Search:who is who

“What do you mean? Not everyone sees music in colors?” Paula whispered.
She froze. Tears filled her eyes and trickled down her cheeks as she realized the rainbow symphonies she had always thought were universal had belonged to her alone.
The song was blue, purple, and yellow.

Electron waves rise high.
Paula's eyes half open, heart pounding, as she
seeks the line, carving through the curving crown.
And as the sine collapses she exits as one.

We came a long way with Studio3000 Records and it’s time for the Jubilee #200!

This is not another Techno track, because with this track my career as a Techno DJ started in 1991 with “Who Is Elvis “(Phenomania/Interactive).

This is my interpretation from our (Ramon Zenker & me) 1991 Techno Anthem, “The 30 Years Tribute Mix”

We still got the Techno in us and we can’t stop ;)

Who is Magou? All we know is that, 2 years ago, Toy Tonics released a 12” EP that created a little buzz on this artist without a face and social media.
The only clue is that Magou is allegedly a mysterious side-project by an otherwise well-known Italian music maker, producer and dj.
Who cares about fame? This one is all about the music, so Toy Tonics is now back with a sassy 2LP release of Magou's full album.

All dubbed-out edges and low-end pressure for listeners and advanced record entertainers — former London, now Seoul-based DJ Botermelk drifts into dubwise territory with ‘Favourite Worst Nightmare’ : delay-led, sirens and bass heavy. Jorg Kuning reworks the track, soaking further in with his trademark modular sound palette. Flip-side business: ‘Knock Knock’ locks into a straight acid line, tight and elegant, while ‘Chunky Monkey’ opens the frame again — rhythm breathing, dub fragments drifting loose.

Mit seinem neuen Album Who Is The Sky? schlägt David Byrne ein weiteres spannendes Kapitel seiner künstlerischen Laufbahn auf. Nach dem weltweiten Erfolg von American Utopia - gefeiert als Album, Broadway-Show und HBO-Film - richtet Byrne nun den Blick nach innen: Was bedeutet es, kreativ zu sein? Was ist Liebe? Was ist unser Platz in der Welt? Gemeinsam mit dem Grammy-prämierten Produzenten Kid Harpoon (Harry Styles, Miley Cyrus) und dem New Yorker Kammerensemble Ghost Train Orchestra ist ein Werk entstanden, das persönliche Geschichten mit orchestraler Klangvielfalt und popmusikalischem Feinsinn verbindet. Gäste wie Hayley Williams (Paramore), St. Vincent und Tom Skinner (The Smile) verleihen dem Album zusätzliche Tiefe. Songs wie "My Apartment Is My Friend", "She Explains Things to Me" oder "I Met the Buddha at a Downtown Party" erzählen Alltagsbeobachtungen mit Witz, Menschlichkeit und einem Hauch Absurdität. Byrne gelingt es wie kaum jemand anderem, komplexe Gedanken in eingängige Musik zu verpacken und so stets zugänglich zu bleiben. Who Is The Sky? ist verspielt, tiefsinnig und durch und durch Byrne: voller Fragen, Überraschungen und Momente echter Verbundenheit. Ein Album, das zum Zuhören, Nachdenken und Tanzen einlädt, ein orchestraler, verspielter und tiefgründiger Blick auf das Menschsein selbst.

Mit seinem neuen Album Who Is The Sky? schlägt David Byrne ein weiteres spannendes Kapitel seiner künstlerischen Laufbahn auf. Nach dem weltweiten Erfolg von American Utopia - gefeiert als Album, Broadway-Show und HBO-Film - richtet Byrne nun den Blick nach innen: Was bedeutet es, kreativ zu sein? Was ist Liebe? Was ist unser Platz in der Welt? Gemeinsam mit dem Grammy-prämierten Produzenten Kid Harpoon (Harry Styles, Miley Cyrus) und dem New Yorker Kammerensemble Ghost Train Orchestra ist ein Werk entstanden, das persönliche Geschichten mit orchestraler Klangvielfalt und popmusikalischem Feinsinn verbindet. Gäste wie Hayley Williams (Paramore), St. Vincent und Tom Skinner (The Smile) verleihen dem Album zusätzliche Tiefe. Songs wie "My Apartment Is My Friend", "She Explains Things to Me" oder "I Met the Buddha at a Downtown Party" erzählen Alltagsbeobachtungen mit Witz, Menschlichkeit und einem Hauch Absurdität. Byrne gelingt es wie kaum jemand anderem, komplexe Gedanken in eingängige Musik zu verpacken und so stets zugänglich zu bleiben. Who Is The Sky? ist verspielt, tiefsinnig und durch und durch Byrne: voller Fragen, Überraschungen und Momente echter Verbundenheit. Ein Album, das zum Zuhören, Nachdenken und Tanzen einlädt, ein orchestraler, verspielter und tiefgründiger Blick auf das Menschsein selbst.

Mit seinem neuen Album Who Is The Sky? schlägt David Byrne ein weiteres spannendes Kapitel seiner künstlerischen Laufbahn auf. Nach dem weltweiten Erfolg von American Utopia - gefeiert als Album, Broadway-Show und HBO-Film - richtet Byrne nun den Blick nach innen: Was bedeutet es, kreativ zu sein? Was ist Liebe? Was ist unser Platz in der Welt? Gemeinsam mit dem Grammy-prämierten Produzenten Kid Harpoon (Harry Styles, Miley Cyrus) und dem New Yorker Kammerensemble Ghost Train Orchestra ist ein Werk entstanden, das persönliche Geschichten mit orchestraler Klangvielfalt und popmusikalischem Feinsinn verbindet. Gäste wie Hayley Williams (Paramore), St. Vincent und Tom Skinner (The Smile) verleihen dem Album zusätzliche Tiefe. Songs wie "My Apartment Is My Friend", "She Explains Things to Me" oder "I Met the Buddha at a Downtown Party" erzählen Alltagsbeobachtungen mit Witz, Menschlichkeit und einem Hauch Absurdität. Byrne gelingt es wie kaum jemand anderem, komplexe Gedanken in eingängige Musik zu verpacken und so stets zugänglich zu bleiben. Who Is The Sky? ist verspielt, tiefsinnig und durch und durch Byrne: voller Fragen, Überraschungen und Momente echter Verbundenheit. Ein Album, das zum Zuhören, Nachdenken und Tanzen einlädt, ein orchestraler, verspielter und tiefgründiger Blick auf das Menschsein selbst.

