CAM Sugar is proud to present the first physical release, on LP and double CD, of the original soundtrack to the TV series “MEDICI - MASTERS OF FLORENCE” (2016-2019), that received international praise following the Netflix distribution. The original score composed by Paolo Buonvino brings the Italian Renaissance back to life. The soundtrack mixes traditional instruments belonging to classical music (a common practice with historical dramas) with smooth electronic elements, allowing the listeners to take a journey of exploration through one of the most exciting periods of European history as much as into one’s intimacy. The result is a score that is impactful and enjoyable for a broad audience, also thanks to the voice of Skin (Skunk Anansie), who performs “Renaissance” and “Revolution Bones”, respectively the theme songs to season 1 and season 2 & 3. The LP version offers a selection of the best tracks composed for the 3 seasons, while the double CD edition features the series’ complete soundtrack.
Introducing the second release under the Statica imprint “MyCn18: Engraved Hourglass”
STATICA002 comes from Berlin-based artist Johannes Mai aka John Spring. John's productions have gained legendary notoriety over the past decade with his early releases revered for their timeless sound and experimental edge, whilst always keeping to a ritual of dancefloor compatibility. An influential artist who pushed the boundaries of minimalism and helped lay the foundations that have sculpted the sound of the present. It's a great honour to be releasing his first EP in over 13 years with 3 never before heard tracks from the mid 00’s.
“Train Ride” is an energetic A1 with pacey drums and a marching topline, while the A2 “Ravebehave” delves deep into spring reverb mastery and wavering synths. The B1 “Melodic Ten” begins with rolling percussion and uplifts with the whispers of enchanting vocals. B2 comes as a remix of Melodic Ten by Fabric resident and stand out London artist Harry McCanna aka Henry Hyde! stripping it back even further and introducing his own sinister synths, growling bass and groove-led drum patterns. It's a pleasure to have Harry featured on the release.
MyCn 18 is a young planetary nebula in the southern constellation Musca. It was discovered by Romano Coradi and Hugo Schwarz in 1991. MyCn 18's hourglass shape is produced by the expansion of a fast stellar wind within a slowly expanding cloud which is denser near its equator than its poles. The central star of the nebula is unknown.
Credits-:
A massive thank you to John Spring & Harry McCanna for their Contributions. Distributed by Deejay.de. Mastering by Justin Drake. Design and Curation by Alix
Luxus Varta comes to Specimen Records with Magnetic EP, dropping six new tracks of intelligent and intricate electro.
With a discography spanning respected labels Solar One Music, Brokntoys, Trust, Klakson, and his own imprint, In Abstracto, Luxus Varta has solidified his reputation as one of the most distinctive voices in the electro scene. This release demonstrates further his knack for constructing complex, evocative tracks that work for the deep and dark dancefloor moments.
Bruce returns blistered and ablaze, with three flame-licked, windswept and deadly dancefloor deities on 12” vinyl, for the second edition of Poorly Knit.
Following on from it’s daft and fisty older brothers on The Price / Mimicry, the raw power of wind and fire takes over on Belly / Burned Alive, as we are plunged into devastating sonic worlds, adorned in UK sound-system badness and Mother Nature’s vengeance.
Providing elemental catastrophe catharsis, through sound exploration, Belly’s steppas storm of wailing wind and clattering thunder is backed by Burned Alive’s soaring and demented UK garage inferno, to finally subside to the smoldering, dubbed-out vocal remains from Hot One (Chapped Lips Version).
With a continued emphasis on the importance of physical medium within dance music, the digitals are an abridged edit of the full release; Hot One is vinyl only and only on the vinyl can you hear the full mixes of Belly and Burned Alive. Pressed on eco-friendly “Eco-Mix” reground PVC and sleeved in DIY lino printed sleeves, each record is a unique shade of marbled storm grey. Cut loud at 45rpm, not only does this sustainable slice of dance floor mayhem come at an attractive price tag, you can rest assured that sound quality has not at all been sacrificed.
Marking his first EP on Damian Lazarus’s revered Crosstown Rebels, OMRI. (pronounced “OMRI dot”) steps into the spotlight with ‘Nothing Wrong’—an infectious, immersive dive that traverses well beyond the dancefloor, laced with rhythm, tension, and soul. Dropping in June, the EP brings together a shimmering original, a hypnotic club-focused cut, and a peak-time remix from fast-rising US talent AYYBO.
