Doddadsee News

Label founder and owner of How To Kill Detroit, The Friend gives his fresh release from Tokyo's underground
techno label doddadsee. This vinyl includes tracks with his very own unique style Sludge.

For the first time on vinyl, The Stranglers ‘Peaches (The Very Best Of)’ is to be made available as a double-LP set. Released on 27 November, this will be the only Stranglers’ best-of compilation available on vinyl.



The Stranglers formed in early 1974 and emerged via the punk rock scene building a fan base and reputation for their aggressive and uncompromising style, but the band’s sound developed throughout their career never being pigeonholed to a genre. As a result, their body of work (they continue to record to this day) is varied and hugely celebrated.



To date, the band have scored 23 UK top 40 singles and 17 UK top 40 albums. The Stranglers are one of the longest-surviving and most renown bands to have originated in the UK punk scene. ‘Peaches (The Very Best Of)’ is a collection of their most famous celebrated songs for the first two decades of their illustrious career including iconic tracks such as ‘Peaches’, ‘Golden Brown’, ‘No More Heroes’ and ‘Hanging Around’.

Re-Press of Original Pirate Material on a burnt orange vinyl
- The 25th March 2022 marks the 20th anniversary of the instant British classic Original Pirate Material - The Streets.
- For the PR approach for this anniversary label are working with zeitgeist creatives: Sabotage Studios and photographer Isaac Lamb. Sabotage Studios will connect the creative anniversary projects with with cool, veritable influencers and magazines in an authentic way. Aiming for an editorial around the anniversary projects with: The Face, Vice, 10 Magazine, HERO, Noisy Wonderland and Hunger.

- Hugely popular and influential designer Corbyn Shaw, who focus on archetypes of British Culture is creating a Original Pirate material tribute piece of work for the OPM anniversary:
- Minnow Films and comedian James Acaster to create a short documentary around the for the OPM Anniversary. Talking to BBC, Amazon and smaller publications like Vice and Noisy to promote this.

Taken from the forthcoming "Movements Vol.12" compilation album, "Funky Broadway" by The Villagers has never been released - until now. The B-side features the Garage-Rock cut "You're My Baby (Don't You Forget It)" from 1966, the same year as Dyke & The Blazers recorded the original version of "Funky Broadway".

UNK20 is compiled by Unknown Collective with a colored and energetic EP.

Minimal, House and Disco come together to create this unusual vibration!

Limited Copies and no repress.

A limited re-release of the very first single created by Virginia Soul Legend, Van Jones. Originally released in 1974, this release celebrates one of the most soulful, heartfelt recordings pressed onto a 7", the first step in Vans career defining his artistry & expression. The original release remains obscure due to the handful of copies known worldwide, now lovingly restored & released exclusively through Symphonical, in direct collaboration with Van Jones & Erwin Epps.

In conjunction with the label turning 8, WOLF Music return to the VA format that see's them releasing forgotten gems and exclusive tracks from label mates.BRS' Bouncing was originally released in 2000 on Imperial Dub a firm favourite with WOLF Music for many years, it now has the opportunity to be introduced to a new generation of record buyers.Paradiso Rhythm self released Greetings & Salutations digitally early last year. A killer record in every way that deserves a vinyl release.

On the flip Ishmael & Medlar supply a collab track recorded last year at the Red Bull studios. Rounding off the EP is an updated version of KRL's I Wanna Be With You that was originally released on WOLFEP003.

repressed !

Part two of a new Salsoul Re-edits series launches with four classic edits for RSD from seminal edit king Danny Krivit. With over 45 years behind the turntables, if anyone knows what little extra touch a record needs to work on the dancefloor...it's Danny! Taking his editing skills to four classics from the Salsoul vaults , Danny delivers once again. Available on vinyl for the very first time.

Cooling off the spacecraft after readred landed on its destination, their crew spotted an interisting material coming from a hole in the ground. Surprisingly it was the same element that is used to press vinyl so therefore they decided to release a VA.

The Pilot - Ghertz, concentrating on the smooth sine wave flow of the aircraft using his knowledge in modular power

The commander-in-chief - Minube, controlling the unexpected situations happening during the trip using his long years of hard work

The Colonel- Andrey Djackonda, supporting everybody with his happy vibes so that everything and everybody stays cool

The Defence-in-charge - Ovil and Ilya Dubrovin - United Russian and Moldovian power used in the journey to protect everything including the spacecraft and staff

The third record from the friends for the bag. A mix of kicks returning two familiar foes and adding two new friends to the scene. Extended instant release for this one.

City To City: Johannesburg is the first in a new series of V/A releases which will shine a light on exciting producers from a different city for each edition. What better place to start than The City Of Gold, somewhere synonymous with deep and soulful house and whose scene and artists have finally begun to get global recognition despite the relative geographical isolation. Labels such as Kid Fonque’s Stay True Sounds have been an important platform for South African artists and who can deny the incredible journey of Black Coffee. Deep house really is a way of life for many young people growing up in often challenging conditions and it’s been exciting to see many becoming known outside of their own country and starting to gig internationally.

Here on the debut City To City we showcase 6 tracks from 6 different artists hailing from Johannesburg, relative newcomers rubbing shoulders with more established names. Kicking off the release we have one such producer who has been slowly but surely stamping his mark over the last 10 years: KaySoul. With output having appeared on labels such as Shall Not Fade, Dirt Crew, Lazy Days and Tribe KaySoul is definitely making waves with his soulful take on the South African deep sound. Icey Baby featuring Mr Beale keeps things raw and minimal, letting the vocal stay front and centre, a naivety and playfulness giving an almost demo-feel to the production.

Sculpturedmusic steps up next with Midnight Talk. Another SA artist who has earned his stripes with some huge tracks including Sad To Think which deservedly became a substantial hit, Sculpturedmusic’s contribution to the release keeps things deep, percussive and rolling with an African vocal sample backed up by pensive piano chords.

With just a handful of releases on his own Herbal Soundz label as well as the much lauded vinyl label Adeen, SizLeCaude is one of the exciting up and coming artists worthy of attention. Taking a classic early 00’s deep house approach on Far Apart he reminds us of the output Ben Watt’s Buzzin’ Fly sounding both timeless and contemporary with buckets of warmth and soul.

Flipping over we have Love (Kinda Thing) from Radic The Myth whose harmonically rich take on house music brings a floating yet punchy feel to the release.

Persie Botta joins forces with Jade Nickels on the next track entitled They Never Loved Us. The duo deliver a sublime slice of true Joburg-style deep house with lush layers of pads, reverb-soaked pads, snaking sub bass and a powerful, low slung groove.

Last but not least we close out the release with Thabang Baloyi who joins fresh from releases on established SA labels Just Move and Basement Art. Lost In goes in DEEP with a syncopated snare groove and simple, repeating vocal line.

Heading up the release is Barcelona based beatmaker - Vince Void, a fitting return to the label. His “Explorer” EP is crammed with dynamite dance floor enthusiasm, moving elegantly between dusty breaks, slick house and space infused electro grooves. Taking care of the remix in a fine manner is Mario Liberti, the Deep In Dis founder bringing the high energy funk for the small hours of the night!

First up is “Phase Finale”, setting things up in a playful mood, the elasticated groove drives the track as otherworldly pads and synths wander blissfully around the heart of the production. Classy club room action from Void ready for the summer floors. More of the same in title track “Explore” quirky samples flash in and out as the journey unfolds, another certainty for the record bag. Mario Liberti’s remix immediately gives you a nostalgic rave vibe, huge broken drums, rave stabs and sub heavy bass make this a modern day anthem.

On the B side Void’s innovative collaboration with Alex Garcia takes the helm - “Access Denied”. Seductive spoken word draws you into the meticulously arranged trip, unexpected twists and turns continue to appear before you. Driven from the get go is the final track “The Vision”, tinges of acid conversing with the explosive and chunky drums patterns.