It takes grindin' to be a king and Houston's Mike Jones' work ethic of "You Don't Work, You Don't Eat, You Don't Grind, You Don't Shine" had his phone blowing up in 2005 with the release of his major label debut Who is Mike Jones? on Asylum/Swisha House/Warner Records. Mike Jones started rapping in the early 2000s and he released a couple of independent albums on his own label Ice Age Entertainment before linking up with Michael "5000" Watts of Swisha House. He recorded the underground single "Still Tippin" with Texas contemporaries Paul Wall and Slim Thug, which appeared on the Swisha House compilation The Day Hell Broke Loose 2. The song, full of southern hip-hop slang and braggadocio, was an ode to the classic car culture in Houston, Texas, and could be heard bumpin' out the trunks of cars nationwide with its heavy bass and classical string loops. Before the release of Who Is Mike Jones? girls would ignore him, but after the release of "Still Tippin" they were all up on him, which led to the release of the single "Back Then" where he shouted out his real cell phone number that played a major part in the marketing and promotion of the album.You could call 281-330-8004 and get his voicemail and leave a message, but sometimes he would answer, which led to spreading the word of Mike Jones' debut album. "Back Then" was also a top-selling ringtone because (back then) you had to buy and download ringtones, unlike today. Mike truly went viral before going viral was even a thing. After dropping the two hit singles, Who Is Mike Jones? was released on April 19th, 2005, and would sell over a million copies that year, leading to certified platinum status. Twenty years later, this Texas Rap classic still holds up with features from other H-Town legends including S.U.C.'s Big Moe (RIP),Bun B, Paul Wall and Lil Keke. Juicy J & DJ Paul of Three 6 Mafia added their Memphis touch to the "Got It Sewed Up Remix" and the album ends with a heartfelt dedication to Mike Jones' late Grandmother on "Grandma". Get On Down is proud to present the first vinyl reissue of Who Is Mike Jones? in a limited edition silver and red color-in-color pressing packaged with a full color printed insert tocommemorate the 20th anniversary of this H-Town classic

Paula revels in the ocean of space.
Each star a story, each galaxy a poem,
Paula's spirit danced among them, forever changed by the celestial ballet.
Her soul feels at home among the constellations.

I have a thing for distant galaxies or places in the universe where there are very few stars or star clusters. In meditations, I imagine myself in an empty space in the universe where it is pitch-black. My way of dissociating.

I played shows in Tbilisi and (1.) Yerevan. Afterwards, I was taken to the airport. We were in the car, the weather was good. There is a big mountain near Yerevan, which was (2.) the view. And Alice Coltrane’s World Galaxy was playing on the radio. I resonate with this song.

A few weeks later, my wife’s mother arrived (3.) from Canada. We had dinner together that day in (4.) Antwerp. As we drove out of the underground parking, I wanted to play that Alice Coltrane song again. But the internet reception wasn’t great, so the song cut out. We then wanted to switch to the local pirate station Radio Centraal. It was playing the exact same Alice Coltrane song, from exactly the same moment. We didn’t realize it at first. A very strange continuum.

Now I’m thinking whether my thing with the universe is because of this track and this situation. The track is about (6.) Olodumare, who is the African God of everything. That is very close to the voids in the universe. The place where I like to be.

Paula counted down as time cracked open. Thoughts bled colors. Reality flickered, then vanished.

the meeeeeeeeeegabomb !!! now repressed !!!

Four choice cuts of deep house across this new EP on Jovonn's Body N Deep. Rising teenage talent MAXJAX returns to the label after his Born To Music EP and demonstrates why he's one to watch.

Paula heads outside in the dark. Touch and release, fingers probe searching for the unknown and return to the glove, still there for me and you. It's ours to preserve!

This Joe Tex’s masterpiece is an ode to the power of Funk. Discover his album through « Loose Caboose », « Finger Popped Myself Into The Poor House » or « He Who Is Without Funk (Cast The First Stone) » !

Cosmic Rhythm's 20th installment is celebrated with 4 house tracks that will make it feel like summer is upon us. There couldn't be a better way to celebrate this milestone.

In the early 21st century, a shadowy figure rose from the dust that settled atop forgotten record collections throughout Africa, leaving behind
a trail of clues in what seemed like a wild good chase, but in October 2013, Luaka Bop will unmask a phantom: the great William Onyeabor.

'...anyone out there making music at the moment will be quite excited by this...' Damon Albarn
'...a synth-slathered prog-funk killer...' - Pitchfork
"talk to @LuakaBop about details of the William Onyeabor comp they are working on today... gonna blow minds!!!!!!!!!' - Four Tet

Promotional Assets
Covers & Remixes by Devendra Banhart, Man Tear (DFA) & Hess Is More, Caribou, Dam-Funk, Justin Strauss, Scientist, Optimo, Prince Language, Illum Sphere, James Holden, Peaking Lights, etc.

