Techno News
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Welcome Tolga Top, the Berlin based Mannheim native with Turkish roots gives his debut on KUSI Records. The remix this time comes from the upcoming French dream team Zendid.
Written & produced by Tolga Top. Remix by Zendid.
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Vikkei techno Project ! Massive acid industrial Bass !
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Ellum Black, the new sub-label of Maceo Plex's notorious imprint, focuses on the dark and intellectual side of techno. This second record instalment features Spanish producer Architectural. Following an EP on the main branch of the label in 2017, Juan Rico aka Architectural delivers 3 forward thinking cuts for this record.
Architectural is known for his detailed and magnetic productions and on 'A Girl With No Friends EP' he goes deeper into the hypnotic edge of his soundscape. The first track we hear 'Romanticism Movement' creates a statement for the vocabulary of sounds Rico used for this record such as low frequencies and deep grooves. The title track follows on the B-side with develops on these textures. Closing the trio 'Never Yours, Boy' finishes the EP with another variation of Architectural's romantic techno repertoire.
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Returning for his second full-length LP of 2018, DJ Bone steps up once more to his own Subject Detroit imprint to present 'Beyond', a full-length and physical rumination on his own emotive and psychedelic contribution to contemporary techno. Loaded with the dynamics, charisma and widescreen appeal of his finest work, 'Beyond' sees Bone enter a musical state that reflects it's ambitious title, celebrating underground ideals in a style that could only be his own.
The second in a trilogy of albums to be completed in early 2019, 'Beyond' is culled from a sequence of no less than fifty tracks completed by the esteemed Detroit DJ and producer upon returning to his home city in 2017. With it being "unfathomable" to release an LP of that length, Bone has nonetheless captured this wave of creativity and a reconnection with his home city, along with the cathartic sense of soul and energy at the heart of his attitude to dance music.
Across 'Beyond' listeners can sink into an unrelenting sequence of tracks that speak from his experimental, musical and always unexpected mind. LP opener 'Dreamers 7' reaffirms his taste for offbeat electronics shot through with rigid dance floor dynamism; a theme reaffirmed quite literally on the forceful centrepiece, 'With A Vengeance'. Elsewhere, Bone delights in blurring the lines between exotic, futurist ambience on tracks such as 'Techno Aint Techno' and 'Ahhh Life', while further cementing his reputation as master of sheer, unrelenting rhythm on 'True Definition' and 'Rosedale Park'.
Our First Lp Is Presented By Our Deeply Appreciated Resident Hector Oaks. Taking Inspiration From His Marathon Sets In Bassiani's Second Floor, Horoom, And The 11th Of May In Tbilisi, The Techno Staple Crafted His Own Take On Contemporary Dance Music.
"as We Were Saying" Is An Unapologetic Collection Of Heartfelt, Powerful Techno. Crafted By A Vinyl Lover For Dancing Purposes, Its Arrangement And Composition Fits Both, Club Or As An Energizing Home Listening. This Is The Soundtrack For Our Revolution.
"the 11 Tracks Are A Portrayal Of The Spirit Captured In The Vaults Of The Dinamo Stadium. From My Point Of View, This Is The Voice Of A Generation That Found It's Freedom In Raving. To All Of You My Georgian Brothers And Sisters, And Anybody Who Felt Touched By This. As We Were Saying: We Dance Together. One Of You."
- H.
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A very Musical Acid dark EP... Starting with a shodow Glitch IDM tune. Then comes a downtempo hardtechno (with a Doom ambiance appart of the kick witch is defenitly techno). Superb Negative Glitch musical side ! The flip rave it up to the sky with a beautyful Degraded tune and an Acidolido pityless tribe acid masterpiece !
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STRICTLY STRICTLY enters the second round: The Obsessed EP by TOBS (co-founder of Drowned-Records) comes with 3 driving highly energetic cuts. The title track is putting the stamp on the A-side with pounding Lo-Fi-Power at its best and side B teaches the science of licking a battery with a piling drive of arpeggios before falling apart in the best possible way with IOW.
"For its 10 years celebrations, Be As One unleash a special V/A release in two parts with previously unre-leased music by the imprint artists and frequent label collaborators. Two 12 with unreleased material from the label head Shlomi Aber, Truncate, Skudge and JAM., who are featured on this first instalment; Markus Suckut, Savas Pascalidis, Eduardo De La Calle and Yotam Avni will join the celebrations in the second part of the series."
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Subconscious Algorithms release their second transmission from man machine Derek Carr. - SA002 - follows on from Derek's groundbreaking album on Subwax.
Infusing a cosmic sense of rhythm and timeless emotional melodies.
Deep Motor City music for the Future from Subconscious Algorithms.
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In ode to the endless research of the life apart. Sensed and produced by Edanticonf in Amsterdam. Vinyl only.
A slow burning anthem: the holy grail of all producers. A tune that keeps building and building momentum gradually and naturally To the point crowds singing the bassline back when you drop it. This is the case with Gregor Treshers Goliath. Released February 2015 on Bedrock, its been smouldering ever since. The Frankfurt DJ considers it up there with A Thousand Nights and About A Good Place as one of his most successful tunes in his career so far, its distinctive hooky bass riff capturing moments and imaginations as more and more DJs exploited its unifying charm. Over two years later, Gregor and Bedrock present two precision-tailored remixes that add to the Goliath story. French techno OG Emmanuel Top, a man whose records inspired Gregor to produce in the first place, takes the lead with a 10 minute monolith that doesnt even hint at the riff for the first four minutes. Focusing on the machine funk rhythm of the original and turning it inside out, Top lets it sizzle for as long as possible before suddenly dropping the full musical scope of Goliath on us mid way. Alan Fitzpatrick, a man who doesnt need much of an introduction to fans of mordern Techno, also subverts the original in an equally remarkable way. Allowing himself to be taken in a whole new direction by the pads, a new topline and is added to create an entirely new experience that still instantly brings home the original tones and feels of Goliath. Remixes that build on the original and take it to entirely new pastures: The momentum continues.
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First Release of this new imprint by the owner himself. Kluentah is one half of Fallbeil. He recently released the Muskelbein EP on the french label Public System Recordings and the upcoming Taubens EP on Sister Recordings from England. Now he delievers four diverse Tracks that hailing on Side-A from electro ("The Return") to some kind of New Beatish Territory ("Higher Level") while the B-Side takes us on a tour of his own version of the EBM-Electroish Track "Enter Mars" and "Circle of Power".
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Picking up where they left off three years ago, Modern Heads, the much-respected collaboration between Gianluca Meloni and Dino Sabatini, are back with a dynamic and intriguing four track EP. The duo go straight in here with the club-ready Athena. Throughout this track, tight percussive elements wind in and around one another, creating an ever-changing rhythm that you can only just hold onto. Under this, tense synths pulse away, producing an opaque and insular atmosphere. Next up, Eumaeus lightens the mood somewhat, providing clarity with a distinct opening drum pattern. This mood doesn't last long though, as indiscernible, haunting vocals begin to echo in the distance, gradually moving closer and further in the mix as sharp pads swoosh either side. Side B of the record opens with the deepest and longest track of the EP, Eurycleia. Simple yet unrelenting drums frame this hypnotic sci-fi episode, through which otherworldly screeches and rumbles reverberate over the twinkling sounds of machines. Eurycleia's atmosphere continues straight into the final track, Laertes Theme. This beatless piece takes Eurycleia's exploratory mood and extrapolates it over five and a half minutes, resulting in what feels like the perfect soundtrack to a glacial expedition in alien territory. As an EP this is a complete and coherent package; a perfect extension to Modern Heads previous work. The sound palette is familiar, yet refined, developed upon and taken further. The Old Beggar is undeniably worth the wait for anyone with a taste for the extraterrestrial.
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Future child of Paula Temple's Noise Manifesto, Decon/Recon puts strength and artivism into a new idea of scene. The first Decon/Recon release is planned on 20 April 2015, both vinyl in limited edition and digital. The brand new project is based on a new series of electronic dance music releases presenting a unique and libertarian approach to collaboration, production and dance floor action. It converges artists' samples in an open archive which is reassembled in four different tracks by the artists themselves. This project wants to put identity into a crisis by giving a collective authoriality and by letting all hierarchies collapse into a collective resonance who dares to become.
Decon/Recon is not just about new forms of self representation, the deconstructive process of the "artist" status in terms of superiority or the elaboration of new politically active business models but about composition as a scene and quality dance music at its best. The release will de/compose four future pioneers who responds to the names of Aquarian Jugsa new alias from Jam Rostron aka Planningtorock, rRoxymore, Oni Ayhun and Paula Temple herself as Jaguar Woman. The Releases' paratextual structure will play the same game. All artists shall be credited on the cover without authorial connections with the title of their own tracks exposing the listener, reader, dancer in to taking active part in the whole process.
Where Deconstructing is Reconstructing, dancing is enacting future live models into present floors.
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In keeping with the eagerly awaited start of their Odyssey event series at Fabric London, the two Mallorcans Pig&Dan return to their roots, namely Cocoon Recordings, where their 2005 debut 'Oh Yeah' signalled the start of their success story. Nine years on from their last album release for the label ("Terminate", 2009), Dan Duncan and Igor Tchkotoua have lost none of their sixth sense for moving the crowd as this uncluttered yet devilishly effective dancefloor double header proves. 'Reset Your Bassline' couldn't be more appropriately named, revealling itself over seven and a half adrenalin soaked minutes complete with a powerful, pumping bass and tightly programmed vocal samples (exclusively available on the digital release) alongside an instrumental dub. Already an indispensable addition to this autumn's set list, the flip side 'Lost Another Angel' also delivers with a pure dose of afterhour bliss in both vocal and dub versions. It's a playful Balearic technodub with a canny sense for an unforgettable melody at sunrise, conjuring up broad smiles on glowing faces. Welcome back!
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With this new project, Madben & Yann Lean get back to the essence of techno with a raw sound based on groove, textures and Catchy hooks. Influenced by 90's rave sound et artists like Jeff Mills, Surgeon, DJ Pierre, Dave Clarke or DJ Funk the French
Producers like to write their music "on-the- fly" and are adepts of a very spontaneous track conception. With "Trunkline" they bring back the unique texture of analogic techno. Trunkline's vinyl label will release the duos ep's. They plan to release one maxi per trimester. The project will also take to the stage as a four deck DJ set and then a "100% machine" live performance in the summer of 2016
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The new publication on Delude Records is dedicated to a good friend.