One of the most important debates in the history of science took place between Albert Einstein and Niels Bohr about whether light is to be expressed as a wave, or a particle. Today, RAWAX is happy to welcome Wave Particle Singularity with a quantum oriented EP elegantly marrying interstellar waves and quantum harmonies.

William Caycedo returns after his succesful "Bag Of Boom" release in 2018 to RAWAX this Summer. "Cuban Linx" is a powerful bass/house tracker not to be missed!

Remastered and recut 2024
LTD 300 repress !

Super new hardtek from 2005/2006 ! Killer from original Okupe crew.

Dancefloor and progressive on the B side, the A side provides a solid acid groove you might enjoy.

Dancefloor !

Overthink Records is back this time with a split EP from the very talented artists Z@p & Stonem. A 4 tracker EP of techno & house with a touch of acid that you can note the particular sound of this artists.

"Brule" is the new EP from the band CONTREFACON, featuring techno, rave, and acidcore influences, with nods to iconic acts like Daft Punk, The Prodigy, and Miss Djax. The EP retains the eclectic blend of sounds that defines CONTREFACON. The project takes its name from the lead track, "Brule", which opens the EP with a groovy and acid-infused homage to the sounds of the 90s. This is followed by a deep, ravy anthem titled "Z.A.T.", and the EP culminates with the more intense and powerful acid music of "Cluster 303" and "Vega".

The colossal Caposile Music strike once more with a heavy hitting house EP. This sought after summertime jam comes from resident and long time family member, Maggio. The flourishing Italian talent enforces the driving force that is After Caposile with three driven and animated grooves for the peak hours of the party. Accompanying him with a stellar remix is acclaimed live performer and producer, Vitess, the Frenchman showcasing his consistent sound, living up to the Caposile ethos with great effect.

This is “Discoline”.

Title track “Discoline” cruises on an irresistible elastic groove, shimmering synths and pads shine bright, breathing life into the rolling structure of the track. This one living and breathing a pure and infectious summer time energy. Packing a serious punch is “Vertigo”, built upon crisp drum arrangements and another dynamite bass line for the heads. If you are looking to go up a gear on the floor then you are in the right place.

On the B side Maggio’s “Outer Space” leads the way. The aptly named track prepares you for lift off with its distinctive chugging, sub heavy bass. Sprinkles of spaced out vocals tease you down a path of curiosity. Vitess rounds off the EP with another recipe for dance floor frenzy in his remix of “Discoline”, playful yet effective frequencies to ignite the flight, an essential for the record bags of many in the coming months.

CPSL005 lands off the back of the “Sound Of Garden” volumes 1 and 2, and with this latest addition to the catalogue it ensures the label and club continue to cement themselves at the forefront of the scene for underground minimal and house, continuing to spread like wildfire. Become part of the Caposile family this summer with some sincere day time action from within their circle.

Get ready to unleash your inner seventies funk and soul enthusiast with the reissued edition of Miami's self-titled album! This record, which sadly became their last before disbanding in the early 1980s following the collapse of T.K. Records, for which they were the in-house band, will take you on a captivating musical journey.

The energy radiating from this album is almost palpable, filling the air with an electrifying atmosphere. From start to finish, Miami's self-titled album bursts with infectious energy that will transport you back to the soulful sounds of the era.

As the needle hits the vinyl, you'll be captivated by the undeniable groove and irresistible beats. It's a sonic experience that will make you want to move your feet and let loose to the soulful rhythms. This reissued masterpiece brings new life to a record that has long deserved celebration and recognition.

So, let's give Miami's self-titled album the overdue acclaim it deserves. Dust off this musical gem, crank up the volume, and let the funky and soulful melodies guide you on a nostalgic journey. Get ready to groove like never before and experience the magic of Miami's
unforgettable sound in this special reissue

Sunny Crypt’s fourth release brings you for the first time on vinyl four excepts from “Mortal - Deco”, previously released only on CD. In 1997, UK band Code decided to take an alternative approach to their more traditional one, finding ways to integrate non-musical element into their and letting the more melodic ideas develop in non-formulaic ways. So their anagram record “Code” was born under their one-off “Mortal” alias. The results is a mixture of ambient textures, trippy slowed-down techno, breakbeat patterns, and glacial dub with strong influences from what back then was labeled as chill-out, maintaining a certain 90s UK distinctive flavor.

Vinyl Only. The 6th release from Tokyo based INIT which especially focus on releasing tracks from Japanese artists.

This time is the split EP by Shintaro.D and Kensuke yasuhara who are the core artists and founders of the label.

2024 Repress

Steve Rachmad's subliminal debut album 'Secret Life Of Machines' was originally released way back in 1995. In 2012 the album was re-issued, although three tracks didn't make it to the vinyl re-issue. Now ten years later this new EP now re-issues also these three tracks after all: 'Satyricon', 'Hydroxy' and 'Draghixia'. Steve Rachmad's richly melodic strain of techno has resulted in a huge body of work he has been growing since the early 90s. His sound is the perfect distillation of machine soul - dubby atmospherics and crisp, danceable dynamics balanced in perfect unison. Amsterdam's Delsin Records gathers together some of the Dutch techno figurehead's most important, sought-after works in a new EP series, all remastered from the original DAT tapes from Steve's archives. Adding to the weight of this series, the accompanying artwork is being created by Boris Tellegen, aka legendary graffiti artist Delta who first began designing sleeves with Secret Life Of Machines. Since then he created many works for labels including Delsin.

In a mesmerizing fusion of two beatsmiths, the renowned Instrumental hip hop virtuosos Thelonious Coltrane and Miller Gold have joined forces to create an unparalleled vinyl release, set to captivate music a¦cionados worldwide. This groundbreaking collaboration seamlessly blends the innovative drumbreaks mastery of Thelonious Coltrane with the synth compositions of Miller Gold. With a collective legacy spanning decades, these two luminaries have rede¦ned the boundaries of instrumental hip hop, in§uencing generations with their distinctive styles. The forthcoming vinyl release promises an immersive journey through the rich tapestry of future sound of instrumental hip hop, offering listeners a transcendent experience that harkens back to the golden age of the genre while pushing the boundaries of contemporary musical expression. From exhilarating improvisations to hauntingly beautiful melodies, each track on the album showcases the unparalleled artistry of Thelonious Coltrane and Miller Gold. Speaking about the collaboration, Thelonious Coltrane expressed his enthusiasm, stating, "Working with Miller has been a true privilege. Our shared passion for music and our deep respect for each other's craft have fueled this collaboration, resulting in something truly special." Speaking about the collaboration, Thelonious Coltrane expressed his enthusiasm, stating, "Working with Miller has been a true joy. Our shared passion for music and our deep respect for each other's craft have fueled this collaboration, resulting in something trulyspecial." The vinyl release is poised to reignite interest in the timeless allure of instrumental hip hop, drawing both seasoned enthusiasts and newcomers alike into its spellbinding embrace. With its evocative melodies and virtuosic performances, this collaboration between Thelonious Coltrane and Miller Gold promises to leave an indelible mark on the landscape of contemporary instrumental hip hop. Stay tuned for anticipated vinyl album

The Ibiza based record store and label 'More Than Music' have invited 'Triptil' for their sixth release, featuring Silat Beksi on remix duties. Played by 'Barac' and many others ...

Minimal X returns with their second release, a three-tracker inspired by timeless music and edited by the MNMLX team to bring further joy on dancefloors all around the world.

3rd release of iSM Series with Randall M, Distilled Noise, Philipp Lichtblau, Horst Reißner & Philippe Landsberg.
12” Vinyl Only. No Repress.

Support by Sepp, Lauren Lo Sung and more.

