Bobbyy is a producer, drummer, and DJ based in Los Angeles. Known for his work with Seattle bands sunking and High Pulp, 2024 sees Bobbyy stepping out as a solo artist, working with the likes of Pink Siifu, Hi Tech, Blvck Svm, and more. Bobbyy’s debut album ‘Buckets’ is an homage to his deep love and understanding of music history, incorporating elements of Chicago House a la Larry Heard, alongside raw, sample-based production reminiscent of Madlib or Daedelus, all the while basking in 808’s.
We are excited to announce the release of "Nocturnal", the latest album from Basic Need, the collaborative project of electronic music veterans Alexi Delano and Pablo Sánchez. The 10-track album was recorded between Alexi’s studio in Stockholm and Pablo’s studio in Barcelona, with their signature blend of deep techno, immersive soundscapes and jazz improv approach.
With over three decades in the electronic music scene, Alexi Delano, a driving force in Sweden's electronic music scene, is known for his balance of minimalism, deep house and dark techno. Pablo Sánchez, one of Venezuela's top electronic music exports, has captivated global audiences with his versatile approach to music, combining dancefloor energy with left of field elements.
Together, they continue their artistic partnership under Basic Need, after several EP releases on Culprit, Hafendisko and Seven Villas Records among other labels.
Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....
Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.
This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!
LOUIE VEGA RE-IGNITES THE DISCO CLASSIC 'DANCE (DISCO HEAT)' BY SYLVESTER
Grammy awarding winning producer & 5 time Grammy nominated Louie Vega continues to send dance floors into a peak hour frenzy with his remixes of disco classics on Nervous Records. The inspiration to delve into masters from this era began when he started remixing masters from the SAM Records catalogue, which is owned by Nervous Records, and with whom Louie has a long history going back to Nervous' early 90's origins. Louie is that unique producer who has had success in multiple genres of music including House, R&B, & Freestyle and he has brought that talent to help re-ignite New York disco classics like Vicky D's "This Beat Is Mine" and Convertion's "Let's Do It" featuring Leroy Burgess, as well as charting topping disco hits from John Davis & The Monster Orchestra "Bourgie Bourgie" & "Up Jumped The Devil".
This time, Louie put his focus on a track outside of the SAM Records catalogue, and one that was an international disco hit that also crossed over to becoming a 1978 pop hit, namely Sylvester / Dance (Disco Heat). Using elements from the 1978 version and combining them with his own original musical and percussion contributions, along with new vocal performances from renowned singer Cindy Mizelle, Louie has refashioned and reignited this 39 year-old production into a 2018 club anthem.
This past year has seen Louie continue to fortify his position as one of the industry's most prolific producers. Remixes from his Grammy - nominated best dance album "Louie Vega Starring...XXVIII' have consistently sold out on its vinyl release and hit number 1 on charts on multiple digital platforms. 2018 will see collaborations with Kenny Dope under their legendary and world-renowned Masters At Work and Kenlou monikers, as well as co-productions with The Martinez Brothers and Joseph Capriati.
Louie along with Anané Vega recently created one of the summer's premier club destination at their Ibiza summer residency The Ritual with Anané & Louie Vega at Heart. He continues to cross the globe from Europe to South Africa to Asia and back as one of the world's most sought after DJ's, and incredibly is able to maintain a weekly radio show on WBLS for the last 8 years and his NYC residency at Cielo under The Roots NYC moniker for over 13 years.
Super Flu has crafted a unique and special track with a fresh reinterpretation of Cher’s legendary Grammy Award winning song “Believe.” Infusing raw electronic beats and atmospheric soundscapes, this track reimagines the classic in a way that resonates with the burgeoning underground dance community, but at the same time retains the essential melodic elements of the tune that gave it such universal appeal. Experience the haunting allure and hypnotic rhythms that only Super Flu can deliver, redefining a timeless anthem for the next generation of listeners.
Early support from Keinemusik, Black Coffee, LP Giobbi, Blondish, Desiree, Adam Ten and more
Marhu is set to make her debut on Electric Ballroom with a captivating two-track EP slated for release on May 24th, 2024. Inspired by the iconic Opera monument in her hometown of Brussels the lead track "La Monnaie" is a compelling blend of bittersweet melodies, intricate orchestral elements, epic violins and choirs intertwine with massive rave synth and acid undertones, creating a sense of powerful grandeur and drama. Marhu's fusion of classical and electronic influences brings a fresh perspective to the genre, captivating listeners with her creative ingenuity from start to finish. Reflecting on her debut release, the artist from Belgium expresses her excitement about joining Thomas Schumacher's esteemed label, Electric Ballroom: "La Monnaie" has been a standout feature in my recent sets, showcasing my ability to craft immersive musical journeys that resonate with my audience” Known for her infectious positivity and high-energy performances, Marhu's mission is to connect with her audience and take them on musical journey. We are thrilled to welcome this uber talent to the EBM family.
Mike Inzinger trades with a wide array of sounds, intersecting Ambient, Techno, Electro, House and Acid elements.
The upcoming 4-track EP "Final Report" nods to Netherlands' west coast electro bents, varying from surreal 808-driven groovy acidic realms to immersive atmospheric, spaced-out pads and repetitive percussive wanders.
Flipping rhythms from Guadeloupe, Cuba, Senegal and Puerto Rico, Time Capsule founder Kay Suzuki releases an acid-soaked collection of remixes that transcends time and space.
From the blacked-out basement of Plastic People to the psychedelic dancefloor of Beauty and the Beat, Kay Suzuki’s musical world has been shaped by some of London’s most iconic sound systems. High quality audio, he says, can open portals to new universes. Rhythm is time made plastic and beauty is the space between the beats.
Spanning over fifteen years of music from the prolific DJ, producer, Time Capsule label boss and one time Brilliant Corners sushi chef, this collection of remixes is the logical conclusion of Kay Suzuki’s musical thinking. Drawn to unique percussive or syncopated rhythms, he describes remixes as conversations between the original artist’s sense of time and his own. Weaving broken beat, house and dub influences into rhythms from across the Black Atlantic, these four tracks find each other kinship on the dance floor.
The A-side begins with a dubbed-out rework of the Gwoka celebration rhythm ‘A Ka Titine’ by Guadeloupe’s Gaoulé Mizik that was originally released by Beauty and the Beat in 2022. Layering electronic flares, dub sirens and space echo reverb across the shuffling toumblak beat, Suzuki leans into the track’s creole heritage, turning the track into a sought-after dancefloor jam, played by everyone from Colleen Cosmo Murphy and John Gomez to Yu-Su and Bradley Zero.
Skipping to Puerto Rico, Broki’s ‘Es Que Lo Es’ emerged from a collaboration between Bugz in the Attic’s Afronaut and Seiji and local musicians. Here Suzuki reworks the Afro-Latin percussion into a subtle bruk, conjuring a third space between London and San Juan that remains both of and outside the era in which it was made.
Blackbush Orchestra’s ‘Sortez, Les Filles!’ opens the B-side, taking apart the original and kneading the Senegalese percussion into a chugging Balearic house track, buoyant and full of life. Also first released by Beauty and the Beat, the track features new synth and structural elements that bring out the innate dancefloor potential beneath the surface of the original.
The final track on the collection heads back to the Caribbean and the island of Cuba, where Sunlightsquare a.k.a. Claudio Passavanti worked with vocalist Rene Alvarez and expert in Afro-Cuban percussion, Giovanni Imparato, on ‘Oyelo’. Here, Suzuki strips out the kick completely, leaving an implied rhythm which he calls an “imaginary four-to-the-floor” - a groove that is felt rather than heard, leaving the listener floating in another universe entirely.
Opposing rising colder days but in line with greyed-out skies, Metamorphism EP by Swedish producer Dold pays tribute to nature's brutal, subterranean forces where winter solstice causes the world to look paused and asleep.
Four uncompromising tracks that emerge from minimalistic elements to genuine narration full of drive and energy, showcasing Dold's unique, dynamic handwriting in composition once again. T3R014 finds us at the right time and place where blackbirds and north winds take control, reminding us that heat and fire will always exist deep below us.
Limited edition Red Vinyl Repress of the massive ‘Les Dance’
The original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.
Needless to say JCG has taken the finest elements of the track and reworked them to bring joy to any serious dancefloor, moonlit or otherwise. Funky tribal percussion, dramatic synths and echoes add depth and modernity to the sound and vision of the original and of course that all-important instantly recognisable bass stab is stronger than ever. Flip for a stripped up, not down, dub and the result is a superb record that will be played far more than just for one day.
Trees Speak are releasing their new album TimeFold worldwide on 15 Nov 24 on Soul Jazz Records.
Trees Speak return with TimeFold, their sixth release on Soul Jazz Records, further expanding their ever-evolving sonic universe. This new album builds on their signature blend of hypnotic krautrock rhythms, post-punk angularity, and experimental soundscapes while venturing into new terrain by blending influences from avant-garde electronics to ceremonial sound forms.
On TimeFold, Trees Speak (comprised of the Tucson-based duo Damian Diaz and Daniel Martin Diaz) push their musical boundaries from expansive, intergalactic landscapes to eerie, imagined 1970s Italian and French sci-fi horror film scores. The album seamlessly weaves John Carpenter-esque synthesizer motifs with ambient sound sculptures, conjuring immersive worlds that are both cinematic and otherworldly.
The album also incorporates the duo’s deep-rooted influences, which span across electronic pioneers like Jean-Michel Jarre (Oxygene), Tangerine Dream, and Karlheinz Stockhausen. Drawing on the revolutionary techniques of Musique Concrète, TimeFold features experimental track splicing, looping, and collage work that harkens back to the golden age of avant-garde music. At times, the album channels the ceremonial tones and hypnotic rhythms reminiscent of early 1970s krautrock, fusing these sounds with organic instrumentation like dulcimers, adding an earthy, drone-like ritual quality to the experimental electronic framework.
A new element in this release is the inclusion of spoken word by Ashley Christine Edwards, which lends the album a haunting, apocalyptic edge. Her contributions evoke a tone reminiscent of the 1970s avant-garde scene, recalling literary and conceptual artists like Ruth White. The spoken words create a sensory experience akin to ceremonial chants, adding to the atmospheric intensity of the album. These vocal elements tie into the overall theme of TimeFold, which continues Trees Speak’s exploration of futuristic technologies and the communication of nature, with the evocative concept of trees and plants acting as organic hard drives storing data and knowledge.
Drawing further influence from Italian and French horror cinema, Trees Speak explore cinematic tension throughout TimeFold, creating a layered listening experience. The record transports the listener from the haunting, desolate beauty of Southwestern desert vast landscapes to an auditory space that melds early electronic experimentation with the contemporary urgency of conceptual art.
Since their debut Ohms in 2020, Trees Speak’s prolific output on Soul Jazz Records has continually redefined genre boundaries. TimeFold solidifies their position as visionaries in experimental music, offering an album that is as much a meditation on future technologies as it is a tribute to the avant-garde traditions that have come before.
Modeight presents a captivating 4 tracker from the talented DJ and producer Valeria Croft, based in Helsinki. With a unique blend of jazz elements, house, and minimalism, Valeria effortlessly bridges these genres and brings them to the dance culture.
The EP opens with Kaksi, a low slung, slow burning groove that glides with effortless grace, featuring meandering atmospheric tones that induce a positively out of body feeling. Next is Mad Mood, a rhythmically fluid roller, peppered with a cyclical hypnotic sequence and shimmering vocals.
Pretty Inspiration showcases a deep, sub sonic wiggle, carving out a sophisticated and immensely enjoyable sonic journey. The EP wraps up with Viisi, a track that concludes with a graceful afterhours groove.
In this emphatic release, Valeria Croft brings the heat, making it a perfect fit for Modeight.
Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
With autumn around the corner, Shiffer is back on Innervisions. His latest EP seamlessly bridges peak-time club anthems and home listening experiences with a softer touch. The lead track, "We Care," highlights his ability to blend emotionally charged sounds with functional elements, driven by the vocals of Berlin’s Paul Brenning. Already featured in Dixon’s recent Cercle set, as well as a couple of other special opportunities, this track is a breath of fresh air and a standout collaboration that sets the tone for the EP. "La Libertad" captures an unmistakable vibe, blending the samples and synthesizer elements with a little bit of dust into a distinctive tool. Known from sets by Kristian and Trikk, "Tasting Darkness" lives up to its name, serving as a true dancefloor powerhouse. The EP concludes with an acoustic rendition of "We Care," gently highlighting Paul’s vocals as the storm slows down. Enjoy
ADE is just around the corner which means it’s time for the annual Vega Records 5 Pack Unreleased limited vinyl release.
Unreleased V is ready for you to play at your vinyl parties with a lineup of super talented individuals including Bebe Winans, Msaki, NV, Funki Cadets, Axel Tosca, Boddhi Satva, Tommy Bones, Johnny Dangerous, Dj Erv, Natasha Watts, Mobi Dixon, and Josh Milan. This year we hit you with 18 Unreleased tracks, special versions, dubs, and more for your dance floors and house parties. With 5 new reworks by Dj Erv to new young talent NV, to seasoned songwriter and genius talented artist Msaki, to the incomparable Bebe Winans, to Brooklyn producer Tommy Bones, to the maestro on keyboards Axel Tosca and more, this 5 pack brings you around the world within 18 tracks from Brazil to Africa to Cuba and back to New York City ! The pressing is pristine mastered by Herb “Pump” Powers and vinyl manufactured at Optimal Germany assuring you top quality excellence! This is a limited edition so get yours asap before they sell out! Available soon at a record store near you!
Juan Ramos is back on BLESSYOU for another round of club specialised tracks. Starting off at a solid 126BPM on the A side, "D2" comes in with a threatening drive bound to cause ruckus on the floor, tripped out vocals used in percussive manner, gung ho drum samples intertwined with a very motivated bass line. "D3" takes a less synthetic turn with the presence of strings and congas juxtaposed with euphoric female vocals. "Collide" slows down and dives into more industrial sounds but could also very well be the background soundtrack to a leather daddy belly dancing instructional video. Overall a pieced up melange of precisely placed elements, reflections of his deepened experiences on Berlin club floors over the last decade, an effortless display of his studio prowess is well at work. No regrets. Mixed by his "Green Vision" project partner in crime, Trent.
Francesco Farfa's timeless club EP "Learn To Fly" freshly remixed 3 decades after its original release in 1991 by 4 of Berlin's finest DJs and producers. A generous arsenal to choose from in terms of dance floor tools, from DJs, for DJs, equipping the record bag with something for a wide range of occasions, can't go wrong. A-side descends into big room darkness with Trent's re-interpretation, effectively complimented with Juan Ramos' bulging trancey approach playfully collaging elements from multiple tracks in the original EP. B-side goes in more ravey/progressive directions with an elevating elucidation by E-talking while Hamsa produces a more stripped down enhancement to the original theme.
Adam Beyer continues to push techno’s boundaries with diverse elements while staying true to the beat, with his new EP ‘Don’t Go’.
Picking up where he left off with previous acclaimed solo EP ‘Ghost Kiss’ and his recent knockout debut Vintage Culture collaboration, the Swedish producer and Drumcode label boss delivers a two tracker of epic proportions, marked by a creative use of vocal samples and vocal processing, creating an extra layer of rampant power which can be both spacey and machine-like, yet organically human.
"Brothers In Arms" by Juan Dairecshion & Martin Vora
The new record label Mental Disorder, founded by Martin Vora (co- founder of Novi Orbis), makes its debut with the EP "Brothers in Arms", a collaboration between Juan Dairecshion (Montevideo Electric Recordings, SOEN and Osmosis Records) and Martin Vora.
This release offers a blend of tech house with elements of techno.
The EP opens with "Más de lo Mismo", a track designed for the closing of a DJ set. It combines passages of breaks and vocals, providing an emotional and memorable finish.
"Alma de Club" introduces a dystopian techno atmosphere. Acid sounds and deep basses create an immersive atmosphere, complemented by percussions that reflect the Uruguayan sound.
"Aux2" continues with acid rhythms and forceful percussions, offering a sonic journey that captures the energy of contemporary techno.
Finally, "Bienvenidos al Nuevo Mundo" closes the EP with a mix of dystopian techno and tech house, presenting dark and futuristic soundscapes.
"Brothers in Arms" showcases the creativity of Juan Dairecshion and Martin Vora, celebrating their roots in Montevideo while bringing a new perspective to the global tech house scene.
ncoming for the second release on House Music label Ascension on Wax, AoW's co-founder Lavan is dropping his 'For The Love EP.' This raw, authentic, party-ready release is arguably his best to date and pushes the purity of the old-school house music sound, whilst bringing it into the present. Lavans notorious usage of MPC sampling and borrowed synthesisers is flowing throughout the release alongside gorgeous jazz elements. Hydro-trip specialist Black Eyes closes the EP with a subterranean, downtempo roller of a remix which gives a nod to the iconic Detroit sound championed by the late Mike Huckaby amongst many others.
'For The Love EP' follows Lavan's 'It's Happening EP' on SlothBoogie released earlier in 2024 and his feature in DJ Mag's emerging artists section. This is a gentleman who is proving his dedication to his craft.
Misto Kay is a rising artist/producer from Amsterdam aiming to combine jazz elements and electronics into a sonic listening pleasure. His first appearances were on the Super-Sonic Jazz compilation and on Mo Wrights' 'things2proof' EP with a feature and a remix. Being a multi-instrumentalist, with a focus on jazz piano, you will find playful and melodic elements join forces with surprising rhythms in his music. His broad musical interest is clearly expressed in his productions, given that they can vary heavily in mood, tempo, and genre. House, broken beat are at the core of this debut solo release, but soulful hip-hop grooves are present as well.
We're back with another heavy release for the soundsystems.
This time we welcome Boomarm Nations own Gulls to the label.
Hailing from his dojo in Portland, Oregon, Gulls delivers us a
meditative dub hybrid, combining elements of dub, hip hop and contemporary electronica. The tune is called ''So Blessed'' and is topped by the fine voice of Wayne Daniel outta Kingston, Jamaica.
''So Blessed'' got exactly the vibe you'll need in this challenging time. Keep your head up, feel gifted for what you've got and give something back to the people around you. This tune's backing you up.
If that wasn't enough, the Portland rapper Madgesdiq steps pon the mic for some blazin' bars in his signature conscious style.
Get lost in this wicked production while heading right into the dub version to exceed the border between music and meditation.
To feel the sound through your body and soul, LXC lifted the frequencies again.
Prepare to embark on an immersive sonic journey with Rites of Passage, the self titled debut album from the enigmatic duo Atiq and dreadmaul.
Released on vinyl and digital, this album delivers an overwhelming and hypnotic interpretation of the age-old concept of transformation and initiation.
With each track, the listener is invited to delve deep into an otherworldly soundscape where mysticism and archaic rituals blend seamlessly with the pulse of modern electronic music.
Crafted with meticulous attention to detail, Rites of Passage transports you to a pre civilization era, incorporating organic elements like bone flutes, haunting throat singing, and shamanic invocations.
These sounds are woven into the fabric of intricate electronic arrangements, creating a unique atmosphere that feels timeless yet contemporary a delicate balance between the ancient and the modern.
This concept album is not just a collection of tracks its an experience, a ceremonial rite that transcends the listener from one state of mind to another.
The vinyl format, with its warmth and physicality, only heightens the immersion, making it an essential addition for collectors and audiophiles alike.
Whether youre a fan of experimental music or simply seeking something transformative, Rites of Passage delivers an unforgettable journey through sound.
A ritual in itself, this album truly earns its name.
Dont miss your chance to own a piece of this alchemy Rites of Passage on vinyl is a musthave for those ready to enter a new sonic dimension.
As the tenth candle flickers atop the torta alla panna, Archeo Recordings play the Uno reverse card, breaking with tradition to give us a gift in celebration of its birthday: the first in a series of exquisite EPs on which the label's favourite contemporaries pay homage to past masters. Each re-polished gem is plucked either directly from the beatific back catalogue of the fine Florentine label or is at least Archeo-adjacent, perhaps a sign of future wonders to come. Like a musical version of Janus, who can be found at the heart of Bertoldo di Giovanni's frieze in the Medici villa, Archeo Recordings will continue to look forwards and backwards to provide sublime sounds for us all.
Pepe Maina officially joined the Archeo family in 2019 with the much-needed reissue of his 1979 masterpiece Scerizza (AR015), but his astounding music has been a constant companion to label head Manu for much longer. An inter-dimensional, multi-instrumental maverick, Maina weaves the frayed edges of prog rock, new age, organic jazz and global minimalism into a shimmering tapestry all of his own. The results are spread across fifty years and almost as many albums, largely self-released and always absolutely untarnished by commercial concerns.
Based in a small village in the hills of Brianza, just north of Milan, Maina translates the beauty of his surroundings into transformative tone poems, and the folkloric fusion of "The Infinite", originally released on his 2014 CD Tales From The Hill, is the perfect example of his practice. It opens with a recitation of Giacomo Leopardi's 1825s poem "L'Infinito" by famed Italian actor Vittorio Gassman. A leading figure in the romantic movement, Leopardi explores the idea of time and space within the natural world, and the peace that comes with an appreciation of the immensity of eternity. Manu, longtime digger and now a burgeoning producer, expands upon the original with tribal percussion, chirping electronics and a spheric bassline, folding Maina's elegant strings and gossamer pads into a new arrangement suited for a slow dance under the stars.
