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Blackfoxy is a jazz-funk group originating from Villeneuve La Garenne in the Parisian region. The group was formed in 2011 at the initiative of Kalid Bazi and Klaus Blasquiz (the singer of the legendary group Magma with Christian Vander, Jannick Top, etc.). They are notably known for the hits "Talk About Peace" (featuring Nina Attal, MB14, and Princess Erika), dedicated to the victims of the Bataclan attacks in 2015, as well as their performance on France 4 with 50 drummers on the Michael Jackson song "Don"t Stop" & "Til You Get Enough" One of their most notable features is their ability to innovate by skillfully and uniquely incorporating elements from "Blaxploitation" film music and African, Cuban, and Caribbean musical traditions into their funk, characterized by a high-quality brass section and arrangements borrowed from both 70s and 80s Funk. Blackfoxy"s music also stands out due to the complementarity of its two singers, Klaus Blasquiz (baritone and tenor, he sings over 5 octaves!) and Sista Wyndyz. Lastly, since the attacks of 2015, Blackfoxy has been involved in the movement (sponsored, among others, by Manu Katché) to promote the values of peace through music in popular neighborhoods and rural areas in France and elsewhere.

In celebration of his “I'M REALLY LIKE THAT” album release, Drama tapped in Queen Latifah, Omar Epps, Jermaine Hopkins, and Khalil Kain to recreate iconic scenes from the movie “Juice,” which was highly influential in Drama becoming a DJ.

The album peaked at #67 on the Billboard Top 200 chart and has accumulated over 100 millions streams. Now Available in color Marble Red & Black!

The Moon Also Rises gathers songs that Johnny and Robert have written together since finishing their first joint album, Lost In The Cedar Wood (2021). At its heart are the oldest themes of all: death and renewal, darkness and light. The first five tracks are songs of burial, shadows and memory, while the final four are songs of awakening, light and love. The album turns around a central song, ‘The Sun Also Rises’, which stands with a foot in both dark and light. * Johnny Flynn's sixth album, and the second co-written with his friend Robert Macfarlane. Out 10th November 2023 on Transgressive * Gathers songs that Johnny and Robert have written together since finishing their first joint album, Lost In The Cedar Wood (2021). At its heart are the oldest themes of all: death and renewal, darkness and light. The first five tracks are songs of burial, shadows and memory, while the final four are songs of awakening, light and love. The album turns around a central song, 'The Sun Also Rises', which stands with a foot in both dark and light * Fuses poetry, story, landscape, history, nature and myth into a series of rich, strange songlines that criss-cross time and place, joining winter to spring, ancient to present and birth to death. As the Sun sets, so the Moon rises as its echo; as one light dies, another, altogether different light is born * Partly recorded in an old Methodist chapel -now the home of Johnny and Rob's friends, Cosmo and Flora Sheldrake * Produced by Charlie Andrew (Alt-J, Marika Hackman)

A hidden gem of Uruguayan music, Los Terapeutas's second album, released in 1990, is an original take on candombe and its hypnotic groove, blending pop songcraft with expansive soundscapes, never losing their rhythmic pulse. Los Terapeutas is a band of songs, where new wave, candombe beat, funk and rock were mixed in a unique way, with a strange frontman who had traces of Eduardo Mateo, Damo Suzuki, Frank Zappa and David Byrne. "Candombe del no sé quien soy" is related to what the group did live at that time: looking for a state of hypnotic hanging with their songs. The playing of the candombe drums was obviously an inspiration to look for that trance state, as was the music of Mateo and that of Opa, but influences can also be traced from the rhythmic experiments of German band Can of the 70s. The album was released in the late 1990s, a complicated time for Uruguayan music. The album was released on vinyl, a format that was losing weight compared to the CD. They would not release an album together again until 1997. In the 2000s, Los Terapeutas slowly expanded their audience, while also leaning towards a more electric sound. The new generation of Uruguayan musicians recognized the pioneering work of the band and Alberto Wolf was seen as a kind of godfather by several of the rock groups that were beginning to become massive.