Having already left his mark on the label with his remix of Jessica Brankka’s ‘Musk’, OMRI. now arrives with a statement of his own. The ‘Love Mix’ of ‘Nothing Wrong’ leads the release as a full-blown vocal anthem, layering captivating vocals over sweeping melodies and crisp percussion to create a powerful record destined for both club rooms and open-air settings. The ‘Club Mix’ takes a more experimental route—glitchy, stripped-back, and built for locked-in dancefloors and after-hours sessions.
AYYBO adds his own bold interpretation to the mix, injecting a darker, punchier energy that’s become synonymous with his releases on the likes of Experts Only, Insomniac, and HARD Recs. It’s a remix that captures the raw electricity of his sets while reimagining OMRI.’s original through a distinctly West Coast lens. An in-demand name, OMRI. has quickly carved a reputation for transcendental performances at some of the world’s most revered institutions. His sound, shaped across labels such as Hot Creations, Disco Halal, Haccabi House, and more recently through his own imprint Collecting Dots Records, blends deep psychedelia and hypnotic grooves with a forward-thinking approach, with past collaborations alongside Adam Ten, Moscoman, Yamagucci, and more. Set to feature regularly at Lazarus’ Hï Ibiza residency throughout the summer, expect standout sets that reflect his genre-blurring style and connection to the Crosstown Rebels sound as he serves up one of the label's most essential cuts of the year to open the summer in style.
For a glorious ten-year period from 1995 to 2005, hip-hop music received a much-needed shot in the arm from a generation of determined and wildly creative rappers and producers. They rallied against the increasingly formulaic and shallow world of mainstream rap, as well as a music industry unwilling to listen.
By releasing music on their own terms as independent artists—many adopting the mantra of being “independent as fuck” as a mission statement—these hungry creatives reclaimed their artistic freedom and wore it as a badge of honour. Most importantly, they also made a lot of excellent hip-hop. What emerged was a vibrant underground music scene that stretched from New York to Los Angeles, with influence reaching across the world.
Independent As F**: Underground Hip-hop from 1995-2005 explores how a generation of rap artists rebelled against the major record labels and made music on their own terms, celebrating individuality and creative freedom. It also traces the history of some of hip-hop’s most respected artists, including MF DOOM, El-P, Mos Def, Kool Keith, and Madlib.
“Ben is an archivist of the highest regard. His Grown Up Rap pushes the myth and mythology aside for real powerful hip hop facts.” Chuck D
‘True Mirrors’ leads the EP laying down airy atmospherics, bright stab sequences, bouncy bass groove and crisp rhythm section. ‘Royal Objects’ follows and leans into deeper realms via an amalgamation of processed spoken word vocals, ethereal pad textures, heavily swung percussion and dynamic evolution.
‘’Ghost Life’ kicks off the flip side next, fuelled by resonant synth licks, sweeping filtered chords, saturated drums and dubbed out vocal lines. ‘Over and Over’ then concludes the release, a nod towards the early 2000’s era of microhouse courtesy of raw, reduced drums, heavy sub bass tones, oscillating organic percussion and warped synth tones.
Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings.
The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals.
“We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025.
While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves.
Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you.
""A Synonym for Repetition" weaves together a tapestry of parallels, all intricately linked to Japan. The project initiates with a collaboration with a Tokyo-based musician, which ultimately fails to materialise during Jason Kolar’s recent visit to the country.
From an original approach that has to mutate in its starting phase, the record was conceived from the beginning to embody a sincere homage to Ryuichi Sakamoto, also a Tokyo native. Shaping ideas within the context of a city with a vibrant soundscape, through an exploration where tradition and modernity intersect in an ongoing quest for correspondences.
Yet, the barriers of language and cultural disparity emerge, casting a veil over the perceived connections and rendering them more projection than reality. This dynamic delineates the space observed from an external perspective, perpetually distant from true understanding, framing it in the fields of imagination, both Japan and Sakamoto. Nonetheless, Kolar tries to pay an honest ode to the artist and its scenic background, with all the implications and contradictions of this kind of process, even with the risk of falling into clichés, pastiches, and Eurocentric bias.
Connecting it to ‘vertical listening’ rather than to an obvious tribute exercise, he has morphed his sound to a synthetic and midi approach, aiming to set an ironically fictitious stage, one that resembles something, but it’s not really it."
Positive Reaction is a vinyl-focused electronic music label founded by HMEHDI. Rooted between Tunisia and Berlin and looking outward to the global scene, the label aims to build a cultural bridge between North Africa and the rest of the world by spotlighting both local and international talents.
Drawing heavy inspiration from the raw energy of ’90s electronic music, Positive Reaction blends genres such as electro, breakbeat, techno, and especially trance — vibrant, nostalgic, and emotional.
Positive Reaction is more than a label — it is a timeless journey.
