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Adam Beyer's Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno's number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary.

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn't fit in their regular EP release schedule.

With an eye on future talent, as much as the label's established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode's multifaceted techno sound, equal parts inspiring and functional.

Led by the stealth techno funk of 'Nine of You', Beyer's deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck.

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O'Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.


Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America.

In ode to the endless research of the life apart. Sensed and produced by Edanticonf in Amsterdam. Vinyl only.

LYR002 'GDEP' sees Adam Stromstedt and Flord King split the credits with both producers getting one track on either side. A side 'SINBAD' by Adam Stromstedt is a 12 minute long piece that takes you through intertwining chord patterns and delay heavy percussions to create a multi layered low-end journey. B side 'Dapper' by Flord King is an already proven secret weapon of some of this scene's most influential DJ's. It kicks off from the first bar with minimal inspired percussion, dreamy chords and tight groove, a real cruiser.

Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous 'K&D Session' remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly.
Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin's 'Top 20 albums of 1999'.The album has long since been deleted on Vinyl with original 4LP sets changing hands for €300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over €100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood.

Australian label Nightime Drama, run by Peter Fincher (aka Vibrio) and Shaun Franklin (aka Trebek) now serves up its second standout release of 2016. This four track affair comes hot on the heels of the last by Yoshihiro Arikawa, and is a second release on the label by Aussie live act, DJ and producer Trinity, with Steven Tang and Italian based Andee on the remix. Trinity has also released on OOC, Coincidence and Android Muziq and regularly performs all round Europe. His sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. Cascade Drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. From the Earthmothern label and one half of RK's, Andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. The longform groove is physical and cerebral in equal measure. The next original is Expansion, and again finds Trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. Emphasis boss Steven Tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

For the second release on Alex Bradley's Utopia Records we see the return of London based producer Dominic Jacobson aka 'Modaji'. Dominic's initial Modaji and Harvey Lindo releases garnered acclaim from luminaries such as Francois Kevorkian, Derrick May and Gilles Peterson and after 10 years away from releasing to concentrate on composing music for film and television, Jacobson returns to the studio to delve further into his deep house and ambient soundscapes.
The first of two EP's, Belle Epoque touches on a more cinematic approach to production and showcases a warmer, more expanded sound.The aim is to create music that is as listenable during the dusky twilight hours as it is at sunrise. The rest we leave to your imagination and trust you will enjoy our offering.

It is very difficult to present David Duriez without writing an encyclopedic tome as its influence on the House music in France was decisive. Since its inception in 1992, David released over a hundred records under his name, tens under various pseudonyms, mainly on vinyls on the most renowned labels like 2020Vision, Ovum, Systematic, Pokerflat, F Communication, Under the Counter, Stickman, Crosstown Rebels, The End, etc .. (the list is long, see Discogs to be convinced) and as many remixes for some of the greatest artists (think Moby, Dj Sneak, Gemini, DJ Hell, Llorca, Telex, Random Factor, Johnny Fiasco, Paul Johnson, Jori Hulkkonen, Ralph Lawson, Random Factor, Kenny Hawkes or Mr.C).

Founder of the label Brique Rouge and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as Robsoul with Phil Weeks, Freak n'Chic with Dan Ghenacia (from Apollonia) or Rz Muzik. At a time when David had federated online the cream of the House producers via a forum (far and long before social networks), Ivan Smagghe had nicknamed him "the producer of the producers." , A true House Music activist,

But most of all David Duriez is a devastating dancefloor DJ, He did several tours around the world and played in some of the biggest clubs in the world between 1995 and 2010. Truly one of the most important players in the French electro scene, David is back on tracks after a few years hyatus. But don't call it a comeback because he has never really gone awol, he has been watching the scene and now he's back in the studio. You can expect a (very) long serie of releases for 2016, you have been warned!

Series-A was the duo of Sam Anderson aka DJ Maestro and Dave Webb aka Kid Fresh. Sam and Dave both grew up listening to the sounds of the Electrifying Mojo on WJLB in Detroit. They met in 1983 at a DJ gig that they were both hired to play. In 1986, they collaborated on the Nu-Sound II Crew project. After developing a friendship with Juan Atkins, they became hip to the emerging new club sounds that were to become electro and techno.Their subsequent project, Series-A, was named after different car model numbers, but also hints at the evolution of humankind into a new species.