He was sound engineer and sound designer by Goldberg Audio.
He mastered all the tracks of the label. In the last years, his mastering work was a big part of Delude Records sound.
Dear Falk, R.I.P ! ! !
This publication CONNECTED VOL.2 is spiked with four tracks of Delude Records artists.
On the A side comes PATRICE W. with his track EXPLORATION. A very nice dreamy track with warm melody.
Definitely nice Techno Tech House sound of the young producer from Berlin.
The second track is from PATRICK ARBEZ. He delivers a fulminant melodic techno track for the A side.
The master of Dark Techno comes along with massive powerful kicks and nice synthesizer sounds.
On the B side FRAU ANKE comes with a massive techno track called SUNDOWNER. Straight Techno sound from Ratingen.
The second track on this side called CONTROL and is sponsored by the Delude Records label owner TOM ALMEX.
Fat kicks and deep experimental sound, thats a perfect closer for this VARIOUS ARTIST EP.
200STK. // LIMITED // VINYL ONLY // NO REPRESS
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Moving towards faster bpms and with some fresh faces Cong Burn's fourth 12" is a step into new ground for the young collective. A1 sees St Petersburg's Flaty follow up his Gost Zvuk 2xLP with some twisted electro. At A2 Lack shifts gears to an early doors stomper. Chekov's B1 showcases the Leeds producer's hypnotic side. While the B2 is closed out by Martin Stromstedt aka Martinou with a lengthy trip floating on airy pads and a subtle groove.
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* Following up his 2017 debut, Bristol's Via Maris is back on Livity Sound with an enigmatic two tracker pairing Glow Wall's aquatic reverie with the deeper rolling grooves of CU2.
* Established in 2011, Livity Sound is a frontrunning label in UK electronic music. Since its inception, Peverelist's imprint has dedicated itself to releasing innovative music, eschewing existing forms and forging its own stylistic path.
Rotating Frames is the new EP for Pole Group by our very own duo Exium. Four tracks of modern and obscure techno, fuelled by heavy sub-bass action.
'Monopoles' opens fire with massive bass frequencies and continuous hat lines, joined by an obsessive sequence that mutates while it moves around the arrangement.
The approach of 'Magnetic Flux' is deeper than the previous track, starting with flanged sequences and a subtle bass drum. Bell-like sounds grow from zero until drones and atmospheres appear from the slight breakdown.
'Rotating Frames' goes straight to the point and rises the tempos a bit, continues with the flanged and phased sequences and relies on a more percussive vibe.
'Early life' is the last number here: robotic FM sounds, effected noise hits, continuous synth lines and a constantly growing structure.
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A partnership of epic proportions is about to go down. Josh Wink, an artist known for crafting some of the finest house and techno tracks of all time is joining forces with Boysnoize Records, leader on the global scene for over a decade. Tying your techno in knots, Josh Wink's 'Shoelaces EP' is set for release.
Josh Wink is a master at Acid Techno (Just listen to classics like 'Don't Laugh' and 'Lumpy Oatmeal') so he's right in his wheelhouse on the Acid Mix of 'Shoelaces.' Throbbing electro rhythms and those signature acid squelches define this mix, with the notch turned up another degree on the circuit board for the Dub Mix.The package follows with a cut from Finnish producer Mono Junk, who offers a more stripped down take on 'Shoelaces.' Mono Junk's remix is raw yet no less in tense, providing the EP with its dark corner. Out of the cultural hive of Los Angeles follows Truncate. For the all out banging, hammering techno fans, Truncate's mix is a winning bet. Peak time, over the edge and bathed in acid.
'I'm happy with 'Shoelaces' being released on Boysnoize Records as it's a rarity that I release on other labels outside of my own label Ovum Recordings. I'm a fan of both the label and Alex Boys Noize, so I am excited to be a part of the greatly diverse and talented BNR family'. -Josh Wink
"It's a big honor to release Josh Wink's new record on BNR. Needles to say there are so many club bombs he's made and he's been a big influence for me as a DJ & Producer. With 'Shoelaces' Josh is showing us his love for 303 acid & breaks, it's a raw fun and very effective record, the perfect fit for BNR'. -Boys Noize
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Maceo Plex inaugurates his MPLX label with a two-tracker of his own material; as Mutant Romance solidifies the ethos of the imprint - a platform for future releases, solely from the man himself. Ever since his landmark debut album Life Index on Crosstown Rebels, the Barcelona-via-Miami artist has never wavered from the constant momentum - establishing his Ellum Audio imprint in 2011 as well as his Ellum Black imprint earlier this year, the artist already explored different avenues of techno, electro and whatever lied in the crevices in-between. However, with this first release on MPLX - Maceo Plex stretches his sonic identity even further with a double-dose of warm, wistful dancefloor bumpers that will last long after its first hearing.
'Mutant Romance' starts things off with a groovy rhythm, pacing itself justly between a deluge of affable chord progressions, rightly leading to a breakdown that's just as vibrant and virtuous as you'd expect from a peak-time surprise from the man himself. The B-side, 'Mutant Quazars' - entrenches itself with an energetic build-up; gearing towards an apex that is surprising in its reveal - with lush pads, enigmatic melodies and a beat that won't give up on whoever's caught onto it. MPLX is a vehicle for experimentation for an established voice in the electronic community - one that's constantly looking at new ways to express the medium of dance music to its wider and more powerful potential.
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UK techno heavyweights Karl O'Connor & James Ruskin whip out a deadly new OVR session on Downwards
Arriving 2 years since their 'Easy Prey' 12', OVR's 3rd studio release is defined by its spacious mixing and layered detail in three powerful dancers plus two handy locked grooves.
'The World Remade' is a proper juggernaut, rolling thru pelting percussion on 18 wheeler bassline with a pile of jazz mags on the passenger seat. It could easily go on twice as long, but there's two locked grooves isolating the crunchy bass and gritted drums for DJs who want to properly roll out.
The B-side's 'Reversing Into Tomorrow' tucks into more aerodynamic, stripped down formation, before they cut loose with foul waves of tarry synth and noise scree in the grim roil of 'New Departures' - more of this, please!
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One Year later the italian duo Toms Due come back to Etruria , this time with Magma' , groovy techno Ep composed by two banging original tracks and Mr. Ambivalent and Mr Cosmin trg remixes. The first is the original Magma' a powerful track with a big room kick and a old school melody that grows together with a simple one-note chord to create a destroying tool. The second original is Stratum characterized by a power melodic chord and an energetic groove. Then comes Ambivalent remix, a name who doesn't need presentations, dark synth in his full style, raw drum with sharp / pungent 909 rhythms. Last but not the least Cosmin trg remix is a powerful techno tool, composed by a hypnotic chord wrapped by powerful techno drum groove.and space.
The mysterious Troy returns on DR with his second EP ever released. It seems like the perfect time for Troy's Northbound EP; 4 very distinctive, cold, yet beautifully designed pieces, which perfectly underline the atmosphere this time of year. On the A side, detail and evolution are the foundation of the lengthy 'BH3', which also futures a hard hitting remix by Takaaki Itoh from Japan.
The B side features two more melodic cuts. 'Archer' stresses the journey into the cold, with it's synth work nearing dissonance, while remaining in complex and admirable harmony. The title track 'Northbound' is a more straight forward loop, which builds up to something rather chilly and unheard before.
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Everybody on the West Coast knew Bubbles Bubblesynski. We were going to make a record with him before he was murdered. We made it anyway with audio from his Facebook posts and we'll be donating all profits to LGBTQ friendly organisations in San Francisco. Hypnotic, repetitive, pounding Acid House for DJs & dancers
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AcidUpDub goes mental Techno, acid 140 BPM for a start, with a Dub feeling backward... Very DJ Slip in the state of mind...
His second track accerate a bit. Up at 150 BPM and is quiet mental dub acid as well...
B Side stands Vikkee opens his side at 150 BPM with a raving starving kick deep in the acid... Cenimatic tune, story teller and let-it-go style.... Last tune is 140 BPM and quiet in the AcidUpDub style... With an afterparty spirit. Re-starter.
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New York native Caiazzo releases 'The Devotion' on his and P.Leone's E-Missions imprint featuring three dusky techno tracks and a remix from White Material co-founder Young Male.
Much like P.Leone, Caiazzo's debut release (entitled 'The Dredge') landed on Work Them Records; Spencer Parker's label that's featured names such as Radio Slave, Rodhad, DJ Richard and Ryan Elliot. Launching E-Missions earlier this year, the pair continue their high quality output by following up two releases from P.Leone with three uncompromising original cuts from Caiazzo himself.
Rolling percussion drives '917 (Sportmixxx)' whilst intoxicating drones operate throughout, making way for 'Lifeform' with its layers of thick synthesised sounds that build on top of a relentless drum composition with subtle but effective transitions. 'Godbody' offers a stripped back approach to techno with an intricate percussive composition that allows a deep low-end and a hypnotic perc to take control.
Finally, White Material label boss Young Male provides his take on 'Godbody' where bass hits combine with haunting atmospheres and warped rhythms, closing the release with style.
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New York's P. Leone is back with the second release on his newly launched E-MISSIONS imprint featuring Work Them Records founder Spencer Parker on remix duties.Born and raised in Brooklyn, where he discovered the legendary Storm Rave parties run by Frankie Bones and Adam X, P. Leone cut his teeth DJing in the Lower East side of Manhattan before making techno himself. Before long the producer dropped his first two releases on Work Them Records, joining a roster spanning Radio Slave, Spencer Parker, Young Male, Anetha and Physical Therapy. E-MISSIONS was then launched in early 2017, acting as a platform for co-founders P. Leone and CAIAZZO with more exciting artists soon to be announced.'Discipline Signals' is dark and robust from start to finish, with 'Functions of Discipline 1' inaugurating the package with resonating kicks, trippy elements and industrial synths. 'Functions of Discipline 2' follows a similar aesthetic but heads into a deeper direction with its cavernous atmospherics and glitch inspired effects, making way for 'Laced' with its sinister drones and tantalising melodies. Spencer Parker then remixes 'Laced', concluding matters with rugged drums, energetic hi-hats and a rumbling low-end.
