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Cadaver - Hymns of Misanthropy
  • Maltreated Mind Makes Man Manic
  • Chained To His Fate
  • Nowhere To Hide
  • Sunset At Dawn
  • From The Past
  • Breaking Through
  • Misanthropic Anthem
  • Death Has To Wait
  • Through The Pain
  • Drowned In Dreams

CADAVER, one of Norway's first and most influential death metal bands, has carved a distinctive path through the annals of extreme music. Formed in 1988 in Fredrikstad by Anders Odden (guitar/vocals) and Ole Bjerkebakke (drums/vocals), the band emerged from the ashes of their earlier black metal project, Baphomet. Their vision blended thrash and death metal with progressive influences from bands like Voivod and the chaotic insanity of Napalm Death, forging a sound that defied conventions. In 2024, Anders Odden delved deep into CADAVER 's history, unearthing unreleased material that offers a fascinating glimpse into the band's formative years. Before signing with Earache Records in 1992, CADAVER had worked on what would eventually become their second album, ...In Pains. During this period, they recorded raw and unpolished versions of many tracks in the same studio where Hallucinating Anxiety was born. These early recordings featured working titles that were later changed, and among them was a song titled "Maltreated Mind Makes Man Manic," which was never completed at the time. Anders revisited these hidden gems at Studio Tomb, located in Råde, Norway—the very place where CADAVER was first formed. With the old lineup reunited for this session, they finished the additional recordings necessary to bring their original vision to life. The result is Hymns of Misanthropy, a newly completed album from 1991 that will finally see the light of day through Listenable Records in April 2025. This release showcases CADAVER's unique approach to extreme music and highlights their previously underappreciated influence on the early Norwegian black metal scene. With Hymns of Misanthropy, listeners can experience a raw and powerful chapter of CADAVER's history, demonstrating once again that they were never just a typical death metal band. Instead, they remain an ever-evolving force that consistently pushes the envelope of what extreme music can achieve.

pre-order now09.05.2025

expected to be published on 09.05.2025

26,68 €
THE BODY & DIS FIG - ORCHARDS OF A FUTILE HEAVEN

The Body & Dis Fig are a natural pair. Each has pioneered instantly recognizable worlds of sound all their own that defy any traditional categorizations or boundaries. The Body, Lee Buford and Chip King, continually challenge any conventional conception of metal, collaborating with myriad artists and from the folk-leanings of their work with BIG|BRAVE to their groundbreaking work with the Assembly of Light Choir to the intensity of their collaborations with OAA or Thou. Dis Fig, aka Felicia Chen, pushes electronic music into dark extremes, from warped DJ sets to, avant production. From being a member of Tianzhuo Chen"s performance-art series TRANCE, to being the vocalist with The Bug. The Body and Dis Fig find kinship in reimagining what it means to make "heavy music". Their debut Orchards of a Futile Heaven is the perfect synthesis of two forces, twisting melodicism and intoxicating rhythms, layering a dense miasma of distortion with intense beats, and a soaring voice clawing its way towards absolution. Orchards of a Futile Heaven affirms The Body & Dis Fig"s distinct and unified tastes as skilled sound sculptors who have an exceptional ability to make deeply affecting music, bracing as it is touching, harrowing as it is awe-inspiring. Together, the three have harnessed their expansive artistry to make music that is profoundly emotional, and staggering in its beauty.

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Last In: 17 months ago
29,62 €
Various - traversée 04 - moving silhouettes

traverse is proud to announce the release of its first record - a compilation of six tracks from various artists, inspired by Pembroke King’s poem moving silhouettes, written for this occasion.

As the fourth volume of the compilation series “traversée”, moving silhouettes encourages artists to explore all corners of listening music and creative avenues that aren’t tied to any one convention.

Pembroke King’s poem sheds light on the mood of the compilation, and even though each artist brings its own interpretation of it, there is a beautiful harmony of it all - from Kate Miller’s atmospheric sounds to Teqmun’s drums-made-of-rain-drop-recordings or Ghjuliú’s nostalgic melodies, the listener travels around Pembroke’s words with each track.

As our first physical release, we feel honoured to collaborate with artists who have been involved in a way or another on traverse before such as Officium, Mika Oki and Alohn, but Kate Miller, Teqmun, and Ghjuliú, that we’ve been keeping close to our heart for a long time already.

Credits:
artwork: Gabriel Sauvageot
tracks produced and mixed by (in order of appearance): Alexis Tytelman, Tijmen Blokzijl, Alban Mercier and Yolek, Kate Miller, Ghjuliú, Mika Oki
mastered & cut: Marco Pellegrini at Analogcut
digital master: Umvral
distribution: Kuroneko

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Last In: 15 months ago
18,45 €
Buenoventura - Gelb (Vinyl Postcard )
  • A1: Saft 02:55

Vinylpostcard

Buenoventura is the alter ego of the Viennese musician Bernhard Hammer (Elektro Guzzi, Monochord, Maraskino), with whom he implements his musical ideas as a solo artist.
The fictional character Buenoventura is an ex-sailor* born in the Bahamas, punk, raver and music lover who performs in a colorful one-man show. As Buenoventura, Bernhard Hammer can switch between genres with ease and intuitively let his ideas run free.
Bernhard Hammer has found a companion in Buenoventura with whom he can break through stylistic conventions and redefine genre boundaries for himself.
Saft is a foretaste of Buenoventura´s debut album Gelb. He chose the electric guitar as the central means of expression and used it to combine abstract sound patterns, hypnotic guitar melodies, with repetitive (poly)rhythms. The music is organic, minimalist and ritualistic.

pre-order now02.05.2025

expected to be published on 02.05.2025

17,61 €
Miles Davis - Bitches Brew LP 2x12"
  • Pharaoh's Dance
  • Bitches Brew
  • Spanish Key
  • John McLaughlin
  • Miles Runs the Voodoo Down
  • Sanctuary

Listen to This.” As the original working title for Bitches Brew, the instruction and invitation remains to this day as the best way to approach a record that shattered conventions, altered music history, and, 55 years later, still sounds far ahead of its time. The template for jazz fusion, Bitches Brew is rightly ranked by virtually every significant outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity’s UltraDisc One-Step 180g 33RPM 2LP vinyl set.

Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing in California, this definitive-sounding 55th anniversary reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, separation between instruments, and an extremely broad dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing in California, this definitive-sounding 55th anniversary reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, separation between instruments, and an extremely broad dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Davis conceived Bitches Brew by having the musicians stand in a semi-circle. There, he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Benefitting from the ultra-low noise floor and superb groove definition of this pressing, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint canvases laden with millions of colors and shades. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.

Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew set call attention to such matters. Housed in a deluxe slipcase, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. It is made for discerning listeners who desire to fully immerse themselves in everything surrounding the album, from the images to the tones. And this is one effort where every last detail matters.

Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to “put together the greatest rock and roll band you ever heard.” Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that makes rhythms a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories. At once hypnotizing and grooving, they chart maverick adventures via quixotic rock, funk, and R&B elements.

A without-a-net experiment involving interchangeable double-quintet lineups, Bitches Brew explores the previously unimaginable with electrified instruments — Fender Rhodes piano, processed trumpet, dissonant guitars, and bass among them — and an emphasis on feeling over composition. Mesmerizing and soothing, jarring and smooth, overt and subtle: The music seemingly covers an entire map of emotions and sensations, and like no record before, ties together the groundbreaking creativity of the multiple disciplines that were changing popular culture at the end of the 1960s and dawn of a new decade.

Conceptually, Davis described Bitches Brew as “a novel without words” and “an incredible journey of pain, joy, sorrow, hate, passion, and love.” The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of the watershed effort lies in how it resists definitive interpretation and encourages free thought — the very principles Davis used to conceive Bitches Brew.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab’s UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called “converts”) are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

pre-order now30.04.2025

expected to be published on 30.04.2025

193,24 €
ESKA - The Ordinary Life of A Magic Woman LP
  • 1: Down Here
  • 2: Daddy Long Legs
  • 3: Wake Me Up
  • 4: Magic Woman
  • 5: All The Way Down
  • 6: Klofrezaf
  • 7: Only Human
  • 8: Catfish Blues
  • 9: Snoozing Friends
  • 10: The Edge
  • 11: Fazerfolk
  • 12: Touch
  • 13: Muzak
also available

Black[34,66 €]


Blurring the lines between the mundane and the mystical, ESKA’s latest album, ‘The Ordinary Life of a Magic Woman’, is a profound exploration of motherhood, artistry, and the delicate dance between daily rhythms and creative transcendence. For ESKA, these aren’t opposing forces—they’re inseparable threads in a richly woven life.

“It’s the sound of a first-generation, middle-aged African British woman living in post-everything Southeast London,” ESKA reflects.

