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The Wailers cover Marley songs, recorded with the guitarist Lloyd « Guitsy » Willis at the Harry J Studio in Kingston, Jamaïca in 1976.
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- A1: Ken Parker - True, True, True
- A2: Techniques - Run Come Celebrate
- A3: Techniques - Sweet Soul Music
- A4: Joya Landis - Kansas City
- A5: Termites - Love Up, Kiss Up
- A6: Soul Lads - Funny
- B1: Supersonics - Regay
- B2: Supersonics - Second Fiddle
- B3: Danny Simpson - Mary Poppins
- B4: Tommy Mccook - Soul Remedy
- B5: I Techniques- 'm In The Mood For Love
- B6: Soul Lads - I'm Yours Forever
- 180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL
The famous Jamaican record producer Duke Reid founded record label Treasure Isle in the 1960s. Some of his best production skills can be found on the compilation album Here Comes The Duke. Showcasing the talents of some of the giants of the rock steady era, the recordings, all issued during the latter half of '68, demonstrate just why the Duke is widely regarded as the king of the rock steady sound. The grooves are thoughtful and the brass section adds the right attitude to the different songs.
Here Comes The Duke is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.
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- 180 GRAM AUDIOPHILE VINYL
- BRAND NEW 2019 NEO-CLASSICAL ALBUM
- PRINTED INNERSLEEVE
- LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON TRANSPARENT VINYL
Fermata, Pieter de Graaf's debut project and the birth of a new talent in the neo-classical world. 'Filmic,' he replies when asked about the direction he had in his head, and there's an epic grandeur to many of the tracks. 'I have always written music' de Graaf explains, 'but with Fermata I felt that I could do so much more than just being a pianist, so I thought: 'Why shouldn't I try' The songs aren't 'written' in any traditional sense; instead he plays and improvise segments, records them, and listens back over and over before deciding what to use, what to discard, and what to embellish. No stone is left unturned in being guided by what the song requires - he has travelled North to record a church organ, wrote a score for a choir of four sopranos, and enlisted the help of friends and colleagues at Kytopia, the music collective in Utrecht that houses his studio.
It can take a while for an artist to find their true calling. For Pieter de Graaf, he's been searching since he sat next to his father, aged five, and watched him play the classics and the classical. He later immersed himself in the world of jazz, dedicating hours to practice, and studying at the Conservatory of Rotterdam. Several years spent touring with various bands, friends, and hip hop groups including The Kyteman Orchestra taught him an invaluable lesson, something that has informed his new project right from the start. His influences - Miles Davis, Nils Frahm, Rachmaninov, Bach, Herbie Hancock, and above all Keith Jarrett - allowed him to combine easy melodies with more virtuoso passages without losing the meaning, or the essence, of each song.
Fermata is available as a limited edition of 500 individually numbered copies on transparent vinyl.
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hand-painted / signed / numbered / ltd. to 99 copies
Polyarrythmics is an EP by Mark Spn, a music producer and sound engineer who lives in London. While this is his debut EP under this moniker, he has recorded under various other aliases, one favourite being Holdie Gawn on Sylphe Records.
This release slows things down a notch from Mark's other output. He presents a densely layered work that conjures Herbie Hancock's sextant & Kirk Degiorgio's arps, J. Majik's mermaids & Underdog's attic tapes. It is cerebral and cohesive, made to be consumed as a sum of its parts: found sounds and urban field recordings, hushed Hammond grooves and modulated keys, muffled beats and unsyncopated rhythms, flickering electronics and hovering pianos.
Artist John Tsombikos has been commissioned to provide one-off artwork for the limited edition physical product, to be released in mid March. Hand painted, signed and numbered, limited edition of 99.
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- A1: Antoine Diligent - Be My Guest
- A2: Jahsh Banks - Nite Life
- A3: La Pore - Missing It
- A4: Disco Shrine -Up In The Air
- B1: Pat Lok - Might Be On Fire (feat Sam Fisher)
- B2: Snocker Cot - Through The Night (feat Masae)
- B3: HMU -"Numbers
- B4: NUEX - I Make Bones
- C1: IMAN - Pull Up
- C2: Reva Devito - Hunni Dew (Prod By Vynk)
- C3: Ishdaar - Glass
- C4: Shay Lia - Cherish" (Prod By Kaytranada)
- D1: Isle & Fever - We're Not Broken
- D1: Hembree - Continents
- D2: Von Sell - Hell No
- D3: Lean - Hurt A Little
- D4: Claire George - Orbits
Die Neue Kitsuné America-compilation Mit 18 Tracks Zwischen Pop, Indie & Electro. Kurz Nach Eröffnung Des Neuen Kitsuné-flagship-stores In New York Im Herbst 2018 Erscheint Vol.5 Als Limitierte Erstauflage In Kooperation Mit Der Nba (national Basketball Association), Der Karten Aller 18 Künstler Im Basketball-style Beiliegen.
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Production duo Computa Games take the most slamming synth bass, the crispest drum machine hits, and the overall classic vibes of 80's dance-funk tunes to new aural heights. Sculpted using the best modern studio techniques, the 'Cosmic Dispatch' EP fuses funk, disco, soul and electro to various combinations, fitting the feel of the classiest nightclub or the grittiest backyard party. Each individual tune on the EP pairs with a unique vocalist or collaborator, as the project features guests Lovechild, B Bravo, Jackie Rain, NATALITA, and E. Live. There is something killer and personalized on this EP for every type of dancer, funkster, and headnodder around.
The Computa Games project is the product of the combined efforts of Martin Arceneaux and Chris Arenas. Joining their deep roots of live funk, electronic/live production and DJing, they formed in the fall of 2012, and quickly released two singles on the Supermart Produce label. The two debuted their live set at Monarch in San Francisco, with follow up performances at SXSW in Austin, and Tipitina's New Orleans. The group's third single "Rock Creek (Revenge)" was released exclusively on Beatport, where it was a featured track on the site's Funk/R&B page and stayed in the Funk/R&B Top100 for nearly 2 months, peaking in the top15. The group then released the "Grand Design" EP in September 2013 on Super Mart Records, followed quickly by a remix of The Pendletons single "Let Me Turn You On" featuring K-Maxx, and then a remix of New Orleans based funk band Galactic's "Heart Of Steel', featuring the legendary Irma Thomas. In October of 2015 Computa Games released their first vinyl 7' on ABC records with 'Do Your Thing' featuring K-Maxx b/w 'Feel Right 2Nite' which promptly established them in the burgeoning modern funk scene. Their follow up 7' was released in January 2017 with the single 'Computer Rock' b/w 'Computer Rock (West Coast Remix) on the New Orleans label Super Jock Records. Computer Rock garnered the duo more accolades with critics and fans alike.
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- Originally released in 1974 on BRC Records (Brunswick
Records Corporation)
- This is rare and in demand LP proudly reissued by
Demon Records on 180g Heavyweight LP with original
artwork and printed inner sleeve
- Key tracks include; 'Loose Hips', 'Get Satisfied', 'Blood
Donors Needed (Give All You Can)' and 'Give It Up'
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2lp: Schwarzes Doppelvinyl Mit Artwork Von Fett Burger
Die Kanadische Produzentin Jayda G Veröffentlicht Ihr Mit Spannung Erwartetes Debütalbum Auf Ninja Tune!
Dank Ihrer Ansteckenden Energie, Vitalität, Ihrer Rhythmen Und Ihrer Grenzenlosen Begeisterung Ist Jayda G In Den Letzten Jahren Im Dance/electronic-music-underground Stetig Aufgestiegen. Musikalisch Ist Das Debüt-album 'significant Changes' Eine Mixtur Verschiedener Stile Von Vintage-drummachine-funk, Die Stark Auf Chicagos House-blaupause Basieren. Eine Natürliche Weiterentwicklung Nach Einer Reihe Von Eps, Sowohl Solo Als Auch Zusammen Mit Ihrem Freund Und Mentor Dj Fett Burger (sex Tags Mania), Die Zumeist Auf Dem Freakout Cult Label Erschienen Sind, Das Die Beiden Bis 2018 Gemeinsam Betrieben, Sowie Auf Ihrem Jüngst Ins Leben Gerufenem Label, Jmg Recordings. Geboren Und Aufgewachsen In Der Kleinen Stadt Grand Forks Im Kanadischen Bundesstaat British Columbia - Etwa Sechs Stunden Von Vancouver - Wuchs Jayda Guy Inmitten Einer Fülle Von Natur Auf, Umgeben Von Bergen Und Wäldern, Flüssen Und Seen. Diese Umgebung War Es, Die Ein Frühes Interesse An Biologie Und Der Natur Im Allgemeinen Weckte: Eine Leidenschaft, Die Sich Immer Weiter Verstärkte, Bis Heute Anhält Und Untrennbar Mit Ihrem Musikalischen Schaffen Verbunden Ist.
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Rua Sound Is Pleased To Announce We Are Back In Action For Of 2019, And A Welcome Return To The Label Of Touchy Subject, Coming In Fresh From His Aurora D Raynes Project With Dan Dans K In 2018.
Support From Tom Ravenscroft And Giles Peterson.
The Go-to Producers For Cosmic, Rootsy Takes On Up-tempo 160-170 Bass Music, Touchy Subject's Second Four-track 12" On Rua Ups The Ambition And Knocks It So Far Out Of The Park Its Broken Windows In The Next Parish Across.
The General Ep Veers Wildly Between Belligerent, Funky Takes On Dusty 90's Boom-bapàla Dj Shadow On "shudder" And 'turnt Up', Cavernous Soundsystem Workouts On "seek And Find", And The Febrile Halftime (just) Jungle (barely) Title-track "general" Bringing The Emotive Goosebump Vibes.
This Is Soundsystem Music Par Excellence, Cerebral, Heady, And Rousing.
We Apologise Profusely To Those Of You Whose Resolutions For 2019 Involved Losing Weight, But This Is Our Fattest Releases Yet.
Last delivered 5 years ago
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TechnoDubDroneExperimentalBeatsAmbientChill-Out
Following a long-player 'Orbiter' on Avenue 66 and an untitled single for Office Recordings earlier last year, mysterious producer Trux follows up with a brand new EP simply titled 'Eleven'.
Throughout the record, textures of mind-bending ambient, dreamy harmonics and crushed, lo-fi experiments are manipulated across the 8-track 12" marking Office's fifteenth release.
The record sits among a discography of artists that includes Iron Curtis, Christopher Rau and of course, label-owner Baaz.
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1 colored white LP in single sleeve with 3mm spine. Printed inner-sleeve. Collectors edition CD album included.
Vinyl (Limited Colored Edition)
Bananarama"s fifth album "Please Yourself" was released in 1993 by London Music Stream and is the first album which features the band as a duo. The album includes the singles: "Movin On", "Last Thing On My Mind", "More, More, More"
Bananarama are often cited as the UK"s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which sound tracked the lives of fans around the world. The news of Bananarama"s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop"s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.
expected to be published on 18 Mar 2019
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A prodigious guitarist at an early age, Willie George Hale earned the nickname "Little Beaver" from friends in family in Arkansas, remarking on his prominent teeth. Over the years Hale would make a name for himself as a reliable session guitarist, appearing on recordings by Betty Wright, Al Kooper, and Blowfly, and gradually developing his own distinct, rhythmic style of blues guitar playing. As the mid-70s approached Hale would embark on his own solo career, cutting albums and singles with Florida's TK Records, working alongside famed musicians like Jaco Pastorius, Benny Latimore, and Timmy Thomas. His career effectively ended in the 1980s with TK's collapse, but he would find new life in 2003 after performing on several Joss Stone albums, and his works would be sampled in hip-hop tunes by the likes of Jay-Z, Slum Village, and People Under The Stairs. Not long after his solo debut in 1972, Hale released the sophomore album Black Rhapsody, which did away with the vocals so Hale could put his own blues guitar chops at the front. Black Rhapsody featured a slew of original deep funk jams from Hale, as well as his own soulful spins on songs by Al Green, The Temptations, The Jackson 5, and even George Gershwin. A rare gem of 70s funk, famously featuring the track "A Tribute To Wes", which beatsmith J Dilla would sample to great effect on the Slum Village track "Conant Gardens."
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Limited to 500 on gold vinyl WW!! Over two decades later, KRS One's debut solo album Return of the Boom Bap finally gets the reissue it deserves. Pressed for the first time on gold vinyl, this double LP not only includes a bonus 7' of Kenny Parker remixes, but also features the first-ever colour sleeve on a U.S. pressing. Stripping away the intricate production of the final Boogie Down Productions album, Sex and Violence, Return of the Boom Bap saw the already iconoclastic rapper return to the bare bones, gritty territory of his landmark masterpiece Criminal Minded. KRS-One's delivery, burned with a reinvigorated fury, spits out his rhymes with pummeling cadences and world-wise intelligence. Although the record isn't as focused on social activism and political protest as the latter Boogie Down albums, KRS-One never made his lyrics simplistic, nor did he turn his back on what could now be called prescient social commentary. The combination of raw beats and emotion-driven rhymes made Return of the Boom Bap a genuine comeback for KRS-One, one of the founding figures of modern hip-hop.
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A 9-track album featuring special guests including Andre Espeut, Moniquea and Adam Chini. After his first album on Omega Supreme Records, the Portuguese producer brings us a new album in which funk, boogie and jazz are fused creating delicate pieces full of groove with a sound that leads us to the 80s. Don't miss it!
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- A1: Stand Beside Me
- A2: Singing The Blues - UK Chart Position: 23
- A3: I Just Want To Dance With You - UK Chart Position: 20
- A4: Whatever Happened To Old Fashioned Love - UK Chart Position: 21
- A5: Give A Little Love - UK Chart Position: 7
- A6: The Way Dreams Are - UK Chart Position: 18
- A7: My Donegal Shore
- A8: Save Your Love (with Mary Duff)
- B1: Morning Has Broken - UK Chart Position: 32
- B2: You Raise Me Up - UK Chart Position: 22
- B3: Footsteps - UK Chart Position: 25
- B4: Whatever Happened To Old Fashioned Love - UK Chart Position: 21
- B5: Secret Love (with Mary Duff) - UK Chart Position: 28
- B6: The Magic Is There - UK Chart Position: 16
- B7: Save The Last Dance For Me - UK Chart Position: 27
- B8: How Great Thou Art
- Daniel O'Donnell's recording career has now spanned almost 35 years and he continues to delight fans around the world by his
recording and touring activities.
- Daniel is the UK chart's most prolific and one of the most successful recording Artists. In 2018, he broke his own world record, by
becoming the first recording artist to chart at least one new album every year in the Artist Albums Chart for 31 consecutive years.
- During his career, in the United Kingdom Daniel has amassed thirty-seven Top 40 albums, including sixteen Top 10 albums, with
fourteen of them this Century, a feat not achieved by any other recording Artist.
- 'The Gold Collection' is a heavyweight 180g Gold-colour vinyl LP, featuring duets with his long-term singing partner Mary Duff his best
known hits, including twelve Top 40 hits, in this 16-track set.
expected to be published on 01 Mar 2019
C/D Side[5,84 €]
The Solar Experience provides uplift. Like any deep dive into the cosmos, take off is gentle but picks up speed as more interlocking details weave like a blur of stars in your shuttle window. Expect turbulence as Anywhere jettisons the rocket and submits mercy to the acid asteroids with a broken beat jumping at every angular bump.
Hyperspeed prevails with the Detroitian-toned technoid stampede Your Place . Momentum sustained by an insistent sense of urgency as more elements hammer into the mix, it s complemented by an unforgettable remix from A Made Up Sound. His only remix of the year, it s a dense and wonderfully fuzzy weave of planet-bouncing rhythmic elements and alien textures that takes you well beyond the point of no return.
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- A1: Dinosaurs Will Die
- A2: Linoleum
- A3: Bob
- A4: The Seperation Of Church And Skate
- A5: Murder The Government
- A6: Bleeding Heart Disease
- A7: Bottles To The Ground
- B1: 180 Degrees
- B2: Party Enema
- B3: What's The Matter With Kid's Today
- B4: Reeko
- B5: Stickin In My Eye
- B6: All Outta Angst
- B7: Leave It Alone
- C1: Green Corn
- C2: The Longest Line
- C3: Thank God It's Monday
- C4: The Idiots Are Taking Over
- C5: Don't Call Me White
- C6: Day To Daze
- C7: Soul Doubt
- D1: Philthy Phil Philanthropist
- D2: Shut Up Already
- D3: It's My Job To Keep Punk Rock Elite
- D4: Franco Un-American
- D5: Kill All The White Man
- D6: Wore Out The Soles Of My Party Boots
Als in den Neunzigern Punk durch Bands wie Green Day und The Offspring sein großes melodisches Revival
erlebte, bedeutete das auch den endgültigen Durchbruch für NOFX. Das kalifornische Trio hatte sich schon
1983 gegründet, schuf 1994 mit "Punk In Drublic" einen bis heute unvergesslichen Skatepunk-Klassiker und
avancierte spätestens mit seinem siebten Studioalbum, "So Long And Thanks For All The Shoes", zum
Punkrock-Schwergewicht. Im Gegensatz zu vielen anderen Formationen weigerten sich NOFX jedoch
resolut, Kapital aus dem wieder erwachten Interesse an Punk zu schlagen. Angebote von Majorlabels wurden
daher konsequent ausgeschlagen. Bis "Pump Up The Valuum" im Jahr 2000 auf den Markt kam, standen
NOFX bei Epitaph unter Vertrag, dann wechselten die Kalifornier zu Fat Wreck Chords, dem Label von
Bassist und Sänger Fat Mike. Zum Ausstand veröffentlichte Epitaph 2004 die Kompilation "The Greatest
Songs Ever Written (By Us)". Die Zusammenstellung enthielt Evergreens wie "Linoleum", "Reeko", "All Outta
Angst", "Bob", "Leave It Alone", "180 Degrees", "Kill All The White Man" oder "The Longest Line" in neu
gemasterten Fassungen. Epitaph bringt die Sammlung nun erstmals auf Vinyl heraus.
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Picture your fercest self, taking your more introverted self on a loving peptalk-fueled shopping spree. Imagine the feeling of driving down the highway listening to Springsteen with a car full of friends. Bathe in the comfort of lying in bed next to a bag of M&M peanuts watching Twin Peaks. Welcome to Sorry Girls.
Easier - their new 7' / double single - presents a culmination in Sorry Girls' sound. Equally steeped in lament and celebration.
Available to reorder, subject to availability
Available to reorder, subject to availability
Albion Collective's first record release of 2019 celebrates the return of Reso to the dubstep arena, with his four track 'Focus inwards EP', featuring a version from TMSV.
Reso's title track Focus Inwards lures your senses in to a hypnotic state. A hollow, pulsing bass tears through the low end whilst sparkling drums and percussion punctuate a vivid and diverse rhythm, a soundtrack to an outer body experience. Immaculate production.
TMSV lifts the pace with his progressive tribal edit. The addition of woodwind and rolling percussion dance around the acid-step vibe in keeping in vibe with Reso's trip-out OG. Festival music.
Available to reorder, subject to availability
The Daktaris is a well-disciplined army of two hundred African Bull Elephants marching relentlessly up your business to the beat from Funky Drummer. Or so began the liner notes on the original pressing of this album.
Truth is often stranger than fiction. In 1998 Desco Records—a precursor to Daptone and Soul Fire records—released The Daktaris' Soul Explosion, ostensibly as a reissue of an unearthed Nigerian LP from the seventies. Though it's now common knowledge that the story was a bit of a hoax, the record's significance as a seminal part of the Afrobeat and afro-funk renaissance of the last two decades cannot be denied. The roots of the Budos Band, Antibalas, and uncountable others can be traced back to this enigmatic afro-funk release.
Now, two decades later, Daptone has remastered the album from the original tapes, including a bonus track that had previously only been available on a 45, and featuring extensive all new liner notes by Bosco Mann telling the bizarre true story behind the Daktaris sessions.
KEY MARKETING POINTS:
- FULLY REMASTERED, including new bonus track, 'In the Middle.'
- Extensive new liner notes by BOSCO MANN explaining the real story behind The Daktaris.
- Features members of The DAP-KINGS and ANTIBALAS.
- Features JOJO KUO (drummer for FELA KUTI) on vox and percussion.
- Originally released on DESCO RECORDS in the 1998, has been out of print for years.
- The spirit of the late, great Fela Kuti runs through The Daktaris' Soul Explosion. - Jazz Times
Available to reorder, subject to availability
- A1: Forever Loving You
- A2: Betrayed
- A3: Baby I Need Your Loving
- A4: What A Feeling
- B1: He's My God
- B2: Jumping Up And Down
- B3: Love Power
- B4: Drums
Originally out in 1983, Love Power is co-produced by Fabian Cooke (from Itopia) and Lloyd Bullwackie Barnes, with assistance from Prince Douglas. Cooke plays most of the instruments himself, with his drumming centre-stage, though Ras Menelik puts in a brilliant shift on congas, and backing vocals are by Sugar Minott and the Love Joys. Cooke's own well-crafted compositions are joined by covers of Irene Cara and the Four Tops, infectiously bridging roots, lovers and synthy, soulful eighties boogie.
Betrayed is solid-gold, signature Wackies. He's My God is a tasty sip of low-slung, grooving gospel-reggae. Evoking Michael Jackson, the jamming album-closer Drums is top-notch disco-reggae, opportunely poised for revival.
Terrific stuff, full of personality, charm and in-ting hybridity.
Available to reorder, subject to availability
The story of Seattle's rise to global rock supremacy in the late 80s and early 90s begins with Green River. Made up of Jeff Ament (bass), Mark Arm (guitar/vocals), Bruce Fairweather (guitar), Stone Gossard (guitar) and Alex Shumway (drums), the
quintet put out three 12's and a 7' single during its brief existence.
Green River's influence on Seattle's music scene spread far and wide thanks to the members' dispersion into bands including Pearl Jam, Mudhoney and Love Battery, as well as the punk glam sludge rock songs they left behind. 'By '83, '84, there was
definitely a movement that was happening within hardcore, like Black Flag slowing down for My War,' says Arm. 'The Replacements and Butthole Surfers were rearing
their heads, and they're very different bands, but they're not hardcore - the Replacements are pretty much straight-up rock, and Butthole Surfers were God knows what. Sonic Youth's Bad Moon Rising was around, and a lot of really
interesting post-hardcore things were happening.'
Green River, formed in 1984, were part of that evolution, with a sound that straddled a lot of different genres - blues, punk, bloozy straight-ahead rock. The mini-LP 'Dry As A Bone' - which came out in 1987 - and the band's lone full-length
'Rehab Doll' - which came out in 1988 - were released as a single CD with a few bonus cuts, including their sneering cover of David Bowie's 'Queen Bitch' and their marauding version of Dead Boys' 'Ain't Nothin' to Do', in 1990 - but they've been
unavailable on vinyl for years.
Now, these slices of Seattle music history are not only back in print, they're accompanied by items from the vaults that had been forgotten about for decades.
'Dry As A Bone' was recorded at Jack Endino's Reciprocal Recording in 1986 and it shows the band in furious form, with Arm's yowl battling Fairweather and Gossard's
ferocious guitar playing on 'This Town' and 'Unwind' opening as a slow bluesy grind then jump-starting itself into a hyperactive chase. The deluxe edition includes Green
River's cuts from the crucial Seattle-scene compilation 'Deep Six', as well as long-lost songs that were recorded to the now-archaic format Betamax.
'Rehab Doll', recorded largely at Seattle's Steve Lawson Studios., bridges the gap between the taut, punky energy of 'Dry As A Bone' and the bigger drums and thicker
riffs that were coming to dominate rock in the late 80s. This new edition of 'Rehab Doll' includes a version of 'Swallow My Pride' recorded to 8-track at Endino's Reciprocal Recording, which features a more accurate depiction of how the band
sounded when they played live. 'When I listen to these mixes, I think, 'This is how we actually sounded - this is the kind of energy we had,'' says Shumway.
Green River's place in American music history is without question but these recordings paint a more complete picture of the band - and of rock in the mid to late 80s, when punk's faster-and-louder ideals had begun shape-shifting into other ideas.
CDs in digipack with 12-page booklet. 2LP formats in gatefold jacket with custom dust sleeve and digital download code.