Worthy re-issue of Robert Cotter's second late 70's soul album! Comprising five songs, with four of them being quite lengthy and well-structured for the dance floor, was entirely recorded in the United States by top-notch American musicians. "Timeless", a fresh and lively expression of late 70s soul music, was recorded at the Sundragon Studio in New York. This studio was home to legendary bands such as Talking Heads and Ramones, as well as a few 'disco studio groups' like Andrea True Connection, Tony Valor Sound Orchestra, and Camouflage, who recorded songs that later became considerable hits. For this reason, it's believed that the positive outcome of the album can be partially attributed to Ned Liben, an eclectic New York musician and co-founder of the studio in the Flatiron district of Manhattan, served as an exhaustive interlocutor for any artistic and technical needs. He was also the arranger of "Rock Me With Your Love", the most significant song on the album. Ned's successful mission was to capture the maximum timbral fidelity of Robert Cotter's voice using appropriate recording techniques, assisted by Michael George Ewing, a talented engineer who had previously worked on similar projects with well-known artists like Carol Williams, Maryann Farra & Satin Soul, Touch and Tony Valor. In fact, the piece features original and melodious lines, coupled with an excellent steady rhythm, spanning approximately 8 minutes and 30 seconds - in short, "a delightful sound for every beat." This ensured that the performance of the young singer-songwriter from New Jersey was faithfully reproduced without neglecting the overall musical landscape. The other four songs, arranged by Ben Lazzaroni with the same musicians as the first piece, are no exception. Best Record also delivered on the promise to Robert's older brother, Karl Potter, a powerful percussionist transplanted to Rome, for whom the roman label produced "Sweet & Salty Cha-Cha-Cha" (12", 1986). Robert Cotter, an artist about whom almost nothing has been written, is poised to gain recognition once word spreads about his album, which has been entirely remastered by Dom Scuteri and features a more congenial tracklist. This album is destined to be truly 'timeless', ready to captivate audiences around the world. Even the new cover artwork, created by Nerina Fernandez, pays homage to an artist who, despite expressing himself with elegance and simplicity, radiates energy and exudes love. "Timeless" is an inevitable revelation for anyone who missed it at the time, and for the next 40-plus years, it will remain an absolute must-listen for Robert Cotter's many fans, leaving them all in awe. In addition to the reissue on the classic glossy black vinyl, a strictly limited edition on red vinyl will be released exclusively by Clone Distribution.

Worthy re-issue of Robert Cotter's second late 70's soul album! Comprising five songs, with four of them being quite lengthy and well-structured for the dance floor, was entirely recorded in the United States by top-notch American musicians. "Timeless", a fresh and lively expression of late 70s soul music, was recorded at the Sundragon Studio in New York. This studio was home to legendary bands such as Talking Heads and Ramones, as well as a few 'disco studio groups' like Andrea True Connection, Tony Valor Sound Orchestra, and Camouflage, who recorded songs that later became considerable hits. For this reason, it's believed that the positive outcome of the album can be partially attributed to Ned Liben, an eclectic New York musician and co-founder of the studio in the Flatiron district of Manhattan, served as an exhaustive interlocutor for any artistic and technical needs. He was also the arranger of "Rock Me With Your Love", the most significant song on the album. Ned's successful mission was to capture the maximum timbral fidelity of Robert Cotter's voice using appropriate recording techniques, assisted by Michael George Ewing, a talented engineer who had previously worked on similar projects with well-known artists like Carol Williams, Maryann Farra & Satin Soul, Touch and Tony Valor. In fact, the piece features original and melodious lines, coupled with an excellent steady rhythm, spanning approximately 8 minutes and 30 seconds - in short, "a delightful sound for every beat." This ensured that the performance of the young singer-songwriter from New Jersey was faithfully reproduced without neglecting the overall musical landscape. The other four songs, arranged by Ben Lazzaroni with the same musicians as the first piece, are no exception. Best Record also delivered on the promise to Robert's older brother, Karl Potter, a powerful percussionist transplanted to Rome, for whom the roman label produced "Sweet & Salty Cha-Cha-Cha" (12", 1986). Robert Cotter, an artist about whom almost nothing has been written, is poised to gain recognition once word spreads about his album, which has been entirely remastered by Dom Scuteri and features a more congenial tracklist. This album is destined to be truly 'timeless', ready to captivate audiences around the world. Even the new cover artwork, created by Nerina Fernandez, pays homage to an artist who, despite expressing himself with elegance and simplicity, radiates energy and exudes love. "Timeless" is an inevitable revelation for anyone who missed it at the time, and for the next 40-plus years, it will remain an absolute must-listen for Robert Cotter's many fans, leaving them all in awe.

