Search:with you

Thoma Bulwer delivers a solo EP and part of his soul in this diverse 4 tracker with titles conceived in his studios at different points in his life and studio engineering career, all revamped or freshly written to this ‘mini-album’. The A1 kicks off with ‘Work It’ a 4×4 house n techno roller you’d be familiar hearing at Starlane Pizza Bar, something like Hackney Wick meets Perlon. A2 ‘Bit’s n Bobs, is an electro, 2Step garage deep roller inspired by his time at Freerotation festival and digging their at Template of Vinyl. B1 ‘Situation Escalation’ is exactly what is says on the tin and captures at intense night and time in his life. The EP rounds off with B2 ‘Home Wrecker’, a wonky garage and breaks track with dental vocal clicks from the past fused in to nasty UK bass n drums and write raw to the floor.

Complete Body Talk ist die definitive Vinyl-Kompilation von Robyns bahnbrechender Body Talk-Trilogie. Persönlich von Robyn kuratiert, vereint dieses 2LP-Set Body Talk Parts 1, 2 und 3 zu einer durchgehenden Sammlung und enthält Fan-Favoriten wie Dancing On My Own, Call Your Girlfriend, Hang With Me und mehr. Gepresst auf Coke-Bottle-Vinyl, befindet sich das Set in einer hochwertigen Hülle mit silbermetallischem, reflektierendem Frontcover. Ein komplettes und ikonisches Package, das eines der einflussreichsten Pop-Albumprojekte der modernen Musik feiert.

Racing Mount Pleasant began as a group of friends and like-minded musicians in Ann Arbor, anchored at a single creative house that various members of the band have frequented and, to this day, continue to live in near the University of Michigan.

After an early album and smattering of songs under the name Kingfisher, including one beguiling and ambitious album released in 2022, the band reimagined themselves as Racing Mount Pleasant.

Now the band are reintroducing themselves under this new moniker with a beautiful, challenging self-titled debut album that draws on each member’s academic mastery of their instruments, but also a spirited defiance of conventional song structures—or even what a contemporary band looks or sounds like.

The band supported Geese in the fall and embarked on their own headline tour in 2026.

After a wildly busy and successful first year in operation, CLOSE PROXIMITY announce ”House of Hades EP” on Belters 4U.
This is their most accomplished EP yet, that is a tribute to the artists of the 90s electronic scene who’s music continues to inspire today.
Jam packed with all things trance, progressive and euphoric…the EP is isnpired by the duos biggest influence…Underworld.
2026 is off to a flyer for those London lads CLOSE PROXIMITY.

Different strokes for different folks. The celebrative 11-track 'xoxo' compilation, originally pressed as a 3xLP, is now also available as three separate EPs. Oceanic takes EP 3 into euphoria on Dala, with sounds that pinch and prickle. Don't DJ follows with nos(e)care, his no-nonsense polyrhythmic signature that'll put your soundsystem's low-end to the test. And there's nothing like a little melancholia to close it out: Haron's De Papaverparade is a tearjerker for the dancefloor

//… april 2025… a digital message arrived from shtpan… facing the window in southern italy, near the sea… to process audio data recorded in a neukölln club in berlin… i wasn’t sure about sharing this material as it was… opted for a process of audio transfiguration / layer superposition… four pieces emerged… then these four tracks were layered with memories from the same year’s recording archive… hunting through the record, you can hear the voices of Mohamed Dali Talif on “Materialism” and Dakn داكن on “Surrounded Postponed” and “Walked Uncertainty”…//

FLO are leading the modern revival of the British girl group — and doing so at a scale not seen in over two decades. With over half a billion global streams, the trio have delivered the highest-selling tour by a British girl group in more than 20 years, becoming the first since the Spice Girls to reach that milestone. They are also the first British girl group to receive a Grammy nomination in two decades, alongside three MOBO nominations in 2026, cementing their status as both a commercial and cultural force. Rather than simply revisiting the past, FLO are reshaping the possibilities for what a contemporary girl group can be.

Comprised of Renée Downer, Stella Quaresma and Jorja Douglas, FLO’s story is one of intention, craft and deep-rooted connection. The trio had long been aware of one another through theatre school circles, social media and shared creative worlds before coming together as a group in 2019. That early familiarity quickly grew into a sisterhood, shaped behind the scenes through years of studio work, vocal development and trust. Raised by strong single mothers and immersed in performance from a young age, each member brings resilience, emotional intelligence and discipline into the group — qualities that underpin both their sound and their dynamic.

Individually, FLO’s balance comes from contrast. Renée is the group’s compass: composed, business-minded and creatively precise, grounding the trio with clarity and vision. Stella is the spark and the glue — sociable, emotionally intuitive and collaborative — shaped by a childhood between England and Mozambique where music was communal, expressive and felt. Jorja is the fire: outspoken, instinctive and vocally commanding, with a natural ear for harmony and arrangement. Their roles shift and evolve, but together they form a unit built on mutual respect, honesty and shared authorship.