Art collaborations with John Akomfrah, Njideka Akunyili, Harrison Haynes, Dave Muller, Odili Donald Odita, Xavier Simmons and music videos by Brian Baderman, Mike Sumner & Kindess. Partnership with Moog, Boiler Room, DubLab, Beats in Space & East Village Radio. Events at Moog Fest, Pop Montreal, Le Comptoir General

Clear Vinyl

Paula proceeded to question each dot down that wave and each answer led her back cross the river, up the ruler which measured her life.

Remixes by Cignol, Vertical67, Sound Synthesis, 36

New 5 track digital release from Sumgii for Swamp 81 sublabel, 81. Mastered at TenEightSeven

The tussling vegetables in Mal Dean's cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink. Recorded in London in 1972, Incus 9 was their second record (after an ICP in 1969), becoming a blueprint and inspiration for generations of free-improvisers. It is paired here with a brilliant session from the following year, with the same power and friendly combativeness, and oodles of creativity, technique and humour. It's obvious how much they loved playing together.The tussling vegetables in Mal Dean's cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink. Recorded in London in 1972, Incus 9 was their second record (after an ICP in 1969), becoming a blueprint and inspiration for generations of free-improvisers. It is paired here with a brilliant session from the following year, with the same power and friendly combativeness, and oodles of creativity, technique and humour. It's obvious how much they loved playing together.

2026 Repress

This was Michael Jackson's eighth studio album, originally released in 1991 and went on to become one of the biggest selling albums of all time with over 32 million albums sold to date. Features the singles 'Black & White', 'Remember The Time' & 'Heal The World'. A 14 song double album pressed on standard black vinyl.

Studio One Freedom Sounds Is The New Collection From Soul Jazz/studio One Focussing On The Intense Period In The Second Half Of The 1960s When Studio One's Vast And Unbeatable Output Of Ska, Soul, Rock Steady And Reggae Made It Literally One Of The Hottest Musical Empires In The World.
During This Highly Successful Period, Clement 'sir Coxsone' Dodd Released Hundreds And Hundreds Of Superlative Singles Seemingly On An Almost Daily Basis, In The Process Making Huge Stars Out Of Jamaican Singers Such As Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel And Many More.
Powered By The Finest In-house Musicians Working In Jamaica, Whether It Was The Skatalites, Jackie Mittoo's Soul Brothers, The Sounds Dimension Or The Soul Vendors, Studio One Functioned As Hit Factory On The Scale Of Motown In The Usa, Shaping And Defining Reggae Music For Decades To Come.
Singlehandedly Studio One's Founder Clement Dodd Was Able To Create The Most Successful Vertically-integrated Record Company That Jamaica Had Ever Known With Pressing Plant, Printers, Studio, Shops, And Sound Systems All Running At Once, With Over 50 Employees And Hundreds Of Artists Working With Studio One During This Time.
Studio One Freedom Sounds Tells The Story Of Studio One In The 1960s With A Stunning Set Of Ska, Soul, Rock Steady And Reggae Killer Tunes As Well As Informative Sleevenotes And Track-by-track Info By Noel Hawks. The Album Is Released As Heavyweight Double Vinyl (+ Free Download Code), Deluxe Cd And Digital Album.

Michael Jackson / Dangerous - On Limited Picture Vinyl

Nothing more to say!

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection. Long-expected reissue of one of the most sought after dub albums.

Fresh ambient / synth / wave compilation centering the man who brought us Absent Music / The Misz / June11. Introvert gold!'

First outing for this collaborative effort from the prolific Posh Isolation mainstay Loke Rahbek and Frederik Valentin of KYO, also on the revered Danish label. As old friends circling around the same scene this is the first time they have combined their respective perspectives. The results are an ambitious aquatic infused audio environment. Recorded near water at Valentin's studio within the vicinity of the new aquarium in Copenhagen, Buy Corals Online channels the sensual floating aspects of such environments.

"During Japan's Edo period (1615-1868) the phrase "the floating world" (ukiyo) evoked an imagined universe of wit, stylishness, and extravagance—with overtones of naughtiness, hedonism, and transgression. Implicit was a contrast to the humdrum of everyday obligation. The concept of the floating world began in the Japanese heartland, migrated eastward, and came to full flower in Edo (present-day Tokyo), where its main venues were popular Kabuki theaters and red-light districts." - Wikipedia

Buy Corals Online arrives as a suite of works embracing the joy of being close to something you don't require interaction in order to experience. This enchanting aquatic infused audio hovers a sensual world rich in sensory experience. Loke Rahbek & Frederik Valentin's debut outing conjurer's a world both sensual and abstract as it moves casually alongside fantasy.

VUO14 delivers a journey through spacey deep techno moods, guided by Kirill Matveev. Side A features two tracks seamlessly blended into one continuous flow, inviting you to either focus on each part individually or let the narrative unfold as a whole.
On the flipside, Rasmus Hedlund takes the listener further into the night, raising the tension with a hypnotic dub excursion. Closing the record, Tm Shuffle reshapes the atmosphere into a bass-heavy, reverberated and house-tinged version - best experienced in front of a powerful sound system.
A versatile record for deep techno selectors and sonic explorers alike.

Ruman presents a selection of deep, hypnotic cuts rooted in dubby and minimal aesthetics, with textured atmospheres, rolling low-end pressure and subtle psychedelic detail.

The legendary New Jersey House collective Smack were responsible for a long list of hits throughout the 90's, with members of the team producing under a number of different aliases and alongside Blaze, Kerri Chandler, Tony Humphries were at the forefront of the New Jersey sound.

One such alias was Princess Di, produced by Smack Productions own Healey LeCator and featuring an unknown vocalist. Together they released a string of X-rated house tracks from 1994 until 1996 that have gone on to be cult classics, standing the test of time.