Malian and French pair Siraba unveil their much-anticipated self-titled debut LP on Damian Lazarus’ Secret Teachings label, a 10-track odyssey fusing Mali’s rich musical traditions with cutting-edge electronic music.

Malian hunter Boubacar Samake and Damien Vandesande, one half of the French electronic band dOP, have won plenty of plaudits for the early singles taken from their debut album as duo Siraba. Those singles, spanning across the summer months, have found the pair bring the traditional sound of the Wassoulou - a river valley of West Africa - to the electronic world after 20 years of friendship. The music comes with an important underlying message of love and respect and results in spellbinding tracks that move heart, body and soul, finding a perfect home on Secret Teachings - a left-of-centre alternative label to Lazarus’ celebrated and often more club- focused Crosstown Rebels. With the arrival of the full album, the pair exhibit and showcase the emotional breadth and depth of their music, with detailed explorations of organic textures and native sounds merged with future-focused ideas and concepts.

The title track opens with an atmospheric mix of spoken words and spine-tingling chords that bring rich Afro flavours, while ‘Dounoiia’ is a languid groove made from hand drums and pixelated synth leads that cast a fine spell. The slow-blooming ‘Bani’ brings rich Malian blues and melancholic horns, while ‘Komafly’ is a rich mix of acoustic strings and broken beats that transports you to a hot and dusty landscape. A vital component of the sounds of the Wassoulou, the indigenous stringed instrument the Ngoni features again on the rousing ‘Nanse’ as spiritual vocals sung in Bambara rouse the soul.

‘Djandjo’ is another rich infusion of Malian culture with simmering electronics to make for something both ancient sounding yet futuristic, and the hypnotic ‘Ngana Fôlly’ with its rich bass is a song ‘dedicated to those who fight for the well-being of their families, for unity... a song for the people who also fight a great disease, between life and death’. The sublime ‘Toro’ is a wavy groove perfect for sundown - a deep and inviting sound rich in soulful vocals and dreamy melodies, while ‘Tolonawoulile’ is driven by the intense strumming of the Ngoni with busy hand claps and hurried drums and last of all ‘Fo Te Mokobana’ sinks into a heart-warming slow groove with sweeping strings and Malian percussion all overlaid with impassioned vocals.

A rich listening experience, Siraba’s debut album is an immersive journey and absorbing dive into the minds of two artists breaking new grounds while spotlighting native traditions and musical techniques spanning hundreds of years.

Taktatuka starts off the A-side with his unique bass-driven, but also melodic sound, ending with a perfect mixable outro. vaZdaZ's fast ride into funky underground tribe follows, while Jdis presents a interpretation of oldscool club sounds with a litte bit of warehouse feeling on the B-side. ValiG and vaZdaZ merge a hint of jungle and slapping bass with a bouncy 4x4 rhythm, originating from a hardware live-jam and completed in the studio.

Snail Mail returns with her first recordings since the critically adored 2021 LP "Valentine." "Valentine Demos" collects four intimate recordings leading up to Snail Mail"s most recent studio album along with a never-before-heard track "Easy Thing."