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The California-born, London-based producer Rrose is well known for taking dancefloor techno into the uncharted depths of experimentalism and psychedelia while also paying homage to artists of the 20th century avant-garde such as Marcel Duchamp, James Tenney, and Eliane Radigue.
"Beware of Shells" (the first solo Rrose release of 2018) is a diverse five track EP that goes to extremes of both aggression and tranquility while remaining strangely cohesive. The EP opens with machine gun bass drums that slowly disintegrate into a swirl of undulating tones and ghostly resonances. Next comes "Incisors" - the most solidly dancefloor track of the EP - which establishes a primal, skeletal rhythmic base upon which snake-like analog synth lines interweave in unpredictable ways. "The Swelling" follows with a short, sparse study in feedback, bent into uneasy melodic patterns. Side B opens with a previously unreleased 2013 remix of the Los Angeles band Deathday, and is perhaps Rrose's most overtly "industrial" track to date, with buzzing, dissonant synth tones that sound somewhere between a foghorn and a distorted guitar. The EP finishes on a contemplative note with "Pecking Order," a microtonal, ritualistic affair conjuring the spirit of Wendy Carlos's little-known masterpiece "Beauty in the Beast."
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International Deejay Gigolo proudly present the homecoming of the South-American Gigolo Queen Romina Cohn. After her 'I Want U' remix production from label boss Dj Hell last year, she presents now her 3 own 3 track EP called 'Let It Go". All three tracks combine an eclectic and powerful vibe with playful attitude and a homage to classic techno & rave sounds.
Inspired soulfull tracks and locked grooves by 3 Artists from Brussels. Analog machines talks to each other in these tracks that could be played from another galaxy. Liquid feelings and hypnotic beats, bloops and synthetic hallucinations. Precious moment of techno-pop ideology ! 300 copies on vinyl with an original silkscreened cover by E.M.I.
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Label head Jay Lumen returns to Footwork with a new massive dance floor killer release Trust EP'.
Firing off with Trust'. A fat main-stage Techno roller comprising powerful bass elements resulting in Jay's unmistakable signature sound. The tune is full of banger FX's which supports taking a journey into darker spheres.
Next up is Detection' a chord lead track on fat bass-lines and heavy Techno kicks proppeling jolly festival crowds into a massive Acid party experience.
Anthem The One' combines heavy old school rawness with progressive sound design and consequently builds a bridge between the past and the future.
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Art-aud is thrilled to present you a big thing. Its been in the work for a while, a project collaboration with the historical Italian label, Interactive Test. Founded in '91 from the crazy minds of the two brothers Franco and Riccardo Falsini, it was one of the first real underground imprints to born in Italy and to propose an innovative sound at the time, that soon after exploded all over the world more and more. With almost 40 releases done in a few years, the two brothers have really created an empire, a stronghold in the hills of the belle Florence. Now, after more than 25 years, we have decided to bring back the light to what for us are the most significant tracks and visions from their world, sign of a past but still very current present and future, in a sort of "greatest hits" vinyl compilation. Six tunes of six different names, and different vibes, taken from different eps (all rare to find now), nicely remastered from the source files by Alden Tyrell.
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The Outer Limits sees ASC returning to further exploration, featuring four in-depth aural excursions to the deepest recesses of space and beyond. All four tracks feature the hallmarks of ASC productions, encompassing rich atmospherics, emotional key changes, multi-tempo percussive elements, and an overall grandiose feel to proceedings. If you've been waiting for more tracks that are cut from the same cloth that The Farthest Reaches were, then wait no more.
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Limited Repress Of Classic British Murder Boys 12" On Counterbalance.
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Clear Vinyl
Khemia Records the new imprint from Kaos London announces the fourth and final edition in their current series. A limited edition, transparent vinyl (333 copies): The 'Winter Solstice Edition' featuring Codex Empire and MARMO.
* On the Solar side British born, Vienna based, industrial techno pioneer Codex Empire delivers 'Sevde' an experiment in long-form techno written specially for the label. A massive, propulsive beast, punctured with hammered rhythms and sub-aquatic bleeps, a maelstrom of whiplash cracks, disembodied voices and electrostatic, reverberating across an insistent techno groove.
* On The Lunar side MARMO present 'Alchimia' a track written specially for this release. MARMO is a conceptual, straight-forward, complex music sculpture. 'Alchimia' unfolds an epic sonic journey across vast swathes of desert.
* Intuition is really a sudden immersion of the soul into the universal current of life.- Paulo Coelho, The Alchemist
* Credits: 'Sevde' written and performed by Codex Empire 'Alchimia' written and performed by MARMO Mastered by Andrea Merlini, Utrecht Produced by Khemia Records, London Distributed by SRD Artwork commissioned from REIN VOLLENGA X LVM Khemia Records London
* Credits: 'Sevde' written and performed by Codex Empire 'Alchimia' written and performed by MARMO Mastered by Andrea Merlini, Utrecht Produced by Khemia Records, London - Distributed by SRD Artwork commissioned from REIN VOLLENGA X LVM Khemia Records London
e
10 years. 10 years of sharing. 10 years of rave spirit. 10 years of passion for techno music.
This Album reunited artists from Skryptöm and artists friends. 14 talented artists sharing the same values as Skryptöm.
For the occasion, Antoine Husson aka Electric Rescue, founder of Skryptöm label has decided to gather producers of
talents both internal and external to the label, but each sharing a unique musical strength that comes to blaze this album
with finesse and precision. Worn between generous and deep techno songs, this album delivers us a raw and emotional
techno sound.An authenticity and a dynamism that will rock the dancefloor and excite the attention of each soul sensitive
to emotional music. Like a complex puzzle coming together, the sound of each producer fits beautifully with every other,
each piece reflecting a different personality. An album overflowing with talent, futuristic horizons, powerfull melodies, for a cosmic journey through space and time in the realms of music. Combining spatial melodies and raw sounds, this album
is a condensed of strong emotions.
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Tim Xaviers »dust To Dust«-ep Für Ellen Alliens Bpitch Berlin Unterstreicht Das Händchen Des In Berlin Ansässigen Us-amerikaners Für Einen Zeitlosen Techno-sound, Der Gleichermaßen An Die Hochzeit Des Minimal Technos Anschließt Wie Er Unaufhaltsam Einer Noch Unbekannten Zukunft Entgegen Rast. Zwischen Beinahe-acid-hymnen Und Komplexen Minimal-strukturen Zeigt Sich Xavier Einmal Mehr Als Einer Der Verlässlichsten Produzenten Unserer Zeit.
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It has been bubbling for almost four years now inside the walls of a basement in the small-town idyll of Salzburg. Word gets around about ecstatic nights in an intimate atmosphere in the Heizkeller location of the cultural association FREAKADELLE. The monthly events held by the club culture collective, which formed in 2011, have long since become known beyond city and state borders, and so, national as well as international guest artists would frequently pay visits to Mozart town in the last years. Following the club members' wish to maintain relations to the artists beyond the fleeting transience of a night in the club, this release aims at strengthening and cementing these interpersonal ties. The compilation includes tracks by Hüseyin Evirgen aka MAGNA PIA (Cassegrain), Institut fuer Zukunft resident PERM, techno pioneer PATRICK PULSINGER and Pop theorist Didi Neidhart aka LOW PROFILER.
Limited hand-stamped 12'' edition. Comes in five different versions of screen printed sleeves.
"AutoKinetic (Mike McClure) returns to Analog Records with an aural expedition through atmospheric synthscapes and elastic acid basslines. ""In Search Of"" is a nod to the 1970's TV show dedicated to exploring mysterious and unexplained phenomena. Forged in the Minneapolis electronic music scene of the 1990's, AutoKinetic's myriad productions have thrilled dark warehouses and club dance floors worldwide for over 25 years."
Body Unknown is the new project formed by Kwartz (Pole Group, Order&Devotion, Horo) and Qestion (Order&Devotion).
Born from the concept of the duality of mind and body, the project explores states of detachment from physical presence, where the senses become distorted and control over thoughts or actions is lost. Lack Of Skin is the debut Body Unknown release.
Four sinewy pulses for tuned in dance-floors, each track takes an eminent angle to it's destination, sending resolute signals through a contorted haze.
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Collecting orders for repress
Dynamic DJ/producer duo Ghost In The Maschine serve up the first release on this new label. All four tracks on their introductory Eternal Flaming EP harken back to the good old days of dark, dirty, pounding, stoboscopic abondoned warehouse acid. Modern production sorcery has made it possible to deliver this sound to you as you 've never experienced it before. Highly recommended if you like hard acid or dancing!
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Collecting orders for repress
Ghost in the Machine returns to continue their adventures in the world of acidfueled industrial techno. This shiny white 12" sees them further exploring, stretching, establishing and reestablishing the boundaries of their own sound. Dirtier kicks, cleaner kicks, deeper kicks, techier techno and even more acidic acid. They actually managed to sneak a track on here that doesn't use a 303. A very bold move which will undoubtedly have farreaching consequences for the future of future dance music. Recommended if you like buying records.
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New one on Antinote.. Broken glass, dogs barking & cats roaring: Succhiamo is back and gives us news from the scrapyarh with punkish synthpop traxx
Some words from the label:
Remember that straightforward mix of EBM and synth-punk that came out on Antinote last year, wrapped in a suggestive black and gold sleeve The lyrics were strictly not ambiguous and the music produced by Panoptique and Paula was joyfully aggressive.
Broken glass, dogs barking & cats roaring: Succhiamo is back and gives us news from the scrapyard.
The thing is, it seems that Succhiamo's scrapyard has been animated by Bill Plympton : in place of dogs and cats, it's a lew Pink Panther chasing a spaced-out Scooby-Doo on Dolore Dentro or Stai Male. Happily championing bad taste, the two musicians even venture into the illegitimate territories of italo-pop missed hits, shaped for lipsync performances on Rai Uno with the nagging Que Pena.
