush Managements Inc. aka D. Tiffany, rising producer and label manager at the wonderful Planet Euphorique, and Regularfantasy of Total Stasis, with their sub heavy trance state track with rolling hi hats "Plush Egg” on the A1. The A2 comes from Kiev born techno artist Voin Oruwu who joins with futuristic break beat drum rhythms and swirling vocal hook on “After All". The B side takes a darker turn with raw and clean dance floor garage from another Bristol local, Hartta on “Trust Issues”. The B2 ends with experimentation from the classically trained UK musician Keppel, with game like soundscapes in “Atari”s accelerating cinematic instrumentation. Music for the floor. One love, BP x

Brioski has been redefining his sound and style on a number of labels, Codek, Throne of Blood, Slow Motion, Nang. He is also the mind behind the Boot & Tax and Tamburi Neri projects.

The Mindless Sequence EP is a selection of the industrial post-techno style Brioski iscurrently pioneering. Warm, trippy, synth heavy tracks with a straight beat framed by sentence fragments. The sound signature is there, analog evolving basslines, icy pad stabs and unrelenting beats and the song structure reflects Brioski's art in its constant evolution.

The New York Haunted label owner "Drvg Cvltvre" drops 3 new tracks on Concrete Records. Strong synths, acid bass lines and aggressive sounds are the elements that always characterized Drvg Cvltvre's music, in this EP he shows another more sophisticated and personal side: pads and ambient suggestions coexist with the strong basslines and rhythms. A different approach that gives a more deep and mental oriented tone to the tracks. A lot of percussion add raw sound characterized this three tracks, a just balance between the raw house genre and the violent techno sound.

Based out of Zurich, Switzerland, producer and DJ Idealist has become a respected figure in raw, dubby house and techno over the past six years via his releases on Echocord,Berg Audio and his Idealistmusic and Details Series imprints, picking up support along the way from the likes of Mike Huckaby, DJ Deep, Tini and Mandar to name but a few. After last years long player on Copenhagen's Echocord we see him again returning to his own label for the second EP of the Inverted Series.

the eleventh installment on idealistmusic - four cuts of techno, dreams and emotions„

D-Knox (Donnell Knox) returns to his own Sonic Mind label for the start of a new collaboration with Mark Hawkins, otherwise known as Marquis Hawkes.

Knox is a living legend who's been making music for over 25 years since growing up in Michigan's Kalamazoo (a city halfway between Detroit and Chicago). The man from Kalamazoo who now resides in Warsaw (Poland) has forged a career of intense quality, which began with releases on the likes of Jay Denham's Black Nation and Elypsia before he launched his own Sonic Mind label in the mid-90s.

Many will know the Marquis Hawkes name for his releases on labels like Dixon Avenue Basement Jams, Clone, Aus Music and Houndstooth. What may not be as well known are his origins in the UK, cutting his teeth DJing (whilst living as a New Age traveller) at illegal events in the mid-90s before launching as a producer under his real name, Mark Hawkins on the likes of Djax-Up-Beats.

We're proud to present these four tracks of pure electronica on a Ferox debut EP from Macedonian maestro Mihail P. Despite his young age, it's easy to hear the influence of 90's UK techno in this release with a slight hint of Terrace and Dan Curtin.

With five quality releases under his belt, Mihail is already fast becoming a favourite on the underground electronic scene and obviously injects his own techno soul into his productions. Available on 180g vinyl only.

It's that time again... Every summer Jennifer Cardini's Correspondant imprint celebrates another ground-breaking year with a far-reaching collection. Ranging from palpitating ambience to chuggernaut technoid trips; the stirring 16 track set features late night creations from old friends (Red Axes, Zombies In Miami, Mike Simonetti, Moscoman) new friends (Simple Symmetry, Perel, Julian Stetter, ) and friends that have been Correspondant kindred spirits since day one, but have never had the opportunity to cast their magic on the label... Until now (Black Merlin, MR TC, Yula Kasp & Mi.ro). As always, the vibe is deep, smoldering, emotive, innovative and unapologetically cosmic as we're pushed headfirst into Correspondant's boundary-less soundscape. From the coiled spring funk of Javi Redondo's 'Fictional Friendship' to the hypnotic harmonics and trippy vocal textures of Uriah Klapter's
'Breeze' via the slinky arpeggiated charm of Marvin & Guy's 'Cowboy Disco', it's another sublime excursion from one of the most consistent and considered imprints on the left side of techno.