After two decades of trailblazing collaborations with world-renowned artists – Moses Sumney, Grace Jones, Radiohead and Baxter Dury, to name a few - along with various accolades - including a Mercury Prize Nomination, ESKA’s new album stands as her most personal and compelling work yet. A self-directed journey, it sees her embracing her ultimate creative partner: herself.

Rooted in her eclectic musical upbringing, ESKA pulls inspiration from the sounds and influences that have defined her journey, breaking free of conventional boundaries. The result is a body of work that defies easy categorisation—bold, dynamic, and unmistakably hers.

pre-order now25.04.2025

expected to be published on 25.04.2025

29,83 €
ESKA - The Ordinary Life of A Magic Woman LP

Blurring the lines between the mundane and the mystical, ESKA’s latest album, ‘The Ordinary Life of a Magic Woman’, is a profound exploration of motherhood, artistry, and the delicate dance between daily rhythms and creative transcendence. For ESKA, these aren’t opposing forces—they’re inseparable threads in a richly woven life.

“It’s the sound of a first-generation, middle-aged African British woman living in post-everything Southeast London,” ESKA reflects.

After two decades of trailblazing collaborations with world-renowned artists – Moses Sumney, Grace Jones, Radiohead and Baxter Dury, to name a few - along with various accolades - including a Mercury Prize Nomination, ESKA’s new album stands as her most personal and compelling work yet. A self-directed journey, it sees her embracing her ultimate creative partner: herself.

Rooted in her eclectic musical upbringing, ESKA pulls inspiration from the sounds and influences that have defined her journey, breaking free of conventional boundaries. The result is a body of work that defies easy categorisation—bold, dynamic, and unmistakably hers.

pre-order now25.04.2025

expected to be published on 25.04.2025

34,66 €
SUMAC & MOOR MOTHER - THE FILM LP 2x12"

What happens when you combine SUMAC: a band that uses the volume, distortion, and guitar-centric approach of metal to make music that has the malleability of jazz and textural exploration of noise with Moor Mother: a poet and sound artist that has deconstructed hip hop to a point where it"s less about rhyme and rhythm (though obviously both are present in her work) and more about oratorical cadence and power.

The Film is an album that takes attributes of both artists" work and finds common ground in shifting musical patterns, and expressive force. The record is a musical thumbing of their noses at the more traditional approaches of their respective fields, an innovative, powerhouse of an album. The Film"s moniker speaks to the fact that it is conceived and delivered as a complete album, a full story or narrative. Moor Mother puts it best: "The idea is to create a moment outside of the convention. This is a work of art.

Thinking about the work as a Film, instead of an album or a collection of songs. This task is impossible in an industry that wants to force everything into a box of consumption. You won"t understand or get the full picture until the artwork is completed. This work is developing and is requesting more agency within the creative process." The Film is just such a work, a nebulitic collaboration between SUMAC and Moor Mother.

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Last In: 17 months ago
31,72 €
Annea Lockwood - On Fractured Ground / Skin Resonance LP

Legendary New Zealand-born experimental composer and sound art pioneer Annea Lockwood returns to Black Truffle with On Fractured Ground / Skin Resonance, her third release for the label. Having recently celebrated her 85th birthday, Lockwood shows no sign of slowing down in her exploration of new sound sources and collaborations with an ever-growing intergenerational pool of performers – here with Vanessa Tomlinson. Her creative vibrancy is alive as ever on the two recent works presented here, which demonstrate both her engagement with the social dimensions of sound and the deeply reflective, meditative aspect of her art.

On Fractured Ground derives from material recorded with Pedro Rebelo and Georgios Varoutsos for the soundtrack of Maria Fusco and Margaret Salmon’s opera-film, History of the Present (2023). Working together in Belfast, Lockwood, Rebelo and Varoutsos made extensive recordings of the city’s ‘peace lines’, the dozens of walls erected since the beginning of the Troubles in the late 1960s to separate Catholic and Protestant areas of the city. Struck by the immensity of these barriers, ‘the brutal way they sever neighbourhoods’, Lockwood and her collaborators focused not on the sound environment of the city, but on the walls themselves, playing them as gigantic resonant instruments, using their hands and objects such as stones and leaves. Continuing to work in her studio with the material collected for the soundtrack after its completion, Lockwood composed the work presented here, occupying a space somewhere between her own extended-technique percussion music and the Cagean tradition of hyper-amplified small sounds. From deep, gong-like metallic tolling to dry scrapes and uneasy groans, the piece’s sustained attention to single sounds derived from unorthodox sources draws a line all the way back to Lockwood’s classic Glass World (1967-1970). Its spaciousness and delicacy are at odds with the dark historical background of the Troubles, creating a moving listening experience somehow haunted by the shadow of violence and conflict.

Skin Resonance is a collaboration with Australian composer and percussionist Vanessa Tomlinson. Developed through conversations in which the two discussed the idea of ‘sonic attraction’, the piece focuses on Tomlinson’s relationship to the bass drum, reflecting on the complex web of connections embodied in this seemingly simply instrument, which is at once ‘animal, wood, and metal’. Approaching the instrument in a suitably elemental fashion, Tomlinson’s performance strips away conventional technique to explore the resonance and timbral properties of skin, drum, and metal hardware, producing overlapping waves of texture that at times seem closer to wind swishing through leaves or the ocean than anything usually associated with a drum. Emphasising the symbiotic relationship between performer and instrument, Tomlinson’s voice is heard at times, exploring the field of associations and connections the bass drum suggests to her: ‘Maybe the bass drum skin is an ear as well?’

Accompanied by insightful liner notes on both pieces and photographs documenting the recording of On Fractured Ground and a performance of Skin Resonance, this LP is a moving testament to the engagement, generosity, and openness that sustain Annea Lockwood’s work, still finding new directions after more than fifty years of activity.

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Last In: 17 months ago
23,49 €
RICK 8 - Interactive DJ'ng

Rick 8 is Riccardo Falsini who, along with his brother Franco, ran the legendary label Italian label Interactive Test. This was a label that was instrumental in shaping the template of Trance, Techno and Progressive House as we understand it today whilst pushing it into new and unexplored realms. As a result, the Interactive Test banner serves as a mark of quality and, as can be heard in this early release from the label, was a vehicle for releasing music that serves as powerful club tools that also defy any standard and limiting sub-generic convention. These tracks will lead to transcendental dancefloor rites for spiritual growth and abundance with sonics beaming in through cyberspace. Sound Metaphors alumni Trent joins for remix of ‘C’Mon’ - what results is a progressive, powder keg and is a welcome addition to the package!

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Last In: 65 days ago
17,02 €
Bear Hands - Burning Bush Supper Club
  • 1: Crime Pays
  • 2: Belongings
  • 3: What A Drag
  • 4: High Society
  • 5: Tablasaurus
  • 6: Julien
  • 7: Wicksey Boxing
  • 8: Blood And Treasur
  • 9: Can't Stick Em
  • 10: Camel Convention
  • 11: Tall Trees

Burning Bush Supper Club is the debut album by experimental rock outfit Bear Hands.

pre-order now18.04.2025

expected to be published on 18.04.2025

19,75 €
Emily Jeanne - Call Of The Sea

Emily Jeanne

Call Of The Sea

12inchQYN001
quỳnh
17.04.2025

Emily Jeanne presents quỳnh, her new label founded on psychedelic club music expressions. Call Of The Sea is the debut, 4 tracks unfurling experimental dancefloor movements of half step hypnosis and deep percussive explorations.

Loosely nicknamed “queen of the night” in Vietnamese, quỳnh thrives as a nocturnal flower. It serves as a light-hearted metaphor for Emily Jeanne and her authentic approach to late-night electronic music. Previous releases for PM+ explored devious peak time sounds, but her new label quỳnh launches with a fresh look. Its inaugural release Call Of The Sea showcases an adventurous new side to Emily, away from convention into something more ambitious and excitingly new.

Opener Wet Skin rumbles deep and quick with hypnotic fervour, plummeting kicks into its stark rotating abyss. Rolling taut, Count Me Out steps further with minimal guise as it moves sprightly on its reduced DnB dynamics. Đồ Sơn At Night unfurls differently, a change of pace where percussion and gurgling synths drift loosely down the track’s hallucinatory stream. Gone Water flexes stranger, its martillo polyrhythm transfixed heavily on the psychedelic chamber it inhabits. A fascinating first entry into the quỳnh canon from an artist in her finest form.

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Last In: 8 months ago
14,50 €
DJ Narciso - Diferenciado

Dj Narciso

Diferenciado

12inchP056LP
Príncipe
11.04.2025

Narciso has been running parallel to most of his contemporaries, staying close to the main lane but researching in his own distinctive way. He takes pride in "being free from limitations and conventions. To me, music doesn't follow fixed rules; it is a field for experimentation, where any sound can be transformed into something pleasing to the ear". Depending on what one considers "pleasing", this is a pretty challenging set of tracks. The artist never loses the balance, though, mindful of a certain "dance" context in which this music thrives, but it is also that same context that is being constantly twisted and reshaped into other forms. Some of those provide fresh ground for others to follow; some are of such individuality that no one else dares disturbance; some quickly return to a safer way of communication.