Unless you had a well-trained ear tuned to Italy's avant-jazz scene, chances are your first encounter with innovative flautist Roberto Aglieri came via the 2017 Archeo reissue of hisalmost untraceable LP Ragapadani (AR011). It's a true testament to Manu's digging credentials that he snatched this masterpiece out of the esoteric atmosphere and brought it attention it so richly deserved. A delicate union of digital synthesis and versatile flute - be it soft and silvery or
brilliant and clear - the 1987 album was a shapeshifting masterpiece, replaying scenes from Virgil, Verdi, Visconti and Pasolini with a neon glow. Quintessentially Italian, but uncanny and previously unimagined - Penthouse and Portico perhaps. Powered by a percolating prototechno sequence, cascading keys, hallucinogenic vocal snippets and a variety of tonal timbres from Roberto's reed, "Danza N. 1" long deserved the praise reserved for Jean-Luc Ponty's pinnacle, so many thanks to Manu for our collective introduction. The tall task of reinterpreting this particular paragon falls to Perugian polymath Daniele Tomassini AKA Feel Fly, whose peerless skills as both producer and musician have delighted DJs and dancers alike. Hot on the heels of his diverse and definitive remixes of Tony Esposito for AR027, Daniele delivers a radical rework of "Danza N. 1" perfect for both day rave sunshine and full moon party alike. Enhanced by snapping breaks and a rattling kick, the bassline gurgle emerges as a progressive powerhouse, laying the foundation for the trilling flute and circular keys to cast a psychedelic spell. As the slow-Goa revival picks up pace, this one is way ahead of the pack.
Archeo take us all the way back to the start of its story here - well almost. Though it bore the stamp AR001 (2015), this Radio Band reissue actually hit shelves months after Tony Esposito's "Je-Na' / Pagaia"; a false start perhaps but a true classic all the same. Radio Band were a group of DJs from Florence who all sailed the airways of Radio Fantasy in 1984 and whose one and only release was this super groovy slice of Italo-boogie. Following the example of Milanese DJs Band of Jocks but far surpassing their formulaic funk fizzle, Radio Band employed an intergalactic bassline, cosmic keys and that undeniably Italian style of rapping to deliver a sophisticated party-starter which even found its way to disco deity Ron Hardy. Back to the here and now, and if you've found yourself pumping an ecstatic fist to a supercharged Italian epic of late, chances are its from the mind of the mysterious Radiomarc. Operating on the ascendent Popcorn Groove imprint, this shadowy figure steers his country's lost classics into peaktime territories, finding a sweet spot between late Italo-disco, early Italo-house and contemporary cool. Pushing the tempo with a club-ready 4/4, setting the sequencer to stun and supplementing the original melodies with a series of synth riffs, the mystery producer send this one into orbit. Radio Band - Radio Rap - Radiomarc, the circle is complete.
Few have done more to develop cross-cultural musical exchange than Futuro Antico. A collaborative venture from musician, archeologist and ethnomusicologist Walter Maioli, keyboardist and tonal theoretician Riccardo Sinigaglia and multi-disciplinary artist and composer Gabin Dabiré, Futuro Antico formed in Milan in 1979, combining ancient international folkloric traditions with otherworldly electronics. The result is an arresting melange of Mediterranean, African and Asian instrumentation, mimicked by esoteric synth tones and hypnotic minimalism, which the group perfected on their acclaimed 1990 LP Dai Primitivi All'Elettronica. The meditative and transportive "Pan Tuning" belongs to their largely overlooked 2005 CD only release Intonazioni Archetipe, and has been amongst Manu's most loved tracks from the first moment he heard it. Who else is better placed to reshape this evocative opus into an immersive, transcendental dance floor journey than label favourites Mushrooms Project? The duo sows the original elements into a sprawling fifteen minute fusion of séance and science, at times propulsive with a ritualist rhythm of tuned percussion and crunching drum machine at others drifting off into ethereal ambience. Mushrooms Project continue to push the boundaries of the Afro-cosmic style, and this remix marks a new zenith.
Leo Gibbon debuts his first solo release, as the first release on his own Mudline label with Happy Lovers, a four-track EP that immerses listeners in a sonically rich exploration of love’s complexities. Weaving a tapestry of sounds that seamlessly blends deep cuts, hard-hitting drums, and weighty low ends, creating an engaging landscape for both dancefloor enthusiasts and reflective souls alike.
From the opening track, you can feel the infectious rhythms that draw on a diverse range of influences. Glitchy house elements flirt with the raw essence of street soul, while nods to 140 UK rollers add an irresistible pulse. Each track unfolds like a chapter in a modern love story, capturing the tumult of falling in and out of love, all while maintaining a groove that keeps the crowd moving.
The EP’s production shines, showcasing a meticulous attention to detail. He masterfully balances emotional depth with dancefloor energy, making Happy Lovers not just a collection of tracks, but a coherent narrative that resonates on multiple levels. Whether you’re seeking introspection or an escape into sound, This Mudline debut offers the perfect backdrop.
In Happy Lovers, Leo Gibbon has established a strong foundation for his musical journey, inviting listeners to experience the highs and lows of love through an expertly crafted sonic lens. This is a compelling start for both the artist and his new label, one that promises exciting avenues to explore in the future.
Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.
Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.
Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.
Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.
Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.
A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.
New label Ché Wax launches with a double header: Buzz / Raga.
‘Love Buzz’, originally released in 1969 on Shocking Blue's At Home, gained fame when Nirvana covered it as their debut single nearly 20 years later. The Ché Wax rework enhances its psychedelic drama with acid disco elements, making it a dance floor staple 55 years on.
On the flip, RAGA: In 1982, Indian musician Charanjit Singh fused traditional ragas with Roland TR303-driven disco in Ten Ragas To A Disco Beat, recognized as a precursor to acid house, predating Phuture’s Acid Tracks.
Ché Wax reimagines Ten Ragas with an electro beat inspired by early ‘80s New York music, bringing this hybrid version to vinyl for the first time.
Musician and Zoitrax record label owner ZOiD, also known as Daniel Jacobson, announces the release of his sixth album, ZOiD Vs Musicians Vol 2.
Featuring thirteen tracks digitally, seven of which will be released on a 12” purple marbled translucent vinyl album distributed by Rubadub, ZOiD Vs Musicians Vol 2 will be available in record shops and on all streaming services and Bandcamp starting Friday, 22 November 2024.
ZOiD Vs Musicians Vol 2 is an electronic music album showcasing ZOiD's global collaborations with jazz musicians, creating a unique form of electronic jazz. Notably, his work with jazz drummer and brother Matthew Jacobson shines on the first single “Fit In Tree” debuting on September 13. Building on this momentum, the second single, "Module Bone, " featuring jazz trombonist Colm O'Hara, will be released on September 27, followed by the third single, "ZVSW, " featuring saxophonist Steve Welsh, on October 11. A special REMIX EP by Kirk De Giorgio, Sunken Foal, Americhord, and TR-One will be out on October 25.
Expanding the album's diverse sound, ZOiD collaborated with Dublin vocalist, composer, and jazz improvisation specialist Jenna Harris on “ZVJH” and with Niwel Tsumbu, a Cork-based Congolese guitaristwho tours with Rhiannon Giddens on “ZVNT.”
ZOiD Vs Musicians Vol 2 is further enriched by the talents of Shane O’Donovan (H-Ci), who combines electronic and jazz elements, Australian saxophonist Daniel Rorke, US-based free improviser Catherine Sikora, Galwegian multi-instrumentalist Matthew Berrill, Dublin saxophonist Matthew Halpin (flute), and trumpeter Bill Blackmore, a key figure in Dublin's jazz scene.
ZOiD released his debut album, ZOiD Vs The Jazz Musicians of Ireland Vol. 1, in 2007. Production of ZOiD Vs Musicians Vol 2 began soon after, taking nearly 17 years. For Vol. 2, some musicians recorded their parts independently, while others recorded in Arad Studio with Les Keye and ZOiD's Dublin studio.
The album artwork is by New York-based artist Shane Ingersoll. The front cover displays black-and- white illustrations of Dublin in the year 2116, a city at war centred around a bold purple "ZOiD" logo, with the title "ZOiD Vs Musicians Vol 2" on the upper left. On the back cover is a 12-panel comic book story (originally written by ZOiD using stick figures) and a glowing robotic hand.
After a terrific first release by AlleyOP aka Atree & Hagel, Tutto Bene welcomes Christopher Lawrenz for the imprint's second release. "Double Tree EP" features three original works by Christopher and a remix by seasoned veterans and Berlin underground sound wizards Foehn & Jerome. The result is a package of funk-infused dancefloor-ready tunes that nicely follow up Tutto Bene's debut while further expanding its vision.
Double Tree EP kicks off with "Double Tree" (A1), a minimal, groove-focused track laced with dub elements and a quirky tech-house edge. Shifting basslines, off-kilter percussion, and playful vocal samples create a lively vibe, perfect for peak-hour energy. Foehn & Jerome’s remix (A2) reimagines the track as a deep house groover, with smooth, sophisticated melodies layered over an understated bassline, adding both depth and elegance. On the B-side, "Tutto Bene" (B1) delves into more experimental territory with syncopated rhythms and robotic textures, combining off-beat percussion and modulated sounds for a distinctive, driving rhythm. "Quarantäne" B2 rounds off the EP with its warm, organic feel, layering deep melodies and gentle vocal samples for a lush, deeply hypnotic track perfectly suited for the early morning sets.
With Double Tree EP, Christopher Lawrenz showcases his versatility as a producer, delivering a set of tracks that range from peak-hour energy to chilled, introspective vibes. Tutto Bene's second release reaffirms its commitment to fresh, underground sounds.
Underground house heavyweight **Enzo Siragusa** is back with a fresh offering, his highly anticipated new EP *Odyssey*, set to drop on **fabric Originals** this month. This marks another standout release for Siragusa, coming hot on the heels of his recent contribution, "Last E," to the *fabric Selects V* compilation, which landed earlier in October.
*Odyssey* features three meticulously crafted tracks that showcase Siragusa’s signature fusion of classic rave elements, deep grooves, and stripped-back house aesthetics. The title track "Odyssey" is a masterclass in his deep production style, while "95 Variant" leans into the artists UK influences. Perhaps the standout cut is "Listen," a nod to the golden era of speed garage, effortlessly blending bass-driven energy with Siragusa’s refined touch.
The EP is a natural evolution of Siragusa’s sound, one that continues to command respect across the underground scene. Known for his ability to channel a range of UK rave influences while remaining firmly forward-thinking, Siragusa’s work is consistently pushing the boundaries of what modern house music can achieve.
In support of the release, Siragusa will be returning to fabric with Enzo Siragusa Invites, where he’ll take control of the decks alongside a curated selection of top-tier talent. The event is set to be a fitting celebration of the new EP and promises to be an essential date in the London clubbing calendar.
Drumcode welcomes another debutant to the label, as Metodi Hristov unveils his stunning ‘Build to Destroy’ EP. The Bulgarian DJ/producer has been building a solid body of work stretching back a decade, releasing quality drops on labels including Terminal M, Octopus and Filth on Acid, meaning he’s long been on Adam Beyer’s radar. Drumcode, in turn, has always been a goal label for Hristov to release on. He explains: 'I’ve always wanted to release on Drumcode, but it was not a fixed plan till October last year when I fully embraced the idea and nailed it with my heart and mind. I ended up in a long three-month studio session from which I extracted some of the best productions I’ve made in my career.' He wasn’t wrong. The EP leads with ‘Flatline’, a straight up sexy techno track with bags of groove and charisma, driven by dreamy synth lines and an arresting vocal, while balancing silky and punchy elements with a deft ease. ‘Build to Destroy’ is a bulldozing beauty that fires out of the starting blocks with plenty of low-end energy, before moving into a succession of atmosphere-laden bass stabs and effects of varying rhythms and intensity. It’s a dynamic cut that piques interest to the end and a very solid addition to the Drumcode discography.
"NO" marks the final chapter of Susobrino's four-part album, serving as a homage to the rich tapestry of traditional Latin American music. From Pacific shores of Tumaco, Colombia, to the mountains of Ecuador and Bolivia. In a nostalgic nod to his artistic roots, Susobrino incorporates elements reminiscent of his earliest releases, creating a bridge between his past and present musical identities. The album is further enriched with talented artists such as Bejuco, Jatun Mama, and Lander Gyselinck, each bringing their unique flair to the project. Susobrino crafts a finale that not only celebrates the traditional sounds of Latin America but also pushes the boundaries of contemporary music fusion.
The enigmatic Ukrainian label Jerelo presents a 4-track vinyl-only EP by the talented Greek producer Cirkel Square. Each track on the release is like an antique sculpture — exquisite, graceful, and made with attention to every small detail. This comparison is not accidental, as Cirkel Square dedicated each of the four “sinister harmonies” to one of the gods of ancient Greek mythology. The opening track, “Kronos Reckoning”, with its new-age melodies bristling with pathos, carries the spirit of the greatness of the age of Titans, frozen between the dense bricks of a micro-house beat. “Hades Symphony” and "Persephone's Whisper" are inspired by existential reflections, while “Ares Beat” surprises with an inventive pseudo-acid drop.
The Malevolent Harmonies EP features tracks perfect for the dance floor, especially when played on a high-quality PA system. Despite each track's unique style, the EP as a whole is surprisingly cohesive. Just as the mentioned gods in the EP are related to each other, the
tracks share common elements, showcasing the high skill level of the rodub / rominimal producer from Stockholm.
Patrice Bäumel makes his most welcome return to Kompakt’s Speicher series and it’s exactly as compelling as you expect it to be. “Luce” is a slenderly pumping piece of minimal soul featuring the otherworldly voice of Chiara Gamo. Once more, Patrice masterfully demonstrates how little elements he needs to create suspense, density and warmth on the floor. “The Cave” follows the same mantra, sucking us into a mystique stalactite cave full of echoing droplets and enchanting whispers. We follow him blindly.
Patrice Bäumel’s höchst willkommene Rückkehr zu unserer Speicher Reihe ist genauso fesselnd, wie man es erwartet. „Luce“ ist ein schlankes, pumpendes Stück Minimal Soul mit der entrückten Stimme von Chiara Gamo. Einmal mehr beweist Patrice meisterhaft, wie wenig Elemente er benötigt, um Spannung, Dichte und Wärme auf dem Floor zu erzeugen. „The Cave“ folgt demselben Mantra und zieht uns in eine geheimnisvolle Tropfsteinhöhle voller widerhallender Tropfen und verzaubendem Geflüster. Wir folgen ihm gerne.
Codex is a name many might not yet be familiar with, but I suspect that is something that is about to change. This EP demonstrates a knack for timeless work, with an array of perfectly executed and technically superior jungle tracks, all of which feature strong musical elements and beautifully layers sound design. Excellent stuff!
Rzee Jackson, also known by his stage names Esso Jaxxon and Castro Pink, has been a transformative figure in the reggae music scene, both in Jamaica and Canada. Originally from Clarendon, Jamaica, Jackson's musical journey began in earnest when he moved to Canada in 1975 after a cultural exchange program in the United States. Toronto's reggae scene was vibrant with legendary figure such as Jackie Mittoo of Studio One fame, and Rzee Jackson was at the forefront, contributing to the city's unique Jamaican vibes.
Leroy Sibbles, the lead singer of The Heptones, recognized Jackson's talent and brought him into the Ital Groove Band, where Jackson sang harmonies, played Gong Bap/Congos, and engineered. The Ital Groove Band became one of Canada's most prolific reggae bands, with Jackson touring extensively. With The Ital Groove Band, Rzee Jackson quickly made his mark, collaborating with renowned producer Oswald Creary of Half Moon Records.
Through his own indie labels : Ital, BeeZee Sounds Production, and Radio Plus, Rzee Jackson has recorded and distributed music with CC Records and Jet Star in the UK. His records have resonated on radio stations across Canada, the USA, Europe, Africa, and Brazil.
On this new Jamwax release, you will play two standout tracks from the "New Beat" album, originally released in the mid-80s in Canada on Ossie Records, the label owned by Oswald Creary.
The reissue features on A-Side "Row Fisherman Row," a timeless classic from Cedric Myton & The Congos, "Blackheart Man" the iconic song from Bunny Wailer and on the B-Side "Long Long Time" a deep extended 12-inch roots track with dubwise elements reminiscent of King Tubby's style. All songs, produced by Rzee Jackson, were recorded at Half Moon Recording Studio in Toronto, Canada, under the expert engineering of Oswald Creary.
This reissue also boasts new sleeve artwork by Ras Mykha, capturing an Ethiopian-inspired scene that depicts Rzee Jackson, Jackie Mittoo, and Cedric Myton in a fisherman boat, celebrating the unity and legacy of these reggae legends.
In recent years, Rzee Jackson has been collaborating with Cedric Myton and The Congos. As a producer, engineer, singer, and songwriter, Rzee Jackson continues to contribute to the rich tapestry of reggae music, bringing authentic Jamaican and Rasta vibes to audiences globally.
Phooka also known as Francesco Maddalena, is the co-founder of Concrete with Maurizio Cascella and is a respected producer who has released on his own label as well as listing appearances on Diffuse Reality, Warok Music and Blackwater
Remix duty welcomes Sweden's Anthony Linell, the renowned Northern Electronics label boss that features most of his original music, but he can also be found collaborating with Adiel on Danza Tribale, or remixing Tensal to Amotik for example. Under the significant Abdulla Rashim moniker, his tracks have also been released on top projects such as Prologue to Svreca's Semantica.
The second remixer included in the release is Plants Army Revolver, a notable duo from Italy who have released on Shifted's Avian, Mental Modern, Sense Code and HomeMadeZucchero.
The first track is Anthony Linell's remix of "False Flag" that uses a stuttering kick drum to create an abstract vibe and is met haunting tones and metallic percussion.
The "False Flag" original has a patient yet regimented rhythm from a thundering kick and warm, pulsing sub bass to showcase an interesting dystopian aesthetic.
Remixing "The Rug Pull," Plants Army Revolver harness a throwback, looping, tribal sound with dub techno influences and mesmerising hypnotic elements.
Track four sees "The Rug Pull" and its original abstract idea. Using sparse beats with congas and shakers amidst harmonic drones and other shimmering effects, it creates a unique sound tapestry experience.
Two iconic 80s Disco/Boogie anthems of the era are set for a re-release on 12-inch vinyl via RCA, with a fresh mix from Brooklyn-based producer, Mike Maurro.
Keni Burke - Risin' to the Top (A Mike Maurro Mix)
'’Risin’ to the Top’, originally released in 1982 on Burke’s third solo album, ‘Changes’, has become Burke’s most successful hit as a solo artist since departing from his former band, Five Stairsteppers. Countless producers have utilised the song as a choice sample for their own tracks with artists such as Mary J. Blige, LL Cool J, Madlib and more.
Maurro’s mix works the stems and gives the record some fresh guitar licks alongside new percussive elements, whilst maintaining a heavy lean into the sensual, laid-back swing of the original.'
Evelyn ‘Champagne’ King - I'm In Love (A Mike Maurro Mix)
'The flip side sees the release of Evelyn 'Champagne' King’s hit single ‘I’m In Love’, originally released in 1981 and taken from King’s fourth studio album of the same name. A feel-good, sing-a-long anthem, once again given a fresh feel thanks to Maurro’s new take on the record.
Both tracks serve as trump cards to whip up any dancefloor at the right time'
ROD MODELL (Deepchord): MUSIC FOR BUS STATIONS BS (Part 2/2)
MUSIC FOR BUS STATIONS is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and ethereal calm. A slowly shifting static backdrop designed to enhance modern architecture, rather than compete with it. Sounding as if the structure itself was resonanting. Hovering sound-fields that utilizes sonic phenomena proven to induce states of calm. Can be presented as a multichannel, polyrhythmic installation with different components of the composition emanating form different areas within the structure, and elements constantly shifting in relationship to other elements, creating an organic sonic-tapestry that never repeats the same way. In essence, the soundscape becoming a living organism with unpredictable behavior. Inspired by avant-garde bus station designs such as Domitianus Arquitectura's station in Rio Maior, Portugal; Bluck & Morgen's Busbahnhof Poppenbuttel in Hamburg, Germany; and Metaraum Architect's bus station in Pzorzheim, Germany."
Rod Modell, January 2024
Glenn Astro leans into the twilight months of 2024 with a new album from his Delta Rain Dance project. Divining fourth world sensibilities from his restlessly curious studio workflow, Astro weaves a mesmerising tapestry of sound on Music For Autumn which treads the line between horizontal meditation and head- nodding, backroom-ready groove.
Amongst his constellation of myriad aliases, Delta Rain Dance spells out the inspiration Astro takes from fourth world pioneer Jon Hassell. The project first surfaced with a string of tapes, LPs and digital releases around 2018, all carried on a label of the same name to keep Delta Rain Dance enclosed in its own space
independent of Astro's many other musical endeavours.
"I’m really into the world building aspect in science fiction and fantasy," says Astro. "This is my way of creating worlds and spaces that co-exist next to each other. Sometimes they collide but mostly they exist peacefully next to each other or pursue some form of cultural exchange by collaborating with each other."
There's a strong sense of balance and cohesion throughout Music For Autumn, as organic percussion and instrumentation wraps around delicate synthesis and patient drum machine pulses so naturally it's hard to spot the joins. The sound has plenty of room to stretch out, from the mantra-like chimes and rattles of the album opener 'Green Light Fade' to the luxury funk of 'Mmmh, Nice' (featuring fellow Tartelet alumni Nelson of the East). At times the electronic elements seem to entirely dissolve, not least behind the loping strings and tumbledown percussion of 'Second Sleep', while achingly beautiful closer 'Plucked' centres on the fluttering movement and expression Astro elicits from his modular setup.