As we're getting close to the middle of the record, the music gets openly punkier, climaxing with the explicitly
named Desiderio Di Violenza, brushing past 200 BPM. While the inevitable silence following the last notes of Que
Pena temporarily puts an end to the pleasant nightmare that is Mani In Fuoco, the figures - somehow similar to
those inhabiting the world of Fritz the Cat - that Succhiamo insidiously inserts into the listener's head don't fade
away: they patiently wait for the duo's pulsing drum machines and the saturated synths to wake up again and set
them in motion for another ride.
We are proud to present The Mover and Miro on Self Reflektion for the second REFLEKT010 sampler. Featured is a selection of tracks previously unreleased on vinyl. While both have helped shaping the techno sound from the early 90's on, tracks as 'Sequence Freak' from 1998, 'Pest-E-Lence' from 1999 and 'Program Your Fate' from 2002 sound fresh and most relevant today - a small glimpse from the impressive discographies of two producers that were way ahead of their time. VINYL ONLY!
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- A1: Na Nich & Vero - Time
- A2: Na Nich & Vero - Morning
- B1: Na Nich & Vero - Time (Artefakt Remix)
- B2: Na Nich & Vero - Time (Svreca Remix)
- C1: Vero - Salute
- C2: Vero - Salute (Eric Cloutier Remix)
- D1: Na Nich - Bias
- D2: Lobanov K. - Gate146
- E1: Cyspe - Nexus
- E2: Cyspe - Mindscape
- F1: Cyspe - Earwitness
- F2: Cyspe - After This World
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Much may have changed over a two-decade period, but Drumcode's commitment to releasing the scene's most cutting-edge and refined techno remains resolute. 2016 saw releases from heavy hitters such as Adam Beyer, Alan Fitzpatrick, Dense & Pika, Sam Paganini, Joseph Capriati and wAFF, as well as a much coveted Moby remix package. The label pushes forwards again in 2017; bringing fail-safe, club-ready music to the techno community.DC172 comes on behalf of Brazilian born Vinicius Honorio, a now London based producer and DJ who is making some serious in-roads amongst a new breed of techno artists. Having already released on labels such as Pig&Dan's Elevate and dubspeeka's Skeleton, the next natural step in his progression comes in the form of a release on Drumcode.
'Through The Darkness' is a masterclass in darkened techno grooves, with each one of the four tracks managing to show off Honorio's skill as a producer and just why he is firing on all cylinders.The release kicks off with 'Walking Shadows', a track that has been a key part of Adam Beyer's sets at the tail end of 2016 and in to the new year.
The atmospheric 'Out For Blood' rounds off the A side, which is loaded with vintage rave stabs and weighty basslines - This one is meant to played in dark and sweaty rooms.
kicking off the B side the title track 'Through The Darkness' is much more of a stripped back cut, jam-packed with a haunting vocal hook, driving basslines and slick drums.
Rounding the release off Desolate' is another hard-hitter, managing to perfectly balance that signature Honorio groove and pounding drums that adds depth to his productions.
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London based artist Cleric originally started sending us over material a couple of years back. As his sound developed and improved more scope was created to start looking at putting together his debut first release on EarToGround. We feel this is his best release to date and have very much enjoyed putting it together.
ETG011 SYNTHETIC TALES features four brand new original tracks with two mid positioned Locked Grooves and bespoke artwork as standard...
Fresh from a packed summer of Ibizan parties Darius Syrossian is back on Hot Creations with his pumping Danzer EP featuring a remix from the prolific remixer Adesse Versions.
Darius explains that the idea for Danzer was born out of frustration with current music sounding the same. Inspired by a Floorplan Boiler Room set he wanted to make a track 'that has the energy of techno, some funk flavours and also heavily disco influenced. It became a firm favourite at my Amnesia residency with DO NOT SLEEP'.
Danzer is an utterly insatiable peak-time cut with a dizzying drop, powerful female vocal hook and scintillating strings. The techno tool version does what it says on the tin, adding an almighty bassline that reverberates throughout. Initially beginning life as a vinyl edits project, Adesse Versions has gone on to have releases on revered labels including Razor N Tape and Delusions Of Grandeur. On his version he flips the track on its head, taking it on an altogether different route, layering extra percussive pads and womping synths.
2018 has been a huge year for Darius Syrossian. He began a new residency at Ibiza's infamous Amnesia, alongside big names including Cassy, Martin Buttrich and Alan Fitzpatrick. No stranger to the White Isle, he's also held down residencies at some of the island's most prestigious venues. Syrossian has had releases signed to impressive imprints from Moon Harbour to 8Bit and Get Physical to We Are The Brave. This year also saw Darius begin his radio show on Rinse FM, with the imminent launch of his own label, Mozy Muzik, still to come.
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Play It Say It welcome New York artist David Berrie for a first EP on the label and one that offers three dynamite pieces of punchy, high impact and inventive house music.
Raised amongst the diverse culture of NYC's nightlife, Berrie started sneaking into clubs as a youngster and since then has risen through the ranks to have now played iconic rooms like Output NY and DC-10 Ibiza. Fusing his musical history with other genres to create his own, unique style of house and techno, David has taken his passion to the studio and served up essential tunes on Hot Creation and Cuttin' Headz.
Opening the account is 'Revolution', seven superbly programmed minutes of slick and involving house beats and knotted bass. It's a restless, body shaking track to make the floor move with futuristic synths fleshing it out and bringing a vital sense of machine soul.
The equally compelling 'JB Loop' is another dynamic bit of electronic house music. Rubbery drums bobble and bounce about with wild computer sounds and infectious bass all ramping up the energy levels and making for a standout track.
Last but not least, 'Rear End' is a supple, intricately designed track with slippery synths, spinning hi hats and bass surges all wrapping around each other to make for real minimal funk. It's a track that oozes Detroit vibes and cannot fail to sweep up the floor.
These are three characterful and masterfully produced cuts of high-class dancing music.
Making his debut for KR/LF is David Meiser who is down for
his mechanical and twisted techno that can be found on
labels such as Damon Wild's Synewave, MTD's Sonntag
Morgen, Thomas P. Heckmann's AFU Limited, and
Nachtstrom Schallplatten amongst others. His music has also
picked up remixes from Dave Clarke, Kwartz, and Kyle
Geiger, constantly cementing his place as one of Spain's true
talents. Expect to hear in Helical Structures' dark hypnotic
soundscapes with captivating metallic glints, and raw
analogue beats with peak time power.
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Controlled Violence Presents Its Third Various Artists Release On Vinyl, Seeing Its Two Base Cities Uniting To Showcase The Sounds Of Both Melbourne And Leipzig. Cvr Xvi Exhibits Four Artists Who Truly Represent The Sounds Of Their Cities And Scenes, Demonstrating That Controlled Violence Is Not Only Defined By Unearthing Talented Artists, But Also By Presenting Individuals Who Express An Endless Devotion To The World Of Electronic Music.
Representing Melbourne With A Diverse Mix Of Warped, Ethereal, And Dynamic Sonic Works Are Fergus Sweetland And Vohkinne. In Opening The A-side, Fergus Sweetland Launches Listeners On A Cyclic And Evolving, Yet Atemporal Journey Through Space. Backing Up Is Vohkinne, Who Bends Reality With A Contorting, Low-slung Belter, Wholly Summarising Controlled Violence's Stylistic Persuasions.
On The B-side, And Giving The Gift Of Leipzig's Sounds Are Kontinum And I C S. Hypnotic Heads, Kontinum Present A Symphony Brimming With Delayed Stabs, Thick Oscillator Pulses, And Orderly Percussion. Turning The Dial Further Is I C S., Who Expresses A Twisted Yet Slamming Piece Of Work, Broken Up With Melodic And Breaks-influenced Sections, Speaking To All Corners Of The Audio Spectrum, And Concluding The Release Perfectly.
Controlled Violence Is Proud To Present This Body Of Work, Composed And Influenced By The Artists And Artistic Ideas Of Its Diverse Surroundings. For A Timeless Journey Into Melbourne And Leipzig, Cvr Xvi Is The Answer.
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Keeping up the pace rolling nicely into our third release of 2018 we welcome onto ETG yet more Italian Techno precision, this time from Francesco Profeti and Pietro Franchini AKA Hertz Collision. Responsible for a myriad of very stand out tracks such as 'Lost' and 'All Going' they have been remixed by the likes of Kwartz and appeared on labels such as Frozen Border and Dynamic Reflection.
It's been a pleasure putting the release together with the guys, receiving tracks and agreeing on artwork. As with every ETG this release shows the full spectrum of their talent and their own individual take on Techno. As ever it's double A side. Also special mention to 'Programma 101' who features on track AA3.
Hope you enjoy.
Written and produced by Hertz Collision
Mastered by Simon at The Exchange
Graphic design by Marcos Leiras
ETG stickers included.
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***
The ground you walked on
twenty years ago.
A dash of daylight.
Dawn words and the vacuum
of silent panic.
***
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Banileue Records Boss Benoit B Lands On Facta And K-lone's Wisdom Teeth Imprint With A Spacious Four-track Set Of Dazzling New-age Steppers. The Record Follows On From Benoit's Excellent Japonaiserie Ep - A Stunning Tribute To Japanese Synth Music Released Last Year On Berceuse Heroique. Onvague À L'âme, The Melodic Ideas Developed On The Japonaiserie Ep Are Set To Work Against Broken Beats And Uk-leaning Rhythms, Bringing It In Line With The Output Of Wisdom Teeth Label-mates Duckett, K-lone And Don't Dj. The Ep Is Bookended By A Pair Of Euphoric Broken-beat Rollers: First, The Melodic Bleeps And Weighted Kicks Of The Title Track, And To Close, The Scuzzy Pads And Glissando Synths Of Kimono. Sat Between Them Are Two Lean, Smokey Half-steppers: The Record's Vocal Centrepiece, Gyvenimo Tekme (featuring Lithuanian Songwriter Dália), And Ice Valley - An Intergalactic Slowjam Built Around Dubbed-out Bleeps And Yearning Cluster Chords.
LF RMX arrives as new non-profit platform which will share edits and remixes originally made by Len Faki for playing in his DJ sets. What began as small technical tweaks has since grown into passionate work, the edits eventually becoming an important staple to the special feel and flow of the Figure head's well-renowned approach to DJing.