Frits Wentink’s Bobby Donny is back with six cuts taken from the first nine releases of the Bobby Donny ACE offshoot label. These previously digital only releases from five unknown producers alongside the King of Swing himself, Frits Wentink showcasing the unique sound of Bobby Donny. Presented here for the first time on vinyl and strictly for the discerning house music lover.

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Herdersmat.
Morderstwo.
Rotterdam.
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REPRESS 2017
Early Support from Stephan Bodzin, Steve Bug, Lexy, Christian Fischer, Markus Guentner, Laurent Garnier, Tim Xavier, Someone Else, Gunjah, Oliver Klein, H*O*S*H, Sebbo, Anderson Noise, Habersham, Emma Thompson, Markantonio and Jamie Stevens.

Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth's run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members' performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.

The album hosts a wonderful mix of tempos and styles, from Alex Malheiros' earth-shaking slap-bass on 'Dear Limmertz', which was to become a hit on London's underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami's genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece 'Un Amigo', while Ivan 'Mamao' Conti's signature swing on 'Maracana' exemplifies the root of Azymuth's 'samba doidoi' (crazy samba) philosophy.

The two cover versions on the album consist of the title track which was originally penned by Milton Nascimento and Chick Corea's '500 Miles High', both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording. This Far Out Recordings release is mixed and mastered from the original tapes and will be released on 180g vinyl and CD.

Stuttgart based producer Detmolt returns to Underyourskin Records for his second EP, 'Memories', on the label this year. The EP's name giving track is a downtempo synth led pleasant fellow accompanying its listener through the different seasons of the year that are reflected by the various changes of chords within the track that still manage to connected each change in harmony. 'Kaos' hits off strong with a lead synth that changes within the course of the track and is subbed by different chords in the treble and bass frequencies to spread its atmospheric soundscapes on all possible musical levels. The EP's last track comes from Feines Tier label-boss Philipp Fein who remixed 'Memories'.

Master Detroit’s Filthiest is back on House Of Underground records with a massive 4 tracks EP between House, fast groove and killer beats as always. A definitely needed record that will be available on September 4th.

Seven years after its inception, Eaux is proud to announce the first solo release by an artist other than Rrose. As a member of the Sandwell District collective, David Sumner aka Function was instrumental incultivating the Rrose project. After releasing the first three EPs and album by Rrose between 2012 and 2013, Sandwell District terminated their mission abruptly, prompting Rrose to start a new label (Eaux) for solo projects andcollaborations. This EP brings history full circle.



Following closely on the heels of Function's mammoth 3LP/17 track album "Existenz" for Tresor Records, this EP takes similar themes as a departure point, but moves into more mysterious, yet also heavily dancefloor-focused terrain. "Binaural" encapsulates the timeless essence of the Function sound with menacing bleeps, cavernous stabs, and a sense that it could go on forever without losing its grip on the listener. "Desire and Memory" is a broken beat track drenched in modulated drones that feels like an infinite spiral, moving simultaneously forward and backward in time. Function's early Sandwell District records defined the "hypnotic" techno sound that has influenced countless artists (including Rrose), and this release plants those roots in new, fertile ground.



Recorded at Inanimate Objects, Berlin

Mixed by Tobias Freund at Non-Standard Studios

Mastered by Beau at Ten Eight Seven

G Version III from Kyoto Japan arrives on Digital Sting via a correspondence going back a few years that grew out of mutual musical connections and a deep appreciation for the Jamaican soundsystem diaspora. G Version grew up with a love of Hip Hop, R&B, and Reggae and had a musical revelation at a Lake Biwako sound clash event as a teenager that was formative in spurring a deeper dive into Dancehall and soundsystem culture.

After some time spent studying in the UK and returning to Japan, working at Jet Set records along with meeting heavy weight producer Element the beginnings of her future musical output began to take shape. Downtime during the pandemic provided the time to concentrate on production. G Version's sound has a retro futuristic feel, equal parts Dancehall history and esoteric dub leanings, particularly in tune with the more experimental branches of 80's-90's UK Dub and Steppers. Influences being stated G Versions sound is thoroughly distinct and imaginative, not content to conform to any obvious genre tropes. Also included in this release are two dubs of G Version tracks by Digital Sting mainstays Feel Free Hi Fi.

G Version III- Scenery From Double Glazing DS008 Digital Sting Records

Lisbet Fritze and Louise Foo have shared artistic trajectories for half of their lives, having been two thirds of pop noir purveyors Giana Factory. As Glas, the duo reveals a patchwork of everyday observations rooted in significant life changes: moving countries, becoming a mother, keeping sane with and without a significant other. The music conveys a quest for balance, riding the line between doomy drama and playing it cool.

Their 10 song, self-produced debut, Kisses Like Feathers, will be released, worldwide in March 2023, through Hamburg’s hfn music. All lyrics, vocals and instruments were performed by Glas, and recorded in their studio. The album was mixed by Anders Trentemøller, with artwork by Brunswicker studio The Copenhagen-based duo have never been short on inspiration. Lisbet has lent her vocal and guitar talents to Trentemøller, in both the studio and on stage. Louise has explored immersive music with avant-pop project SØSTR, along with her sister, Sharin Foo of The Raveonettes. Lisbet’s other life involves architectural design. Louise works with sound installations in a visual arts context. The musical ideas of these two polymaths find coherence in the newly-formed Glas.

Kisses Like Feathers embody Nordic duality. Dark at times, it also presents with an open ethereality. Some songs feel tailor-made for a club’s sound system. Others lend themselves to intimate, headphone moments. While Lisbet and Louise’s harmonious vocal stack is the common thread throughout the album, the musical fabric is interlaced with acoustic, electric, and electronic instruments. Lo-fi piano and acoustic guitars share a reciprocal space with rich, synthetic orchestration. Galloping, modern rhythms and folk arrangements are often featured in the same song. These elements, and so many others, buttress the pair’s hymns.

Boris Bunnik/Versalife here with a new album from his Hexagon alias! Information Paradox is a fine dark and timeless IDM/Electro sounding album into Science Fiction territory

It’s coming out the third debut album of a vinyl series of a Spanish based label named Alma records.

Their last creation released only by vinyl is composed by four tracks, with 2 front side and two back side created by Isbel and Alffie including a remix produced by Nu Zau, one of leading producers and dj-s from Romania.

What’s The Secret Word Tonight has been the question of Summer 2019. As a four tracker, the EP has already gained vast support from Sven Vath who is set to include the Arian 911 Remix on Cocoons legendary compilation series, The Sound Of The 20th Season.This collection featuring Joe Metzenmacher, Arian 911, DJ Schwa and Filburt marks a fine return back from hiatus for the Heideton family.

METALLIC SILVER w. BLACK STREAKS VINYL

"Everything I Thought It Was" ist das mit Spannung erwartete neue Album des multitalentierten Entertainers, Künstlers, Produzenten, Songwriters und Schauspielers Justin Timberlake. Es ist Justins sechstes Studioalbum und enthält die erste Single "Selfish", ein von ansteckenden Melodien getragener Pop-Song mit der ikonischen, gefühlvollen Stimme des Stars.

Redrum Recordz and Fremdtunes present:
Maj Rachel - 'My Shadow Was a Nun'
With her debut "My Shadow Was a Nun", Maj Rachel creates anamalgam of soul, musique concrete, sound design experimentsand classical. She employs objects as percussion, fieldrecordings, piano, guitar, synths, violin and effects incompositions that are rich in color and contrast. Her music isabstract, paradoxical, full of emotion. At times, her voicesubmerges into a tumultuous sea of reverb and distortion, onlyto emerge in soft, bittersweet melodies. She sounds dark andeerie. She sounds romantic and whimsical. In short, it's apowerful debut album that engages the mind, heart, and gut.
This is what Maj herself says about "My Shadow Was a Nun":
"So sensitive yet so immune. Light beams shine through millionsof holes. The sun makes the black thick wall seem light grey.The light pulls apart to colors. Love feels painful yet beautiful.You are around even though you're not. A brain doesn't like tothink it's alone. Arranged sound into personal stories, all self-recorded. Because sound creates deep emotion."

repressed !