In 1987, Series-A recorded the single Evolution 5 Technology' at Spectrum Sounds Studio in St. Clair Shores, Michigan. Their set up was a vocoder, E-mu Emulator III, Roland 909 drum machine, and an Otari 24-Track recorder. They landed a record deal with Satellite Records in Burbank, California, which had been founded by Pete Moore of The Miracles. After pressing 50 promotional copies, the label ran into financial problems, and the record never reached a full release. Taking cues Kraftwerk, Grand Master DST, Grandmaster Flash & Jam Master Jay, Series-A created dark electro beats in an era when sampling appeared to be the future of music. Lyrically the song addresses our species' entry into the technological age. For this EP reissue, the 7' Mix and Dub Mix are included on the A-side. On the flip is a new remix by prolific Ann Arbor producer JTC, an alias of Tadd Mullinix (aka Dabrye, SK-1, & Charles Manier). JTC speeds up and expands the song to seven minutes. Drawing on influences from Ron Hardy to Jeff Mills, he drives around suburban techno landscapes while simultaneously launching the listener into deep space.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is specially designed by Eloise Leigh and features a cyborg fossil motif with RGB color band and gradients. Each copy includes a post card with with notes.

Cute Heels is the solo project of Victor Lenis, a contemporary artist living in Barcelona, Spain. He grew up in Bogotá, Columbia during the 1990s, surrounded by the radial punk scene. Over the years, Victor's passion and fascination for synthesizers and drum machines to produce and compose resulted in various digital-only releases as well as his debut album Spiritual" for Dark Entries in 2014. Cute Heels has been called ''the new blood and spirit for the next step in techno music'' by Electro/Techno pioneer Juan Atkins. Third Skin' is a 4-track EP that connects the dots between Detroit techno, early Chicago house and Belgium electronic body music. Inspired by equal parts Liaisons Dangereuses, Drexciya and Black Devil Disco Club. On the A-side are two fresh compositions recorded in 2015. Third Skin' kicks things in a metallic EBM funk with a pounding bottom end. Lipstick Information' takes the listener on a dark, psychedelic and twisted journey through thrillingly intense arpeggiations. On the flip we present two remixes. The first is from Steffi, House and Techno DJ and producer born in The Netherlands and residing in Berlin. She picks up the pace for an uplifting, percussion-driven, DAF-eque dystopian stomper. The second remix comes from Michel Amato aka The Hacker, French born DJ and producer and frequent collaborator with Miss Kittin. His early musical influences of bands such as Cabaret Voltaire, Throbbing Gristle and Front 242 shine through on this pumping and sophisticated remix ready for any dance floor.
All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes in a custom-made jacket designed by Eloise Leigh featuring a photograph by Corinne Schiavone printed with hi-gloss finish. Each copy includes a postcard with with notes and image for fetish lovers

Developer Archive is an extension of Modularz.

A solo project that started in 2011 releasing limited vinyl only releases and continuing to focus on techno and bizarre raw grooves produced exclusively by Developer.

Outway a duo of DJ/Producers based in London, formed by Mattia Lotta and Siro Pertile officially launches their debut EP for Cellaa Music.

They appeared on labels like Deeperfect, Basswalk, Noexcuse, High Pressure, Undertechnical, Pild records, Makossa,Beat It Music, Jekos Lab and so on ...
In their usual nonchalant style, you can expect deep driving arrangements. Through the precisely applied sub-basses and the unobtrusive synth pads, a first class sound-performance is guaranteed.

The EP contains A New Age,The Weapon, Ignorance and Ice Bell, four smashing tracks you will never get bored of. Put your sunglasses on for this after, and say goodbye to the last stars of the night.

Keep your eyes on this one!!!!