"Diferenciado" does communicate, but like words can be changed to sound different and still mean the same, such are music and sound with Narciso. It's not about alienation of the listener nor alienation of the self from the surrounding areas. "I believe music is present in everything around us." And if anyone can say her/his/their music "reflects vision, experience and perception", you know the end result is not often surprising or even that different from previous examples. Well, we stand by "Diferenciado" in its obvious distinctiveness, and if all the blurb so far may read like a nervous justification it's just because of the excitement in helping put this out into the world.

As a founding element of RS Produções, where Nuno Beats, DJ Lima, DJ Nulo and Farucox are also found, Narciso has been contributing to a spiritual and creative atmosphere that permeates the environs of Lisbon where that golden, inspired air has to fight for space with many kinds of instability. The beauty and drama of opening tracks "Ziu Ziu" and "Cabelinho" (this one with mate Farucox) should be able to touch any sensitive soul that appreciates the quirkiness often attached to pure expression. As in "Pipipi" too, for example, where melody and rhythm gently and moodily lead you into a brief but sudden interruption feeling like a change into another state of being. Do not shy away. Narciso steps up as himself, not as representative of whatever or whoever.

pre-order now11.04.2025

expected to be published on 11.04.2025

25,17 €
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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Last In: 6 months ago
40,76 €
Mark Holub / Johanna Pärli / Sofía Salvo - NERR - Filling Open Spaces

This is a recorded document performed by Mark Holub, Johanna Pärli and Sofía Salvo.

As a trio, they had not met until sound-checking for their gig at Berlin’s Cashmere Radio on September 1, 2023 — a fact that may be concealed by their immediate understanding as a musical entity but is obvious by their artistic freedom and curiosity towards each hoc encounters, flexible and steadfast in its performance, and that culminated in an experience that shook the floor of the radio station’s headquarters.

The day after, Sofía, Johanna and Mark gathered in Adam Asnan’s studio and deepened their quest for a communal language. They ignored any musical fetters or conventions, enjoyed the possibilities of a wider time frame without a live audience — and exceeded all hopes of what three personalities can achieve when they are given the space and time to experiment, detached from any restrictions.

Mark Holub is a drummer of outstanding versatility and responsiveness, full of ideas and quick on his feet. Through his playing as well as his experience as a band-leader and composer he is able to steer this coequal group towards thundering crescendo, but sits equally comfortable in the centre of complex and fine rhythm probing in response to impulses thrown in by his companions.

Johanna Pärli makes use of her double bass’s entire body, extracting an armada of multi- layered sounds with an immensely high sonic spectrum that is also reflected in the diversity of her musical projects. She is both patient and wildly adventurous in her performance, and in this trio her contribution wanders from considerate bow work to brisk fingerpicking, gnarly string strikes and pedal use to startling effects.

Sofía Salvo unleashes the full unbounded potential of her voice by taking advantage of her baritone saxophone’s broad range of possibilities. She is one of Berlin’s most singular musicians and her widely proven capabilities cover gentle additions to support and underline pulsive interplay just as masterfully as rapid licks and roaring bursts of noise, spurring the collective to unpredictable intensity.

If music of this particular kind often gives the impression of a constant search, this international trio certainly managed to find common ground and capture a special moment in time for listeners to (re-)discover. Contrary to what frequent misconception sometimes suggests, it’s also tremendous fun.

NERR — Filling Open Spaces was instantly composed and performed live in studio by Mark Holub on drums, Johanna Pärli on double bass and Sofía Salvo on baritone saxophone, recorded in Berlin on September 2, 2023 and mixed by Adam Asnan. Mastered and cut by Rashad Becker, vinyl pressed at Pallas. Artwork and design by Stefan Lingg, produced by Christoph Berg and Stefan Lingg.

pre-order now04.04.2025

expected to be published on 04.04.2025

25,42 €
One Leg One Eye - ...And Take The Black Worm With Me LP
  • Glistening
  • She Emerges
  • Bold and Undaunted Youth
  • I’d Rather Be Tending My Sheep
  • The Fancy Cannot Cheat So Well
  • Only the Diceys

As a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. Forging a musical path that is all at once dark, mysterious and foreboding, but ultimately transcendental. His new solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk. The project was born across 2021, a period in which Lynch was able to enjoy the freedom of experimenting and exploring different paths of sound design without expectation or pressure. Seeking out interesting settings to record music and gather field recordings, there are several environments, external and interior, whose respective essence have seeped into the spirit of the music and come to represent Lynch’s artistic approach and development with this singular debut album, …And Take The Black Worm With Me. Rediscovered spaces in Dublin and the familiar enclave of his bedroom are intrinsic to the distinct and sometimes harrowing atmosphere conjured throughout the album’s five enveloping compositions. One particular location, an abandoned factory where his father worked when Ian was a child, provided a space of great inspiration and intrigue during this time. Lynch frequently visited the large abandoned warehouse and sang with his shruti box, contented in his solitude. ‘I’d Rather Be Tending My Sheep’, grew into existence from those initial sessions, eventually finding a home as an emotive centrepiece to the album. Reflecting on the overall recording of …And Take The Black Worm With Me, Lynch says, “Everything I was doing with these songs was all kind of new to me; experimenting with different sounds, textures and palettes and seeing what I could come up with by piecing it all together. I spent about a year making the album. I loved the whole process because it was basically just me in my bedroom recording everything. The experience of recording like this and having my own time to do it was amazing. I could focus on recording a specific element and happily spend all day working on that one part, doing it as many times as I wanted. At the end of the day if it didn’t feel right, I could just try it again the next day. When you’re on your own you can spend as much time as you want on particular parts until you feel that it’s absolutely perfect. I found that to be a really liberating experience. It was probably my favourite experience recording music.” The collection of songs (and their chronology) featured on …And Take The Black Worm With Me tell a story unique to Lynch’s experiences with anxiety and recognising his shadow self. Whilst the album became an outlet of personal expression for Lynch, the overarching themes and subsequent journey to confront one’s internal dichotomy of light and dark before accepting this inherent duality is universally shared. The eerie and often unsettling world contained within the album’s texturally dense opener ‘Glistening, She Emerges’, driven by the captivating drone of distorted uilleann pipes, immediately immerses the listener in this transportive work. It descends with a great heaviness, yet woven throughout the arrangement is a fascinating and indescribable entity that draws you further into this otherworldly dimension. This mood continues as the tracklist progresses and transitions into Lynch’s haunting realisation of ‘Bold and Undaunted Youth’ which further demonstrates a cinematic influence to Lynch’s compositional style. Sonically, Lynch effectively builds an impressively vast terrain with brilliantly murky lo-fi recording techniques and an unshakable curiosity to move beyond conventional structures and play with the timbre of the instruments available to him. From recording hurdy-gurdy or concertina to tape and experimenting with loops and effects pedals to stitching field recordings together, there’s an intimacy established between Lynch and his audience established through the simultaneously eerie and beautiful tones courting through …And Take The Black Worm With Me. This culminates in ‘Only the Diceys’, the extraordinary closing track in which we reach a place of resolution mapped into the album’s narrative structure. Mixed by longtime collaborator John ‘Spud’ Murphy in his Dublin-based Guerrilla Sounds Studio and mastered by Harvey Birrell …And Take The Black Worm With Me features contributions from Ruth Clinton (Landless) on church organ and vocals by Laurie Shanaman (Ails, Ludicra). Of Shanaman’s participation, in particular, which further illustrates the lo-fi and DIY ethos to the recording, Lynch says, “Laurie is my favourite black metal vocalist of all time and so I reached out to her hoping to have her involved in some way. She did, and she features on the opening track by providing some incredible screams. She recorded them into her phone and sent them over to me; what appears on the album is literally a phone recording of her screaming in her kitchen!” …And Take The Black Worm With Me continues Ian Lynch’s groundbreaking work with Lankum; recontextualising traditional forms and generating new spheres of music in his wake, confirming his status as one of the most interesting and innovative artists working in Ireland today.

pre-order now28.03.2025

expected to be published on 28.03.2025

29,62 €
Basic Rhythm & Tim Reaper - FR019

I talk quite regularly with Basic Rhythm about all sorts of topics and he regularly sends me music that he's working on, of varying styles and sounds. When he sent me Gargantua last year, there was something about it where even though it wasn't very sonically similar to a lot of the other music I've put out on Future Retro London, there was something about that piqued my interest. I played it out a few times and noticed that there was an energy to it that I enjoyed and I eventually got over my hesitations and signed it for the label. I also did my own remix of Gargantua to try out a few ideas I had for how it could sound a bit different but still maintain the spirit of the original.