Available to reorder, subject to availability
Split album by Joe Corfield and Slim, two of UKs most promising beatmakers. It's the follow-up to the 'KO-OP 1' album by Smoke Trees and Juan Rios on KO-OP, the sub-label and community dedicated to the art of beatmaking founded by reknown hip-hop label Melting Pot Music from Cologne, Germany.
When we started KO-OP in the summer of 2017, little did we knew where this journey would take us to. Ever since we had the pleasure to work with 21 artists from all over the world and have put out almost 80 tracks on lp, tape and digital. Now we are happy to share with you KO-OP 2 - a split album by two of our favourite producers from the UK: Slim and Joe Corfield. Slim is one half of London rap group Summers Sons. The Sons are signed to MPM where they have released two albums ('Undertones' & 'Uhuru').
In February 2019 Summers Sons will play their first German tour together with Children of Zeus. Slim has released instrumental cuts on KO-OP, Brownswood and Banoffee Pie, plus a beattape on Yogocop Records. Joe Corfield hails from Birmingham and has released a string of albums via Radio Juicy and Yogocop.
He is coming with his very own sound. Futuristic and soulful, with a great ear to detail. It was actually Flofilz' idea to have them both on one record. 'KO-OP 2' will be released on one LP with two individual covers by Rahel Süßkind, a Berlin based artist (and part of Money $ex Records) who is responsible for all KO-OP artwork.
Available to reorder, subject to availability
Blues Creation was founded in Tokyo in 1969. They released this, their impossibly rare debut of American blues covers, that same year. Featuring covers of Sonny Boy Williamson, Chester Burnett, Memphis Slim, Willie Dixon, and more, this is the greatest recorded example of the Japanese obsession with American blues music. The band would record several more albums and then come back as, simply, Creation, but nothing reached the sheer blues rock heights of their debut.
Available to reorder, subject to availability
This EP represents the darkest side of Erta Ale's productions, with 4 Tracks born from Ale's process of jamming and improvisation.
With the dancefloor in mind, this release also pays attention to analog texture, repetitive yet asymmetrical patterns and an occasional strange acid line.
A dynamic EP for Solenoid Records's 4th release.
Available to reorder, subject to availability
Available to reorder, subject to availability
Elbee Bad, LB Bad, The prince of dance music, has been making music from the early days of 1988, this Brooklyn raised artist had recorded on Nu Groove, and his legendery Laharon label to name a few, with a style of his own, this release carries on in the tradition.
Available to reorder, subject to availability
- A1: Reel People feat. Mica Paris - I Want To Thank You
- A2: Reel People - Twilight
- A3: Reel People feat. Angie Stone - Don't Stop The Music
- B1: Reel People feat. Navasha Daya - I'm In Love (12" Mix)
- B2: Reel People feat. Tony Momrelle - Buttercup
- B3: Reel People feat. Sharlene Hector - Always There
- C1: Reel People feat. Tony Momrelle - Can We Pretend
- C2: Reel People feat. LaSharVu - I Need Your Lovin
- C3: Reel People - Joyous
- D1: Reel People feat. Navasha Daya - Can't Fake The Feeling
- D2: Reel People feat. Omar - Thinking About Your Love
- D3: Reel People - Keep It Up (feat. Anthony David)
While their trademark sound has always been flourished with plenty of nods to the past - think jazz-funk, disco, acid jazz and boogie - Reel People's career has been forged on crafting new songs and instrumentals. For their latest album, "Retroflection", they've decided to flip the script, serving up a set of covers of classic cuts with the assistance of some notable vocalists. It's a neat twist and one that results in a string of superb revisions. Check, for example, the Mica Paris-fronted take on Alicia Meyers' "I Want To Thank You", their starry version of electrofunk staple "Don't Stop The Music" (complete with sublime Angie Stone vocal), an Incognito style take on Willie Bobo's "Always There" and a riotous, scene-stealing romp through Pleasure favourite "Joyous".
Available to reorder, subject to availability
Hip-HopReggaeAfrobeatPopWorld Music
Africa cumbia psychedelic
Available to reorder, subject to availability
- A1: Gimme The Car
- A2: Blister In The Sun
- A3: Gonne Daddy Gone / I Just Want To Make Love To You
- A4: Kiss Off
- A5: Add It Up
- B1: Black Girls
- B2: Jesus Walking On The Water
- B3: Children Of The Revoluton
- B4: Held Her In My Arms
- C1: Nightmares
- C2: American Music
- C3: Breakin' Up
- C4: Color Me Once
- D1: I Danced
- D2: Country Death Song (Live, 1998)
- D3: Freak Magnet
- D4: Good Feeling (Live at Rhino)
A comprehensive overview of the Violent Femmes 30+ year career, features
17 of the band's biggest hits including 'Blister In The Sun', 'Add It Up',
'Nightmares' and 'American Music'.
The double LP is being pressed on Coke-botle clear vinyl and limited to 3,000
copies. Cumulatve worldwide sales of the Violent Femmes are in excess of 10
million copies.
Available to reorder, subject to availability
Following releases from Mituo Shiomi / Drum Machine and Takeshi Kouzuki, Italian imprint Alley Version is back courtesy of their third release, the split E.P. 'Parallel Journeys'.
This time about, the label welcomes Sähkö Recordings man Nasty Boy to the fold alongside the label owners, FLML. Opening the release is the sounds of Nasty Boy's thrilling 'Give Up'. A slow tempo dexterous and exotic deep house track. Nasty Boy's other original cut here is 'Touching the void', a more raucous track with a heavy emphasis on drum patterns and sharp, simmering synths.
The B side kicks off with FLML's 'Oblivion Street', an analogue-heavy cut deep house jam that's perfectly suited to those dark, colder nights. Culminating matters soon after is FLML's 'Bouncy Dream', a good-time house record whereby FM piano-laden vibes cause havoc from the get-go. Limited vinyl only.
Available to reorder, subject to availability
For their second release, NBN Records select Walter Mecca, the enigmatic character out of Paris' suburbs, who built an extensive catalogue over the last decade under various aliases on his own imprint Weirdata.
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He steps up here to deliver his first vocal opus "Lose Control" under the moniker of Waltaa as we discover another side of the multi-faceted artist. The result is a truly unique hybrid R&B project spiced up with touches of Jazz fusion.
Blending contemporary vibes and early Timbaland productions on the hit single "Ready Or Not" , his song writing and arrangements are further illustrated on the smoothed-out low funk of the two-part title track - "Lose Control" .
An alien in the music industry, Waltaa reaffirms his eccentric character, staying out of step with current trends while maintaining a timeless quality, rooted one foot in the next.
Available to reorder, subject to availability
"Torino" is SONAR's sophomore album. Once again music was produced by Lukasz Stachurko, pianist Artur Boguslawski and drummer Rafal Dutkiewicz with beautiful vocal from Lena Osinska. With this4
album SONAR would like to make you dance.
It's been just a year and a half since the release of SONAR's debut 'Petle'. The band returns with an album of 11 premiere songs! Among which you can hear Lena singing in English for the first time. SONAR's collaboration with US-based singer Miles Bonny and rapper from Chicago - Squair Blaq presents that distance is not an obstacle to
create good music.
Several people are responsible for the lyrics -Mateusz Holak, Wanda Berger, Arek Sitarz (Ras) and Lena.
Michal "Eprom" Baj was responsible for mix and mastering. Karolina Zajaczkowska designed the cover and made all the photos. Album also features incredible hand-painted artwork from Zbiok Czajkowski.
CD and digital verison was released on March 2018 and received great response:
SONAR "Hidden Garden" (official video http://youtu.be/KCg8bkQ0bHE more than 590k views)
SONAR "Face The Sun" (official video http://youtu.be/ji9x1rxlhi4 more than 660k views)
The vinyl version was released on 180g black vinyl with printed inner sleeve. 300 copies only.
Available to reorder, subject to availability
PLEXITY
...the simplistic complexity of subliminal melodic aggression.
Drivetrain (Detroit, USA) - 'Lozen'
A paradoxal tribal eruption crafted by label chief, Derrick Thompson.
Filtered patternization built on barbaric harmonic algorithms.
Teknobrat (Ottawa City, CANADA) - 'Relapse'
A vicious debut headlining a twisted, distorted analog synth abducted by
a rancid 909 beat machine.
DJ Mourad (Tunis, TUNISIA) - 'All Fixed Up'
We welcome another revered DJ/Producer, this one takes
an expedition through incalculable rainbows of acid-tech and the unexplained.
Hughes Giboulay (Beaucaire, FRANCE) - 'Genése'
Another first installment to Soiree...highlighting an emotionally driven
chord progression with encapsulating rhythm incisions, biting at the bass foundation.
Available to reorder, subject to availability
HAVING AMASSED OVER 100 MILIION STREAMS ON PREVIOUS RELEASES TOGETHER, RITON & KAH-LO HAVE BECOME ONE DANCE
MUSIC'S MOST IRRESISTIBLY IN-DEMAND DUOS.
Available to reorder, subject to availability
- A1: What Christmas Means to Me (featuring Stevie Wonder on harmonica)
- A2: Silver Bells
- A3: Have Yourself a Merry Little Christmas (featuring Esperanza Spalding)
- A4: No Place Like Home
- B1: Bring Me Love
- B2: Merry Christmas Baby/Give Love on Christmas Day
- B3: Christmas Time Is Here
- C1: Waiting for Christmas
- C2: Purple Snowflakes
- C3: The Christmas Song (Chestnuts Roasting on on Open Fire)
- C4: Please Come Home for Christmas
- D1: Wrap Me Up in Your Love
- D2: By Christmas Eve
- D3: Merry Merry Christmas
Available to reorder, subject to availability
- A1: Debris
- A2: Pull Up feat. Takura
- A3: Hold Me Close
- B1: Make It Real feat. Riya
- B2: No Lights feat. MC Fats & T.R.A.C
- B3: Alibi - Destiny
- C1: Alibi - Scuffed
- C2: Said & Done feat. DRS
- C3: Smash Through The City feat. Serum, L-Side & T.R.A.C
- D1: Musihertz feat. Sofi Mari
- D2: Alibi - Recycle
- D3: Grace feat. Cleveland Watkiss
- D4: You feat. Lorna King
* 13 tracks featuring the likes of DRS, Serum, Riya, Cleveland Watikiss, Lorna King, L-Side, MC Fats, T.R.A.C and Sofi Mari.and many more.
* Colourful, effervescent, and energetic, the Brazilian drum & bass scene has given us some of the most distinctive production voices in the game. Including São Paulo's Level 2 and DJ Chap or, as they're known collectively, Alibi.
* 'In each of the songs, we expressed our feelings and each song carries a unique message. The album itself talks about life. We all go through times where we fall and get hurt. Then we get up and we recycle. In every single situation: we learn.' - Alibi
* Alibi signed exclusively to V Recordings at the end of 2015, and this LP shares the characteristics held dearly by both the duo and the label. Weaving together threads from the duo's shared funk, soul, reggae, and hip-hop influences with the drum 'n' bass tutelage of shared heroes like S.P.Y., Calibre, D-Bridge and the late Marcus Intalex, this is set to be the most complete statement of their musical vision so far.
* Each track from the album stands as an example of their impeccable production, starting with 'Debris' which is filled with cinematic textures and a sub-low reese typical to their sound. The album plays home to a handful of other lighter atmospheric pieces, including 'Recycle', 'Destiny', and 3 other tracks with Riya, Cleveland Watkiss and Lorna King, all gracing the booth with their vocals. The duo can effortlessly skip between sub-genres, shown by the tracks on the LP that would be more suited in a dark club at 5am, such as 'Smash Through The City' with Serum, L-Side & T.R.A.C., as well as the floor shaking 'Scuffed' - there's a style to cater to everybody.
* With V Recordings celebrating their 25th anniversary, there really is no better time for Alibi to cement themselves as one of the crown jewels of the label and the scene as a whole.
Last delivered 7 years ago
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This highly prolific UK Drum and Bass producer returns with his second Tempo Records release. This work sees Alex' Judd rhythmic tweaks and overlays of texture with intricate melodies, heavy dub basslines giving the tracks a live & energetic feel. He draws out each track with his own distinctive craftsmanship and still giving them space to breathe. ''U Got me'' might be his best work to date but that's just our opinion. ''No Hype'' on the flip side says it all; music shouldn't be a hype but this release surely creates a huge buzz with all the dj's worldwide. This release comes as a limited 140g crystal clear vinyl pressing with full artwork sleeve + white glossy inner sleeve, including a mp3 download voucher + a free poster/inlay and all tracks mastered by Stuart Hawkes of Metropolis Mastering London.
Early Dj Support & Feedback
More Coming Soon!
Ltj Bukem thanks For Sending'
Grooverider good'
Icicle thanks, I'll Support No Hype On Rinse Fm'
Dj Flight nice Release, U Got Me & Loved Up Are Probably My Picks On First Listen. Will Play The Former This Weekend.'
A-sides no Hype', Thanks!'
Doc Scott thank You'
Drumsound & Bassline Smith nice One'
Gremlinz dope'
Hyroglifics (aka The Executioner) nice Ep!'
Villem hype Hype Hype'
Lynx yesssss Not A Media Hype!'
Chromatic nice Ep, Big Up Alex!'
Dj Clarky great Tracks On This'
Dj Chef (ministry Of Sound) big Ups Full Support'
Dj Tendai (swerve) loved Up Is Sublime'
Dj Kalm great Release Thanks!'
6blocc love The u Got Me' Track'
Earl Grey u Got Me Is The One, Badness.'
Arkaik will Be Supporting 'no Hype' Thanks'
Bulletproof Tiger (nyc, Usa) always A Pleasure To See Tempo In My Inbox. Biggups Y'all'
Dj Ros (addiction Fm + Label, Poland)'!'
...
Radio & Podcast
Coming Soon!
Icicle (rinse Fm) thanks, I'll Support No Hype On Rinse Fm This Thursday 20-09-2018'
Dj Chef (ministry Of Sound) big Ups Full Support'
Onedek (origin Radio Uk) awesome!!!!!'
Andre (soulsurfer - Bassdrive) now This Is A Strong Release... I Agree That This Is Alex Greatest To Date. U Got Me, Loved Up And Feel Good Are Immediate Favorites. Support In Club And Radio!'
Benjamin (the Dance Mission Dnb Show - Kiss Fm Australia) cool Music'
Overfiend (bassdrive) superb!'
Stunnah (bassdrive) big Release!!'
Chris Muniz (insomniac / Bassrush) mashing It Up Proper!'
J Swif (dnb Hq Podcast) dope Release Duded, 'feel Good' Is The One!'
Stanislav (zima - Czech Radio 1) gonna Play no Hype' Today... Cheers. Stanislav'
Matze (urban Wildlife / Syncopix Records) 5/5 The Rework Of Sweet Sensation Is Killer. The Crowed Loved It. Cool Arrangement And Use Of The Vocals. Feel Good With It´s Long Bassline Is Also A Most Functional Dance Floor Banger. Thanks For This One!'
Jose (nas Radio Show - Brazil) awesome Crazy Material Right Here'
Simon (see You Next Life Podcast & Night) soul Intent Fan Here So It's All Good. Cheers!'
Francesco (delta9 Recordings / Podcast) interesting And Diverse Album! All Are Great, Fav Are Loved Up And No Hype'
...
Reviews Blogs & Magazines :
More Coming Soon!
Julian (mixmag Germany Dnb Reviews) i Really Enjoy loved Up'.
Aliina (jungledrumandbass) big Up !!
Matthew (one Hour One Dj) great Tunes. Particularly Feeling The Two 2 Sides, Loved Up And Feel Good. Lovely Gritty Rollers.'
Rohan G. (dj Mag Spain) pow!'
...
Available to reorder, subject to availability
- A1: Santa Claus Is Back In Town
- A2: White Christmas
- A3: Here Comes Santa Claus (Right Down Santa Clause Lane)
- A4: I'll Be Home For Christmas
- A5: Blue Christmas
- A6: Santa Bring My Baby Back (To Me)
- A7: Silent Night
- A8: Oh Little Town Of Bethlehem
- A9: Treat Me Nice
- A10: My Wish Came True
- A11: Don't
- B1: I Belive
- B2: Tell Me Why
- B3: Got A Lot O' Livin' To Do!
- B4: All Shook Up
- B5: Mean Woman Blues
- B6: (There'll Be) Peace In The Valley (For Me)
- B7: I Beg Of You
- B8: That's When Your Heartaches Begin
- B9: Take My Hand Precious Lord
Since its original release in 1958 this classic Christmas album from Elvis Presley has sold more than 15 million copies! His third full length album, Elvis' Christmas Album, was recorded in Hollywood, and includes the Lieber and Stoller classic "Santa Claus Is Back in Town" as well as several gospel songs and Christmas standards. Perfect gift for this holiday season.
Available to reorder, subject to availability
HouseElectroDiscoDanceHip-HopHip-Hop
For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London's dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.
Lawrence's most recent publication, Life & Death On The New York Dancefloor, 1980 - 1983, published in late 2016, shines a light on 'one of the most dynamic and creative periods in the history of New York City'. Falling between the more regularly celebrated sounds of disco, house and techno, the period produced a uniquely hybrid series of sounds that never acquired a settled name. This led them to be largely ignored by historians and even DJs, yet the power of the period's music and the scenes it birthed, Lawrence argues, remains undeniable. Met with a rapturous response, Life and Death On The New York Dance Floor saw Lawrence on the road for most of the next year as he spread the word about the characters, the records, the clubs and the bands that shaped the post-Disco, post-Punk, and burgeoning Hip Hop landscapes of New York City during the early 1980s—a period when freedom still ruled.
This, the first of a 2-part sonic tribute to the 1980 - 1983 era as well as a musical companion piece to Life & Death On The New York Dance Floor sees recognised musicians (David Byrne of Talking Heads) nestle up alongside the belatedly recognised (Arthur Russell's Dinosaur L and Loose Joints, and Suicide's Alan Vega) and the downright obscure (Gray, 2 Teens Kill 4 and Tuxedomoon). An indication of what's to follow, Dinosaur L's original album version of 'Go Bang' has been dramatically overshadowed by the definitive François Kevorkian remix yet received regular play by David Mancuso and remains an enthralling experimental Arthur Russell jam.
Lovingly curated across 2 slabs of vinyl, the album introduces listeners to a stunning array of sounds, styles, vibes and feelings that encapsulate this most fertile and forward-thinking era, when music, fashion, sound system innovations, leaps in music technology, a DIY attitude and a freedom from corporate politics combined with extraordinary expressivity. All music contained within this album has been hand-picked and programmed by Tim Lawrence. It represents a selective yet rich introduction to one of the most extraordinary periods in New York City's epic musical history.
This is the first release on Reappearing Records, a label led by Tim Lawrence and distributed worldwide by Above Board distribution. Licensing courtesy of Tracksuit Music. Mastering by Optimum Mastering, Bristol UK. Artwork & design courtesy of Atelier Superplus. 2018.
Last delivered 3 years ago
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- A1: Planet Of The Simius
- A2: Living It Up feat Enda Gallery
- A3: The Flute Song
- A4: Flashback feat Kilnamana
- A5: Spanish Footwork feat Ana Menjibar & Ana Sola
- B1: Discoteca Basica
- B2: Toda La Noche feat MNKYBSSN
- B3: La Hacienda
- B4: Space Jam feat Kelvyn Colt
- B5: Estrellita feat Chava RYM
- B6: Good Bye Simius
- C1: The Flute Song (Paul Kalkbrenner Remix)
- C2: Living It Up feat Enda Gallery (Ada Remix)
- C3: Spanish Footwork feat Ana Menjibar & Ana Sola (BAAL Remix)
- C4: La Hacienda (Paulo Olarte Remezcla Papaya)
- D1: Planet Of The Simius (Dirty Doering Remix)
- D2: Planet Of The Simius (Hidden Empire Remix)
- D3: Spanish Footwork feat Ana Menjibar & Ana Sola (Magit Cacoon Remix)
I Produced The Record That I, As A Music Fan, Wanted To Hear From Me."
Anyone Who Can Say That Has Already Won. "planet Of The Simius", The New Album Of The Berliner By Choice And Eternal World Man Kid Simius, Is The Opus Magnum
Available to reorder, subject to availability
Tumultus Cras - Oder Wie Der Anarchismus Das Shaken Zur Marschmusik Lernte.
Bevor Die Ohren Und Beine Mit Warp-geschwindigkeit Durch Ein Knallbuntes Und Mit Allen Wassern Gewaschenes Soundgroovefourtotheflooroderauchnicht-universum Geschossen Werden, Wird Im Intro Gleich Mal Der Zünder Eingestellt, Der Dieser Neuesten Konkord-release Den Fetten Boost Mit Auf Die Reise Gibt.
Das Dynamit Heißt Schlicht ... Spielen, Ausprobieren, Experimentieren, Regeln Kennen, Regeln Brechen, Neue Regeln Aufstellen, Langeweile Abstellen, Neue Situationen Aufploppen Lassen. Spielen Heißt Performen, Die Crowd Zum Shaken, Instrumente Zum Tanzen Bringen. Kinder Können Am Besten Spielen, Und The Kinder Können Es Am Allerbesten.
Der Sound Von The Kinder Bei Einem Live Konzert Versprüht Einen Charme, Der Sich Genau So Schwer Ohne Kompromisse Auf Studioaufnahmen Bändigen Lässt, Wie Die Improvisationen Einer Frühchristlichen Garagenband, Die Beim Pilzepflücken Im Wald Das Tamburin Gegen Ein Casio-keyboard Tauscht.
- Lp (inklusive Cd)!
Available to reorder, subject to availability
Hip-HopFunkSoulPopJazzBluesSwing
In celebration of Aretha Franklin's Iconic legacy, her first Christmas album and 36th studio album will be re-released in November for the first time ever on vinyl. The acclaimed artist puts her timeless stamp on a mix of 11 traditional and contemporary classics associated with the Christmas season. Aretha Franklin herself produced three tracks and arranged and added her inimitable touch as a pianist to two tracks ("Silent Night" and "14 Angels").
Available to reorder, subject to availability
Available to reorder, subject to availability
- A1: Happy To Be Alive
- A2: Basie 77
- A3: It's Easy
- A4: Expanding Markets
- A5: Land Of Opportunity
- A6: Against The Odds
- A7: Ooops!
- A8: Pride In Purpose
- B1: Winner Takes All - Opening
- B2: Winner Takes All - Closing
- B3: The Road Forward - Opening
- B4: The Road Forward - Closing
- B5: Trademark
- B6: Tense Preparation
- B7: Light Preparation
- B8: Under Pressure
- B9: Speedway
- B10: Double Quick
- B11: Made It
- B12: Pick Up
- B13: Accolade
LP,180g, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART
Released in 1976, Distinctive Themes / Race To Achievement is legendary arranger Nick Ingman exploring the two distinct ideas of 'impressive themes varying in style from 'Basie to Elgar'' and 'a study in the pressure and rewards of achievement'.Distinctive Themes is a veritable indulgence of variously-tempoed, full orchestra, big band workouts, from relaxed swing to more propulsive themes. The progressively building 'Expanding Markets' is a true highlight, with its rolling pianos, contemplative electric guitar solos and moody horns over skipping beats.
The dramatic 'Against The Odds' is another stand-out.
Race To Achievement is all rugged funk with stabbing chords and strutting horns and it's probably our favourite side. Of course we have to acknowledge the fantastic 'Tense Preparation', sampled by Prince Paul and Dan The Automator for Handsome Boy Modeling School's seminal 'Magnetizing' with Del Tha Funky
Homosapien. But the whole side's range from tense underscores to fast and punchy chase themes makes this is a gem of the KPM catalogue.
As with all ten re-issues, the audio for Distinctive Themes / Race To Achievement comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current
custodian of KPM's brand identity.
Available to reorder, subject to availability
LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART
Alan Hawkshaw (piano/Hammond) and Shadow's drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today.
Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw's and Bennett's immaculate beat-driven soundscapes for their own usage.
Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a fair these two have perfected over years.
Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carrylots of deft studio work that many a producer would give their right arm for.
Hawkshaw's arrangements allow the drums, guitar, bass, strings, Hammond, fute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.
Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been aforded the care and attention it rightly deserves. Essential.
Available to reorder, subject to availability
Impish Presents: Occulti Music Xi Album Feat. Zero T, Fd, Dave Owen, Roy Green & Protone, Humanature, Cutworks And More.
Occulti Music Returns With An Anniversary Album Compiled By Head Honcho Impish That Features 13 Tracks By Label Friends Zero T, Roygreen, Humanature And Others Of Which 4 Are Featured On The Vinyl Release. We Believe The Album Truly Showcases What The Label Is About: A Combination Of Deep But Musical Sounds.
Available On 12" Vinyl + Full Album Download Code.
Available to reorder, subject to availability
TechnoTechnoIndustrialExperimentalBeatsAbstract
For the third chapter of Refined Productions Aleksandra Grünholz aka We Will Fail delivers her third full length album entitled Dancing on her recently launched label with Jakub Mikolajczyk, head of MonotypeRec label and MonotypePressings. Here she tells the story:
'Taking a break from rationality, my first thoughts about the theme of this album were about the night, when our sight is limited and thoughts are corrupted by fatigue. I don't dance anymore, I don't party, I don't let myself go. Some time ago that part of life slipped away from me. This album is like silently entering into a place you shouldn't be in. A lot of rave inspired sounds were used on the album, dreamy pads, arpeggios, simple melodic structures; but this album is not easy and simple.
As head of a graphic design studio in Warsaw, last year was very hard for me, the amount of work started to overwhelm me; I started to feel stupid and possessed by the work, this is how the tracks 'Very Urgent' and 'Economic Maladies' were born. While the track 'Reason' is about losing rationality and how easy it is to do.
'Put Your Hands Up in the Air' encompasses the rave. It's also a kind of question, can music itself tell a story Very often in EDM or trance music there is a story and I like to call it catharsis. A moment, when the beat slows down and melody/pads become solo. I tried to extract this moment, without adding drops and aggressive rhythms.
'So Who's the Man' is about regaining the power, slowly but consequently. This album is a about feeling bold, monstrous and strong. Like looking insolently into someones eyes. You have to be patient with this one, because it builds up slowly. If you listen only for a fragment you miss the whole idea.
'Beasts from the East' was inspired by the thought of being a small peace loving person in a chaotic world that is dominated by stupidity.
The track '2018' epitomises the rave, but more complicated. Each of the layers are a but simplistic and could construct a dance track, but as there are so many sounds simultaneously, it can become disturbing in the perfect way.
'Diving in Plastic' was fit for the last track, I didn't want the album to have a perfect conclusion, I wanted to leave the listener hanging and ready for more.'
Available to reorder, subject to availability
TechnoIndustrialBeatsExperimental
Tren Rezno Is The First Release By Blusher, A Music Project By Artist, Writer, And Game Designer Aidan Wall. Produced Between Dublin And Amsterdam Over The Course Of A Couple Of Years, Tren Rezno Is A Spectral Mixture Of Ambient Compositions, Strummed Songs, Field Recordings, And Club-focussed Tracks That Are Just As Likely To Make The Listener Weep As They Are To Make Them Dance. Drawing From Influences As Varied As New York No Wave, Playstation Game Soundtracks, And Traditional Irish Music, Tren Rezno Is A Strange Collage Of Thoughts And Impressions That Hints Towards Contemporary Experiences Of Precarity And Anxiety, Just As It Hints Towards The Timeless Experiences Of Splinted Affection, Singing Into A Pint With A Friend, Or Falling In Love On The Dance Floor.
Tren Rezno Is Available Digitally As A 13 Track, 50 Minute Long Album, And Physically As A 5 Track Record, 30 Minute 12' Record.
Available to reorder, subject to availability
Third album from U.S. Hip Hop rapper, singer and producer.
The album has already charted Top 10 ahead of the 17 song physical release. Includes the Top 10 hit single "Sicko Mode" and more to follow. Radio support across R1, Capital, Kiss, ILR, with playlists and ads. Online, social media activity. Ads, features, interviews and reviews across all press. Video plays at Vevo and MTV.
Just moved to November 9th.
Last delivered 9 months ago
available to reorder, subject to availability
Vinyl Only - LTD 200 copies - 125 BPM Techno, deep and dancefloor... Superb machinery, produced by Mik Izif (Physicial, Alternative) and Dolby D (Dolma, FT Sound...)... 2 very good producer and at least a fat press cut at Shane The Cutter's place... Tunes are just crazy with one Bass Techno on the A and one broken techno turning 4/4 after the first break and returning break after the second brak... Too Good !!! LIMITED 200 COPIES !
Available to reorder, subject to availability
Hospital Records proudly presents the debut long-player from the illusive and ingenious Mitekiss. Flirting with an array of drum & bass styles, 'Crate Six Seven' inhabits the deeper realms of liquid-jazz, soul and ambient jungle across 14 tracks.
Available to reorder, subject to availability
DFA release Crooked Man's new album, 'Crooked House'.
Speaking about the album's lead track, 'Take It All Away',
Crooked Man says: 'It's about not being suffocated under the
mountains of useless crap that Mammon shits into every
crevice of modern life... quite possibly the world's only anti
consumerist disco song.'
The elusive Crooked Man returns to DFA with 'Crooked House'
LP, a maximalist take on electronic and house music that picks
up where 2016's self-titled album left off. Teaming up again
with Michael Somerset Ward (Clock DVA) and David Lewin
(Bleep & Booster) in the studio, Richard Barratt crafts a
comprehensive journey of hi-fi house belters with more sinister
electro-pop mixed in for good measure.
The album is influenced by two historic epicentres of electronic
music: Sheffield UK, where Richard has had an illustrious
career in a mix of legendary groups like Funky Worm, Sweet
Exorcist and The All Seeing I; and the NYC Loft-era disco
sound, where extended grooves were layered with peaktime
choruses.
Richard's diverse collaborations and intensely prolific
discography have now led him to records as lush and
sophisticated as 'Crooked House'. Considering the rarity of a
live Crooked Man performance or DJ set, it's a testament to his
hyper-creativity that these tracks are able to reach new heights
in a club setting. With support from disco historian Bill Brewster
and NTS resident Ross Allen, it's clear that 'Crooked House'
brings a timeless vitality to the current landscape of dance
music and continues an exciting new chapter in Crooked Man's
career.
LP format includes digital download code.
Available to reorder, subject to availability
- A1: Hyper On Experience - Lift Me Up (luna-c Remix
- A2: Pete Cannon - The Box (sunny & Deck Hussy Remix
- B1: Alex Jungle - The Need In Me (m-project Remix
- B2: Shadowplay - Calling Me (clayfighter Remix
- C1: Wislov - You Make Me Happy (audio X Remix
- C2: Paul Bradley - Magic (empyreal Remix
- D1: Sunny & Deck Hussy - Only You (mannik Remix
- D2: Ant To Be - Nobody Likes Me (scartat Remix
- E1: Demcore - Believe (ant To Be Remix
- E2: Rock Deh Riddum (dj Ham Remix
- F1: Anglerfish & Lucider - Rumba! (shoreman Remix
- F2: Audio X - Set Your Feelings Free (liquid Remix
* This triple pack LP is the 100th release from Kniteforce Records, and is a showcase for the brand new 'old skool' styled hardcore. Containing a spread of big name artists from the originals, such as Liquid, Hyper On Experience, Luna-C, Alk-e-d, Dj Ham and Future Primitive, to newcomers such as Pete Cannon, Alex Jungle and Ant To Be, every track slams home the new old sound of today (yesterday) with the style and competence expected from the Kniteforce Family. Full of variety, and the very essence of the music from 1991 - 1996, this is not to be missed!
Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
Available to reorder, subject to availability
- A1: I.O.T.A. (Instrument Of The Ancestors)
- A2: Play It Up
- A3: Overload
- A4: Blam
- A5: Williehook (Skit)
- A6: Aerosol
- A7: Vital Transformation
- B1: You Can Always Count On Me (ft Shana Jenson)
- B2: These Are The Things I Really Like About You (ft Dudley Perkins)
- B3: Canadian Hillbilly
- B4: Conmigo (Reprise)
- B5: Bobbie's Dittie
- B6: Ciao
Georgia Anne Muldrow returns with a modern soul classic in the
making - 'Overload', via Flying Lotus's Brainfeeder record label.
An incredibly talented vocalist, songwriter and producer,
Georgia Anne Muldrow effortlessly spans jazz, soul and hip hop
and, during her 12 year career, has collaborated with Madlib,
Erykah Badu, Dev Hynes aka Blood Orange, Bilal and Robert
Glasper.
'Overload' was executively produced by Flying Lotus, Aloe Blacc
and Dudley Perkins.
For fans of NxWorries, Erykah Badu, The Internet, Madlib.
Notable collaborations on 'Overload' include Dudley Perkins,
Shana Jenson, Moods, Lustbass and Mike & Keys (50 Cent,
Nipsey Hussle, Snoop Dogg, G-Eazy), who contribute
production to four tracks including the sleek, anthemic title
track alongside Khalil (Dr Dre).
CD digipack. LP pressed on 180g heavyweight black vinyl in an
artworked innersleeve housed in a 3mm spined outer sleeve
with digital download card included.
Artwork by Martin Norwood (Nice Dreams Studio). Layout by
Adam Stover.
'No one sings a heavy love song like Georgia Anne Muldrow' -
Pitchfork Best New Track
'Beautifully poised between classic 90s R&B and something
strange, disorientating and psychedelic.' - The Guardian
Available to reorder, subject to availability
- A1: LEBEN UND ARBEITEN - AMANITA
- A2: MALARIA! - YOUR TURN TO RUN
- A3: AUSSERHALB - ZEITZELLE
- A4: DIE HAUT - DER KARIBISCHE WESTERN
- B1: AUS LAUTER LIEBE - PINGELIG
- B2: MANIA D. - TRACK 4
- B3: EXKURS - FAKTEN
- B4: CHRISTIANE F. - WUNDERBAR (OPTIMO EDIT)
- C1: SPRUNG AUS DEN WOLKEN - DUB AND DIE
- C2: P1/E - UP AND ABOVE / UP AND ABOVE DUB
- C3: FRANZ ERLMEIER & FRITZ KÖSTLER - ÖFFNEN SIE MAL IHRE TASCHE
- C4: POPULÄRE MECHANIK - SCHARFER SCHNITT (No. 1)
- D1: ANDREAS DORAU - FRED VOM JUPITER
- D2: WELTKLANG - VEB HEIMAT
- D3: STEFAN BLÖSER - VOYAGER ONE
- D4: MATTHIAS SCHUSTER - AN RAH ROBEEL
BeatsIndustrialPopLeftfieldPunk
Strut Present An Exclusive New Compilation Curated By Optimo's Jd Twitch, 'kreaturen Der Nacht', Bringing Together Classics, Rarities And Oddities From Germany's Original Post-punk And Diy Scene. 1979 To 1984 Was An Era Of Particular Artistic Upheaval In Germany As Strong Subculture Scenes Formed In Many German Cities. Emphasis Was Placed On Expression Rather Than Technical Perfection, Artistic Impact Rather Than Skill. Diy Self-organisation Prevailed With The Establishment Of Small Record Labels And Independently Produced Records And Cassettes. Bands Experimented Across Genres And Consciously Abandoned The English-speaking Mainstream With German Band Names And Lyrics. 'although We Had A Small Underground
Scene, It Was Very Vibrant,' Explains Gudrun Gut Of Malaria! 'bands Like Die Haut, My Frst Band Mania D., Malaria!... We Organised Gigs Ourselves Or Friends Would Open A Gallery And
Have Bands Playing. We Hung Around Together In A Handful Of Clubs Like Risiko Or Dschungel And Went To Gigs At So36. West Germany Had Other Regional Scenes Too: Düsseldorf And
Köln Around Der Plan And The Ata Tak Label And There Was The Hamburg Side With Abwärts. Germany Didn't Have A Real Music Industry Like The Us Or England Back Then.'
This New Collection Is A Personal Selection From Jd Twitch, Built Over Years Of Playing The Tracks In Club Sets. 'it Is Not Designed To Tell A Defnitive Story Of What Was Going On In
Germany In This Era,' He Explains. 'rather, It Is Simply An Arbitrary Collection Of Records I Adore From A Specifc Era With A Specifc Attitude That Hopefully Together Sum Up Some
Of The Musical Undercurrents In Germany At That Time.'
The Package Features A Host Of Rare And Unseen Photos From The Period Along With Extensive Interviews With Artists Including Beate Bartel (mania D.), Christoph Dreher (die Haut),
Michael Hirsch (p1/e) And Thomas Voburka (weltklang). All Tracks Are Remastered By The Carvery With Artwork By Optimo's In-house Design Man Andrew Beltran.
Available to reorder, subject to availability
Available to reorder, subject to availability
* This EP is the debut release from Shoreman, but even a brief listen will make it clear that this artist is absolutely assured and confident with his sound. 4 Exceptional tracks, all of which are executed perfectly, bringing the original old skool sound and flavor yet retaining a high degree of originality. Shoreman was immediately signed for two more EPs after this one, and is likely to take his place as one of the classic Kniteforce artists
Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
Available to reorder, subject to availability
- A1: Standing in the Shadows of Love
- A2: Bring Back My Yesterday
- B1: I've Found Someone
- B2: I've Got So Much to Give
- B3: I'm Gonna Love You Just a Little More Baby
- C1: Girl It's True, Yes I'll Always Love You
- C2: Honey Please, Can't Ya See
- D1: You're My Baby
- D2: Hard To Believe That I Found You
- D3: Never, Never Gonna Give Ya Up
- E1: Mellow Mood (Pt. 1)
- E2: You're The First, The Last, My Everything
- E3: I Can't Believe You Love Me
- F1: Can't Get Enough of Your Love
- F2: Oh Love, Well We Finally Made It
- F3: I Love You More Than Anything (In This World Girl)
- F4: Mellow Mood (Pt. 2)
- G1: Heavenly, That's What You Are To Me
- G2: I'll Do For You Anything You Want Me To
- G3: All Because Of You
- G4: Love Serenade
- H1: What Am I Gonna Do With You
- H2: Let Me Live My Life Lovin' You Babe
- H3: Love Serenade
- I1: I Don't Know Where Love Has Gone
- I2: If You Know, Won't You Tell Me
- I3: I'm So Blue and You Are Too
- J1: Baby We Better Try To Get It Together
- J2: You See The Trouble With Me
- J3: Let The Music Play
- K1: Don't Make Me Wait Too Long
- K2: Your Love - So Good I Can Taste It
- L1: I'm Qualified To Satisfy You
- L2: I Wanna Lay Down With You Baby
- L3: Now I'm Gonna Make Love to You
- M1: Playing Your Game, Baby
- M2: It's Ecstasy When You Lay Down To Me
- M3: You're So Good You're Bad
- N1: Never Thought I'd Fall In Love With You
- N2: You Turned My Whole World Around
- N3: Oh What A Night For Dancing
- N4: Of All The Guys In The World
- O1: Look At Her
- O2: Your Sweetness Is My Weakness
- O3: Sha La La Means I Love You
- P1: September When I First Met You
- P2: It's Only Love Doing It's Thing
- P3: Just The Way You Are
- P4: Early Years
- Q1: I Love To Sing The Songs I Sing
- Q2: Girl, What's Your Name
- Q3: Once Upon A Time (You Were A Friend Of Mine)
15 Jahre nach seinem frühen Tod feiert - The 20th Century Records Albums (1973-1979)' Barry White als einen der größten Künstler / Songwriter / Produzenten der 70er Jahre. Er etablierte den neuen Klang der Orchesterseele, der über das Jahrzehnt und darüber hinaus zu einem Grundbestandteil wurde. Das Vinyl-Box-Set enthält alle 9 LP-Alben, die Barry White über das Label 20th Century Records veröffentlicht hat und werden hier zum ersten Mal zusammengestellt. Alle neun Alben wurden zum ersten Mal seit ihrer Veröffentlichung in den 70er Jahren von den originalen analogen Masterbändern remastert und werden hier mit ihrem originalen Sleeve und Label Art präsentiert. Die Alben wurden in den Abbey Road Studios in London auf hochwertigem 180g Vinyl geschnitten, um die höchstmögliche Audioqualität zu garantieren.
[ZZA] q4 | Oh Me, Oh My (I'm Such a Lucky Guy)
[ZZB] r1 | I Can't Leave You Alone
[ZZC] r2 | Call Me, Baby
[ZZD] r3 | How Did You Know It Was Me
Available to reorder, subject to availability
(12" Lp Vinyl / 33 Rpm / Incl. Download) Music Mania And Indica Dubs Is Proud To Present The Next Release In Their Mania Dub Series. Following Multiple Classic Re-issues, We Now Bring You A Long Awaited Freshly Produced Dubplate Album On A 12' By Uk Dub Innovators, Alpha & Omega: Dubplate Selection Vol. 3.
Available to reorder, subject to availability
Hip-HopR & BReggaeFunkSoulPopElectroBlues
Marti Caine's infamous Point Of View is a groovy blend of slow-mo funk, dark disco and precise pop. Originally released on BBC Records in 1981, it has attracted a considerable cult following this century. The odd charity shop score aside, it has been impossible to find a copy for less than eye-watering sums (often selling for over £200) and, as such, it's an honour to present the first officially licensed vinyl reissue of this sublime record. Featuring expert liner notes written by Bill Brewster - perhaps the record's most notable champion - this lovingly curated release is limited to just 500 copies.
Marti Caine was a popular UK TV entertainer in the late 1970s onwards and Point Of View presented her with an opportunity to proceed in a hip direction by working with British R&B heavyweight Barry Blue. His legendary reputation was secured with a string of great records, among them the first three Heatwave albums, the Balearic hit "Afro Dizzi Act" by Cry Cisco and the cult smash "Breakin' In" by Javaroo. However, despite the array of talent working on the album, Point Of View sank without trace at the time. It's something that Blue attributes to the bizarre way BBC Records worked, and he entertainingly expands upon this within the liner notes.
Musically, the highlights are many and memorable. Its most notorious track is the sublime soul stepper "Love The Way You Love Me", the reason most people covet this album so profoundly. However, from the dark dubby disco of "Snowbird City" to the moody ballad "Love Is Running Through Me", the lesser heralded tracks are nothing short of exquisite. Indeed, the chugging elegance of sleazy disco opener "Can I Speak To The World Please" showcases a string-drenched strutting-funk that would've been enviable the world over. It's that good.
The outlandish artwork - presenting a striking, green-eyed Marti treating a tiger to a headlock - has been faithfully restored and is arguably worth the price of admission alone. With access to the original tape transfers, Simon Francis' sensitive mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g. Sadly, Marti died of lymphatic cancer at the tragically early age of 50 in 1995, so is not here to experience what we hope will be a long overdue reappraisal of the hitherto underheard genius of Marti Caine, the singer
Available to reorder, subject to availability
- A1: Lovecoaster
- A2: Truth (feat. Beau Nox)
- A3: It's Alright (feat. Jaël)
- A4: Keep up
- B1: Get to Know You (feat. Pip Millett)
- B2: Slow Down (feat. Damon Trueitt)
- B3: It Ain't the Same
- C1: Awake in the Dark (feat. James Chatburn)
- C2: Comfortable (feat. HIGH HØØPS)
- C3: Better for Ya (feat. Sacha Vee)
- D1: Revive
- D2: How I Feel (feat. Sam Wills)
- D3: Zoom out (feat. Malia)
- D4: Take off
Available to reorder, subject to availability
- A1: Subterranean Homesick Blues (Tristezas Del Blues Nostálgico Y Subterráneo)
- A2: 45.000$ (Guapapasea)
- A3: Sabes Quién Te Quiere
- B1: Un Limón En La Cabeza
- B2: Te Estás Equivocando
- B3: How Come You Do Me Like You Do Me (Big Bang Romeo)
- C1: Rainbow Country
- C2: Psychocalimba
- C3: Niña Del Guadiana
- D1: Did Ya Black Up Today
- D2: Dime Que Te Quéa
- D3: Dizzie
- D4: Monk Among Us
Hip-HopR & BSoulPopWorld MusicLatin
Guapapasea! is the first album by Gecko Turner, a unique creator from southern Spain. Born and bred in Extremadura, near Portugal, Gecko has an original and tasteful Latin personality, and during the 90s he was responsible for some locally quite successful bands like Perroflauta, and The Reverendoes.
Acclaimed by Spanish critics as the best debut album upon its original release in 2003, Guapapasea! is a musical journey blurring the boundaries in Latin music. It's a nice blend of different styles - from soul and Brazilian-flavoured songs like the free and easy (and all-time underground hit) "Un Limón en La Cabeza"; Afrobeat-driven tracks like "45.000$ (Guapa Pasea)"; and the flamenco-reggae of his rendition of Bob Marley's "Rainbow Country", to the infectious Latin rhythms of "Did You Black Up Today"; Monk tribute "Monka Mongas"; the original adaptation of Bob Dylan's "Subterranean Homesick Blues"; and the radio-friendly, straightforward reggae track "Te Estás Equivocando".
Guapapasea! features contributions by some of the greatest musicians active at the time on the Spanish Afro-Cuban jazz scene, such as Rubem Dantas (Paco de Lucía's percussionist and regular member of Chick Corea's band), Rodney Dássiff, and Brazilian trumpeter Irapoam Freire. The album was licensed to Quango in the US.
It's been 15 years since its original release, and to celebrate this, Lovemonk's reissuing the album on double 12" vinyl for the first time, alongside Gecko's second album, Chandalismo Ilustrado, and the CD compilation Soniquete: The Sensational Sound Of Gecko Turner. The CD version features bonus remixes by Quantic, Mexican Institute Of Sound and Watch TV.
Available to reorder, subject to availability
tim jones, also known as Preacherman and recorded under midi man, ironing Board Band and t.j. hustler. he made one very rare lp, and two even rarer cD's. these tracks are from the cD's. he was a salesman for iBm in Las Vegas, where he sold selectric t ypewriters and then word processors during the day and at night he would perform in the Las Vegas lounges. he was somewhat of an engineer and adapted a hammond B3 organ to play a moog synth with some of the organ keys, (some still played the organ),
and he adapted the organ's foot controlled bass levers to play two moog synth bass pedals (a failed item moog made for a few years.) thinking he wasn't much of a live performer he had a wooden puppet made that he named t.j hustler, and together with the puppet, he would engage in long philosophical soliloquies, (some of which are featured on this album).if you meet tim, he is not someone who stops talking. in fact he even created a little book called universal Philosophy. he has a lot to say about everything. currently he lives with his 103 year old mother in
Oakland. there he infrequently plays shows on his casio where he fashions himself a live Karaoke performer, who comes complete with 5 wireless mics and P.a. and a list of about a 100 songs he can play. his invented organ contraption and puppet are in storage in Las Vegas, and he seems intensely
uninterested in getting them out, as 'the kids these days want to hear the sounds the casio makes.'
Available to reorder, subject to availability
- A1: TWINKLE BROTHERS - The Best Is Yet To Come
- A2: DELROY WILSON - Here Come The Heartaches
- A3: CORNELL CAMPBELL - Stars
- A4: THE CLARADONIANS - Day Will Come
- A5: HORACE ANDY - Don't Try And Use Me
- A6: CORNELL CAMPBELL - My Confession
- B4: DELROY WILSON - Cool Operator
- B1: PAT KELLY - Daddys Home
- B2: DELROY WILSON - Who Cares
- B3: JOHN HOLT - It's A Jam In The Street
- B5: MAX ROMEO - Let The Power Fall On I
- B6: CORNELL CAMPBELL - Girl Of My Dreams
- B7: DELROY WILSON - Cheer Up
The Suedehead Sound Of The Early 70's Followed The Skinhead Style Of The 1968-70 Period.
The Notable Difference Could Be Seen And Heard, The Sharp Jerky Upbeat Rhythms Were Slowing Down A Notch To What We Soon Be Calling That Early Reggae Sound.
The Tougher Harder Look Of The Rude Boy/skinhead Style Was Relaxing A Little To Almost Meet With The Less Frantic Rhythms To A More Slowed Down Groove Like Sound. The Hair Got A Little Longer, Going From A Mark 1 To A Feather Cut Style..