Nightime Drama is proud to present a 3 track EP from Yoshihiro Arikawa, featuring a remix by Aubrey. The Tokyo based producer Yoshihiro Arikawa is known for a compound of minimal and 90's ghetto house, releasing a series of critically heralded EPs on Logistic in France, kb and his own label Kodaira Tracks under his alias d'Kawa between 2003 and 2009. After a short hiatus, Arikawa restarted the activities under his real name and has revealed a new aspect of his music on a number of releases from international labels such as AFFIN, Hypnotic Room, Labyrinth, M_Grey, Toffler Sound and Swap. His first release on Nightime Drama comes with a remix from Aubrey who is no stranger to any techno lover's ears. With over 25 years in the industry, he has been involved with some of the biggest names in the business and brings a funky energetic remix to the release.

finally repressed !

After a lengthy break Mark Henning returns with his new label Swing and four on-point tracks. 'Stash House' kicks things off with a crisply produced groove with snatched male vocals and rounded bass keeping the swing high. 'Exit Acid' ups the energy levels with an acidic tinged b-line proving a grimier feel whilst flip side's 'James Hughes Blues' is all about the breakdown; a neat synth line and huge bass tones lending it a more anthemic edge. Lastly 'The Horror' opts for a lower key ride, fuller male vocal imbuing the track with a sleazier feeling.

Pursuing their explorations of international Funk and Disco music, Favorite Recordings and Bruno "Patchworks" Hovart present us Voilaaa. With this first 2 tracks single revealing the Afro-Disco inspiration of this new experience, Favorite also expands its new series of Disco 12inch singles recently launched with several fine reissues.

Under the imprint of the label and after their long years of collaboration in the achievement of projects such as The Dynamics, Mr President, Mr Day, Patchworks Galactic Project, or Taggy Matcher, the insatiable French producer therefore returns to his first love and specialty, Disco music, staring this time at the African and Caribbean influences.

Indeed, as everywhere in the 70s and 80s, Funk and Disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, sounds like a perfect balance. Aiming to respect this energy and specific sound, Patchworks quickly began producing a few tracks, Using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and DIY effects pedals and boxes.

Surrounded by a very dynamic music scene, where there is no shortage of artists with African origins, Patchworks decided to work with local singers, even if it means to accompany them on unusual musical paths. A more than successful bet with a result surprising of authenticity, as it's unveiled by these first two titles alongside Sir Jean and Pat Kalla, both from a musical background as rich than different.

With an album planned for the end of the year, that promises to be as explosive and magnetic, Patchworks and Favorite Recordings make a strike again... Voilaaa tout (Thaaat's all)!!

Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, ''The San Francisco Sound.'' Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time, Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school's equipment: first a Putney, then an E-MU System, and finally a Serge synthesizer. He would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

We are so happy and proud to embark Ambient Noise Level on the Mfd Ship for the 5th release! A.N.L. is a project from our dear friend Daniel Sanchez, who has recently been exploring new sonic territories, fetching sounds from the deepest corners of his universe. He produced a masterpiece of an EP/mini album with seven ambient, dub infused tracks, ear candy all the way. Enjoy!

After contributing a remix for our label in 2011 Daniel Stefanik now returns to Raum with his first solo single under his new moniker DLSK. The A side - Sense of doubt' is a bit more stripped down and melodic, as the B side and also the title track of this release - Subterraneans' is more of a jazzy house groove, that simply doesn't stop rolling and keeps the tension with subtle variations and other nice little gimmicks. As always we truly hope that you enjoy these tracks as much as we do and we are happy to have Daniel back on board as for sure he can be called one of Germany's top notch producers.

London centric debut album from Floating Points with a host of guest musicians and vocalists.
the label say " Sam Shepherd spent five years putting together Elaenia, juggling the production with his DJ commitments and his now-completed PhD in neuroscience.

The album takes its inspiration from classical, jazz, electronic music, soul and Brazilian music, much of which can be heard in Shepherd's DJ sets. There's a long list of contributors, with Tom Skinner and Leo Taylor (drums), Rahel Debebe-Dessalegne and Layla Rutherford (vocals), Susumu Mukai (bass), Alex Reeve (guitar), Qian Wu and Edward Benton (violins), Matthew Kettle (viola) and Joe Zeitlin (cello) all featuring. Shepherd also provides some of the vocals.