That chemistry is central to FLO’s music. Drawing from classic R&B and soul while pushing it forward through modern production, their sound centres vocal harmony, emotional nuance and storytelling that reflects the realities of young womanhood. FLO reject the idea that strength requires emotional distance; instead, they explore power through vulnerability, confidence and control. From independence and self-worth to intimacy and desire, their writing is direct and unapologetically theirs. As Jorja puts it, FLO are “the brains, the heart and the soul” behind everything they do.

The success of their debut album marked a defining moment — not only for FLO, but for British pop more broadly. It confirmed the appetite for harmony-led, female-fronted groups operating with creative agency, and propelled FLO onto global stages, from sold-out headline tours to major festivals and international television. Along the way they have earned respect from R&B legends and peers alike, performing during Grammy Week for icons including Mariah Carey, Brandy and Chaka Khan, and showcasing their vocal chemistry on NPR’s Tiny Desk — a moment that further underlined the trio’s technical precision and emotional depth.

With their next chapter, Therapy At The Club, FLO expand this emotional honesty into a fully realised creative universe. The concept reimagines the club not just as a place of nightlife, but as a site of release, confession and self-possession — encompassing the moments before, during and after the night out. From mirror affirmations and pre-game chaos, to late-night Uber conversations, dance-floor catharsis and the clarity of the morning after, Therapy At The Club captures how women process desire, heartbreak, confidence and healing in real time, together. It is both fantasy and reality: cinematic, fashion-led and emotionally raw, grounded in sisterhood as a form of survival.

Sonically, the new music leans into dark, euphoric R&B and pop with sharper edges, built on vocal mastery and diaristic storytelling. Lead single “Leak It” sets the tone for the era — playful, charged and unapologetically self-aware — exploring what happens when desire spills over, secrets surface and control is reclaimed. Across the new songs, FLO move fluidly between intimacy and euphoria, turning the club into a space where vulnerability is power and feeling everything is the point.

As a trio built on discipline, joy and deep creative trust, FLO represent a new model for the British girl group: one rooted in authorship, harmony and cultural impact. Balancing softness with strength and ambition with authenticity, they are shaping the future of R&B and pop on their own terms. FLO are not looking backwards — they are setting the standard for what comes next.

Gulp Joachim Nordwall’s queasiest, most curdled synth tones on this supremely detuned co-op with Athens’ Stellage crew = 45 minutes of pure nasal-drip tang and gungy pulses tipped FFO Connor Camburn, Wolf Eyes, Conrad Schnitzler, Ilpo Väisänen’s Liima alltimers.

Joachim Nordwall’s 1st solo jaunt since capping the ‘Healing Music’ series in ’23 finds the DIY linchpin and serial collaborator coaxing potently psychoactive tones from an undisclosed set up. It appears to be one of his most intently focussed jags in recent memory, concentrated on juicing a paucity of ingredients for optimal flavour. Nothing that new then? Well, aye, but when he really gets into it, with an effect that really probes parts of the psyche untouched by anything we’ve heard from him before, he produces synaesthetic sounds that frankly makes our ears salivate.

A starting exercise in plucky pulse-work recalling Robert Aiki Aubrey Lowe initiates a real descent into the nether regions of Nordwall’s imagination, pulling into sepulchral drone on ‘Trance Recording’ and Droog wet dream material on ‘Abandoned Test Site’, while allowing for some levity in the lacquer-crackling pulse poem ‘Expand Your Mind’. However, he soon pitches back into resonant, metallic sonorities with durational conviction on a ‘Some Skies Overlap’ bringing to mind Connor Camburn works, but with an icier edge, and his title track spews molten drums in a rumbling, spark-spitting torrent.

Proper filth. Snorkel it!

Australian black metal force, Faustian, have been referred to as a super group of the Antipodean extreme metal scene; the members of this formidable three-piece having set their demons loose with the likes of Werewolves, The Berzerker, The Amenta, The Antichrist Imperium, Psycroptic, Abramelin and more. However, when confronted with the atmospheric, majestic inferno that is the sound of Faustian, whatever else its creators may have achieved is inconsequential - nothing else matters beyond experiencing the firestorm they unleash in this particular incarnation to its fullest enticing, exhilarating, unnerving extent. With a new deal signed with Apocalyptic Witchcraft, the band are now prepared to unveil their latest collection of unholy hymns. Following in the scorched earth wake of 2023s We Come As Angels, Faustian present Parable Of The Sewer_ From the first, breathless assault of 'I Curse You', with its storm torn atmosphere, dramatic darkness and furious speed, to the warped denouement of 'The Rot Shall Inherit The Earth', a sickly melodious foretelling of putrefaction and degradation, Parable Of The Sewer careers through fear-filled twilight and tenebrous realms of profane secrets. A combination of powerfully evocative lyrics and soul scarring music creates an unequivocal, yet irresistible invitation to damnation. From the indefatigable velocity of the wicked 'Cephalophore' to the precision guitar patterns and chanted revelations of 'Immaculate', the cruel, haunting and surely damned 'We Do Not Use Names Here' to the cold menace of 'Tenements (Only The Wicked Walk In Circles), steeped in the sweat and stench of terror, every moment of Parable Of The Sewer is a masterful expression of black metal art. Sinister and insidious, overwhelming and darkly glorious, walking the edge of a sacrificial blade between repulsion and temptation, Parable Of The Sewer is music at its most potent and dangerous.