In a blizzard of breaks and surrounded by towering slabs of icy atmospherics, Quelza comes spinning into the Dekmantel UFO orbit with an EP of grandiose proportions.
Anyone who caught Quelza at Dekmantel Ten last summer will be well aware of the breakthrough producer's affinity for evocative soundscapes — amongst his keen instinct for dancefloor propulsion its his richly rendered atmospheres that have made him such a vital new talent in the industry and club scene. The curious, extraterrestrial quality to his sound is the perfect fit for the resurgent UFO series, and Quelza has more than risen to the occasion with four tracks that take in the widest spectrum of his sound to date.
The title track 'Pensa Poetico' is a dramatic, 11-minute epic that moves beyond dancefloor rigidity into a fractured zone where rhythms splinter and shudder around immersive dub chords pulses and IDM infused rhythms . There might be the anchor of an insistent, staggered kick drum, but it's a simple tool to allow the freedom of movement for intricate layers of steel, glass, ice and dust before the second half erupts in a powerful display of breakbeat science. It's the most adventurous expression from Quelza to date — a track he credits with unblocking his creative process on the path towards a more honest expression within his production.
This spirit of adventure maintains throughout the EP, balancing cathartic compositional shifts with hyper-detailed scene-building and energy shifts that push and pull with your expectations. Quelza's well-established affinity for dancefloor physicality holds true as he twists and turns through these constantly surprising, nail-biting arrangements. Even when everything seems to fall apart, he'll sense the perfect moment to return to a pinpoint groove. Toying with minimal, modernist 2-step and complex organic percussion as well as choppy breaks, this is the sound of Quelza breaking out into a new phase where anything feels possible and his production vocabulary allows him to land audacious moves with mind-blowing finesse.
“To Model Phenomena” is a scientific concept that describes a computer’s ability to emulate, regardless of whether the emulated phenomenon exists outside its circuits or is purely imaginary.
Modeling communication platforms enables us to interact with each other or with computers. Modeling behavior patterns, nuclear fusion, or, as in the case of scientists from the Human Brain Project, a virtual human brain, allows us to simulate cognitive processes such as perception, memory, and decision-making, providing insight into the nature of human thought.
In this record, the phenomena modeled are those moments when the mind leaps into the void, confronting new paradigms. For instance, when science, art, or mass media introduces new information, propelling us into a transformed reality.
From this starting point, European musician Shifting Heigo maps a path between realities, evolving his narrative as his music unfolds. This work draws inspiration from Curtis Roads (vice chair of Media Arts and Technology at the UCSB) and his studies on granular synthesis and time scales, where each track on To Model Phenomena evokes a sense of movement, where nothing begins or ends in quite the same way.
A musician with strong ties to new technologies, Shifting Heigo has collaborated with the University of Málaga (Spain) in its PH Degree Program in video game design, composing interactive music, while also singing as part of the tenor section in the Qatar Concert Choir, affiliated with the Qatar Philharmonic Orchestra.
Currently based in Abu Dhabi, he is now part of a circle of electronic musicians surrounding the New York University Abu Dhabi, an institution that supports electronic and experimental music across the Middle East.
To Model Phenomena is the result of his search for a unique voice as a musician, where ternary rhythms, noise, and silence shape the narrative. This is a discourse from a musician’s perspective on the changes that science, technology, art, and the rapid flow of information demand of us. A direct gaze into the fear of change.
The highly prolific and stylish Konerytmi returns to Analog Concept Records in high funk resolution with the Megapikseli Ep.
Experience tricky video game vibes from both analogue and digital synths inside this pack of slick electro tracks; beginning with Kirsikka, highlighted by rubbery bassline funk, laser zaps, sharp 808 rhythms and awakening pads complimenting the attack.
Then there is the moody and groovy title piece, Megapikseli, heavy on the bass, with intricate clever electro percussion, and fog light chords, formulated to leave your mind stimulated and pixelated; reinforced by an abstract remix in its own cinematic world from the vision of Fleck ESC.
Flip to side B for the twin, Mikropikseli, bringing more of sunlit aura, cosmic atmospheres, emerald textured leads, and playful, vivid effects to the set.
Lastly, is the late night electrosoul aura and rhythm resonating from Puro; confident with rolling acid basslines, starry fx, to pure dark and lovely melody, guaranteed to emit grooves of energy easily.
For the lovers of immersive electro, marinated in the classy flavor of cartridge era platform games, Megapikseli Ep by Konerytmi is the real deal system to entertain.