The GRAMMY® Award-winning band, Blues Traveler, is back with their fifteenth full-length album, Traveler’s Soul Round Hill Records/Black Hill Records. This album, similar to Traveler Blues, a blues covers album that earned the band a GRAMMY nomination, is a covers album paying tribute to R&B and soul classics with featured artists such as Pat Monahan from Train, Valerie June, Alisan Porter, Daisha McBride, and many more. The first single, “Fool For You” will be released along with the album announce and preorder launch on Friday, July 28th. “Fool For You,” originally popularized by The Impressions back in 1968, has a wailing harmonica that gives way to an understated guitar riff and a heavenly piano melody. This ebb-and-flow underlines a smoldering vocal performance from John backed by a rapturous choir.

For his first album as an exclusive Deutsche Grammophon artist, 2021 International Chopin Competition winner Bruce Liu – “a pianist with a captivating musical personality” (Financial Times) – has compiled an enthralling survey of 200 years of French keyboard music, from Baroque to modern. The phenomenal young Canadian pianist has subtly adjusted the action of his instrument to highlight the differing musical styles. Gramophone’s reviewer acclaimed DG’s release of Liu’s Warsaw competition performances as “one of the most distinguished Chopin recitals of recent years, full of maturity, character and purpose”. The album’s title Waves alludes not only to the nature theme that runs throughout the programme, but also to the sheer spontaneity of Liu’s music-making.

Debut full length for one woman band Marthe on Southern Lord.

True Valkyrian metal inspired heavy riffing in a dark atmosphere of feasting ravens over a thunderous battleground.

The war cry belongs to a distorted horde of crust punk and black metal venture.

The dust settles over the power of Bathory, the melancholy of Tiamat and the stench of Amebix.

Antifascist. Feminist. Misanthropic.

Includes cover of Siouxsie and the Banshees ‘Sin In my Heart’

La preuve is a rearguard action. Most of the people who inspired it are dead or retired. Old teenagers flay their former loves. They bear witness to a bygone era, but happily embraced, digested and spat out. Everything was still possible. Or possible at last. Psychedelia opened the doors of perception. Romanticism wasn't relegated to a dull formatting, a cheese without a rind. The group Poudingue, which started out ten years ago, has some fine leftovers. These are the crumbs from purgatory.

The proof (la preuve, in French) is in the pudding (poudingue, in French) is an expression coined by Friedrich Engels meaning that the value, quality or truth of something must be judged on the basis of direct experience or its results. The expression is a modification of an old saying that makes the meaning a little clearer: the proof of the pudding is in the eating.

Nicolas CHEDMAIL – vocals, guitar, bass, keyboard, trumpet, French horn, trombone, helicon, pipes, flute, siren, alto sax, harmonica, melodica, violin, cello, shahi baaja, sanza / texts 2 4 5 6 9 10 / music 1 to 10 Frédéric MAINÇON – guitar, vocals / texts 1 3 7 8 9 / music 3 4 7 8 9 Jean-Jacques BIRGÉ – synthesizer, sampler, effects, field recording, erhu, inanga, shahi baaja, waldteufel, vocals / music 1 3 4 5 9 Guest: Benjamin SANZ – drums

Adroit jazz guitar, prog rock fantasia, and Japanese environmental music all rest comfortably behind Leo Takami's Next Door. The follow up to the acclaimed Felis Catus & Silence, Next Door finds Takami ruminating on passages—of time, seasons, consciousness. Through music, Leo contemplates daily events and finds beauty in ordinary moments. He also seems to be questioning the value of being stuck in the world, allowing his mind to wander towards something beyond it. His music is earnest, deeply personal and introspective, and is sort of akin to Rousseau’s Reveries of the Solitary Walker or Kenji Miyazawa’s Night on the Galactic Railroad. On “As If Listening” Takami takes inspiration from a Van Gogh art show organized chronologically, articulating the sense of “enlightened resignation” that is intrinsic in the act of creativity. “Beyond” is a dream of otherworldly nostalgia, a watercolor of past lives. His music is a hazy cinema of memory, the soundtrack to a cherished memory that may have never really happened, but still radiates in the mind like the sun on an unusually warm winter day.