With Fuck, Marry, Kill, Tink delivers her most provocative and conceptually sharp body of work to date, firmly reclaiming her position as a premier storyteller in the modern R&B landscape. Moving beyond the diary-entry style of her earlier years, this project utilizes the titular game as a brutal yet honest framework for the complexities of modern intimacy. Tink navigates the chaos of the dating world with a dual-threat precision that few can match, seamlessly blending the grit of her Chicago rap roots with the velvet textures of contemporary soul. Under the executive production of Hitmaka, the album finds its heartbeat in the friction between high-gloss production and raw, unfiltered lyricism.

The album is meticulously structured to mirror the chaotic cycle of urban romance: the adrenaline of fleeting lust, the heavy stakes of long-term commitment, and the inevitable coldness of a bridge burned. In the "Fuck" segment, Tink radiates a lethal confidence, delivering anthems of autonomy and physical desire that demand space in the club and on the charts. As the project transitions into "Marry," she peels back the armor, offering a vulnerable look at the desire for stability and the terrifying leap of faith required to trust a partner. However, it is in the "Kill" section where Tink’s songwriting truly bites; here, she chronicles the aftermath of betrayal and the empowerment that comes from cutting ties, transforming her heartbreak into a weapon of self-preservation.

Ultimately, Fuck, Marry, Kill is a masterclass in "Toxic R&B" that refuses to settle for easy answers. Tink captures the specific anxiety of a generation trying to distinguish between a temporary thrill and a permanent soulmate, all while navigating a world of ghosting and digital infidelity. By leaning into her flaws and her triumphs with equal intensity, she creates a sonic space where listeners feel both seen and vindicated. This isn't just an album about love—it's a survival guide for the heart, narrated by an artist who has seen every side of the game and lived to write the definitive soundtrack for it.

Goo Goo Dolls – Let Love In (20th Anniversary Edition)


Zum 20-jährigen Jubiläum feiert das erfolgreiche Studioalbum der Goo Goo Dolls aus dem Jahr 2006 eine hochwertige Wiederveröffentlichung als limitierte 1LP-Edition. Der Meilenstein, der mit Hits wie „Stay With You“, „Let Love In“ und der Coverversion „Give a Little Bit“ den Status der Band im Bereich des melodischen Alternative-Rock festigte, erscheint in einer edel ausgestatteten Vinyl-Ausgabe. Das remasterte Originalalbum bedient im klassischen 1LP-Format die anhaltend starke Vinyl-Nachfrage sowie die ungebrochene Popularität von 2000er-Nostalgie perfekt.

Gold & Black Yolk Vinyl. 11 bit studios and Black Screen Records are teaming up for the soundtrack release of the iconic game success Frostpunk 2 on vinyl. For the first time the award-winning score by Piotr Musial can be enjoyed in its entirety on LP and for the occasion a luxurious set was created with the music on gold and black "yolk" vinyl, packed in a gold embossed gatefold sleeve. Develop, expand, and advance your city in a society survival game set 30 years after an apocalyptic blizzard ravaged Earth. In Frostpunk 2, you face not only the perils of never-ending winter, but also the powerful factions that watch your every step inside the Council Hall. "Frostpunk 2 isn't all about the change. It's about respecting the legacy so you may expect the return of your favourite motifs." - Piotr Musia? The atmosphere of the Frostpunk series (11 million players worldwide) would not be the same without the epic music by Piotr Musia? in which desperation mixes with poignant melancholy. Without question the same composer had to return to create the OST for the sequel. The music of Frostpunk 2 still evokes the same feelings of hopelessness and despair, yet has much more space to it. As the city in the frozen wastes grows so does the music that surrounds it matures in an exceptional way. Dive once more into the post-apocalypse with this orchestral masterpiece and_keep warm.

Jane Handcock transforms heartbreak into clarity with her new album, It’s Me Not You. Reframing the familiar breakup phrase, this release explores self-awareness,

accountability, and emotional growth with honesty and depth.

Blending atmospheric production with a steady rhythmic drive, Handcock delivers a dynamic vocal performance that moves from intimate reflection to confident,

resonant moments. The result is a mature, empowering album that captures the complexity of modern relationships.

Highlights include themes of irresistible attraction and A Beautiful Woman, a lover’s anthem that sets the tone for the album’s grown-and-sexy vibe.

Jane Handcock transforms heartbreak into clarity with her new album, It’s Me Not You. Reframing the familiar breakup phrase, this release explores self-awareness,

accountability, and emotional growth with honesty and depth.

Blending atmospheric production with a steady rhythmic drive, Handcock delivers a dynamic vocal performance that moves from intimate reflection to confident,

resonant moments. The result is a mature, empowering album that captures the complexity of modern relationships.

Highlights include themes of irresistible attraction and A Beautiful Woman, a lover’s anthem that sets the tone for the album’s grown-and-sexy vibe.

Ras Michael's Dadawah. The Singing Drummer, a devout Rastafarian musician. Dadawah brought Ras Michael together with veteran studio hands: bassist Lloyd Parks, drummer Paul Williams, guitarist Willie Lindo, and last but not least pianist/organist Lloyd Charmers, who also produced.