A blast from the past... One of the most iconic tracks from the Noir Music back-catalogue makes a remixed revival. 3 impressive remixes to spice up your dj sets. Victor Ruiz makes Bipolar Star a fantastic big room techno stomper with his signature sound and just the right amount of melody from the original to make it recognizable. Re:Axis almost makes the track unrecognicable with a more minimal techno approach. Something I am sure will please the forefront of the underground techno scene. Animal Picnic & Aaryon almost pays tribute to the original with their very cool update keeping a lot of the original feel but cleverly tweaked the elements to sound super fresh again. I believe there's a little something for everyone in this remix package which was the purpose behind doing it instead of a bunch of remixes sounding the same. I hope you like the new remixes and put 'Bipolar Star' right back into rotation.

The 3rd release from Detroit influenced Japanese Techno label SELECT KASHIWA. Derrick May's already played A1.Twilight and shadow. A2.Life sounds like mixture of Japanese game and animation music plus Detroit Techno. And anacatesthesia track B1.Walking on the cloud. All three tracks consist of Japanese sensitivity and Detroit style funkiness + soulful sound. This is more Classic Detroit than recent tracks from Detroit.

Repress

Now five releases deep, Ibiza based label More Than Music is absolutely on a roll with its releases. Since Cally’s bomb ‘Yes No, Maybe So’ back on MTMLTD001 last year, the label has proceeded to keep a consistent approach in providing the goods. It shows no signs of stopping any time soon and the latest release might just be the best yet.

Rowlanz & Miroloja have been invited to the forefront for MTMLTD005 with their Sunrise EP, a killer selection of three deeply euphoric yet energetic numbers.

Satori´s acclaimed Electronica album "In Between Worlds" gets the first bunch of Remixes by some great artists.

The dark beast descends on Deep Cover's enclave with a curious quartet of teutonic tweaks from the valley of the clueless. Scandinavian love on German waves of time. A Mediterranean salutation to a cruising Colombian."

The Ibiza based record store crew and label ‘MTM’ invited Romanian Suolo for their 7th release, featuring Herck on remix duties!

Limited copies, 180g, Vinyl only!

In an age of regressive politics and inward-looking neo-nationalism, there’s something gloriously open and outward-looking about the musical worldview of Rose Robinson. A keen traveller whose mindset and musical vision has been shaped by her experiences visiting different destinations around the globe, Robinson’s releases as Tigerbalm thrillingly combine her roots in dance music – Robinson has been DJing around her home city of London and much further afield for well over a decade – with rhythms, sounds and instrumentation inspired by all manner of indigenous musical cultures from around the world.

This trademark sound is sonically kaleidoscopic, unflinchingly percussive and undeniably infectious, though attempts to accurately describe it are likely doomed to failure. While confounding those employed to review music not Robinson’s aim – she was much more interested in fusing her eclectic global musical influences and showcasing great female vocalists – her brilliant debut album, International Love Affair, will surprise as much as it delights – and all for the right reasons.

It arrives on the back of a string of celebrated singles and was created with the help of a large archive of recordings of jam sessions with musician friends, and contributions from a talented pool of female singers Robinson has met on her travels around the world. It’s those travels that shaped the sound of International Love Affair, with every track being a personal response to the musical cultures of places she’s visited. Combine these vivid experiences with nods to dancefloor-focused styles she loves – think organic house, nu-disco, Afro-house, dub disco, Afro-disco and Brazilian club cuts – and you have a debut solo album that’s as imaginative and entertaining as they come.

Taken as a whole, International Love Affair more than lives up to the promise of its title, marking out Robinson as one of electronic music’s most inventive and on-point global fusionists.

An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.

The fourth Planet Tapes record has a very deep meaning for us to which we are emotionally linked.

It will belong to the hosts Two Opposites. "Astro Collector EP" can be interpreted as a mixture of raw and emotional sounds.

Let's try to go into details about each track.

Make Contact; sets the tone with its dark groovy lines and reverberated vocals that transport you to a world of pulsating energy and endless possibilities.

Reversal Motion; you hear deep synth bass melodies and infectious rhythm.

Starslalom; a fusion of classic electronic sounds and contemporary sensations that create an atmosphere of future nostalgia.

Mirror Dreams; you enter a world full of groove, harmony and caressed by a bleep synth with sparkling rhythm.

Siana Vision; the romantic note of this record which with its emotional sound will make you explore the boundaries of imagination.

The groovier side of Iron Curtain is uncovered by Funk Embassy Records via the 11-track LP, out on 12" vinyl and CD. Recorded between 1974-1988, the compilers have unearthed funk, disco, soul, jazz, instrumentals, library music and covers from the Estonian Radio archives. This is the sound of ESSR (Estonian Soviet Socialist Republic) as heard at music halls, radio, TV shows and cafeterias along with underground parties and semilegal jazz clubs.

The selection ranges from folk-funk, psychedelic soul, dancefloor certified disco, Isaac Hayes reminiscent blues-funk, contemplative jazz-funk, Piero Umiliani-esque library music, funk-rock, in-your-face b-boy break to a flute-led master piece by Uno Naissoo – one of the founders of the Estonian jazz scene who organized the notorious Tallinn Jazz Festivals (1949-1967).

Some of the tracks have never been heard outside their initial recording, like the unreleased instrumental versions by the Estonian TV and Radio Estrada Orchestra "Kesköösamba" (1977); and "Mälestuste Teel" (1974, trnl. "On The Road of Memories"); a cover of Carita Holmström, "Näed vaid oma silmi" with the former Soviet child star Tiiu Varik belting her unique-timbred guts out. Other tracks are local classics, that have seen the light of day before, be it cassettes, compilation CDs or repressed vinyls.

Inspired by the resurgence of the spirit of Funk around the globe, the compilers have taken the intention to give a taste of Estonian music of the bygone Soviet era, during which the government attempted to control the artists and music being made. Nevertheless, a lot of influences made it through, as ESSR was the westernmost country in the Soviet Union. Since 1970s, Estonia's been a surprisingly fruitful ground for funk, soul, disco and jazz music. Just as well, contemporary acts like Misha Panfilov Sound Combo, Lexsoul Dancemachine and Estrada Orchestra have been well received in Europe and US. Archive findings by Frotee Records (e.g. Velly Joonas - Stopp Seisku Aeg), Peoples Potential Unlimited (e.g. Uku Kuut and Maryn releases) and Hyper Records (Collage represess) have met excited feedback. This LP serves as a worthy addition to introduce the small country's musical legacy.












j 10. Välgud Peeglis (Short Version) feat. Vanemõde - Tarmo & Toomas Urb

London's Yecad Music debut their first release featuring 4 different artists bringing a professional, minimal masterclass to the table. Sepp, Vlad Arapasu, Swoy & Ted Amber team up on the buttons to ensure there is no silliness anywhere to be seen.

Groove Culture presents the first volume of the ‘Deep Into House’ series on their sub label Groove Culture Deep.

The EP starts with a Full Intention’s power-house mix of 'Can I (Show You Real Love)': the legendary UK duo providing a euphoric mix, harnessing a catchy groove and evocative pads, of the classic song written by Micky More & Andy Tee with Angela Johnson on vocals. 'Soul Heaven (Alright)’ takes the A2 spot, a deep-house single by Micky More & Andy Tee, sunset vibes with a seductively soulful vocal.