Selectors Convention was initially made for a forthcoming joint label project (which is to come hopefully next year, fingers crossed) but was better suited for coming out on a release with Gargantua, as I thought it was similar in the hard edge dancefloor approach that is embodied in Gargantua. I also did a VIP of Selectors Convention, based off wanting a special version of it to play at a Future Retro London event.

Thanks to Basic Rhythm for Gargantua (and letting me remix it) as well as supplying the source images for the artwork.

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Last In: 18 months ago
17,23 €
Arthur Verocai - Encore

Arthur Verocai

Encore

12inchFARO122LPX
FAR OUT RECORDINGS
14.03.2025

*Repress*

180gr) 10 YEARS ON, ARTHUR VEROCAI'S ENCORE GETS A VINYL RELEASE. The highly anticipated follow up to Arthur's eponymous debut album from 1972, Encore saw Arthur joining the dots over 35 years to createa modern classic of Brazilian music that, like his debut, combined Brazilian influences with his take on American soul and cinematic experimentation, and shows Arthur's sound is as poignant now as it ever was.
To celebrate the album's 10th anniversary, Far Out Recordings announces the first ever vinyl edition of Arthur Verocai's 2007 masterpiece Encore. Remastered from the original tapes, Encore features 11 original compositions from Arthur with guest musicians including Azymuth, Ivan Lins and a nine-piece string section. The highly anticipated follow up to Arthur's eponymous debut album from 1972, Encore saw Arthur joining the dots over 35 years to create a modern classic of Brazilian music that, like his debut, combined Brazilian influences with his take on American soul and cinematic experimentation, and shows Arthur's sound is as poignant now as it ever was.

In the mid-2000's, following on from Marcos Valle, Joyce and of course Azymuth, Arthur Verocai joined the long-line of Brazilian musicians whose music was to be introduced to a whole new legion of fans by Far Out. The story of 'Encore' of course begins with Joe Davis, Far Out's head honcho who stumbled upon Arthur's debut in a dusty record store in downtown Rio in the late 80s. At the time of its release in 1972 critics panned Arthur's debut and both the album and artist subsequently vanished into obscurity. Fast forward to winter 2004 and Joe's at the studio of Far Out Recording artists Harmonic 313 - aka production duo Mark 'Troubleman' Pritchard and Dave Brinkworth - playing them some of his favourite Brazilian albums. Dave recalls the moment Joe put on Arthur's debut, 'As soon as the needle hit the record and we heard the fantastic arrangements, songs and sounds, Arthur completely blew our minds'.

Three months later and Dave was in Brazil with Arthur Verocai, and the plans for what was to become 'Encore' were being laid down. Produced by Dave, 'Encore' sees Arthur on incredible form, the 35 plus years between the recording of his debut and this the follow-up just melting away as Arthur picked up the (conductor's) baton once again to create 11 epic tracks of stirring samba-soul and experimental cinematic movements that sees him creating a record to rival his debut.


Born in Rio de Janeiro on 17 June 1945, Arthur Verocai began his professional music career in 1969 and over the next few years he was responsible for the orchestration of albums by Ivan Lins, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4 and Marcos Valle, among others. In the 1970s he was hired by Brazil's biggest TV station, TV Globo, as musical director and wrote the arrangements for many of the stations biggest shows. In 1972, following the success Arthur had with the production of Ivan Lins 1971 album "Agora", Arthur recorded his self-titled debut album on Continental Records. 'Arthur Verocai' challenged the musical conventions of the day, combining Brazilian influences with folksy soul and lo-fi electronic experimentations of American artists like Shuggie Otis or the orchestration of producer Charles Stepney.

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23,11 €
Iron Curtis & Johannes Albert - Moon IV (LP)

Iron Curtis and Johannes Albert return to orbit with their highly anticipated Moon IV, the next chapter in their acclaimed lunar album series. Building on over a decade of collaboration and the cosmic groundwork in Moon I, II, and III, this fourth instalment is a testament to their ever-evolving artistry and expansive vision.

Released on their beloved Frank Music imprint, Moon IV sees the duo starring an 11-track journey that once again defies genres, challenges conventions, and charts a vivid course through the electronic cosmos.

From the warm opener "Void Gathering" and wistful melodies of "Silverclub" to the driving rhythms of "Sounds (The Feels)," which echoes the relentless pulse of NYC Post-Disco, Moon IV encapsulates the duo's signature blend of moods and eras.

"Club L'Avenir" & "Daso" serve up euphoric moments with a nod to the French Touch, while the ambient vignette "Into Somethin' (Interlude)" calms you down again. Electro cuts like "Pipeline" are reminiscent of earlier works in the Moon album series, and new paths are forged when the two are exploring Balearic Pop Music (BPM) territory in "Ohne Dich".

Returning from space with the elegant deepness of "Bliss (The Short Finale)", the duo gets you home safe and sound. Their unique studio alchemy shines brighter on this moonlit, flaring long-player than ever. So, buckle up and off we go.

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Last In: 18 months ago
22,27 €
Sweetheart - The Process of Making Us Well

The lost companion EP to The Unbearable Tightness of Being, by Ohio's,
Sweetheart
Recorded by the band in a warehouse in Columbus, Ohio, spring 2005.
A single sided 12" record containing one 12 minute song. Limited to 300 copies on
180 gram vinyl and digital.
This record is meant to go together with EW017- Sweetheart- The Unbearable
Tightness of Being LP. We highly suggest getting both records.
Sweetheart's latest offering, "The Process Of Making Us Well," serves as an intricate
sonic landscape woven with a fearless fusion of genres, defying the established
norms of post- hardcore. This one- track EP, released under theExpert Work Records
banner, is not just an auditory journey but a rock-solid proof of their ability to blend
post-hardcore, noise rock, punk, screamo, emo, and indie influences into an immersive
sonic experience that transcends conventional boundaries. Setting themselves apart
from the early noughties post- hardcore scene, Sweetheart skillfully navigate away
from the cliches that often haunted many underground acts of the era. "The Process
Of Making Us Well" unfolds as an epic composition, a 12-minute sonic odyssey that
takes the listener on a transformative journey. The band showcases a mastery of
dynamics, skillfully transitioning from serene, ethereal instrumentations to intense,
powerful crescendos, creating an emotional landscape that captivates the listener
from scratch to finish.
Released as part of Expert Work Records' series, "The Process Of Making Us Well"
holds the distinction of being Sweetheart's longest recorded piece. The record arrives
in a high- quality cardboard sleeve, decorated with an entirely minimalistic lettering,
leaving audio content in the sole focus. It's a wise choice, considering that
Sweetheart's music deserves your utmost attention. "The Process Of Making Us Well"
is an essential exploration into endless possibilities of post- hardcore, noise rock,
screamo, and emo music. Sweetheart, sadly overlooked amidst a sea of similar bands
during their era, emerges as a beacon of innovation with this remarkable release. "The
Process Of Making Us Well" solidifies Sweetheart's status as one of the best bands of
their time, a hidden gem deserving of retrospective recognition and appreciation

pre-order now14.03.2025

expected to be published on 14.03.2025

20,38 €
Sweetheart - The Unbearable Tightness Of Being

Members went on to Sinkane, and Pompeii, This Morning. Originally recorded in the
summer of 2005 out west, while on tour, by Vince Tennant. The recording had been
shelved and unreleased. In 2023, Expert Work Records reached out to Sweetheart and
got the recording re-mastered. It will be released on limited vinyl and digital.
This is also a companion piece/ record with EW018 (Sweetheart- The Process of
Making Us Well). We highly suggest getting both records.
Sweetheart's "The Unbearable Tightness Of Being" is one of those records you should
put on your radar as soon as possible. A rediscovered artifact from 2005, the album is
a sonic panorama that intricately incorporates post- hardcore, noise rock, punk,
screamo, and indie elements into an innovative and complex sonic landscape. The
guitars, wielded with finesse, serve as the driving force behind Sweetheart's sonic
assault. From the opening chords to the closing refrains, they deliver a relentless
barrage of riffs that defy predictability. The interplay between the two guitarists
manifests as a dynamic dialogue - a musical conversation that seamlessly transitions
from chaotic dissonance to moments of clarity. Catchy, intricate, and hypnotic chord
progressions unfold, evoking the spirit of At The Drive-In and Fugazi while carving a
distinct sonic identity.
However, it's not merely about sonic assault; Sweetheart infuses the album with a
nuanced approach to melody. Amidst the aggressive riffage, this material treats
listeners with moments of harmonic beauty and unexpected melodic twists. Themes,
leads, melodies, and harmonies intermingle, creating a rich auditory experience that
transcends the boundaries of conventional post-hardcore.
The production quality of this long- lost gem further accentuates its brilliance.
Recorded in 2005 but kept in the shadows due to financial constraints and a desire for
perfection, the album has now found its moment in the sun. Expert Work's decision to
release the LP in 2024 has allowed audiences to appreciate the intelligent
craftsmanship that went into its creation.
"The Unbearable Tightness Of Being" is more than a musical journey; it's a sonic
exploration transcending all the possible sonic boundaries. Sweetheart's commitment
to experimentation and honesty, as emphasized by band members reflecting on their
creative process, is palpable. The act of listening, treated as a discipline, is evident in
the careful construction of each track - a result of repetitive practice, internalization,
and an unwavering dedication to their craft. In the grander narrative of the album's
release, the band's reflections on the passage of time and the meaning of their work
imbue the music with a poignant depth.
"The Unbearable Tightness Of Being" is a mandatory addition to any record collection.
It's not just a revival of the early 2000s scene; it's a sheer example of Sweetheart's
enduring brilliance and a celebration of a significant part of their musical legacy.