The resulting album Peace & Love is a work of faith. Although not a concept album in the strict sense of the term, it thematically evokes the Biblical final days. "Run Come Rally" calls together the world's righteous in preparation for the upcoming battle with evil. Having gathered together the brethren from "Seventy Two Nations," all bow before Jah in a celebration of His greatness, then give voice to their desire to return to "Zion Land." The set concludes with "Know How You Stand"'s call for freedom, and with it the ability to fulfill Jah's plan.

The extraordinary power of the set's themes is echoed by the equally phenomenal backings, all conjuring up the most haunting of atmospheres. While the hand drums give the album a grounation feel, Parks and Williams simultaneously ground the numbers deep in roots. Intriguingly, though, there's no reggae guitar, just Lindo's sublime riffs and licks that flick into the rock realm, while constantly sliding back into blues. Charmers' piano and organ occasionally take over the reggae guitar role, but mostly his keys intertwine around Lindo's leads, accentuating melodies, scattering elegant flourishes here and there, and subtly building up the atmospheres. Charmers' production is superb, the musicians inspired, and Ras Michael's power undeniable. An astounding album that's lost none of its potency over the years.

GoldFord’s soul music is rooted in truth. His raw, unvarnished songs are a balance of introspection and catharsis, grappling with heartbreak, healing, and the quiet revelations that come with growth. After spending a decade in corporate America, the St. Louis native (now based in Los Angeles) turned to music as a means of survival following a devastating personal loss. “I was more afraid of dying with regret than I was of failing,” he says of his decision to finally choose the path at 30, a choice that set his entire trajectory in motion.

That initial fearlessness has since fueled extraordinary momentum. With over 4 million monthly listeners on Spotify, GoldFord has rapidly become one of the most compelling emerging voices in contemporary music. His breakout EP, Orange Blossoms (Oct 2024), has surpassed 100M streams, and his latest project, Space of the Heart (Sept 2025), has already generated 90.8M streams, 2.7M saves, and over 153,000 pieces of user-generated content across TikTok and Instagram. The standout track “Easy Does It” has reached 43.5M streams and continues to accelerate with more than 250K new weekly discoveries on Spotify.

GoldFord is stepping into a more luminous and soulful era as he prepares to unveil his next body of work. Defined by the warmth and light of his latest single, Only You Do, the music remains a dedicated exploration of mental wellness, restoration, and the profound power of human connection. From its opening chords, this new project serves as both a continuation and an elevation of his journey toward healing.

Susan Cadogan is a Reggae & Rocksteady singer from Kingston, Jamaica. With a delicate voice that shimmers between childlike innocence and smoldering sexuality, Susan Cadogan’s vocals were the perfect expression of lovers rock.

Susan Cadogan's singing talents led to her recording her first single, "Love My Life" for Jamaican Broadcasting Corporation (JBC radio) DJ Jerry Lewis. Lee "Scratch" Perry was in the recording studio at the time, and was impressed by Cadogan's voice enough to record an album's worth of material with her, also renaming her Susan.

One of her first recordings for Perry, a cover of Millie Jackson's soul hit, "Hurt So Good" (featuring bassist Boris Gardiner), was released was released in the UK by Dennis Harris' DIP International label, and topped the UK reggae chart and went on to reach No. 4 in the UK Singles Chart which resulted in Cadogan flying to London to promote the single, including many television appearances on the BBC's Top of the Pops. Other singles ("Nice & easy", "Fever", "In the Ghetto") were released but none of these charted. "Hurt So Good" was subsequently certified silver in the United Kingdom and gold in South Africa after a few weeks and became one of the top selling singles of 1975 in the UK.

This is the album she recorded for Trojan Records and it was produced by the legendary Lee Perry, Susan Cadogan is available as a limited numbered edition of 750 copies on orange vinyl.

ALP002, Alpine Sound’s second self-released record, sees the duo charting new territory, trading their signature heavy-hitting steppas sound with a more meditative and introspective palette.

‘Do The Cobra Dance’ on side A delivers deep acid-dub textures, anchoring a hypnotic rhythm with healthy doses of washed-out 303 action. Flip it over and you enter the more atmospheric realm of dub techno with ‘Clouds Connect’, where muted stabs, heavy low-end, and expansive delays send you drifting straight through the echo chamber.

Mastered by Jack Robinson at The Dub Crate and pressed at Well Tempered, these are two weighty dubs, equally suited to home-listening and the dance.