200 copies only! Very strong 5 track dub & Detroit influenced techno compilation.

This debut from longstanding East German maestro Mathias Kaden is no exception

A bucket-list EP for the Gera-based artist whose followed and collected from Winks label since inception, Nova is both a personal showcase and a homage to a label thats inspired his tension-heavy signature. Adding to a discography that boasts some of most respected techno labels possible (Vakant, Mule Musiq, Watergate, Desolat, Freude Am Tanzen), the Nova EP flexs Kadens darkest and deepest tendencies and includes certain signatures that many of the best Ovum releases share: acid, a direct and effective single word sample, versions and a DJ tool that will blow your dancefloors heads off.

The acid mix of Nova sets the scene. Acid through Kadens perception; its warm, its subtle, it strips right back to a naked groove before thundering back into a head-shoeing finale with devastating effect. Its complemented by Mathiass alternative version; an atmospheric mix where the acid is switched out for rippling, dubby synths and a relentless drive that has just a touch of a French kiss to it. Loaded with a sweet shuffle in the percussion, you could lose your head in this for hours. Throw in the acapella/FX DJ tool and Marco Faraones turbine acid beast and you genuinely can lose yourself indefinitely in this release. Laced with a classic spoken word theme throughout, Mathias sums up Ovum perfectly
Its how I always see Ovum: The past is the future. The future is the past. Ovum is one of the most Timeless Labels I know!

You could say the same about Mathias. Get to know.

5th from London based “Art Of Dark”. 4 fresh cuts from Berlin based Italian producer Matthias.

Pangaea returns to his Hessle Audio label with new music for 2020. The in-demand track 'Like This' has enjoyed early plays from Daphni and Jamie XX on Radio 1 and comes in two versions for different dancefloors. 'Midnight Plane' on the B side takes things deeper but remains propulsive, fusing elements of dub techno and various UK styles.Vinyl limited to 500 copies.

999999999 open the doors to the new wave of techno talents. Dyen, Nico Moreno, Wndrlst and Kozlov contribute with 4 direct techno bangers.

Blue Vinyl

Four hard acid techno tracks from Pacou, limited to 303 copies, pressed on heavyweight solid blue vinyl and mastered by 6BIT DEEP in Copenhagen.

Synthetic and still human. The realization of the project "Mind Asset" took place as a kind of "therapy". The first EP on Human Sense Technology was written and produced by Braintalk. In his melancholic way he put the emphasis on dreamy surfaces, knitted rhythms and distorted structures. The inspiration expanded within his personal development. For this reason the titles "Conscioussnes", "Mind", "Synapse" and "Path" found their place on the EP.

Multi Natural is a new example of Christina’s organic chamber music. We enter nine composed chambers. Nine rooms to inhabit, constructed out of elements that are slowly fusing. The album is a string of semi constant metamorphosis. A gesture appears, is elaborated upon—or is halted and replaced by a new gesture. Multi Natural has multi focal points, quite dissimilar to Christina’s other works that tend to have a more linear path.

Within this album lives a composer who is not afraid to let the content take over. In this, obviously composed work, there is still a large space for all those sounds to act freely. It is almost like Christina is waiting for the music to compose itself. This technique speaks of respect and trust for the listener, since it gives thelistener freedom to personally connect the lines.

When you put the needle on this record, everything turns to stone. The music flows and nurtures. Sounds that come from various realities—molded into a mutual understanding. With each spin, new events catch the ears. Like looking at alandscape, perceiving new details close and far with every gaze.

When Christina warps both time and space for you, it comes to you as a gift.

Oh, lovely appearance of death, No sight upon earth is so fair; Not all the gay pageants that breathe, Can with a dead body compare.