When SW. AKA, Stefan Wust, first established SUED in 2011, their compelling, cosmic and anonymous material struck a rare chord, emanating far beyond the freeform Berlin underground in which it was written. Unknowingly, Los Angelean Oliver Bristow had
established a parallel musical universe, founding the hyper-specific label Acid Test, inviting pioneering artists such as Donato Dozzy, Tin Man and Pepe Bradock to indulge in glorious interpretations of 303 control. Without compromise, these were records that quietly
reinvigorated electronic music.
Some years later, a new label, SWOB, unites Wust and Bristow in a very different landscape. And while it would be easy to transform the purity and integrity of this special alchemy into something like nostalgia, yearning for an alternative culture before
influencers and against algorithms, SWOB endeavours to find inspiration in arguably tougher truths.
“By the mid-90s, the techno scene had already reached a breaking point”, recalls Wust.
“Today, the scene is so highly professionalized that it barely resembles what was once called the "underground. But "underground" was never more than the simple reality that music circulated on cassettes among friends or that dubplates were played at illegal
parties... The consequence of today’s professionalization is the death of the original movement.”
Still, no one can kill an idea. Here, inspired by the “Outside Tekno” or “Outkast Techno” that emerged to subvert even back in the day, SWOB are proud to introduce the tekkNOthing trilogy, a new project from SW. beginning on cassette and culminating later
on vinyl. Some years in development, tekkNOthing first began to take shape during the 2020 global pandemic, when ‘the underground’ quickly began to mean something radically different once again.
“I noticed how everything was accelerating while simultaneously spinning in circles – existing in a kind of creative limbo on a global scale”, recalls Wust. “And that’s where true freedom lies: for artists – in any sense – to consciously engage with this necessity. In
other words, irrationality or nonsense can eventually generate meaning.” While hardly capitulating to the contemporary hammering of techno’s most recent developments, tekkNOthing’s first chapter quickly establishes a frenetic pace; tracks like ‘nuclearFALLoutX’ and ‘paslolESmess’ interlock and unfold at a tempo removed from that typically associated with SW. while ‘euroBSS’ and ‘viscousHEAT’ successfully experiment with a more guttural palette, veering far into a rejuvenating and previously uncharted leftfield.
A resolutely human endeavour, the music of SW. is nonetheless written and recorded in the looming shadow of AI, whose free-form adoption of pop culture, hip-hop and techno reminds Wust of “when photography emerged in the 19th century... painting was no
longer bound to naturalism. Similarly, music today is no longer bound to fixed standards – through AI, it can become truly free.”
If not in competition, than taking inspiration from this landscape of new opportunity, tekkNOthing diversifies further with eight unpredictable tracks across part II, taking in stuttering machine-funk on ‘crAMPDUNK’, a freeform organ jam via ‘sonicENdo’ and the
inexplicable piston-percussive, post-punk exotica heard on ‘poorTENOOR#a#01’ DJs with dual cassette decks skills might even find function in the more overtly floor-focused ‘DU ¨NEhowSE#1takeÄ’ or ‘lookLOOK’.
The times may have changed, but the promise remains simple; more music, more freedom.
Each release from the label follows a spiritual trajectory, inspired by the chakra system. This third EP is dedicated to the solar plexus chakra, symbolizing self-confidence, action, and connection to one's inner power. Its name, "Chiron Key", refers to the Chiron key in astrology, associated with healing deep wounds and resilience.
This vinyl-only EP features four deep, hypnotic, and percussive tracks, crafted for both dancefloor energy and immersive listening. It brings together a mix of international and emerging artists:
Amulanga continues its journey of sonic exploration with its highly anticipated 6th Vinyl Release, featuring a stellar lineup of visionary artists. This VA collection brings together a compelling blend of deep, emotive, and hypnotic soundscapes, with outstanding contributions from Dulus, Acrobat, Illias Katalenos & Plecta (collab), Taleman, and Shri & Alej (collab).
Each track in this release embodies the essence of Amulanga—where organic textures meet refined production, and deep melodic elements intertwine with driving grooves.
As always, Amulanga curates an experience beyond just music—it’s a narrative woven through sound, designed to transport and transform. This release is a testament to the label’s commitment to pushing sonic boundaries, offering a refined yet deeply evocative selection of tracks destined to resonate on dancefloors worldwide.
For customers of the Rush Hour shop, this item ships for its may 23rd release date. Any items ordered along with this will ship then also
After five years spent largely confined to the United States, Ron Trent is set to return to global touring in 2025. To mark the occasion, he’s partnered with Rush Hour to release Lift Off, a brand-new album of music recorded at different points over the last decade.