True to the project's influences, a consistent ambiguous mood lingers in the air over Music For Autumn somewhere between far- flung mystery and comforting familiarity, reliably calm but equally contemplative. It's an odyssey of serenity with enough nuance to make you really think, perfect for the days getting shorter, leaves crunching underfoot and the last fading rays of warmth from the sun.
1. "The ability to perceive the good among the bad."
A Madrid-based label is set to release vinyl-only music, focusing on microhouse, rominimal, and deep genres. Our concept emphasizes the "simplicity" of minimal music, paired with classy and elegant designs and aesthetics.
The EP features three tracks, each embodying deep cultural and atmospheric elements, including Romanian lyrics and layered textures. Fat Dubs highlights his taste, resulting in a work rich in both cultural significance and personal expression.
Moodena & Charles Levine drop ‘Badman’ on Rekids. Radio Slave and Cratebug remix the track, with the EP landing this October.
‘Badman’ sees Moodena & Charles Levine team up on Rekids this October, including remixes from label founder Radio Slave, and Cratebug. The vocal mix of Moodena & Charles Levine’s ‘Badman’ is up first, a high-energy dance track with classic house strings and an infectious bassline, telephone-like samples dialling the keypad, and a big vocal to top it off. Chicagoan edit royalty Cratebug steps up to remix ‘Badman’ first, turning the track into a hypnotic after-hours cut with plenty of dub echo, the original faintly shining through its rolling elements.
On the B-side, Moodena & Charles Levine’s ‘Badman’ is then remixed by Rekids’ own Radio Slave, who in turn transforms the track with a more low-slung vibe, cruising along with tripped-out sonics and traces of the vocals while bringing the dial-up sounds forward. Closing out the EP, there is also a dub which loses the original ‘Badman’ vocal but maintains the classy house heat.
Moodena has been active in the Disco and Nu-Disco scenes for over thirty years, earning accolades via releases on Midnight Riot, Nervous Records, and his own Tropical Disco Records. Following a twenty-year-long friendship, he collaborates with one-half of Soul Clap, Charles Levine, for the first time for the ‘Badman’ EP on Radio Slave’s Rekids. With Soul Clap, Levine influenced the House and Nu-disco scenes through varied tracks on labels like Defected and Crosstown Rebels while releasing tracks from artists like Jkriv, Josh Wink and DJ Rocca on their eponymous Soul Clap Records label.
A sonic portal to a parallel universe where neon-soaked dreamscapes transform the stark realities of a post-pandemic world. Music for a forgotten future, where echoes of the 80s cast long, enigmatic shadows through a rich tapestry of emotion that charts a journey from isolation and fear towards healing and hope. This is the journey of Season One and Season Two, the debut companion albums for the solo project of Italian composer Battaglia, both out this fall on Four Flies Records.
In 2020, as the world retreated onto itself due to the COVID-19 pandemic, Battaglia entered the recording studio. Driven by a desire for experimentation, she decided to focus on the classic synths that have made history to create a sonic and emotional alchemy that reimagines the 80s to resonate with our current experiences and sensibilities.
Drawing inspiration from the cinematic magic of iconic early-80s films, and especially the haunting soundtracks of Tangerine Dream and John Carpenter, she crafted a soundscape that goes beyond nostalgia to capture the spirit of a generation navigating uncertain times.
Season One and Season Two explore the complexities of a world grappling with lethal pandemics, climate catastrophes, and nuclear disasters through themes such as longing, fear, and hope, set against a scenario that blends elements of dystopian and post-apocalyptic science fiction and, at times, horror.
Season One delves deeper into the darker aspects of this new reality, evoking a sense of unease and uncertainty, occasionally interspersed with soothing flashes of light. In Season Two, while darkness still lingers, the sonic landscape is infused with a sense of optimism and determination, offering glimpses of a possible salvation.
With Battaglia's signature blend of dark wave, synth-pop, suspenseful electronica, and cinematic vibes, Season One and Season Two create a sonic world that is at once hauntingly familiar and utterly captivating -- the perfect soundtrack, one is tempted to say, for the countless sci-fi/horror-fantasy series that have been flooding streaming platforms in the last decade.
The covers of both albums were designed by Eric Adrian Lee, who conceived them as two sides of the same image, two versions of a world in crisis but whose ruins contain the potential for rebirth.
Battaglia's Season One and Season Two will be available on black vinyl LP starting from October 25th. Digital versions of both albums will also be released on the same date, featuring five bonus tracks (two on Season One and three on Season Two).
A sonic portal to a parallel universe where neon-soaked dreamscapes transform the stark realities of a post-pandemic world. Music for a forgotten future, where echoes of the 80s cast long, enigmatic shadows through a rich tapestry of emotion that charts a journey from isolation and fear towards healing and hope. This is the journey of Season One and Season Two, the debut companion albums for the solo project of Italian composer Battaglia, both out this fall on Four Flies Records.
In 2020, as the world retreated onto itself due to the COVID-19 pandemic, Battaglia entered the recording studio. Driven by a desire for experimentation, she decided to focus on the classic synths that have made history to create a sonic and emotional alchemy that reimagines the 80s to resonate with our current experiences and sensibilities.
Drawing inspiration from the cinematic magic of iconic early-80s films, and especially the haunting soundtracks of Tangerine Dream and John Carpenter, she crafted a soundscape that goes beyond nostalgia to capture the spirit of a generation navigating uncertain times.
Season One and Season Two explore the complexities of a world grappling with lethal pandemics, climate catastrophes, and nuclear disasters through themes such as longing, fear, and hope, set against a scenario that blends elements of dystopian and post-apocalyptic science fiction and, at times, horror.
Season One delves deeper into the darker aspects of this new reality, evoking a sense of unease and uncertainty, occasionally interspersed with soothing flashes of light. In Season Two, while darkness still lingers, the sonic landscape is infused with a sense of optimism and determination, offering glimpses of a possible salvation.
With Battaglia's signature blend of dark wave, synth-pop, suspenseful electronica, and cinematic vibes, Season One and Season Two create a sonic world that is at once hauntingly familiar and utterly captivating -- the perfect soundtrack, one is tempted to say, for the countless sci-fi/horror-fantasy series that have been flooding streaming platforms in the last decade.
The covers of both albums were designed by Eric Adrian Lee, who conceived them as two sides of the same image, two versions of a world in crisis but whose ruins contain the potential for rebirth.
Battaglia's Season One and Season Two will be available on black vinyl LP starting from October 25th. Digital versions of both albums will also be released on the same date, featuring five bonus tracks (two on Season One and three on Season Two).
Originally released on one of Bruton's extensive library albums but later used as the theme song to a UK drama series dealing with the intrigues of a family motor business and the world of rally driving from the 80s, "The Winning Streak" is another production by the now late library music maestro Alan Hawkshaw. A downtempo track with remarkably trippy use of percussion elements via electronics and drum machines with entertaining accents and "exotic" vocals. Another wonderful example of library music tickling the fancy of diggers and collectors with a dancefloor inclinations thanks to its highly distinct sound -- everybody loves a winner. 1 to 1 official re-issue, remastered.
Hot off the press this riddim from No Ice Cream Sound sees Charlie P & Jman go truly back to back inna sound system style and pattern.
This instrumental fuses elements of both rubadub and roots. The heavy organic drums and the rattling bass line is seasoned with driving horns and a skank perfectly suited to the incredible lyricism of Jman & Charlie P. Don't sleep on this one, especially if you are after a hard copy as only a run of 300 X 45s will be up for grabs. A must have for any discerning collector.
The B side takes a delve into the depths of a true dub mix; an amalgamation of spring reverb and tape delays take this mix into a different listening space. The dub keeps true to the A side's rhythm while simultaneously entering a new realm which gives a nod to some of the great dub mixing engineers of our time.
Equal Audio is a new vinyl imprint for stripped-back and DJ-friendly house music. No matter of the subgenre, the focus is on consistent energy levels and rather simple arrangements. A minimalist approach for maximum sound quality.
The first release, entitled Giseigo EP, is brought to you by Croatian producer Mariano Mateljan - a true master when it comes to reduced yet powerful tools. With 4 originals he shows that no more than a handful of elements are needed to keep the dance floor moving.
Audrey Powne's eagerly anticipated debut album has been met with widespread acclaim from a host of tastemakers and musicians. Garnering over 500 plays on UK radio, her music has reached an audience exceeding 2 million listeners. Many have touted her work as a strong contender for Jazz Album of the Year—a remarkable achievement for a debut release. This exceptional remix pack features a soulful interpretation from the illustrious DJ and producer Joe Claussell, profoundly inspired by the album cut "Souled Out." Claussell unveils three exquisite and spiritual remixes, each highlighting unique elements of Audrey's original production. Joaquin's Deep Version is quintessential Claussell, merging the bassy textures of a vintage King Tubby dub with vibrant percussion and dance-inducing beats. The "Sacred Rhythm Mix" is an essential for the dancefloor, weaving a seamless progression of expertly crafted sonic layers that culminate in a boogie-style crescendo, destined to be a summer anthem for DJs. The Cosmic Arts Interpretation Mix completes the trinity expertly with an enchanting downtempo mix expertly seasoned with orchestral and percussive elements which breathes even more magic into Audrey’s incredible vocal display on this track. True to Claussell's renowned craftsmanship, these remixes speak for themselves—listen and be transported. Adding to the allure of this remix pack are the superb renditions of "Feed The Fire'' by the legendary deep house producer Atjazz and the dynamic New York duo musclecars. Both remixes have garnered critical acclaim, elevating this package to an unprecedented level of excellence. Available for the first time on vinyl, these mixes are presented by BBE Music in a double pack, ensuring unparalleled sound quality that is spread out for maximum audio fidelity—a must-have for discerning DJs and vinyl aficionados who prize top-tier music pressed on wax. This release is not just a collection of tracks but a treasure trove of sonic brilliance, making it indispensable for enthusiasts of high-quality, heartfelt music.
Jay Lumen is back to his own Footwork label after his No.1 release on Arcane. „Get Down Everybody" is a massive floorfiller, tested by himself at many of his shows. The title track has a great balance between the unique sound design and the rolling grooves and bassline. His B side „Turn the Flame" track is a good proof of Jay's raw old school techno sound including his hardgroove sprayed elements. Mind your Footwork. :-)
“A New Chapter” by Clawz SG marks a profound evolution in the artist’s sonic journey, offering a blend of melodic techno that straddles the boundaries between deep house and ethereal techno. Known for his ability to craft immersive soundscapes, Clawz SG delves deep into the human experience with this album, exploring themes of hope, transformation, and introspection. Released on Steyoyoke, the album invites listeners to embark on an emotional voyage through richly textured melodies and poignant rhythms that resonate with the soul.
The album comprises eight meticulously crafted tracks, each weaving a tapestry of deep, melodic undertones that evoke both serenity and introspection. The opening track, “Updraft”, sets the tone with its uplifting yet contemplative energy, while “Echoes Of Hope”, the album’s lead single, stands out with its delicate balance of melancholy and optimism. Collaborating with violinist Félix Vanghem, Clawz SG delivers “Whispers Of The Past”, a track that seamlessly blends electronic and classical elements, creating a hauntingly beautiful soundscape. Throughout the album, Clawz SG showcases his signature ability to intertwine dreamlike melodies with driving techno beats, most notably in tracks like “A Glimpse Of Forever” and “Serendipity”.
“A New Chapter” is a carefully curated sonic journey that reflects Clawz SG’s growth as an artist and his deep connection to the emotive power of music. With each track, the listener is drawn deeper into a world of introspection and emotion, making this album a must-listen for fans of melodic techno and those seeking a deeply immersive musical experience.
DJ support - Jeremy Underground, Alex Kassian, DJ Sprinkles, Willie Graff, Severino Panzetta, Rimarkable, Ella Knight
After a short hiatus To The Rock are back and it’s a lively one!
A repress of the definitive Danny J Lewis UKG classic Best Friends, this time around accompanied by 3 new remixes coming by the way of Chicago’s Garett David, newcomers Late Nite City and multi-instrumentalist Mom Tudie.
If you’re a Garage head, then you already know what the Spreadlove remix is saying. But for those hearing it for the first time it’s the sound of London 1999. Stripped back drums, choppy vocals, dubby synths that’ll transport you straight “back in the day”.
Garett David has done what he does best. Bringing Best Friends straight into 2024 with his unique style of garage and house influences. The elements hit hard on this, coupled with a full vocal it’s already getting love in all the right places
Late Nite City’s remix is a fresh 4x4 take on the original, giving a nod to the old (think 94 MK). Swinging drums, bright keys, thick choppy snares coupled with an organ that rings true of the glory days.
Last but by no means least, Mom Tudie flips the release on its head. This one takes us into new era soul territory that perfectly complements the preceding 3. Mom’s take gives the remix more space to breathe and in true Mom Tudie fashion the trumpet solo hits the spot.
Theme: collaboration. Or how to remain creative in the modern world. Nanocluster started as a bespoke one off pop up gig that turned into an album series. Built around Colin Newman from acclaimed UK post-punk band Wire and his partner in life and sound Malka Spigel from Minimal Compact with various guests, they define collaboration. Colin met Malka when he produced her band in 1985.The collaboration started there. They became a couple and created their own projects like the instrumental electronic duo Immersion in 1994 and Githead in 2004 - spaces where they both 'feel really comfortable.' Growing out of Immersion, Nanocluster was birthed as a series of one-off gigs at the Rosehill in their new hometown of Brighton in 2017 with an added cast of influential and cutting edge musicians. These were not ad hoc jams. The songs had been written and rehearsed prior to each performance. This adventure led to a debut album, Nanocluster Vol 1, released in 2021 with Stereolab singer/guitarist Laetitia Sadier, German post-rock duo Tarwater, electronic musician Ulrich Schnauss and experimental artist Robin Rimbaud (Scanner). Released again as double 10 inch with each collaboration taking up each disc, the new album Nanocluster Vol 2 has further developed this idea with a stark beauty that sounds like a future pop with sleek lines and unexpected great melodies. Disc one is built around Thor Harris, the charismatic percussion player from Swans and many other projects, who they met and performed with at South By South West in Austin, Texas in 2023. Thor adds ideas, his tuned percussion instruments, clarinet and trumpet to the sessions. Disc two is built around Cubzoa (Jack Wolter from the band Penelope Isles) who brings his musical craft, beguiling voice, guitar and much more. Meanwhile Matt Schulz from Holy Fuck plays drums across both combinations helping the resulting music become a third entity. What results is a true collaboration that, enhanced via Immersion's production, merges its elements to develop a new harmony. Key to the process is Colin and Malka's radio show for Slack City radio, 'Swimming In Sound' with its entertainingly diverse playlist that has widened their horizons. It's also helped build relationships not only with these collaborators but also musicians like ambient country masters SUSS, with whom they plan an extended Nanocluster tour in the USA with in 2025 and Brighton via Falmouth's "jangly pop punk" Holiday Ghosts with whom they will perform the next Nanocluster event in their hometown, as well as many more in the pipeline. Malka: 'Nanocluster is collaboration but in a very specific form. We don't have rules. It's a series of creative snapshots. We start as the gig with our collaborators with tracks that we rehearse because this is not a jam and where it stops is an album.' Colin: 'It's chemistry & music. Malka & I operate as a team and now we've taken it to another level. Malka comes from a band where they would stand in a room together and work out the material. In Wire, I would present the songs, so when Malka and I first started working together, we had to find a third path, and that was the concept behind our collaboration.' Nanocluster Volume 2 is a 21st century collusion of shared ideas, creating a momentary extended musical family. It's about musical and personal relationships and the meeting place in the middle. A temporary band of house guests. The place where Immersion happens.
Toronto's newest vinyl label, Afalinas, proudly presents its debut EP, crafted by the talented Olekhar. Known for his Ukrainian roots and extensive DJ experience, Olekhar delivers four dance-floor ready tracks. The Fin Groove EP kicks off with "API Call," hitting the perfect blend of tech funk with trancy sequences and flowing tension. Up next is the breaks track "Squat Funk," infused with vibrant electro funk and minimal elements. On the flip side, the dance-floor killer "Bowser's Castle" is sure to elicit maximum stank face with its funky lead, gated acid energy, and robotic vocoder synth, before closing with "WLB," a '90s-influenced breaks track that wraps the package up nicely. Something classy for all occasions.
Throughout their lifetime and a handful of releases, the trio have carefully fostered and perfected a style of music that is technical and beautiful but doesn’t shy away from any avant-garde, noisy, or punishing moments.
While you’re able to discern sounds brought from noise rock of the 80s and 90s, post-hardcore of the 90s and early aughts, as well as multiple waves of emo and screamo, Abandoncy’s affinity for abstract structure, strange time, and dramatic pause gives them a style all their own.
At its end it is breathtaking, addictive, and harrowing to experience.
On their third full-length, Assailable Agonism, you find the band pushing even further. All six songs boil over with masterful instrumentation and crushing composition.
Clocking in at just under 19 minutes, it feels like a brief but brutal haunting of all of your personal spaces.
Paranoid, blistering, and all-consuming, coated with the grime of drying riverbeds and dust storms. Through its juxtaposition of melodic and noisy elements, it has a presence that will draw in fans of all different styles of music.
"Assailable Agonism" is released by Vina Records (Italy), The Ghost Is Clear (USA), Learning Curve (USA).
Afterhours. continues its quest for exquisitely crafted minimal dance music and welcomes young talent Aron for its seventh release. "Limbic" features three original dancefloor cuts and a groove-focused remix by Arno, Pressure Trax's head honcho.
The "Limbic" EP starts with 'Prawn Repetitions' (A1), immediately locking the listener into a seemingly endless loop of stomping sub-bass, slippery drums, snipped chords and a mantra-like vocal stating "I'm a Shrimp" just enough times to hypnotize. 'Inverse Perspective' (A2) strips down the sonic space to focus on micro/macro rhythms, leaving just enough room for its haunting atmospheric pads to cut through. The track title "Limbic" (B1) is as wacky as it is catchy. Its sound design feels alien, not only in its wobbliness but also in the type of vocal snippets used and overall aesthetic graininess; yet, it remains highly stomping and dancefloor appropriate, with its second part elevated, and humanized, by (very) human melodies. Arno's Remix of "Limbic" (B2) deconstructs its every element, grounding the alien elements into a groove-centered, drum-machine-driven composition that embraces the harmonious aspects of the original without ever losing pace on its (very) insistent bass pattern.
Between the acoustic and the electronic, the four-by-fours and the breakbeat, Aron's tracks are as trippy as they are soulful: dense and detailed tracks with enough forward momentum to keep any room moving.
“Extrasensory” is the first full length album of Human Performance Lab, a duo consisting of longtime collaborators SARIN & Matt Cangiano. Produced over the course of 4 years their first LP ties together & builds on the foundation of their previous releases, combining rich cinematic & other worldly soundscapes surgically woven into the cold precision of the percussion & rhythms anchoring each track. All these elements come together to create a pulsating, laser focused album imbued with sci-fi cyberpunk overtones well suited to decrepit & dimly lit underground clubs world wide. Available as a limited run of 200 vinyls + digitals, released by X-IMG
Oráculo Records proudly presents the vinyl debut of one of the most promising contemporary Italian post-punk acts. The Bolognese duo delivers a fresh take on what this movement should embrace today. Their approach combines elements of krautrock with some dub influences and grunge clichés, resulting in an advanced proposal that invites repeated listening.. Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).
Dear Friends,
Can you relax while maintaining a stable structure? The principle of “fang song” in Chinese martial art Taijiquan embodies this balance, where heaviness sinks downward and lightness rises through a vertical axis from heavy rooted feet to head.
As a dedicated Taijiquan practitioner, Littlelake applies this concept in his new EP, featuring four tracks rooted by a distinctive bass heaviness while giving a playful lightness to the overlying sound elements.
The opening track "Tonight's the night" immediately makes clear what is meant: a light-footed 2-step beat dances over weighty bass variations and playful vocal cuts set the tone.
“Passing by” is no more and no less than a true monster speed garage warper blending all the best elements of its genre.
Coming with funky tribal breaks, skillful sample manipulations, and a warm, soulful string foundation, “Watch Your Mouth” defies genre classification—it's in a class of its own.
With "Lost", Littlelake once again proves his ability to create extraordinary dancefloor moments. A jackin' 909 and shimmering dub sounds contrast with a dark Reese bassline, creating a captivatingly ambivalent mood. Don't miss this one.
P.S.: physical release comes with handcrafted, screen printed artwork by fabulous graphic artist Zatina Kessl.
Dejan Dex from 005 is back but with Blagoj in their mischievous music duo: Son Kota. From Misla to Termos, Dejan brings forth a new level of artistry with his right hand partner in this sizzling 3 track compilation. Literally sizzling, Termos isn’t shy in sound, waking up the listener with profound, sexy yet soothing beats in a humble, homemade kind of way.
“Our inspirations range from day to day activity. From 80’s pop rock music and good movies to tv shows and live sets from artists that we admire, together we combine all the sounds we hear into one full package.” - Son Kota
Son Kota - A story of two artists meeting halfway, making an alias to expand their music horizons. Focused on finely shaped sounds, and digging deeper as they can into the house music world.
Producing for 13 years running, Son Kota began paving their way around the same time. Coincidence? We think not. Destined to work together, Blagoj and Dejan were passionate pioneers on the Macedonian music scene with their like minded approach to genre identity and track ideation. Officially born in 2017, Son Kota was given its project name meaning “sounds of happiness” in French/Japanese dialect.
The two exude a sense of genuine awe and wonder for minimalism, and the blissful feeling it evokes.