With the permission from Jeffrey Collins from Music Station, WOLF have hand-picked their favourite Princess Di tracks and combined them onto one bumper 12". Fully remastered and cut LOUD. Sometimes you have to look back in order to move forward!

Raw, heavy, aggressive and at times genuinely creepy, Kent metallers Graphic Nature are one of the most energized and exciting new bands to emerge from the British metal scene in years. Taking their name from a track on Deftones’ Koi No Yokan album, in 2019 Graphic Nature announced themselves with the single Grit, and immediately began carving a name for themselves as a ferocious new force in British metal. With their first EP new skin, mixing moments of snarling nu-metal and the scalding fury of Slipknot’s debut album with instrumental passages that at times recall the genius of Nine Inch Nails’ Trent Reznor, they have found their sonic identity, the band released their first LP in 2023, produced by Sam Bloor. As the band continues to rise Things are only going to get bigger. Graphic Nature are here to stay!

Scottish producer Gavin Sutherland revives his Other Lands alias with a collection of tracks that were crafted between 1997 and 2012, and were transferred straight from the original cassette.

"What Year Is It? Who Is The President?", is Sutherlands' first full offering with PULP. After multiple remixes for the label (under his Fudge Fingas alias), the release schedule for the Other Lands guise has picked up in the last few months. This resurgence of previously unreleased material will add to Sutherland's elaborate catalog, and confirm that even bits that never saw a release at the time, are sounding relevant and superbly produced.

"What Year Is It? Who Is The President?" (PULP13) starts with "The Caged Bird", which is a synth laden, lush sounding cut that is built around a playful bass sound and beautifully orchestrated chords. The drums are swinging as ever, and the hypnotic character of the lead is present throughout.

"Kaleidoscope" is a venture into the otherworldly. Deep splashes of synth and fx come together effortlessly to create an almost meditative state. The musicality of it all is remarkable, and hard to capture in a few words. The rhythm section is always the backbone, but the fx are equally as important. Fans of Sutherland's work will surely recognize and appreciate the ambiance that is set in Kaleidoscope.

The flipside starts with "It's Something Else". The main lead is indeed something refreshing. In a sense, it's reminiscent of a guitar, but it's clearly not that. The dance floor nature of everything else is supporting the wildness of the lead. Altogether this is something to space out to. On a dance floor, at home or perhaps even during a run.

The final track on the B-side is called "Mind Like A Steel Trap". This sample heavy, hazy sounding piece of beauty is blending soulful flutes, drums and the catchphrase of the song - no more mind games - together with an astonishing ease

Silicone Soul welcome the return of old friend Justin Robertson as he brings his much- loved Deadstock 33s project back to Darkroom Dubs. Last spotted on the label only a matter of weeks ago with 'Infinite Interchange' on the 'Darkroom Dubs Presents Summer Love' collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. What's more, they come covered with a print of one of Justin's very own hand-drawn pieces. 'Dr. Spectro On The Frontier' marks the start of this new Deadstock trip. Celebrating the lesser spotted DC super villain who could control people's emotions with a brazen line or two of sinewy acid; what starts off dark and gnarly gradually unfolds into a much more emotional narrative. Watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions.'The Music Is Madness (To Those Who Cannot Hear It)', meanwhile, is more than just a poetic title. Already a summer anthem at A Love From Outer Space, it's a roomy, cosmic affair that's laced with layers of trippy textures and chugs at a cool 120. It's one of Justin's classic signature smouldering sessions; what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. You'd be mad not to hear it.You'd be mad not to stay tuned too... For the first time in Darkroom Dubs history, this release and all this year's vinyl dispatches will be released digitally as part of an end of year compilation, 'Tales From Underground Vol. 1' and will also feature an exclusive Silicone Soul remix of Rigopolar & Cannibal Ink's 'Thousand Years Before'. And to round the year off The long-awaited new single from Silicone Soul themselves.

Once again Danse Club Records have unearthed a forgotten and sorely overlooked house track here, then they have enlisted a fine pair of contemporary producers - Sqim and Deepchild - to remix it and bring it right up to date. The original, 'Who's Dick Is This' is a 1994 kicking house bomb by the mysterious Princess Di, who released but three EPs during the 90s on Music Station with this track being the pick of the bunch. German producer Sqim is associated with labels like Exploited and Play It Down and firstly offers up a Ghetto Mix of the track. The result is a big and physical house track with sleazy samples, heavyweight drums and a kinetic energy throughout The warm up mix by the same man is a much deeper affair, as you'd expect from the name. This one resides in a much warmer and more inviting groove and is coloured with deft synths as it slowly builds in phases. The elastic vocals dart about above the drums, bringing with them a lively sense of soul and funk before Deepchild offers his own two unique versions.From quirky, stripped-back techno injected with soul to deep, dub-inflected excursions, Berlin based Australian Deepchild can do it all. Here he offers his 'Cockumentary Retug' a ragged and raging techno version riddled with spoken word samples culled from a documentary about penis size. Its dark and involving and sure will get great reactions on the floor. The final version is a straight dub that journeys in a heavy groove, has some weird spoken word snippets melted into it and is lit up with some celestial synth patterns in the latter half.

"Waxwork Records is proud to announce the deluxe vinyl release of FRIDAY THE 13th PART 2 Original Motion Picture Soundtrack by Harry Manfredini! Released in 1981, FRIDAY THE 13TH PART 2 is the follow up to the 1980 seminal slasher horror film, FRIDAY THE 13TH. Horror fans meet Jason Voorhees as the masked slasher for the very first time in this sequel, and it's the first and only time we see him donning a burlap sack over his head, later followed by the classic hockey mask in Part 3 and beyond.

Waxwork worked closely with composer Harry Manfredini to bring horror fans a very special and quality soundtrack experience. We're stoked to present the complete soundtrack sourced from the original 1981 master tapes as a deluxe package featuring artwork by Rich Kelly, 180-gram colored vinyl, and high quality packaging!"