Arriving almost 35 years since he wowed the world with his game-changing debut, the Afterlife EP, Lift Off was inspired by Trent’s desire to ‘let the imagination speak for itself’ while exploring the diverse influences that have shaped his unique musical perspective. A departure from his previous album, 2022’s downtempo masterpiece as Warm, What Do The Stars Say To You, the 10-track set features a mixture of epic instrumentals, inspired collaborations and vocal cuts whose music was written with certain singers in mind.
While it features music that ripples with the experienced producer’s familiar aural trademarks – rich rhythms, warm chords, impeccable instrumentation, inspired arrangements, and lashings of heady hand percussion – it also consciously explores a variety of sounds and tempos, in the process blurring the lines between dance music’s past, present and future. It’s a vision, in his words, of what dance music can become.
For proof, check the five impeccable cuts on part one. There’s the tactile, Wally Badarou-inspired wonder ‘Hot Ice’, the mind-soothing chords, lilting synth-strings and samba-soaked percussion of ‘Woman of Color’, the warming deep house jazziness of ‘Jazz Funk’ and the restless, far-sighted brilliance of ‘Sexstrology’, where relaxed electric piano solos dance atop an infectious, locked-in dancefloor groove.
Best of all though is Leroy Burgess collaboration ‘Let Me See You Shining’ – an inspired musical meeting of minds that cannily fuses Trent’s signature deep house sound with the soulful, vocal-driven brilliance of the New Yorker’s iconic boogie-era work. Even by the two artists’ dizzyingly high standards, it’s a very special song.
To celebrate their landmark 60th release, Analogical Force proudly present ''Sixty'', a lengthy compilation (3x12'' - 17 tracks) that chronicles the label's journey from its inception to its current cutting edge form. Featuring new unreleased tracks from regular collaborators alongside exciting up-and-coming artists, plus some gems rescued from the past and remastered for the occasion. This release is a sonic time capsule and a forward-looking statement that serves as both a reflection of AF's past and a bold vision for the future. A must have for AF heads or virtually anyone into forward thinking music.
c 03 Gherat - Micfrk Bamb Mix
g 07 Oh Mr James - Rechargeable Battery Acid [ESC Mix]
[h] 08 Meta Program - VHJhbnNjZW5kIFlvdXIgRXhpc3RlbmNl [AF Edit]
To continue the around the globe VA series “Untitled III” is here. As per usual 8 different artists with different musical backgrounds, inspired by different melodious influences which has resulted in this VA to take shape. All of the tracks featured on this double are in line with the label’s vision and demonstrate a vast range of sounds that can be used in many different settings. The art theme as always done by the legendary bad boy graffiti artist Gkoner, this time takes a theme of garden and its mysteries where he drew an inspiration from. The plants are overtaking giving their roots and even sometimes can absolutely capture and possess the host while trying to look so innocent. We know what you are up to plants and you cannot fool us.
Neba Solo, whose real name is Souleymane Traoré, is a true living legend of Malian music. His voice and balafon playing are unique, instantly recognizable, and deeply cherished throughout Mali.
He gained international recognition with his iconic track CAN 2002, composed for the famous African Cup of Nations. This success opened doors to global stages, leading to tours in the United States, Asia, and Europe. Prestigious labels such as Cobalt and Secousse supported this exceptional period in the artistic journey of this musical genius.
For many years, Neba Solo has closely collaborated with Yaya Diarra, the sound engineer of the legendary Bogolan studio in Bamako. Diarra played a key role in preserving and recording the works of the balafon master from Sikasso. He was also the one who invited Dom Peter to work on a bold and resolutely modern project: an album with more electronic sounds, enriched with drum machines, offering a new artistic direction to Neba Solo’s compositions.
Dom Peter and Yaya Diarra immersed themselves in the studio to conceive and produce this album, titled TUMA DUMA. The result is a perfect alchemy, where electronic rhythms blend seamlessly with traditional percussion, redefining the richness of Malian musical heritage.
These nine tracks explore classic themes of the Mandingue repertoire while showcasing Neba Solo’s unique way of narrating both everyday life and universal stories
This is the first full-length album by bojvck, an artist deeply embedded in Seoul’s street culture. Blending breakbeat-inspired sounds with raw audio textures sampled straight from the street culture, the album captures the restless energy of youth and the spirit of the city. If the keywords “boy” and “street” speak to you, this is one you shouldn’t miss.
Da bossman Tripmastaz delivers two cuts of "Politics As Usual" a summer-themed track in classic golden-era house style – full of positivity and sunshine beams.
On the B-Side "Coffee Smack 4 Dat Azz" balances the EP with Tripmastaz’s signature crunchy beats and gutta flows for the real heads – hits like a perfectly brewed cup of coffee. "Scarp" wraps up the record nicely with proto-digger vibes and fun acid basslines.