The 'rude Boy Out Of Jail' Type Lyrics Were Becoming More Conscientious, This Was Another Twist And Turn In The Ever Evolving Sound Of Jamaican Music,
But What Is Sure The Artists And Producers Never Disappointed Us In This Period , So Here Is A Compilation Of Some Tunes That The Suedehead Crowd Were Grooving To....
Hope You Enjoy The Set....
Available to reorder, subject to availability
- A1: Sonrise
- A2: The Season
- A3: Good Times
- A4: Shades Of Green
- A5: Keep Up
- A6: Slim Pickings
- A7: Everyday
- A9: The Feeling (part 2)
- B1: Dusk To Dawn
- B2: Uhuru
- B3: Call It Love
- B4: Never Walk Alone
- B5: Old Soul
- B6: Love
- C1: Sonrise (instrumental edit)
- C2: The Season (instrumental edit)
- C3: Good Times" (instrumental edit)
- C4: Shades Of Green" (instrumental edit)
- C5: Keep Up" (instrumental edit)
- C6: Everyday" (instrumental edit)
- C7: The Feeling" (instrumental edit)
- D1: Dusk To Dawn" (instrumental edit)
- D2: Uhuru" (instrumental edit)
- D3: Call It Love" (instrumental edit)
- D4: Never Walk Alone" (instrumental edit)
- D5: Old Soul" (instrumental edit)
- D6: Love" (instrumental edit)
Wir Freuen Uns Mit "uhuru" Das Debütalbum Der Summers Sons & C.tappin Zu Veröffentlichen. Das Trio Besteht Aus Turt (rap), Slim (beats) Und C.tappin (gesang + Keys) Und Lebt In London Und Bristol. Turt Und Slim Heißen Mit Nachnamen Summers Und Sind Brüder. Mit Tappin Sind Sie Seit Frühen Jugendtagen Befreundet. Die Musik Der Summers Sons Lässt Sich Als Rap Mit Viel Jazz Beschreiben. Wir Nennen Es Cool Bap. Fans Von Loyle Carner, Mos Def Und Alfa Mist Kommen Hier Genauso Auf Ihre Kosten Wie Beatheads, Die Gerne Flofilz Oder Twit One Hören (mit Letzteren Haben Die Sons Bereits Zusammengearbeitet). "uhuru" Heißt Auf Swahili "freiheit". "uhuru Peak" Ist Gleichzeitig Der Name Des Höchsten Gipfels Des Kilimandscharo-massivs, Den Die Band Während Eines Längeren Aufenthalts In Tansania Vor Drei Jahren Gemeinsam Bestiegen Hat. Der Trip Legte Den Grundstein Für Die Arbeit Am Gleichnamigen Album. Dass Die Sons & Tappin Ihre Ersten Musikalischen Gehversuche Mit Grime (turt), Uk Garage (slim) Und Indie Rock (tappin) Gemacht Haben, Hört Man "uhuru" Nicht An. So Entspannt Und Ausgejazzt Und Mit Viel Soul In Den Hooks Kommt Das Album Daher. Dazu Raps, Die Neben Cleveren Rhyme-patterns Durch Kluge, Persönliche Und Philosophische Texten Überzeugen. So Gesehen Sind Die Frühzwanziger Das, Was Man Auf Englisch "old Souls" Nennt. Dabei Fangen Sie Gerade Erst An ...
Available to reorder, subject to availability
Available to reorder, subject to availability
Out from electronic live improvisations , the first Ep of Destino starts with a
Clusterish ambient track (Orion)...
So DJ friendly , 911's siren and bleeps redefines the archetypical disco flavor of a
101 floor filler track .
Ceremony and it's balearic feeling will strongly warm up your electronic summer
nights.
Finally Loopo up delivers a dark electronic disco groove for cosmic dancers.
-Previous releases or remixes for Partyfine, Colette, Dfa, kill the dj, Tigersushi, Ed banger
Available to reorder, subject to availability
- A1: Junie - Suzie Thundertussy (4:11)
- A2: Funkadelic - You & Your Folks, Me & My Folks (3:39)
- A3: The Detroit Emeralds - You're Gettin' A Little Too Smart
- A4: King Errisson - Back From The Dead (4:41)
- A5: Pleasure Web - Music Man (part 2) (2:11)
- B1: Magictones - Good Old Music (3:53)
- B2: Funkadelic - I'll Bet You (4:09)
- B3: Junie - Tight Rope (single mix) (4:06)
- B4: Caesar Frazier - Funk It Down (5:04)
- B5: Fuzzy Haskins - The Fuz & Da Boog (3:27)
- C1: Ohio Players - Funky Worm (2:40)
- C2: Spanky Wilson - Kissing My Love (4:15)
- C3: The Detroit Emeralds - Baby Let Me Take You (In My Arms) (3:41)
- C4: Unique Blend - Does He Treat You Better (3:17)
- C5: Fantastic Four - Mixed Up Moods & Attitudes (5:32)
- D1: Funkadelic - I Wanna Know If It's Good To You (2:53)
- D2: The Counts - Pack Of Lies (4:12)
- D3: Fantastic Four - Disco Pool Blues (4:45)
- D4: Denise LaSalle - Heartbreaker Of The Year (2:52)
Celebrating its 50th birthday this year, Westbound Records is the Detroit institution that discovered Funkadelic and the Ohio Players, with a rich catalogue that is probably amongst the most sampled in the world.
Our 'Super Breaks' series makes a welcome return, throwing the spotlight on the records which have been sampled on both Westbound and its Eastbound subsidiary. These come not only from the more obvious names such as the Detroit Emeralds, Denise LaSalle, Junie Morrison, Funkadelic and Ohio Players, but also the lesser-known Pleasure Web and the Magictones.
The list of artists who have sampled these records reads like a Who's Who of the hip-hop and dance worlds. These tracks will be recognised from well-known records by Kanye West, Dr Dre, Snoop Dogg, A Tribe Called Quest, De La Soul, Fatboy Slim, and many more.
Both the double vinyl and the CD come with extensive sleeve notes and a breakdown of where each track has been sampled.
Available to reorder, subject to availability
- A1: Woken Furies
- A2: Darl All Day (feat. Timmy Capello & Indiana)
- A3: When You Grow Up, Your Heart Dies
- B1: The Drone Racing League
- B2: Rise The Midnight Girl
- B3: Thrasher
- C1: Black Blood Red Kiss (feat. Kat Von D)
- C2: Time After Time
- C3: Honour Among Thieves
- C4: Art3mis & Parzival (feat. Stella Le Page)
- D1: Symmetrical
- D2: Cyber City
- D3: The Gates Of Disorder
Auch Auf Seinem Zweiten Album "dark All Day" Überzeugt Das Synth-pop-trio Gunship Mit 1980er Retro-sound Aus Analogen Synths, Cineastischen Vocals Und Cyperpunk-attitüde. Und Genau Wie Beim Selbstbetitelten Debütalbum Aus 2015 Übernehmen Diverse Persönlichkeiten Sprech- Und Gesangsparts, Darunter Schauspieler Wil Wheaton (the Big Bang Theory, Star Trek, Stand By Me), Celebrity-model Kat Von D Sowie Der Tina Turner- Und "the Lost Boys"-saxofonist Timmy Capello. Die Doppel-lp Wurde Audiophil Auf Halber Geschwindigkeit Gemastert Und Läuft Auf 45rpm.
Available to reorder, subject to availability
Last delivered 6 years ago
available to reorder, subject to availability
Available to reorder, subject to availability
After a string of acclaimed EPs on Heist, Dirt Crew and Quartet Series, Amsterdam's Nachtbraker presents 'When You Find a Stranger in the Alps', his first longplayer on his own Quartet Series imprint. The good-humoured Dutchman - tongue always firmly in cheek - has always refused to stick to the 'sound du jour' and the industry's conventions, following his own path instead, continually willing to step out of his comfort zone. 'When You Find a Stranger in the Alps', a nod to his favourite Coen Brothers' movie, is testament to Nachtbraker's studio prowess and drive to explore new sonic pastures and styles. The album consists of thirteen tracks, made over the course of 2,5 years in his studio at Volkshotel Amsterdam. Constantly shifting through different settings and moods, the album feels like a deep dream, with vivid details, blurry edges and a warped sense of time. The word 'stranger' in the title references to this dream state in which you sometimes can be a stranger to yourself. Album opener 'The Dream Sequence' sets the mood with a lo-slung hip-house groove that relies heavily on field recordings, like the sound of one of the capital's trams. 'Flambo', a delectable slice of up-tempo French filtered house, is aimed straight at the dance floor. Nachtbraker dims the lights on 'NSFW', cleverly manipulating samples from adult oriented flicks, and turns in a hilarious skit with 'LOL'. Flip over for 'Randy', a quintessential Nac
Last delivered 6 years ago
available to reorder, subject to availability
Available to reorder, subject to availability
TechnoDubExperimentalBeatsAmbientChill-Out
An Invitation To Disappear is the debut LP by British electronic musician Inland aka Ed Davenport - and his first release for A-TON. Based on his soundtrack for a video installation by conceptual artist Julian Charrière, Davenport has recast the material and field recordings into eight tracks of rhythmically intricate electronics and spectral, ambient techno, inspired by Charrière's visually striking, 76-minute tracking shot through a palm plantation toward a totemic soundsystem on full blast.
Both the album and original soundtrack were created in response to the 200th anniversary of the eruption of Indonesia's Tambora volcano in 1815, which plunged the world into darkness and caused a series of extreme weather conditions. At the time, the natural climate change crisis resulted in numerous global famines and is known throughout the northern hemisphere as 'The Year Without Summer', with global communities forced to adapt to sudden radical changes in temperature and weather.
An Invitation To Disappear offers a contemporary parallel, leading viewers - and listeners - down a seemingly endless direct path of gridded palms from dawn to dusk; a bio-commercial monoculture where ancient jungle once flourished. Light flickers between rows of fruit-laden trees and a distant fire burns in the undergrowth where the border between natural image and computer simulation breaks down. At the same time, formerly incoherent rumblings of sub-frequencies begin to transform into the contours of rhythm. This is reflected sonically in eight perspectives on the lush, synthetic jungle, made of myriad buzzing fauna, morphing melody and colossal bassweight. All paths lead toward an apocalyptic dancefloor, though speeds vary widely; rhythms dissolve from straight to broken, synth tempos operate by their own internal clocks (and logic). Juxtaposing industrial agriculture with rave culture, the album explores the industrialization and refinement of nature, and the new strange forms emerging from the synthetic grids of both.
As Inland, Davenport has previously contributed soundtracks to other installations by the Swiss-born Charrière, whose artistic practice focuses on bridging environmental science and cultural history, often taking place in remote geophysical locations, including ice fields, volcanos and radioactive sites.
Julian Charrière is a French-Swiss artist based in Berlin. A former student of Olafur Eliasson at the Institut für Raumexperimente, Charrière's art explores post-romantic constructions of nature, staging tensions between deep or geological timescales and those relating to mankind. His work has previously been shown across the globe, including at the main exhibition of the Venice Biennale in 2017, a solo show at Kunsthalle Mainz this past Spring and an upcoming solo show at the Berlinische Galerie opening September 26.
Inland (real name Ed Davenport) is a British producer, DJ and founder of Counterchange Records based in Berlin. Known for his detailed and explorative house and techno releases on his own label, Infrastructure, Naïf and more, Davenport has recently gravitated toward the contemporary art world, finding inspiration in the cross-pollination between Berlin's art and music scenes. Previous sound design collaborations with Charrière have been exhibited in institutions such as the Musée des Beaux-Arts de Lausanne in 2014 and Thyssen- Bornemisza Contemporary in Vienna in 2017.
The gallery version of An Invitation To Disappear premiered this past April at the Kunsthalle Mainz and will be on display at the Berlinische Galerie as part of Charrière's solo exhibition As We Used to Float, opening September 26, 2018. The LP will premier live together with the video installation during a special presentation in Berghain the same day for Berlin Art Week.
Available to reorder, subject to availability
Divine gospel modern soul boogie LP written, composed and produced by Jeffrey Roberson, first released in 1982 on Black Diamond Records.
Every once in a while, an exceptional talent impacts the gospel industry and leaves an incredible impression. The anointed and Grammy nominated Jeff Roberson is one of the those rapidly expanding gospel artist who have done just that.
Jeff Roberson was born and raised in Long Island, New York, the son of Pentecostal parents who had a compelling love for music. Actually, he is endowed by God with a melodic intrinsic distinctive rooted and grounded in the splendid tradition of the church. His keen interest and focus in music was so intense that his
parents encouraged him by purchasing a piano. During his teenage years, he was significantly blessed to be tutored by the late Rev. Timothy Wright, and the late Professor Benny Cummings and the Kings Temple Choir. It was during this season of his life that he continuously developed his skills as a keyboardist and songwriter.
Not only is he a skillful world-class vocalist, his talents transcend various creative art forms such as a skillful musician, innovative producer, accomplished pianist and organist. He simultaneously projects his uncompromising vocal talents and musical gifts to an unprecedented level of artistic achievement. Simply stated
he excels in the excellent - (Excerpt taken from Jeff Roberson's biography).
'Ever since I can remember, music has been to me, as a mother is to her child. Just as the sun enhances daylight, music is my life throb. Music puts life and joy in that sacred dimension. It fills the void of darkness and brings with it New Life.'
Jeffrey
Available to reorder, subject to availability
Tropical Disco Records are back with their fifth release of the year, bringing you four killer edits from the Tropical Disco Volt.
Moodena introduces Volume 5 in fine style, mustering another spellbinding composition with Gil's Groove. Sounding as swagged out as ever, it's evident form & flair comes naturally to the artist.
TD comrades Moodena & Sartorial present their first collaboration on Turn It Up, neatly entwining their distinct styles, rolling basslines, cascading guitars and sultry Sax. The result is a piece of pure energy - it's hard not to do exactly what the track tells you.
The disco wizard, Sartorial continues his ever growing solo output with 6 million, a righteous slab of soulful dance music that can make a dancefloor bang, as well as weep.
Feel The Heat rolls effortlessly with a lush vocal that melts the loins and lays out a sonic smorgasboard of what epitomises Tropical Disco Records - soul!
Last delivered 14 months ago
available to reorder, subject to availability
BeatsBreak-BeatDrum&BassJungle
* Alk-e-d is the first to get the 'Legacy' treatment on Kniteforce Records. One of the original KF crew, he has been with the label since 1991, and remains a fan favourite. The Legacy series is designed to showcase our most dedicated artists, those who have been with the label since the very early days. And if Kniteforce itself has a legacy, it is one where risks get taken and the love of good music is always at the front of our minds. This EP contains 4 remixes, and the highlight must be the first brand new remix in decades from legendary producer Sublove who went onto become huge with Way Out West. Sublove featured on the very first Kniteforce EP back in 1992, and was enticed to come back and make some old skool for the label as well as remixing Alk-e-d. And what a remix it is! Proper old skool with depth and class. Not only that, we have Darwin, one of the biggest names in the modern hardcore scene, Shadowplay, and Luna-C on remix duties too. All in all, this EP is stunning, and is nto to be missed.
Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
Available to reorder, subject to availability
- A1: Dinah Washington - Mad About The Boy
- A2: Lavern Baker - Love Me Right
- A3: The Shirelles - Will You Love Me Tomorrow
- A4: Etta James - I Just Want To Make Love To You
- A5: Gladys Knight & The Pips - Every Beat Of My Heart
- A6: Mary Wells - Bad Boy
- A7: Aretha Franklin - God Bless The Child
- A8: Martha Reeves & The Vandellas - My Baby Won't Come Back
- B1: Nina Simone - I Put A Spell On You
- B2: Marlena Shaw - Women Of The Ghetto (Album Version)
- B3: Lorraine Ellison - Stay With Me (Baby)
- B4: Martha Reeves & The Vandellas - Dancing In The Street
- B5: Betty Wright - Clean Up Woman
- B6: Minnie Riperton - Lovin' You
- C1: Diana Ross - Love Hangover
- C2: Kellee Patterson - I'M Gonna Love You Just A Little More, Baby
- C3: Dee Edwards - I Can Deal With That
- C4: Gwen Mccrae - Let's Straighten It Out
- C5: Millie Jackson - All The Way Lover
- D1: Lyn Collins - Don't Make Me Over
- D2: Donna Summer - Love To Love You Baby
- D3: Tina Turner - Whole Lotta Love
- D4: Erykah Badu & The Roots - You Got Me
- D5: Amy Winehouse - Back To Black
- D6: Jil Scott - Brotha
Last delivered 5 years ago
available to reorder, subject to availability
- A1: Salute (feat MC GQ)
- A2: Better Life (feat Maduk & I-Kay)
- A3: Holy Star
- A4: Hold Up The Crown (feat Ky Lenz)
- B1: Just A Step Away (feat Ownglow)
- B2: Starting It Over (feat Hannah Symons)
- B3: Devil's Drop
- B4: Money Calling Me (feat Times X Two)
- C1: Many Signs (feat Pete Josef)
- C2: Roll The Drums
- C3: Lizard Steppa
- D1: IDragon
- D2: Supreme
- D3: Atomic Funk
- D4: Tranquility (feat Scarboy)
Drum & bass pioneer and Hospital Record's crown jewel Danny Byrd is back! He's set 2018 ablaze with monolith anthems 'Devil's Drop', 'Salute' ft MC GQ and 'Hold Up The Crown' ft Ky Lenz, now he proudly presents his first album in five years.
A 15-track funk-fuelled compendium of rolling dancefloor-fillers that tributes to the jungle foundation moulding his early discography. Collaborations with the likes of I-Kay, Maduk, Ownglow, Times x Two and MC GQ, fuse with powerful
doses of Danny's hip-hop and R&B infused 174BPM productions. 'Atomic Funk' is undoubtedly Mr Byrd's finest work to date and includes one of the biggest future D+B anthems 'Holy Star' that's brought to life with vocal delights from MC Foxy.
'Just A Step Away' (ft. Ownglow) has become a silver bullet for the Byrd, taking a spotlight in his DJ sets as his finishing move. With its gorgeous vocals, volatile rave synths and humming sub-bass, it's not hard to see why. However, that's
far from the only weapon in this legend's locker. 'Roll The Drums' is a certified sub shaker bringing a fierce bassline and thundering percussion, plus there's raw jungle madness with 'In The Meantime' (ft. Hannah Symons). With fifteen incredible tracks from Hospital Records' longest standing signing, 'Atomic Funk'
is Danny Byrd at his best. Crafted for the dancefloor and Feel-good from start to finish, a must-have for a true Hospital fan.
Available to reorder, subject to availability
Mac DeMarco's second album, 2, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi—2 was the first time he'd bothered to record demos—it's revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like 'Annie' and the Lennon-esque 'Sherrill.'
Available to reorder, subject to availability
Orgone Records is a new Vinyl Techno label based in Dublin . The ethos of the label is to connect Irish artist with other artists around the world by working off a platform of having one Irish artist and two remixes from international artists.
For the first release Dublin's Doug Cooney is the featured Irish producer with remixes coming from Liverpool based Binny and Berlin based Versho. The EP is titled 'Convergences' . The A side of the EP features Doug Cooneys tracked titled 'Convergence' with Binny's remix and the B side features 'Show Up' by Doug Conney with the remix from Versho along with an intro track called 'W.O.N.T' to the track 'Show Up'.
Available to reorder, subject to availability
Muse have announced that their eighth studio album, 'Simulation Theory'. The eleven-track record was produced by the band, along with several award-winning producers, including Rich Costey, Mike Elizondo, Shellback and Timbaland. Each of the album's songs will be accompanied by a video.
Recent singles, 'Something Human', 'Thought Contagion' and 'Dig Down', as well as brand new track 'The Dark Side', are all available immediately as a download when you pre-order the album. 'The Dark Side' is instantly recognisable as a classic Muse track, featuring Matt Bellamy's unmistakable soaring vocals and blistering guitars and the driving rhythm section of Chris Wolstenholme and Dominic Howard that have become a hallmark of Muse's stadium-filling sound.
'Simulation Theory' follows 'Drones', released in 2015. Since then the internationally acclaimed three piece have toured extensively, taking the ground breaking 'Drones World Tour' to fans across the globe. This concert was filmed and released in cinemas worldwide for 'One Night Only' in July 2018.
Muse is Matt Bellamy, Dominic Howard and Chris Wolstenholme. Their last studio album, Drones, was released in June 2015 and debuted at No. 1 in 21 countries around the world including their first No. 1 album in the United States. The album went on to win the Grammy Award, their second, for Best Rock Album in February 2016. Since forming in 1994, Muse have released seven studio albums selling in advance of 20 million albums worldwide.
Widely recognised as one of the best live bands in the world, Muse have won numerous music awards including two Grammy Awards, an American Music Award, five MTV Europe Music Awards, two Brit Awards, ten NME Awards and seven Q Awards, amongst others.
expected to be published on 30 Aug 2018
Tucky Buzzard
The Complete Tucky Buzzard 5 Lp Slipcase Box Set
- Having Come To The End Of The Psychedelic Path, The End Decided On A Change Of Musical Direction And A Change Of Name,
Arising From The Ashes As Tucky Buzzard In 1970 And Retaining The Line-up Of Guitarist Terry Taylor, Organist Nicky Graham,
Drummer Paul Francis, Bassist Dave Brown, And Vocalist Jimmy Henderson.
- The First Album, Recorded With Madrid Philharmonic Orchestra Directed By Waldo De Los Rios, Contained Some Last Vestiges
Of The Band's Previous Existence. But The Second Album, Produced By Old Associate Bill Wyman With Glyn Johns At Olympic
Studios Set Out The Band's Template Of Bluesy Rock, A Leading Genre At The Dawn Of The 70s. Mick Taylor Makes A Guest
Appearance.
- For The Fourth And Fifth Albums, The Band Was Signed To Deep Purple's Own Purple Records. Bill Wyman Continued In The
Producer's Chair, But The Departing Nicky Graham Was Replaced With A Second Guitarist.
- Strictly Limited To 750 Copies, And Housed In A Numbered Rigid Slipcase Featuring Photos From The Collection Of Terry Taylor
(bill Wyman's Right Hand Man In The Rhythm Kings For The Last 25+ Years), All The Original Sleeves (including Two Gatefolds)
Are Faithfully Reproduced. The Inner Sleeves Feature Extensive Annotation By Alan Robinson Based On Interviews With The Band.
expected to be published on 17 Aug 2018
- A1: Billy Fury - Halfway To Paradise
- A2: Dusty Springfield - I Only Want To Be With You
- A3: The Breakaways - He Doesn't Love Me
- A4: Helen Shapiro - He Knows How To Love Me
- A5: Sonny Childe - Giving Up On Love
- A6: Tom Jones - Little Lonely One
- A7: Los Bravos - Black Is Black
- B1: David Bowie - Love You Till Tuesday
- B2: The Walker Brothers - Make It Easy On Yourself
- B3: Ivor Raymonde - Mylene
- B4: Burr Bailey - Chahawki
- B5: Cindy Cole - He's Sure The Boy I Love
- B6: Ottilie Patterson - Jealous Heart (with The Ivor Raymonde Group)
- C1: Dusty Springfield - Your Hurtin' Kinda Love
- C2: Dave Berry - I Got The Feeling
- C3: Jon Gunn - It's My Turn
- C4: Paul & Barry Ryan - I Love Her
- C5: Ivor Raymonde & His Orchestra - Grotty
- C6: Barbara Ruskin - Beautiful Friendship
- D1: Ian Dury & The Blockheads - Superman's Big Sister
- D2: The Flies - (I'm Not Your) Stepping Stone
- D3: The Ivor Raymonde Orchestra - It's The Real Thing
- D4: The Majority - Wait By The Fire
- D5: The Honeybus - She Sold Blackpool Rock
- D6: Alan David - I Found Out Too Late
- D7: The Walker Brothers - My Ship Is Coming In
Classic singles like Billy Fury's 'Halfway To Paradise', Dusty Springfield's 'I Only Want To Be With You' and The Walker Brothers' 'Make It Easy On Yourself' would not have been hits without Ivor Raymonde. As their arranger, and in the case of 'I Only Want To Be With You' songwriter too, he shaped the final recordings. He decided on the orchestration and backing
vocals, chose the instruments and determined what was heard on the radio - and what record buyers bought.