Echoing the 90s once again, Son Kota offers a fresh batch of 3, including a remix by Arapu, each having its own musical idiosyncrasies.
Top of the track list is the dark and moody Vroche: a somewhat psychedelic ensemble of broken beats and synth stabs for the adventurous minimal listener. Up next is Termos, a marvelous piece that embodies classic house qualities peppered with nostalgic melodic elements. Finally, Arapu spins this record further with his own interpretation of Termos, bringing his signature touch to the table. Any Satya fan and production nut will be sure to appreciate his groovy minimal hypnotic flavors.
EN:
I am thrilled to present my new musical work, "Oscillations" – an album that explores the harmonious connection between the natural world and electronic sound art. The title "Oscillations" symbolizes the vibrations and rhythms that are omnipresent in both
nature and music.
Nature is an inexhaustible source of inspiration. From the gentle waves of the ocean to the subtle oscillations of leaves in the wind – everywhere, there are rhythms and patterns that are music in their own right. These natural movements and sounds inspired me to incorporate them into my compositions and weave them with
electronic elements.
"Oscillations" attempts to bridge the organic world and the synthetic soundscape.
Electronic sounds meet acoustic instruments and merge into a new, fascinating unity.
It's about uniting the natural beauty and the technical possibilities of music to create something unique.
With a piano, a double bass, a harmonium and a Moog synthesizer, I would like to invite my listeners on a journey into my sound universe.
DE:
Mit großer Freude präsentiere ich mein drittes musikalisches Werk "Oscillations" – ein Album, das die harmonische Verbindung zwischen der natürlichen Welt und elektronischer Klangkunst erforscht. Der Titel "Oscillations" steht symbolisch für die Schwingungen und Rhythmen, die sowohl in der Natur als auch in der Musik
allgegenwärtig sind.
Die Natur ist eine unerschöpfliche Quelle der Inspiration. Von den sanften Wellenbewegungen des Ozeans bis hin zu den subtilen Schwingungen der Blätter im Wind – überall findet man Rhythmen und Muster, die auf ihre eigene Weise Musik sind. Diese natürlichen Bewegungen und Geräusche haben mich dazu inspiriert, sie in
meine Kompositionen einzubinden und sie mit elektronischen Elementen zu verweben.
"Oscillations" versucht, eine Brücke zwischen der organischen Welt und der synthetischen Klanglandschaft zu schlagen. Elektronische Klänge treffen auf akustische Instrumente und verschmelzen zu einer neuen, faszinierenden Einheit. Es geht darum, die natürliche Schönheit und die technischen Möglichkeiten der Musik zu
vereinen und daraus etwas Einzigartiges zu schaffen.
Mit einem Piano, einem Kontrabass, einem Harmonium und einem Moog Synthesizer möchte ich meine Hörer auf eine Reise in mein Klanguniversum einladen.
In May, fans were treated to the first new music from Trentemøller since 2022. A new single, "A Different Light," showcased a stunning blend of prismatic space rock and folk. For anyone wondering if it foreshadowed the release of a full-length, Dreamweaver will drop in September, on Friday the 13th.
Featuring 10 tracks that traverse Trentemøller's many musical strengths, Dreamweaver also represents an obvious artistic leap, treading new ground while retaining the overall plot. Tracks featuring vocals come courtesy of of Iceland's Disa, who has been in Trentemøller's fold since the Memoria tour.
Dreamweaver's nylon string-led opening track, and first single from the album, "A Different Light," contains many of Trentemøller's trademarks: exploring dichotomies, musical shadowplay, Nordic frigidity, and warm waves. It opens the door for the steady, hypnotic "Nightfall," with its tetherless vocal, wistful guitars, and early morning desert chill. The third track in the opening trifecta, "Dreamweavers" finds its footing with a percussive soft trot, which starts after what feels like a shortwave radio scan in search of the right chords, eventually dialing in a weightless voice. Ostensibly keeping a ruminative pace with the previous two tracks, the song and, by extension, album soon opens up as the rest of the elements drop into place with a grand, luxurious burst.
Dreamweaver is about to enter its next phase. With the hatch blown off of the portal, the noisy "I Give My Tears," driven by its glissed and fuzzy bass line, pours into the void. It's followed by its sibling, the most chaotic track on Dreamweaver, "Behind My Eyes." Arriving as a piece of noise rock pandemonium, "Behind My Eyes," can't be contained in its plush vault. A whip-crack snare and convulsing guitars smash against each other in the song's verse chamber. The tension builds, as the particles collide, pushing past the point of critical mass, kicking off the chain reaction which is the chorus. At times it harkens back to the proto-gaze tracks that gave birth to dream pop, at others it newly defines what that is. There's no time to contemplate it, though, as the song disintegrates in a microphonic feedback instant.
A respite follows with the somnambulistic pair of "Hollow" and "Empty Beaches." Then, a moment of intensity returns as the soaring textures and tribal drum bursts of "In A Storm" take control, before being taken out with the ambient slo-core of "Winter's Ghost" and "Closure." This diptych wraps up an album which certainly feels on-script for Trentemøller, but is also much more psychedelic than previous offerings.
Dreamweaver will be released on Trentemøller's own In My Room label. It is an exceedingly immersive experience, bound to release any dormant hallucinations you may be harboring.
On Savor Music 025, we summoned a fine selection of remixers to rework Franco Cinelli's "Tracks from the Vault Part 2."
"Tribute To Miles Davis," where Cinelli merges jazz and electronic elements into a hypnotic sonic journey was reinterpreted by Chicago Legend DJ Jes adding a trippier, loose house interpretation, infusing the track with an extra jazzy twist while maintaining its original spirit. Pablo Minuto & Guillermo de Caminos made a minimalistic take on the same cut, transforming the track into a groovy, hypnotic experience with a focus on rhythmic and atmospheric elements.
"Electronic Funk" original’s pulsating bassline, crisp percussion, and intertwining synth melodies are further enriched in Jorge Savoretti’s remix, which introduces an extra layer of synth action, giving the track’s a deeper interpretation.
Highly original material on a very limited EP... be quick!
POLYPHONIC WAVES OF SOULFUL MADRIGALS
The power of duality is an inscrutable thing: we’re endlessly fascinated by the interplay between light and darkness, East and West, voice and silence, our senses tingling from the compelling synergies that thrive in perceived opposites. Drawing from an urbane Antwerpian upbringing and a Moroccan family lineage, the Brussels-based multidisciplinary artist Younes Zarhoni, embraces these very dualities in all of his projects, exploring those murky areas of contrast and bringing all their ambiguous energy to crystal clear focus.
A longtime staple of the local electronic music scene with his hypnotic techno outings as YZ, Zarhoni’s latest focus is on the compositional power of pure harmony and silence: namely, his polyphonic renditions of medieval mystical poetry, sung in multiple voices and left to solemnly radiate beyond their given spatial grounds. Stripped of all instrumental accompaniments, what you get is Gregorian chant meets Boyz 2 Men, articulated by the lyrical ineffability of Arabic tongues and finding their rhythm in the silences that act as the juncture between observation and anticipation.
These sparse stanzas tread under an elusive referential threshold, conjuring visions of architecture and archaism, madrigals and MTV, the sacred and the profane ~ ostensibly disparate elements that seamlessly fold themselves into the radicality of the compositions. In these 20 minutes of verse, Zarhoni oversteps the margins of categorization to deliver an immersive story of song, flowing freely and sustaining the arc of the narrative long after it has ebbed into silence.
“Fading Like A Rose”, a brand new track consisting of elements from six classic Roxette songs leads the way for a physical ROX RMX release. Created by original Roxette producer Clarence Öfwerman together with Roxette bass player Magnus Börjeson, “Fading Like A Rose” is an homage to the Roxette history of hits on the dance floor. Brilliant remixers David Björk and Yaro also made their own interpretation and gave birth to “Fading Like A Rose (Everytime Remix) / Per Gessle. Galantis’ remix of Fading Like A Flower and Alle Farben’s remix of Listen To Your Heart are also featured on this vinyl.
We are ecstatic to announce the fifth release on Cupula Recordings, featuring the powerhouse collaboration of Nuclear Waste and Corp. This release infuse the best elements of New Beat, EBM, and Synth Pop into a cohesive narrative.
“Nuclear Corporation" is an auditory explosion defying genre conventions.
Soela is the DJ and production alias of Elina Shorokhova, a Russia-born Berlin-based experienced pianist and vocalist who has made a hugely impactful transition into electronic music. Having released material on such labels as Kompakt, Dial, Shall Not Fade, Lost Palms, E-Beamz, Red Ember Records, Sushitech, and others, Soela joins the ranks of Scissor & Thread for this exquisite album - Dark Portrait.
The album opens in a typically understated manner with Unsuitable - a melancholic trip-hop adjacent track that sets the tone for the next 8 pieces. As Soela explains, “I was dealing with some very complex feelings, so I came up with this album, which helped me not to despair, to work on myself, to grow internally, and to start listening to myself. It helped me to keep sane when my country invaded Ukraine with a full scale war. It absolutely broke my heart, and music was one of my main salvations.”
This complex mix of emotions plays out across the album with tracks that utilize her beautiful musicality (Through the Windows feat. Francis Harris and Philipp Priebe, Drowning feat. Module One) and ear for details with skittering beats, ambient soundscapes (Spirits, Lost In The Fog) and lose-yourself dancefloor moments such as the collaboration with Lawrence on February Is Not Going To Be Forever. The title track Dark Portrait combines dubby elements with affecting pads and melodic touches, while the lead single Even If I Ask You Stay delves into multiple feelings around escaping toxic situations, and battling depression. It features a powerful vocal from Soela supported by a deeply affecting arrangement. The closing track The Darkest Hour Before Sunrise brings a sense of hope and light, balancing subdued keys and strings with ethereal tones and atmospheres
A veteran producer (Who prefers to separate this incarnation from past works) working within many disciplines in sound, Silent Cubes demonstrates a particular skill in atmospherics and mood in their productions, creating three tracks of original UKG driven sound that speak in a dialect as familiar to the progeny and brethren of Clubroot, Sorrow, and Congi as that of Chez Damier, Mr Fingers, and Ron Trent. An exercise in deepness, Draped in the framework and immediacy of Garage.
Showing how evocatively these elements can be transformed is MOY, himself straddling a line between classic IDM, Old Skool, and Acid, and with releases on Analogical Force, Vinyl Fanatiks (AmenTec), and a slew of others. MOY comes forward with a hybridized remix of “The Stream”, which really is in a class of its own and closes outside B.
“Sound And Motion”. Presented as a 4-track vinyl EP, in a numbered/limited edition, and bundled with access to 2 exclusive Poly Cut/Digital tracks, only ever available via the access provided through ownership of this record.
Raining Heart is a studio project originally created by the German musicians Peter Heckmann and Tobias Freund in 1986 in Frankfurt. Very much in the same vein as Art of Noise with its studio sound experimentalism, but with a Kraut edge to it. If there was one track that could be played for everyone at the G20 Summit whilst on LSD in hopes of achieving world peace, it might be “Raining Heart”, the first track on this EP, it’s just one of those tracks that makes you wonder what these people were eating for breakfast at the time. Nothing technically mind blowing, just crafted to perfection in terms of all the elements coming together in therapeutic beauty, (also clearly exposing Peter’s relationship with theatrical production). A downtempo chugger with the dreamiest of sounds, effortlessly transporting the listener to another dimension, the vocals are unthinkable, by Yucca Rose, an East Javanese Jazz singer, almost as if she was broadcasting from a radio station in a parallel universe. “Alien Beat” takes a more aggressive turn into some kind of neo rock direction generously decorated with a wide range of studio tricks that might have been ground breaking at the time. B-side offers two new remixes by Castro, a “K-hole Collage” version of “Raining Heart” taking the original theme to another dubbed out realm, and a “Bonus Beat” extension of “Alien Beat” that dissects the key elements of the original track in efforts to develop a more dancefloor oriented DJ tool. Remastered with original artwork.
German DJ Anna Reusch debuts on Electric Ballroom with “Raya and “Salme," two Peaktime Techno tracks that have been stirring up a frenzy. Leading a new generation of artists pushing modern Techno's boundaries, Anna expertly blends Techno with Psy and World Music elements to create her unique sound. Known for her deep connection with fans, Anna’s music channels the essence of her powerful, superbly crafted DJ sets. It’s her innovative sound that's reshaping the genre and excites Techno lover across the globe.
In recent years, Dzc. has emerged as a highly sought-after DJ, leaving her mark in Austria with performances at numerous venues. As a key member of the Acid Lambada crew, she has been featured in well-established curated festivals and events, both locally and internationally. Her productions mirror her passion for synth-driven dance music, characterized by dreamy pads and playful melodies.
No stranger to Fortunea Records, having already been featured in two editions of the Fortunea Cookies VA-Series, she is set to present her first 4-track EP in February.
The 'Conversations with Birds' EP is a meticulously balanced collection of tracks designed for each phase of a club night. Drawing inspiration from elements of 90s House and progressive sounds, 'Visual Mind' and 'In Sight' are dreamlike journeys with lively synth melodies, joyful basslines, and captivating pads and textures. The latter has also been reworked by Fortunea regular Peletronic, infusing crisp minimalistic rhythms into his 'Blurred Vision' Mix.
The standout piece of the EP is the title track on the B-side, a beautiful composition that elicits uplifting moments and feelings of euphoria.
It features emotive chords, airy strings, and soothing sustained tones that enhance the powerful groove.
The record promises to immerse listeners in an engaging journey that captures Dzc.'s distinctive vision.
’Conversations with Birds' will be digitally released on February 22, followed shortly by a limited vinyl edition.
Slave To Society (ex AnD) returns to Natural Selection with a white-hot industrial Techno EP, entitled 'Ai Invasion', accompanied by an IDM-infused remix from hard electronica duo; Somatic Responses.
Format : 12" Vinyl / Digital
Mastered by Dadub Studios, Berlin. Cut by Simon at The Exchange Vinyl.
After a decade of redefining techno dance floors as AnD, Andrew Bowen returned to his experimental, hardware-focused roots as Slave To Society in October 2019. Since then he has seen his music released by highly revered institutions in the world of hard techno, noise, breakcore, IDM and industrial electronica, such as PRSPCT, Pure Hate, Ohm Resistance and BANK Records NYC. After forming a close connection to Natural Selection in recent years, Slave To Society returns to the London based imprint after releasing via their VA compilation 'NSUKR' with his track 'Tundra', followed by his remix of Kamikaze Space Programme's 'Dust To Dust' from his physical EP entitled, "Ashes to Ashes, Dust To Dust", released on Natural Selection in 2022.
In the form of a 4-track physical and digital EP, 'Ai Invasion' is a sonic exploration of the symbiotic relationship between humanity and technology.
Slave To Society uses carefully designed futuristic soundscapes and atmospheric textures, layered with AI generated vocals, combined with heavy and fiercely unpredictable drum elements.
Expect advanced, experimental hard techno and noise, fused with powerful low-end muscle, raging hi-hats, fragmented percussion and augmented amens.
The release also features a razor sharp and well-placed remix of track B1 - 'Robot Dementia', courtesy of legendary hard industrial electronica duo; Somatic Responses.
In true Slave To Society fashion, all rules and boundaries are smashed to pieces and all tracks are equally suitable for blasting through the world's biggest club systems and rigs as they are for home listening.
'Ai Invasion' challenges listeners to question the impact of artificial intelligence on our society and the implications of our relentless pursuit of technological advancement.
Deep dive into Tom Roland's latest vinyl release ‘Exposure’. Crafted with precision, this collection of tracks is the fusion of driving beats, infectious rhythms, and fresh production.
A Side:
Exposure - Let the grooves take you on a journey through rolling bassline, crisp hi-hats, and hypnotic synth loops. This opener sets the tone with its lush synths and crafted drops.
Free Ride - This track delivers a raw, unfiltered groove straight from the heart of the 90’s scene. With its chunky beats and hypnotic loops, it’s designed to keep the dancefloor moving.
B Side:
K2000 - Dive deeper with this moody track that brings an edgy vibe to the release. With driving beats, subtle melodies and a touch of acid influence.
Zero Control - Closing out the vinyl with this groove-laden cut, featuring rolling bass, melodic elements and dynamic percussion. It's the kind of track that builds and builds, creating an irresistible urge to dance.
Each track is offering a rich palette that reflects the depth and diversity of the genre. This vinyl is a tribute to the timeless sound that continues to inspire.
Adam Sellouk returns to Afterlife with a powerful solo EP.After remixing, and collaborating with, Anyma, Adam Sellouk joins Afterlife with his own solorelease. Blending melodic elements with crisp sound design, Adam’s EP emits a power fromits core. The opening track, a collab with KAS:ST, unites tough layers with a deeper layer ofemotion. On ‘Confusion’ he teams up with Glowal to splice a robotic vocal clip with a highlyemotive melody and melodrama to great effect. Lastly, ‘Poison’ is comprised heartfelt vocals,melancholy and potent stabs, closing out the EP with a solo cut.
After 7 years and countless requests, Sneaker Social Club finally deliver a repress of Dream Cycle - Part One.
After a chance meeting at Gottwood in 2016 a bond was established between Dream Cycle (Robin Clarke) and label owner Jamie Russell over a shared love of 2 Bad Mice and Moving Shadow. It wasn't long before Clarke began channeling elements of that influence to produce his Dream Cycle Part.1 EP. Unfolding over 4 steppy tracks and an ambient closer, Clarke melds sharp snares, summery motifs, dense atmospheres and thick subs whilst keeping things suffused with a distinctly UK quality that marries his work perfectly with the Sneaker catalogue.
DJ Support: Ryan Elliott, DJ Die, The Blessed Madonna, Octo Octa, Bwana, Altered Natives, Noodles (Groove Chronicles), Liem (Lehult), Deejay Astral, LA4A, 2 Bad Mice, Fred P, Matt Karmil, Flori, Marco Zenker, J.Rocc (lol at comment!), Ajukaja, Gnork, William Djoko, Till Von Sein, Fold, ASOK, Gene Farris, DJ bwin, Seven Davis Jr, TRP, DJ Octopus, DJ Normal 4, Gerd, Dean Man s Chest, Poté, Doc Scott, Violet, James Welsh (Kamera), Konx-om-Pax, Etch, Raresh, Hrdvsion, Michael Serafini (Gramaphone), Frazer Ray, DJ Guy, Mak & Pasteman, Shenoda, Urulu, Mark Archer & James Zabiela, Zinc, Lehult, Jackie House, Mosca, Noodles (Groove Chronicles) & DJ Die.
Adam Beyer continues his elite studio form with ‘Ghost Kiss’.
The boss has been enjoying the most prolific production period of his career in recent times, while reinforcing his sonic range in the process. Recent highlights have included his standout ‘Let’s Begin’ EP which mined classic Drumcode influences, while his remix of Sharam’s PATT (Party All The Time) with Green Velvet and Layton Giordani showed a different side to his repertoire, and delivered his first overall Beatport no.1 along the way.
His latest three-track offering ‘Ghost Kiss’, continues the creative purple patch. The title track sounds like a techno outtake from ‘Requiem for a Dream’s’ soundtrack, deliciously unsettling and striking. This was made for big moments, propelled by a commanding vox that urges us to move our bodies. ‘Pilot’ shows Beyer’s musical breadth and commanding sound design, taking in elements of synth wave and indie pop all within a driving techno context. A captivating listen. The finale ‘Jack’, continues the inspired sonic referencing; a narrative-led dancefloor jaunt that takes in subtle elements house and electro, with Beyer’s unique twist.
Italian producer Gemil returns with Planet X on Deep Down Space Records, marking the label's second release. 'Dance Phobia' immediately grabs your attention with its serious bass groove while the energy builds. A mid-tempo minimalistic house track enriched with vocal samples that add a house appeal, while the track’s tension mounts through the break before cruising smoothly to its end. "Reaction" dives even deeper, presenting a creative, addictive rhythm track with a tech appeal. Swirling chords and airy, euphoric elements blend seamlessly over a classy 90s house feel, leading into a moody alien melody in the second half—perfect for late-night dancefloors and growing more impressive with every listen.
On Side-2, the title track 'Planet X' is an exciting and creative blend of sounds, even earning an approval nod from HAL 9000 in the mix. Italy is known for their wonderful history of ambient house. This piece has that legendary sound and appeal to be a classic while providing many smiles on the dancefloor. Lastly, 'Soul Killers' delivers an addictive house mantra that everyone can get behind. It's perhaps the most underrated track on the EP but is sure to find its way into the sets of classy house music DJs. Don't be a Soul Killer!
Planet X by Gemil is a splendid EP, capturing the essence of house music with a touch of techno sophistication, ideal for both connoisseurs and late-night revelers alike. Welcome to Planet X!
Although all three tracks offer the listener valuable insight into the level of music production ingenuity that was going on in Japan at the time, it's "Electric City" that really stands out as an unmistakably unique dancefloor track, where the then teenage female vocalists from Shohjo-Tai are left out and a galloping 120BPM beat sets a blank canvas for a number of unexpected elements to present: completely unorthodox accents in a wide range of unidentifiable sounds, a very enthusiastic electric guitar solo, the Ennio Morricone-esque Spaghetti Western vocal moments, all of which get contrasted with a blissful chorus that reminds one that this is somehow still a collaboration with a Japanese female idol band from the 80s. A hard track to forget even in the less sober dancefloors, it is no surprise that it would be a fundamental secret weapon in the repertoire of diggers such as Dea Barandana. Can't go wrong, buy on sight. Remastered with new artwork.