And the cherry on top: for the collectors, this time around we pressed just 50 copies on green marbled vinyl – a true gem for the heads.
Summer is here.
The 6th compilation album by Sambo Records, created to highlight the team “jungle han” that deals with the unfamiliar jungle/dnb genre in Korea!
The tracks of all members of the Jungle han team, including producer/dj - sorimsa/slowpoe : mc - Kim han, are included in this album, which was created with the support of his friends selecta. The Korean lyrics are ear-stimulating. SGSY remixed the tracks of his reggae band “Kom agens” into a jungle version, and you can feel the jungle vibe of current Korean producers. A dancefl oor-optimized jungle album crafted with breathtaking compositions. Lastly, Yetsuby's Killa-track is included.
Miles Away Records are proud to introduce a brand-new, never before released piece of music.
In September 2024, Rob J Madin reached out to us with a collection of instrumental covers he had created. Immediately drawn in, we loved both the musical approach to these covers and the fact he tastefully selected these tracks to cover. Following up, we asked Rob, an accomplished musician, if he had any original compositions in a similar style.
The result is "MONSTRO", six instrumental slabs of jazz-funk heat! Produced primarily in Rob's attic studio in Sheffield. Rob showcases his talents on guitar, bass, keys, and percussion, with each track built around iconic drum samples. Listeners can expect spacey synths, silky electric pianos, and irresistible hooks. Think BADBADNOTGOOD meets Mildlife with a side plate of Herbie Hancock.
From the kick-your-door-down energy of "Callisto Disco" to the slow-burning allure of "Heartbreaker" and optimistic sunny day feel of "Cherryade" to the fully grown earworm synth lines of "Bouquet Garni". In addition to four original songs, the collection features two cover versions from that initial SoundCloud link: Michael Miglio's "Never Gonna Let You Go" and Rupa's "Ayee Morshume Be-Reham Duniya." Both are rare early-80s gems, wonderfully reimagined by Rob.
"MONSTRO" will be officially released on May 16th, 2025 on digital and physical formats. The 12" EP comes with printed inner sleeves and is pressed at 45rpm for maximum audio depth.
Every ATA project is marked by collaboration - some over a few weeks and some over decades. When drummer Sam Hobbs and bassist Neil Innes decided to make The Return of, by The Flying Hats they were building on twenty years of playing together; Innes"s years of nightclub residencies and love of Afro-American dance music, and Hobbs"s intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil.
Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page. Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.
It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.
In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail. Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.
Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single. Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.
Another Sensation Records holy grail returns: “Flying Dream” by Frank Hino again on vinyl.
Here comes another Italo disco diamond rescued from the depths of the legendary Sensation Records catalogue. Majestic, rare, and long sought-after, Frank Hino’s “Flying Dream” is a true gem that has captivated collectors for decades.
This hypnotic masterpiece was brought to life at Punto Musica-Emme Studio in Florence, where it was programmed by Egisto Bitossi – the genius also behind the cult classic “And I Love Her” by Sir Valentine.
A dazzling slice of ’80s Italian energy, Flying Dream is a floor-filler full of twists and turns – sweet, spiraling arpeggiators give way to rock-tinged climaxes, all carried by a charismatic vocal and a magnetic melody. It’s bold, beautiful, and utterly unforgettable.
No wonder collectors have been chasing it for years, though original pressings are nearly impossible to find, and when they do surface, the prices are sky-high.
But now, Vintage Pleasure Boutique is answering the call of every true Italo enthusiast with a brand-new vinyl reissue of this iconic track.
Rare. Radiant. Reborn. Get ready to own a piece of Italo disco history.
Darcoform proudly presents DARCWAX002, a carefully curated four-track vinyl that encapsulates the essence of storytelling within the minimal house and breakbeat realms. Featuring four distinct artists, this release offers a sonic journey through layered textures, deep grooves, and masterful production.
Side A
Vid – Soundscapes
A pioneer of the minimal house genre, Vid delivers a profoundly immersive experience with Soundscapes. The track unfolds like a narrative, weaving intricate rhythms with atmospheric depth, taking the listener on a contemplative yet dynamic journey.
Cim Pian – Visions of Neverland
Cim Pian introduces us to a dreamlike world with Visions of Neverland. The track blends subtle melodic elements with a tight, groovy framework, evoking a sense of wonder and nostalgia that feels both grounded and otherworldly.
Side B
Mtps – Book Of Truth
Mtps crafts a delicate balance of groove and introspection in Book Of Truth. With its textured layers and driving rhythm, the track resonates as a personal yet universal story, making it a standout in any minimal selector's collection.