- Charles Wesley, A Funeral Hymn for a Believer, 1780

So begins New Atlantis, the fourth full-length album by longtime Berghain resident Efdemin aka Phillip Sollmann. The words, sung by 60s California art icon William T. Wiley and embedded in glowing drone swells, set an otherworldly tone for Sollmann's first solo release on Ostgut Ton. Over eight tracks, New Atlantis oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann's deep dancefloor productions as Efdemin with his sound art and experimental music projects. The latter include 2017's Harry Partch- inspired Monophonie performance and 2018's Panama / Suez EP with Oren Ambarchi and Konrad Sprenger. Long drawn to utopian musical traditions, Sollmann took inspiration for New Atlantis from Francis Bacon's unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. In the story, Bacon imagines futuristic 'sound houses', which contain musical instruments capable of recreating the entirety of the sounds of the universe; a 400-year-old prophesy of today's digital sonic reality. Through Sollmann's lens, Bacon's vision ebbs and flows over 50 minutes in varying speeds and colors, emerging as a tapestry of different utopian musical traditions - through billowing synth lines, early Detroit techno, resonant wooden percussion, trance, droning organs, dulcimer, electric guitars, hurdy-gurdy, just intonation, poetry, hymns and murmuring voices. Sometimes they merge into epic, rhythmic journeys like the 14-minute long title track; other times they appear as a briefly open sound portal ('Temple'), or in the forlorn human voice on 'Oh, Lovely Appearance Of Death', calling to be freed from jail of the human body and pass into the afterlife. Like previous Efdemin albums on Dial, New Atlantis veers off the techno path to explore other musical territory. Here however, Sollmann occasionally abandons the club entirely, returning only to push its boundaries with other instruments, mythologies and psychedelic story telling.

Oh, lovely appearance of death, No sight upon earth is so fair; Not all the gay pageants that breathe, Can with a dead body compare.

- Charles Wesley, A Funeral Hymn for a Believer, 1780

So beginnt New Atlantis, das vierte Studioalbum des langja¨hrigen Berghain-Residents Efdemin alias Phillip Sollmann. Jene Worte, gesungen von der amerikanischen 60er-Kunstikone William T. Wiley und eingebettet in glu¨hend schwellende Drones, setzen einen ga¨nzlich anderweltlichen Ton fu¨r Sollmanns erste Solovero¨ffentlichung auf Ostgut Ton. Im Lauf von acht Stu¨cken oszilliert New Atlantis zwischen schnellem, kaleidoskopischen Techno, vielschichtigen Drones und akustischer Instrumentierung. Erstmals verschmilzt Sollmann die deepen Dancefloor-Modulierungen seines Alter Egos Efdemin mit den Klangkunst- und experimentellen Musikprojekten unter seinem bu¨rgerlichen Namen. Zu Letzteren za¨hlen seine von Harry Partch inspirierte Performance Monophonie (Volksbu¨hne, Elbphilharmonie / Kampnagel, Ruhrtriennale, 2017) und die EP Panama / Suez, als Trio geschrieben mit den Experimentalmusikern Oren Ambarchi und Konrad Sprenger (A-TON, 2018). Utopische Musiktraditionen standen schon lange im Mittelpunkt von Sollmanns Denken - fu¨r New Atlantis diente ihm Francis Bacons unvollendeter Roman gleichen Titels aus dem 17. Jahrhundert als Inspiration. Darin beschreibt Bacon eine fiktive Insel, die sich ganz der sozialen Entwicklung durch die Synthese der Ku¨nste, Wissenschaft, Technologie und Mode verschrieben hat. Im Buch werden futuristische, akustische Werksta¨tten erdacht - von Bacon ‚sound-houses' genannt. In jenen werden Musikinstrumente vorgehalten, die in der Lage sind, die Ganzheit an Kla¨ngen des Universums zu erzeugen. Eine 400 Jahre alte Prophezeiung der heutigen digitalen Klangrealita¨t. Bei Sollmann schwillt und ebbt Bacons Vision auf 50 Minuten in unterschiedlichen Tempi und To¨nen, sind utopische Musiktraditionen ineinander verwoben: wogende Modularsynth-Lines, fru¨her Detroit- Techno, klingbare Holzperkussion, Trance, dro¨hnende Orgeln, Hackbretter und Stromgitarren, Drehleier, reine Stimmung, Poesie, Hymnen und raunende Stimmen. Mal - wie im 14-minu¨tigen Titelstu¨ck - stimmen sie ein in epische Rhythmusreisen; hier entladen sie sich als sich kurz o¨ffnende Klangportale (- Temple'), dort fordert eine desolate menschliche Stimme (- Oh, Lovely Appearance Of Death') die Befreiung aus dem ko¨rperlichen Gefa¨ngnis und ein U¨bersetzen ins Utopia des Jenseits.