Resonance is one of the most powerful forces this world has,
simply because there is no way to stop it. A drop of
condensed water separates itself from the concrete ceiling.
Propelled only by its own weight, it plummets down towards
a cacophony of naked bodies and §ailing arms to shatter on
a the forehead of an ecstatic dancer. And while all this is
happening, a voice resonates through the entire room,
making the walls shake and the crowd lose themselves even
further : “Move Your Body, Move Your Soul”. Narciss emerges
from a grimey basement in Berlin to bring us two heavy
utility dance§oor cuts on Actions Speak Louder Than Words,
his ¦rst Solo EP on Seelen. The title track is truly something
to behold. With a breakneck tempo, hard hitting percussions
and a legendary house vocal, it wields an absolutely
hypnotizing power that, before you know it, will make
everyone in attendance grind and juke till the early morning
hours. There is a palpapable vibe of mid 90s Detroit-Techno
but still it manages to cut out an identity for its own, with
razor sharp sound-design and a very uplifting attitude for its
genre. And while the tracks arrangement and sound-design is
very minimal, it is on Brennpunkt that Narciss really §exes
his trademark way of building tension with remarkably few
elements. Everything here is stripped down to its most
functional core. The synth-lead is simple yet menacing, the
kick-drum hits like a boxer, and you can be pretty sure that
the hihats will leave burns if you get too close to the record.
As is custom on this label, the B-side is dedicated to thereconstructive efforts of friends or family. This time the
mastermind of Manhigh and Grounded Theory, Mr. Henning
Baer, and Seelen’s very own Shaleen have both let their
actions speak. Henning Baer has taken on the title track in
his Remix and has transformed it into a true vintage electro
cut. A distorted synth and pad add heavy grit to the original’s
vocal, and the warehouse sized kickdrum will knock anyone
unprepared off their feet. Meanwhile Shaleen’s reinterpretation of Brennpunkt strips it down even further,
swirling the original’s elements into a groovy maelstrom.
This version rumbles, clicks and sneers, with sampled voices
from a Shakespeare play giving the whole ordeal a truly
macabre feeling. This is a tool for only the most darkest of
warehouses when the night is at its peak. So now, to
summarize this record : it is a call to action. And because of
this, it continues to resonate, even when the last track has
been played. And a resonance can never be stopped.
Nonna Fab is a core part of Sheffield’s progressive music scene, founding Apricot Ballroom, Footprints Jazz Club, Jazz On The Park Festival, and his band Fuji Speedway. He’s also part of the consortium behind Grub Records, a new record shop and wine bar opening this summer. As well as regularly playing as part of his duo with Apricot Ballroom, Nonna Fab’s back catalogue of releases explores house, boogie, jazz and broken beat. This release shows an organic curation of instruments, touching on live elements, jazz improvisation and dance-floor orientated rhythms. We Still Out Here began a few years ago as a nod to the iconic New York City sound of Dinosaur L and Francois K, and to serve as a message that there are still producers out here working on and inspired by that sound. This release also features remixes by Admin and Comb. Bristol-based collector and beatsmith Admin is known for his sampling finesse, self-releasing some killer 7s, edits on his Community Disc-O's label, and music on others including Boogie Café Records, Take Away, Better Listen, and Future Boogie. The second remix comes from Norwich-based artist and I Travel to You label manager Comb, one half of the duo Dangerous Goods and the producer behind the popular Comb Edits series.
An immersive journey through the depths of soul and consciousness, this masterpiece weaves together elements of R&B, neo soul, and hip-hop, enveloped in a message that transcends the ordinary, ERIN has previously worked with the likes of TALIB KWELI, BUGZ IN THE ATTIC, and ATJAZZ.
Ferdinger returns to his own label with an eagerly anticipated 8th vinyl release, an EP titled "Second Nature." This captivating EP features two original tracks from Ferdinger himself, as well as two remarkable collaborations with renowned artists Introversion and JakoJako, who shouldn't require any introduction.
The EP begins with the collaborative tour de force "Air France," where Introversion and Ferdinger effortlessly blend percussive elements, groovy rhythms, and dubby chords. Intricate layers of delay create a mesmerizing atmosphere, delivering on the ethereal promise suggested by the title. Following this captivating opener is "Bottom Lines", a relentless and uncompromising pounder infused with hypnotic acid lines that will leave listeners spellbound.
Flipping over to the other side of the record, we encounter the title track "Second Nature", a high-octane and melodic journey that showcases the artistic synergy between JakoJako and Ferdinger. With finesse and elegance, they expertly merge their individual styles, building up to a breathtaking climax that will undoubtedly leave a lasting impression.
Closing out the EP is the introspective and somber track "Heart Break", which transports us back to the dubby stratosphere first introduced in the A-Side. Its more intimate nature provides a reflective and introspective conclusion to the EP, leaving listeners in a contemplative state.
Jasper Street Co. is one of the House Music community’s signature artist endeavors. Produced by Baltimore’s legendary production team The Basement Boys, and consisting of a collection of singers who can emote on the highest level of gospel, soulful and peak hour house, this collective has been riding high for years and is now going next level with the recent release of the “Rejoicing” album on Nervous Records. Prior releases from the album have skyrocketed to the top of DJ sales and club charts, with “Praying For You” being nominated for a Grammy for the Louie Vega remix in the Best Remixed Recording (non-classical) category.
Up next is a cover version of a song originally recorded by Teddy Pendergrass. Written and produced by Gamble & Huff, “You’re My Latest, My Greatest Inspiration” was originally released on Philly International Records in 1981. It was a massive R&B & Disco hit back then, and now has been updated by Jasper Street Co. for the house music community. The single package has an outstanding collection of remixers on board who make the project something even more special for the purists but also will launch into the larger worldwide music community. Teddy Douglas produced the original album version, but comes back for another take while adding some serious bass / kick drum juice with his Teddy Douglas Bass Intro Remix. Micfreak and DJ Spen put a highly creative spin on the original with some added effects on the vocal and a piano line that soars into the highest level of peak hour house energy with their Higher Love Remixes. Tensnake also gives it a very distinctive and infectious groove, while Dr. Packer takes all the original elements and uses his great talents and appreciation for soulful house and disco to make this project even more essential for house purists than it already is!
Double Vinyl package on Feb. 5 on Nervous Records. Includes custom jacket and yellow vinyl.
Rotary mixer with 3-band frequency isolator, VCR filter and FX loop
Filter section with resonance and sweep control for creative sound shaping 3-band master frequency isolator with vintage ALPS potentiometers (Blue Velvet RK27) Kill cut feature allows DJs to completely remove low, mid and high frequencies for amazing mixing
2 stereo input channels with gain control, clip LED, 3-way equalizer, FX Send and phono/line switching
2 microphone input channels with gain control, 2-way equalizer on air switch
2 effects send/return paths
Dual analog VU meter
Direct outputs for Timecode applications
High-grade components ensure long life and excellent sound quality
Booth output with separate 2-way equalizer and level control
Record output, independent of the master
Fully assignable VCA crossfader with adjustable curve
Outputs: master and booth (XLR/RCA L/R), record (RCA L/R), master insert send/return (RCA L/R), FX in/out (stereo jack)
Desktop console housing
TECHNICAL SPECIFICATIONS
Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: 100 dB
Klirrfaktor: <0,05 % bei 1 kHz
Gain: Line -12 dB bis +12 dB
Phono -40 dB bis +5 dB
FX 20 dB
Mikrofon 55 dB
DJ Filter: Zuweisbar: LPF, HPF,
Isolator: Master Gain:- ∞ bis +9
Low/Mid 300 Hz, 18db/Okt , Butterworth
Mid/High 4000 Hz, 18db/Okt , Butterworth
Steuerelemente: Netzschalter, Quellen-Umschalter, Crossfader, Crossfader-Wahlschalter, Crossfade-Curve Schalter; Cue-Mix-Split-Funktion, Klangregelung
Status LED: Power, Masterpegelanzeige, Clip, CUE
Anschlüsse: Eingang: Line über 2 x Stereo-Cinch
Eingang: Line/Phono über 2 x Stereo-Cinch
Eingang: Mikrofon über 1 x 3-pol XLR/6,35mm Klinke (W) Kombibuchse Einbauversion
Eingang: AUX Returns über 2 x 6,3-mm-Klinke (sym.)
Ausgang: Timecode über 2 x Stereo-Cinch
Ausgang: Kopfhörer über 2 x 6,3 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Kopfhörer über 1 x 3,5 mm Klinkenbuchse (stereo) Einbauversion
Ausgang: Rec. über 1 x Stereo-Cinch
Ausgang: Booth über 2 x 3-pol XLR
Ausgang: Booth über 1 x Stereo-Cinch
Ausgang: Master über 2 x 3-pol XLR
Ausgang: Master über 1 x Stereo-Cinch
Ausgang: AUX sends über 2 x 6,3-mm-Klinke (sym.)
Kanäle: Eingangskanal: 2 x Stereo mit Line-Line/Phono Schalter über Cinch, Kanalregelung über Rotary-Drehregler, Regler 3-Band EQ, Quellen-Umschalter, Gainregler, CUE-Schalter, FX Routing Schalter
Mikrofonkanal: 1 x Mono über Kombibuchse (XLR/KLINKE), Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ, ON AIR Schalter
Master-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler
Booth-Ausgang: 1 x Stereo über XLR oder Cinch, Kanalregelung über Rotary-Drehregler, Regler 2-Band EQ
Rec. Ausgang: 1 x Stereo über Cinch, Kanalregelung über Rotary-Drehregler
Kopfhörer-Ausgang: Stereo über Klinke, Kanalregelung über Rotary-Drehregler
Max. Pegel: Ausgang: +21 dBu
Material: Metall; Aluminium
Gehäusebauform: Tischpultgehäuse
Maße: Breite: 45 cm
Tiefe: 26 cm
Höhe: 16 cm
Gewicht: 5,50 kg
BSS is more than ever crystallising the distinctive palette that forms the microcosm of its sound, with an increasingly refined sound design.
‘Tofani’ holds many elements of his signature sound, creating a hypnotic realm with cosmic overtones. A refined electro fused with dreamy, melodic hints. A journey through cinematic adventures and experimental outbursts.
Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.
A core part of SHDW & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.
The title track 'Sound From The Past III' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.
'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.
Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.
It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.
Contra009. Embark on an auditory voyage through the heart of Detroit's finest dusty crates with "The Vault Vol. 1," a compilation of beats and melodies meticulously crafted by esteemed producer Reggie Dokes.
Dokes unveils a treasure trove of his finest deep house creations, never before released on vinyl. Delve into the hypnotic rhythms, lush harmonies, and pulsating basslines that define Dokes' signature sound, as he seamlessly blends elements of house and soul to create an immersive sonic experience. With "The Vault Vol. 1," Reggie Dokes invites listeners to rediscover the essence of soulful electronic music.
This anthology also features two mesmerizing tracks from his acclaimed 'Napi Hedz' collaboration with Pirahnahead, adding an extra layer of depth and complexity to an already stellar collection.
GEMiNii Family is grooving and is very happy to welcome new internationals members like OHM HOURANI, Luc Ringeisen & GEMiNii LTD.
Ohm Hourani is a boundary-pushing artist known for weaving intricate sonic landscapes that defy genre conventions. With a background in both classical and electronic music, Hourani's soundscapes transport listeners to otherworldly realms where organic and synthetic elements intertwine harmoniously.
Luc Ringeisen, known for his groundbreaking contributions to the legendary Club der Visionär, skill-fully navigates the realms of electronic music with his innovative sounds. Immerse yourself in his latest work to witness the mesmerising fusion of beats and textures that characterise his distinctive sonic landscape.
GEMiNii LTD, also known as BioN and Berten De Beukelaer, along with Arisha, are visionary artists whose work transcends boundaries. Their creations, rooted in the depths of imagination, blend intricate patterns with vivid colors to evoke emotions and spark contemplation. They deliver a very sophisticated and ambient piece, intertwining analog pad voices and flute, taking us on a journey in celebration for music lovers.
Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.
Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, and more.
From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.
No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.
No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’.
2xLP, Gatefold Jacket, Picture Disc, cut at 45rpm. First pressing limited to 500 copies.
Introducing the inaugural release from "Vorm", "Vorm Series: One," a compelling compilation showcasing five tracks from a lineup of esteemed and emerging producers. This release marks the beginning for the young record label "Vorm", setting a high standard with its diverse and dynamic sounds.
From the producer and "Newrhythmic Records" founder, "Joton", comes "Neon Dystopia." This opener track of the release plunges into a hard hitting soundscape, blending pulsating basslines with highly pitched atmo surfaces. "Mineral" by Kon Janson dives into a mineral-rich sonic experience, where intricate rhythms meet hypnotic textures. This subterranean grooves is exactly the addition that the A-side needs and rounds off the whole thing as powerfully as possible.
"Ricardo Garduno" delivers "They're Between Us." This starter track on the B-side is a dark, spacious force of cavernous beats and atmospheres, perfect for those moments of peak-time intensity. Founder "Maasym" presents "Raeder," a sophisticated blend of a industrial trippy synth line and highly dense effective elements.
The track evolves with mechanical precision, emphasizing and focusing on the minimalist effects, percussions and drums. Closing out the release is Berlin-based rising producer & live artist "Peryl" with "Melting Room." This track is a melting pot of raw-high energy and experimental tones, pushing boundaries with its innovative, detailed sound design.
Bax is back. First released in 2011, Mosca’s UKG homage, ‘Bax’, did big things when it landed. Almost 10 years on, it’s time for a repress.
Though Mosca missed the golden era of garage in the nineties, he caught on to darkside pioneers such as Horsepower Productions, Benny Ill and El-B later on. A blend of homegrown British styles lies at the core of his electronic music influences, early dubstep, jungle, minimal grime and bassline, which he’d experienced first-hand at Sheffield’s legendary Niche club. (Little known fact: The name Bax is a partial nod to Steve Baxendale, the man behind Niche).
All these elements coalesced in the studio and the two-tracker materialised in a couple of days. Both sides of the record do their thing on the floor; ‘Bax’ with its now infamous ‘My DJ is live in the place’ sample, that earworm melody and a ruffneck b-line.
On the flip ‘Done Me Wrong’ sees Mosca incorporate several key garage tropes; the bassline swinging alongside soulful vocals (which get sliced and diced), not forgetting that cheeky rewind.
Pleasure Planet's kaleidoscopic debut album has been a long
time coming, but good things come to those who wait.
Developed over years of late-night studio improvisations,
'Pleasure Planet' is an affectionate and colorful patchwork of
the New York City-based trio's knotted in§uences that's
suspended between the rave and the chill-out room, weaving
glistening pads and chunky basslines into vocal earworms
and warm, saturated rhythmic cycles. Bandmates Andrew
Potter, Kim Ann Foxman and Brian Hersey enter into a
lysergic dialog with their discrete personal musical histories,
drawing inspiration from vintage EBM, ambient music and
heady early '90s West Coast rave sounds and launching
these classic elements into a transcendent new sonic
universe.
CEP Records is ready to release its first various artists compilation. This collection features six tracks with a wide range of groovy, funky and driving techno.
On the A-side, Alec Dienaar kicks things off with a gripping atmospheric tune, introducing top-notch groove elements and catchy vocal shots. Cult’s track ‘Big Pimpin‘’ displays his signature, featuring snappy filter cuts, driving drums, and a dogged energy. Closing out the A-side, KAIPE takes a funkier side with a leading bassline and a memorable melody that exacts attention. Next up, Marcos Fagoagas delivers ‘Surreal Awake’, a track with a uniquely structured low-end and self-sung vocals that retain the rhythm organic. ‘Feel So Alive’ by SOURCE CODE embodies a full-on summer vibe with infectious vocals and tuneful high-pitched stab elements. Bringing this release to a close is THD+N's dub techno gem ‘Voicemail’, characterized by a winding synth line and timeless vocals that captivate throughout.
For the third label’s release, Clouzer returns to Distant Gaze with “Call of the Abyss,” a six-track EP featuring three originals alongside three remixes from acclaimed artists Damon Jee, Zakmina, and Berlin’s emerging talent, Zee Mon.
At the helm of the EP is Clouzer’s captivating journey, “Voices from the Abyss,” extraterrestrial echoes and pulsating broken beats, embarking on an exploration into the depths of the unknown. The EP’s second track emerges as a powerful stage presence, guided by the haunting vocals of Valentin Henning. Blurred and delayed textures immersing the listener in a mind-altering experience. Pulsating rave energy of “Perpetual” fuses cosmic elements, broken beats, and dark disco bassline, embodying Clouzer’s distinctive sonic identity.
Adding to the EP’s allure are three remixes, each offering a unique interpretation. Zee Mon’s rendition of “Perpetual” channels darkwave energy, infusing the track with an irresistible pulse, a primetime banger on vibing dance-floor. Damon Jee’s remix of “Stalactites” delivers his trademark full-throttle dance-floor oriented dark disco, elevating the EP to the next level of intensity. Finally, Zakmina’s broken beat journey serves as a beautiful sublime culmination of the EP, evoking the feeling of a perfect closing track for an enchanting morning DJ set.
Frankie from Atlanta has released an EP showcasing two tracks characterized by deeply profound synths and the elegant signature style typical of this producer. “The Operator” radiates energy and mysticism, propelled by a solid bassline that imbues the track with dynamism and virtuosity. In the remix, Detroit legend Gari Romalis lends his genuine touch, emblematic of his artistry. This release seamlessly merges the finest elements of both musical realms, expertly capturing the essence of each producer. It’s a testament to their skill and creativity, delivering an immersive musical experience.
Kicking off 2024, Modern Life Is War introduces the Tribulation Worksongs sessions as a single 12"EP/Digital album. This release consolidates all three 7"EPs along with "End Times Dub," a dub version of "Feels Like End Times," creatively reimagined by Urian Hackney (Rough Francis, Iggy Pop, The Armed, etc). The packaging for this release features a collaborative visual effort from Jeffrey Eaton, Thomas Hooper, and J. Bannon. Tribulation Worksongs was recorded by Luke Tweedy at Flat Black Studios, mixed by Kurt Ballou at God City Studios, and mastered by Brad Boatright at Audiosiege. Originally released as a series of three 7"EPs between 2018 and 2021, the lyrics and credits for each song were typed by vocalist/lyricist Jeff Eaton on his 1950s Royal "Quiet De Luxe" typewriter during the initial presentation. These typewritten elements were later hand-stamped on the front and back covers of the EP by artist J. Bannon, resulting in each cover being entirely unique. Additionally, the labels on the vinyl were hand-stamped before final assembly by the team at Deathwish, which will see physical release on March 22nd.
Through the medium of a distinctly synthesised, sustained ambience, seasoned artist and composer Jasmine Guffond arrives on OOH to explore the tension between technology and human creativity in an increasingly ambiguous playing field.
Alien Intelligence came into being during Guffond's residency at fabled Parisian institution GRM in 2021. While learning how to generate sound and make music with the in-house Serge modular synthesiser, the Australian artist noticed the typical role of human input for machine output was being subverted by the behaviour of certain electronic elements, which came to exercise their own influences on the direction of the music.
Taking this idea one step further, Guffond proceeded to explore the programming environment MaxMSP, a customisable interface which allowed her to blur the lines between human input and machine directives even further. Across the three extended pieces which make up Alien Intelligence you can hear the results of Guffond's inquisitive approach as she coaxed the machines into bringing their own ideas to bear on the music.
The tension inherent in this thematic duality is mirrored by the contrast between glacial ambience and chaotic interference across the album. On 'Serge & Maxine Variation One' the presiding mood is a slow and patient one, as undulating waveforms rich with harmonic overtones spill out over one another across 10 minutes. The track's latter passage, driven by steadily intensifying oscillations, is then interrupted with an unexpected flurry of pitch shifting. This kind of complex technical movement features more prominently at the start of 'Serge & Maxine Variation Three', which then gradually shifts into a gentler ebb and flow of rising and falling frequencies.
Angled slightly differently and residing on the B side of the album, 15-minute quiet epic 'Serge & Maxine Variation Two' bookends a louder passage of synth work with serene, sustained notes that ring out a sort of hymnal melody. Throughout, the movement in the music evolves in subtly modulating, hypnotic, ways, but there are also unexpected turns or melodic diversions which feel much more incongruous. In its closing stretch, the notes dart around more freely as though played by hand, but it's hard to be sure whether these shifts in the otherwise delicate tonal music were a human conceit or a programming by-product. In the end, the two inputs logically become one.
As Guffond says herself, "More-than-human logics emerge, a kind of alien intelligence that questions an assumed central position of human subjectivity in socio-technical assemblages and considers the philosophical, socio-political and cultural implications beyond music practice in an increasingly technologically mediated world."
As AI creeps into art as much as other aspects of modern life, Guffond applies her playful instinct to the theme of these works by re-considering machine intelligence as 'alien', crediting its contributions with a more robust yet enigmatic identity in the creative process, leading to an end result which is far from artificial.
►Mastered by Giuseppe Ielasi, cover art by Ilan Katin, layout by incepBOY, photo by Camille Blake, words by Oli Warwick
Manuel Parravicini, born in Germany and raised in Italy, continues to make waves in the electronic music scene. His upcoming EP on Subtil Records promises an electrifying journey with four tracks that artfully blend House grooves with minimalistic elements. Adding to the excitement is a powerful remix from Romanian DJ Lizz, whose signature style is sure to elevate Parravicini's already captivating sound to new heights. Stay tuned for an EP that promises to ignite dance floors and leave listeners mesmerized.