Durosai – Str8 Chillin
Closing the release is Durosai with Str8 Chillin, a minimal breakbeat track infused with electro influences. Its sharp percussion, intricate breaks, and playful basslines create a laid-back yet punchy vibe, perfect for injecting energy into any set.
DARCWAX002 is a testament to Darcoform’s commitment to showcasing unique voices in the underground music scene. Stay tuned for its release—this is a record not to be missed.
Graphician: Cimpian Mark from FaceToShape Studio
Mastering Engineer: Robin Virag from RV Audio
5/5 LEAD TWO-PAGE REVIEW IN MOJO: “SHACK'S SONGWRITING HERO'S ROMANTIC , OPIATED FOLK DREAM, RESTORED AND AUGMENTED WITH A COMPANION ALBUM OF UNHEARD SONGS.
5/5 LEAD TWO-PAGE REVIEW IN Q MAGAZINE: “SCOUSE CULT HERO'S MAGICAL MOMENT REVISITED. THAT THESE ARE SONGS THAT FEEL A LITTLE MORE TRANSCENDENT WITH EVERY PASSING YEAR IS NO MERE CONJECTURE.”
9/10 IN UNCUT : “ANDMOREAGAIN! A LOVE-LORN MASTERPIECE AND ITS LONG-LOST SIBLING”
SUNDAY TIMES 'MUST-HAVE REISSUE' “ONE OF THE 1990'S GREAT LOST ALBUMS..MORE REDOLENT OF SUMMER-OF-LOVE SAN FRANCISCO THAN BRITPOP MERSEYSIDE...A CLASSIC...
discotech is back with the 6th of their DTW series with the one and only Paul Rayner - 3 selected cuts from the 90s which have been perfectly restored and mastered. Kepler is on remix duties with a track that has been a main fixture on dancefloors across the world for the past few months.
Support for this release has been huge with artists such as Chris Stussy, Enzo Siragusa, The Trip, Saoirse, Dungeon Meat, Boss Priester, Prunk, Reeshy, Job de Jong, Jamback, Sidney Charles, M-High, Seb Zito, Burnski, Marsolo, Martha (NTS), Chris Gialanze, Rossko, Dennis Quin, Sosa, Ozzie Guven and more
De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled 'The 4 Lights'. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body. Stay tuned!
"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era—it’s also the title of one of the three tracks featured here.
In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant—youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally.
Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals.
Complemented by a new edit of Ulysses Horizon by Gerd Janson (alongside a revised version of the original), alongside Flowerdale Beach, and Are You in Heaven?, the music here hasn’t lost a single inch of its charm or allure. A taste of Dutch house deluxe.
Carving a singular path through boundary-pushing explorations of gamelan music, Uwalmassa’s ‘EP3’ presents a dynamic narrative, infusing deeply rooted cultural elements with forward-thinking ethos.
The Jakarta-based collective reimagines the dense complexity of Indonesian music through an experimental lens, shifting tempos and layered polyrhythms with unconventional structures, offering a bold redefinition of ritualistic music.
Uwalmassa not only expands the conversation around gamelan but also reshapes its possibilities, conveying a timeless vision that bridges the past and the future.
Find Your Own Records recently launched with a sold out first release; Ceri's 'Life Holstee E.P.' which included a timeless Fred P Reshape. Fusing the sounds of Berlin, Detroit, Chicago and London, the release was supported by everyone from Midland, Move D, Ben UFO and Fumiya Tanaka, to Steve O'Sullivan.
The second release, the 'I Need You To Make Me Sweat' E.P. also draws inspiration from the classic sounds of Chicago and Detroit, and features none other than a remix from bona fide Dance Music Legend, Mr. G.
The title track 'Need You' is a Juno bassline driven, classic sounding 'proper' deep house track, raising in energy as it peaks, with vocal snippets and modulated analogue drums building throughout.
Mr. G has taken Ceri's title track, 'Need You', and twisted it into a harder, faster 'Jaded Dub', capturing a dark and driving energy, tantalising and adding to the drum grooves with his trademark swinging rides and industrial synths, adding his infamous MPC swing to the vocal snippets, and building the tension throughout, as the one and only G can.
The B side 'Sweat', draws inspiration from 80's and 90's house with a modern dark twist, mixing variating funky drum machine rhythms, classic house vocal samples and pulsing sub-bass to.
The first release was quickly repressed, but there will be no repress on 002, so grab it now before it sells out...
Early support comes from K-HAND, Ryan Elliot, Paranoid London and many more.