Ilario Alicante is back on the track and he simply beats the shit out us! The italian techno maestro presents a stronger than strong release that defines the Alicante-sytle in pure perfection. The extreme Detroit flavoured Alicante double pack tracker comes with remixes by Adventice and Mark Broom. Alicantes originals "Virgo Storm" and "Hypno" are based on a massive and masculine beat programming and wave the "Purpose Maker" and "Axis" flag like no other of his releases so far. This is heavy material - this feeds Rob Hood and Jeff Mills fans and we can see and hear Alicantes admiration for the Underground Resistance back catalogue here! Adventice (DJ Deep & Romain Poncet) remix for "Virgo Storm" follows this direction however it leaves out the manic synth elements and incorporates even more peaktime-floor-action-sounds that have only one message: Total dancefloor madness! Mark Brooms remix for "Hypno" introduces a very cool but deep-dark and filtered organ-bassline which gives his remix an even more hypnotic touch in contrast to the cheeky and nasty original by Ilario Alicante. This 4-track-package proofs that good and solid techno is still fresh and Alicante leaves a major footprint with this release! Play this loud and drive your speakers to the edge, azzurro Alicante is back on Cocoon Recordings!

Debut EP by long-time Freakadelle resident and one of Salzburg’s key figures within the electronic music scene for many years. Markmechanik has been extensively refining his production skills to finally make his long overdue first release of this cohesive body of solo work, which meanders easily between broken and catchy club music to otherworldly soundscapes and leftfield electronica.

Written & produced by markmechanik at Heizkeller Mastering by Mattias Fridell
Artwork by rochus.design
Print by Unschuldig Verdorbe

Michelle returns to Nicolas Lutz’s My Own Jupiter!!

Our first vinyl will go with a big bang!

Early support from Mano Le Tough, Dave DK, Maceo Plex, John Digweed, Gardens of God, Ame, Silicone Soul, Hunter/Game, Kevin De Vries, Massimiliano Pagliara, Fideles, Paul Ritch, Shall Ocin, Raxon, Mind Against, Ae:ther, Ilija Djokovic, Jeremy Olander, Frank Maurel, Alexi Delano & more

Barcelona based producer Adwer returns to his Bolygo Records imprint in 2020 with five alluring cuts entitled "Our Genome" EP with remixes from Amandra and Marc Pinol. Adwer has left his mark on the overall electronic music scene in the last few years through his melodic leaning productions that've picked up support from the likes of Sasha, John Digweed, Joris Voorn and Laurent Garnier. Adwer aims to capture emotion within his music with his synth focused tracks and euphoric vibrations that continue to solidify his reputation of being a purveyor of innovative sound design and gentle sonics.

"Our Genome" EP sees him deliver the first release of the new decade on his Bolygo label where he invites remixes from the Ahrpe Records label boss and French producer Amandra and Spain's Marc Pinol who is renowned for releases on John Talabot's Hivern Discs imprint.

"Messing with the DNA" begins proceedings with thudding kicks, growling bass rolls and dreamy oscillations fluttering underneath before "Recombinant" deploys undulating euphoria through tranquil tones, deep vibrations and progressing synth notes that unravel escapist intentions.

Amandra's remix of "Recombinant" lays focus on raw, crunchy percussion, lo-fi experiments and murky pads that keep you locked throughout whereas Marc Pinol's remix of "Messing with the DNA" offers up electro-styled grooves, cosmic waves and acid-tinged oscillations that carry outer space feels.

"Our Genome" then rounds things off with meandering, 80s styled synths, ethereal, revolving modulations and rumbling bass frequencies to finish.

Repress

Benjamin Morales aka Benales is a French artist who knows how to create perfect techno tools. The groove is his main thing... you can already understand it by listening to the old releases on the known SINO Records.

Cirez D is back again with three massive big room anthems on his Mouseville imprint. Straight out of the stall 'Dare U' builds and builds layering a pounding kick, soaring synths and rumbling bass enticing you in with each build up and subsequent drop, before repeating it all again to added effect. A2 - 'The Glitch' has an industrial and sinister feel to it, combining a rapid-fire bass and metallic sounding percussion before opening up into a melting pot of arps and sonic glitches.