Shepherd's influence on the album extends to the cover art: he built his own harmonograph to create Elaenia's sleeve, using fibre optic cables that were connected to light sources and responded to bass drum hits and other sounds.

Aside from a couple of early excursions on R2 Records and Planet Mu, Shepherd's solo material has come out through Eglo Records, the label he co-runs with Alex Nut. Records like Vacuum, Shepherd's breakthrough release in 2009, and 2011's Shadows, which scored a five-star review on RA, have cemented his reputation as a classy, inventive producer. On top of that he's also released music from his Floating Points Ensemble project, and produced some of Fatima's 2014 album, Yellow Memories. "

Liquid G. (Liquid Garbage) is the project of EBM stalwart Peter van Bogaert from Melsele, Belgium. In 1987, he began to record music and self-release limited cassettes on his own label Liquid Produkts. Between 1987 and 1990, Peter composed over nine albums, in addition to a split release with Vomito Negro. Liquid G. made their first vinyl appearance on the 'Expo 87' 7' compilation, courtesy of Dirk Ivens' Body Records. 'Liquidation' is the first ever vinyl compilation of Liquid G.'s cassette recordings, taking you on a journey through the underground of the Belgian Electro Industrial scene. Each song was written, produced, recorded and performed by solely by Peter between 1987-1989. Liquid G. captures the DIY synth-punk ethos of Cabaret Voltaire, The Screamers, and Nervous Gender.

_One of Detroit's most relevant names in modern techno "Terrence Dixon" joins the Modularz roster of producers with his debut EP that features both his Terrence Dixon name and his alias Population One on the same EP. Terrence Dixon submitted this EP to Modularz a couple months back and said to us that he had something special for the Modularz label - with the intention of releasing a well balanced EP with deep grooves, stripped down rawness and funky hypno rhythms we felt this would be a great addition to our catalog. We are very pleased to present this release and continue to show our range and our diversity in the techno genre.- the people at Modularz

Dark Entries is proud to release the sophomore EP from BEZIER entitled Telomeres. Bézier is the moniker of local SF musician ROBERT YANG, who also is part of the illustrious HONEY SOUNDSYSTEM crew. Telomeres is the follow up to Bézier's debut EP Ensconced, released in 2013. The title relates to themes of time, science, analytics and procedures. Bézier integrates the refrains of Spanish new wave and Italo disco with the attitude and aggression of underground styles like synth-punk and industrial. These six tracks were written, produced and mixed by Bézier at his home studio in San Francisco between 2014 and 2015, and feature the debut of his own vocals. All songs have been mixed by Mark Pistel (of Meat Beat Manifesto fame) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a jacket featuring an illustration by in-house designer Eloise Leigh riffing on early 80s computer graphics. The matted sleeve is meant to resemble the side panels of early computing instruments like Macintoshes or the Commodore 64. Each LP includes a postcard with a photograph of actual telomeres captured by a microscope camera by the Blackburn Lab at UCSF. Telomeres' are life's building blocks, changing the lengths of chromosomes to determine lifespan. This music is an investigation of a future in which time elongates as well as contracts.

Here comes the next EP on Cellaa Music, this time from fast-rising Italien producer Dhaze whose previous outings have ben on labels like Moan, Innocent, Yoruba Grooves and Draft.

Dhaze is a producer obsessed with nature and organic sounds. Young, skilled and supremely talented, Dhaze, is an artist set for great things on the international scene. Having been fully immersed in club scene of his home city, it was his love for electronic music that really took hold of him. Taking his lead from the greats, adding his own unique touches and flair and creating masterpieces from within his studio, he is readying himself for take off.

- Rolling Instructions is a track that immediately commands attention with it's rolling, rich bassline surrounded by punchy, organic drums. The effective vocal moves with the track as more drums are added to the mix through intelligent programming and it's druggy groove is set to draw in the unsuspecting. This is the peaktime Cellaa sound at its finest.

- Anubi is a typically deep and sinister affair from the pair. Featuring solid drums and pulsating basslines work together perfectly to create a dancefloor smash that makes the ambience of this track particular and personal!