His technical fluency and electronic sensibility place groove at the centre of his language, allowing him to control density, space and pulse with clarity. Across work with Loyle Carner, Jordan Rakei, Petter Eldh and Alfa Mist, his playing remains recognisable - elastic, deliberate and grounded in feel. Released on Edition Records, the album marks a new chapter with Spaven stepping forward as a bandleader and composer with a clear focus. The music is built from the inside out - groove shaping harmony, texture shaping form. Studio and live performances follow the same intent: direct, physical, locked into the pocket. The result is controlled intensity, where technique serves expression, and the music moves freely across genres without losing its centre of gravity

One of the biggest “re-discoveries” of obscure eighties US Metal/Hard Rock are Ashbury from Tuscon in Arizona. The band, led by brothers Randy and Rob Davis, did originally record two very hard to find albums: »Endless Skies« in 1983 and the (belated) follow-up »Something Funny Going On« (issued in 2010). However, the roots of the band go way back to the late 1970s, when multi-instrumentalist Randy Davis formed his very first band (called Ashbury South) in Southern Oklahoma in late 1977. The original vinyl edition of »Endless Skies« came out in 1983 (with a circulation of 1,000 copies). ”It was a complete indie project all the way,” states Rob Davis. “We worked mostly on a budget of $ 5,000 for the entire project. Our distribution was through Tower Records in the western United States.” Ashbury's sound has sometimes been compared to Jethro Tull and the Davis brothers are indeed not too unhappy about this comparison: ”We both have a big smile on our face with that question,” they explain. “Yes, we are proud to be compared with Jethro Tull.” Ashbury's first album does feature an iconic artwork. Who was responsible for it and what does the cover signify? ”The cover signifies Creation, and the choices we all make,” elaborate Rob and Randy. “The cover obviously coincides with the opening song 'The Warning', about the Prophet who warns against bad choices, evil and greed. The final touch was a 'fantasy' setting, a look just off from any real world appearance.” Randy and Rob Davis are playing as brothers in Ashbury, they have always been the core of the band: ”We would not continue performing as Ashbury without both being involved. We write independently, and also together, therefore the very creation of the music would be different if one of us left the band. We also both sing lead vocals, so the sound of the band would be altered. I might refer to a recent tour concerning Styx - touring without Dennis DeYoung - therefore it's NOT Styx.”

The Unsung Adventures of Punch Brothers is a highly strategic, physical-format priority scheduled for release on July 24, 2026, via Nonesuch Records. This document has been professionally designed to serve as an in-store info sheet to justify why this title demands a prominent listing and prime shelf space in your store. Core Commercial Arguments For Your Inventory:High Physical Media Affinity: Punch Brothers possess an exceptionally loyal, audiophile-leaning fanbase that heavily prioritizes purchasing physical LPs and CDs rather than relying solely on streaming platforms. Grammy-Winning Prestige & New Lineup Buzz: As previous winners of the Grammy for Best Folk Album (for All Ashore), this release marks a monumental shift—their first-ever all-instrumental record and the studio debut of acclaimed fiddle virtuoso Brittany Haas. It serves as a natural conversation starter for acoustic, classical, and bluegrass buyers. Massive 28-City Tour Traffic: The band's largest tour since 2019 spans from summer into late autumn 2026, targeting iconic institutions like Carnegie Hall (NYC), major folk festivals, and regional hubs. Local tour stops are critical touchpoints to align with your regional endcaps and point-of-sale displays. Premium Production Appeal: Engineered by recent Grammy-winner Joseph Lorge (Guilford Sound Studio), the pristine sonics will make this a staple for high-fidelity test spins and vinyl showcase walls.

Neuauflage des Lambchop-Albums "Nixon" aus dem Jahr 2000 auf schwarzem Vinyl, inkl. "Up With People" und "Grumpus".

The Carburetors are back and louder than ever! Their brand-new album, "We Ride At Night", is set to tear through speakers and shake venues to their foundations. Packed with the ferocious riffs and raw attitude that fans have come to love, this is the band firing on all cylinders-no brakes, no apologies. "We Ride At Night" is a statement that The Carburetors are still one of the most dangerous rock'n'roll bands on the planet. The Carburetors are a hard-hitting rock band hailing from Oslo, Norway, known for their electrifying blend of rock'n'roll, hard rock, and heavy metal. Formed in 2001, the band has carved out a reputation for delivering fast-paced, high-energy music that channels the raw spirit of Chuck Berry and the relentless power of Motörhead. Their signature sound-often described as "Fast Forward Rock'n'Roll"-combines driving riffs, thunderous drums, and an unapologetic attitude that's made them a staple of the Norwegian rock scene. Over the years, The Carburetors have released a string of acclaimed albums, including their debut "Pain Is Temporary, Glory Is Forever" (2004), "Loud Enough to Raise the Dead" (2006), "Rock'n'Roll Forever" (2008/2010), and "Laughing in the Face of Death" (2015). Their latest release, "Drinkin' from the Skull of Our Enemies," continues their tradition of raw, energetic rock, capturing the band's dynamic stage presence and relentless drive. The band has also contributed to tribute albums for legends like Kiss and The Ramones, and in 2012, they made it to the Grand Final of Norway's Melodi Grand Prix with their song "Don't Touch the Flame." With a career spanning over two decades, sold-out shows, and a loyal fanbase, The Carburetors continue to embody the spirit of rock'n'roll-loud, fast, and forever.

Auckland-based indie-pop outfit Borderline officially plant their flag in the New Zealand music scene with their self-titled project, Borderline. Seamlessly blending the nostalgic warmth of classic indie-rock with the polished, infectious hooks of modern pop, the band delivers a sonic snapshot of youth, ambition, and navigating the fine line between late-night euphoria and introspective vulnerability. Driven by shimmering guitar lines, driving bass rhythms, and anthemic vocals, the project feels both intimately local and ready for a global stage.