Pianeti Sintetici presents AI-37, entitled ‘Space Opera’. Conceived by Italian artist Davide Perrone, the Pianeti Sintetici (“Synthetic Planets”) project hypothesises the creation of future synthetic worlds as told through sound. Although split across two parts, the album is a singular organism that narrates a journey of boundless cosmic exploration. A sonic tapestry woven of intergalactic atmospheres, Space Opera’s imaginative sound design contributes to a richly spatial and haptic experience.
Taking place in the dimly lit crevices of deepest space, a swirling pool of chemical abstractions and extraterrestrial transmissions spumes out from the darkness. Elements weave through broad washes of drones and scintillating textures, contrasting a sparse backdrop with dense and multilayered passages. Composed with the use of modular synthesisers and intense audio manipulations, ‘Space Opera’ comes to life as an entity that transports the listener on an immersive journey into the mysteries of alien worlds.
Dive into the electrifying world of Jellyfish with the latest release from BUD Records,"Je Series 5." Prepare to be transported to the neon-lit dance floors of the 80s with this infectious Italo Disco anthem. With pulsating rhythms and catchy melodies, "Musikman" is a testament to Jellyfish's mastery of the genre.
The party continues on the B-side with "Musik," a modern take on disco infused with elements of nu- disco. Groove-inducing basslines and funky guitar riffs converge to create a sonic landscape that is both nostalgic and fresh. Prepare to be amazed as Jellyfish takes you on an unexpected sonic journey.
But be careful, it may not end there...you might even find a special surprise, a hidden gem, an incredible track that defies expectations and pushes the boundaries of conventional disco.
Okain returns to Talman Records with a four-track EP, offering a glimpse into his two-decade journey as a producer. Continuing his legacy of providing DJs with robust dance floor material, this EP stays true to form.
Opening the EP is "Wake Up," a tribute to early 2000s tech house, featuring crisp percussion, sharp stabs, and haunting vocals. Following is "Take Me Up," capturing the essence of UK garage with its thick Reese bassline and distinct vocal hooks.
Turning to the flip side, the EP ventures into darker realms with "Secret Science," blending dub-inspired synths with a weighty sub bass, perfect for late-night atmospheres. Closing the journey is "Swing Theory," a groove-driven track fusing minimal house elements into its infectious rhythm.
Toronto-based artist and co-boss of Parallel Minds, Ciel, known for her distinctive, precise, playful, and intricately crafted electronic productions, delivers a vibrant new EP on SUZI titled "Sada’s Dream". Originally performed during a live set at MUTEK Montreal, Ciel has refined these initial ideas into a five-track journey that showcases her unique sound palette, marked by meticulous attention to rhythmic and melodic interplay.
The EP opens with "Be That As It May," setting a contemplative tone with complex rhythms and a haunting flute-like melody that gradually unfolds into a brighter, expansive atmosphere.
Following this, the second track "Viral Load" shifts towards a tougher sound, featuring digital bleeps and arpeggiators that swirl around modern dubstep elements, creating a dense auditory texture.
The third piece, "Divide and Conquer," blends airy textures with a robust, infectious bassline and glitchy, compelling melodies, demonstrating Ciel's ability to balance delicacy with power.
Moving forward, "Bubble Gum Pop," the fourth track, adopts a clubbier vibe with its vigorous house vocals and lively breakbeat drums, offering a sharp contrast to the preceding tracks.
Concluding the EP is "Sada's Dream," the title track. This fast-paced, playful composition marries minimalist rhythms with whimsical bleeps and snippets of vocals, ending the EP on a note that feels both conclusive and invitingly open-ended. "Sada's Dream" is a sonic tapestry that weaves together the subtle complexities of Ciel's signature style with a narrative that is both intimate and expansive, capturing the essence of her artistic vision.
Berlin, the heartbeat of Techno innovation, sets the stage for Thomas Schumacher & A.D.H.S.'s first collab 'Mirazh.' Emerging from the city's vibrant scene, the artists blend cutting-edge Techno with Psytrance elements and echoes of Bulgarian folk. Recent success, including a German Club Charts topper and Beatport #1 solidify their standing among the industry's elite producers. A back2back DJ set at MAYDAY Dortmund 2024 is the perfect way to celebrate this groundbreaking release!
The release of Crosstown Rebels’ SPIRITS compilation is always a bastion moment for the label. The first edition came to prominence in 2017 and we’ve been graced with an annual compilation ever since, showcasing a consistent habit to champion established artists and breakthrough ones alike. Now, Crosstown Rebels’ lauded SPIRITS series will see the light of day once more in June, with the release of SPIRITS V.
NYC-native Layla Benitez leads proceedings with Fides, a progressive-leaning, introspective number that retains an inherent danceability throughout. It kicks off the compilation with a driving energy, one that’s perfectly matched by Trabajar - the Crosstown Rebels debut of recent Hot Creations inductee Mr.Diamond.
A techy-inspired cut, punchy four-four drum patterns create a distinctive late-night feel, as UK-talent Denney soon arrives with Kill The Soundboy. Showcasing the groove-laced house sound with which he’s become best known, the near seven-minute piece is sure to light up many a club setting this year, paving the way for Talk To Me. It’s a collaborative venture between Munich-based artist ASK:ME and El Muerto, with Soulfoot featuring on vocals. Retaining a vintage Detroit style, the fast-paced tempo creates a natural excitement before Romanian-born mainstay GruuvElement’s gifts us the minimal-toned Boom Room.
Building with tribal-like percussion and salsa-inspired instrumentals, it’s a playful excursion into dance music’s outer realms, paving the way for young Peruvian producer Chinonegro with My Moment. Whether it be the pluck of a guitar string or a jazzy trumpet solo, there’s an inherent authenticity to the six-minute piece, as a mid-track breakdown gives way to whispering hats and a rhythmic underlying backbone.
The penultimate offering comes from French-born, London-based regular Maglia, who serves up the enchanting Rayiys. The chirping of birds resides atop an ever-changing bassline, leaving us open and ready for the VA’s closing saga: Thanks Moon, by Spain’s I AM JAS. A heady combination of beautiful lyrical contributions combines with softly moving electronic elements, to leave us in a state of calm, inward reflection. Rounding off proceedings on a note of quietude, it reminds us of the final moments in clubland, transporting our psyche to sunrise, fond memories and everything in between.
Over a period of nineteen years, Damian Lazarus’ Crosstown Rebels has evolved into a world-renowned institution, garnering global audiences thanks to a consistent schedule of quality releases. In years since it’s earliest beginnings, the likes of Maceo Plex, Art Department, Seth Troxler, Ali Love, Mathew Jonson, Pier Bucci, Acid Pauli, Dennis Kurtel, Francesca Lombardo, Glimpse, Aphrohead, Fur Coat and a plethora of other figureheads have all found their home on the label.
The roster is international, showcasing how Crosstown has shaped a truly global scene. Releases are born in different continents by artists who hail from different countries, resulting in a sound that resonates worldwide. Perhaps most pivotal to the label’s success is its musical output: no part is governed by boundary or genre. It’s underpinned by a truly eclectic sound, one that reflects the diversity of Damian’s love for music itself. An album from drum and bass icon DJ Krust here, a maiden LP from Audiojack there… traversing genres has been Damian’s forte for decades - and Crosstown epitomises that as a result.
Singer, songwriter and producer Johnny Burgos returns with veteran producer Jeremy Page (Kendra Morris, Czarface, MF Doom) for "Hit Me Like," the
instrumental is dripping with retro soul nostalgia, serving up the drums and bass-forward and funky, under
a blanket of buttery guitar chords. The production carries Burgos' silky smooth and heartfelt delivery
effortlessly, offering a brilliant take on a timeless-sounding, soul-inspired love song.
Singer, songwriter, and producer Johnny Burgos returns with
veteran soul producer, Jeremy Page, (Kendra Morris, Czarface, MF Doom, That Handsome
Devil) for "Get Back." The fourth single off of the duo's upcoming album titled, 'All I Ever Wonder,' is a vulnerable retrospective of a love gone cold, with hopes of rekindling the
magic that once kept its flame alive. In true Neo Soul form, the song is driven heavily by the
drum and bass groove, distinctly reminiscent of an early 2000's J Dilla beat. Page's signature
colorful chords evoke the struggle in Burgos' story, as he confronts his inability to accept the fate
of his relationship and let go of the magic it once embodied.
Johnny Burgos is a Brooklyn - born singer, songwriter, producer & engineer. His brand of retro-soul embodies a
raw uncompromising sound revealing beauty from pain, hope from despair, and the will to keep fighting.
Influenced by his uncle and world-class percussionist, Andre Martinez, growing up Johnny developed a
fascination with the percussive rhythms of salsa and soul music, eventually manifesting into a devoted passion
for hip-hop production using an Akai MPC. With influences from Michael Jackson, OutKast, J Dilla, Lauryn Hill
and D'Angelo, Johnny's music draws upon the core principles of R&B, while encompassing elements of
hip-hop, funk, pop, salsa, and reggae. Collaborations include artists such as DJ Skizz, Mobb Deep & M.O.P.,
Marco Polo, Frans Mernick, and Liza Colby (The Gold Setting) and his band Bridge City Hustle, with whom he
toured nationally.
As a solo artist Johnny debuted with back-to-back brand endorsements from French's Mustard and Samsung
US, using them as a platform to launch his 2018 EP Love Through it All. In March 2021 his debut album Gone
Into The Grey received critical acclaim and has since been added to multiple editorial playlists by Spotify, Apple
Music and Tidal, resulting in an ever-growing listening fan base. In 2022, Burgos' song "Wild About You" was
then used as the soundtrack for Neiman Marcus' It's Your Moment global streaming campaign.
The Samosa label gets its Re-Funk Head on once again with Part 2 of the exciting sonic laboratory project.
Opening this outrageously good EP are Samosa alumni Dirty Elements & Drunk Drivers feat E.M.E and their all-powerful and energy blasting ‘Disco Ball’ – a track that never even attempts to hide its sassiness. The brass ensemble fanfare (which is truly one of the best disco riffs in the known universe) acts as a victory parade through Samosa City – all tickertape and confetti raining down on smiling faces. A serious, serious groove which has featured in sets by Art of Tones on his Ultimate Mix Show for Glitterbox Ibiza and by Folamour in his Amsterdam gigs in March 2024.
Track 2 is respected Italian Maestro, Moplen and the wonderful ‘Ain’t No Doubt About It’. There’s an immediate dance floor lure to the disco beats and bongo rhythms here. Take a good helping of ‘pew-pew’ laser bolts, cow bells and hand claps; add a masterful bassline and you have some serious, serious disco business. You could be sipping evening cocktails in Club Coco Bongo or taking in a beach at sunrise - this track would make you want to dance regardless.
On the B-side the disco theme continues with the most aptly titled ‘Sexy Thing’ by Jazzyfunk. At 122bpm, this heads quickly into soaring, heavenly strings and punchy bassline territory, enveloping your ears like a warm duvet. The melody is a dance floor dream – it demands that you join the hands-in-the-air crowd and there really is no point in resisting. ‘Sexy Thing’ is one of those rare ‘moment in time’ tunes that could either kick a night off or act as the grandest of grand finales. Pure, unadulterated disco pleasure.
Closing the EP with Track 4 is DeGama himself and ‘Feel The Groove’. Make no mistake, this is a powerful, brooding beast of a tune that bursts out of the traps in no time at all. At a very deceptive 120bpm, ‘Feel The Groove’ starts with a warm, housey vibe that quickly breaks into a jumping, blues inspirerd guitar battle. The solid beat bounces gorgeously in tandem with the filthy rhythm guitar riffs and sultry saxophone in a knee-slapping, somersaulting, backsliding explosion. A seriously filthy tune from DeGama.
Re-Funk Head Part 2 acts as a perfect companion to its predecessor – featuring an all-star cast of some of the best talents to grace Samosa. A must for all serious record collectors.
Splatter is a new vinyl and digital underground techno label from Austrian artists Luca Tresque, Joe Haensn and Rotary Motion.
'Exceed Limits' follows their special prequel EP and launches the label catalogue in style.
Florian Meindl is a Berlin-based artist who runs the FLASH record label and who has appeared outside of his own imprint on labels like Stephan Bodzin's Herzblut to Oliver Koletzki's Stil vor Talent. "Gridlock" is a true jackin' cut with a multitude of mechanical elements and raw analogue energy.
Linear System is a Spanish artist who has released music on esteemed labels like Edit Select, Ben Sims' Symbolism and Dynamic Reflection. "Taurinom" is a moody, rolling groove with gripping suspense and haunting touches from gothic effects and an eerie atmosphere.
Leipzig is the home of JANEIN, a respected artist known for releasing on Index Marcel Fengler, Slam's Soma, Fiedel's Fiedeltwo, Exos' Planet X and Electric Rescue's Skryptom. "Neowise" is punchy and percussive track with a metallic, siren-like hook and infectious energy.
Daniel Heinrich is also from Berlin, and shows himself to be a top talent following his EP's on Elektrotribe to Inherit with remixes by Arnaud Le Texier an Hadone. "Close Your Eyes" has a pacey style with superb stabbing chords that create an old-school feel alongside vocal chants for extra impact.
Stuttgart-based Egotot runs the Schimmer label and also lists BCCO, OECUS and Ketch's SYXT in his quality back catalogue. "Name It As You Want" has a quirky, bouncing beat with Detroit-style stabs and a light-hearted vibe ready for the dance floor.
Rosati launches his new imprint, Global Pulse. The label embraces a futuristic development of Techno, exploring unknown sonic territories while always staying true to its original essence.
The inaugural release, 'Automatic Response EP', features five original tracks that are pulsating with powerful dynamics and detailed textures.
In the first track, A1 'Automatic Response', the vibe is established by a steady bass line and hypnotic bleep sequences that are ensuring high pressure energy.
Continuing with A2 'Way Out', where a wide landscape is created through the use of well crafted sound design elements, juxtaposed to a minimalistic 909 groove.
With B1 'Ufo Memory', Rosati is diving into alien realms, blending atmospheric UFO textures with heavily saturated drum patterns, creating a dark, pumping, and futuristic mood.
In B2 'Feeling', the focus shifts to the late 90s era, where a story of freedom is told through the appearance of percussive loops, funky bass lines and pad melodies.
Inside the record there is also a digital bonus 'Time Tunnel': a melodic electro journey that transports the listener into a robo-dystopic, yet hopeful, future.
With this first release, Global Pulse lays the ground for a promising series that will push the envelopes of Techno, promising a platform focused on sustainability and authenticity of Electronic Music.
One of the keys to Nervous’ longevity has been our willingness to take chances on new producers and new sounds. As long as a track contains the essence of House, we encourage producers to experiment with combining House with other musical genres. And if the results are creative and fruitful enough we are always ready, willing and able to create a new sub label and logo to go along with a fresh sound.
In the 90’s we felt a movement toward House being juiced with Jazz elements and we created the Nervous Chill Sub-label. Now all these years later we are once again seeing a new appreciation for the sounds, flow and energy of Jazz on the part of some of the world’s premier House Music Producers, and so we are embarking on a re-launch of the Nervous Chill imprint.
Onboard for the re-launch is the very talented and dynamic producer Felipe Gordon with the two tracks “Elisa” and “Resonant.” Both songs feature the legendary musician Paul Shapiro, who has played a key musical role in many of House Music’s most celebrated tunes including “The Whistle Song” for which he supplied the eponymous “whistle.” “Elisa” features an uplifting and bouncy rhythmic vibe that’s topped and energized with Paul’s jazzy flute, while “Resonant” has a deeper and slightly more aggressive tone that’s propelled with Paul hypnotic and free wheeling sax instrumentation.
Love Love host a collaborative release by two of the freshest contemporary Avon producers, Best Pest and Kursa. Kursa (also one half of S.Murk) has built a notable following in the UK as well as in the USA, playing out often at big stateside events with his own style of tight, maximalist bass music - think Tipper, Eprom, Noisia etc… Ben Pest is no stranger to Love Love with 2 previous solo releases under his belt, best known for his crunchy techno & electro and ripping hardware live-sets. Here they come together for a 5 track genre-hopping EP, each flexing their respective production sensibilities, splicing elements of dubstep, grime, hardcore & garage together, along with a healthy dose of multi-dimensional sound design, to make some of the noisiest modern dance music going.
Early support from: Clouds, Giant Swan, Rob Hall, A Made Up Sound, Om Unit, Nikki Nair, Luke Sanger, Deft, Warlock, Second Storey...
That true beauty lies in the essentiality and meticulous combination of a few elements is sometimes not just a cliché. The delicate blend of Roland CR-78, acoustic guitar and dissonant organs that intertwine in Open Windows is a vivid demonstration of this. It is these few elements, now distant and hinted at and now close and deafening, that paint the backdrop of melancholic nostalgia where laconic whispers move the listener within the paintings that bear the sonic signature of Human Figures. To Daniel Lewis’ new project, which has seen its springboard through releases on the label of his friends at Frigio Records, perhaps the adjective “new” is already quite tight. He has built a very recognizable sonic tibre, an influence of producers and listeners at different latitudes of the post-punk and wave scene.
In the 8 canvases of Open Windows the folk tradition is repainted in a more contemporary guise: the sweet and sad litanies are alternated with fast and frenetic stornelli in which the combination of tradition and experimentation constitutes the stylistic signature. The open window through which the listener has the opportunity to look out in this album does not, however, give onto a natural external panorama. It projects into an inner world where introspection and silence are the only chance to grasp its sublime beauty.
The Passion has always been a track that resonated deep within me, a true gem by the infamous 90s duo GTO, also known as Technohead. It is a classic that has been a constant source of inspiration and emotion in my musical journey.
I am beyond grateful to have had the opportunity to rework this timeless track into a modern Techno anthem that embraces Peaktime and Psy elements, infused with my signature production style.
‘Unknown Fate’ is the debut release from UF - the collaborative live project between German experimental techno artist OAKE and British producer and live performer Samuel Kerridge.
Self-described as the ‘power metal techno’ duo, the project was initially born from an Atonal commission. Now, OAKE & Kerridge present two EPs ‘Unknown’ and ‘Fate’, culminating in 9 tracks of unadulterated sonic warfare for their LP release.
Of the project UF say "Forged through friendship, addiction, and debauchery, UF is the sum of our parts. It’s taken over a decade to formulate these ideas and the noise is palpable. Pack your end of world survival bags and prepare yourselves for the ensuing riot.”
Samuel Kerridge and OAKE started creating music together when they shared a studio in Berlin and have been making music together for a decade. This is the first time that they have released music as a duo and it’s been a long time in the making.
• Limited LP 180g White Vinyl – 300 copies only
• UK marketing and global PR teams engaged - recent coverage: Hypnotic Groove, Expansion Radio, Metal Junkbox and Skreen B
• Samuel Kerridge is a pioneering & well-respected British electronic music producer and DJ recently featured as Resident Advisor’s ‘Mix of The Day’.
• Berlin based OAKE aka Eric Goldstein is recognized for his dark, atmospheric soundscapes that blend elements of techno, industrial, and ambient music
Pure Dub techno driven 5 tracker. Hydergine is back on Ranges with a new sonic journey that delves deep into dub techno while infusing it with innovative broken beat structures.
The EP showcases the artists signature style in a captivating and refreshing way. Four tracks take the listener on a diverse and evocative journey, ranging from futuristic and dark sci-fi vibes to immersive and emotionally resonant soundscapes, with a rich tapestry of sonic elements that engage the mind and stimulate the senses.
Resoe provides a reinterpretation of “Perception” that reveals new layers of complexity and emotion. A captivating exploration that results in a hypnotic and addictive masterpiece, further enriching the overall package.
Made from 80 0,5l (16oz) recycled plastic bottles, the SOLID BLAZE PACK 80 is a lightweight daypack designed with a minimalistic footprint to accommodate your DJ/production essentials and daily needs.
The SOLID BLAZE PACK 80 is crafted from only the highest quality materials, such as a water-repellent RPET 900D shell and YKK® AquaGuard® zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. The interior layout features numerous compartments, pouches and zippered pockets for organization and quick access. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 80.
Fabrics made from recycled PET plastic bottles (Global Recycling Standard certified)
Outer material crafted from roadworthy and water-repellent RPET 900D Polyester (with eco-friendly water- based PU-coating)
Lining made from RPET TC Polyester
Lockable dual PVC-coated YKK® AquaGuard® zippers (padlock not included)
Separate compartment incl. padded laptop (up to 17“) and tablet sleeve (This compartment also fits 12” records)
Numerous internal pouches, compartments and zippered pockets to organize smaller gear
Quick-access front-compartment
Hanging mesh pocket for headphones or camera storage
Expandable side-pocket for bottle storage
Comfortable air channel back padding with hidden document pocket
Contoured and ergonomic riveted shoulder-straps with metal buckles
Adjustable chest-strap
Trolley-Sling
Cabin luggage compatible
+ Outer dimensions: 49 x 32 x 20 cm / 19.25“ x 12.5“ x 7.8“
+ Inner dimensions: 45 x 30 x 8 cm / 17.75“ x 11.75“ x 3.5“
Presenting 'Swinging Flavors #12,' the latest sonic exploration by Tokyo-based sound craftsman, T5UMUT5UMU. In the pulsating track "Bolt," he deftly blends elements of techno, breakbeat, and jungle, offering an intergalactic journey through the diverse universe of bass music. Released under Beat Machine Records'
Swinging Flavors series, this digital and 7" vinyl release invites listeners to embark on a cosmic adventure.