- Bubble Man builds slowly with rattling percussions and subtle chord, until, it suddenly drops, rocking the dancefloor with its massive bassline. A rolling vocal loop and a jumpy haunting topline combine effortlessly to create a track that is sure to cause mass devastation on dance-floors.

The Audience is built around solid, straight up percussion, strong bassline with swelling and rushing aquatics, punchy house chords, exquisitely programmed drums and a stompy groove coalite into a rhythm that gets stuck in your veins and sizzles through your body and brain - u can dance!

The digital bonus - Noise Black is a mind-catcher that drives forwards on a prominent kick and powerful bassline and Dhaze keeping things simple and direct. Deep tech house with a funk twist welcomed at any hour on the dance floor.

Enjoy!

" Modularz returns with a new release. the return of the limited project - Dead Architect Series " Portfolio Two
focusing the entire release on Historic Architectural marvels and attempting to release tracks fueled by how they have influenced each of the producers and redistributing the energy through the language of techno.

Mindcut presents the first solo ep with no one else than London based producer Ansome.
4 heavy techno tracks with industrial influences including massive Manni Dee remix.

Early Support by: Randomer, Perc, Truss, J.Tijn, Paul Birken, Rebekah, Paul Birken, Clouds, Dave Tarrida, Kamikaze Space Programme, Myler, Wire, Interferon, Forest People. Keepsakes, Luke Creed, G-23, Axel Sohns

2x12" Vinyl + full cover artwork

One of the world's most in demand DJs and producers, Noir has been responsible for some of the most poignant - as well as explosive moments in clubland's recent history. Arguably best known for his huge dancefloor bomb 'Around', Noir now drops his debut studio album, a project that has been nearly half a decade in the making.'Around', a sexy, synthesizer-tinted groove featuring vocalist Hayze dominated dancefloors across the world for close to two years, making Noir a household name across clubland. And it's still as popular as ever - the Solomon Vox remix of 'Around' has amassed more than 12 million views on YouTube.

As well as 'Around', Noir includes further club hits 'Around feat. Hayze', 'My Fault feat. HRRSN' and current single 'Black feat. Caitlin', evidencing Noir's desire to work with a variety of vocalists to create something far 7 weightier than simply a collection of club tracks. Noir is about telling stories, boating 12 completely unique productions that chart the artist's evolution over the course of his expansive career. With many of its cuts moving away from the strict four-to-the-floor parameters of house music production, the horizons of Noir stretch way beyond the dancefloor. Taking cues from a range of artists from Depeche Mode to Kraftwerk, and Massive Attack to Timbaland - all of whom have heavily influenced Noir's aesthetic - Noir is an emotionally charged and

utterly engrossing body of work. Says Noir of working on the album: 'The album has been in the making since I started working on 'Around' back in 2010, so for me it's a body of work that spans nearly 5 years, with changes to productions, melodies and moods before I was happy with the final tracks. 'What you hear on the album is the culmination of all the music and influences I grew up and have lived with over the years: it is absolutely my identity and honestly represents my musical passions. Unlike many 'dance' albums that are little more than a collection of thrown-together club tracks, Noir combines tirelessly creative songwriting with multi-faceted production that reveals fresh delights with every listen: a timeless release from a truly singular artist.

repressed !

On Paranoia, Oliver Huntemann's prowess and versatility as a producer is evident, from the space age minimalism of 'Magnet', through to more melodic, upbeat productions such as 'The End', in which warm sounds resonate through the listener.

repressed !

Having recently joined forces with Dubfire to bring us the third instalment of their successful Elements Series, Ideal Audio boss Oliver Huntemann flies solo again on his latest double-header, Licht & Schatten. Whilst we are all aware of the Oliver's arena conquering techno credentials, his latest work finds the German producer taking his foot off gas, just a touch, and allowing the groove to dominate these tracks. The driving, pulsing and cascading bassline of Licht provides the backdrop to crisply synced, stiffly arranged hi hats and kicks, before dropping into a minimal but funky melody. On the flip, Schatten treads a similar path. The track is anchored by an industrial, mechanised kick and flash-like synth touches before swollen, acidic stabs set the pace on the drop. Both show a different but equally welcome face to Oliver's sound.