The series' first release features the rework of DJ Bone's 2016 slammer 'Black Patterns', whose heavily rolling nature the Hardspace Mix builds upon. Keeping the oldschool drums' weighty feel, Len Faki gives his a edit a more compact shell and punchy edge. The centerpiece piano stabs also reign over this version, albeit rising in a glimming, glistening fashion, making it a definite choice for this summer. The Hardspace Tool on the other side steers clear of piano and vocal, rather developing a lively sequence of unmistakenly Len Faki-styled, vigorous percussive permutations.
As this project is very much a matter of the heart, and as much about honoring the orignal artists' work as it is about sharing the edits with a wider audience, there will be no monetary gain involved. Instead all the proceeds will be donated fully to Straßenkinder e.V., a Berlin organization fighting against child poverty
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VH001 is the first vinyl release on Hybrasil's self titled imprint, the four track package features 2 exclusive vinyl only tracks. This release also features a track that has featured exclusively in Hybrasil live sets for the past three years. The track in question is 'Sentinel' which also featured heavily in Richie Hawtin's live shows during this time.
Hybrasil has had a career defining year, performing with Carl Cox & Adam Beyer on the Amnesia Terrace with One Night Stand and closing Ireland's Electric Picnic Festival on the iconic Anachronica stage.
'Sentinel' presents seven plus minutes of deeply rooted, rolling techno. The vast rubber drums are run through with icy hi hats. It's a hypnotic cut with sombreness in its chords.
'K2-3d' is a mysterious and evocative featuring sci-fi melodies above hulking great drums. Then come vinyl only efforts '80db' & 'Dam Buster' is a dubbed out and stripped back dub techno tune with hulking kick drums and deft percussion, designed for intimate spaces
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* Pev re-masters and re-issues a lead track from his debut LP 'Jarvik Mindstate' on Punch Drunk alongside a newly unearthed and previously unreleased track from 2008.
* A leading protagonist of a nascent, more techno indebted sound in the 07/08 dubstep era, alongside peers such as Martyn, 2562 & Appleblim, Peverelist released a series of tracks that helped shape and define that scene. Alongside 'Infinity is Now' (Tectonic), Circling (w/ Appleblim - Skull Disco) and 'The Grind on Punch Drunk to name a few, Bluez was a standout track fusing melancholic Detroit style synths with the dub-wise aesthetics of the UK underground. Peverelist has since explored these themes further with his pioneering Livity Sound label. This release revisits the roots of his sound a decade on.
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Axe On Wax label boss Fede Lng takes to his own sub-label Axe Traxx to deliver his latest solo outing with the 'Song At Night' EP, featuring a title track that showcases the emotive and moody side of his sound profile.
The 'Song At Night' EP, which also features remixes by Baltra and Hidden Spheres, is out soon.
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Super Rhythm Trax follows up Mike Ash's immense 'Return To Acid' EP with another smasher.. With a slew of releases due to drop on some very respected labels in the coming months, DJ's DJ, Jerome Hill steps up and serves up 3 tracks of pure groove Acid music. Owner over at Don't Recordings and Fat Hop, Jerome zones in on that 'Ultra-Vibe' and takes you back whilst keeping you up to date in a style all of his own.. Never one to release music for the sake of it, Paper Bag acid is finally seeing a Vinyl release after being tried and tested extensively on the airwaves of London's finest Rinse and Kool FM and in the clubs and festivals over the summer..This one's a killer!
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Redsonja Records presents: Reference number 17, 'Mercury', a 3 track EP, on Digital and Vinyl signed by two internationally renowned English artists, highly acclaimed on the global electronic scene. We are talking about none other than Mark Broom and Silicon Scally (Carl Finlow).
Mark Broom delivers the goods with 2 original tracks exclusively for Redsonja Records.
'Mercury' is techno in its purest form, a beautiful groove delineated by an accompanying string meandering synthetically along the track from start to finish, at times broken up by Broom's generous use of delay and reverberating claps, making the track compact and ready for the dance floor. Whereas a darker and more complex techno sound, alive with trademark Broom percussion, identifying with the current techno club scene can be heard spilling out of his second track '77S3'
Carl Finlow also presents us with a little gem of a track, surprising us once again, this time with an electro remix of 'Mercury' in true Silicon Scally style. The resources he puts to use define him as a serious producer, successfully maintaining significance and groove whilst distorting the soundscape by overlaying the sinister rhythm with captivating fettles and shapes of sound, the end result being literally extraordinary.
This EP makes for a must have in any techno sympathiser's collection, as RS17 is an all round excellent and authentic production, made with lots of care and attention.
Scenario founder Sebo K returns to Rekids with four inspiriting cuts titled 'Stories We Tell Ourselves' EP.
Berliner Sebo K has put out nothing but quality records since his production debut in 2002, establishing a solid reputation for high standard house music. However, recent years have seen Sebo demonstrate just how versatile he can be as an artist, releasing on Bass Culture, helming his respected Scenario label, not to mention his acclaimed 'Patience' LP which dropped on Rekids in 2017. Returning to Radio Slave's imprint, 'Stories We Tell Ourselves' EP is another breath of fresh air from the imaginative artist, returning to a label roster spanning artists like Nocow, Swayzak, P.Leone, Tripeo, and more.
'Nebula' suitably reflects the given name, offering an otherworldly experience integrating elevating polyphonic swirls and floating electro hallmarks before the beatless 'Sous Les Étoiles' generates an uplifting atmosphere through deep melodies and delicate textures. 'Stories We Tell Ourselves' displays powerfully, emotive arpeggios layered over delightfully, stripped back breaks, leading into 'Pink Moon' which maintains the euphoric ambience as ethereal keys, angelic sound design and galvanising vocals operate throughout.
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The first installment of Milan-based label AWRY comes from the creator and manager himself, Wrong Assessment: the Italian producer offers four original tracks perfectly representing the multiple facets of his sound and outlining the label aesthetics, consisting in deepness, hypnosis and minimalism.
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Abstand is a duo project by Martin Brugger and Simon Popp, both members of the Munich-based jazz group Fazer. On their debut 12 Opek they provide off-kilter polyrhythmic percussion psychedelia, layering live and unedited drum tracks blended with sparse electronics that add a subtle Middle Eastern tint. On the B side we're treated with a remix by Stefan Schwander aka Harmonious Thelonious. The Salon des Amateurs denizen serves us a pulsating and more club-leaning take showing why he can always be trusted with turning live percussion into bold, hypnotic jams for the perceptive clubgoer. The Munich-Duesseldorf axis has once again been proven fertile and we will likely hear more coming out of that connection.
"I met Marcell at a gig I played at Karlstorbahnhof in Heidelberg earlier this year, he was serving beers behind the bar all night, it was a fun but not so busy party. The club shut the doors early and we were holed up in this old train station-come-club having a few drinks into the early hours. We sat down, chewed the fat and bonded over Jungle (and UK music in general). Marcell's buddy Phillip was insistent on me checking out his tunes through a small little bluetooth speaker!!! and these sorts of scenarios never quite play out how you'd like them too right! This one did!" Patrick Conway
Eris Harmonia is the new EP from acclaimed Dublin-via-Berlin duo Lakker. It is an investigation of disparate styles and sounds reflecting different reactions and emotional responses to the current world climate of chaos and uncertainty. After finishing Struggle & Emerge Lakker retreated to the studio to find fresh inspiration. In their words: 'We talked of needing a black space or empty white page in which to experiment with sound, genre and structure freely, without expectation and without time constraints or release deadlines.'
Eris Harmonia formed in this empty space. Disparate tracks gradually formed as a cohesive whole - fractitious strands of a larger piece. They seemed to resonate with a similar theme, a theme that mirrors and builds on that of Struggle & Emerge - inner and outer chaos and harmony. Disorder, and the search for a pathway through it. The attempt to find inner peace while navigating the chaos that surrounds us in the world at present. Trump, Brexit, white supremacy, capitalism, corruption, biased media, fake news, the refugee crisis, extremism, violence, rape culture, misogyny, racism, homophobia, transphobia, and that's just the beginning of the list....
The past acutely affects the present. What will our future be How do humans progress from here What's next Regression Destruction Darkness Light Community Harmony How do we get to a point of harmony when there's so much fear and hatred in the world, so many fearful people opposed to community and togetherness
Eris Harmonia asks these questions and attempts to find answers. To find balance. The name comes from two Greek Goddesses - Eris, Goddess of disorder and strife, and Harmonia, Goddess of harmony and concord.
Two Goddesses, because right now the Goddess is needed more than ever.
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Robert S (PT) comes from Madeira Island - Portugal he is a electronic music producer running the side called Techno. 2004 was the year where started performing in clubs and 2006 producing the first tracks. Currently he is the head of record labels like Robert Limited and Trau-ma, where you can find some him music. Also he already have released music on major labels like Sleaze Records and Planet Rhythm. You can find his works in digital and physical formats around the world.
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The 'Vista' EP caps off an intensely busy year for Geoff Kirkwood, otherwise known as Man Power. The British DJ/producer has become quite the 'tour de force' in 2018, with releases and remixes for Futureboogie, DFA, Correspondant, Exotic Series, Skint Records, and his very own Me Me Me imprint. So it seems quite fitting to seal a productive 12 months with a release on Richy Ahmed's Four Thirty Two, a label that itself has been firing out big releases this year from EJECA, Jansons & Senzala and Ahmed himself. And joining this big end of year party, enter stage left, Roman Flu¨gel, who delivers an absolutely stellar remix of 'Vista'. Meaty synths and clattering 909 drums are doused in futuristic Italo disco vibes for
'Outrider', whilst a winning combo of breakbeats and acid affected bass provide the backbone of the simply gargantuan 'Vista'. Roman Flu¨gel's interpretation of the title track brings the break to the fore, playfully teasing out the acidic sounds and surging strings for another truly memorable remix that we've come to expect from Mr. Flu¨gel. Closing the EP, 'Poly Pop' delivers a vivid and bright burst of melody over clanking
percussion and sturdy beats, filled with 'end of the night' optimism that's become Man Power's forte.
the 3 originals explore some warm synthesizer soundscapes on this one. Patrick Krieger shows his affinity to intense atmospheric pads and notes while s-tek and ad.lib deliver some weird bell-like hooklines. The additional remix by Lakker adds some deepness to the package.
supported and played by:
Chris Liebing, Ben Sims, Rodhad, Marcel Dettmann, Bas Mooy, Exium, Mathias Woot, Rebekah, Joseph Capriati, Alen Fitzpatrick, Angel Molina, Danny Tenagla, Slam, Martin Böttcher, Agaric, Ame, i/Y, Mattias Fridell, Unbalance, Opuswerk, Unam Zetineb UZB, Kwartz, Groof, Flug, Joton and more....