Borderline serves as a definitive introduction to the band’s signature sound, trading in sun-drenched, feel-good anthems built for summer road trips alongside high-energy tracks that tackle the fast-paced nature of modern relationships. By balancing cinematic storytelling with irresistible hooks, the up-and-coming band crafts a listening experience that is both fresh and deeply relatable, securing their place as a compelling new voice to watch out of New Zealand.

MAEVE returns with a new chapter led by Mano Le Tough, continuing the label's long-standing vision of releasing timeless, emotionally resonant electronic music.

Leading the way is a special 3-track 12" featuring a collaboration of Mano Le Tough with DJ Koze, Remcord and Jonathan Kaspar, - the first in a new run of releases scheduled throughout 2026, with further singles and an EP to follow from Maeve artists and new talents.

DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated debut album of Poland’s TORPOR, Ɖungeon Ɖescent, on CD and vinyl LP formats. TORPOR were formed in Warsaw by three school friends and music fans under the huge influence of Bathory. While recording their first release, Burning Realms / Behold the Spell of Black Fortress, in dusk of 2017, the band were laying their music foundations inspired by the epic side of black and the haunted / melancholic side of early ‘80s heavy metal. Since their last release – 2021’s The Ancient Tales EP, which was actually recorded in 2019 – TORPOR parted ways with their drummer, who alongside Mike Magister I.V. and Franciszek Archont, was a founding member of the trio. Upon the arrival of a new drummer and long-time friend, Bloodhammer, they recorded their debut album. It marks the result of their work and path undertaken. "We knew it was our direction to follow and polish, so now, after some time, we can happily present our debut album, Ɖungeon Ɖescent,” the band state. “It is our first real record that pictures our vision exactly how we liked to. After years of wandering around basement rehearsal rooms and two self-released demos, we are finally coming out of our lairs with this LP under the banners of DYING VICTIMS." Their past connections with fellow labelmates ARMAGH and FUKKIN’ VENGEANCE somewhat explains TORPOR’s link to the idiosyncratic side of ancient heavy metal, which has taken far more prominence on Ɖungeon Ɖescent over the first-wave black metal side – but that’s only part of the picture. Some might call it “cleaning up,” others might liken it to a harnessing of feral energies, but TORPOR’s emphatic-yet-stoic strut conveys equal amounts of energy and mystery, finesse and fine-tuning. Of course, the power-trio can kick into high gear when they want to, be it heroic gallop or even hypnotic blast, but their sense of movement from one moody segment to the next imparts a narrative flow that’s part and parcel of their lyrical imagery. Or, perhaps it’s true swords & sorcery metal without belaboring the point – no “COOL IMAGERY DUDE” without the music & atmosphere to back it up, more specifically – that harkens to a glorious, sadly bygone era. However you approach this Ɖungeon Ɖescent, TORPOR have surely delivered a cult classic in the making. Passion, authenticity, the reverberating ring of truth…ancient powers arise from time immemorial

By the time Mayday Parade began work on Sugar, the closing installment of their three-part album series, they had pushed themselves further than ever before.Following Sweet (April 2025) and Sad (October 2025), the pop-rock quintet committed to a relentless cycle—write, record, tour, repeat—building a body of work that captures the full scope of their sound across nearly 30 songs.

Sugar brings the trilogy to a close in powerful fashion, emphasizing both reflection and forward momentum through the driving emo pulse of first single “Blame It on the Youth,” the hypnotic piano ballad “What Happens Next,” the glossy melodic groove of “Two Hearts,” and the nostalgic energy of “Sweet Sad Sugar,” which reflects on the Tallahassee roots that shaped the band.
Just as importantly, the project marks the beginning of a new era defined by autonomy. Released independently, the set sees Mayday Parade taking full control of their creative output—a full-circle moment for a group that first built its audience by selling CDs in Warped Tour parking lots and quickly became a leading voice of the late-2000s emo wave thanks to gold- and platinum-certified singles like Jamie All Over and Miserable at Best.
It's this willingness to chase something ambitious, no matter how daunting, that has defined them from the very beginning. Now, with the trilogy complete, Mayday Parade find themselves in a position few of their peers can claim: still creatively restless, still evolving, and still finding new ways to win.

A beloved cult classic of late-'90s indie pop, Beverley Atonale captures The Ladybug Transistor at their most elegant and timeless. Blending baroque pop arrangements, warm analog textures, jangly guitars, and lush vocal harmonies, the album has become a cornerstone release for fans of sophisticated, melody-driven indie. Long sought after by collectors, this vinyl reissue brings back an essential title from the American indie underground - a record whose cinematic songwriting and vintage pop sensibility continue to resonate decades after its original release. With enduring collector demand, strong catalogue value, and broad appeal among fans of Elephant 6-inspired indie pop, Beverley Atonale stands as an essential addition to any indie-focused catalogue and a timeless rediscovery for a new generation of listeners. Recommended For Fans Of The Essex Green, Belle and Sebastian, Broadcast, Stereolab, The Olivia Tremor Control.