pre-order now14.03.2025

expected to be published on 14.03.2025

33,19 €
THE STROPPIES - THE STROPPIES
  • GRAVITY IS STERN
  • GO AHEAD
  • NO JOKE
  • UNDER YOUR SWEATER
  • COURTESY CALLS
  • CELEBRATION DAY
  • ALL THE LINES

MLP - Repress, 300 copies on frosted clear vinyl. Starting out as a recording project between Angus Lord, Claudia Serfaty and Stephanie Hughes, the germ of what would eventually become the Stroppies was formed around a kitchen table in Melbourne in early 2016. The initial idea was to create open ended music, collaged quickly and haphazardly together on a Tascam 4 track Portastudio that drew on stream of consciousness creativity and a DIY attitude. The desire to move beyond the pre programmed drum patterns available on their Casio Keyboard led to the addition of Rory Heane on drums and a more conventional band dynamic. In Late 2016, Alex Macfarlane recorded the band in their lounge room direct to 4 track, capturing 7 songs that would become their 2017 self titled cassette tape debut. The songs were bounced back and forth from tape machine to computer to tape machine to computer again. In keeping with the bands initial aesthetic, dubs were laid over a 4 month period incrementally on different devices. They make modest, idiosyncratic pop songs that reward with repeated listening.

pre-order now14.03.2025

expected to be published on 14.03.2025

18,70 €
Gianni Marchetti - Solstitium

Gianni Marchetti

Solstitium

12inchDIALP937
Dialogo
25.02.2025

The first-ever reissue of Gianni Marchetti's 1978 LP "Solstitium", released as part of RCA's venerable "Original Cast" series in a handful of promo copies only, sits among the most rare and enigmatic artifacts of Italian library music, it is heralded by collectors as one of the greatest free-standing gestures in the entire genre.

RIYL: Piero Umiliani, Egisto Macchi, Stefano Torossi

Gianni Marchetti's Solstitium, originally released in 1978 as part of RCA's prestigious Original Cast series, stands as one of the most elusive and iconic records within the realm of Italian library music. Its first-ever reissue brings this long-sought gem back into circulation, offering an opportunity for modern listeners to experience its raw, innovative energy and immersive soundscapes. Originally released in only a handful of promo copies, Solstitium quickly became a holy grail for collectors, its rarity only adding to its mystique and allure.
The album embodies a free-spirited, avant-garde approach to composition, blending elements of jazz, progressive rock, and experimental electronic music. Marchetti’s use of unconventional instrumentation and studio techniques marks Solstitium as an audacious departure from the more conventional library music of the era.
‘Solstitium’ remains a fascinating listening experience, revealing new layers with every listen, and it is not surprising that it has earned its place as one of Marchetti's most revered works, continuing to fascinate old fans and new listeners alike.

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Last In: 19 months ago
21,13 €
La BOA - Tony Allen - La Boa Meets Tony Allen

Few sounds transcend time and space quite like the driving pulse of Afrobeat, and few artists, for that matter, have defined their own domains quite as profoundly as Tony Allen—the very beat of Afrobeat itself. In 2011, Allen recorded one of his inimitable rhythmic dialogues as part of the Afrobeat Makers Series for the Parisian imprint Comet Records. Charged with the same fervour for uninhibited expression that defined his trailblazing career, Tony Allen’s drumming, free from convention and charting its own course, emanates a cadenced stream of consciousness that speaks its own truth.

If Allen’s language was his beat, then on this record, La BOA—La Bogotá Orquesta Afrobeat—becomes his latest and most fitting interlocutor. What began as a tribute—a song named after Allen—now feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance.

Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in Bogotá, Michel’s Mambo Negro Records has become a cornerstone of Colombia’s underground scene championing Afro-Colombian and independent music throughout that time.

Across this LP, Allen’s recordings lay down the canvas upon which La BOA paints its own vision of Afrobeat—raw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is Bogotá. What ensues is an enduring conversation that crosses eras, borders, even life and death—a celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of Bogotá, so too La BOA meets Tony Allen.

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Last In: 18 months ago
22,40 €
BANDLER CHING - MERCURIAL LP

Bandler Ching

MERCURIAL LP

12inchSDBANULP41
SDBAN ULTRA
21.02.2025

Bandler Ching makes a bold return from within the vibrant, Brussels music scene with their sophomore album, Mercurial. In this latest offering, the band edges even closer to the ever-evolving world of electronics and dance music while retaining the improvisational spirit that has always defined their sound at its core.
On Mercurial, the band navigates the fringes of industrial trap, while expertly bending and pushing the possibilities of their instruments. Ambroos De Schepper's saxophone transcends its traditional role even more, becoming a dynamic, shapeshifting entity capable of evoking haunting melodies one moment and otherworldly harmonies the next. Federico Pecoraro's bass transforms into ethereal ambient pads that drift through the mix like vapor, adding depth. Meanwhile, Olivier Penu's drums form the rhythmic backbone, laying down eclectic grooves that defy the constraints of any single genre, merging seamlessly from trap to electronica, hip-hop, and beyond.
Known for their ability to blend disparate genres and experiment with textures, Bandler Ching forges a new instrumental language, one that feels untethered to convention and free from classification. It's not a genre-crossing experiment-but a daring move towards a new instrumental genre in the digital age.
Fans of experimental electronic icons like Aphex Twin, Squarepusher, and Ceephax Acid Crew will find much to admire in the upcoming Mercurial album- it's a next step in pushing to a new musical territory and boldly casting off the jazz genre in the process.
It's been two years since Bandler Ching first released their debut album Coaxial on Sdban Ultra. Kicking off the album campaign with an album release show in Volta, the Brussels hotbed for a new generation of Belgian artists. What followed was a series of concerts in key venues and festivals across Belgium and the Netherlands to honorable reviews in national and specialized press.

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Last In: 19 months ago
22,48 €
The Cabanists - The Cabanists

The Cabanists

The Cabanists

12inchWAT04LP
Watusi
21.02.2025

Bursting forth from the darkness of this pre-apocalyptic winter comes 'The Cabanists', the first release of an improvisational project of the same name, comprising three members of the UK's seminal avant-rock band, Nøught. Garnering a cult following since their initial self-titled debut, Nøught became known in the London experimental underground for their tightly orchestrated yet highly complex compositions, ranging from heavy atonal riffage to mesmerizing and hypnotic meditations. 'The Cabanists' builds on Nøught's musical language and are a boundary-pushing trio fusing intricate guitar riffs, dynamic keyboard textures and explosive percussion into a sound that defies convention. Featuring James Sedwards on guitar (most recently known for his involvement with the Thurston Moore Group and This Is Not This Heat), Luke Barlow on keyboards (who co-runs Copepod Records with musician Alex Ward) and Bo Mapper on drums, the band recorded their groundbreaking material during an extended session at London's Lonely Man Studio, marking a defining moment in their musical journey.

With influences spanning progressive rock, experimental jazz and post-punk energy, The Cabanists weave a sonic tapestry that is as cerebral as it is visceral. They challenge standard rock and jazz norms while crafting deeply resonant soundscapes, inviting listeners into a thrilling journey of sound and intense emotion.