T5UMUT5UMU, a genre-defying producer, skillfully navigates the space between tracks united not by traditional genre labels but by vibe and style. With techno, breakbeat, and jungle as his guiding stars, his music draws inspiration from Eastern cultures, seamlessly woven into UK-style club tracks. Fusing elements like HARD DRUM, dark breakbeats, grime, and DnB, T5UMUT5UMU creates compositions that transcend boundaries, captivating audiences globally.
The remix of "Bolt" by Mani Festo mirrors the rapid and diverse stylings found in his towering catalog. Mani Festo, caught in the tension between futurism and tradition, is a champion for the transformative power of club music. As part of the Club Glow
collective, his dynamic sound ranges from breakbeat science to electro machine funk, elevating 'Swinging Flavors #12' to new heights. The remix, akin to a warp-speed journey, propels the original track into uncharted territories, delivering an electrifying experience anchored by heavyweight rhythm craft.
Together, T5UMUT5UMU and Mani Festo invite you to lose yourself in the cosmic magic of 'Swinging Flavors #12,' a release that transcends musical boundaries, celebrating the joy of exploration within the vastness of bass-infused soundscapes.
Up next on Renegade Methodz is label head Endlec. Following last year's "Cycle of Doom" EP, the Greek producer returns to the label for his first release of 2024.
Dry loopy techno, composed with classic techniques, yet designed for the modern dancefloor...the 'Futur Akustik' release finds Endlec returning to a sound that has defined him earlier in his career and showcases the producer's knack for memorable sonic designs and admirable studio prowess.
Minimal in its components and pristine in the sound processing, the listener is presented with a cohesive collection of classic techno tracks that blend a mix of raw, percussive, driving elements and powerful kick drums with ever-dominant synth lines, providing a sense of intensity and raw emotion to all cuts, while straightforward techno rhythms keep the record dancefloor-regulated.
Adiel's "Il Significato Delle Parole Remixes" EP Returns with Captivating Remix Package includes Donato Dozzy & Pinch
In the ever-evolving landscape of electronic music, where sonic landscapes morph and intertwine, Adiel's "Il Significato Delle Parole" EP stands as a testament to the power of artistic collaboration and sonic exploration. Now, this boundary-pushing release returns with a mesmerizing remix package, featuring reinterpretations by acclaimed artists Donato Dozzy, Pinch and Adihell.
Originally conceived as a collaborative effort between Adiel and musician Flavio Accorinti, "Il Significato Delle Parole" delves deep into the intersection of techno and experimental sounds. Its tracks serve as conduits for a journey through fragmented realities, weaving together elements of cyberpunk futurism and introspective dreamscapes.
Leading the remix charge is none other than Donato Dozzy, whose masterful touch breathes new life into the EP's ethereal atmospheres. His reimagining of "Nulla Resta" takes listeners on a hypnotic voyage, layering intricate textures over a pulsating rhythm, while maintaining the track's emotive core.
Joining him is Pinch, a visionary producer known for his genre-defying approach to bass music. His Remix of "Sospesa" injects the track with a sense of urgency, blending dark trip-hop aesthetics with futuristic sound design to create a truly immersive sonic experience.
The EP also includes Adihells' captivating remix of "Nulla Resta," returning after leaving an indelible mark on the original release. This rendition adds another layer of depth and intrigue to the already mesmerizing collection. It's worthnoting that Adihells isn't merely an alias but rather a darker iteration of Adiel, embodying a distinct sonic persona.
Adiel is a visionary artist whose sonic explorations defy conventions and push boundaries. With a keen ear for intricate soundscapes and a fearless approach to experimentation, she continues to captivate audiences worldwide.
With these remixes, Adiel's "Il Significato Delle Parole" EP transcends its original boundaries, inviting listeners to explore new dimensions of sound and emotion. As words continue to shape our understanding of the world, this release serves as a reminder of the transformative power of music to unite and inspire.
Embrace the journey and let the music speak for itself.
The incomparable Deepchord is back on Soma and drops the first single from forthcoming album, Auratones due in October. As is expected from the Detroit based sound designer, the Campfire EP is everything we have come to know and admire about his productions, from the spaced out, ambient sound fields to classic Dub Techno.
Perfumes Of A Spring Mist delicately opens this latest EP with entrancing, processed soundscapes, beautifully haunting melody and simple rhythmic elements than seem to evolve naturally allowing you to get lost in the sea of vibrations. Xpan leans on the more classic Dub Techno sound from Deepchord of years passed. Sub heavy beats and jagged yet tranquil synths sweep across the palette as Deepchord plays with constantly fluctuating chords, bringing the quintessential 90s Deep Techno into his more modern, processed sound. Title track Campfire brings ambience to the forefront to close out the EP. Melancholic synth elements drift across an expanse of refined and uniquely crafted field recordings, offering an insight into the areas from which Deepchord draws his inspiration.
Once again Deepchord proves to be one of the most visionary artists the electronic world has seen.
For those seeking a musical experience reminiscent of the iconic LARRY HEARD, RON TRENT & KERRI CHANDLER, delving into the enchanting sounds of A VISION OF PANORAMA is a journey well worth taking. A VISION OF PANORAMA, much like MR. FINGERS, has mastered the art of crafting immersive and soulful electronic compositions. This latest release invites you into a sonic realm where lush melodies, dreamy textures, and intricate rhythms coalesce to create an atmosphere of pure musical bliss. In a landscape where electronic music continually evolves, A VISION OF PANORAMA stands out as an artist who skillfully pays homage to the timeless vibes of classic deep house while adding a contemporary touches of forward thinking smooth and Balearic jazz. The fusion of classic house elements with a futuristic flair makes A Vision Of Panorama the closest thing available to the legends that precede.
Tape Reworks, Vol. 2is the fourth project by Langham Research Centre released onNonclassical. Following the success of theirTape Works, Vol. 1and subsequentTapeReworks, Vol. 1(which featured remixes by Jim O'Rourke and Group A), this EP presentstwo remixes of tracks fromTape Works, Vol. 2:'Movable Fields', remixed by Kara-LisCoverdale, and 'Nachholbedürfnis', remixed by Beatriz Ferreyra. Kara-Lis Coverdale's 'Movable Fields' is an icy soundscape, gently moving at a glacial pace, evoking the feel of a field recording from a strange planet. 'Movable Fields' draws from elements of twoTape Works, Vol. 2tracks, 'Accarezzo' and 'Terminal Voltage Traces'. Ferreyra's remix of 'Nachholbedürfnis' is a dadaist cacophony of bleeps and lo-fi scratchy samples, darting chaotically throughout the track in true GRM fashion. The original album utilizedrecordings made in specific locations, particularly brutalist buildings, as an audiomanifestation of modernism.
WOLFDRIFTA returns to his own Wolves That Drift imprint for its sophomore release via the ‘Control The Code’ EP, complete with remix from Phone Traxx’s Rob Amboule.
The EP kicks off with the titular ‘Control The Code’. A versatile track which seamlessly fuses elements of early Detroit electro and techno with a classic Chicago-esque groove packaged with modern dynamics and functionality. GOSU affiliate and Phone Traxx member Rob Amboule steps up to remix the aforementioned ‘Control The Code’, adding his trademark breakbeat and minimal stylings to proceedings. Closing out an impressive second outing for the burgeoning imprint is the haunting, hardware driven ’Twilight Zone’ to complete the hat trick.
Überkeine sets the tone of his own record label with four esoteric tracks, designed for the club. An obvious intention to establish a radical style with conceptualized sonorities, is revealed throughout the Ep. The sound materials are elaborate, and go straight to the point. Obsessing over the flow of creativity offered by his modular synthesizer, he delivers a very dense techno and already affirms a well-marked identity. Powerful and textured kicks, intricate synthetic sounds contained in an arrangement reduced to the essential. The tracks come to life as the forthright reflection of the thoughts of the producer. Guillotine Whistle instantly plunges into the unbridled world of the Ep. An ominous atmosphere hovers over our heads as it reveals organic and disconcerting tones. A gentle brutality emanates from this whistling guillotine that awaits to cut you up in two. Leading the way towards Drifting Data, a track inspired directly from Jungle Patterns. Überkeine is humbly trying to render DnB to a techno format. The dense, saturated Bassline sustains the idea of breaking the dancefloor in pieces. A hard hitting, broken beat environment accompanied by heavily filtered synthetic chaos. Third track’s the charm, the B side starts with Mirror Moist. A drop-down, wet and straightforward techno track with a carnal Bassline. As sensual as it gets, this track conveys a kinky loop urging intimacy and blasting heat throughout the club. Last but not least, Shaney’s remix of Mirror Moist. Picking up core elements of the original vibe and translating it into the off-beat techno nightmare it deserved to be. Full-on obscure dancefloor piece of equipment.
This time, they’re featuring another fellow Ukrainian talent – Victor.B. As you may already know, he’s one of the best live acts in Ukraine (in my opinion), so his tracks are always highly anticipated.
The one we’re diving into today, “Robato,” is a minimalist electro piece loaded with A LOT of vocoders. It sounds like a perfect tool to me. I heard it live, and I can guarantee you – on a great soundsystem, it’ll sweep you away for the entire six minutes.
Another B-side gem with a Japanese name, “Yoshimitsu,” continues the vibe perfectly. The buzz in this one might be even more intense than in our premiere. Pick your weapon. On the flip side, “Remember” reveals a different side of Victor.B with its pace and almost trance-like groove, maintaining a gloomy house vibe and no “rave in the forest” elements here. “Bio10,” the final track in this review, is a bit more subdued yet still lively and very dancefloor-driven.
Office 04 circles in memories: The record is about Johannes 'Iron Curtis' Paluka's time at Karl-Marx-Straße Berlin where he used to live next door to label head Baaz and graphic designer Chris Fladung.
A1 track 'Magnet' is an ecstatic piece of house music holding all elements IC's production is esteemed and loved for : Heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. 'What happened happened' surely marks up as another proof of Curtis' fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein.
Adapting elements to their own agenda, clandestine groove explorers Berg turn 'What happened' into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. Berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the 'reductions' aim: keep the dancer dancing.
Here at Bordello, the hot season has already arrived. Championing this warmth is Italy’s very own Hey Cabrera! The Turin based dynamo melds elements of electro disco, italo and house to create a uniquely aromatic blend of dancefloor joy. Clean drum patterns, claps and hi-hats are at the foundation of “Italo Void”. From these percussion points, a bold and ensnaring melody takes flight; glimmering synthlines shining from beginning to end.
Fellow Bordello mainstay, Lauer arrives to bring his own analogue sound to the title piece. Accentuating that irrepressible tune, piano keys give extra ballast with a touch of late evening romance as we wait for the sun to come up. The flip transports us to Scandinavia for some unrequited love. Although “Forelskelse” may mean unexplored passions, this track is brimming with emotions. Burning with a smouldering energy, ingredients from disco to house combine to produce a wonderfully uplifting work.
David Bay, of Zissou Records fame, closes with his interpretation of “Forelskelse”. A measured introduction gives way to those addictive notes of the original, Bay stripping back the samples to allow the instruments to sing. A soundtrack to see us into a magical summer.
Jay Lumen is back for our 40th Footwork release. His „Universe" track is a good proof of his cosmic, trippy techno sound with the massive bass and kick elements. While „Grooveride" tune is a great mixture of Jay's raw techno, power house and hardgroove vibes.
B side „Ode To Earth" is a rolling techno sound with real nice melodic elements including some trippy vocals. Good choice for festivals and warehouse raves. B2 „Once Again" is a raw techno fusion of the UK Rave and Hardgroove sounds into a very fresh pumpy track. Enjoy the journey and mind your Footwork!
What I Breathe is the debut album from Mall Grab AKA Jordon Alexander. The Australia-born London-based powerhouse reaches within to create the most comprehensive demonstration of his style to date – loudly defining the raw energy that has become synonymous with the moniker.
“This album is deeply personal and an exploration of all influences, sounds and sides of the Mall Grab project. It follows my journey of the last 6 years from a university dropout in Newcastle (Australia), making music as a source of happiness and expression.”
While glances of what Jordon gravitates towards in dance music can be heard in the record label imprints he steers—Looking For Trouble and Steel City Dance Discs—it's with What I Breathe that he elaborates on and articulates his diverse ear for music. Through collaborations with Brendan Yates of Turnstile, Novelist, D Double E and Nia Archives, the Mall Grab repertoire of emotive electronics is used to traverse his love of hard-to-define energies that exist between genres like Hardcore, Hip-Hop and Soul.
“I have been lucky enough to work with some of my favourite artists which have really been the glue that keeps the project coherent. There are a lot of familiar sounds on this album that my listeners and followers have become accustomed to and joined me in the deep dive. Elements of emotional but hard and pumping club music are intertwined with House, Jungle, Rave and Grime. My adopted home city of London has been a huge inspiration to how my music has evolved and progressed, and on What I Breathe I wanted to create a body of work which not only had something for everyone who has been with me the past 6 years, but also those who aren’t yet aware of what I’m about or the music I make.”
Jordon’s long-standing penchant for all things DIY blossoms in tracks like Lost In Harajuku and Without The Sun which feature his own original lyrics and vocals. As the album twists and weaves from one song to the next, gleaming melodies flare up into club-ready anthems such as Metaphysical and Breathing. The kinetic flow of the music as a whole can be attributed to the many years of cutting his teeth as a DJ, a skill that can be testified by anyone who has witnessed a Mall Grab set.
“As I was a DJ for many years before I delved into producing electronic music, I had a wide appreciation and love for all types of music, predominantly gravitating towards ‘band' music when creating my own projects, before evolving into a fully-fledged electronic producer – however always retaining the influence and love for all things live and genre-fluid.”
Even with a stack of very well-received projects already under his belt, What I Breathe can be seen as the first deep breath in and a fierce declaration of what’s to come for Mall Grab.
“I’m grateful for everything and everyone in my life, those I love and those who support my music, through all the ups and downs. I live and breathe this shit. I cannot do anything else. I will continue until there is nothing left for me to say.”
Jack's House Recordings favourite (Alex Arnout), is back with another 4 track solid EP. This is the 3rd EP with Alex signed to the label. Alex was the first artist to release on the imprint back in 2016 with sell out Confirmation Bias ep followed by the Sync Jam release and further productions on some of the Jacks Tracks VA series. This latest offering with the new Burn EP does not disappoint
This limited vinyl press offers 4 distinctive tracks showcasing Alex's ability and talent to seamlessly blend influences from different genres making his production unique creating his staple sound.
First up is Burn which kicks of with tough tech beats quickly followed by some punchy chords before it develops into a beautiful fusion of an energetic original tech house sound merged with what can only be described as a pure soulful touch with the vocal snippet which occasionally and simply sings the the title track lyric (Burn). You could describe it as Tech soul if that were a thing. Punchy, warm and energising with a touch of a romantic notion in there while maintaining the techy roots, you will have this on repeat.
2nd up is Tribespeople, which takes you into Alex's tougher side. Leading with a full on kick and rounded sound, it is perfectly suited for true underground dance floors at the height of their energy, or to wake it up, this track is made for the committed clubber that really likes to go for it ! The track is laced with subtle fills that will jog your memory and take you back to the original days of rave. This is pure underground bliss.
On the flip side, is the popular Punkadelic. This was originally released back in 2022 on Jacks Tracks VA Vol 5 alongside tracks from Terry Francis, Lex & Legit Trip. It was always intended to be a vinyl release, so by popular demand, it is finally going onto wax, where it deserves to be. Punkadelic is dark with a real techno vibe, but even in here, if you have a good ear, you can hear subtle touches of Jazz in the percussion, which yet again showcases Alex Arnout's unique talent to fuse elements of different genres in an especially classy way.
Last but by no means least, is a slightly different flavour with the track Recall. This is a slightly more laid back number, but still punchy with a good chug to it, and keeping within the sounds of the underground. Vocal snippets are spoken and broken throughout the track laced over some ghostly chords accompanied by swinging hats, claps and a fierce bassline.
The scenic artist and multi-instrumentalist CLARAGUILAR moves from performing arts to cinema as a composer and live performer. Over the last few years he has created soundscapes that blend electronics and sampled elements with orchestral arrangements, becoming one of the main names of the Spanish theater scene when it comes to soundtrack and sound design creation.
After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', CLARAGUILAR's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design.
'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.
Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range
Peaked #1 on Beatport Top 100. Supported by: Gorgon City, Fisher, Dom Dolla, Vintage Culture, Danny Howard, Solardo, Joel Corry, Acraze, Ferreck Dawn... Versatile British producer Riordan, a rising star in the electronic music scene makes his debut release on Gorgon City's imprint REALM RECORDS. ‘Needle On The Record,’ delivers an undeniable groove that effortlessly transports you to the heart of the dancefloor. A thumping bassline, charged synths, and commanding atmospheric elements, the track sets the stage for something monumental even before the vocals kick in. As the chopped vocal hook is expertly manipulated during the breakdown and rapidly looped in intensity as they cascade into the exhilarating drop. Experience the enchantment of Riordan's soundscapes.
Supported by: Gorgon City, Fisher, Dom Dolla, Vintage Culture, Danny Howard, Solardo, Joel Corry, Acraze, Ferreck Dawn
Coming from a diverse background of equal amounts hip hop and rock, the producer behind the alias of nrl:ndr got into dance music late in his musical career. After playing in kraut-oriented bands like So Many Mammals, parts of that group reformed into the live techno outfit Tren Né, with the goal of fusing techno elements with live drums. Playing for illegal raves with a punk-like energy, nrl:ndr has cemented his relationship with his machines in service of the dance floor.
But his solo debut on blundar is quite far removed from that scene. To understand this music, one should be aware of the conditions under which it was manufactured. Reluctant to consider himself an artist in the traditional sense, nrl:ndr makes his music free of anticipation and without apparent goals. To glean into this outré musical space is like putting one's ear to the boarded up windows of the photograph that adorn the front sleeve.
The album makes extensive use of the Roland JV-2080, a sample-based synth rack from 1996 with a distinctly clean sound. Our producer dives deep into the expansion cards (labeled after genres like “Hip Hop” and “World”) for curious and sometimes cheesy samples. But he also forces the JV-2080 to do things which are not its forte, like the arduous task of programming decent kick drums.
Another technique that is testament to his experimental view on music making, is the idea of using sketches of unfinished tracks with different time signatures, and mash them together into something new - of which the results of one of these experiments can be heard on the closing track and its bilingual conversation between ambient and tribal.
Full of stunted rhythms and eerie melodies, the unclassifiable nature of the music of nrl:ndr lies somewhere in the vicinity of IDM, classical avant garde and private press synth. From the epic opening track - echoing the post-kraut drumming style of Michael Shrieve - to juggling with chopped up vocal samples and treading into almost trap-like territories on A4, he crosses into a multitude of genres without getting his hands too dirty with nostalgia.
San Francisco dub techno magician is in the game, but wait a minute.. Does anybody know What Robot Says?
Vinyl Only
Introducing the debut EP from the visionary electronic artist Federsen, What Robot Says Records proudly presents a mesmerizing journey into the depths of dub-infused electronic music. Hailing from the vibrant city of San Francisco, Federsen, also known as Chris Kelly, brings forth a sonic landscape rich with the influence of dub reggae recording techniques.
Within this inaugural release, Federsen masterfully melds vintage tape delays and analog equipment to craft a sonic experience unlike any other. Each track within the EP is a testament to Federsen's meticulous attention to detail and his ability to weave intricate melodies with hypnotic rhythms.
Opening the EP is "High Pressure," a seamless blend of precise minimalistic percussion and ethereal melodies, effortlessly drawing listeners into a world of hazy dub textures. Following suit is "Sono," where deeper melodic layers intertwine with Federsen's signature sophistication, creating a timeless elegance that permeates every note.
As the EP unfolds, "Fazed" emerges as a standout track, delivering a powerful groove destined to ignite dancefloors while still maintaining the immersive simplicity of dub soundscapes. Finally, "Quadrata" serves as the perfect conclusion to the journey, offering a sublime fusion of atmospheric elements that evoke a sense of introspection and tranquility.
With this EP, Federsen invites listeners to immerse themselves in a sonic tapestry where tradition meets innovation, where every beat pulses with intention, and where the boundaries between genres blur into oblivion. What Robot Says Records proudly presents Federsen's debut EP, a testament to the boundless creativity and artistry of one of electronic music's most promising talents.
An adventurous percussion playground Trio inclassable qui explore les rythmes et les sons, Spëcht a ouvert un terrain de jeu singulier autour des percussions en donnant une nouvelle dimension à des instruments acoustiques.
Darbuka, gongs, kalimbas, riqq, doholla, bendirs,... sont à la base de leur univers percussif et mélodique qui oscille entre sons organiques et textures atmosphériques, paysages sonores aux accents de transe et grooves entraînants.
Après la sortie du premier EP "Dawn" sous le nom de groupe "Hands in Motion” », letrio sort « Triptyques » et propose une expérience évolutive en trois temps progressifs.
“The trio includes three of the top percussionists in Belgium Simon Leleux, Robbe Kieckens, Célestin Massot their music is a rich world of stimulating transglobal rhythms and transfixing sounds” World Music Central It's an exciting time for music lovers and fans of innovative sounds, as the band formerly known as 'Hands in Motion' makes a refreshing re-entry into the music world under a new name: Spëcht. With their latest album, 'Triptyques', Spëcht promises an immersive listening experience that retains the deep-rooted essence of the band while exploring new musical horizons.
After a period of artistic development and introspection, Spëcht has decided that the name change is a natural step in their musical journey. The name 'Spëcht' not only reflects their renewed focus and energy but also their commitment to creating music that is both powerful and sophisticated, just like the bird of the same name.