'Paradise: The Sound Of Ivor Raymonde' is a long-overdue celebration of Ivor Raymonde, collecting his work as an arranger, musical director, producer, singer and songwriter. The story of a British musical great is told for the first time.
Billy Fury, Dusty Springfield and The Walker Brothers are heard. So is the only vocal performance for which Ivor Raymonde received a credit on a record label. He worked with the pre-fame David Bowie and Tom Jones. He spotted the potential of Los Bravos, steering them into the charts with 'Black Is Black'. Near-misses and obscurities made with Brit-girls Cindy Cole and
Helen Shapiro, the soulful Sonny Childe and confrontational protopsychedelic London band The Flies are as fantastic as the hits. With these and more, 'Paradise: The Sound Of Ivor Raymonde' distils the essence of the magic of Ivor Raymonde.
'Paradise: The Sound Of Ivor Raymonde' is released by Bella Union, the label run by Ivor's son, former Cocteau Twins member Simon Raymonde.
Compiled by Simon and Kieron Tyler, it is a very personal tribute to a sadly missed father. Born in 1926, Ivor Raymonde passed away in 1990. The previously untold story is revealed through a moving reminiscence written by Simon and in-depth liner notes and a track-by-track commentary by Kieron. Ivor Raymonde played on the ocean liner The Queen Mary in 1949. In the Fifties, British television viewers saw him in legendary comedian Tony Hancock's 'Hancock's Half Hour' but music was always going
to be most important - the hits with Billy Fury and Dusty Springfield in 1961 and 1963 meant he was in demand. The 26 selections balance the wellknown with collectable rarities and tracks drawn from - until now - barely heard-of singles. Each is a gem and each shows the magic of an Ivor Raymonde recording.
'Paradise: The Sound Of Ivor Raymonde' is issued on CD and 180g heavyweight double vinyl album with digital download code. The vinyl version is sequenced slightly differently for listening flow. Every track was originally issued as a single issued in mono for the pop market until 1968 / 1969. Keeping the integrity of the compilation in mind, all but four tracks appear in mono as they did originally. The masters used are those of the original singles.
Available to reorder, subject to availability
BeatsAmbientPopElectroKrautrock
Brooklyn trio Forma's latest LP continues their mission to 'broaden the idea of what an electronic music ensemble can sound like.' Semblance emerged from exploratory sessions at The Schoolhouse, the Bushwick loft where members Mark Dwinell and John Also Bennett live, then was tracked at Gary's Electric studios, where their previous album Physicalist was also recorded.
Inspired by polyrhythmic composition, the human voice, and conceptual improvisation strategies, the songs are striking in their textural detail and emotional nuance, alternately synthetic and sentient, futuristic and intuitive. Incorporating flute, piano, guitar, saxophone, acoustic drums and cymbals alongside an array of synthesizers, the record persuasively demonstrates the group's unique playing abilities and fluid chemistry - attributes they credit to 'techniques we've developed to trick our electronic machines into mimicking the spontaneous character of live instruments.'
Members George and John Also Bennett also cite as an influence their recent stint in minimalist composer Jon Gibson's ensemble, performing his 1973 proto-ambient masterwork Visitations. The long- form modal piece requires restraint and deep listening to execute, qualities especially apparent in the more muted moments of Semblance, such as 'Rebreather' and 'New City.'
The group states the intent of the new album as 'to be more direct and exacting', which it is. Over half a decade spent writing and recording together has distilled Forma's hybrid electro-acoustic interplay into an attuned and astounding language, capable of articulating impossible symmetries and reflective states.
The stunning visuals of the artwork are by frequent collaborator of the group Peter Burr.
Available to reorder, subject to availability
- A1: Untitled Original 11383 (Take 1)
- A2: Nature Boy
- A3: Untitled Original 11386 (Take 1)
- A4: Vilia (Take 3)
- B1: Impressions (Take 3)
- B2: Slow Blues
- B3: One Up, One Down (Take 1)
- C1: Vilia (Take 5)
- C2: Impressions (Take 1)
- C3: Impressions (Take 2)
- C4: Impressions (Take 4)
- D1: Untitled Original 11386 (Take 2)
- D2: Untitled Original 11386 (Take 5)
- D3: One Up, One Down (Take 6)
In 1963, John Coltrane recorded a studio album that has Remained unknown and unheard until now. The album was recorded at Van Gelder Studios, the 'Abbey Road' of Jazz, with Coltrane's Classic Quartet and at the height of his career. The music on this album represents one of the most influential groups in music history performing in a musical style it had perfected and reaching in new, exploratory directions that would affect the trajectory of jazz from then on. In short, this is the holy grail of jazz.
Available to reorder, subject to availability
- A1: Ride On Baby
- A2: A New Fashion
- A3: Nuclear Reaction
- A4: Visions
- A5: Jump Up
- B1: Come Back Suzanne
- B2: Rio De Janeiro
- B3: Girls
- B4: Seventeen
- B5: (Si, Si) Je Suis Un Rock Star
Das selbstbetitelte Album des Rolling Stones Bassisten Bill Wyman war der dritte Versuch eines Soloalbums. Ihm gelang hier die perfekte Mischung aus komischem Humor und
Rock'n'Roll-Musik. Nach früheren Alben übernimmt Bill bei
diesem Album die meisten Instrumente selbst.
Dies gab dem Album einen klaren und konsistenten Sound und so gelangen ihm auch die beiden Hit Singles "A New Fashion" und "(Si, Si) Je Suis Un Rock Star".
expected to be published on 27 Jul 2018
A1: eddie fowlkes - GIVE IT UP FOR MY DJ -This Detroit Techno sound by Eddie Fowlkes, representing the big room sound with pumping drums, effects,and the lead Electro sounding will have you everybody dancing. B1: eddie fowlkes - LOVE WORKS -
Once again, Fowlkes combining deep electro sounds and a semi swing drums with brilliant vocal sampling flowing thru, to make this a track to bang all day & late night!
Available to reorder, subject to availability
South London producer Ben Hauke takes a sonic excursion to South America via Lewisham for a new seven track release for Far Out Recordings. While littered with Afro-Latin percussion, and samples of obscure Brazilian, Cuban and Colombian records, Only Old stays true to Ben's distinctly London identity, with a record that fluctuates between house, broken beat and instrumental hip-hop.Having collaborated with the likes of Nubya Garcia and Joe Armon Jones, Ben Hauke stands at the electronic end of London's new jazz movement. Currently working on new releases with more of a focus on live instrumentation, Ben titled the release 'Only Old' as it leans more heavily on his foundational approach to music making: an idiosyncratic, almost brazen sampling style in productions bursting with personality.Always full of character and style, Hauke's productions have seen him likened to Theo Parrish and Madlib, with an altogether physical approach to sound. Title track 'Only Old' is moody broken beat with eerie sampled vocals and piano. 'Get Up To Get Down' is a light n' breezy summer house stepper, while Brazil-inspired 'Runners' sounds as if it was made for MF Doom. Only Old will be released on 180g Vinyl on 20th July. Sleeve design by fellow South London based artist Samuel Lloyd.
Available to reorder, subject to availability
- A1: Bird Gets The Worm - (Orig. Take 3)
- A2: Bluebird - (Orig. Take 3)
- A3: Klaunstance - (Orig. Take 1)
- A4: Barbados - (Orig. Take 4)
- A5: Merry Go Round - (Orig. Take 2)
- A6: Donna Lee - (Orig. Take 4)
- A7: Chasing The Bird - (Orig. Take 3)
- B1: Koko - (Orig. Master)
- B2: Perhaps - (New Take 1)
- B3: Warming Up A Riff - (Orig. Master)
- B4: Slim's Jam - (Orig. Master)
- B5: Popity Pop - (Orig. Master)
- B6: Dizzy Boogie - (Orig. Master)
- B7: Flat Foot Floogie - (Orig. Master)
Available to reorder, subject to availability
In 1963, John Coltrane recorded a studio album that has remained unknown and
unheard until now. The album was recorded at Van Gelder Studios, the 'Abbey Road' of Jazz, with Coltrane's Classic Quartet and at the height of his career. The music on
this album represents one of the most influential groups in music history performing in a musical style it had perfected and reaching in new, exploratory directions that would affect the trajectory of jazz from then on. In short, this is the holy grail of jazz.
Available to reorder, subject to availability
HouseElectronicaBeatsElectroExperimental
Speed For Lovers release debut album 'Hot Yoga Emoji' on society Records / Ubishi Recordings
Originally from Sheffield, Liverpool & The Forest Of Dean, the three lovers met in the network of little mesters music studios on John Street in Sheffield.Initially engineering, producing and playing on each other's projects, they subsequently teamed up to form Speed For Lovers in 2010.
The past eight years have been spent wearing out rave trainers, building studios in their attics and sheds, geeking out with Sound on Sound articles and faffing with tech.
With two members who came and stayed and one who couldn't leave, 'Hot Yoga Emoji' is the band's ode to Sheffield.
Field recordings of late nights out and early stumblings home link tracks together and place their moments of creation in the city.
Spurred on by Sheffield's Kabal nights and trips to The Electric Chair in Mcr, 'Hot Yoga Emoji' mixes live drums and bass guitar with pocket sound generators, old synths and vocals to create an album of irresistible live dance music.!
Available to reorder, subject to availability
Available to reorder, subject to availability
Der Brooklyler Produzent Rizzla, Neben D'hana Perry Mitglied Des Stetig Wachsenden, Audiovisuellen Queer-punk-kollektivs Kunq, Präsentiert Sein Solodebütalbum "adepta", Auf Dem Er Diy-ästhetiken Mit Pop-inspirierter Produktion Verbindet. Dabei Treffen Hysterisch-wurzellose Club-tools Auf Frakturen Von Vocal-dance, Was Zu Wilden Schwankungen Bei Rhythmischer Ausführung Und Tempo Des 11-track-albums Führt.
Available to reorder, subject to availability
One man's vision of Soul music's evolving potential' ROLLING STONE
The Bamboos are one of the highest profile soul / funk acts in Australia, and have been recognised worldwide as masters of reinventing the genre with modern songwriting within classic arrangements & production over the past 10 years. They've clocked up some impressive Spotify hits numbers on along the way: " Wilhelm Scream" (3.5 M), 'On The Sly' (2.8 M), 'Helpless Blues' (1.8 M)"
Mainstay members Lance Ferguson and vocalist Kylie Auldist are also the creative forces behind one of 2016's biggest singles, 'This Girl' by Kungs Vs Cookin' On 3 Burners. Ferguson played on and co-wrote the song (incl that infectious guitar riff and lyrics) which along with Auldist's powerhouse vocals. The remix went on to hit #1 in France, Germany, #2 in the UK, top 20 in Australia and the US and top 30 in 35 countries. It's edging close to half a billion Spotify plays and 300 million Youtube hits.
Having previously collaborated with the likes of Aloe Blacc and Alice Russell, their latest offering 'Night Time People' see's the band call to mind everyone from Martha Reeves to Sharon Jones, The Bamboos deliver two catchy singles that draw together the raw drive of their earliest LPs and their more recent progressive experimentations in the studio. It's a fresh approach that finds the band wholly reenergised.
Available to reorder, subject to availability
Augustus Pablo's monumental 1988 LP Eastman Dub is back! Showcasing a vital selection of Rockers dub attacks built on the classic 1978 album Tetrack Let's Get Started.' Originally recorded at Channel One and Harry J's and mixed by Sylvan Morris at Channel One. Another classic Augustus Pablo collection from the golden age of Rockers!
Available to reorder, subject to availability
Hip-HopInstrumentalBeatsElectroAbstract
When Ann Arbor's Tadd Mullinix began exploring hip-hop under the name Dabrye 20 years ago, he soon honed in on a startling vision of what the genre could be: ingenious, refined, daring. This vision came to life across two albums for Ghostly International — 2001's One/Three and its 2006 follow-up Two/Three— with each record further positioning the quiet Michigan producer as one of his generation's best, equally comfortable creating minimalist instrumental meditations or sharp rap salvos. In the late 2000s, following critical acclaim and accolades from both peers and inspirations (including the late Jay Dee with whom Mullinix collaborated before his untimely passing), Mullinix put the Dabrye moniker on ice and dedicated himself to other genres and ideas. All the while the influence of his work on a new generation of electronic musicians continued to make itself felt in subtle but meaningful ways.
All this changes in 2017 as Dabrye makes his long-awaited return with Three/Three, a razor-sharp rap album that brings to completion a prophetic trilogy. Mullinix's incisive productions provide the backdrop for equally acute rhymes that run the gamut from intergenerational observations and being your best self to back alley deals and having fun in the ride. Guests include indie rap legend DOOM, whose previous collaboration with Dabrye remains a point of reference for many, Wu Tang storyteller Ghostface Killah, L.A word fanatic Jonwayne, and Long Island's rugged surrealist Roc Marciano. Most importantly Three/Three is, much like its predecessor, an unfettered celebration of Detroit-area talent with Guilty Simpson, Phat Kat, Kadence, Quelle Chris, Danny Brown, Shigeto, Clear Soul Forces and more all lending their touch to Dabrye's return.
The blend of American and British dance music, hip-hop sampling, and Jamaican sound clash energy that underpinned Two/Three remains a quiet, guiding principle. At the same time Mullinix rejoices in a refreshed perspective, having had time to incubate ideas and find clarity in the distance between albums and the evolution of scenes.The beats are looser and less angular, more embracing of repetition. Organic techniques inspired by soul and jazz round off some of the harsher sonics. The resulting broad palette of tracks reflects both this evolution and the range of the Dabrye persona: relaxed headnod ("Tunnel Vision"), nervous, slow-motion electro ("The Appetite"), glacial motifs ("Emancipated"), jazzy, cut-up funk ("Sunset"), minimal brutalism ("Electrocutor"), intricate layering ("Culture Shuffle").
Three/Three marks the return of an innovator after close to a decade of silence. Despite what the title might imply, the album isn't the end of the story but rather the completion of a creative arc. Expect more Dabrye in the near future. The game is far from over.
- Final installment of the /Three series, started in 2001
- Guests include Ghostface Killah, Jonwayne, Doom, Danny Brown, Shigeto, and more.
- Media support from: The Wire, FACT Magazine, The Detroit Free Press, Pitchfork, XLR8R
- Past collabs with Jay Dee (J Dilla), MF DOOM, Beans & more
- Vinyl is housed in a matte jacket with black hot foil and includes 24-page zine designed by Michael Cina.
Available to reorder, subject to availability
Official Mr Bongo reissue of the ultra-rare album by 'Super Elcados'. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976. The 'Super Elcados' (and 'Elcados' on other recordings) recorded three albums in the mid and late-70's, this is their first. It was followed by 'This World Is Full Of Injustice' and 'What Ever You Need'. Licensed from Geoffrey Johnson (Elcados), courtesy of PMG, with special thanks to Dave Hill for his help.
Available to reorder, subject to availability
Available to reorder, subject to availability
- A1: Put The Needle On It
- A2: Creep
- A3: I Begin To Wonder
- A4: Hey! (So What)
- A5: For The Record
- A6: Mighty Fine
- B1: On The Loop
- B2: Push
- B3: Mystified
- B4: Don't Wanna Lose This Feeling (Al Stone's Radio Edit)
- B5: Vibe On
- B6: A Piece of Time
- C1: Who Do You Love Now
- C2: It Won't Work Out
- C3: Just Can't Give You Up
- C4: Come And Get It (Radio Version)
- C5: Hide & Seek
- C6: Goodbye Song
- D1: Put the Needle On It (Jason Nevin's Freak Club Creation Mix)
- D2: Begin to Spin Me Round (Extended Version)
- D3: Don't Wanna Lose This Groove (Extended Version)
The first time the album has been released on vinyl
- Includes bonus tracks and remixes by Tiga, Jason Nevins and Almighty
- The release will be announced by a trailer through Dannii Minogue's Facebook page which has 409K followers
- Dannii will promote the release via Instagram stories and posts to her 276K Instagram followers
- Dannii Minogue is available for promo and interviews throughout pre-order period
- "It's one thing to create an excellent three-and-a-half-minute dance-pop song, but another to sustain the appeal over an entire album. Kylie managed it with Fever, Madonna followed suit on Confessions on a Dance Floor. Dannii's contribution to the genre on Neon Nights is every bit as good as those classics." - IDOLATOR
- A veritable pick and mix of the European dance scene at the time, Neon Nights spawned four Top 10 hit singles in the UK 'Who Do You Love Now' (No.3), 'Put The Needle On It' (No.7), 'I Begin To Wonder' (No.2) and 'Don't Wanna Lose This Feeling' (No.5).
- The album reached No.8 on the UK Official Albums Chart and was certified Gold. In Australia it was nominated for "Best Pop Release" at the 2003 ARIA Music Awards.
- Dannii says: "When I embarked on a solo recording career and released my first album in 1990, music was only released on 7' and 12' vinyl. Fast forward through my album releases and throw in a bunch of technology changes, cassingles, cassette albums, CDs, Mini CDs and we are finally back to vinyl! Neon Nights never had a vinyl release - it was the 90's, and the industry was entering the digital age, and no-one was looking back at this experience of music listening. Thankfully Gen Y has embraced the nostalgia of the record player, so you finally get to Put The Needle On It with these tracks (please turn the volume up loud enough to annoy your neighbours!)."
Available to reorder, subject to availability
- 1: Our Country
- 2: The Invaders (spoken word)
- 3: Back In The Day
- 4: Oklahoma U.S.A
- 5: Bringing Up Baby
- 6: The Getaway
- 7: The Take
- 8: We Will Get There
- 9: The Real World
- 10: A Street Called Hope
- 11: The Empty Room
- 12: Calling Home
- 13: Louisiana Sky
- 14: March Of The Zombies
- 15: The Big Weird
- 16: Tony And Bob
- 17: The Big Guy
- 18: Epilogue
- 19: Muswell Kills
expected to be published on 20 Jun 2018
- A1: Back to the Day (feat. Elliott Cole)
- A2: Baby Be Mine (feat. Juliette Ashby)
- A3: Only You & Me (feat. Wax, Alyssa Marie & Camila Recchio)
- A4: Over & Out (feat. Ed Martin)
- A5: Don't Do Me Over (feat. Nick Corbin)
- A6: The Messin' Around Intermission
- B1: Back in Business (feat. Wax & Herbal T)
- B2: Reach Out (Talk Louder) (feat. Elliott Cole)
- B3: Home (feat. Nick Corbin)
- B4: Good Love (feat. Emma Noble)
- B5: Take It up a Notch (feat. Wax & Herbal T)
Never one to be constrained by musical genres, multi-instrumentalist, composer and producer Adam Gibbons (aka Lack of Afro) has taken it up several notches with his sixth studio record 'Jack of All Trades', a multi-genre tour de force that combines soul, funk, hip-hop, disco, rock and everything in-between, all wrapped up in his signature chunky production to create arguably his finest work to date.
The album is blessed with some incredible vocal performances. Regular collaborator Elliott Cole, Nick Corbin (formally of New Street Adventure), ex I Am Giant vocalist Ed Martin, Wax & Herbal T, Alyssa Marie, Camila Recchio, Juliette Ashby & Emma Noble are all on scintillating form on an album that is crammed full of infectious hooks, top musicianship, and more importantly, vibe by the bucketload!
Classic soul ('Back To The Day', 'Reach Out'), hip-hop ('Back In Business', 'Take It Up A Notch'), disco ('Only You & Me'), rock ('Over & Out'), modern soul ('Baby Be Mine'), folk ('Home') and a healthy dose of funk ('The Messin' Around Intermission', 'Good Love'), all combine to create an album that is stuffed with gorgeous phonic gems of all varieties and represents a definite step up from anything he has done before.
Packed full of beautiful horns and lush strings (and all recorded onto tape through a 1970's mixing desk), 'Jack of All Trades' is Adam doing what he does best and then some - blending the old and new to come up with a crossover classic that's entirely his own, whilst all the while ensuring that the songwriting takes centre stage.
Lack of Afro continues to go from strength to strength. 2016's 'Hello Baby' picked up a BBC 6 Music 'Album Of The Year' nomination & appeared in the Top 10 of the iTunes R&B / Soul chart in 21 countries worldwide.
His music also continues to be in high demand across all aspects of film & TV by networks such as ABC, Fox, NBC, Sony Pictures & the BBC. More recently he has signed to licensing label A Remarkable Idea, an imprint of Universal Music alongside artists such as Maximo Park, Pulled Apart By Horses, Alt J & label boss Benson Taylor. A remix of his 2011 song 'P.A.R.T.Y' by French duo Ofenbach (released on Warner Music in March) is all set to be one of 2018's tracks of the year, whilst his debut album 'Press On' (2007) has just been given 'classic' status by Future Music Magazine.
'Jack of All Trades' is supported by a live band UK tour in May & also at various festivals throughout the summer.
Available to reorder, subject to availability
Top modern soul / Disco spin thats goes for big money, licenced from Moses himself, disco funk banger leaning more to the disco side, big spin for all the usual disco suspects, this one will fly.
Available to reorder, subject to availability
Neddix from XIT sound system delivers his "Welcome To My Underground" famous track : exciting sub bass for a massive growing hard techno release...
On the flip you'll get my fave track of this record, a very Pumpin Hard tehcno tunes, totally in the state of mind of Famous Peur Bleue 04 from FKY.
The finish is a UFO... a techno acid tune with a long Dubstep-like break in the middle of the tune, making of this tune a melt between electro techno, hard techno and acid core track.
The plate is bluie and the visual by vstee is a twirling hypnotic 3D effect when you play the tunes :)
Big one !
Available to reorder, subject to availability
Available to reorder, subject to availability
The War On Drugs announce their fourth full-length album, A Deeper Understanding, out August 25th on Atlantic Records. A Deeper Understanding is the band's first album since 2014's universally acclaimed Lost In The Dream, and their debut album with Atlantic. Following the Record Store Day release of the 11-minute Thinking of a Place,' The War On Drugs present the album's lead single, Holding On.'
For much of the three and a half year period since the release of Lost In The Dream, The War On Drugs' frontman, Adam Granduciel, led the charge for his Philadelphia-based sextet as he holed up in studios in New York and Los Angeles to write, record, edit, and tinker—but, above all, to busy himself in work. Teaming up with engineer Shawn Everett (Alabama Shakes, Weezer), Granduciel challenged the notion of what it means to create a fully realized piece of music in today's modern landscape. Calling on his bandmates - bassist Dave Hartley, keyboarding Robbie Bennett, drummer Charlie Hall and multi-instrumentalists Anthony LaMarca and Jon Natchez -- continuously throughout the process, the result is a band record' in the noblest sense, featuring collaboration, coordination, and confidence at every turn. Through those years of relocation, the revisiting and reexamining of endless hours of recordings, unbridled exploration and exuberance, Granduciel's gritty love of his craft succeeded in pushing the band to great heights.
Available to reorder, subject to availability
Multi-instrumentalist, composer and producer Adam Gibbons (aka Lack of Afro) is back in some style with 'Back To The Day', a beautifully produced summer sizzler crammed full of infectious hooks, top musicianship and most importantly, vibe by the bucketload! Taking a nod from classic material by artists such as The Jackson 5, Earth Wind & Fire (and more recently Vulfpeck), 'Back To The Day' is Lack of Afro doing what he does best and then some - blending the old and new with big drums and heavy percussion to come up with a crossover classic that's entirely his own, whilst all the while developing his abilities as a songwriter.
Providing a dynamite vocal once again is regular collaborator Elliott Cole. Not just the voice of the track, he also plays guitars and bass, whilst ably backed up by some stellar musicians including George Cooper (Haggis Horns) on keys, Rory Simmons (Blur, Jamie Cullum) on trumpet, string and horn arrangements and Harry Harding (Yola Carter) holding down the backbeat on drums.
Keeping the dancefloor packed and turning the party vibes right up to 11, 'Take It Up A Notch' (featuring the brilliant Wax & Herbal T and taken from the critically acclaimed 'Back In Business EP') completes what is arguably one of the strongest single packages of the year!