On the flip Micky More and Andy Tee’s mix of Right To Life - ‘Took My Love Away’ hits with those classic deep-house vibes coupling infectious synths chords and a powerful vocal line. The EP closes with another mix from the Groove Culture duo, this time putting their spin on Danny Losito & Kareem Shabazz’s ‘Spend Some Time’, a track characterized by warm spoken words and catchy backing vocals with beautiful deep chords synth.

Quality music as you’d expect from the Italian dream team.

Hidden gem from the early 90s Frankfurt electronic sound, checking all the boxes for shifting gears in any well lubricated dancefloor, female cyborg spoken word about something important in a k-hole, dramatic/dreamy pads, new beat like acidity nuances, driving percussive bass lines, hard one to go wrong with. Re-issued with two previously unreleased mixes from the artists.

Grand Canyon

the trip of a lifetime.

You're locked in beauty, the memories of the limestone, the secrets of the mountains.

When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;

but they suddenly disappear, like fantastical dreams, illusions, or mirages.

You become a traveller in the land of dreams and Fata Morgana.

It's a place, where only Silence speaks.

And it was this Silence that inspired me to compose
"Melancholy".

Zbigniew Preisner

The musical Oroza bloodline just seems to keep pumping soul music from Finland for the world to hear. Now it's time for Franka to step to the stage and she comes out from the gate swinging with a sublime beat ballad "Indecision". Backed by the faithful Timmion Records house band Cold Diamond & Mink, Franka's folk jazzy vocal stylings seep into fertile ground. Building from the intro drum roll to the rootsy organ-led groove Franka jumps on the beat with a Joni Mitchell twist and it's immediately apparent that we're in for a treat. The vocal glides effortlessly between firm and delicate tones, perfectly underlining the lyrical content. Franka takes her time in setting the scene, holding a veil before the fact that we're actually listening to a love song. If all you're looking for is good songwriting with a soulful backbeat, with Franka Oroza you'll get a unique voice to boot. This is another sure shot for all fans of independent downtempo soul from the Timmion stable.

Karate Boogaloo aus Melbourne, Australien präsentieren mit Stolz "Hold Your Horses", ihre fesselnde neue Langspielplatte mit originalen Instrumentalstücken. Henry Jenkins, Hudson Whitlock, Callum Riley und Darvid Thor sind das Herzstück von Melbournes aufkeimender Instrumental-Soul-Bewegung und machen seit ihrer Schulzeit gemeinsam Musik. Die vier Freunde lernten sich in der Highschool kennen und haben die großen Instrumental-Bands wie Booker T & The MG's und The Meters genau studiert. "Hold Your Horses" ist Karate Boogaloos eigene Interpretation von instrumentalem Funk. Eine echte Reise vom Anfang bis zum Ende, bei der jedes Stück nahtlos in das nächste übergeht und eine Welt mit kinematischen Momenten, skurrilen Melodien und unheimlichen Dissonanzen erschafft, und von unbestreitbarem Super Heavyfunk untermauert wird. Alle Songs für "Hold Your Horses" wurden gemeinsam im Studio geschrieben, ohne dass eines der Mitglieder vorgefertigtes Material einbrachte. Es ist ein Prozess, der speziell darauf ausgelegt ist, die Stärken der Band und ihre Beziehung zueinander zu maximieren. Um das Erlebnis noch zu verstärken, erzeugt das LP-Cover (entworfen von dem in Melbourne lebenden visuellen Künstler Drez) ein interaktives optisches Kunsterlebnis, wenn die Innenhülle aus dem Umschlag entfernt wird. Karate Boogaloo ist ein Quartett, das mehr ist als die Summe seiner Teile; und die Teile allein sind sehr, sehr gut.

Aus der Asche von Moss Icon schossen Universal Order of Armageddon in einem feurigen Strudel aus strafenden Riffs, synkopierten Breakbeats und furchterregenden Schreien hervor. Hier sind die kompletten Aufnahmen von Gravity, Vermin Scum und Kill Rock Stars versammelt, neu abgemischt und remastert von den Original-Session-Bändern. Doppel-LP in einem luxuriösen Klappcover mit einem dicken 24-seitigen Buch mit Fotos, Notizen und Ikonographie aus den Jahren 1993-'94. Armageddon IST jetzt.

-Entire album produced by HAVOC of Mobb Deep.

-Having a West Coast lyrical perspective by Ras Kass on this production is like having Kendrick Lamar on a QTip track.

-Features from Method Man, Twista, Philly Freeway, Fame (MOP) Kurupt (Dogg Pound) Raekwon the Chef, and more.

-Appearances by Sway, DJ Kid Capri, KD Aubert, Kxng Crooked, and other celebrity personalities.

GUTTR is not only a collective of respected legendary Hip Hop emcees and up and up-and-coming artists, but also a mindset. GUTTR is a collective, and in a sense, Rap’s first unionization. The entire project was produced by HAVOC from Mobb Deep and spearheaded by Executive Producer, Storm. This debut project is front-manned by West Coast renowned lyricist Ras Kass and Philly's newest buzz, R.J. Payne. The two share sharp bars along with a star studded list of stellar guest features. With HAVOC supplying the entire album's soundscape, the music is respectfully reminiscent of the classic Mobb Deep albums we all know and love. Having a West Coast lyrical perspective by Ras Kass on this production is like having Kendrick Lamar on a QTip track. This combination creates a sound that is different, unique, and magical.

To quote Ras Kass, "We all miss P(rodigy) and that classic Mobb Deep Energy, there is no replacing that or him, period! I did want to pay homage to them and channel that vibe. Havoc being on board to set the musical canvas on an entire album for brothers to paint these bars has been the opportunity of a lifetime."

Coming in hot with 11 tracks of straight up BARS, this album marks a once-in-a-lifetime collab that has been years in the works.

Limited edition tri-color splatter vinyl. The vinyl edition of Daedelus' new LP "Xenopocene" features a die cut cover title album text which allows the viewer to see the multi color swirling vinyl beneath. Xenopocene means Alien Age. Some have theorized our current is the Anthropocene; however in an era where artificially generated and deep faked, what is terrestrial in origin vs u.f.o.? Daedelus’ latest LP ‘Xenopocene’, inspired by their artist-in-residency with S.E.T.I. follows a timeline from an extraterrestrial first contact thru to 10k days hence and spiraling towards the nearest exoplanet 6,000+ years away. Attempting to parse out science informed fiction from the fact that in an unfathomable universe life exists outside our confines. Actually there are guidelines in place for receiving such a communication. In S.E.T.I.'s Protocols for an ETI Signal Detection (which first line reads "Declaration of Principles Concerning the Conduct of the Search for Extraterrestrial Intelligence...") well measured steps from such an awesome event could almost be read as unexceptional. Hyperbole has little place in the sciences whereas music makes the most from. Daedelus across 11 tracks deftly deals with space inspired sounds pulling equally from Gustav Holst and Sun Ra as Alice Deejay and Amon Tobin. No techno-optimism here, ultimately this is Earth music made to dream upwards. Asking us to reckon with our humanity while daring us to envision a new epoch. Interlaced throughout are quavering violins by Vivek Menon. Featuring words from the singular R.A.P. Ferreira on "Starfire" and extra instrumentation from Eli Henry Goss of the Breathing Effect in "Float

"Undici/Dodici" war das erste Lebenszeichen des italienischen Screamo-Outfits OJNE aus 2013. Das Line-Up hat sich geändert, mehrere EPs und eine komplette LP wurden veröffentlicht, viele Shows rund um den Globus wurden gespielt. Der klassische Sound des italienischen Screamo trifft auf die Strukturen des Post-Hardcore und die Atmosphäre des Post-Rock, in einem eindringlichen Konzept über Gewalt, Wachstum, Hoffnung und Rache.