Trance Plantations is the latest brainchild of Nathan Daems and Falk Schrauwen (both members of Black Flower and Echoes of Zoo)
They describe what they make as 'fictional Tribe music (from space)'. That previously resulted in a self-titled debut album on which they collaborated with The Comet Is Coming members Danalogue and Betamax. "Behind your face" is their dazzling follow-up album continuing their musical space adventures.
The legendary New Jersey House collective Smack were responsible for a long list of hits throughout the 90's, with members of the team producing under a number of different aliases and alongside Blaze, Kerri Chandler, Tony Humphries were at the forefront of the New Jersey sound.
One such alias was Princess Di, produced by Smack Productions own Healey LeCator and featuring an unknown vocalist. Together they released a string of X-rated house tracks from 1994 until 1996 that have gone on to be cult classics, standing the test of time.
With the permission from Jeffrey Collins from Music Station, WOLF have hand-picked their favourite Princess Di tracks and combined them onto one bumper 12". Fully remastered and cut LOUD. Sometimes you have to look back in order to move forward!
Always championing forward-thinking projects and sounds, Enzo Siragusa’s FUSE imprint welcomes a special addition to its catalogue as London-based DJ and producer Theo Kottis steps up for his label debut with his ‘Dark At 3PM’ EP. A highly respected figure known for his euphoric productions and magnetic energy behind the decks, Theo’s first appearance on the label marks a fresh moment of synergy, uniting his rich and often nostalgic sound with the signature UK-driven edge of the London imprint.
Known for standout releases on tastemaker labels such as Dekmantel and CWPT – and with performances at iconic venues including Panorama Bar, Lux Fragil and Robert Johnson – Theo brings a decade of craftsmanship into his FUSE debut, diving deep into a world of garage, rave, and bassline, through to cosmic-inspired textures to deliver a vibrant and genre-bending body of work.
Across the EP, Theo presents a kaleidoscope of UK club influences while weaving in his own flair for melody and mood. Opener ‘Dark At 3PM’ kicks things off with warped low-end frequencies and spaced-out atmospherics, merging raw UKG fl avours with celestial flourishes. ‘Forward Motion’ keeps the energy tight and driving with propulsive speed garage rhythms, weighty lows and sharp percussive touches. On the B-side, ‘Glow’ leans into spacey pads and deep, undulating basslines, offering a shimmering mid-release moment. ‘In Search Of’ adds an impactful, introspective dimension with swirling synths, chunky bass, ethereal vocals and breaks-influenced drums, before ‘Strides’ closes the EP on a trip – a deep-diving journey built for late-night sessions.
Perimeter Records proudly presents the return of "Another World", the legendary trance anthem by Cyborg, originally composed in 1993 by Bruno Quartier. Known for his iconic work as part of BBE ("Seven Days & One Week") and At The Villa People ("Open Your Eyes"), Quartier’s influence on the trance scene is undeniable.
This special release features two essential versions:
• Michael Forzza’s remix, which reimagines the original through his unique rhythmic energy, adding a fresh dynamic while preserving its deep emotional intensity.
• The fully remastered 1993 original, restoring the power and hypnotic essence of this trance masterpiece.
Michael Forzza, the mastermind behind the underground hit "Kahana" in collaboration with Dimitri Andreas, first released on Ghoststyle in 2005 and recently reissued on Systematic (Marc Romboy’s label), delivers a vision that bridges past and future.
With this release, Perimeter Records revives a classic, ensuring its legacy continues on dancefloors worldwide. A must-have for techno and trance lovers!
Français
Un classique intemporel renaît sur Perimeter Records!
Perimeter Records est fier de présenter le grand retour de "Another World", l’hymne trance légendaire de Cyborg, composé en 1993 par Bruno Quartier. Figure incontournable de la scène électronique, il est notamment connu pour son travail au sein de BBE ("Seven Days & One Week") et At The Villa People ("Open Your Eyes"), des morceaux qui ont marqué l’histoire de la trance.
Cette réédition propose deux versions essentielles:
• Le remix de Michael Forzza, qui insuffle une nouvelle dynamique au morceau en lui apportant une rythmique puissante et une tension subtile, tout en conservant son intensité émotionnelle unique.
• L’original de 1993, entièrement remasterisé, offrant une redécouverte captivante de ce chef-d’œuvre hypnotique.
Michael Forzza, connu pour son hit underground "Kahana", sorti sur Ghoststyle en 2005 et récemment réédité sur Systematic (le label de Marc Romboy), propose ici une relecture qui lie passé et futur.
Avec cette sortie, Perimeter Records fait revivre un classique et perpétue son héritage sur les dancefloors du monde entier. Un indispensable pour les passionnés de techno et de trance!