'Truth Is A Beautiful Thing' the follow up album to London Grammar's critically acclaimed, platinum selling debut 'If You Wait'.

Includes the singles 'Rooting For You', 'Big Picture' and title track 'Truth Is A Beautiful Thing'.

The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives.

This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo's career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London. Deux Filles released two albums through Turner and Tucker's Papier Mache label, 1982's Silence & Wisdom' and 1983's Double Happiness'. Both albums are included here and blend watery piano, occasionally ghostly vocals, sheets of synthesizers, heavily processed guitars and the barest minimum of percussion. Drifting and wistful, they're a pair of lost ambient gems from a time when the genre had yet to mature, an excellent example of post-Eno, pre-Orb ambient music.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in gatefold sleeve with original front covers of both albums, and a centerfold of archive images and the original liner notes. Each LP includes a sticker of the Lino cuts by Adrian Gill that was included with the original pressing.

"Like an early French film soundtrack with melodramatic overtones, the sound is jagged and disjointed but never harsh. Lilting guitars and ample use of echo smack of Vini Reilly, relying on the hypnotic qualities of the sound rather than abrasive noise" (Sounds, 03/1983)

Horace Andy has always commanded a place high on the list of Reggae singers from Jamaica. His distinctive haunting vocal style stands strong on any rhythm,song or style he chooses to cover. Of the singers on that long list, he has managed more so than any other, to crossover to a new generation of listeners due to his individual style, helped also by his collaborations with the likes of Massive Attack. Horace Andy (b. Horace Hinds,1951,Kingston Jamaica) like many otherJamaican singers began his musical career at Coxsonne Dodd's Studio One. So impressed with the youth, Coxsonne decided on a name change for theyoung artist and called him after his top songwriter of the time Bob Andy. So Horace Hinds became Horace Andy. His first tune for Coxsonne 'Something On My Mind' was a slow burner in Jamaica, but his belief in his young protégé paid off when followed later by 'Skylarking' a tune that burst the singer all overthe radio and sound systems of Jamaica. After numerous singles and two albums worth of material, Horace moved on to work with many of the topflight Jamaican producers, among them Keith Hudson, Augustus Pablo and Niney the Observer, but it was his work with producer Bunny Lee in the 70's that he cut most of his hits for and from this stable of work, that we have compiled this set. Some of his late 60's classics were recut in the popular1970's style, working with the rhythm kings themselves, Sly Dunbar andRobbie Shakespeare. They have added some shine to the tracks, 'SomethingOn My Mind' and 'Skylarking' and made them hits all over again. Such wasHorace's delivery to the covers he sang like Delroy Wilson's version of theTams 'Riding For A Fall', the Heptones 'My Guiding Star', John Holts'Man Next Door' and Bill Wither's 'Ain't No Sunshine', that these finetunes were made his own. The roots end of his musical style was covered by
Andy originals such as 'You Are My Angel', 'Zion Gate','Money Money'and the cut which we have taken our edited title, the timeless 'Just SayWho'.A bass heavy cut to Bob Marley's 'Natural Mystic' works so well inthis style also. Another nickname Horace acquired was the affectionate title of Sleepy, as he was always hanging around the yards and studios of Jamaica waiting his turn, sometimes so long he would fall asleep. His enthusiasm to get back in the studio to work some more of his magic, to a catalogue of material that has developed into one of the finest in Jamaica. I hope you will agree, this fine set of 1970's classics will sit alongside.














O B8 | AIN'T NO SUNSHINE

World Clique is the debut album by the dance-music band Deee-Lite, released in 1990. The album's first single, 'Groove Is in the Heart, was a top-five success on both the U.S. Billboard Hot 100 and UK Singles Chart as well as a number-one hit on the U.S. Hot Dance Club Play chart.

Three subsequent singles also hit the top ten on the U.S. dance chart, including Power of Love/Build That Bridge and Good Beat, which also hit number one.

Guest artists on the album include Bootsy Collins (Try Me On... I'm Very You, Smile On, Groove Is in the Heart, and Who Was That), Q-Tip (Groove Is in the Heart), Fred Wesley and Maceo Parker (Try Me On... I'm Very You, Smile On, Groove Is in the Heart).

As one of the most enigmatic figures of the 1970's Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business. * Strictly limited to 1000 copies.*
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Born in Rocca di Papa, near Rome, into a flourishing musical environment Emma was the younger sister of future award-winning composers Guido And Maurizio De Angelis, a duo, who under names like Oliver Onions and Dream Bags, would write chart-topping lyrical theme tunes for a wide range of Italian crime, Giallo and Spaghetti Western films featured alongside full scores by Ennio Morricone and the Magnetic System composers (Bixio Frizzi Tempera).
With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio's film commissions, such as the score for Giuliano Carnimeo's Simone e Matteo: Un gioco da ragazzi (aka Convoy Buddies). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called Underground Mood (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia Kema' De Mutiis - both of whom have appeared on dedicated Finders Keepers releases.
The tracks on this record provide us with a rare glimpse into Emma De Angelis' short musical career before she became a full-time visual artist. With an unknown personnel or studio date it is easy to speculate a potential family jam in Piero Umiliani's Sound Workshop studio in 1972. One only has to take a listen to Guido And Maurizio's instrumental theme Gangster Story from Enzo G. Castellari's 1973 thriller High Crime (which later appeared on Tarantino's Death Proof soundtrack) or the trippy title theme to Paolo Poeti's kinky 1976 drama Inhibition to spot the family resemblance

On the 11th May 2018 USM will release a vinyl (180 gram) and CD reissue of the Jay-Z's In My Lifetime, Vol. 1' and Vol. 2...Hard Knock Life' on 2LP.
- In My Lifetime, Vol. 1 is the second studio album by American rapper Jay-Z, released on November 4, 1997, by Roc-A-Fella Records and Def Jam Recordings. The majority of the production is handled by Puff Daddy's production team The Hitmen from the Bad Boy label, giving the album a generally glossier sound than its predecessor.
- Vol. 2... Hard Knock Life is the third studio album by American rapper Jay-Z. It went on to become his most commercially successful album, selling over 5 million copies in the United States. Vol. 2... became Jay-Z's first album to debut at #1 on the Billboard 200. The album won Grammy Award for Best Rap Album at the 41st Annual Grammy Awards.