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Jack Roland pulls apart the control mechanisms of the club environment and the way this living and breathing installation can be a tool of elevation or suppression. Using club sounds as instruments for this idea, 'Control / Applications' is a split release born out of Amsterdam's warehouse scene, fusing together electro matrix rhythms, IDM, with warped hums and breaks used by dancers and performers heading up the rave. With a track on our Future Works III comp last year, this is his debut record on the label: a release challenging superstructures buried among the sweat particles of the floor.
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After some outstanding releases from Stojche, Aybee and Kuba Sojche, DMK step up again with another impressive release, this time with John Shima who delivers the 'Stealth EP'.
After recent releases on Exalt and Firescope records, the quality continues across this EP, with four cuts of deep atmospheric techno.
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Mysterious DJ tools. Vinyl Only.
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Repress
US born and meanwhile in Berlin residing Kevin McHugh aka Ambivalent presents his Cocoon Recordings single debut. Ambivalence seems to the be the musical direction here. Daylights is a sheer technomonster, musclepacked and full of dark detroit flavour but the used vocal samples and the harmonic synthstrings can't hide the magic touch of Daylights". Although the massive techno bassline is the star of this track we are sure it will find its way into the sets of many house DJs, too. In contrast to that Swung Out appears way more like pure techno and cannot be filed as house at all. We are hypnotized by the shuffled rim shots and hi hats and Ambivalent drives this one straight through the dub universe. Techno is the destination and the dark vibe of Swung Out makes it a perfect after hour weapon.
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Camea's latest release on her imprint Neverwhere pays homage to her hometown Seattle's original underground rave warehouse, NAF Studios, where she went dancing in the late 90s and began her journey that ultimately landed her in Berlin. Also where Nirvanna's 'Smells Like Teen Spirit' video was filmed (and ironically now a Catholic publishing house), the hedonistic venue is legendary to those who picked up rave flyers scattered on the streets of Seattle and took a chance on an emerging new electronic music scene. Both originals reflect the raw warehouse vibe of this era, and Matrixxman and Markus Suckut have weighed in with heavy remixes. Markus puts his signature on the NAF 97 original with a deep space atmospheric techno banger, and Matrixxman reworks the original 303 recordings in Jack U, sending it into another dimension - and even further.
After Her Wonderful Single Be Free, Next Up Is This The Powerful Release Debut By Christina Semmler On Kellerbeats Records. Torsten Kanzler Has Created A Massive Remix With Amazing Breaks! Another
Pumping, Driving And Hypnotic Remix By French Rising Star ( Wex 10 ) And A Great Remix By The Kellerbeats Crew And Label Owner Marcel Ruew &, Marcel Huldt Complete This Record.
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Vincent returns to Omnidisc with his second installment. You Wear A Human Mask But You Have No Human Soul is a dark house inspired driver paired with a Slave to your image which Drvg's more experimental side. Then he closes out the EP with his classic sound in Something Happening Somewhere.
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Moriyama is the first release on Palto Flats by Nagoya-based experimental producer Foodman. A 5 track 12' focused on deep, tactile rhythmic and offbeat tracks, Moriyama tilts on some of the producer's most dance-friendly work.
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'Mizuboro,' (meaning water bath) elicits the feeling of soaking in a tub of warm bassy synth pads, metronomic patterns of woodwinds and skittering percussion suitable for latenight winds.
Elsewhere, on 'Soudesu,' Foodman experiments with traditional instrumentation & vocal forms to create a special post-ambient/dance hybrid of familiar sounds reconfigured.
Named after the district he lives in, Moriyama represents some of Foodman's most direct, accessible work - a full helping.
Giant Swan are debuting on Mannequin Records through the Death of the Machines serie, the dancefloor/experimental oriented side of the label, dedicated to new artists.
Robin Stewart & Harry Wright team up to create an acerbic marriage of energised, aggressive dance music, quaking bass and hypnotic electronic noise. Across a table of machines and pedals, incorporating abused guitar and liberal vocal manipulation, Giant Swan create a cross-breed of hypnotic bass, industrial percussion and disorientating energy delivered with telepathic intricacy.
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The newest release from Unrilis packs a literal one-two punch with "Stay With Me", a hard-hitting double feature with Kaiserdisco and Fabio Neural bringing out their finest work for summer 2016. The combined efforts of Frederic Berger and Patrick Buck under the name Kaiserdisco deliver no less than their best on this collaboration with a lifer if there ever was one: Fabio Neural, who brings a love he has held since the age of 13 to the collaborative efforts showcased here. Having earned respect with appearances on record labels like Drumcode, and gracing clubs like Soundgarden and festivals across Europe, one hopes this is far from the last listeners will get from this truly outstanding partnership.
"Stay With Me" - Like a heart as big as a stadium, the title track thumps a colossal rhythm around the listener, reeling them up a mountainous intro with a generous helping of high hats and echoing bass effects. No one is going to be able to stand still with this beast on the loose, charging through hips and hearts alike with an unbelievable energy that is not going to leave memories anytime soon.
"Rush" - A hurricane of drums and maracas lashes out with a vengeance without any foreplay whatsoever, but there is simply too much joy at work here for there to be anything but a party following this monster of a hit. If the music is going to rock this hard there is no need to hold back, and the artists seem to be unable to do so as they unleash a storm over the audience, keeping spirits high as can be up to the outro.
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Laslo - He Of Minden Nap Vasárnap Delivers Strong With The 10" Vinyl Pressure. Eliptik: A Clanking, Strangely Soothing Ride Into The Bowels Of Hungary. Generativ: Future Bboy Funk For The Motorway Underpass. Alloy For Jaded Ears.
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Limited edition release of 500 in a black sleeve, each with a unique, experimental numbered screen print, 30 cm x 60 cm, in collaboration with Studio Heretic.
In support of the release Daniel Avery will be playing Drone's take over of Tresor on December the 1st, joined by Richard Fearless, Errorbeauty and Drowned performing live.
PSSU are Richard Fearless and Daniel Avery. Long time friends, they first formed their relationship whilst working out of Andrew Weatherall's legendary 'Rotters Golf Club' where Fearless made 'Trans-Love Energies' and Avery did a lot of Drone Logic. The two are now studio neighbours in Leamouth on the River Thames. They were drawn to the collaboration by a mutual appreciation of the other's music.
'307309' is pure electro soul and, with 'Fabricated from Steel', PSSU deliver a techno monster. Both tracks were forged at the Metal Box, Drone's studio in East London
In this new Live PA venture, the couple of friends produced a unique album in the history of the world of electronic music. They were able to mix the best of the Detroit Techno with the Divine Name of the Creator.
Summarizing, the relationship between the language code of the Divine Name and the cellular parts of the human fabric can be seen in terms of the DNA-wave form of a certain vibrational frequency which composes the human bio-computer through the 64 cell areas of a complex matrix.
The Divine Code is the coding mechanism, communicated through micro-signal ranges, where the vibratory link forms the 'genetic matter' within the cells as a pattern of Divine energy flow. The body is seen as a bio-suit of lightware operating via a language of biochemical light that provides billions of instructions per second. The identity of each individual is housed in this inner labyrinth of chemical letters, which equates the complete genome with the soul mechanism of life.
By linking all these unusual elements, ScoutSom explores the relationship between human creativity and the innovative technologies that enable the freedom of improvisation. This is a label that comes to encourage movement - a movement that wants a change through a sonic revolution.
We can only emerge from unconsciousness and understand the higher coding instructions by means of following the thread of life in the letters of the Names; a person who has lost this thread is lost in the maze of the body and mind. Such a person is impotent for he builds his tower to heaven with mental promiscuity, looking only at the building bricks and particles of his body and not at the source of the bio-transducer. The secrets that constitute the 'glue' which holds the building blocks together, lie forgotten or even dismissed in the arrogance of the intellect.
Alexandre and Roberto urge you to join the resistance and help combat the mediocre audio and visual programming that is being fed to the inhabitants of Earth. This model of programming is stagnating people's minds; building a wall between races and preventing world peace. The duo is ready to smash this wall by using the untapped energy potential of sound just like certain frequencies shatter glass.
Techno is a kind of music based in experimentation; it is music for the future of the human race. Without it there will be no peace, no love and no vision. By simply communicating through sound, Techno has brought people of all different nationalities together, under the same roof, to enjoy themselves.
Isn't it obvious that music and dance are the keys to the universe So-called primitive animals and tribal humans have known this for thousands of years! ScoutSom shout out to all brothers and sisters of the underground to create and transmit their tones and frequencies no matter how so-called primitive their equipment may be. Transmit these tones and wreak havoc on the programmers!
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Brilliant new Industrial techno label, Coming from the free party scene exeprimented Artist Shmirlap and inviting superb Jacidorex... But also inviting new Talents like Push-K for a brilliant I got something for your mind your body and your soul in a minimal dark way. Pzylo finishes the job with acid grower !
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Repress Of the fantastic Signal Electric selfnamed tune from Perce Oreille (with a Big Up to Reno Expressillon from Signal Electric) - And 3 mores electro tunes from Signal Electrique. A superb Malice... Growing more and more dancefloor.
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"Sampler 1 of Ben Sims' Tribology mix compilation for the Machine label takes takes in four exclusive tracks from techno royalty as well ascending talent.
Mote Evolver boss Luke Slater dons his legendary Planetary Assault Systems moniker for incredibly aptly titled 'The Grinder' while long-term Sims cohort Mark Broom serves up a heady, discordant roller in 'Peak'. Synewave boss Damon Wild opens the flip with stripped, menacing 'Status' and sometime Deeply Rooted act Insolate rounds things out with 'Strike' - a bruising, percussive tunneller.