Lack of Afro continues to go from strength to strength. 2016's 'Hello Baby' (released on his own label LOA Records) picked up a BBC 6 Music 'Album Of The Year' nomination & appeared in the Top 10 of the iTunes R&B / Soul chart in 21 countries worldwide. More recently, Adam's music continues to be used across all aspects of film & TV by networks such as ABC, Fox, NBC, Sony Pictures & the BBC whilst he also has released music on Universal & Warner Brothers Records.
Both tracks are taken from the new album 'Jack Of All Trades', released on LOA Records in May 2018 and supported by a live band UK tour in May & throughout various festivals throughout the summer.
Available to reorder, subject to availability
- A1: Princess Of Dawn
- A2: Winter Sun
- A3: Triad
- A4: Tom Bombadills Dance
- A5: Pearls
- A6: Arabia
- A7: Cray-fish
- A8: Deep Sea
- A9: Starlight
- B1: Phoenix
- B2: Hoodle-doodle
- B3: Gotic Velvet
- B4: Green Cherub
- B5: Desert-rock
- B6: Synthi-effect
- B7: Flea-dance
- B8: Flea-dance Ii
- B9: Laser
- B10: Up And Down
- B11: Desert-rock Ii
- B12: Kolibri
- B13: Elefantentempel
- B14: Reed
- B15: Singing Bell
- B16: Evening
- B17: Together
New Lp-edition of a private press library recordings of the early '70s.
Together with Florian Fricke and Peter Michael Hamel, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a library' to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure kraut' ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative space-relax' tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become toy-equipement' to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.
expected to be published on 31 May 2018
Goshawk returns for Hudd Traxx 60th release with Erik Rico supplying the vocals. Get Up 2 Get Down is a peak time groover with plenty of funk to boot accompanied by some seriously soulful lyrics. Art Of Tones picks up the pace on the remix with a heavy bass line added with open hats to take things up a notch. Flip for the B side and find The Love Has Gone, a brilliantly made house track made for the dancefloor. Goshawk closes things out with a laid back deep house dub on B2.
Available to reorder, subject to availability
- A1: Late Show Theme
- A2: Morning Sun (feat. Nanna.B)
- A3: Quest for Love
- A4: Talking with Gawd
- A5: Do My Thing (feat. Kapok & Illa J)
- A6: No Sleep Til MTL
- B1: Liftin' Up (feat. K-Maxx)
- B2: All Alone (feat. Illa J & Moka Only)
- B3: Returning the Flavour (feat. Trian Kayhatu)
- B4: Change of Heart (feat. Illa J)
- B5: El Himno De La Barbería
- B6: Rituals
Hip-HopFunkHip-HopInstrumental
Comprised of Vancouver producers and multi-instrumentalists Nick Wisdom and Astrological, Canadian duo Potatohead People boast a number of noteworthy accolades thanks to a their signature sound drawing influences from 90's boom-bap, future soul, classic jazz, deep house and boogie/funk. Beginning with a series of EP's, including their landmark "Kosmichemusik" EP, Potatohead People's productions quickly made their way to artists like Illa J who tapped the duo to produce his now critically acclaimed self-titled album, as well as producers like Kaytranada (who co-produced Illa J's "Strippers" with the pair). Supporters such as Soulection, Nightmares on Wax, Pomo, DJ Spinna, Big Boi, and Phife Dawg have also played formidable roles in championing the sound of Potatohead People worldwide.
Now with three years since their last release, 2015's critically acclaimed debut album Big Luxury, Potatohead People are back their long awaited new album Nick & Astro's Guide To The Galaxy (due out May 11th via Brooklyn label Bastard Jazz) The record picks up right where the pair left off, showcasing a leap forward in production chops, musicality, and songwriting. The first single "Quest For Love" "with it's neck snapping drum break, lush rhodes chords, cosmic synths, guitar & horn flourishes and unexpected musical changeups bring in the hip-hop infected musicality the duo has become so loved for, while Nick & Astro collaborate vocally on top. "Morning Sun" featuring Danish vocalist (and Anderson.Paak collaborator) Nanna.B is in part a melancholy piece with knocking drums, an infectious bassline and a soulful, shimmering hook, while "Do My Thing" featuring Canadian singer Kapok and Illa J is a neck-snapping Hip-Hop joint perfect for the dancefloor. "Liftin' Up" featuring San Francisco's K-Maxx ventures into West Coast boogie territories, while the album's closer "Rituals" goes for a deeper more atmospheric electronic vibe.
Available to reorder, subject to availability
Martin Freeman & Eddie Piller present
Jazz On The Corner
- A1: If You're Going To The City
- A2: Sad Little Girl
- A3: Psychedelic
- A4: Listen Here
- A5: The Hipster
- B1: Kozo's Waltz
- B2: Terra Firma Irma
- B3: Now At Last
- B4: Mi Hermano
- C1: A Walk On The Wild Side
- C2: Get Up Off Your Knees
- C3: Sphynx
- C4: Look At Me, Look At You
- C5: Trees and Grass and Things
- D1: Bend Your Head Down Low
- D2: Chains
- D3: Just in Time To See The Sun
- D4: Mother of The Future
- D5: The Rhythm Changes
When Acid Jazz founder Eddie Piller asked Martin Freeman ('The Hobbit', 'Sherlock', 'The Office') to do a jazz radio show they could hardly imagine the response. From around the world emails and tweets inundated the show and they swore to themselves that they couldn't leave it there.
Now, two years on, this compilation of their favourite jazz has
arrived. From the rolling hard bop of Lee Morgan and Art Blakey, via screaming soul organ, jazz funk original acid jazz onwards to the post modern spiritual jazz of Kasami Washington, this is an incredible journey.
Released on double CD, digital download and double vinyl with
deluxe gatefold packaging, this is the album that will launch Acid
Jazz's 30th Anniversary celebrations.
Available to reorder, subject to availability
Available to reorder, subject to availability
That Which Is Not Said is an album about learning to accept oneself within, and accept the reality of all that comes from without. It's an eponymous abstract exposition on navigating the realms of intimacy that the living world inevitably unveils and their equally inevitable fallout, the panic of abandonment and the loss of desire, and dragging oneself back up the hill once the lonely valleys lose their allure. Written and recorded over the course of two years in TWINS home studio in Atlanta with various synths, samplers, drum machines, and his very own flesh-and-muscle vocals, That Which Is Not Said is the result of countless studio sessions and experiments that were refined and distilled into the songs presented here, rigorously worked out through live performances and repeated critical overhaul. The material was all conceived more or less the same way: a mood or feeling would be channeled through whatever machines were plugged in at the time and eventually a foundation would be developed upon which a loose structure would be improvised. Experimenting and
throwing around vocals came next, making up phrases and lyrics on the fly until something clicked and a pathway cleared through the fog and mist.
Available to reorder, subject to availability
- A1: Malta Bums - Mister Dj
- A2: Joint Effort - Then I Grew Up
- A3: Trine - Tie Me Down
- A4: Morning Reign - Can\'t Get Enough Of It
- A5: Red Mountain Supply Company - Together
- A6: Rex Garvin & Mighty Cravers - Strange Happenings
- B1: 1906 & Company - Freight Ryder
- B2: Band Of Gold - Like A Hurricane
- B3: The Penny Arcade - Funky Way
- B4: Sam Hankins & Ho-dads - Shotgun
- B5: Animal Show Band - Tell Daddy
- B6: Big John K - Poor Souls
Part 1[14,08 €]
"a Heavy Selection Of Mod-rockers, Garage And Psych-funk Tracks," Runs The Sub-title Of New Compilation Series, Down In The Valley From Perfect Toy, Encapsulating In A Nutshell The Multifarious Pleasures On Offer.
Volume 2 Continues The Good Work Of Volume 1 With Yet Another Breathtaking Selection. Morning Reign's Previously Unreleased Can't Get Enough Of It Provides Big-ass Funky Thrills Along With This Volume's Only Cover - The Penny Arcade's Mod-funk Take On Funky Way. Next Come Two Frantic Garage-soul Cuts From A Pair Of Super-obscure Groups: 1906 & Company And Band Of Gold While Rex Garvin & The Mighty Cravers' Titty-shaking Instrumental Strange Happenings Slows Things Down To A Monster Shimmy With Retro Horror Movie Vibes. The Animal Show Band's Tell Daddy Provides The Male Answer To Etta James' Tell Mama And Rocks Just As Hard As The Original While Gino Scorza's Funk-tinged Soul Heater Little By Little (which He Originally Privately Pressed Himself) Gets Reissued For The First Time. Closing The Album Is A Real Treasure By Big John K In The Shape Of His Heavyweight Slab Of Soulful Blues-funk - Poor Souls.
Once Again, Chan The Man - Previously The Guiding Light For Perfect Toy's Down & Wired Series - Was The Driving Force Behind This Project. It Is His Incredible Knowledge, Combined With The Network Of Record Collectors, Djs And Vinyl Nerds That He Has Established Over The Past Few Decades Which Have Made It Possible To Come Up With Such A High-octane Selection Of Super-heavy And Extremely Rare Tracks. Accompanied By Detailed Liner Notes And Never-before-seen Photos Of The Artists, Down In The Valley 2 Sets The Bar High For Future Volumes.
Available to reorder, subject to availability
Repress
After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..
"When two of the best team up! Melodic techno at its best!"
Jonas Lion / Hello Play
"Wow! Very atmospheric sound! Great album!!! 5/5"
Mixmag
"Brilliance from two masters of the game."
XLR8R
"Has a rough-n-tumbling '90s romanticism that is really hard to capture in a lot of tracks nowadays - that's already an achievement but the tracks are also heartfelt bangers. Terrific LP!"
Mitch Strasnov / URB
"Coming out around my birthday, what a feast. It's You I See makes me wanna play all those old 808 State and Gerald singles again."
Rene Passet / DJBroadcast
"Very soulful and even spiritual, at a time music needs it most."
Matrixxman
"Legendary from the first listen. Five thumbs up. LOVE IT!!!"
Ambivalent / LA4A
"Very VERY VERY Cool release indeed. Quality music as always on 3024"
Laurent Garnier
"Its exactly how I imagined FSOL now, if they took a less arty route"
Kink
Available to reorder, subject to availability
As with his previous release "Planted Seeds" on Inner Shift Music, Gene Hunt yet again delivers with the "Distant Lands" EP. Kayla Dream is aptly named as you are taken into a long atmospheric dream with a hard energetic Gene Hunt Chicago edge. Distant Voyage takes this journey into a more dynamic direction with even more energy and subtle unexpected twists. Last but certainly not least we have Open Up Your Eyes with contrasting abstract elements that you would never dream would work except, with Gene Hunt it does. As always he's ahead of curve with this three track EP being a prime example of his own unique underground style of dance music.
Available to reorder, subject to availability
- A1: Sit Down And Shut Up
- A2: In Your Area
- A3: Styles, Crews, Flows, Beats
- A4: Casio
- B1: Hold Up
- B2: The Everliving
- B3: Rock Unorthadox
- B4: Top Illin
- B5: Necromancin
- B6: Breaks Em Down
- C1: Tale Of Five Cities
- C2: Definition Of Ill
- C3: Theme From A Peanut Butter Wolf
- D1: Run The Line
- D2: Phonies
- D3: Mobbin
- D4: Hawaii 5000
My Vinyl Weighs a Ton is the first solo album by American hip hop producer and disc jockey Peanut Butter Wolf. It was released in 1999 on his own label, Stones Throw Records, in conjunction with Copasetik Records.
Available to reorder, subject to availability
- A1: Love's Theme
- A2: I'm Gonna Love You Just A Little More Baby
- A3: I've Got So Much To Give
- A4: Never, Never Gonna Give Ya Up
- A5: Honey Please, Can't Ya See
- B1: Can't Get Enough Of Your Love, Babe
- B2: You're The First, Tjhe Last, My Everything
- B3: What Am I Gonna Do With You
- B4: I'll Do For You Anything You Want Me To
- B5: Let The Music Play
- C1: Satin Soul
- C2: You See The Trouble With Me
- C3: Baby, We Better Try To Get It Together
- C4: Don't Make Me Wait Too Long
- C5: I'm Qualified To Satisfy You
- C6: It's Ecstasy When You Lay Down Next To Me
- D1: Playing Your Game, Baby
- D2: Oh What A Night For Dancing
- D3: Your Sweetness Is My Weakness
- D4: Just The Way You Are
- D5: September When I First Met You
- D6: I Love To Sing The Songs I Sing
Available to reorder, subject to availability
Hugo Manuel is better known by his musical alias Chad Valley. A product of Oxford's prolific
creative community, Chad Valley has amassed a catalogue that spans four studio releases,
numerous collaborations and dozens of remixes. His 2010 debut — a self-titled exploration
in swirling synths and sunburnt melodies — laid the groundwork for 2011's Equatorial
Ultravox, which gave his downtempo productions a decidedly more pop-leaning twist. It
was with Equatorial Ultravox, and his 2013 album Young Hunger, that Chad Valley's profile
sprung forward, strengthened by a string of key touring slots supporting the likes of
Erasure, CHVRCHES, Active Child and Passion Pit, and by his collaborations with El Perro Del
Mar, Glasser, Totally Enormous Extinct Dinosaurs and Twin Shadow. After releasing 2015's
sparkling Entirely New Blue and continued touring extensively, as he now prepares to
release his third full-length album in 2018. Imaginary Music includes the previously released
singles Up Again' and LA in August,' both of which bolster one of the strongest batches of
material Chad Valley has yet delivered.
Press coverage via Pitchfork, The FADER, SPIN, Gorilla vs. Bear, The Line of Best Fit
Tours supporting CHVRCHES, Erasure, Active Child, Passion Pit, Twin Shadow
Collaborations with El Perro Del Mar, Glasser, Totally Enormous Extinct Dinosaurs, Twin
Shadow
- Limited editions LP are pressed on 'sunset' color vinyl
Available to reorder, subject to availability
Her Majesty's Ship is proud to present 'This Never Happened', the latest album from hugely talented French-American singer and producer Yan Wagner.
This always inventive and off kilter artist has had many top releases on labels like Kitsune and has worked with the likes of the legendary Arnaud Rebotini and Etienne Daho. He also has a side project, The Populists, is producing the first album of Calypso Valois and wrote the soundtrack for the short film 'Victoria' by Mathilde Marc. Someone who plays events like SXSW and Montreux Jazz Festival, Wagner's playful disco-pop tunes always find their way into the emotions of those who hear them.
For his second album, the artist wondered what to do: surprise everyone with a selection of ballads or serve up the electronic sounds that defined his last effort Forty Eight Hours. The answer lies somewhere in between, with covers of Frank Sinatra and Lee Hazlewood mixed in with fresh and catchy disco production. Unlike the last record produced by Arnaud Rebotini, this record is producer by Yan himself with a triple objective: to favour the first takes, the heat of the sound and to reduce the post- production to a minimum. It makes for something authentic and real, and is an album of artistic self-questioning, tenacious dreaming and overcoming doubt.
Says the artist, "The songs on this record are a series of lies; views of the mind. 'This Never Happened' is a collection of stories that never happened. Ten tracks talking of vain loves, of nocturnal experiences and of life and truth, which are all so short.'
Starting with the retro synths and shiny arpeggios of the title track, ensuing cuts like 'Blacker' are real chuggers with almost de-humanised vocals over the robot beats. 'SlamDunk Cha-Cha' is descended from Bowie with its camp synth wiggles and sung- spoken vocals. Switching up the tempo, slower tracks like 'Grenades' are perfectly glowing and frazzled with their pixelated melodies and cold chords. More upbeat affairs like 'No Love' are like lighter and cheerier versions of Depeche Mode, and the Sinatra cover 'It Was A Very Good Year' is a stirring, synth heavy version that is every bit as tender as the original.
This is a fantastic album of timeless electronic songs and is sure to be one of the standout releases of the year.
Available to reorder, subject to availability
- A1: Vibronics feat. Nia Songbird - All Sisters Unite
- A2: Vibronics feat. Nish Wadada - Each One Teach One
- B1: Vibronics feat. Boney L - Rise Up
- B2: Vibronics feat. Vanya O - One Dub Nation
- C1: Vibronics feat. Trilla Jenna - Ghetto Yout Nah Give Up
- C2: Vibronics feat. Saralène - More Love
- D1: Vibronics feat. Sis I-Leen - Peaceful Warriors
- D2: Vibronics feat. Nancl Correia - Woman Is Divine
UK Dub legend Vibronics brings you a new vocal & dub album that celebrates women in Reggae & Dub. 'Woman On A Mission' is a new release featuring 8 female vocalists on 8 brand new Vibronics tracks. The album presents time-honoured Vibronics associates, Boney L (recording for the first time in 10 years), Nia Songbird, Vanya O and Saraléne , alongside first time collaborations with Trilla Jenna, Nanci Correia, Nish Wadada & Sis I-Leen. Each track vocal track effortlessly glides into an extend dub mix that showcases the sonic skills that Vibronics is known for.
Available to reorder, subject to availability
- A1: Coco feat. Lilja Bloom
- A2: Hurt
- A3: For Rose
- A4: True Romance feat. Lilja Bloom
- A5: Distance feat. Lylith
- A6: Wake Up Sister feat. Max The Sax
- A7: Let's Roll feat. Blaktroniks
- B1: Sunny Bunny Blues feat Veda 36
- B2: Dandy feat. Yola B
- B3: Your Man
- B4: Promises feat. Klaus Hainy
- B5: Letoile feat. Max The Sax
- B6: You And Me feat. Lilja Bloom
- B7: The Mojo Radio Gang (Radio Version)
- C1: Ragtime Cat feat. Lilja Bloom
- C2: Silent Snow feat. Max The Sax
- C3: Libella Swing
- C4: Catgroove
- C5: Matilda
- C6: The Flame
- D1: Fleur De Lille
- D2: Hotel Axos
- D3: Monster
BeatsBreak-BeatPopJazzWorld Music
Coco finally available on double vinyl for the first time. With his unmistakable sound-mix of Jazzand Swing samples and electronic music, Parov Stelar has secured his own unique position in the world of music.
The double vinyl starts off where his former successful LP's ended. On the other hand he is consequently developing his established jazzy sound, by adding new stylistic elements to his tunes. Also his dancefloor-productions, which
have been published only as singles, now find a debut to a greater extent on this album. They meet with Stelar's melancholic-melodious trademark-sound, which is well known from his earlier albums, but now also spiced up with Hip-
Hop beats and synthpads. An electrifying album to fall for. The two vinyls are originally thought of as one with tracks that can be danced to and one with tracks just for listening. Nevertheless the line between those two approaches becomes blurred in Parov Stelar's newer compositions. The
album makes your feet tap more and more with every track. The musician himself sees the LP as a 'book for musical readers' which is classically defined in introduction, middle part and end. Because of streaming hit singles the
consumer behaviour changed, people don't listen to albums the same way they used to. The whole experience that includes refelecting on less prominent tracks somehow got lost. Parov Stelar sets 'Coco' as a statement against this habit.
Available to reorder, subject to availability
* Released for the first time on vinyl
* The ultimate collection of rare early materials by this electronic music pioneer
* Comes as a deluxe double LP set with insert and extensive liner notes . Limited black vinyl pressing (700 copies) with obi strip.
Klaus Schulze is a German electronic music pioneer, composer and musician that needs very little introduction. In the late sixties & early seventies he was a member of several iconic bands such as 'Tangerine Dream', 'The Cosmic Jokers' & 'Ash Ra Tempel' before launching a solo career consisting of more than 60 albums released across five decades. Collaborations were numerous and highlights include working with Steve Winwood, Brian Eno & Alphaville... just to name a few.
Klaus Schulze's proto moog-synthesizer work is regarded as a milestone in electronic music & during the decades he released landmark albums in genres catalogued as 'Ambient', 'Electronic', 'New Age', 'Berlin School', 'Experimental', 'Kosmische Musik' & 'Krautrock'. Mr. Schulze had a more organic sound than most electronic artists of the time, often he would throw in decidedly non-electronic sounds such as acoustic guitar and a male operatic voice. Schulze is also known for developing a Minimoog technique that sounds uncannily like an electric guitar, which is quite impressive in concert.
On occasions he would also compose film scores such as Body Love (1977), Barracuda (1978), Next of Kin (1982), & Angst (1983). His best known song 'Freeze' has been used in films like Manhunter (1986) and more recently in Sofia Coppola's 'The Bling Ring' from 2013.
In 2009, producer Klaus D. Mueller and Schulze began releasing La Vie Electronique ( The Electronic Life'), a series of sets that collected rare sought-after early works & unreleased tracks put in chronological sequence. These sets contain some of the best music Klaus ever created and are early 70's masterworks that will appeal to both fans and collectors.
Now available for the first time on vinyl, One Way Static Records presents the first volume in our new archival series 'La Vie Electronique'. This volume (1.0) focuses on the years 1968-1971 and is spread over two glorious LP's containing +78 minutes of Klaus Shulze rarities. This deluxe vinyl set also comes with an insert containing extensive liner notes.
Available to reorder, subject to availability
- A1: Where You At (feat Melo B Jone)
- A2: Hours Go By (feat Sio)
- A3: Situations (feat BK)
- A4: Fourth Tune (feat White Nite)
- A5: Break Up (feat John Robinson & Sio)
- A6: Turn It Up (Intermission)
- B1: To The Rhythm (feat Kev Brown & Melo B Jones)
- B2: Speechless (feat Sio)
- B3: Waste No Time (feat Daev Martian & Dee C'rell)
- B4: Interruption
- B5: Vibrations (feat Daev Martian & Sharka)
- B6: Kid Fonque & D-Malice - Word Up - Eat MdCL - RKLS version
Both D-Malice and Kid Fonque are well-established players in their native cities, both boasting long-term involvement and impressive credentials. After meeting in 2013 and nurturing a very natural and obvious predilection for golden era hip-hop, 90s R'n B, soul and trip hop they decided to pool their creative resources and rope in a wealth of talent from their combined networks under a new moniker. Enter rkls.
On this debut offering the pair have worked with LA's broken beat visionary Marc De Clive-Lowe, legendary emcees John Robinson and Kev Brown, dazzling new vocal and production talent from South Africa - Sio, Melo B Jones, Daev Martian and White Nite to name but a few.
This diverse list of guests flex their dexterity allowing the album to shift easily between ballads and more up-tempo beats effortlessly. Punctuated with spacey interludes, the resulting twelve tracks glisten with sumptuous textures, swelling harmonies and organic instrumentation. Familiar but fresh, rkls feels like you're meeting an old friend with enthralling new stories to tell.
Available to reorder, subject to availability
- A1: Gee Gee Shinn & Boogie Kings - Fever
- A2: Connie Kaye Trio - I'm A Woman
- A3: Bus Brown - Mr. L.b.j
- A4: Earl Demus Band - Her Spare
- A5: Chuck Finney Combo - I Want A Man Like You
- B1: Chick Willis - Sometimes Soon
- B2: Australia - Wide Awake
- B3: J.r. - Any Time Now
- B4: Joe Akens - Nice
- C1: Hummingbird 4 - Cho Cho San
- C2: Evangeline Made - Burnt Flesh
- C3: Dario & The Inferno - Brother, Where Are You
- C4: Swoop - Upside Down
- D1: You - You Got It
- D2: Hot Cakes - Harlem Shuffle Theme
- D3: Reunion - When The Well Runs Dry
- D4: The Counts - Get Up, Get Dancin
2x LP + 7"[22,65 €]
IT'S TIME TO PAAAARTY! Why The Universe knows that Tramp is celebrating their 40th trip around the sun in 2018. And what about planet Earth Well... it is as blind as it is in so many other situations. Therefore, it is time to shine the light on Tramp for all of its unremitting efforts. As musical diversity is vanishing, especially in the field of African American music from the 1960s/70s, it is our duty to stop the extinction of threatened species of music in the same way an animal welfare activist would do anything to save a gorilla's life. Tramp Records keeps this beautiful heritage alive, every single day, again and again and again. So we are here wondering why Earth people and especially to those from our beloved home country, why why are you just sitting there, going about your life unaware of this historic event What a pity!