Prepare to lose yourself in the intricate chaos and undeniable groove of 'The Cabanists' - where every note is a revelation.

pre-order now21.02.2025

expected to be published on 21.02.2025

22,65 €
Jello Biafra & The Guantanamo School Of Medicine - The November 3/Split

Alternative Tentacles Records is thrilled to announce the first-ever vinyl release of two long-awaited tracks, previously available only in digital format. This highly anticipated split 7" features Jello Biafra & The Guantanamo School of Medicine and The November 3, with two explosive songs: "Blunder Blubber" and "IFAR." "Blunder Blubber," originally released as a digital single to mark Rush Limbaugh's passing and was recorded during the TEA PARTY REVENGE PORN recording sessions, highlights everything iconic about Jello Biafra & The Guantanamo School of Medicine. The song critiques the rise of right-wing extremism, tracing its roots back to Rush Limbaugh's influence and the repeal of the Fairness Doctrine under President Reagan in 1987—a policy change that allowed one-sided political commentary on public airwaves. Biafra argues that this set the stage for the toxic media landscape, fueling figures like Limbaugh and the current wave of ""MAGA"" rhetoric. Reflecting on the political climate, Biafra notes, "I wrote the song back when Clinton was president, seeing the writing on the wall. I was hoping never to use it, but we had no choice but to update and perform it now." On the flip side, The November 3 delivers "IFAR," a fiery debut track that first dropped during the 2020 Republican National Convention. Blending punk rock energy with raw political outrage, lead vocalist Billie O' Rights unleashes a bold, biting rant, backed by Tom Pain’s searing guitars. Pat Triotte and Justice Ferrall add their creative touches to this electrifying anthem, capturing the chaotic spirit of the times. "IFAR," is a raucous, tongue-in-cheek commentary on partisan divides, clocking in at just two minutes of catchy, irreverent fun. Interestingly, the song was reportedly conceived during a mundane moment: Pat Triotte was baking blueberry muffins one Saturday afternoon when the idea hit, and within hours, the track was recorded— and the muffins were supposedly amazing. Despite the humorous and often provocative tone of both songs, the core message of this release is clear: a call to action to vote. With this limited 7" vinyl, Alternative Tentacles Records urges everyone to make their voices heard in the 2024 election and beyond! Don't forget to VOTE!

pre-order now21.02.2025

expected to be published on 21.02.2025

13,24 €
Tír na nÓg - In The Morning LP

Tír na nÓg are an Irish folk duo formed in Dublin, Ireland, in 1969 by Leo O'Kelly and Sonny Condell. They became labelled one of the first progressive folk bands of the early 70’s. Tír na nÓg would go on to sign with Chrysalis and support the likes of Jethro Tull, Fairport Convention, Roxy Music & The Who as well as headlining their own tours. In The Morning is a pre-record deal recording from Dublin 1970. * Fully remastered * A mixture of covers (Donovan / Joni Mitchell / Leonard Cohen / Bob Dylan), and self-composed songs * Printed iInner bag * Full liner notes and unseen photographs

pre-order now24.01.2025

expected to be published on 24.01.2025

25,84 €
Golden Diskó Ship - Oval Sunpatch LP

Theresa Stroetges returns to Karaoke Kalk with her second album for the Berlin-based label, her fifth solo full-length with her Golden Diskó Ship project in total. Having released records with the Indian-German band project Hotel Kali as well as Painting, a group dedicated to audio-visual concepts, »Oval Sun Patch« sees her embrace influences from club culture, advanced electronic music, and pop more firmly than ever before. Over the past 15 years, Golden Diskó Ship has served a vessel with which the Berlin-based multi-instrumentalist has traversed a variety of genres and circumnavigated all conventions in the process. With »Oval Sun Patch,« Stroetges again sets sail into unknown waters with what is perhaps her catchiest album so far—beat-driven, playful, atmospheric, and at times thoroughly anthemic. This is the sound of Golden Diskó Ship moving forward.

A life lived in transit, the vastness of bodies of water and the isolation of islands as well as more generally notions of processes and progress have been recurring motives throughout Stroetges’ previous records and also mark »Oval Sun Patch.« In fact, the foundation for the six pieces was laid when she was working abroad and at times close to the sea. The massive three-part album closer »Earth Before The Space Race« was conceived as a multi-channel audio-visual performance piece during a 2021 residency at Zaratan Arte Contemporânea in Lisbon. The others were written in the following year during two other residencies when Stroetges first spent time in Austria at the sound art festival Klangmanifeste in Lindabrunn and then visited Portugal once more for a stay at Goethe-Institut in Lisbon. With the help of Shelley Barradas, who lent her a guitar, and Julia Klein, who helped her setting up a temporary studio in the Goethe-Institut Portugal’s auditorium, she made the preliminary recordings of what would later become this album.

»Oval Sun Patch«, later refined in Berlin and mixed in close collaboration with London-based engineer Hannes Plattmeier, is a direct result of Stroetges having to work with what was available to her at the time of writing and recording. While her distinct guitar playing—evocative yet funky, complex but catchy—once more features heavily and she uses her voice in manifold ways to sometimes harmonise with herself or creating complex canons as counterpoints to her her own lead vocals, the electronic gear she worked with dominates the album both compositionally and sonically. Stroetges’ music has always displayed a passion for club culture and advanced electronic music, but on »Oval Sun Patch« she proves once and for all how well these influences can be integrated into her unconventional approach to songwriting.

However, the punchy beat and Moroder-like bassline that form the backbone of »Dolphins With Soft Helmets,« the throbbing house and techno grooves underneath »Ephemeral Carnivores« and »Well-Oiled Machine« as well as the jittery IDM rhythms of »Google Your New Name« and her nods to trip-hop with »Tiny Island« do not so much follow established formulas as they use them as a starting point for wild experimentation instead. Stroetges juxtaposes complex rhythms with interlocking melodies and rich harmonies in ways that continue to surprise throughout and still leave enough space for the occasional wistful guitar or vocal passage. Nowhere does this approach feel more epic than on the 12 ½ minutes long »Earth Before The Space Race,« which takes its time to unfold, changing its pace and mood throughout.

»Oval Sun Patch« is an album about change. The lyrics describe constant transformations of sceneries, relationships, physical and emotional states as well as the climate throughout its running time. Stroetges in the meanwhile leads the way as a singer, songwriter and producer who lets her music evolve constantly. This is sound, moving forward.

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Last In: 20 months ago
22,48 €
THE BRIDES OF FUNKENSTEIN - FUNK OR WALK LP
  • A1: DISCO TO GO
  • A2: WARSHIP TOUCHANTE
  • A3: NAPPY
  • A4: BIRDIE
  • B1: JUST LIKE YOU
  • B2: WHEN YOU’RE GONE
  • B3: AMOROUS

George Clinton’s imagination knew no bounds and, defying normal music industry convention, by 1978 had five bands signed to three different record labels. One of these comprised of three Parliament / Funkadelic female backing singers working under the name of Parlet, whose debut single, ‘Pleasure Principle’ was released on Casablanca Records in March 1978.

It was Clinton’s idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, “The Clones Of Dr Funkenstein”. “I have to be honest – at first, I hated the name and I thought George was kidding,” Mabry told Blues & Soul, “But I have gotten to like it – especially just the Brides.”

Clinton got the Brides signed to Atlantic Records and their first single was ‘Disco To Go’ / ‘ When You’re Gone’. The A-side was written and produced by Clinton and Bootsy Collins and had originally featured in live shows by Collins’ live band. Clinton was asked by Black Echoes why the song was recorded by the Brides rather than Bootsy. “He could, and it would have been a smash too,” he replied. “But we thought it sounded too much like James Brown, so we gave it to the girls. Now it don’t sound like James Brown.” It certainly did not and this electronic bass and horn-powered banger – complete with an Old MacDonald nursery rhyme refrain – debuted on the Billboard Hot Soul Singles chart at #80 on 30th September 1978. By the time the P-Funk crew were flying across the Atlantic in early November it had peaked at #7. Sadly for UK fans, ‘Disco To Go’ was only available on import although a Black Echoes review stated it was a “Slow chunky handclapper. It sounds not unlike Funkadelic’s own ‘Coming Round The Mountain’”.

‘Disco To Go’, went gold in America selling over 500,000 copies. It was the perfect springboard for the Brides debut LP, “Funk Or Walk” which quickly climbed into the upper reaches of the R&B chart and even saw the duo embark upon a signing tour of record stores. All of the songs on “Funk Or Walk” were written by legends of P-Funk, such as Bootsy Collins, Rodney Curtis, Bernie Worrell, Gary Shider and Clinton. “George has got thousands of tracks,” Mabry told Black Echoes. “When we go into the studio he says, ‘Like this one?

pre-order now20.01.2025

expected to be published on 20.01.2025

29,83 €
Maria Callas - Maria Callas Remastered

Maria Callas was born to a Greek family in New York in 1923. Her vocal training took place in Athens, where her teacher was the coloratura soprano Elvira de Hidalgo, who had sung with Enrico Caruso and Feodor Chaliapin. After early performances in Greece, Callas’s international career was launched in 1947 when she performed the title role in Ponchielli’s La Gioconda at the Arena di Verona in Italy.