A further 4 samplers will complete the line up from Sims Tribology comp and feature the likes of Steffi, Robert Hood, Function, Truncate and more. "
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1st release on NYC's BLKMARKET MUSIC kicks off with 'Twenty Eight Thousand Clouds' E.P by Cesare vs Disorder. The 4 track EP also features a track collaboration with Costa Rica's duo Mobius Strum. The catalogue will start from zero and BLKMUSIC_000. Label run by Taimur. Hand Stamped 12' Vinyl. Limited Edition.
Florian Meindl surges ahead in 2017 as he returns once more to his home base FLASH Recordings. He has been locked away in his studio and is now ready to unleash his new album 'Time Illusion'. With these album sessions Florian has created a special collection of analogue focused tracks which will be released on a double vinyl album and digitally in the Spring.
Amalgamating his array of impressive hardware, he has refined his sound and crafted a selection of tracks that demonstrate intricate knowledge and mastery of his analogue equipment. His aim was to find the right balance between musical depth and sound design while interacting with the hardware.
In anticipation for the LP release in early April, Florian has prepared a unique live set featuring a Modular System, the KORG Minilogue, effect boxes and a 909 drum machine which were used in the creation of the album and which he will be touring throughout 2017.
Electronic Beats visited him in his basement at Riverside Studios Berlin to record an exclusive live session, which you can find on Youtube and his Facebook page.
Having established itself with innovative releases from the likes of Lucy, Blawan and Roots in Heaven, the experimental Zehnin label now looks to Paleman for four more fierce tracks.
Now often releasing on his own PLMN label, this classically and jazz trained artist has previously won plenty of fans and plaudits for heavyweight rollers on labels like Swamp 81, 81 and School Records. Emerging from the ashes of dubstep to come up with his own deep techno sound, he is a Rinse FM regular with his experimental show 'Trenches' and mirrors this exploration with tracks full of texture, modular synthesis and visceral percussion.
Opener '2068' is a dark and foreboding bit of economical techno. Monolithic kicks set a forceful groove below as they rock back and forth, and factory floor sounds, scurrying little sonic details and rattling hits all peel off the groove as it powers on. 'Searching' is five minutes of tight drum programming overlaid with twisted fx, edgy alarms and menacing spirits.
The flip brings with it another all consuming bit of warehouse techno in 'The Peg Loosens'. With scraping hits and groaning synths and drums that again seem to rock back and forth on their heels, it has a masterfully muggy, bleak and foreboding sense of atmosphere that is unsettling yet absorbing. Last of all, the industrial tinged 'Slurp' hurries along with bristling percussion and warped synth stabs doing a manic dance in the distance. It's urgent and compelling as it barrels along, never letting up and never allowing you to look back.
These are four powerful pieces of full bodied techno.
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VENT present the next step in Tolga's journey to explore the peripheral edges of consciousness and experience - a mental expedition beyond the fringes of reason into dark borderlands of cognisance. Swedish black metal band Totenwelt contributed to 'Illa Ki' providing vocals for the track. Our wish for this release is to help guide the listener to a stripped down state of being, free from thoughts and emotions, alone with nothing but one's living breath.
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The highly anticipated EP, 'WHAT HE SAYS', written and produced by French techno artist, VLAYSIN, with remixes by Italian producer AYARCANA, along with Los Angeles artist, AXKAN, is finally here. This is the first release for OMEN Recordings and it effortlessly chronicles the chaotic, dark, and raw characters of cutting edge techno.VLAYSIN performs live using pure hardware to capture his raw analog sound. His music is dark experimental with soul and substance. The energy and vigor it brings captures the listener and takes you to a place you never have been. Strong bass lines fasten to the developmental, noise melodies in a cohesive way that gets the dance floor moving. With previous releases under his Octave moniker which leans towards a cleaner and traditional techno path, Vlaysin opts for the 'no holds barred' route. The title track, 'What He Says', goes straight in with industrial strength distortion led by glitchy, moody and deep melodies. The second track, 'Rising Anger', is off to the experimental races with abrasive analog screams and 'in your face' explosive noises. AXKAN is a leader in creating industrial and haunting synth work. His wildly different approach and dedication to the classic sounds from a SCI Pro-One and Roland System 100m amongst others make his remix of 'What He Says' very unique. His tribal break-beat kick drums around a distorted dark vocal breakdown add to this brutal ride. AYARCANA is also a producer at the forefront of the industrial techno movement that has been taking the darkest warehouses by storm worldwide over the past few years. His remix of 'Rising Anger' marches forward with upfront, harsh, factory machine melodies and then eventually rolling kicks ascending to a fast speed finish.This EP is rooted in anxiety and provides serious energy. Sonically all the tracks on the EP work together in a cohesive fashion that, without a doubt, will rip loudspeaker systems to shreds. It draws you in and takes you on a unmerciful, but yet trippy ride, before it mauls you in the face with submarine deep kicks and chainsaw melodies. It employs some of the craziest and experimental sounds that makes this record definitely worth listening.
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This is not a mind trip, this is a body journey!
This is not a mind trip, or is it
The Intergalactic Research Institute for Sound is proud to present fresh music from the legendary german duo Air Liquide. Active since 1991, Dr Walker and Jammin Unit have released more than 50 records with their band Air Liquide.
This is their first official outing since 2004, but that does not mean that these two were hiding somewhere for 15 years. Jammin Unit stayed busy with his Jammin Masters - mastering studio and Dr Walker was heavily involved in the Liquid Sky artist collective and they kept making music sometimes undercover, or on remix duty/coproducing with Coldcut and Ninja Tune and other high profile artists.
'This is a Mind Trip' nods to the 94's Love Parade, Dr. Motte, and things that could ring nostalgic for some. However there is no nostalgia in these three tracks. Air Liquide was always looking towards the future and this hasn't changed despite the hiatus between the releases.
We'll spare you more useless chatter about a new take on techno, because this is a mind trip and not a body journey!
And this trip is damn good!
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Blawan returns to R&S with a superb new single. What You Do With What You Have is another step up for the young producer, following the Bohla EP and his huge Getting Me Down white label. It takes a fundamental message from some KDJ spoken word and twists it through submerged acid lines, trademark driving percussion and classic techno stabs.
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Following the recent 'Aset Forever EP' by label bosses Dusky, 17 Steps announces its next release in the form of the 'Off Peak EP' by innovative Russian duo Formally Unknown.
The three broken beat originals will be familiar to anyone who has seen label owners' Dusky DJ recently.
Lead track 'Off Peak' offsets a breakdown of deep, Detroit-nodding chords with thunderous bass, modular bleeps and broken percussion that will test the outer limits of any sound system.
On the remix, Warehouse Music's Mella Dee flips the original with 4x4 kicks, spacey pads and layered percussion that glides in and out seamlessly, providing the EP with a hazy, dubbed out techno gem.
Industrial broken beat jam 'Burnin' again blends atmospheric chords with chopped samples to create a carefully crafted leftfield trip that feels like the perfect soundtrack to an industrial How It's Made video.
Closing things off 'Arp Three' brings things to a darker, stripped back close in a panic alarm buzz of broken bass and twisted FX - with distant rave divas crackling through the mix.
orrespondant welcome Berlin duo Hinode Having established themselves with a string of well received cuts on their own Science Fiction imprint, they were spotted by chance by label boss Jennifer Cardini on a recent record-shopping jaunt. With a raw, no-rules sense of machine funk running through everything they create, they're the perfect match for Correspondant and make their label debut with four numerical delights... 'I' lights the analog fire with raw sleaze and off-beat mischief. Unkempt and wily, it sets the tone for the entire EP: 'II' writhes snake-like with its slinky kicks and purring textures, 'III' slurs with bass groans and shakes with paranoid, alien melodies while 'IV' closes with much more of a tunnelling, sense-blurring experience. Total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary... Hinode and Correspondant are a match made in the stars.
Junction Records is back with JUNCTION002, packed with four to the floor Techno tracks blending Tech-House and House influences together. The A side starts with UK producer Kiyo's Desdemona', a powerful and hypnotic tune featuring Kiyo's signature pounding kicks, huge moving pads, and detailed effects from the strung-out reverbs. Metro' follows with heavy tech-house flavour and subtle, atmospheric influences. Filtered chords and spacious drones fill the breakdowns and pave the way for the infectious percussive melody.
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Ahead of Melé stepping up to deliver his coveted In The House compilation, Defected presents a four-track vinyl taster showcasing his standout percussive, tribal sound. From 13-year-old bedroom DJ growing up in the Wirral to his breakout anthem 'Ambience' in 2015, Melé has now fully honed his skills in production and mixing, culminating in two mixes for 'Defected presents Melé In The House' and three brand new productions. All three of these original productions are included in this vinyl sampler along with an exclusive from Joe Corti, demonstrating what's to come from the compilation.
With live percussion from drum warrior Shovell, the cover of 'Pasilda' pumps up the track's unmistakeable rhythms and piano melody (recorded live by prolific record producer Fraser T Smith) with an irresistibly hefty bassline and vocal loops. A long-time highlight of Melé's sets but until now unreleased, 'Pasilda' is an exclusive from the upcoming compilation. 'Tribal Harmonix' is the darker, more melodic and tech-inclined of the three, while the aptly named 'Brooklyn Bounce' is Melé's ode to Danny Tenaglia, a key influence whose sought-after percussive spirit is apparent throughout Melé's work. Finally is 'Dancing Mist', an exclusive from Joe Corti, an up-and-comer from the UK. The sophisticated, New York-inspired, rolling house cut with plenty of bounce rounds off the perfect vinyl selection from the anticipated Defected presents Melé In The House.
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There's a beating heart buried in the cold landscape of Glider, a warm 4/4 pulse that enervates the album's echoing, looped drones and pulls the listener swiftly through the snow. By pinning barely-there electronic beats to his wisps of guitar melody, the Seattle-based producer turns ambient music into a hybrid strain of breathtakingly intimate, small-scale dance music.
There's a separation of elements in The Sight Below's songs that's almost meteorological in nature: Tendrils of treated guitar trail lazy patterns in the sky like the Aurora Borealis ("At First Touch"), flicker in the distance like heat lightning ("Dour"), or expand and contract like time-lapse cloud formations ("Life's Fading Light"); running along beneath, nearly obscured by the airborne phenomena, is an ever-present beat, which ranges from the mud-puddle throb in "Without Motion" to the tiny, insistent high-hats in "A Fractured Smile." The tracks evolve at a deliberated pace, but as the tones overlap and the rhythms build, time oozes to a halt and hangs in blissfully frost-bitten suspended animation. With Glider, The Sight Below has created a work of vertiginous sonic depth and exquisite melancholy: techno music for a dark, brooding night. The 2018 vinyl reissue features recently remastered versions of the original tracks in a new single LP format.