As co-founder of Fuck Buttons; the highly-influential noise-electronic duo, Andrew Hung has toured extensively with headline shows at the Kentish Town Forum, Glastonbury and Greenman Festivals, been featured on the

2012 Olympics opening ceremony and all three albums have featured as Best New Music on Pitchfork Media. His production work has included Zun Zun Egui's 'Shackles Gift' and cowriting/

co-producing the critically acclaimed 'Kidsticks' by Beth Orton. In 2016 he soundtracked the multiple-award winning film 'The Greasy Strangler ', and was nominated for Best Soundtrack at the Empire Awards. His debut solo

album, Realisationship was released via Lex records in October 2017. An Evening With Beverly Luff Linn is the soundtrack to Jim Hosking's directorial follow up to The Greasy Strangler and stars Aubrey Plaza, Jemaine Clement,

Emile Hirsch, Craig Robinson and Matt Berry.

Limited Edition: 500 x 2 LP Gatefold Pressing. Bentley Rhythm Ace formed in Birmingham in 1996 when ex Pop Will Eat Itself bassist Richard March and DJ Michael Stokes discovered a shared love of obscure, oddball and eccentric tunes. Utilising lo-fi cut and paste sampling techniques combined with analogue synths and some wild turntable action their debut EP was picked up by Fatboy Slim's Brighton based Skint Records and released to widespread acclaim. The BRA live show added Fuzz Townshend on drums and James Atkin (ex EMF vocalist) on keyboards and the latter years of the 90s saw BRA firmly established as festival favourites with appearances at Glastonbury, Reading, V, T in the Park, Montreux Jazz and Fuji Rock amongst many others. Their irreverent approach mixed with big beats, thundering bass, wild synths and esoteric samples proved to be a hit with fans and critics alike. 1998 saw Bentley Rhythm Ace crowned 'Best Dance Act' in that year's NME awards. Their eponymous debut album was given a worldwide release after the Bentleys signed to Parlophone records and the band toured extensively in the UK, Europe, Japan, Australia and USA. As well as releasing a highly regarded DJ mix album on Ministry of Sound, and releasing a second album for Parlophone (featuring vocals from Black Grape/Ruthless Rap Assassins frontman Kermit), BRA also produced well received remixes for the Beastie Boys and Supergrass as well as soundtracking several TV shows and adverts. This "21st Birthday - Bonus Tracks Edition" of the album has been compiled by Richard March of the band and includes the original 11 track album along with 2 bonus tracks remastered and repressed to vinyl for the first time in almost two decades! Presented in a deluxe gatefold sleeve, complete with original artwork and comprehensive sleeve notes for all thirteen tracks written for this release by Richard March. Bentley Rhythm Ace (21st Birthday - Bonus Tracks Edition)

Marti Caine's infamous Point Of View is a groovy blend of slow-mo funk, dark disco and precise pop. Originally released on BBC Records in 1981, it has attracted a considerable cult following this century. The odd charity shop score aside, it has been impossible to find a copy for less than eye-watering sums (often selling for over £200) and, as such, it's an honour to present the first officially licensed vinyl reissue of this sublime record. Featuring expert liner notes written by Bill Brewster - perhaps the record's most notable champion - this lovingly curated release is limited to just 500 copies.

Marti Caine was a popular UK TV entertainer in the late 1970s onwards and Point Of View presented her with an opportunity to proceed in a hip direction by working with British R&B heavyweight Barry Blue. His legendary reputation was secured with a string of great records, among them the first three Heatwave albums, the Balearic hit "Afro Dizzi Act" by Cry Cisco and the cult smash "Breakin' In" by Javaroo. However, despite the array of talent working on the album, Point Of View sank without trace at the time. It's something that Blue attributes to the bizarre way BBC Records worked, and he entertainingly expands upon this within the liner notes.

Musically, the highlights are many and memorable. Its most notorious track is the sublime soul stepper "Love The Way You Love Me", the reason most people covet this album so profoundly. However, from the dark dubby disco of "Snowbird City" to the moody ballad "Love Is Running Through Me", the lesser heralded tracks are nothing short of exquisite. Indeed, the chugging elegance of sleazy disco opener "Can I Speak To The World Please" showcases a string-drenched strutting-funk that would've been enviable the world over. It's that good.

The outlandish artwork - presenting a striking, green-eyed Marti treating a tiger to a headlock - has been faithfully restored and is arguably worth the price of admission alone. With access to the original tape transfers, Simon Francis' sensitive mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g. Sadly, Marti died of lymphatic cancer at the tragically early age of 50 in 1995, so is not here to experience what we hope will be a long overdue reappraisal of the hitherto underheard genius of Marti Caine, the singer

The Suedehead Sound Of The Early 70's Followed The Skinhead Style Of The 1968-70 Period.
The Notable Difference Could Be Seen And Heard, The Sharp Jerky Upbeat Rhythms Were Slowing Down A Notch To What We Soon Be Calling That Early Reggae Sound.
The Tougher Harder Look Of The Rude Boy/skinhead Style Was Relaxing A Little To Almost Meet With The Less Frantic Rhythms To A More Slowed Down Groove Like Sound. The Hair Got A Little Longer, Going From A Mark 1 To A Feather Cut Style..
The 'rude Boy Out Of Jail' Type Lyrics Were Becoming More Conscientious, This Was Another Twist And Turn In The Ever Evolving Sound Of Jamaican Music,
But What Is Sure The Artists And Producers Never Disappointed Us In This Period , So Here Is A Compilation Of Some Tunes That The Suedehead Crowd Were Grooving To....
Hope You Enjoy The Set....