Following up from the stunning 'You Will Soon Find That Life Is Wonderful' 12' on Phonica's Special Edi- tions imprint, Sad City returns to the label with his new EP 'Introduction To Lisboa/ Sloe'.

Glasgow-based producer Gary Caruth has evolved a highly original sound; deep, lush and widescreen electronics, from melancholic to ecstatic. Sonically, he continues where his last record left off and feels like the perfect companion to that well-received debut for Phonica. The record as a whole is composed of field recordings, with the basis for the first half of the EP, 'Introduction to Lisboa,' utilising sound recorded in and around Lisbon. He explains, 'I wanted the music and field recordings to meld at times, to obscure what was conventionally the musical element and what were field recordings, blurring the line between found sound and composition in the creation of a whole other.'

Opening track 'Introduction To Lisboa' builds and builds from near silence to a cacophony of field record- ings and looped horns. It melds into 'Baixa Saxaphone', where carefully paced percussion patiently enters over a wash of synth. From then on a delicate balance of restrained percussion and spine-tingling atmos- pherics interplay before descending into a blissful outro.

As with the previous EP, the 12' is packaged in technicolour artwork by acclaimed London designer Jack Featherstone.

Belgian talent Ilario Liburni looks to the release of his debut LP, 'Travel So Far', forthcoming on his own label, Invade Records. The eight track affair comes on a double vinyl pack as well as digital form which will follow a month later and proves the man behind it to be a superb producer with plenty to say.

Combining elements of house, minimal and intricate sound design, Ilario also heads up the Cardinal label and first emerged back in 2011 on Monique Musique. Since then he has gone on to release on a number of respected imprints (including Riva Starr's Snatch! And Memoria Recordings), has had his tracks licensed to compilations including Noir's In the House album for Defected and has continued to make a big impression as a DJ around Europe.

The album kicks off with 'Travel So Far', a synthetic and stripped back groove with lots of squelchy sounds, scurrying synths and feathery percussive lines all working their way into your brain. 'Sudden' is another Ricardo Villalobos style track that is elongated, intricate and immersive as it unfolds on soft edged drums. Next up, 'Carrie' is a smooth, dubbed out affair that demonstrates plenty of restraint yet really locks you into its hypnotic groove as static hiss and crackles alongside distant synths colour the spaces left behind.

'Steampunked Sewing Machine' ups the ante a little with a hollowed out drum line rocking back and forth on its heels, and 'Can't Fool Data' starts all waify and minimalistic before getting pulled apart to the sound of whirring machines, and then it drops again; you can imagine dancefloors going wild to its hooky rhythms. 'Jenndrum' is all about the pinging drum kicks and globular toms that make for a peppery groove, 'Pherthothal' toys with a sense of abstract funk and closer 'Schwalbe' is a gloopy, gluey, druggy fusion of slurred synths, hiccupping drums and dark textures that make for involving listening.

This is a genuinely inventive album riddled with fascinating sounds,
a real attention to detail and plenty of otherworldly moods that really stick with you.

Quality Vibe presents 4 House tracks by the new Italian DJ/Producer Paolo Tocci, great work from him
and of course its Vinyl Only

Cute Heels is the solo project of Bogota´ born, experimental producer Victor Lenis. Since the early 2000's Lenis has been working on a myriad of electronic projects, including the management of the labels Black Leather Records and Romance Moderne, in his current home of Brussels. Drawing on the influences of the radical punk scene that surrounded him growing up in Columbia while nurturing his passion for synthesizers and drum machines, Lenis developed the broody, gloomy brand of electro-techno that is Cute Heels. Deemed by Juan Atkins as ''the new blood and spirit for the next step in techno music'' Cute Heels has released various digital only releases over the years, as well as his first vinyl release, an EP on Gooiland Elektro. His debut album Spiritual, rides the line between cold electro-techno and left field electronic body music. Inspired by equal parts Liaisons Dangereuses and Drexciya, Spiritual takes the listener on a journey over 8 tracks and 40 minutes of music. Listening to "Spiritual" you can see why. The songs on this full length reveal a sublime influence from Detroit techno, early Chicago house and new wave; advanced electronics for the dance floor, pumping and sophisticated. The album was recorded and mixed by Victor at Sensorium Studio in Zagreb, Croatia in November 2013. Each song has been mastered for vinyl at Fantasy Studios in Berkeley by George Horn. Each LP is packaged in a custom-made jacket by our in-house designer Eloise Leigh and incorporates the geometry of analog synthesizers and celestial rose patterns. 