"Running a guitar through a variety of looping, reverb, and delay stations, he uses the E-bow, the slide, and tentative picking techniques to circumvent the physical essence of the strings and to marshal clouds of edgeless tone." - Pitchfork
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Brothers Black return to their self-titled label with an original EP complimented by a powerful remix by Mote-Evolver affiliate Jeff Rushin.
'House of Lies' kicks off the A-side, a peak-time, big room weapon featuring a vocal and a trippy bells lead.
'Deviant' follows, an energetic tool with a spacey lead and low-end dominated groove. On the B-side are both the original and Jeff Rushin's remix of 'Preacher'.
The original is a tension building trip, focused around a looping melody surrounded by evolving soundscapes and synths.
Jeff Rushin's interpretation of 'Preacher' is a hypnotic tool, combining the spaciness of the original with driving percussion.
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The Korpus 9 label welcomes Scottish techno talent Hans Bouffmyhre for a new EP. It comes after he has established himself on the world scene on labels like Soma and Perc Trax and gigs at the best clubs around the globe.
Now with these four latest cuts he once again shows off his unique, powerful style.
Opener Unconditional is a deep, driving track with firmly rooted drums and burrowing synth lines that get you in a state of hypnosis before the acidic stabs takes things up a notch.
Resonator is another perfectly planned bit of tunnel vision techno that is forceful and linear, racing forwards on bulky drums with subtle synths peeling off the groove.
Growth Chart then follows a similar path but with celestial chords lighting up the background and a curious lead synth line that gets your attention and pulls you deep into the groove.
Finally, the heavyweight Crossbow is another bulky techno roller that is designed for big warehouse spaces.
It is economical and efficient and makes for perfectly stripped back but striking techno.
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26 minutes of Divine techno.
Midnight Cults, the eagerly awaited sequel to last years Cyanure Dance features two epic new tracks from I Hate Models with vocal contributions from Zanias and a sleek wave remix from DJ Varsovie.
On the solar side the odyssey begins. It Will Last Forever discharges a barrage of devastating, tensile beats over a swell of ethereal synths recalling the sirens - muses of the underworld, luring sailors to their deaths in a flurry of aggravated arpeggios.
On the lunar side Walpurgis Night opens with a pristine, glacial sonic field, punctuated by the ricochet of beaten metal and drenched in the supernal, disembodied voice of Zanias, echoing across vast fissures, pummelling through deep ravines and back out into space.
DJ Varsovie completes the journey with his sensual take on Walpurgis Night, tempering the original with an insistent pitch black funk and somnambulant new wave vocals.
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26 minutes of Divine techno.
Midnight Cults, the eagerly awaited sequel to last years Cyanure Dance features two epic new tracks from I Hate Models with vocal contributions from Zanias and a sleek wave remix from DJ Varsovie.
On the solar side the odyssey begins. It Will Last Forever discharges a barrage of devastating, tensile beats over a swell of ethereal synths recalling the sirens - muses of the underworld, luring sailors to their deaths in a flurry of aggravated arpeggios.
On the lunar side Walpurgis Night opens with a pristine, glacial sonic field, punctuated by the ricochet of beaten metal and drenched in the supernal, disembodied voice of Zanias, echoing across vast fissures, pummelling through deep ravines and back out into space.
DJ Varsovie completes the journey with his sensual take on Walpurgis Night, tempering the original with an insistent pitch black funk and somnambulant new wave vocals.
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Kamazi is a freshly coined moniker of Andy Hart, the founder of Voyage Recordings and now contributor to Deep Sound Channel."Inner M31" premieres three tracks rooted in the world around us. The whispering "Aerocentric" introduces the EP. Broad sonorous strokes are met by bubbling bass and skittering beats as Hart creates a work of pure immersion. Drums are bolstered in "Flight Inertia." Amidst the glazed rinses and metallic sheen runs a line of deep melody, beautifully fragile strings cutting through the trembling resonance of air and speed. The finale comes in the form of "LOx." Returning to nature, Kamazi crafts an ambient work of embracing warmth, shimmering chords and stargazing hope. From the bucolic to the urban, Hart sculpts atmopheric and intimate music with a tenderness of touch that is simply unique. First run on solid blue vinyl.
Kraftmatic Records is born. This debut vinyl electrifies us with the unbridled talent of new band, Fatima & Jerome (Jerome Sydenham & Fatima Njai). Breathlessly spanning the genres of House, Tech House and Techno, Fatima and Jerome expose us to their salacious intent. This forward-thinking EP embraces energy, depth and a DJ friendly code with deft execution. Fierce!
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While carefully handling their respective careers, postponing then their obvious collaboration, Möd3rn trio's members have capitalized its desire and now deliver its mere substance, in the
rightest moment, where, simply, all the distant forces converge.
The six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. The formula is elaborated freely: each one's adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing Detroit's grieving sensibilities as well as last decade's bewildering cacophonies.
Chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label's releases.
This first album delivers us a raw & emotional techno. Through this long format, the 3 producers indulge more and expand the scope of their musical playground. Less condensed than an EP this album is a contemplative musical journey that awakens all the senses while remaining dedicated to the dancefloor. This album appears as an obvious decision, logical continuation of the story,
because Möd3rn was born from live. Today, Möd3rn shows us a varied panel of his efficient work, sensitive and powerful, combining strong feelings and dynamic energies.
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Nathan Micay fell asleep in the schnee and awoke in the shvitz. Side A's Never Rhythm Game is a bubbling cauldron of acid worms, almost seven steady minutes of liquid squelch and bleep riding on a rolling assortment of booming kicks and claps, all glued together by a droning string and soaring feedback modulation. Aimed for peak time, this big-room monster is built on a major chord that carries us to the perfect rave apex, and functions as a pivot from where DJs can steer into any subsequent direction. Side B's Team Player is equally poignant, yet in contrast to its optimistic predecessor, here we join in a dark mechanical affair that summons influence from a distant sci-fi metropolis - sophisticated metallic rhythms that are not polished but scrubbed with steel wool, and lead by a seductive robot that chants degenerate dancing instructions. These two songs will oil your engine and grease your gears.
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A fresh and captivating track , with the partition from italy designer fashion under Hadrianus Moseley,
adding your personal touch in this track , accompanying the programming Sintex Bortexx where adds rich bass
with the classic sound 303, samples and keyboards incorporating the style of the old school,
creating a good climate for the dancefloor.
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The Maghreban returns to R&S for a new single following his dark debut album 01DEAS, perhaps with an icier sound.
Monster VIP is a reworking of a double time rap track from The Maghreban's Strange U side project; he added breaks and rolled it out. End level bosses lurk. Beware of the monster. Rave navel-gazing back to his roots: his first ever release was a jungle 12' in 1994. Early support from Ben UFO.On the flip, Batu (Timedance/XL) offers up crisp percussion and ominous sound design in his energetic 140 remix of album opener 'Eddies'.
Then the EP is closes out with 'Carpet Bombing', the title of which references the producer adding more and more notes to the main percussive motif as it builds and builds.
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The First Compilation On Chris Video's (shredder) Label, Tropical Goth, Features A Wide Array Of Styles From Ebm, To Industrial, To Darkwave, To Synth Pop, & Techno. First Song
Is By Le Chocolat Noir (gooiland Elektro, Frigio, Charlois, In The Dark Again, Kraftjerkz, Mechatronica And Helena Hauff's Return To Disorder) like It Hard' Is A Dark Wave Instant Classic, With Traces Of Synth Pop & Electro. The Second Is Label Head Shredder blood Sweat Tears' Remix By Curses, Turning An Industrial Techno Banger Into A Smoothed Out Wave & Post Punk Slow Roast Track For Any Occasion. Last Title On Side A.
Is From Berlin Techno/house Icon & in The Dark Again' Record Label Head, Snuffo. Bringing A Harder & Darker Feel To His Already Infamous Style Of Productions. Side B. Offers A Diverse Comparison To The Flip Side, Starting With A Noise Laced Electro Banger By Hellboii (panzerkreuz, Bunker Records), Followed By A Melodic & Ambient Chill Out Track By Deirdre Direktor, & Finished Off By Swedish Synth Pop Icons, Facket
Strejkar (varvet Records)
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The 13th Voodoo Down release is the sophomore EP by label co-founder Sean Phillips aka 12 x 12. The follow-up to 2014's Kobayashi Maru, this four-track EP is the culmination of honed process and techniques over the past several years to produce a more organic groove-based style of techno. Mostly the work of a sampler and some analog synths, the tracks range from warm broken-beat atmospheres to digital sequences.
UK Techno heavyweight Mark Broom and Berlin's Discrete Circuit have teamed up before - but this is their first fully-fledged collaboration aimed squarely at conveying just how well this combination works. A heavy hitting merger from both sides of the channel, boldly stating that form follows function. This collaboration is to the point.
MBDC The A side opens with a superbly engineered kick and counterpoint texture that allows for an otherworldly synth to slowly worm it's way out of the abyss. Frequencies open and shut to allow for the exact exchange of energy welcome in the mix. With no trickery, and at just the right moment, a pulsating binary hook reveals itself in the track and guarantees the desired effect. The A2 tilts the hat toward a stripped back motor city influence. Groovy, tooly, slightly dissonant. Blips, claps, punctuation where it works. Just the right shade of reverb and modulation, push and pull in the arrangement, reveal the versatility of the track and round out the opening side with punch. The flip side, and third track from the collab is also direct, firing up with the ubiquitous clap on the one. Looping acid and a purist minor stab alongside sizzling hats and rides force the energy ever upward. The break is needed as the expertly air drenched acid line opens up the whole space before driving back down into the intensity for the remainder of the cut. The final track of the EP features a remix of the B1 by Astray's other in-house producer, H4L. Back with a frenetic, broken, idm influenced belter of a remix with scattered and distorted 808's - all reigned in cohesively with some stellar beat science and gnarly touches. These 4 numbers are built for impact.
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