Her voice defied simple classification and her artistic range was extraordinary. In her early twenties she sang such heavy dramatic roles as Gioconda, Turandot, Brünnhilde and Isolde, but over the course of her career her most famous roles came to be: Bellini’s Norma and Amina (La sonnambula); Verdi’s Violetta (La traviata); Donizetti’s Lucia di Lammermoor and Anna Bolena, Cherubini’s Medea and Puccini’s Tosca. Though her timbre was not always conventionally beautiful, Callas’s musicianship and phrasing were in a class of their own. She brought characters to vivid life with her skill in colouring her tone and making insightful use of the text.

She is credited with changing the history of opera: by placing a perhaps unprecedented emphasis on musical integrity and dramatic truth, and by transforming perceptions – and reviving the fortunes – of the bel canto repertoire, particularly Bellini and Donizetti.

The 1950s marked the height of Callas’s career. Its base lay in the opera houses of Italy, and she became the prima donna assoluta of Milan’s legendary La Scala – notably in the productions
of Luchino Visconti – but her operatic appearances also encompassed London’s Royal Opera House, the New York Metropolitan Opera, Paris Opéra, the Vienna State Opera, and the opera houses of Chicago, Dallas, Houston, Lisbon, and, in the early 1950s, Mexico City, São Paolo and Rio de Janeiro.

From 1959, when she started a life-changing love affair with the Greek shipping magnate Aristotle Onassis, her performing career slowed down and her voice became more fragile. Her final stage performances came in 1965, when she was only 42.

There were many plans for a return to the stage – and for further complete recordings – but they never reached fruition, though in 1974 she gave a series of concerts in Europe, North America and Japan with the tenor Giuseppe di Stefano; he had partnered her frequently in the opera house and in the studio, not least in the 1953 La Scala Tosca under Victor de Sabata, considered a landmark in recording history. Callas died alone in her Paris apartment in September 1977.

pre-order now20.01.2025

expected to be published on 20.01.2025

25,00 €
Various - Electric Program II

Immerse yourself in an electrifying fusion of analog textures and experimental soundscapes. This record is a bold, underground exploration where Electro, Techno, and Experimental collide in an uplifting yet distorted sonic journey. Crafted with an unwavering commitment to authenticity, the tracks embody the raw, unpolished energy of analog gear, delivering a gritty, dynamic experience. The artists--Filmmaker, Hanniball III, DJ Nephil, Mule Driver, Porosty, and DJ Sigils--bring their uncompromising vision to the forefront, creating a soundscape that rejects mainstream conventions. This record isn't shaped by market trends or hype; it's a pure expression of underground artistry, designed to break boundaries and let creativity flow untethered. With each track, the listener is invited into a world where the unexpected thrives, and where the only rule is to push the limits of sound.

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Last In: 20 months ago
13,24 €
Disco-Antistat - Ultrasonic 2.0

Disco-Antistat

Ultrasonic 2.0

Equipment1360008
vinyl cleaning tools
Release unknown

EN:

Automatic ultrasonic record washing machine

Disco-Antistat Ultrasonic - The most thorough way to wash records!
Our record washing machine Disco-Antistat Ultrasonic combines over 40 years of experience in the pflege and cleaning of records with highly developed, state-of-the-art cleaning technology.
The combination of ultrasonic cleaning and our proven goat hair brush system ensures gentle, groove-deep cleaning of your records and an audible improvement in the sound image. During operation, the cleaningfluid is permanently clarified by a filter system and dirt particles are rausgefiltert to minimize impurities in the liquid and thus achieve the best possible cleaning result.
Through our special cleaner, the record is treated antistatically and thus permanently prevented from re-soiling by adhering dust. With only a few handgriffen our washer is ready for operation and the intuitive operability ensures optimal results from the first record!

The simple and intuitive handling as well as the operating elements reduced to the essentials enable best cleaning results from the first record.

The cleaning time can be conveniently adjusted to the degree of soiling of the record, supported by a functional display.
A clearly visible progress indicator provides information on the cleaning status at a glance.

After use, the gefilterte Reinigungsflüssigkeit can be conveniently filled back into the bottle at the touch of a button via a built-in pump.
The permanent filtering of the cleaner prevents the liquid from accumulating dirt. Thus, a consistent cleaning result is achieved.
Thanks to the innovative magnetic coupling, inserting and removing the record is simple and quick.

Driven by an electric motor, the record rotates evenly in the tank, whereby a homogeneous treatment with ultrasound is achieved.

Cleanliness you can hear! A powerful ultrasonic transducer generates so-called cavitation bubbles, which act directly on the dirt and remove it gently and effectively. The ultrasonic waves also reach places that are inaccessible to conventional cleaning methods and ensure cleanliness down to the depth of the groove. The loosened dirt particles are then wiped off on the soft goat hair brushes.







DE:

Automatische Ultraschall Plattenwaschmaschine

Disco-Antistat Ultrasonic – Die gründlichste Art der Schallplattenwäsche!
Unsere Schallplattenwaschmaschine Disco-Antistat Ultrasonic vereint über 40 Jahre Erfahrung in der Pflege und Reinigung von Schallplatten mit hochentwickelter, modernster Reinigungstechnik.
Die Kombination aus Ultraschallreinigung und unserem bewährten Bürstensystem aus Ziegenhaar sorgt für eine schonende, rillentiefe Reinigung Ihrer Schallplatten und einer hörbaren Verbesserung des Klangbildes. Während des Betriebs wird die Reinigungsflüssigkeit permanent durch ein Filtersystem geklärt und Schmutzpartikel herausgefiltert, um Verunreinigungen der Flüssigkeit zu minimieren und somit das bestmögliche Reinigungsergebnis zu erreichen.

Durch unseren speziellen Reiniger wird die Schallplatte antistatisch behandelt und so dauerhaft die erneute Verschmutzung durch anhaftenden Staub verhindert. Mit nur wenigen Handgriffen ist unser Waschgerät betriebsbereit und die intuitive Bedienbarkeit sorgt für optimale Resultate ab der ersten Platte!

Die einfache und intuitive Handhabung sowie die auf das wesentliche reduzierten Bedienelemente ermöglichen beste Reinigungsergebnisse ab der ersten Schallplatte.

Die Reinigungsdauer kann, unterstützt durch ein funktionales Display, bequem dem Verschmutzungsgrad der Schallplatte angepasst werden.
Eine gut sichtbare Fortschrittsanzeige informiert auf einen Blick über den Status der Reinigung.

Nach Gebrauch kann die gefilterte Reinigungsflüssigkeit auf Knopfdruck über eine eingebaute Pumpe bequem in die Flasche zurück gefüllt werden.
Durch die permanente Filterung des Reinigers wird verhindert, dass sich die Flüssigkeit mit Schmutz anreichert. Somit wird ein gleichbleibendes Reinigungsergebnis erzielt.

Das Einsetzen und Entnehmen der Schallplatte ist Dank der innovativen Magnetankopplung simpel und schnell erledigt.
Angetrieben von einem Elektromotor rotiert die Schallplatte gleichmäßig in der Wanne, wodurch eine homogene Behandlung mit Ultraschall erreicht wird

Sauberkeit, die man hören kann! Ein leistungsstarker Ultraschallschwinger erzeugt sogenannte Kavitationsblasen, die direkt an den Verschmutzungen wirken und diese schonend und effektiv ablösen. Die Ultraschallwellen erreichen auch Stellen, die für konventionelle Reinigungsverfahren nicht zugänglich sind und sorgen für Sauberkeit bis in die Tiefe der Rille. Anschließend werden die gelösten Schmutzpartikel an den weichen Ziegenhaarbürsten abgestreift.

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840,29€
Various - Various 1

Various

Various 1

12inchALT014
Altered Circuits
23.12.2024

For ALT014, Altered Circuits presents its first Various Artists release. In addition to the label's co-founder, three friends of the label appear on this heterogeneous, club-oriented 12''. Portal, with its breakbeat layered drum section and spartan bass hook, sounds like classic Innershades from the start. When the angular leads and slowly phased, ominous chords hit, we are reminded of the artist's fondness for the new beat genre and his ability to translate its tropes and conventions to the present. On Show You Love, Mr. Ho combines skippy two-step drums with an MS20 type of flat bass. After introducing a one-bar mid-bass arpeggiator, gently swelling pads, leisurely spread side riffs and reverb-drenched musings join, calibrating the vibe to lush and groovy. On the other side, Oshana treats groove as the focal point with her Hey Kiss Kiss contribution. Over its 6-minute course, the snappy 909 kick rarely relents while a bunch of often short, many a time looped sequences emerge and disappear, unfolding a hypnotic tapestry of textures. Rising talent Salomee closes the VA with Late Night Summer, a track capable of setting the floor in motion at any moment. It revolves around a portamento-heavy, neon-tinged lead that lingers long after the track ends and a sturdy, efficient one-note bass pulse.