A*POP — is the sophomore masterpiece from two-time GRAMMY® Award-winning, multi-platinum global superstar Tyla. A bold evolution from her debut, this 14-track album mesmerizes with Tyla’s signature sultry vocals, seamlessly blending amapiano, pop, and R&B. A*POP is both a statement and a movement — a declaration that African music is pop music, with Tyla leading the charge at the forefront of a global shift. Featuring standout hits like “IS IT,” “CHANEL” and “SHE DID IT AGAIN (feat. Zara Larsson), A*POP invites you into Tyla’s immersive, vibrant world — a defining second album that cements her as a true global icon.

60 Years celebrates six decades of of pianist and composer Horace Tapscotts radical and uplifting musical and social vision. Digging deep into the Arkestra"s archives, the album gathers breath-taking unreleased material, including previously unheard compositions, from every stage of the band"s development - from Tapscott"s earliest iterations of the group, recording at home in 1961, to the current incarnation of the band, led by the new generation of young musicians. Remastered from archival sources by the Arkestra"s longstanding engineer Wayne Peet, 60 Years is presented by The Village, a label operated by members of the Pan Afrikan Peoples Arkestra. With archival photographs documenting the Arkestra"s history, the album arrives with liner notes featuring track-by-track commentary from Arkestra members past and present. In the words of Mekala Session, "This release is the culmination of 60 years of Black history through sound". South Central"s musical colossus is still very much awake, and 60 Years reveals the secrets of the Ark.

Shiverstruck, the latest album from IAN SWEET, finds songwriter and multi-instrumentalist Jilian Medford at her absolute best. Produced and mixed by Ben Allen (Deerhunter, Washed Out, Belle and Sebastian), the record centers a deliberate return to analog instrumentation, with acoustic guitars, piano, strings, and live drums at the forefront. Medford’s writing is more confident, direct, and emotionally exposed than ever, with soaring, melodic tracks like “Criminal Kissing” and “Jilian” revealing a striking new dimension of IAN SWEET.

IAN SWEET’s music has amassed millions of streams worldwide and earned praise from FADER, The New York Times, Stereogum, The New Yorker, Rolling Stone, and Pitchfork, which named Show Me How You Disappear one of the Best Rock Albums of 2021 and profiled Medford as a Rising artist that same year.

UK sound system style DUB release on 10” vinyl from Vibronics and Nia Songbird.
Straight into 2026 with a new slab of heavyweight DUB in a sound system style. Two new tracks, one side featuring uplifting vocals from Nia Songbird, the other side is classic Vibronics style undiluted instrumental dub. This one one for all lovers of Iration Steppas, OBF, Channel One and all the Bass-heavy sound systems out there.
This release is pressed on 10” vinyl and presented in a full-colour printed SCOOPS label sleeve, making it a collector’s item as much as a sound system weapon.


Vibronics is one of the most established names in UK Dub/Reggae music achieving millions of views on YouTube, millions of Spotify streams and many tens of thousands of vinyl record sales. Collaborators include Michael prophet, Macka B, Iration Steppas, Soom T, Aba-Shanti and more.
Profess Natti is the London born MC, famous for the biggest Vibronics track ‘R.A.S.T.A.F.A.R.I.’.

Spirit of 76 Summer Campaign - Blow Your Face Out captures the J. Geils Band at their rowdiest and most electrifying. Recorded live at the height of their ’70s powers, the album is a raw, sweat-soaked blast of blues-rock, R&B, and hard-driving boogie. Peter Wolf’s swaggering vocals and the band’s loose-but-locked-in groove turn every track into a party, with extended jams and call-and-response energy that put you right in the middle of the crowd. It’s not a polished studio showcase—it’s a full-tilt document of a band feeding off the audience and blowing the doors off the room. 2 LP set recorded at Boston Garden and Cobo Hall in November 1975 is remastered from the original analog masters by Bernie Grundman.

“WAR.POEM” was recorded at THE ROCK NOIR studio in 2025/2026 as a reaction to a piece I read on the Israeli military use of FLECHETTE SHELLS in Gaza, this led to a much deeper study of the 20th/21st century history of war. The album was composed entirely using a TAPE O MATIC 710 reel to reel from 1958, a 1960’s mayfaair JVC reel to reel, aa 1965 G.E. solid state portable reel to reel from 1965, a portable 1970’s Panasonic cassette player, a ring modulator as well as various other effects and synths.
The loop that is the basis for WAR POEM ZERO which takes up the whole of side one, happened by accident when I put a reel on the wrong way up, it produced aa sound of such great melancholy and beauty, I just let it play…
This album owes a debt to “SWANSONG” by NURSE WITH WOUND from the album “A MISSING SENSE” where experimental sound is used as an anti war protest.
Chris Connelly 2026
You are unlikely to hear a record of such brutal intensity, or indeed authenticity as this. To call it “old school industrial” would be to do it a disservice, but also not THAT wide of the mark. It is packaged sympathetically to Chris’ previous release for the label, the long sold out LP “White Phosphorous”.
It is limited to 300 copies pressed in military grey vinyl.

In The Eye Of The Storm was recorded live in New York on September 6th & 7th, 2025 as the soundtrack to a film celebrating Foreigner’s 50th anniversary. The album features an electric performance of the hits executed on Ellis Island, and a stunning acoustic presentation from the rooftop of Dumbo House overlooking Brooklyn Bridge which includes a very special rendition of Simon & Garfunkel’s ‘Bridge Over Troubled Water.'