Giant Sand sind das wichtigste Ventil für die stilistischen Biegungen und die sonnengeschädigte Songkunst des Singer-Songwriters Howe Gelb. In mehr als vier Jahrzehnten ist es ihm gelungen, Rock, Country, Blues, Punk, Garage, Lo-Fi, Jazz, Gospel, Avantgarde-Noise und Flamenco-Gypsy-Musik mit seinen impressionistischen Bildern und weitreichenden Beobachtungen der Welt neu zu erfinden. Genau 25 Jahre nach der Veröffentlichung von Giant Sands legendärem "Chore Of Enchantment", dem panoramischen Meisterwerk, das den Wendepunkt für die klassische Besetzung mit dem erfahrenen Songwriter Howe Gelb und den späteren Calexico-Mitgliedern Joey Burns und John Convertino aus dem Jahr 1999 darstellte, kehrt das Album nun zurück. The Chore Of Enchantment" ist ein Songbook mit Howe Gelbs besten Liedern, gefüllt mit verblüffenden Einzeilern, der üblichen schrägen Instrumentierung, Echofeldern und nebligen Horizonten. Die hochkarätige Produktion des legendären Jim Dickinson, des PJ Harvey-Vertrautem John Parish und des gefeierten Singer/Songwriters/Produzenten Kevin Salem ist eine Tour-de-Force von Gelb's einzigartigem Oeuvre. Diese Wiederveröffentlichung zeigt die eklektische und esoterische Karriere der Band und feiert ihre großartige, lange und kurvenreiche Karriere. Die 2xLP Deluxe-Wiederveröffentlichung enthält ein restauriertes Artwork und neu verfasste Liner Notes von Dave Henderson von MOJO. "A beautiful, emotionally complex album." The Quietus. Klassisch schwarzes Doppel-Vinyl, original Coverart, Linernotes & DLC

After the recent Experiments re-issue with 90's off-style unclassifiable tracks composed by the legendary Dub producer - The Disciples - Androo (NS Kroo) sets out to re-create and freely adapt this material. The fact that Sound Metaphors chose Androo to re-construct these works in to new material is not random. Androo has been producing Dub since he was a teenager but he quickly turned to all kinds of musical experiences, mixing styles and influences. Once past the intimidation of working with material from one of his favorite and revered producers, Androo tried to pay homage to the free spirit that this Disciples album contains. Between reference and irreverence, the album is woven with a playful, DIY, and also serious weave. As you listen, a sometimes very harmonious and controlled landscape takes shape, then suddenly steep slopes and raw ridges appear. Almost like an art of sound drawing. A line in permanent oscillation between supposedly antagonistic registers. Danceable pieces cut for dancefloor brush against strange, problematic, and voluntarily irrecoverable elements. Consensual pop chords rub shoulders with sizzling blurred contours and sounds that are sometimes too loud. 4/4 rhythms get jackhammered out of the tempo with opulent delay effects. The “Dubmix” is here, constantly at work. It is, above all, an art of the hands, fingers handling the console which from then on becomes an instrument in its own right - for Androo Dub is experimental music.

Straight from the stone head, 3hrvl and the spiral sorcerer of ozz speak to you, the chosen ones.

Aventura is an American bachata group that broke into the mainstream with their 2002 hit "Obsesión (featuring Judy Santos)". With a line-up comprising Romeo Santos, Lenny Santos, Henry Santos and Max Agende Santos, they are regarded as one of the most influential Latin groups of all time. They have sold out many arenas including the world famous Madison Square Garden. Aventura has been nominated for awards such as American Music Awards, the Latin Grammy Awards, Billboard Latin Music Awards, and Premio Lo Nuestro.

Live albums are often a ‘hit or miss’ affair but ‘Live Oblivion’ 1 & 2 buck that trend, Recorded across 2 nights in 1974 at the Hollywood venue The Whisky A Go Go. The group were finishing off a huge US tour that had roared down the east coast then across the Midwest and by the time they hit LA, as Brian recalls “we were all absolutely performing at our height. So I decided that I really needed to record the band live at that point”. Utilising the Wally Heider Mobile Truck, the scene was set for one of the greatest jazz-fusion live recordings to be made. The show opens with a hyper fast version of Beginning Again due to drummer Steve Ferrone being almost an hour late and running high on adrenaline, Brian remembers thinking “I don’t even know if I can play it that fast!” Fortunately, he and the Oblivion Express including stellar vocalist Alex Ligertwood rise to the challenge and the result is akin to some frenetic jazzy drum & bass but also pushes the group onto another level altogether for the rest of the show. Across both volumes there are no fillers and the highlights are many - Bumpin’ On Sunset, Freedom Jazz Dance, and Inner City Blues are all stunning, but especially the epic version of Maiden Voyage which Mos Def sampled on his 1997 'If You Can Huh! You Can Hear', and both DJ Mitsu in 2004 and 2017 Crimeapple both dipped into Live Oblivion to sample that fire for their own projects.

Brooklyn Sounds legendary 1971 debut album, full of heavy Nuyorican underground salsa dura propelled by raw trombones and in-your-face percussion, born of the barrio streets and the band’s Caribbean heritage.

Fully authorized by producer Bobby Marin, with liner notes detailing the Brooklyn Sounds story, featuring never-before seen photos and pressed on 180g vinyl.

repress ! Third WAX ISGUD release, Carlos Sanchez plus Janeret Remix. Vinyl Only

NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.

First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-Super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness. Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)"). Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future." The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice. The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc CD-R / 2019 Threshold Archives Copal CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From postindustrial to post-everything, theirs is an art untethered, in the wilds of its own design.

Feeling like the first shot of sunshine after a long winter, Cousin Kula sound instantly recognisable yet gloriously renewed on their second album "Vitamin D".

repressed !

Joy, Ease, Lightness is a 4 track EP aimed squarely at the dancefloor, but with a meditative awareness that reaches far beyond the club. Fans of Seven Davis Jr, Steve Spacek et al, watch out - there's a new man in Town: and he goes by the name of Dan Kye.Yet another stellar release from the Rhythm Section International Crew - undoubtedly the label to watch in 2016.

Ingredients:

1 x Middle aged Persian bloke
2 x Siamese Cats
1 x Buchla 200e
1 x Buchla Music Easel
1 x Global pandemic offering unlimited free time
3 x Other blokes with extreme patience to guide music to completion

Dennis Cruz delivers the landmark 300th release on Damian Lazarus’ iconic Crosstown Rebels imprint with ‘The Snake Charmer’ EP, featuring collaborations with Ian Ludvig and the label boss himself.

An artist at the height of his powers, arriving off the back of his busiest Ibiza season to date, it’s safe to say that Dennis Cruz is a man in extremely high demand within the global electronic landscape. Founder of his own labels MÜSE and CRZ, while featuring as a key member of the Solid Grooves Family, Cruz’s longstanding ties to Crosstown Rebels date back to his debut in 2018. Returning to the imprint following his excellent album ‘Roots’ in 2021, plus his recent contribution to the 20th Anniversary compilation with his remix of Pier Bucci’s ‘Hay Consuelo’, Cruz is back in emphatic fashion as he marks the 300th release in the label’s revered catalogue with his latest EP ‘The Snake Charmer’ - featuring two solo tracks alongside collaborations with fellow Crosstown signee Ian Ludvig and label founder Damian Lazarus himself.

A master of crafting rolling arrangements with subtle nuances that keep dancefloors locked in unison, the four tracks across the package see Cruz experiment even further as he showcases a global array of influences. Opening track ‘Snake Charmer’ welcomes a crisp organic percussion arrangement accented by eastern flutes through to snaking grooves and hooky female vocal samples throughout, while ‘Revolution’ welcomes an all-star cast as he links with Damian Lazarus for a heady, skippy slice of house merging hazy chords and bright stabs with vocals from contemporary Detroit nightlife icon and staple DJ Holographic.