The announcement is especially striking when it comes to the prestigious "Movements" series. Like all its predecessors, this ninth volume contains Rare Groove nuggets recorded between the early 1960s and the late 1970s. The fact that only one of the songs appear anywhere else is a jaw-dropping phenomenon! The chronological track listing starts with two amazing cover versions: "Fever" by Gee Gee Shinn & the Boogie Kings and "I'm A Woman" by Connie Kaye Trio. Bus Brown, Earl Demus and Chuck Finney remain in the same direction although their contributions are slightly jazzier. Chick Willis' gut-wrenching "Sometime Soon" easily rivals James Brown's "It's A Man's World" and the recordings by Australia, J.R. and Joe Akens are beautiful examples of privately produced soul from the 1970s. The latin-soul of "Cho Cho San" by Hummingbird 4 heads the sound in another direction for the next three tunes, highlighted by one more stunning cover version, Oscar Brown Jr.'s "Brother, Where Are You". The album closes with some pre-disco tracks from The Counts, Reunion and Hot Cakes' dance floor bomb cover of "Harlem Shuffle".
Over a hundred great unknown songs have been re-released on the first eight volumes in the "Movements" series, the majority of which can not be found elsewhere, and Vol. 9 is no exception. The work of Germany's tiniest but grooviest record label is still incomprehensibly underestimated. We know you diggers, collectors, mavens, aficionados, fanatics, completists, enthusiasts, and just plain record geeks know what's up and we heartily salute you! Without your support there would be no Tramp Records. But now it's time for a broader cultural shift for good music and a sweeping move to uphold the legacy of the unsung heroes of funk and soul. Therefore, we humbly petition you: in 2018, Don't keep all this glory to yourself! Turn your friends and neighbors on! Thank you!
- the double vinyl LP comes with a full album download code
- deluxe double-gatefold LP with detailed liner notes, label scans & unseen photographs
- all but one song appear on vinyl-LP for the very first-time
Available to reorder, subject to availability
HouseElectronicaNeotranceBeatsAmbientChill-OutLounge
LP+DL
To those familiar with the output of Cologne-based imprint Firm from back in the early '00s, the name of Geiger, alias Nass, shall undoubtedly ring a bell. Herald of an hedonistic melange of funk- soaked electro pop and guitar-riddled synth music, sitting somewhere close to acts like Ween and Junior Boys, Alexander Geiger is about to break a eight-year hiatus with the drop of his debut album under the newly-founded moniker of Fahrland. A release that both encompasses a healthy dose of the discoid tropes from the Firm era but also aspires to split with a segment of it, geared towards exploring further undisclosed fringes of his shape-shifting sound universe, 'Mixtape Vol.1' is the fruit of a decisive move from the sleepless Berlin to the peaceful countryside landscapes of Fahrland - a lushly forested area near Potsdam which you'll have understood played an essential role in Geiger's longed-for return. Versatile and inclusive, the album sweeps a polyamorous gamut of styles and tempos like an answer to the virtual prisons that inhibit us on a daily basis, straying away from normative standards and classic full-length calibration as a result. Instead weaving a singular narrative course, clear from all type of shackles and chains, Geiger navigates on sight, reflecting on notions as wide and universal as freedom, friendship and love across a multiversal patchwork of sounds and feels. From the languid sexy vibe of 'Beggin', 'Plastic People' and 'Yesterday' - all three featuring the sensual whispers of multi-talented vocalist and artist MZ Sunday Luv, through the heavily vocodized, chip- implemented groove of I AM ROBOT - reminiscent of Telex and Space Art, balearic jazz & rap shine of 'Sky So High', smokey lounge ambience of 'L AND H' onto broader ambient-friendly spans such as 'Suspension', 'Windshield Gently Wipers' and the smooth, sun-basking closer 'Get Down', each track holds a fragile cocooned world at its heart.
Bei denjenigen, die mit dem Output vom Kölner Label Firm aus den frühen Nullerjahren vertraut sind, sollte der Name Geiger alias Nass zweifellos die Glocken klingeln lassen. Als der Herold einer hedonistischen Melange aus Funk durchdrungenem Elektro-Pop und Gitarren durchzogener Synthie-Musik irgendwo zwischen Ween und den Junior Boys, bricht Alexander Geiger seine achtjährige Schaffenspause mit der Veröffentlichung seines Debüt-Albums unter neuen Pseudonym: Fahrland.
Ein Release, das sowohl die diskoiden Tropen der Firm-Ära affirmiert, als auch danach strebt ein bestimmtes Segment davon zu spalten. Aufgenommen um ungeahnte Interferenzen seines gestaltverändernden Sounduniversums zu entdecken, ist 'Mixtape Vol.1' das Resultat eines bewussten Umzugs aus dem schlaflosen Berlin in die friedliche Landschaft von Fahrland - einem üppigen Waldgebiet in der Nähe von Potsdam, das eine entscheidende Rolle in Geigers ersehnter Rückkehr zur Musik gespielt hat.
Vielfältig und offen erforscht das Album polyamorös eine Skala von Stilen und Tempi als Antwort auf die virtuellen Ketten, die uns tagtäglich hemmen. Bewusst vergessen werden dabei normative Standards und klassische Langspieler-Kategorien. Geiger webt stattdessen ein einzigartiges Narrativ, frei von jeglichen Fesseln und Ketten und führt uns auf seinem multiversalen Flickenteppich aus Sounds und Gefühle mit Sichtkontakt an so allgemeingültige und universelle Begriffe wie Freiheit, Freundschaft und Liebe.
Vom nochalanten Vibe von 'Beggin', 'Plastic People' und'Yesterday' (alle drei mit der sinnlich wispernden und vielseitigen Sängerin MZ Sunday Luv), bis zu dem durch den Vocoder gejagten und computergenerierten Groove von I AM ROBOT; Reminiszenzen an Telex und Space Art, balearischen Jazz und Rap erklingen in 'Sky So High', rauchiges Loungeambiente auf 'L AND H' bis zu völliger Ambient-Anschlussfähigkeit in 'Suspension', 'Windshield Gently Wipers' und dem sanften, Sonne anbetenden Schlusslied 'Get Down' - jeder Track hält eine Welt für sich in seinem Herzen.
Available to reorder, subject to availability
HouseElectronicaNeotranceBeatsAmbientChill-OutLounge
LP+DL+MC Limited
To those familiar with the output of Cologne-based imprint Firm from back in the early '00s, the name of Geiger, alias Nass, shall undoubtedly ring a bell. Herald of an hedonistic melange of funk- soaked electro pop and guitar-riddled synth music, sitting somewhere close to acts like Ween and Junior Boys, Alexander Geiger is about to break a eight-year hiatus with the drop of his debut album under the newly-founded moniker of Fahrland. A release that both encompasses a healthy dose of the discoid tropes from the Firm era but also aspires to split with a segment of it, geared towards exploring further undisclosed fringes of his shape-shifting sound universe, 'Mixtape Vol.1' is the fruit of a decisive move from the sleepless Berlin to the peaceful countryside landscapes of Fahrland - a lushly forested area near Potsdam which you'll have understood played an essential role in Geiger's longed-for return. Versatile and inclusive, the album sweeps a polyamorous gamut of styles and tempos like an answer to the virtual prisons that inhibit us on a daily basis, straying away from normative standards and classic full-length calibration as a result. Instead weaving a singular narrative course, clear from all type of shackles and chains, Geiger navigates on sight, reflecting on notions as wide and universal as freedom, friendship and love across a multiversal patchwork of sounds and feels. From the languid sexy vibe of 'Beggin', 'Plastic People' and 'Yesterday' - all three featuring the sensual whispers of multi-talented vocalist and artist MZ Sunday Luv, through the heavily vocodized, chip- implemented groove of I AM ROBOT - reminiscent of Telex and Space Art, balearic jazz & rap shine of 'Sky So High', smokey lounge ambience of 'L AND H' onto broader ambient-friendly spans such as 'Suspension', 'Windshield Gently Wipers' and the smooth, sun-basking closer 'Get Down', each track holds a fragile cocooned world at its heart.
Bei denjenigen, die mit dem Output vom Kölner Label Firm aus den frühen Nullerjahren vertraut sind, sollte der Name Geiger alias Nass zweifellos die Glocken klingeln lassen. Als der Herold einer hedonistischen Melange aus Funk durchdrungenem Elektro-Pop und Gitarren durchzogener Synthie-Musik irgendwo zwischen Ween und den Junior Boys, bricht Alexander Geiger seine achtjährige Schaffenspause mit der Veröffentlichung seines Debüt-Albums unter neuen Pseudonym: Fahrland.
Ein Release, das sowohl die diskoiden Tropen der Firm-Ära affirmiert, als auch danach strebt ein bestimmtes Segment davon zu spalten. Aufgenommen um ungeahnte Interferenzen seines gestaltverändernden Sounduniversums zu entdecken, ist 'Mixtape Vol.1' das Resultat eines bewussten Umzugs aus dem schlaflosen Berlin in die friedliche Landschaft von Fahrland - einem üppigen Waldgebiet in der Nähe von Potsdam, das eine entscheidende Rolle in Geigers ersehnter Rückkehr zur Musik gespielt hat.
Vielfältig und offen erforscht das Album polyamorös eine Skala von Stilen und Tempi als Antwort auf die virtuellen Ketten, die uns tagtäglich hemmen. Bewusst vergessen werden dabei normative Standards und klassische Langspieler-Kategorien. Geiger webt stattdessen ein einzigartiges Narrativ, frei von jeglichen Fesseln und Ketten und führt uns auf seinem multiversalen Flickenteppich aus Sounds und Gefühle mit Sichtkontakt an so allgemeingültige und universelle Begriffe wie Freiheit, Freundschaft und Liebe.
Vom nochalanten Vibe von 'Beggin', 'Plastic People' und'Yesterday' (alle drei mit der sinnlich wispernden und vielseitigen Sängerin MZ Sunday Luv), bis zu dem durch den Vocoder gejagten und computergenerierten Groove von I AM ROBOT; Reminiszenzen an Telex und Space Art, balearischen Jazz und Rap erklingen in 'Sky So High', rauchiges Loungeambiente auf 'L AND H' bis zu völliger Ambient-Anschlussfähigkeit in 'Suspension', 'Windshield Gently Wipers' und dem sanften, Sonne anbetenden Schlusslied 'Get Down' - jeder Track hält eine Welt für sich in seinem Herzen.
Available to reorder, subject to availability
BeatsExperimentalPopJazzKlassic
Originally released on Prestige in 1957, this is the third LP from NYC street performer and avant garde/minimalist composer Moondog. Perhaps the least accessible of his early releases, this album is made up of percussive jams, usually on instruments of his own creation, street sounds, poetry, and Far East melodies, despite opening with a swinging number that is, oddly, the most bizarre thing on the album. Another classic from Moondog reissued with its original Andy Warhol artwork. Limited edition of 1,000 on purple and green starburst vinyl.
Available to reorder, subject to availability
- A1: Romeo Delight
- A2: Unchained Drum Solo
- A3: The Full Bug
- A4: Runnin' With The Devil
- A5: Jamie's Cryin
- B1: Little Guitars
- B2: Dance The Night Away
- B3: Somebody Get Me A Doctor/I'm So Glad
- B4: Little Dreamer
- C1: Mean Street
- C2: Secrets
- C3: Everybody Wants Some!!
- C4: Ice Cream Man
- D1: Intruder
- D2: (Oh) Pretty Women
- D3: Eruption
- D4: Ain't Talkin' 'Bout Love
- D5: Bottoms Up!
- D6: You Really Got Me
DELUXE VINYL EDITION !!! By the start of the 1980s, following a string of multi-Platinum albums and electric live performances - due in no small part to the onstage chemistry between guitarist Eddie Van Halen and singer David Lee Roth - Van Halen were an unstoppable force. Their 1982 album Diver Down followed peaking at No. 3 on the Billboard chart and went four times Platinum in the U.S. alone. In support of the album, the group toured worldwide through 1982 and 1983. 1983 would also be the first and only time the group would travel to South America, and it is from this leg of the tour that the show featured on this release originates. Recorded at the first of three dates at Venezuela's 20,000-capacity Poliedro de Caracas, the performance was broadcast simultaneously over FM radio. On top form and playing a rich selection from their current and back catalogue - including '(Oh) Pretty Woman', 'Eruption' and 'Ain't Talkin' 'Bout Love' among numerous other Halen classics - this extraordinary show is now finally available for fans of this enduring collective to add to their collections.
Available to reorder, subject to availability
- Astonishing solo debut by acclaimed cellist and composer Lucy - A daring, non-conformist and deviant approach to composition and instrumentation - One side of filigree, multi-layered autobiographical collage-work, the other of raw and phased cello glissandi - RIYL: Mark Leckey, Alvin Lucier, Beatrice Dillon, Nate Young, Valerio Tricoli, Popol Vuh
Lucy Railton is a prolific performer who has appeared on countless recordings and collaborations with many important figures in contemporary music over the last few years. Paradise 94 is, remarkably, her solo debut - featuring archival, location and studio recordings which serve as a time capsule of all the myriad disciplines and influences that have brought her to this point in time. It both plays up to and shatters expectations of her music, which harnesses a duality of energies - acoustic/electronic, real/imagined, iconic/iconoclastic, pissed-off/romantic; out of place and androgynous - resulting in a visceral emotional insight and rare narrative grasp. Variegated, asymmetric, and located somewhere between her usual fields of exploration, Paradise 94 gives free reign to aspects of her creativity that have previously been subsumed into collaborative processes and interpretations of other composers' work. Here, she's free to probe, sculpt and layer her sounds through a much broader range of techniques and strategies, placing particular focus on non-linear structural arrangements and exploring the way her cello becomes perceptibly synthetic through collaging, rather than FX. At every turn Paradise 94 is bewilderingly unique. The A-side unfolds an oneiric, inception-like sequence traversing temporalities, timbres and tones from what sounds like a spectral ensemble playing on a traffic island in Pinnevik, to bursts of rabbit-in-headlights trance arps emerging from meticulously dissected musique concre`te in The Critical Rush, and a collision of masked vocals, string eruptions and a deeply moving, light-headed Bach rendition in For J.R. On the other hand, Fortified Up on side B tests out a far rawer approach, sampling herself playing the same glissandi over and again, which she layers into a sort of perpetual, sickly motion, the Shepard Tone riffing on the listener's psychoacoustic perceptions before calving off into a cathartic dissonant folk coda in its final throes. In the most classic sense, you can only properly begin to f*ck with something from the inside once you truly know it. Railton's dedicated years of service have more than equipped her with the nous and skill to do just that, gifting us with what will no doubt be looked back on as a raw, exposed and important solo debut in years to come.
Available to reorder, subject to availability
Hip-HopInstrumentalBeatsElectroExperimentalAbstract
It was chance that brought about the release of One/Three, Dabrye's debut album. Early demos were tucked on the B side of a cassette Tadd Mullinix passed to Sam Valenti in 2000 while working at the Dubplate Pressure record shop in Ann Arbor. Mullinix had spent the late '90s producing jungle, techno, house, hip-hop and more using the All Sound Tracker software as a primary instrument. Each style pulled from a similar sound palette as Mullinix used limitations to define the contours of di-erent musical personalities. Dabrye was his hip-hop wildstyle, a captivating collage of sparse instrumentals inspired by the laid back vibes of midwestern hip-hop and east coast boom bap, the futuristic funk of Umma-era Jay Dee, and the calculated subtlety of Detroit dance music. Released in 2001 as the first in an intended trilogy, One/Three announced Dabrye's arrival with an unavoidable contribution to Detroit hip-hop. Ghostly International is reissuing the album in 2017 for the first time, including a long overdue vinyl edition.
On its release One/Three was the rare album that appealed to both fans of Slum Village's smooth yet rugged hip-hop and enthusiasts of the distinct American IDM released by labels like Schematic. Over the following decade, the inadvertent demo submission turned into a body of work that placed Dabrye alongside innovators such as Prefuse 73 amid the cannon of a new generation of producers. Today, One/Three remains a concise and intriguing study in instrumental hip-hop that helps join the dots between J Dilla and Flying Lotus.
One/Three is a record that says much with little. There are no obvious hip-hop tropes. Instead Mullinix captures the ingenious minimalism of '90s hip-hop instrumentals to build tracks both supple and hard, joyous and melancholy, full of sharply angled rhythms and warm rubbery basslines: 'The Lish' throws a sickly sweet saxophone against digitally fragmented melodies, 'How Many Times (with this)' draws you in with an irresistible, clipped guitar groove, the rhythmic stutter of 'Smoking The Edge' makes your head spin with pleasure. Playing with his inspirations, Mullinix injects omitted downbeats for imagined rhymes and repurposes the intricacy of ragga jungle for breakdowns.
But what really defines One/Three is the rhythmic sensibility and metric modulation of Detroit's school of hip-hop production, which Mullinix was a fervent student of. The beats feel like they're constantly escaping a rigid tempo grid even though they are, in fact, pretty tight. A lot of it is nuance,' Mullinix explains. I've been known to say that I'm not impressed by spectacle. I think that nuance is what really captivates people.'
If you like your beats with a dash of class, do not miss this. An essential purchase of the highest order.' -BBC
- First time all tracks from the original 2001 release appear on vinyl.
- Remastered by Daddy Kev
- Standard weight black vinyl is inserted in to 3.5mm matte finish vinyl jacket.
- Download card includes free download of the Payback EP
Available to reorder, subject to availability
expected to be published on 31 Mar 2018
- A1: The Stand feat Wildchild
- A2: Air feat Doom
- A3: Machines (Part 1)
- A4: Encoded Flow feat Kadence
- B1: That's What's Up feat Vast Aire
- B2: Tell Dem
- B3: Nite Eats Day feat Beans
- B4: Jorgy feat Waajeed
- B5: Special feat Gulty Simpson & Paradime
- C1: Bloop
- C2: Viewer Discretion feat Invincible & Finale
- C3: Piano
- C4: Pressure feat Ta'raach & Waajeed
- C5: Reconsider feat Kadence
- D1: Get It Together feat Invincible & Finale
- D2: My Life feat Ag
- D3: In Water
- D4: Get Live feat Big Tone
- D5: Machines (Part 2)
- D6: Game Over feat Jay Dee & Phat Kata
Hip-HopInstrumentalBeatsAbstract
Tadd Mullinix first made a name for himself as Dabrye in the early 2000s with a pair of instrumental albums combining the rhythmic finesse of Detroit hip-hop with the ingenuity of electronic music. But instrumental beats were only a temporary goal, a way for Mullinix to catch the ears of MCs. On Two/Three, his second Dabrye album for Ghostly International, Mullinix brought together a formidable crew of local and national talent to make the statement he'd always intended. Released in 2006, Two/Three o-ered a fevered vision of rap's future that remains just as intoxicating a decade on. Ahead of the long-await-ed conclusion of Dabrye's hip-hop trilogy in 2018, Ghostly is reissuing Two/Three.
Dabrye's move towards rap began in 2004 with the album's first single, 'Game Over' featuring Jay Dee and Phat Kat. An early inspiration of Dabrye's, Jay Dee invited Mullinix to his crib in 2002 for a listening session during which he picked the 'Game Over' beat to rap on. Crucially everyone involved was in accord that despite perceptions of their respective work this would be a hardcore rap song. Together with Kat, Jay delivered a one-two lyrical punch on 'Game Over' that no one saw coming. Detroit made the world go round and everyone's head spun. 'Game Over' set the tone for the album and, over the next few years, became a Detroit anthem — shortly after Jay's passing in 2006 the audience at Movement Festival sung his verse.
Moody, propulsive, and above all ambitious, Two/Three emerges from a sonic stew of Detroit and UK dance music, Jamaican sound clashes, and hip-hop sampledelia. The guests, a who's who of the mid-'00s underground rap scene, engage in a raucous rhyming session that pays as much attention to the realities of the streets as it does world events. MF Doom, Wildchild, Vast Aire, Beans, and AG represent for the various coasts while local talents — Waajeed, Ta-Raach, Invincible, Finale, Kadence, Guilty Simpson, Big Tone, Phat Kat, and Jay Dee — bring Two/Three alive with an infectious energy. In between bursts of raw rap and hard beats, Dabrye showcases detailed instrumentals that evoke bleak industrial futures, underwater meditations, and smoky late night sessions. With Two/Three Dabrye placed himself at the forefront of hip-hop's new wave, throwing a Molotov cocktail into the rap world as uncompromising as the head-twisting cover art from WK Interact. The independent press praised Mullinix's audacity. Over the following years the impact of Two/Threewas felt in slow increments as Dabrye's music became central to the sonic makeup of a new generation of producers. As this beat scene grew and moved away from rap, it showed Mullinix the influence of his work and the value of his vision for Dabrye as his own brand of Detroit hip-hop.
Available to reorder, subject to availability
Since composer Sean McBride unveiled his first utterance as Martial Canterel almost 2 decades ago, he has produced a body of work both substantial and alluring within the field of live analogue electronic music. Effortlessly fusing a variety of styles and influences, Martial Canterel is one of the premiere outfits utilizing analogue electronics and modular synthesizers. In particular FM synthesis is employed to produce clustered polyphonies and organic atmospheres - a staple of his signature style.Three years have passed since Martial Canterel's last full length album Gyors, Lassù was released on Dais Records. During this down time, McBride found himself in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad - his new album, Lost At Sea, is an attempt for the artist to locate common ground, mutating fable with reality, exteriority and interiority.
The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past...melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind. Although this first glance refamiliarizes one with the tight, upbeat appeal typically found within the genre, Lost at Sea quickly takes a more serious and sobering tone.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the 'azstralization'.
Available to reorder, subject to availability
more talking all that jazz, more high aiming music by fumio itabashi: mule musiq is ready to release another record by the legendary japanese jazz pianist, born in ashikaga, tochigi in the year 1949.
this time his first solo record ever: the heavy jazzing 'nature', which has never been reissued on vinyl since its birth in 1979. it has been recorded at nippon columbia 1st studio, tokyo from march 13 to 15 in the year of its release.
it features itabashi making feverish love with the piano and sharing the studio with the great bass players hideaki mochizuki and koichi yamazaki, drummers kenichi kameyama and ryojiro furusawa, soprano saxophonist yoshio otomo and vibraphone wizard hiroshi hatsuyama.
they all joined him to perform his very own songs, composed by itabashi himself and produced by ryonosuke honmura, who also produced japanese jazz heroes like saxophonist keizo inoue during his career.
but enough background information. what counts is sound. it is fresh, propulsive, twitchy and melodi-ous from the first to the last tone. sometimes the instrumentalists play a classic solo in an overall deep modal jazz atmosphere that seems to be made for cats that love the good old stars and inventors - from john coltrane to mile davis, from thelonious monk to art blakey.
'nature' also shows how deep itabashi studied the history of the genre, while keeping his very own vision of jazz alive. the man that made his professional debut as a member of the sadao watanabe quintet in 1971 and that also was a member of the elvin jones jazz machine world tour from 1985 to 1987, plays the piano in all tempos: nervous high-flying quick, deeply blue blues style slow.
besides the traditional jazz flavours, you get a feeling of mind-expanding spiritual jazz, that grand mas-ters like pharaoh sanders or gary bartz turned into a sacred music genre. a master-class record in ravishing big city jazz music, adventurous, sometimes meditative, sometimes faster than the speed of light, always grooving with a bright, pure-toned sensibility and deeply soulful melodic imaginations.
it extends the jazz history with a fine balance between tradition and innovation. and it stays infectious all the time while sounding surprisingly fresh due to a lot of thrilling musical spontaneity that touches profoundly even though all notes have been written down by fumio itabashi before he and his combat-ants entered the studio.
and maybe that's the mystery of these timeless five at times epic recordings: all notes been written on paper but each musician had the freedom to dance with them in his very own unique way. so, turn the volume loud and get ready to be steamrolled by fumio itabashi's 'nature', an inebriant album that is talking all that jazz deeply!