'Black Hole' closes out the e.p drawing you in with a swell of synths, an unrelenting bassline and a killer kick pattern to send your mind into overdrive. With early support across the festival circuit, this is a three track weapon fit for any discerning DJs arsenal.

Played and Supported by Chris Liebing, Speedy J,Perc, Tommy Four Seven, Markus Suckut, Dino Sabatini, Jonas Kopp, Dadub, Slam, Technasia, Dasha Rush, Max M, Electric Indigo, Bcr Boys, Audio Injection and more.
The first vinyl release of the record label was born from the mind and the taste of Freddy K. A person with many years of experience, which is currently behind K1971 etc.. In the past, one of the minds of Elettronica Romana, Virus, Remix Shop .. and one of the producers of the old Roman techno scene (see ACV Records etc. ..).

It's a match made in heaven, techno veteran Dino Sabatini meets up and coming talent Luigi Tozzi, who over the last couple of years has delivered stellar EPs for the likes of Hypnus Records, Dynamic Reflection, Mental Modern, and Sabatini's own Outis Music. Anyone familiar with the two will know they share an aptitude for adventurous and evolving techno. This is crystallised in this collaboration, which doesn't take the easy path of creating straightforward club tracks. Instead, the three tracks on this release explore the subtler sides of the two producers. That's not to say this isn't club music - it is - but they have a lot more to offer than pure functionality. The EP opens with Manticora. This eight-minute experience takes the listener through winding claustrophobia as ringing feedback pulses across the stereo field and cavernous rhythms dance about, hard to quite grab. These rhythms build to a point to which they solidify and fall into place, a point at which the track gains a feeling of propulsion, alongside shifting and emotive reverberations and resonances. Next up is Celeno, a track that slowly unravels under a backing of shuffling hats and a rolling kick drum. Twinkling synths swirl around before giving way to a rhythmic and compelling melody. Celeno's musical themes continue into the third and final track, Aello, which eases you in with softer drums while a haunting drone builds up. Over this, ghostly arpeggios develop alongside weightier drums that carry the track through until the end, leaving just enough time for the drone to ring out and provide a fitting end to the EP.

If there was one secret weapon to win a war for real techno music it is
Realmz out of Pittsburgh, Pennsylvania. After a series of digital only releases on Sonic Groove over the past three years, the timing for Realmz to hit with a 4 track EP on black wax is now with Sonic Groove's huge 20th anniversary event and label celebrations

Second and last part of the Narita remixes, this time wonderful and delicate interpretations by Voices From The Lake and Dasha Rush.

The third 'Editions series' continues where the 3nd stopped with another 4 track banger. Feat. Tassid, Squat Dom, Chris Liberator & Sterling Moss

New label based from Madrid starts with the mighty Andreas Tilliander for their first 12"

Four diverse acid-driven techno and house cuts from Vault Wax label boss, Beyun. With Detroit-influenced strings, gritty SH-101 pads, and emotive live acid lines, this introspective EP is ready for repeated listening and exploring altered states on 303.

Chicago’s HIEROGLYPHIC BEING’S “BLACK HANDS VOL 2″ features off kilter filthiness, techno fusion style breaks & distorted acid vibrations only he can do. “BLACK HANDS SOUND 5, 6, 7 & 8″ is included on this limited & & stamped release.

One Records return to celebrate Ten Years of the label with a 12 track Various Artists release split over 3 vinyl release. Part 1 features label owner Subb-an and new faces to One Adam Pits and Urulu as well as regulars Yamen & EDA. This EP delivers 4 club ready tracks for the dance floor starting a new era for the label.

DJ Support
Ell Weston (Banoffee Pies / Dr Banana)
“ace tracks - this comps lush. nice to see a load of friends on here too. support. one love x"
Ciel (Discwoman Work In Progress / Parallel Minds)
“i dont even need to listen to anything besides the A1 which is a monster. thank you all :)”
Enzo Siragusa “Great package. Happy Birthday One!!!”
Iron Curtis (Tamed / Acid Test / Smallville)
“splendid compilation! liking Urulu's track a lot. cheers, johannes”
Gideon Berger (Block9)
"The tracks are DOPE!!!!!!"
DJ Moxie "thanks for these, i’ve already been playing out the adam pits track. i really like that sunrise track!"