CD: 4-Panel Wallet
LP: Black Vinyl in Single Jacket with Printed Inner Sleeve

Not actually a greatest hits album, despite the name! This LP is a collection of Ovlov's original and beloved EPs, remixed and remastered. The EPs included are: "Crazy Motorcycle Jump," "What's So Great About The City," and "Not The Same Without You."

Following the success of his project DFRA Experience Jazz Band – Jazz In, Argentinian deep house maestro DFRA returns to Groovin Recordings for his highly anticipated second 12" vinyl release, "All About You EP".
While his first Groovin record heavily merged live modal jazz and bebop structures with electronic music, All About You sees DFRA shifting focus directly back to the late-night dancefloor. Dropping just in time for the July summer heat, this four-track EP delivers a masterclass in clean, sophisticated deep house.
Across both sides, the Buenos Aires producer effortlessly pairs crisp percussion with warm, hypnotic basslines and soulful chord progressions. From the smooth, vocal-tinted groove of the title track to the late-night atmosphere of the B-side cuts, this record perfectly balances a timeless, classic edge with modern production weight.

Italian producer Gledd has been quietly carving out a reputation for groove-led house music that balances raw dancefloor energy with rich musicality. Drawing on influences that span gospel, afrobeat, and classic deep house, his productions channel both heritage and forward-thinking club culture. My House Is Your Church marks his debut release on Delusions Of Grandeur - a fitting home for his expansive, souldrenched sound - and signals a bold new chapter in his evolution as an artist.

The EP opens with On His Way, a percussion-heavy deep roller built for maximum dancefloor impact. Anchored by fat, heavyweight production and a massive low-end presence, the track surges forward with relentless energy. An incredible gospel vocal cuts through the mix, elevating the groove into something transcendent - equal parts spiritual and physical. On It’s Not That Easy, Gledd leans further into his gospel house influences. Highimpact and rhythmically rich, the track weaves together organ fills and subtle tropical flourishes, creating a vibrant, sun-soaked energy while keeping the pressure firmly on the floor.

It’s a track that feels both uplifting and commanding. Flipping to the B-side, Habibi Gospel pushes into more “outernational” territory. A wild, expressive lead vocal takes center stage, riding atop a heavy, driving groove. Organ stabs punctuate the rhythm, locking dancers into a hypnotic flow that bridges cultures and styles with effortless confidence. Closing the EP, Can You Hear My Noise? brings things to a richly textured finale. Slightly more organic in feel, it blends echoing synth stabs, percussive melodic lines, and chopped vocals into a melting pot of sound. The result is a seamless fusion of gospel, afrobeat, and classic house - deep, emotive, and undeniably danceable. With My House Is Your Church, Gledd delivers a statement of intent: music as ritual, the dancefloor as sanctuary.

Downtown Boys have pushed relentlessly forward as an artistic and political project since their founding. Singer Victoria Marie and guitarist/singer Joey La Neve DeFrancesco first met at union meetings while working together at a hotel in Providence, RI, writing many of the band's early songs about labor organizing and exploitative workplaces. The quintet is completed by Joe DeGeorge (sax/synth), Mary Jane Regalado (bass), and Joey Doubek (drums). Over years of touring, and three acclaimed albums, Downtown Boys have continued to grow as artists, musicians, and organizers. Now, the band has arrived with Public Luxury, an enthralling album that keeps politics front and center while summoning the band's most urgent and powerful sound to date. The definition of Public Luxury falls very much in line with that of the title of the second Downtown Boys LP, Full Communism. Straight up, Public Luxury means, "everything for everyone." It's the stubborn insistence that a better world is possible, while fully recognizing the horrors we witness daily, and the individual and collective responsibility to resist the nihilism and hopelessness we all feel. Sentiments like "everything for everyone," and "we will have it all" perfectly represent the cathartic, communal live experience this cadre of multi-instrumentalists create. These sentiments also encapsulate the inclusive, joyful sonic fusion that defines the album: anthemic punk and indie rock mix with Latin traditions, drum machines blend with acoustic drums, saxophones punctuate riffs, and layers of synths add flourishes from new-wave to industrial. The amount of ground covered on Public Luxury can't be overstated, and yet the album feels totally vital and cohesive. Public Luxury is a revisitation of the band's past for the sake of their future. It was co-produced by DeFrancesco with recording engineer and longtime Downtown Boys supporter Seth Manchester (Lambrini Girls, Lightning Bolt, Model/Actriz) at the Pawtucket, RI studio and arts space Machines With Magnets, not far from the band's first home of Providence, RI. Victoria Marie's grandmother-a monumental figure for the band throughout their existence-passed away in May of 2025, and her influence looms large over the album; the songs "No Me Jodas" and "Sirena" are crystallized representations of the love between a woman and her ancestor. Beyond the loss, rage and frustration of the present, Public Luxury points boldly towards a vibrant, open-hearted vision of both music and the world: "Our music is simply for anyone and everyone who believes in the new future we can make together," Victoria Marie declares. "A world that will be awkward, inconsistent, yet truly free when it comes to all that matters."