If you are into techno, Svreca needs no introduction. This Spanish DJ and producer has been travelling around the world for a while and his label Semantica has earned its place amongst the best cult labels thanks to their support of the vinyl format and investment on incredible artworks. They also have one of the best artists rosters.

Oscar Mulero has released some tracks on Semantica and now it's time for Semantica's boss to release in Warm up... So we are really excited about this!

This release comes in two versions: a four-track EP and a six-track digital release with two
bonus edits by Oscar Mulero.

'Disorder' opens side A. A bleepy, repetitive exercise, with a solid kick and extra high-
frequency analogue percussions and sweeps.
Oscar Mulero's version follows as track A2, adding more pressure to the rhythm, more
atmospheres and some FM synth details, while preserving the original bleep.

The B side starts with 'Overgang'. Once again, an obsessing high-pitched sequence as the
absolute star, plus Svreca's traditionally insane high frequency noises, a concrete kick and
repetition as a formula.

OM's version of 'Overgang': more complex than the original, with 909 hats, more synth lines,
extra bleeps and a dynamic and constantly changing arrangement.

Closing the vinyl release is OM's version of 'Overgang': more complex than the original, with 909 hats, more synth lines, extra bleeps and a dynamic and constantly changing arrangement.

The digital version is completed with two extra versions of 'Overgang': by Oscar Mulero. The
first one, on a more straight techno vibe and trademark sound. The second one has a more
mental approach.

When Nicolas Duvoisin began to discover Techno for himself at the age
of 16, probably no one thought that he would now be playing at all the
major venues in Switzerland. And also on an international level he gains
more and more attention. No wonder, since the new EP 'Africa Friends'
already makes for lively sensation.
'Africa Friends' is a tribal-inspired Tech-House track with a lot of driving
elements. The remix of Yapacc however is rather a remixer typical
interpretation somewhere between funky Minimal and melodic Techno.
Another centerpiece of this EP is the remix of Quenum, who founded the
imprint 'Cadenza' along with Luciano a few years ago. As a small gimmick
Nicolas Duvoisin serves an additional groovy track called 'People Dance'.
Nicolas himself is not only a DJ and producer, but also runs his own label
'Fantastic Friends Recordings'. But Circle Music had the opportunity to
sign 'Africa Friends' and is pleased to present this EP to the world now.

For release #5, Resista welcome another new face to the family; ex-Detroit resident and seasoned techno producer North Lake, who delivers two tracks that are quite a departure from the label's recent output. Starting life as a cacophony of string chords, 'Journey To The Centre of the Sun' gradually appears from this hazy mist, slowly picking up pace and blossoming into a cinematic, house-not-house epic and gently working its way around repeated 'to the centre' chants.
On the flip 'Insomnia' is the complete antithesis to it's a-side counterpart from the off. Opting for a dancefloor friendly tempo, North Lake crafts a moody and bass-heavy symphony of organic loops, subtle percussive samples, that will pull you in for the entire six and a half minutes.

co-produced by wighnomy brothers und dehlia finally repressed

after midi010 the label will now also spotlight on their outstanding artists - starting with the probably best techno-producer in town: fin phranklin !!! his debut solo-ep ranges from rampaging off-beat techno like t.raumschmiere to some more electronic easy-listening vocoder techno - just a pure pleasure to listen to

co-produced by david duriez !!!

OG 2002 12”s, Produced by Seamus Haji for Big Bang Theory Productions and Eric Kupper courtesy of Hysteria Productions. Seamus Haji and Eric Kupper do no wrong with this track based around a winning sample from Love Committee's 'Just As Long As I Got You'.