In Sudan, the political and cultural are inseparable. In 1989, a coup brought a hardline religious government to power. Music was violently condemned. Many musicians and artists were persecuted, tortured, forced to flee into exile — and even murdered, ending one of the most beloved music eras in all of Africa and largely denying Sudan's gifted instrumentalists, singers, and poets, from strutting their creative heritage on the global stage.

What came before in a special era that protected and promoted the arts was one of the richest music scenes anywhere in the world. Although Sudanese styles are endlessly diverse, this compilation celebrates the golden sound of the capital, Khartoum. Each chapter of the cosmopolitan city's tumultuous musical story is covered through 16 tracks: from the hypnotic violin and accordion-driven orchestral music of the 1970s that captured the ears and hearts of Africa and the Arabic-speaking world, to the synthesizer and drum machine music of the 1980s, and the music produced in exile in the 1990s. The deep kicks of tum tum and Nubian rhythms keep the sound infectious.

Sudan of old had music everywhere: roving sound systems and ubiquitous bands and orchestras kept Khartoum's sharply dressed youth on their feet. Live music was integral to cultural life, producing a catalog of concert recordings. In small arenas and large outdoor venues, musical royalty of the day built Khartoum's reputation as ground zero for innovation and technique that inspired a continent.

Musicians in Ethiopia and Somalia frequently point to Sudan's biggest golden era stars as idols. Mention Mohammed Wardi — a legendary Sudanese singer and activist akin to Fela Kuti in stature and impact in his music and politics — and they often look to the heavens. A popular story is of one man from Mali who walked for three months across the Sahel to Sudan because the father of the woman he wanted to marry would only allow it if he got him a signed cassette from Wardi himself. Saied Khalifa is said to be the one of the few singers to make Ethiopian emperor Haile Selassie smile.

Such is the stature of Sudanese singers and the reputation of Sudanese music, particularly in the "Sudanic Belt," a cultural zone that stretches from Djibouti all the way west to Mauritania, covering much of the Sahara and the Sahel, lands where Sudanese artists are household names and Sudanese poems are regularly used as lyrics until today to produce the latest hits. Sudanese cassettes often sold more in Cameroon and Nigeria than at home.

But years of anti-music sentiment have made recordings in Sudan difficult to source. Ostinato's team traveled to Ethiopia, Somalia, Djibouti, and Egypt in search of the timeless cultural artifacts that hold the story of one of Africa's most mesmerizing cultures. That these cassette tape and vinyl recordings were mainly found in Sudan's neighbors is a testament to Sudanese music's widespread appeal.

With our Sudanese partner and co-compiler Tamador Sheikh Eldin Gibreel, a once famous poet and actress in '70s Khartoum, Ostinato's fifth album, following our Grammy-nominated "Sweet As Broken Dates," revives the enchanting harmonies, haunting melodies, and relentless rhythms of Sudan's brightest years, fully restored, remastered and packaged luxuriously in a triple LP gatefold and double CD bookcase to match the regal repute of Sudanese music.
A 20,000-word liner note booklet gives voice to the singers silenced by an oppressive regime.

Take a sail down the Blue and White Nile as they pass through Khartoum, carrying with them an ancient history and a never-ending stream of poems and songs. It takes two Niles to sing a melody.

Freshly based in London, Cabasa mixes up his own UK influences with what his dad has been listening to at home since he's a kid (electronica, jungle, acid-house...). What comes up is a subtle fusion between ambient soundscapes and percussive sounds, from 90 to 180 BPM. He seeks for boundaries between beatless and rhythmic compositions.

At the summer party on the occasion of my soon-to-be 80th birthday, many friends came. As it said on the invitation: 'The Eschenau Chaos Band will play.' While the party was going on, people asked me when that band would be playing, and I replied: 'Now! You are that band', and I randomly handed out all of these instruments. Hartmut Geerken was clued in and had brought some as well - Sun Ra's Sun Harp among others. I started with a moroccan hand drum, bendir, and off it went. Unpractised." - Herman De Vries Herman de Vries, born 1931 in Alkmaar, is a Dutch visual artist who has been living in Eschenau in the Steigerwald region (Franconia, Germany) since 1970. Having started out as an Art Informel painter in the 1950s, his interests shifted in the ensuing years, and in the 1970s, he became focused on found objects from nature and their rtistic-philosophical qualities and implications. He has made paintings, collages, texts, sculptures, installations, a.o., and has dealt with plants, earth, and other parts of nature from botanical, medical, historical, as well as psychedelic viewpoints.Recording made on June 18, 2011, in Eschenau. Edition of 300 with liner notes by Herman de Vries and photos of the event on the back sleeve.

Grammy-winning singing sensation Gregory Porter - one of the most successful jazz artists of his generation - is back with a new album, 'Nat King Cole & Me', to be released on Decca/Blue Note on 27th October. It is a deeply personal tribute to Nat King Cole - the legendary crooner who ignited Gregory's love of music. It's only natural that I go to the root of my inspiration and where I come from. And that root would be my mother and gospel music and Nat King Cole,' he says.