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Last In: 5 months ago
15,92 €
CAFE TURK - CAFE TURK

Cafe Turk

CAFE TURK

2x12inchZEL04
ZEL ZELE
20.12.2024

Repress!

Compilation of 80s Turkish-Swiss band Café Türk, featuring selected works from their discography as well as previously unreleased recordings!

Café Türk's unrestrained sonic palette explores new wave, psych, disco and reggae with influences from Anatolia and Azerbaijan.2xLP includes a 4-page booklet with extensive liner notes and photos.

Café Türk are an inimitable Turkish-Swiss band formed in the 1980s, whose genre-bending sonic palette draws from Anatolia, the Caucasus and Western Europe. The group’s frantic trajectory connects Switzerland and the Turkish city of Kars with a background story as rich and unexpected as their sound. After three decades since they disbanded, Zel Zele Records have collaborated with Turkish crate-digger Grup Ses to give the music of Café Türk a new lease of life. This eponym compilation features original album tracks, singles and previously unreleased takes that trace the outline of the group’s history. From the rolling disco of the group’s debut recording “Haydi Yallah”; to the previously unreleased kosmiche of “Yıldızlar”, “Ali Baba From Istanbul”s Azeri grooves and German language vocals, to the psyched-out interpretation of Causaccian folk tune “Şamil”, Café Türk showcases the endless stream of ideas the band had during their time together between 1983 and 1989. Tracks come with an unrestrained spirit, weaving in the crackling energy of new wave, rock, disco and reggae with influences from Turkey and Azerbaijan.

This fascination in pulling different worlds together goes right back to the formative days of Metin Demiral, founder of Café Türk. Metin grew up in Kars, a provincial town in the Northeastern part of Turkey. Kars was once known for its multicultural communities; where you could hear locals speaking a range of languages, from Turkish to Azeri, Russian and Kurdish. In 1983 Café Türk won a contest set for Turkish groups based in Europe, organised by the label Türküola, home to Turkish stars like Cem Karaca, Selda Bağcan and Barış Manço. The resultant recording sessions gave birth to his new band and debut LP, Pizza Funghi. But Metin turned down Türküola’s offer to put the record out and instead self-pressed 1000 copies on his own Sound Concept label - driving as far as Berlin to sell them face-to-face to record shops. The record was picked up by a member of the German city of Nuremburg’s Cultural Department and soon Café Türk were invited to play for the local workers’ unions, many of whom represented immigrants from Turkey. These events only grew in popularity, the group ultimately spending five years touring similar shows in Europe, alongside more conventional tours and festivals. Metin had hoped to bring his new record to audiences in Turkey again, however, he found it impossible to get any of his songs played on state-sponsored radio, something he attributed to the infamously strict supervisory board of TRT, Turkey’s state-funded broadcaster. TRT tended to not accept songs that blended both western and traditional Turkish music in order to avoid “degenerating” Turkish folk music. Cafe Türk tried to fight this conservative mindset, but progressively resigned themselves to the political restrictions of the time

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Last In: 5 years ago
22,48 €
Ian MacFarlane - Planetarium

Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordinary musical vision has explored the uncharted realms of consciousness and fantasy. Following a brief stint with the legendary Australian Krautrockers Cybotron, MacFarlane produced three independent solo albums throughout the late 1970s and early 1980s. His debut LP Void Spirit, an experimental album issued under the pen name 'Violet Lightning', was followed by a further two albums published under his own name, the cosmic influenced Back From Beyond and finally the privately issued electro-ambient suite Planetarium. Presented with hours of unreleased home recordings, The Roundtable has begun a dedicated search through the fascinating archives of this under exposed artist. Beginning with a vinyl release of the rare cassette-only album Planetarium; this private press sees MacFarlane armed with a bank of Roland Synthesizers, Drum Machines and field recordings, spawning a mutant amalgam of German Kosmische Musik, French Library electro and Private Issue New Age. Surrender to the stars and welcome to the first instalment of "Muzak To Moralize By".

pre-order now20.12.2024

expected to be published on 20.12.2024

22,48 €
Mahavishnu Orchestra - Birds Of Fire
  • A1: Birds Of Fire
  • A2: Miles Beyond
  • A3: Celestial Terrestrial Commuters
  • A4: Sapphire Bullets Of Pure Love
  • A5: Thousand Island Park
  • A6: Hope
  • B1: One Word
  • B2: Sanctuary
  • B3: Open Country Joy
  • B4: Resolution

"Birds Of Fire" - John McLaughlin (g); Jerry Goodman (v); Jan Hammer (keyb, synth); Rick Laird (b); Billy Cobham (dr)

Of the three 'incarnations' by the spiritually inspired Mahavishnu Orchestra, the first is the most full-bodied. The enlightened John McLaughlin and his musicians were immortalized through their début album "The Inner Mounting Flame", which was included in the list of the 100 Best Jazz Albums; a short time later they recorded their highly concentrated studio compilation "Birds Of Fire". Long before today's saleably labelled World Music, the quintet set the standards for a meaningful amalgamation of dynamic rock with complex Indian rhythms and occidental conventions. Already in the title piece, the musicians combine a sharpened Hendrix style with expansive melodies, and with smacking grooves and fine riffs draw all that is grand in jazz ("Miles Beyond") into the musical centre. With almost chamber-music-like density, "Thousand Island Park" blossoms out in soft colours, whilst as a contrast unremittingly flowing cascades in "Hope" search desperately for their destination.

It is thrilling how finely weighed patterns ("One Word") escalate to techno-like violin playing and how the listener is invited to take part in an inner procession in the following "Sanctuary". After such soaring heights, we are brought back to earth with a familiar funky sound in a popular, pastoral vein ("Open Country Joy") before taking off abruptly once again: in the final piece, "Resolution" with its slowly rising carpets of sound, all that is sublime in New Music conquers over world cultures.

pre-order now15.12.2024

expected to be published on 15.12.2024

44,33 €
ELLLL - Earth Rotation MC (TAPE)

Ellll

Earth Rotation MC (TAPE)

CassetteBRUK8
BRUK
13.12.2024

BRUK welcomes the daring shapes and inquisitive textures of ELLLL for her debut album, Earth Rotation. Across 13 scuffed cuts and grubby miniatures the Irish producer shapes out a distinctive sound world, steeped in sample science and powered by low-slung grooves. There's no direct message permeating Earth Rotation, but burning issues around embattled ecosystems hang in the air as ELLLL pushes her sound palette until it bites. Extended instrumental techniques lend the album an in-the-room tangibility, while dislocated micro-loops speak to less grounded atmospheres. Starting from densely packed collages and diligently chipping away until spacious, head-knocking arrangements remain, the end results of ELLLL's process call to mind the wayward sample acrobatics that made trip-hop and jungle so emotionally resonant and eerily alien in the same beat. There's rarely anything like conventional boom-bap or a cosily familiar break, but ELLLL finds compelling rhythms in unlikely sources of funk, whether plucked, bowed, sequenced or sculpted. Even when teetering towards techno on 'Titan', her particular approach is gloriously skewed and, by extension, innovative. No matter how serious the techniques involved, Earth Rotation is a celebration of the magic that happens when sound gets mistreated. If there are foreboding ideas lingering in the album's tendency towards dissonance, ELLLL also knows how to inject her work with a necessary mischief, making her a perfect fit amongst the maverick BRUK alumni.

pre-order now13.12.2024

expected to be published on 13.12.2024

15,92 €
Various - The Other Sound Of Music LP

The Other Sound of Music is Edition Hawara’s first compilation of forgotten Austrian treasures from the 1980s. Plucked from dusty basements, flea markets and bespoke stores across the small Alpine country, it features eight quirky and charming pieces that afford a glimpse into largely unknown but surprisingly rich musical subcultures. The lovingly curated selection brings to light early soul, boogie and proto-house productions, as well as some of the most balearic tracks that have ever been made in a landlocked country. Finally giving this music the stage it deserves, The Other Sound of Music is the definitive guide to the outer limits of the Austrian underground.

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Last In: 22 months ago
21,64 €
Akihi Drive - Press 0 EP

Akihi Drive

Press 0 EP

12inchBSRX018
Bright Sounds
06.12.2024

For the first release of AKIHI DRIVE on Bright Sounds, wepresent an immersive journey through complex soundscapesthat seamlessly blend intricate rhythms and abstract melodies.This debut is a bold exploration of experimental electronictextures, evoking deep atmospheres that challenge conventionallistening.

Expect a fresh yet familiar sound with roots in the most iconicmovements of IDM, where organic beats meet synthetic beauty,inviting listeners into a space of introspective discovery andsonic experimentation. Perfect for those seeking music thattranscends traditional genres, AKIHI DRIVE's release is set toresonate with both seasoned electronic enthusiasts and curiousnewcomers alike.

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Last In: 22 months ago
10,88 €
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