‘Restless Thoughts’, the full-length debut from Zooey Celeste, was produced in Brooklyn by Nick Hakim. Centred on Zooey’s hypnotic baritone vocals, set against a backdrop of sparse drum machine beats and droney guitar tones, the album drifts between avant-punk, chamber-pop and lo-fi psychedelia, drawing the listener into a sustained dream state. Colombian-Canadian singer songwriter Tei Shi (aka Valerie Teicher Barbosa) joins Zooey on ‘Big Trouble’ for a sublime piece of surrealist dancepop. LP pressed on turquoise vinyl.

"Rural" is the first long-play work of Carlos Asimbaya aka Kaifo, which sees a fully matured vision of Ecuadorian keyboard tradition catapulted into the future and rhythmically sustained by the "bomba" percussion; an Afroandean element that bears witness to the unique history of this country.

Trained in classical music composition and inspired by jazz, Kaifo's repertoire features haunting, extensive melodies and scales that inform listeners on the landscapes of Andean styles while delivering a postmodern dancefloor experience. " Carlos Asimbaya is a keyboardist, composer and producer hailing from the small town of Machachi, Cantón Mejía, Province of Pichincha Ecuador. In 2016 he began a process of personal research and exploration of various musical expressions of traditional music, collecting sonic resources from remote localities such as Aloag, Machachi, Chalguayacu, Cotacachi, Alausi, Borbon, Santo Domingo de los Tsachilas and more - customs that identify the history of Ecuador.

In June 2019, he finally published his first single "Desvío" - a warm fusion of bomba, albazo, dembow, global bass, etc. followed by other digital releases culminating in the EP "Curtido" as part of the 'Kipus' series of Eck Echo Records. With "Rural" Kaifo uplifts the Ecuadorian organ tradition inaugurated in the mid-1960s by the likes of Polibio Mayorga into futuristic clubbing arenas. "Tres Caminos" is a magnificent opener where psychedelia meets the soft snare elegance of the "albazo", the indigenous genre that defines the soul of this country. "Monte Espeso" introduces clubbers worldwide to the contagious grooves of "bomba", the trademark rhythm of Afroecuadorian communities. The raw keyboard melody strikes fast like a proverbial lightning. "Hecho Leña" sounds like the one-man orchestra that is Kaifo. Relentless timbales fills and an alcohol-fueled family vibe characterize this unique "chicha" track.

The five members of Sun June spent their early years spread out across the United States, from the boonies of the Hudson Valley to the sprawling outskirts of LA. Having spent their college years within the gloomy, cold winters of the North East, Laura Colwell and Stephen Salisbury found themselves in the vibrant melting-pot of inspiration that is Austin, Texas. Meeting each other while working on Terrence Malick's `Song to Song', the pair were immediately taken by the city's bustling small clubs and honky-tonk scene, and the fact that there was always an instrument within reach, always someone to play alongside. Coming alive in this newly discovered landscape, Colwell and Salisbury formed Sun June alongside Michael Bain on lead guitar, Sarah Schultz on drums, and Justin Harris on bass and recorded their debut album live to tape, releasing it via the city's esteemed Keeled Scales label in 2018. The band coined the term `regret pop' to describe the music they made on the `Years' LP. Though somewhat tongue in cheek, it made perfect sense ~ the gentle sway of their country leaning pop songs seeped in melancholy, as if each subtle turn of phrase was always grasping for something just out of reach.Sun June returns with Somewhere, a brand new album, out February 2021. It's a record that feels distinctly more present than its predecessor. In the time since, Colwell and Salisbury have become a couple, and it's had a profound effect on their work; if Years was about how loss evolves, Somewhere is about how love evolves. "We explore a lot of the same themes across it," Colwell says, "but I think there's a lot more love here."Somewhere showcases a gentle but eminently pronounced maturation of Sun June's sound, a second record full of quiet revelation, eleven songs that bristle with love and longing. It finds a band at the height of their collective potency, a marked stride forward from the band that created that debut record, but also one that once again is able to transport the listener into a fascinating new landscape, one that lies somewhere between the town and the city, between the head and the heart; neither here nor there, but certainly somewhere.