On the flip, the Spaniard once again steps out solo and dives deep into a low-slung and playful groove on ‘Time Out’, introducing a wealth of vibrant vocals amongst blossoming melodies and soulful organ riffs, before closing the show as he joins Ian Ludvig to present an off-kilter, impactful and warping closer guided by provocative vocal snippets across ‘Pain Away’.

DJ Sy & Unknown made a few appearances on Hectic back in the day but this is their first outing, and they really brought their A game to this EP! Both tracks are sublime examples of the early hardcore sound and they still sound amazing today. Are You Ready has the summer of 1994 written all over it, like a snapshot of that time and place. Then the flip is just another slice of history. More emotional, more of a journey through sound, and proof that breakbeat hardcore was and remains a beautiful genre that is still beloved many so many.

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

Featuring 17 chart-topping hits from the legendary band Earth Wind & Fire, this album is a must for any collector. Earth Wind & Fire's Greatest Hits is perhaps the best collection for both beginners and lifelong fans of the band. Featuring all the hits of the 100 million selling band, this album is bursting with groovy, funky, and soulful music.

With certified classics such as "September", "Let's Groove", "Boogie Wonderland", "After The Love Has Gone", "Fantasy" & "Shining Star", this is a must for anyone with a turntable.

Greatest Hits is available as a limited edition of 3000 individually numbered copies on flaming coloured vinyl, housed in a gatefold sleeve.

Ed Nine returns to Chez Damier’s Inner Balance label with the third part in his The Journey series, as ever foregrounding the most classic of house sounds. Chicago from his head to his toes, Ed’s signature nods to the Windy City greats while pushing things forwards with fresh sound design and his innate musicality. From the bright and sunny melodies on ‘Nostalgia’ and ‘Time Will Tell’ to the driving bump and groove of ‘Not On The Radio’ and ‘There’s Always A Chance’, Ed establishes his credentials alongside the best of them.

VBX is back with a tracky three tracker, courtesy of long term crew affiliate Frank Haag. His "Raw and Saturated Blue EP", featuring the first outing with Rick Maia under their Anomal moniker, perfectly showcases Haag's artistic evolution of the past years. "A Dash of the Diabolical" feels like a masterclass in contemporary minimalism; heady modulating soundscapes and trippy percussive elements, revolving around a solid driving backbone, make "Dash" stand proud in all its hypnotic glory.

The flip kicks off with Anomal's "Silicon Ballet". Equally driving, as it is elegant. This one has dancefloor destroyer written all over. A secret weapon for Raresh, who has been championing it in almost every set during the past 6 months, now finally available for all to play and enjoy. Don't sleep!

Haag signs off with "The Journey to Where You Already Are". Cut from the same repetitive cloth as "Dash", but evoking a completely different set of emotions. The combination of haunting pad sounds and spoken words make "Journey" suitable for early morning after hour sessions, but also for stay at home contemplative listening while enjoying a good glass of wine.

An hommage to S1kronik...
May the Doom tears you...

respect

Glenn Echo and Daniel Meineck are back on Detroit label MotorCity Wine with their first new music in two years following their well-received Partly Cloudy album. What Happened to Yesterday? is, we are told, the first of two albums from the pair that will arrive several months apart. It finds the pair get super hazy and dubby, with psychedelic charm swirling around their absorbing grooves next to subtle cues taken from the diverse likes of DJ Premier and King Jammy.

There is a superb Moog-based cover of De La Soul's 'I Am I Be', Afro-Carribean disco in 'Dancehall of Grandeur' and epic jazz-rock on Volcano Sound' so dig in and prepare to be wowed.

This A-side cut is off of one of CVO's most coveted 12''s, a 1996 ultra rare BALANCE/PRESCRIPTION release fetching 0+ on the net. Tech'd out jazz in a way only GU can do! ''Inner Tech-no, a monster track from 2005, sees the flipside and is another prime example of why he's one of the best

While this may be the first release on Sheffield's Central Processing Unit from Global Goon, the one known to friends and family as Johnny Hawk brings a whole heap of experience to the Nanoclusters mini-LP.

Hawk started dropping Global Goon records on the legendary Rephlex Records back in the 1990s. The project's subsequent releases have taken in imprints as esteemed as WéMè and Balkan. Factor in a whole host of other aliases which have delivered missives via the likes of Planet Mu, and you know even before you press play on this witty, wily record that you're dealing with a master at work here.

The confidence with which Global Goon approaches Nanoclusters shines through in Hawk taking much of the mini-album at midtempo. Cuts like 'Khroxic Mould', 'Metallik' and 'Syntheseers' sound like Bochum Welt heading down a dark alleyway. The former in particular is a seasick lope, the tuned synths lurching around like sailors on deck in a storm as bass ebbs and flows underneath the mix.

The influence of Kraftwerk comes through prominently at times here, particularly in the way 'Calcula' and 'Digit Six' play pensive, slightly sombre synth chords off some simple but effective forward motion in the drum programming. That is not to say that Nanoclusters is not full of invention, though. None of the productions are overly flash, but this approach allows the little details to shine through more clearly, from cleverly panned hi-hats to hissing synth counter-melodies which flit in and out of the mix. Enthralling and packed full of ear candy, they're further evidence that Nanoclusters is the work of an expert craftsman.

While the pulse of Nanoclusters remains relatively steady throughout, it's still a rather lively record. Plenty of these tracks will get the dancefloor moving if deployed correctly - though whether they're heard at home or in the dance, it's the attention to detail which makes them stand out.

'Snapterisk' is as perfect an example of machine-funk as you're likely to find - the drum programming is razor-sharp but rubbery with bongos, the bass a lithe burble, and those wobbly stabs of keys that put a bit of wiggle in the beat? Delightful stuff. Elsewhere the ever-looping arpeggio of 'Metro Esc' has hints of Frankie Knuckles' house classic 'Your Love', though an array of interesting sonic nuggets - snippets of vocal, radar-like bloops, a gently insistent low-end pulse - soften the track's clubbier elements with a pillowy sheen. And Hawk throws us a curveball right at the end of Nanoclusters, tapping back into that old Rephlex sound for the fizzy, braindancing 'Metal Glass'.

Global Goon doesn't need to show off on Nanoclusters - from brilliantly slick machine-funk to Kraftwerkian reveries, the CPU debutant lets the music do the talking here. It makes for a confident and vivacious mini-LP, one which wears its expertise lightly.

RIYL: Cardopusher, Bochum Welt, Cygnus, D'Arcangelo

It’s been a minute, but Sneaker Social Club is gassed to facilitate the return of the mighty House Of Black Lanterns, locking in for the dankest 2-step flex in a sincere ode to pirate radio culture. Dylan Richards has always displayed an affinity for low-end pressure threaded through his versatile HOBL output on Houndstooth and his prior work as King Cannibal, but he’s never dialled in to UKG with this much focus before.

The A side comes on strong with ‘Back To Back Special’, a dark garage creeper with negative space so vast it becomes all consuming — all the better for the ample MC toasting and spring reverb FX splashes to ping out around the skeletal, hard-knocking swing and snarling bass. ‘Out To The Private Number’ maintains the theme, flipping soulful UKG tropes into an ice-cold update for these malevolent times.

On the flip, Richards pushes the formula further out with ‘Slew’, which deploys hardcore-minded bass hooks in a devilishly dissected rhythmic framework and amps up the yard intensity on the MC source material to create a deadly intersection of garage, rave and dancehall. ‘Summon Like’ dials up the eeriness and lets the growl of the bass take centre stage in a potent, unnervingly minimalist dance wrecker that simply confirms the crystal clear vision Richards is pursuing on this record.

It’s a devout love letter to the edgiest of garage’s golden era without being limited to a simple genre study. Instead, a broad church of soundsystem exaltation gets expressed through the Richards’ elevated production vocabulary, capturing the shockout, mind-blowing spirit of the most trailblazing plates when they first got dropped on an unsuspecting crowd.