Recorded at London's AIR Studios, the 12-track album features some of Gregory's favourite Nat King Cole tunes including 'Smile', 'L-O-V-E' and 'Nature Boy'. There is also a Nat-inspired arrangement of Gregory's own song 'When Love Was King', originally released on his million-selling hit album, 'Liquid Spirit'.

For Gregory Porter, the influence of Nat King Cole on his life and music runs deep, a through-line that reaches back into some of his earliest childhood memories, and culminates in the release of his new album 'Nat King Cole & Me'. Gregory explains, At five or six years old, Nat's music filled a void in me. My father wasn't in my life and wasn't showing interest in me or raising me and Nat's words were the life lessons, words of wisdom and fatherly advice I needed.'

Gregory's love for Nat's music blossomed so much that he wrote a semi-autobiographical musical, also called 'Nat King Cole & Me', which premiered in 2004. After the play, I felt a lighter feeling about my father and a deeper appreciation for both my mother and the great music of Nat King Cole,' says Gregory. He also found his voice through his own songwriting - It wasn't until I wrote the musical that I was fit to call myself a songwriter. Before that, I would write different poems but they had no music.'

'Nat King Cole & Me' is the follow-up to his Grammy-winning albums 'Liquid Spirit' (2013) and 'Take Me to the Alley' (2016). 'Liquid Spirit' took Gregory from being the biggest name on the jazz scene to being one of the most sought-after singers around today, performing sell-out shows across the UK and being invited to perform on high profile TV programmes including The Graham Norton Show, Strictly Come Dancing and the BBC Music Awards. He has become an adopted national treasure in the UK, having sung for the Queen multiple times, as well as major music festivals including Glastonbury, where he performed on the Pyramid Stage alongside the likes of Muse, Adele and Coldplay. Gregory's ability to transcend genres even extends to his surprise dance hit 'Liquid Spirit Claptone Remix' which became one of the most popular tracks in Ibiza.

After winning over audiences with his rich and soulful voice, there can be no better time for Gregory to return to the music which first inspired him to become a singer. On Nat's legacy and influence Gregory affirms, He was one of a kind. He left such great music - such beautiful things to listen to that you can't help but be influenced by that extraordinary timbre, style, and ultimate cool.'

The annual Deep Love compilation has become one of our most important releases to showcase what Dirt Crew Recordings is all about. It gives us the chance to highlight and welcome new faces alongside the residents who keep the Deep music we stand for alive. This year more than ever we have artists from all over the World, from Japan to Canada and Lithuania to Austria represented. The man the myth...Mr. Nightcrawler himself is back with another masterpiece. True to his usual unique blend of many styles, Nachtbraker has delivered typically off-kilter 'Cobi Cabani' with crashes and sound design that punctuate a freaky bass and rippling lead. Dropping in for his debut outing on our label, Viennese resident of Sass club and founder of the 'Secret Crunch' imprint, Roman Rauch brings the filtered Disco House. Ripe with fruity percussion and deeply ingrained groove, 'Sweet Ears' breathes and builds keeping up energy to work bodies throughout the cut. Close friend of the Dirt Crew family and member of Detroit Swindle's Live super group, Lorenz Rhode is an extraordinary artist who's not only active in the House Music scene but also created his own Big Band, the Rundfunk-Tanzorchester Ehrenfeld. He gets right to it in 'On Top' a legit live key and bass jam with all the funk from a seasoned jazz musician. From across the Atlantic we have Toronto's Jesse Futerman teaming up with Dan Only, Jesse remixed Harry Wolfman's last EP on DC and is known for his laid back house grooves.

Raised in a musical family Anastacia first developed a career as a dancer, appearing in video clips and on MTV shows. Her debut album Not That Kind was released in
2000 and immediately struck a nerve in Europe, Asia and
Australia, before hitting it big in the US.


Her striking looks and most of all her remarkable vocals had her searing up the charts, helped by hit singles such as 'I'm Outta Love', 'Cowboys & Kisses' and the title song. Teaming up with some of the most successful songwriters of the time, her expressive alto voice had that rough edge needed for an identity of her own in blasting Pop/Rock/Soul tracks that did well both at home and on the dance floor.

Influenced more by Aretha Franklin and Tina Turner than contemporaries Britney Spears or Christina Aguilera she appealed to an adult crowd, eventually turning her into the 'World's Best Selling New Female Pop Artist' at the 2001
World Music Awards.

There’s this feeling that House Music is sometimes diluted into a pleasant, non-offensive and conformist formula. Well, Jackie Gritness - you may have heard of her big bro Gary - is bringin’ all the sweat, the attitude and the filth down - take it or leave it.

Jackie introduces herself from both sides on this well-strapped debut 12” - the slick swingin’ & sangin’
on the bass-heavy A side, and the raw clave trax and cunty snarls of the acid-laced B side.

No trace of over-production or tired sampling here: this is just Jackie, her mic and her lil’ groovebox -
gettin’ raw in the studio just like she does onstage. Only thing added is some wall-shaking mastering by New York OG Dietrich Schoenemann.

This is the kinda House that’s supposed to make regular folks wanna turn it off. This ain’t rated E for Everyone, it’s rated F for Freaks.

It’s music from the underground, for the underground - as it was first revealed on the runway of Glastonbury’s infamous NYC Downlow last summer.

And if that’s more than you can take - it’s alright. It’s not like Jackie will hold it against you.

Jackie Gritness
“Gary’s little sister.” His studio session resume reads like a House music who’s who - from David Morales to Fred P. He’s also been rockin’ clubs with the Playin’ 4 The City and MLIU crews - but she’s also been seen on Gideon’s fierce Homo-Centric Records. See, this bitch’s true feelings about House are stripped-down, bare-bones, and unapologetically sexual. With a radical ‘live’ attitude, she’s serving the realness with an irresistibly acidic zing.