Available to reorder, subject to availability
Intimate November tour also announced After their 2012 Mercury Prize nominated debut and 2015's Top 20 follow-up 'Born Under Saturn', musical adventurers Django Django are back for 2017, exploring new sounds with their brand new album 'Marble Skies' which will be released on January 26th on Because Music. Today the album launches with first single 'Tic Tac Toe', a rousing, trippy upbeat rock track with an enormous echoing hookline which will excite fans of the band's rockabilly-influenced elements. The accompanying video for 'Tic Tac Toe' was directed by John Maclean, brother of Django Django drummer/producer David Maclean and director of the critically acclaimed modernist western 'Slow West'. It depicts vocalist/guitarist Vincent Neff enjoying a rapid-fire day-trip to Hastings which takes a turn into the surreal and sinister when a ghost train puts him on a collision course with a grim reaper inspired by Ingmar Bergman's The Seventh Seal. As John Maclean explains: The film could be about the fading era of the beach arcades, time moving too fast, love and games, horror and happiness but it is actually about a man who needs to go buy a pint of milk to make a cup of tea.' After the brilliant, rave-shaped grooves and expansive arrangements of its predecessor, 'Marble Skies' is a more concise and focused offering which recalls the dynamic, genre-blurring music of their debut. It's a return to form, an album which finds them returning to the handmade, cut-and-paste approach of the past. Upon finishing the 'Born To Saturn' tour, Dave ventured to LA to work on a production project, whilst the other band members went to India with the British Council. When they returned, the new album process began with a back-to-basics approach which recalled the DIY ethos of the band's early days, Django Django - minus an absent Maclean - assembled at Urchin Studios in Tottenham, London with Metronomy drummer Anna Prior to experiment with the idea of coming up with new tracks through loose jamming sessions. After ten days of recording, there was plenty of raw material to send up to Dave (then back in his hometown of Dundee) for him to edit, refine and evolve. As ever, all four band members (completed by Tommy Grace on synths and bassist Jimmy Dixon) contributed to the band's music, melodies and lyrics as the final album took shape. Parts of 'Marble Skies' find Django Django sailing into uncharted territories, not least the driving title track (propelled by Prior's drumming), with its echoes of Krautrock and Suicide. Meanwhile, the hazy Zombies-like summer pop of 'Champagne', which explores the joys and ills of alcohol, was inspired by the band's over-indulgence during a boat trip on the Seine that was hosted by their label. Those drawn to the more dance-orientated side of Django Django will find much to love in the twisted '80s electro pop of 'In Your Beat' and the dancehall-influenced 'Surface To Air', a dreamy-headed pop song fronted by Rebecca Taylor of Slow Club. The collaboration came as a result of the two bands meeting up at SXSW some years ago, where Rebecca and Dave in particular bonded over shared interests in R&B, hip-hop and dancehall. Another more surprising collaborator is Jan Hammer, the Czech-born, American-based jazz-fusion and electronic artist who shares writing credits with the band on the gorgeously floaty 'Sundials'. If there's a mood running through 'Marble Skies', it's one of reflection on things past and present, and finding some kind of peace with your place in the grand scheme of things.
Available to reorder, subject to availability
Original year of release: 1988. Features the tracks 'Mala Vida', 'Ronde De Nuit', 'Salga La Luna', etc. Mano Negra the legendary first band of French singer Manu Chao ... featuring songs in Spanish, French, English and Arabic.. We are celebrating this year the 30th anniversary of its foundation. The album has been unavailable on vinyl since its first original pressing.
Available to reorder, subject to availability
Following the release of their new album Marble Skies this January, Django Django will release a new EP focused on the single track 'Surface To Air', a track which features for the first time in the band's a guest as the sole vocalist: Self Esteem, aka Rebecca Taylor from the UK duo Slow Club. Filtering a Jamaican dancehall influence through a widescreen of dreamy psychedelic pop, the track is accompanied on this EP by its instrumental version as well as three remixes from Canadian producer Lunice, Glasgow based DJ Nightwave and the multi-instrumentalist producer Body In The Thames.
Available to reorder, subject to availability
- A1: Indian Ocean - Schoolbell / Treehouse
- A2: Linkwood - Love Lost
- B1: Black Dog Productions - Flux
- B2: Circulation - Sincerely (Creation Mix)
- C1: Terrace - Seventh City (Filtered Dub)
- C2: Equiknoxx - Flagged Up (Mark Ernestus Remix)
- D1: Deetron feat. Jinadu - I Feel. I Know (DJ-Kicks)
- D2: Shake - I Got a Feeling
DJ-Kicks start 2018 in fine style with another vital entry into their long running series. The latest comes from Swiss DJ and producer Deetron , and features an exclusive solo track as well as exclusive collaborations with Steve Spacek, Jinadu and Jamie Lidell.
Available to reorder, subject to availability
- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- INCLUDES 4 PAGE BOOKLET
- FIRST TIME ON VINYL
- 5TH ANNIVERSARY EDITION
- FEATURING THE HIT-SINGLES HERE'S TO NEVER GROWING UP', ROCK N ROLL' AND LET ME GO'
- LIMITED EDITION OF 3.000 INDIVIDUALLY NUMBERED
COPIES ON SILVER & BLACK MIXED VINYL
Avril Lavigne is the fifth studio album by Avril Lavigne. It was released in 2013.
Lavigne collaborated with numerous producers including Martin Johnson, Peter Svensson, David Hodges, Matt Squire and her then-partner Chad Kroeger. The album features a more pop and upbeat sound combined with power and piano ballads. Avril Lavigne also incorporates electronic music, industrial and punk rock. The album features two vocal collaborations: Kroeger and American industrial metal singer Marilyn Manson.
The album debuted in the Top 5 in album-charts of the US, Canada, Japan, China and many other countries.
Five singles were released from the album. Its lead single Here's To Never Growing Up' peaked at number one on the in Taiwan and The Philippines. Other singles, including the duet with Chad Kroeger Let Me Go', Rock n Roll', Hello Kitty' and Give You What You Like' became succesful international hits.
Avril Lavigne received two award nominations, The Juno Award for best Pop Album and World Music Award for World's Best Album.
2018 marks the 5th Anniversary of Avril Lavigne. The album is now available on vinyl for the first time. This first, limited edition run is pressed on 180 gram silver and black mixed vinyl. Only 3.000 copies are available.
Available to reorder, subject to availability
- A1: Up Above My Head, I Hear Music In The Air
- A2: Shout, Sister, Shout!
- A3: Down By The Riverside
- A4: Ain't No Grave Hold Body Down
- A5: Didn't It Rain
- A6: Trouble In Mind
- A7: Strange Things Happening Every Day
- B1: This Train
- B2: Everybody's Gonna Have A Wonderful Time Up There
- B3: God's Mightly Hand
- B4: Teach Me To Be Right
- B5: That's All
- B6: Don't Take Everybody To Be Your Friend
- B7: My Journey To The Sky
Females have never figured strongly in the ranks of blues and rock guitar players, but the woman featured on this LP can claim to be one of the formative influences on modern rock 'n' roll guitar. Sister Rosetta Tharpe is remarkable, not just because she was an acclaimed gospel singer from the late Thirties to her death in 1973, but because she was also one of the earliest exponents of the electric guitar. In fact she helped to invent the whole concept of rock lead guitar. Her guitar-playing, which featured a fingerpicking style unusual at the time, strongly influenced Elvis Presley, Johnny Cash, Jerry Lee Lewis, Etta James, Little Richard and Bonnie Raitt. Enjoy some of those moments on this collection selected from her prolific first recording decade.
Available to reorder, subject to availability
- A1: Chaos Lives In Everything (feat. Skrillex)
- A2: Kill Mercy Within (feat. Noisia)
- A3: My Wall (feat. Excision)
- A4: Narcissistic Cannibal (feat. Skrillex and Kill The Noise)
- A5: Illuminati (feat. Excision and Downlink)
- B1: Burn The Obedient (feat. Noisia)
- B2: Sanctuary (feat. Downlink)
- B3: Let's Go (feat. Noisia)
- B4: Get Up! (feat. Skrillex)
- B5: Way Too Far (feat. 12th Planet)
- B6: Bleeding Out (feat. Feed Me)
- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD SLEEVE
- ALBUM FEAT. SKRILLEX, EXCISION, DATSIK, NOISIA,
KILL THE NOISE, AND 12TH PLANET
- FIRST TIME ON VINYL
- LIMITED FIRST PRESSING OF 2.500 INDIVIDUALLY
NUMBERED COPIES ON COLOURED (SILVER AND
BLACK MIXED) VINYL
The Path of Totality is the tenth studio album by American nu metal band Korn. Originally released in 2011, the album finds Korn shifting gears and exploring new territory.
On The Path of Totality band collaborated with some of the leading dubstep and electronic producers in the world, including Skrillex, Excision, Datsik, Noisia, Kill the Noise, and 12th Planet. This resulted in something completely new, yet utterly and definitively Korn.
The title The Path of Totality refers to the fact that in order to see the sun in a full solar eclipse, you must be in the exact right place in the exact right time,' Korn frontman Jonathan Davis explained.
The album includes the singles Get Up!', Narcissistic Cannibal', Way Too Far' and Chaos Lives In Everything'.
The Path of Totality won Album of the Year at the 2012 Revolver Golden Gods Awards. This was Korn's first victory at the Golden Gods Awards, a ceremony that celebrates the best in hard rock and heavy metal music. Korn was also inducted into the Kerrang! Hall of Fame during the 2011 Kerrang! Awards.
Available on vinyl for the first time, the first 2500 individually numbered copies are pressed on coloured (silver and black mixed) vinyl! Strictly limited!
Available to reorder, subject to availability
- A1: Valverda - Gates Of Hell
- A2: Charles Vickers - Baby Sometimes The Road Is Rough
- A3: Sundae Flavour - Sixteen Tons
- A4: Steve Akin - Baby Take Your Time
- A5: The Marvels - Funky Duck
- A6: Jimmy Rogers Quintet - I Feel Good
- A7: The Notions - Brand New World
- B1: Jesters III - Funky Country
- B2: The Chosen Few - Baby Don't Do It
- B3: Pokerface - Come On Back
- B4: Janet Lee - Might As Well Give Up
- B5: Scotty Evans & Suburban Sounds - Richest Man In The Graveyard
- B6: Mystic Four - Minutes Of Heaven
Selection of obscure and underrated Country-Funk, Blue-Eyed-Soul, and other swinging Rhythm & Blues oddities from the Sixties and Seventies. The tunes on this album are as good as those by famous artists like Little Richard, Jerry Lee Lewis, Tom Jones, or Jack Hammer.
Available to reorder, subject to availability
Long-term Soma collaborator Tony Scott drops his debut album with the label under his Edit Select alias, the perfectly crafted experience, 'Cyclical Undulations'. Having released with Soma under his Percy X moniker for years and having countless hits under his belt, Scott reinvented himself as Edit Select. Known for his dark, expressive and expansive music, Edit Select has become once of the most well respected and renowned artists in the genre. With this latest full length, he continues to explore the furthest reaches of the Deep Techno spectrum.
The Cyclical Undulations journey begins with Insta Grain, a mesmeric odyssey of ebbing pads and sparse percussive elements that seem to drift of into the expanse. A perfect opener before the first foray into more 4x4 territory begins with Above Ground a pulsating affair before Two Step Phase, a more stripped back affair, reminiscent of earlier Percy X works in it's 90s heyday. Undulation, more propulsive in it's approach, melds warping synth hooks alongside spectral tones. Horizon#1 follows in a similar vein yet drift into slightly more hypnotic territory as recurrent tones lead the track. Scott flourishes with yet more machine-throb crafting Close Up & In The Beginning She Was, both stacked with subtle nuances of his stylised percussion lost across dream like states. The later half of the album has a distinct minimalistic approach yet seem to provide maximal output with every beat. Horizon#2 is dark and ominous yet still characterised by a tough percussive element. Contact, produced in collaboration with Claudio PRC, delves into more submerged sounds with heavy sub bass and echoed drums, finishing of with Towards The E; a shuffling broken beat affair with after hours vibes and an endearing ethereal quality.
Cyclical Undulations demonstrates a mature sense of production from Edit Select. An assured collection of material, each track providing a striking insight into a true artistic mind.
Available to reorder, subject to availability
Between stints in JA for legends like Glen Brown and Junjo Lawes, WJ commuted to the Bronx from Connecticut. With Clive Hunt in full effect, Showcase follows the six-track dubwise format of Dance Hall Style (Wayne never sounding more like Horace), including four utterly lethal Studio One versions — Azul's killer Rockfort Rock, Sleepy's Every Tongue (with outrageous Isleys fuzz), yet another Wackies' Heptones via Leroy Sibbles, and a murderous Drum Song.
Available to reorder, subject to availability
Durban's Rudeboyz (aka Masive Q and Andile T) return to Goon Club Allstars to follow up their self-titled 2015 debut EP with new record, 'Gqomwave'. Widely acknowledged as Gqom originators, alongside Goon Club label mate DJ Lag, Rudeboyz' raw, energetic compositions took the sounds of Durban's townships global back in 2015, opening doors for a whole new generation of South African artists in the pro-cess. They themselves hail from from Mount Moriah, just outside the KwaMashu township in North Durban. The duo's latest record, 'Gqomwave', is comprised of four tracks, each bursting with the intense, driving rhythms and boundless energy their productions have become renowned for. Gqom is again the core around which the whole EP functions, as blazing sirens and charging beats play out on opener 'Major Turn Up', but subtle, stylistic nuances point to a growing maturity in their work. The springy elasticity of 'Bounce Back' and the sharp, stripped back drums on relentless club burner 'No Mercy' each offer different, smouldering takes on the Gqom sound, while final track 'Asjableni' features the gritty, hypnotic vocals of long-time collaborator T_D Snaxx who tragically passed away earlier this year.
Available to reorder, subject to availability
Finest remixes package by 90-90 project, on a printed cover. After 10 animals, 10 vinyls and 30 artists the Wound has healed. Our mission ends here, but until the groove goes on, the music never stop.
Last delivered 3 years ago
available to reorder, subject to availability
- A1: What Ifa
- A2: Fed Up
- A3: What Is Life
- A4: Scammer Jammers
- B1: The Sound Of War
- B2: Horror Zone
- B3: Cigarette
- B4: Give Thanks To Jehovah
- C1: What If (version - feat Lee Perry)
- C2: Fed Up To My Dub
- C3: Whay Is Dub
- C4: Scam Jam Dub
- D1: The Sound Of Dub
- D2: Horror Zone In Dub (feat Lee Perry)
- D3: Cigarete Stub
- D4: Give Thanks To (version - feat Lee Perry
Max Romeo has teamed up with UK based, Grammy Nominated Producer Daniel Boyle, to create a stunning return to form, Roots Reggae album with accompanying Dub versions.
''Max is noted for his critically acclaimed work with Lee Scratch Perry in the 1970's, and for his timeless classic songs penned over the last 50 years - Such as 'War ina Babylon' 'Melt away' 'one step forward' and the worlds most sampled reggae song ever -''Chase the Devil'. Picked up by artists such Jay Z, Kanye West, The Prodigy and Blockbuster hit movies.
Max and Daniel have teamed up with an all-star cast of musicians to create a true Part 2, to Max's legendary, ''War Ina Babylon'' album. Using strictly Studio equipment ranging from between the 1950's - 1970's, recorded and mixed in 100% analogue format, and presented with stunning artwork in Physical format.
Available to reorder, subject to availability
Available to reorder, subject to availability
Available to reorder, subject to availability
To celebrate this new year Série Limitée is proud to announce a new release on Hors Série sub label. Whitek project was born in 2011 from the collaboration between two Italian producers: Mud.On & Mauro Rizla. This is not about hype or chasing music trends, Whitek has always been about pushing the boundaries of electronic music through an endless search and deep dive exploration of any kind of sounds. A groovy blend, offering various styles and traveling between past and future.
With one artist per side, we are moving away from our standard VA format, always used on Série Limitée releases. Inside this 'Papier-mâché' sleeve, you will find a 12' Vinyl containing 4 rough and eclectic tracks in a universe where Deep embraces Dub sonorities.
Available to reorder, subject to availability
HouseDiscoElectronicaNu DiscoBalearic
Two of Alkan's most bombastic reworks over one disc. His scene-defining cut of Justice's breakthrough club hit 'Waters Of Nazareth' adds a subtle Chicago drum edit to the original's notorious snarl, while the Australian band's 'Why Won't You Make Up Your Mind' psych-rock is blasted through with euphoric electro energy.
Available to reorder, subject to availability
- A1: Gee Gee Shinn & Boogie Kings - Fever
- A2: Connie Kaye Trio - I'm A Woman
- A3: Bus Brown - Mr. L.B.J
- A4: Earl Demus Band - Her Spare
- A5: Chuck Finney Combo - I Want A Man Like You
- B1: Chick Willis - Sometimes Soon
- B2: Australia - Wide Awake
- B3: J.R. - Any Time Now
- B4: Joe Akens - Nice
- C1: Hummingbird 4 - Cho Cho San
- C2: Evangeline Made - Burnt Flesh
- C3: Dario & The Inferno - Brother, Where Are You
- C4: Swoop - Upside Down
- D1: You - You Got It
- D2: Hot Cakes - Harlem Shuffle Theme
- D3: Reunion - When The Well Runs Dry
- D4: The Counts - Get Up, Get Dancin
2x LP[17,61 €]
**INITIAL 400 LPs CONTAIN A BONUS 7" BY MEL-O-MADNEZZ**
IT'S TIME TO PAAAARTY! Why The Universe knows that Tramp is celebrating their 40th trip around the sun in 2018. And what about planet Earth Well... it is as blind as it is in so many other situations. Therefore, it is time to shine the light on Tramp for all of its unremitting efforts. As musical diversity is vanishing, especially in the field of African American music from the 1960s/70s, it is our duty to stop the extinction of threatened species of music in the same way an animal welfare activist would do anything to save a gorilla's life. Tramp Records keeps this beautiful heritage alive, every single day, again and again and again. So we are here wondering why Earth people and especially to those from our beloved home country, why why are you just sitting there, going about your life unaware of this historic event What a pity!
The announcement is especially striking when it comes to the prestigious "Movements" series. Like all its predecessors, this ninth volume contains Rare Groove nuggets recorded between the early 1960s and the late 1970s. The fact that only one of the songs appear anywhere else is a jaw-dropping phenomenon! The chronological track listing starts with two amazing cover versions: "Fever" by Gee Gee Shinn & the Boogie Kings and "I'm A Woman" by Connie Kaye Trio. Bus Brown, Earl Demus and Chuck Finney remain in the same direction although their contributions are slightly jazzier. Chick Willis' gut-wrenching "Sometime Soon" easily rivals James Brown's "It's A Man's World" and the recordings by Australia, J.R. and Joe Akens are beautiful examples of privately produced soul from the 1970s. The latin-soul of "Cho Cho San" by Hummingbird 4 heads the sound in another direction for the next three tunes, highlighted by one more stunning cover version, Oscar Brown Jr.'s "Brother, Where Are You". The album closes with some pre-disco tracks from the mid-to-late 1970s. Funk 7" collectors will freak out to finally get a chance to listen to Mel-O-Madnezz' superheavy "What You Getting High On" but will certainly also enjoy The Counts, Reunion and Hot Cakes' dance floor bomb cover of "Harlem Shuffle".
Over a hundred great unknown songs have been re-released on the first eight volumes in the "Movements" series, the majority of which can not be found elsewhere, and Vol. 9 is no exception. The work of Germany's tiniest but grooviest record label is still incomprehensibly underestimated. We know you diggers, collectors, mavens, aficionados, fanatics, completists, enthusiasts, and just plain record geeks know what's up and we heartily salute you! Without your support there would be no Tramp Records. But now it's time for a broader cultural shift for good music and a sweeping move to uphold the legacy of the unsung heroes of funk and soul. Therefore, we humbly petition you: in 2018, Don't keep all this glory to yourself! Turn your friends and neighbors on! Thank you!
- initial 400 LPs contain a bonus 7" by Mel-O-Madnezz ("What You Getting High On")
- the double vinyl LP comes with a full album download code
- deluxe double-gatefold LP with detailed liner notes, label scans & unseen photographs
- all but one song appear on vinyl-LP for the very first-time
Available to reorder, subject to availability
Repress
Palingsound you know the score
Last delivered 20 months ago
available to reorder, subject to availability
- A1: Can't Help Falling In Love
- A2: Heartbreak Hotel
- A3: Hound Dog
- A4: (Marie's The Name) His Latest Flame (Marie's The Name)
- A5: Surrender
- A6: It's Now Or Never
- A7: Stuck On You
- A8: I Forgot To Remember To Forget
- A9: Blue Hawaii
- B1: The Girl Of My Best Friend
- B2: Love Me Tender
- B3: All Shook Up
- B4: Are You Lonesome Tonight?
- B5: A Big Hunk O'Love
- B6: I Feel So Bad
- B7: Little Sister
- B8: Rock-A-Hula Baby
- B9: King Creole
- C1: Blue Suede Shoes
- C2: A Mess Of Blues
- C3: I Gotta Know
- C4: My Baby Left Me
- C5: Wild In The Country
- C6: Wooden Heart
- D4: Give Me The Right
- D5: Sentimental Me
- D6: Starting Today
- D7: Gently
- D8: In Your Arms
- D9: Put The Blame On Me
- E1: Jailhouse Rock
- E2: I Slipped, I Stumbled, I Fell
- E3: Good Rockin' Tonight
- E4: Wear My Ring Around Your Neck
- E5: I Was The One
- E6: Judy
- E7: I Want You With Me
- E8: Fame & Fortune
- E9: My Wish Came True
- F1: Return To Sender
- F2: Mystery Train
- F3: Don't Be Cruel
- F4: I'm Coming Home
- F5: It's A Sin
- F6: (You're So Square) Baby I Don't Care (You're So Square)
- F7: Hawaiian Wedding Song
- C7: Flaming Start
- F8: Blue Moon Of Kentucky
- C9: Love Me
- F9: Fever
- D2: There's Always Me
- C8: Lonely Man
- D1: Suspicion
- D3: That's All Right
Silver Vinyl[44,50 €]
Last delivered 3 years ago
available to reorder, subject to availability
- A1: Intro
- A2: Under My Thumb
- A3: When The Whip Comes Down
- A4: Let's Spend The Night Together
- A5: Shattered
- A6: Neighbours
- B1: Black Limousine
- B2: Just My Imagination
- B3: Twnety Flight Rock
- B4: Going To A Go Go
- B5: Let Me Go
- C1: Time Is On My Side
- C2: Beast Of Burden
- C3: You Can't Always Get What You Want
- D1: Little T & A
- D2: Angie
- D3: Tumbling Dice
- D4: She's So Cold
- D5: Hang Fire
- E1: Miss You
- E2: Honky Tonk Women
- E3: Brown Sugar
- E4: Start Me Up
- F1: Jumpin Jack Flash
- F2: (I Can't Get No) Satisfaction
- G1: From The Vault: Live In Leeds July 25 1982 (Dvd)
- G2: E-Mail Me When Available
Continuing the very successful 'From The Vault' series of classic, previously unreleased Rolling Stones live shows this release is taken from their performance at Roundhay Park in Leeds, England on 25 July 1982. This show was the last concert on their 1982 European Tour in support of 1981's acclaimed 'Tattoo You' album which would be their last live tour for seven years. About half of the 'Tattoo You' album is included in the set including the hit single 'Start Me Up'. This would be the last Rolling Stones show to feature Ian Stewart on piano. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.Key Selling Points: Simultaneous release on DVD, SD Blu-ray, DVD+2CD and DVD+3LP. The 'From The Vault' series is now firmly established with Rolling Stones fans and has been very well received by critics. Full length concert of The Rolling Stones performing at their very best. Includes 'Under My Thumb,' 'Black Limousine,' 'Let's Spend The Night Together,' 'Beast Of Burden,' 'Honky Tonk Women,' 'Jumpin' Jack Flash,' 'Angie,' 'Tumbling Dice,' 'Miss You,' '(I Can't Get No) Satisfaction,' 'Start Me Up,' 'Shattered,' 'Brown Sugar' and many more!
Available to reorder, subject to availability































































































































