"Pull The Rope", das neue Album von IBIBIO SOUND MACHINE, rückt die von Eno Williams und Max Grunhard geleitete Band in ein neues Licht. Die Hoffnung, die Freude und der Sexappeal ihrer Musik sind geblieben, aber die Verbindung, die sie mit ihrem hochgelobten Album "Electricity" (2022) herstellen wollen, hat den Schauplatz gewechselt, von der sonnigen Beschwingtheit eines sonnenbeschienenen Festivals zu einem schweißgetränkten, nächtelangen Tanzclub. Die Atmosphäre hat sich geändert, aber man hat immer noch die beste Zeit seines Lebens. Williams und Grunhard führen diese Veränderung auf die Zusammenarbeit mit dem in Sheffield ansässigen Produzenten Ross Orton (ARCTIC MONKEYS, M.I.A.) zurück, mit dem sie "Pull The Rope" innerhalb von zwei Wochen aufnahmen. Die Art und Weise, wie die beiden Songs schrieben, änderte sich erheblich - anstatt dass Eno die Texte zu der Musik schrieb, die Max und Co. beim Jammen kreierten, begann Orton damit, dass Eno und Max gemeinsam schrieben, bevor sie die Band hinzufügten. Mit weniger Zeit im Studio und einer neuen Art, über die Entstehung von Songs nachzudenken, gelang es dem Duo, Entscheidungen über den Sound von "Pull The Rope" schneller und instinktiv zu treffen als zuvor. Bei der Verschmelzung ihres Songwriting-Prozesses haben Grunhard und Williams das Kunststück vollbracht, IBIBIO SOUND MACHINE zu einer strafferen Band als je zuvor zu machen, die sich von ihrem Kern aus in einer Weise entwickelt, die die elektrisierende Gruppe von Musikern, mit denen sie spielen, hervorhebt. Anstatt mit der gesamten Band im Raum aufzunehmen, wurde "Pull The Rope" von Grunhard, Williams und Orton geformt, Elemente hinzugefügt und während des Prozesses endgültig gestaltet. Die Botschaft ihres fantastischen neuen Albums "Pull The Rope" ist Hoffnung in der Dunkelheit, Glückseligkeit trotz Tristesse. Wieder einmal sind IBIBIO SOUND MACHINE hier, um den Soundtrack für die beste Nacht deines Lebens und die bessere Welt zu liefern.

LAIR (pronounced "lah-eer," a local dialect for the Indonesian word of 'lahir', meaning 'birth' or, roughly 'being born') is a 6-piece psych-soul/funk outfit from Indonesia. In Ngélar - the sextet's sophomore LP - deeper social narratives and more intimate subject matters are more apparent. In which they speak a lot about 'tanah' or 'land/soil,' owing a lot to the fact that their hometown, Jatiwangi's history of being the country's largest producer of clay/terracotta-based products. The people in Jatiwangi's intertwining relationship with 'tanah' is simply unparalleled-even their instruments are mostly made of terracotta. From the reimagining of their hometown's past glories, LAIR, along with singer/songwriter Monica Hapsari (who co-wrote and co-composed three songs in the album) and Go Kurosawa (Kikagaku Moyo) helming the project as the producer, sings about the rituals and traditions of harvest, to sending off prayers towards their once-prospering land and the ruins of what was once a dense forest in Jatiwangi, which they are currently trying to reclaim while racing with the massive wave of industrialisation. It is a contextually-sorrowful album as much as it is a candid, cheery commemoration of the band members' everyday life in today's northern shores of Java, Indonesia. Ngélar is one of the words that might be able to describe the essence of LAIR as a group. The word itself can be traced back to the locals' culture of 'going around in celebration of something.' In their village, ngélar simply means a traveling performance, in which the performers would play music and go around the village, greeting the people around them as they move from place to place, or simply within their immediate surroundings, indicating that there is something nearby that is being celebrated. LAIR is simply in love with 'journey,' 'time,' and all of their interactions. Ngélar, for them, is a representation of their journey. How they go around, interacting and communicating, to celebrating and making sense of everything that is going on within and around them. For LAIR, Ngélar is a method, a creative process, and-as an album-a culmination of each of their journeys since the group's founding.

EXCLUSIVE LABEL: The Infamous Access Imprint is making the difference embracing the very unique Parisian Sound Athmosphere with a cultural and polymath approach. Starting with a Detroit Synth infectious loop, DEEP AGAIN, that has the perfect advanced structure to burn any dancelfoor, on the flip side, NMS, you will be hammered by the chirurgical balance between raw and atmospheric inside travel.

Repress!

40 year anniversary release of this in demand modern soul masterpiece. For their third vinyl outing, Selector Series dig into the Archives of New Jersey’s Debbie Records from 1981 to re-issue this storming boogie re interpretation of The Carpenters standard, which found itself a legion of fans in the UK thanks to Gary Dennis’s championing of it.

In a pre Discogs era, this record attracted a £400 price tag amongst serious collectors back in the late eighties, with the original pressings still going for £500+ even now. The album has been re issued by several different labels over the ensuing years, but this double header is being made available for Record Store Day on a seven inch format for the first time officially, featuring the original album sleeve artwork.

Still fresh from the release of KELDER EXTASE and their contribution to Sassy J’s excellent A SANCTUARY tape, Left Bank unexpectedly present their new album, SOUL DISCHARGED MAGNETIC TAPE. While the sonic trademarks of their earlier work are still present, SOUL DISCHARGED MAGNETIC TAPE showcases a raw and emotional side of the beatmaking duo:
“Musically, this tape is all about true soul music. The place where love and loss are just two sides to the same single. Distorted by low bit-rate samplers and bass heavy EQ’s, the forever classic lowrider oldies let all their dreams & deep feelings shine through (brightly…). Listen close: underneath all the hiss, pops & crackles, the analog tape also caught the brutally and painfully honest heart of the soul music (…by magnetic force!). Now we bring you the SOUL DISCHARGED MAGNETIC TAPE!”

Repress!

Made By Pete returns to Crosstown Rebels as he links up with Zoe Kypri for the anthemic ‘Horizon Red’ and features a brilliant remix courtesy of Damian Lazarus.

Born and raised in London, DJ and producer Made By Pete has flourished in recent years, making appearances around the globe from Set Underground (Tulum) and fabric (London) to Off Week (Barcelona) and beyond. Gaining plaudits from leading names in Damian Lazarus, Keinemusik and Pete Tong, to name just a few, the UK talent has crafted a string of stand-out releases via the likes of Flying Circus, RADIANT and Crosstown Rebels. Having first touched down on the imprint in 2018 alongside Jem Cooke for ‘So Long’, with two further appearances since, he opens the label’s 2023 schedule alongside R&B, jazz and Neo-soul singer/songwriter Zoe Kypri for the gripping sonics of ‘Horizon Red’.

A dynamic track guided by rich chords, rolling organic percussion and Kypri’s powerful yet graceful vocals, ‘Horizon Red’ is a euphoric and captivating journey balancing energetic builds with deeper moments, while Pete’s Dub strips things back as spiralling synths and hazy atmospheres take hold for a late-night trip. The B Side features a mesmerizing, awe-inspiring Remix courtesy of Crosstown Rebels Label Boss, Damian Lazarus.

The karaoke connoisseur, Luigi impersonator and all round good guy, Manuel Darquart has stepped up before and he’s stepping up again, this time with The Del Sol EP. Three down to business tracks with the perfect blend of Italo, Boogie and Deep House that will have you dreaming of a sunny coastline, Guayabera flapping in the breeze and an ice cold beer in your hand.

Rounding off the package is Oakland CA native, Space Ghost who stamps his distinct style on the EP with a beautiful slice of Dream House.

A welcome return to the label as WOLF hit their 71st release and enter fifteen years in the game.