One Records return to celebrate Ten Years of the label with a 12 track Various Artists release split over 3 vinyl release. Part 1 features label owner Subb-an and new faces to One Adam Pits and Urulu as well as regulars Yamen & EDA. This EP delivers 4 club ready tracks for the dance floor starting a new era for the label.

It’s been a year since the Adana Twins unveiled the first Spektrum compilation on their highly-regarded TAU label, now they’re back with the second bumper installment. The guys have been hard at work A&Ring brand new music for this mammoth collection featuring 16 very special cuts from an array of artists, friends and family connected to TAU, all of whom embody the label’s emotive, forward-thinking ethos. Since TAU launched, it has established a strong identity focused on delivering emotion to the dance floor through compelling, often hypnotic, productions that incorporate elements of new wave, house and techno to present a distinct audio aesthetic. The Adana Twins have assembled a talented collective of artists around the label, each one bringing their own voice to the platform and elevating the energy of dance floors across the world.

The 5th EP on the label of our man Bastian Bux goes one step beyond. This time he delivers a lovely vocal track featuring Kyla Millette and the final result is a modern techno track plenty of soul and elegant vibes.

Superb first venue on this new label... big selecta of talents and a wicked discovery !
ENJOY !!!

New label and release from Northern Irish techno producer Tony McMurray who formerly recorded under the Hoth System moniker.
Expect solid and raw bangers from his reincarnation as Ethical Governor for peak dancefloor mayhem.

Repress!

Karenn (aka Blawan and Pariah) taking techno back in to the future 5 slices of pudding for your pet fowl

L&M Is a new label of analog machine jams, featuring 3 powerful cuts of raw live material. All tracks produced by a Surgeon and an anaesthesiologist. Limited pressing and totally essential.

The Evolutionary Process Of Metaphor Records Has Minimally Modified A Perfectly Defined And Structured Development, Its Genetic Inheritance Is Evident From Minute Zero With An Iron Personality Thanks To A Compact, Particular And Invariable Style, Although With This Sixth Installment It Suffers A First Migration To The Physical Support, A Single Exchange That Does Not Differ In Anything With Its Artistic Tendency And Its Initial Approach.

Lars Huismann Is The Last Link Of The Biological Transfer That Emerged In The Preliminary Steps Of Metaphor Records, And The First Commitment Of The Record Company To Inaugurate The Division Dedicated To Vinyl Format. The German Producer Is Perfectly Integrated Into The Dna Of The Label With An Industrial Reference That Emphasizes The Great Control Of This Artist To Create An Infinity Of Harmonic Lines, And Above All, Exuberant Percussions.

The name Mattias Fridell is synonymous with what has made swedish techno the musical powerhouse that it has become. His track „ De Tarvliga Politikerna „ is really authentic and simple groover, but with a lot of energy for dancefloor. Over the past few years, somehow mysteriously, Volster has gradually become one of the most noted fresh gurus of the Croatian electronic scene, leaving his signature through music. His track „ Degaussing „ is repetitive and melodic banger with a playful bassline. Unis is new project made in collaboration with Sev Dah and Nihad Tule. The track and project were created spontaneously and unplanned when Nihad visited Sev Dah. The most beautiful things are spontaneous as well as their track „ ISO 9001 „ which we proudly present. And finally, Bogdan is one of the owner of our label. He is new but promising face from Bosnia. His track „ After Us „ have strong white noise with powerful energy & impact!

Expect some vibes from us. Enjoy the music!

REPRESS - Brand new single from Ms Kraviz giving us a taster of her forthcoming debut on Rekids. For "Ghetto Kraviz" Nina looks for inspiration on the other side of the Atlantic with stripped down drum-patterns, hand-claps a plenty and her monotone vocals.

Paal is passionate about hardware - analog drum machines, synths and pedals are tracked through a mixing desk, raw and unedited. Imperfections intrinsic to this process are essential to him and give his sound a unique character - warm, organic and, at times, lo-fi and grainy. This can be heard throughout the EP. The VOI 011 also marks a shift in cover artwork as Voitax departs from the utilitarian, hand-stamped labels of the first releases - German photographer Nina Roders, has conceptualised a series of her unique photographs for the forthcoming ten-part EP series.

Magnifique ! Fat kick acid bringing acid mental evolutions... Superb quality of sound and massive dynamik dancefloor experience ! A crew united ! A true label !