Triptyques' is an album composed of three parts, each highlighting a unique aspect of the band. This conceptual masterpiece takes the listener on a journey through various musical landscapes, from melodic harmonies and huge percussion elements with complex rhythms to bold experimental sounds. Each 'triptych' stands alone as an individual work of art, yet together they form a cohesive and captivating story.
With 'Triptyques', Spëcht demonstrates a maturity and depth in their musical expression that will surprise and charm both loyal fans and new listeners.
Voodoos and Taboos unveil their highly anticipated new series with ‘Human Aventura,’ the debut album from promising Corsican producer.
Right from the start, his talent captivates listeners. The record boasts exciting collaborations with fellow artists and friends, including Noiro and Blinkduus Dischetto (Solid State).
With its esoteric and melancholic atmospheres, interwoven with nods to the Chiptune scene, the album seamlessly blends elements of electro and house music. “Defined as ‘libidinous Mediterranean spoken disco,’ the album promises an immersive journey into a unique sonic landscape, where sultry rhythms meet hypnotic melodies.
Introducing the latest vinyl gem from Adlibitum Tum Tunes, it's the highly anticipated release number 004 by the dynamic duo, Goose & Hosca. These two maestros aren't just DJs and producers, they're true sonic artisans, crafting mesmerizing soundscapes that resonate with the soul.
Their collaborative project emerged organically, sparked by countless sessions of impromptu jams fueled solely by hardware. From these creative depths sprung a unique sound, one that seamlessly blends elements of acid, electro, and dub into a tapestry of sonic delights. With each track, Goose & Hosca invite listeners on a journey through their musical universe, a realm where the boundaries between genres blur and the energy is palpable.
Track A1, "Gently Weeps," sets the tone with its hypnotic acid groove, while "Lost Hera" on A2 delves deeper into introspective territories with its mesmerizing breaks.
On the B side, "Rinkuuddo" (B2) brings the EP to a crescendo with its infectious energy and intricate rhythms.
And nestled between these originals lies the crown jewel of the EP, the B1 track, "Rinkuuddo (Havantepe Remix)." Renowned dub techno artist Havantepe lends his expert touch to the duo's work, transforming it into a mesmerizing sonic journey that will leave listeners spellbound.
Prepare to be enchanted, dear vinyl enthusiasts, as Goose & Hosca invite you to immerse yourself in their sonic world. This EP is not just a collection of tracks—it's a journey, a testament to the power of music to transcend boundaries and unite souls on the dancefloor.
Adlibitum Tum Tunes is a division of MixCult Records.
Respected Italian talent Francesco Tegazzin, also known as Distilled Noise, has emerged from years of self-exploration in the recording studio with a true passion for house and minimal grooves. His journey culminates in the release of his first Satya 12", "Evolution Of The Mind," a sonic testament to his current musical identity.
In crafting this opus, Distilled Noise immerses himself in experimentation. Reflecting his dynamic approach to music-making, each track on the record serves as a departure from the norm, with intentional alterations to his workflow for every new composition.
A defining hallmark of his artistry lies in the homage paid to his musical roots. Francesco seamlessly integrates guitar-like sounds, electric pianos, and funky basslines into each track, resulting in a unique fusion of diverse elements. His commitment to delivering more than mere utilitarian "tools" is unmistakable, as he endeavors to create compositions that etch a lasting imprint on the listener's mind.
Scheduled for release on March 15, 2024, the EP promises an exhilarating listening and dancing experience for aficionados of groove based house music.
Blessing the 13th vinyl imprint on Suena Hermosa’s classic series is Italian powerhouse, Vithz, who presents 4 original addictively smooth stomping grooves to mesmerise any dance floor, including a stunning collaborative project with his close friend; Emanuele Barilli.
The artist is a truly welcome new force to the label, offering a plethora of fiercely emotive and beautifully energetic sonic stories to the table, driven through breaks, tech, minimal and garage elements of house, as per our historical promise, something for everyone!
Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.
The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!
Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.
A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear!
"Systolic" was conceived in the aftermath of K.A.L.I.L.'s experience with a stroke. During his hospitalization, he meticulously captured the rhythmic cadence of his own heartbeat during a medical examination, intending to incorporate this unique audio into a potential musical composition. Endeavoring to articulate the myriad emotions he grappled with during the challenging days when half of his body was nearly paralyzed, the song came to fruition.
The composition intricately weaves together the tumultuous thoughts that permeated K.A.L.I.L.'s mind with moments of solace. The distinctive presence of his recorded heartbeats permeates the entire track, rendering it a profoundly special and vibrant narrative of this pivotal moment in his life. Augmented by melodies that poignantly convey elements of fear, love, and self-awareness throughout the ordeal, the rolling bass line sustains an energetic undercurrent, laying the groundwork for a formidable and intense drop that serves as a visceral impact.
"Urban EP" is the compelling debut from Mark Maretta in the deep house landscape. This album is a sonic exploration characterized by deep, sinuous beats and ethereal synthesizers, "Urban EP" offers a continuous journey through vibrant streets and oscure city corners.
Each track in the album flows seamlessly into the next, creating an auditory experience that is both reflective and electrifying. Mark Maretta skillfully mixes classic deep house elements with an innovative electronic twist, crafting a unique sound experience.
Free Hand was Gentle Giant's seventh album, originally released in July 1975. This album was the most commercially successful of the band's career, reaching the top 40 albums in Billboard Magazine. It stands as the culmination of the band's maturity, following the successes of 'In A Glass House' & 'The Power & The Glory'.
Having toured Europe & North America non-stop in the years prior to this release with artists like Jethro Tull, Yes, Zappa etc, the band had gone from strength to strength. By the time 'Free Hand' was released Gentle Giant had become a major headliner in their own right. All the members were multi-instrumentalists and the band were never afraid of surprising an audience with a 4 part recorder ensemble followed by a vibraphone solo, all the while rocking the audience and thoroughly enjoying themselves onstage.
Gentle Giant albums featured many songs with both literary subjects as well as social and personal commentary on life as rock musicians. 'Free Hand' has more than most. The title of the album and first track were so named as the band had just changed record labels and management and felt unshackled by prior contractual obligations.
Putting these issues behind them upon its first release, Gentle Giant embarked on an extensive tour of North America and Europe, plus a short tour of the UK, to promote the album. The incredible range of Gentle Giant's music is evident throughout this album. From the intricate vocal fretwork of 'On Reflection' and the delicate medieval
flavour of 'Talybont,' the Celtic-tinged rock of 'Time To Kill' and the jagged rhythms of 'Just The Same,' all those diverse elements which made the band so strikingly original are skillfully blended and perfectly executed.
Award winning producer and musician Steven Wilson has added his delicate touch in remixing 'Free Hand' . His tonal range and painstaking attention to sound quality make 'Free Hand' sound as fresh today as it did on first release. A fitting tribute to the compositional skills and expertise of five dedicated musicians.
This special gatefold 2LP edition is pressed on White Vinyl and limited to 500 pieces worlwide
Veruh's vision for "Adventure" was born out of a desire to push the boundaries of sound experimentation. This vinyl masterpiece showcases a minimal, percussion-driven club sound that seamlessly weaves together a diverse array of elements – from ethereal voices and intricate percussions to skillfully incorporated instruments and synth layers that add a mesmerizing depth to the tracks.
Live touches of the bass line contribute to the creation of a captivating melody that resonates throughout the EP. Veruh, known for consistently challenging the norms of electronic music, brings his signature microhouse sound to the forefront in this EP. The tracks are a fusion of tight rhythms, deep basslines, and emotive melodies, offering listeners a truly immersive and unforgettable sonic experience.
As an exciting addition to the Adventure EP, Enzo Leep's remix infuses a smooth minimal house, a fresh and thrilling dimension to the original tracks. Closing the vinyl with finesse, Enzo Leep's remix infuses a smooth deep house vibe while maintaining the essence of the original elements. The tempo is elevated, and a mellow yet powerful bassline adds an extra layer of intensity, leaving an indelible mark on the overall journey.
Hizou Deep Rooted Music is thrilled to introduce its latest vinyl release, featuring a carefully curated selection of top-notch electronic music that's destined to delight audiophiles.
On the A-side of this vinyl gem, you'll be enchanted by the sonic artistry of Huerta, as his track takes you on a mesmerizing musical journey that embodies his distinctive vision. Following suit on the same side, you'll encounter Jacksonville, whose music effortlessly immerses you in a captivating world of entrancing rhythms and enveloping melodies.
Flipping the record over to the B-side, prepare to be captivated by the talents of Nico Lahs, operating under his NLXLB alias. His production is nothing short of a sonic masterpiece, seamlessly melding eclectic elements into a mesmerizing sonic tapestry.
To round off this sonic odyssey, we bring you a track from 100 Hz that's guaranteed to elevate the energy on any dance floor with its potent and infectious rhythms.
This vinyl is an essential addition to any discerning music collection, offering a chance to own these remarkable tracks in a physical format. Reach out to us for more information and secure your order before these limited-edition gems disappear from the shelves!
New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene.
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!
Trushmix the now well known underground mix series created by DJ Fett Burger and L.A.2000, and still going strong since 2011, providing underground talent and spreading vibes in a vibrant small community of music lovers. After 13 years of Trushmix, it is about
time to make a record to celebrate this! The initially plan was to make it as a 10 year anniversary release. Now it's 13 years, even better! So Trushwax is born!
A three track 12 " with underground house and techno tracks, recorded and produced by DJ Fett Burger and L.A.2000 between 2010-2021. Three simple, rough and emotional underground cuts in the vein of Trushmix!
"Trush Your Body" The opening track and the newest production of the three. A melodic house track, with the classic 909-groove and some acid! Driving and dreamy at the same time, and also with a melancholy twist. A place where simplicity and emotions meet!
The second track "Hello Awreibody" underground club track based on a live recording from 2010, with a distinct driving bass line, 808 beats and a big deep melody that gives the tack a massive feel! Rough underground club and basement style!
"Quack" the last track on the record, also based on a live recording from 2010, a rough live sounding recorded track with a groovy classic 707 workout, a soft bass line and a strong touch of melodic elements to keep the track deep, mysterious and driving.
Our newest Savor EP comes from Alexis Cabrera. Who shows us on this record his unique skills, sonic brilliance and versatility. This one is composed of 4 tracks with each one showing different musical colours and Alexis' wide palette.
A1: Funkhouser
A funky, playful, and classy track that sets the tone for the EP. Funkhouser combines groovy beats with infectious melodies, creating an irresistible dancefloor experience.
A2: The Next Tomorrow
Prepare for a trippy, eerie, and hypnotic journey with The Next Tomorrow. Alexis Cabrera explores otherworldly soundscapes, delivering a unique sonic experience that captivates the listener from start to finish.
B1: Guitars on The 5th Cloud
Embark on an epic musical journey with Guitars on The 5th Cloud. Delightful guitars take center stage, weaving a sonic tapestry that transcends genres. This track is a testament to Cabrera's skill in crafting immersive and emotive compositions.
B2: Don't Give Yourself Away
Closing the records with finesse, Don't Give Yourself Away is a breaky, hypnotic number. Alexis Cabrera showcases his versatility by blending atmospheric elements with a captivating rhythm, leaving the listener with a lingering sense of euphoria.
'Primavera Cabriolet,' the inaugural album by the talented Italian artist, Fibonnacci, presented by LOT Records.
Prepare to be swept away by a quartet of mesmerizing tracks that intricately weave together a tapestry of rich, minimal sounds and atmospheric layers, reflecting the diverse influences that have shaped Fibonnacci's music.
This captivating release is a fusion of classic rominimal house beats with industrial undertones, adorned with resounding noises, expansive pads, and uplifting chords. 'Primavera' paints a sonic canvas that encapsulates the vibrant spirit of summer, tailor-made for those euphoric after-party moments.
Anticipate enthralling rhythms, immersive soundscapes, and innovative musical crescendos across each unique composition.
Step into the journey with 'Panorama 1986,' the album's opening masterpiece. It's a powerhouse track that boasts a compelling bassline, enigmatic pads, and hints of hip-hop vocals, setting the stage for an electrifying sonic adventure.
Next, 'il Viaggiatore,' the second track, emerges as a dancefloor anthem. Its pulsating bassline, driving beats, and harmonious fusion of vocals with retro piano and pads form an irresistible groove, perfectly suited for peak-time revelry or after-party indulgence. 'Hôtel Casablanca' exudes a delightful, feel-good aura. A delightful blend of industrial elements, crisp rominimal beats, and a deep, melodious tune creates an irresistible fusion that is sure to set feet in motion and spread smiles. This track has already earned high praise and is a must-listen for all.
Rounding off the album with finesse, 'Discoteca Paradiso' delivers an iconic rominimal experience. With classic kicks, hats, and industrial nuances, combined with nostalgic pads and vocals, it invokes the essence of the end of the night or the dawn of a new adventure embracing diverse perspectives within the dance music realm.
Fibonnacci's 'Primavera Cabriolet' promises a spellbinding and deeply immersive experience. Let this musical expedition captivate your senses and transport you.
“Pulses and Resonances” is Rene Lorenzo’s debut album on Subtempo. This album represents a culmination of more than 20 years of electronic music exposure as a DJ and a clear point of view. We can hear influences of broken beat, techno, drum & bass, all through the unique lens that Rene brings to the table, deeply steeped in ambient, deep techno and downtempo. Even though this isn’t a dance record, it’s filled with energy and drive. It is an out-of-the-ordinary album, with intricate shifts and turns with well-crafted kick drums, round bass lines and enveloping subs. A record filled with warm sounds, head-nodding rhythms, and rich textured spaces. It’s all woven into an easy-listening experience, without demanding the listener’s full attention, but creating a landscape that is unique and varied throughout. We can hear references to artists like Boards of Canada, Jan Jenilek, Synkro and the like.
“In this record, every track has a different pulse or rhythm, and I use different resonators in the sound design process to achieve these tones. I started by leaving the space open with the ambient pads and hardly any rhythm, and I’d let myself be carried away by my sense of rhythm slowly building the compositions. I am obsessive with audio processing and I almost never leave a sound in its initial form. I like to add some subtle effect that sounds like something different and give new sounds to the elements I use.”
“Pulses and Resonances” is out via Subtempo on vinyl and digital on February 2nd.
Like a phoenix from the ashes, or Ukrainian culture after centuries of demolition, the Kyiv based label Noneside Records is experiencing its revival and rebirth. After all, «Nothing will stop an idea whose time has come» - these words of chief Stepan Bandera make it clear to everyone: if you really burn with sincere emotion for your dream - no difficulties will stop you on the way to its realization.
Five unique tracks from Slava Los, Yevhenii Loi, Lostlojic, Luschn and aqua. - is a tech house with elements of trance with soul and passion from musicians who write music despite the war. Visualization of the whole action on the record is the picture «The hug» by the Lviv artist Oles Derega.
Slava Los makes his debut on vinyl with the beautiful track «Snus» - old school trance in the best traditions. The author now defends the borders in the ranks of the Armed Forces of Ukraine, so he decided to fulfill his old dream about the vinyl. Yevgeny Loi is also currently in the military, but this did not prevent him from making a new version of «Bounce» - a trance for a slow, erotic dance mood. Lostlojic, who is also the art director of the project, recalls the important message of «Send Me F16» in the uncompromising track of the same name, or rather in its VIP version created especially for the release.
Known to vinyl collectors for releases on Deeptrax and Infinite Pleasure. Luschn, a Kyiv legend and mega productive musician, known to tech house maniacs for his releases on Vector.Kyiv and Noneside, invites you to have fun and crazy dances with friends to his rehearsed «Ostinato Transdanz». Newbie aqua. has a unique recognizable style, where the rhythm is constantly changing in each track, nostalgic for the favorite place of childhood - near the Hydroelectric Station in Zaporizhzhia, crazy beats and steppe motifs in the track «H.E.S.».
There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.
Both have special insert inside with the bands bio and photos.
Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.
For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.
The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.
Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.
And here are the bands from the album:
1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.
The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.
The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.
The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.
The trio has performed its original material at many venues and festivals around Europe and Asia.
2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.
3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.
Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.
The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.
Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.
4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.
Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.
5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.
Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.
6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.
Fortunea Records finishes off 2023 with another vivid release by Peletronic. The Hazy Jane EP features 3 new original deep house and electro tracks by the winsome Austrian. The record begins with ‚The Highest Chance‘.
A dazzling composition featuring vocals by M-Jane. Cold engaging pads and simple rhythmic structures are the main elements in this track. In combination with this prose, that can be construed and contextualise for eternity, it absolutely stands out from the mass of modern-day deep house productions. The A-side continues with the title-track. It is a groove-laden, old school house tune that will toss up the audience into new heights with its soulful rhodes, supple bassline and the comprehensive brisk arrangement.
A great tool that definitely will find its way in the recordbags and USBsticks of a house dj. On the B-side Peletronic greets you in his ‚Utopia‘ where impactful electro beats shape the landscape of a prospective scenario. And last but not least a remix of the first track is also included. Slovakian dj and producer Paradiso Rhythm retells M-Jane’s story in a 90s warehouse décor. All in all a warm, deep and beautiful journey to the brim.
Juan Manuel Cidrón, hailing from Almeria (Andalusia), is a legendary Spanish synthesist who embarked on his musical journey in 1976. A veteran of analog electronic sounds, his early influences come from the Berlin School of the seventies (Tangerine Dream, Klaus Schulze, etc.) and American Minimal music.
Cidrón has independently released 16 albums on his label, Extrarradio, with very limited distribution. ‘Juan Manuel Cidrón has always been immersed in music. As a child, he fell in love with a radio adorned with flashing lights – radio is now one of his professions. He was equally captivated by the music that enveloped him. With whatever little money he had as a child and during his youth, he would spend all his money on records and analog machines. Music is everything to him, and that’s why we understand his compositions as a celebration of life. The vastness that his electronic keyboards offer us is akin to the immensity of the desert, snow, and wind. Albums like ‘Tau’ or ‘Sonido Para Acciones’ belong to the realm of Spanish electronic music and are cherished by enthusiasts of sonic poetry. This vinyl edition holds a special place as it marks a return to analog, a medium Cidrón reveres and continues to embrace. In this way, it becomes a classic, a testament to his unwavering commitment to the quality that arises from the harmonious blend of natural and artificial rhythms. The result is always him: a tangible presence that brings us closer to dreams and the unadorned face of the world.’ (F. Labordeta Blanco)
‘SLG3’ is a long-awaited double album with four lengthy tracks (one per side), available in a limited edition of 300 copies. It’s the first release exclusively on vinyl in over a decade (since ‘Patagón’ on Geometrik in 2012), considering that Cidrón has mainly released his recent works on CD.’The tracks S, L, and G evoke the personal perceptions that I could imagine for each of the three elements comprising our planet in all its forms, manifestations, and presences. The track ‘3’ evokes my unique interpretation of how an imaginary being from another world might perceive Earth – its discovery, journey to it, exploration filled with admiration, bewilderment, hope, and respect. However, all of this is open to free interpretation and imagination for those who listen.’ (Juan Manuel Cidrón, 2023)
All tracks were written, produced, and mixed by J.M. Cidrón between 2017-2019 at the Extrarradio Studio in Almeria.
The Key Of The Future” takes you on a thrilling sonic journey that seamlessly blends electro, breaks, and acid elements with influences of synthwave and wave music. With tracks ranging from the pulsating intensity of “Acid Train” to the mysterious darkness of “Hasta La Mañana”, the album immerses you in a spacey and energetic atmosphere that leaves you craving more. Each song offers a unique experience, from the euphoria of “Fiesta Pesada” to the introspection of “We Are Lovers”, all tied together by a sense of discovery and evolution.
This musical masterpiece opens the door to a new chapter and reflects the artist’s expertly crafted mix of influences. Get lost in the sound and let “Key To The Future” be your guide.
After a short break Samosa Records explodes back on the scene with ‘Earth Wind & Funk’, a deadly four-tracker EP that is sure to get the juices flowing and body moving.
A1 sees New Zealander producer ‘Strange’ make a most welcome return, spinning the funk loom with the ‘Hard Working’ (De Gama Re-Drums). A truly addictive and distinctive bassline sets the pace, tone and feel for this gorgeously constructed track. It has it all; sumptuous vocal, high-end brass and an acid squelch to die for. Dig it, you will.
A2 lands with Frank Virgilio’s ‘Love Is Positivity’ – a melting pot of twisted disco, feel-good scatty rhythm and lifting vocals. The melody is literally dripping with positivity, but also has an almost transcendental vibe secretly going on. The last drops of summer are right here. Enjoy them.
On the B-side, Mosaik Kollektive raise the temperature with the De Gama Re-Drums applied ‘Keep’. A tough, perfectly cooked groove that gets right in your face and makes no apologies for screaming at you. The bass on this unstoppable monster is all-consuming. Rhythm guitar licks blend with soaring strings and that’s the full basket. Sublime meaty goodness.
Closing matters for this incredible EP at B2 is the effervescent Monsieur Van Pratt and Funk De Ibiza. MVP stretches his funky legs to the full here, laying down a solid beat, arpeggio and a bass so tough you could train it to box. Expertly blended with J-pop-esque vocal and shrill church organ. Drop this at midnight and watch the carnage unfold and hands in the air.
Earth, Wind and Funk is the exposure to the elements you absolutely want. A more perfect slice of wax you couldn’t find and one that’s sure to find its way into the record boxes of those who know.
Mong Tong's latest album, "Tao Fire 道火", not only continues the idea behind their previous work, "Indies 印", but also incorporates more local elements such as gamelan music, phin guitar, tabla drums, and Taiwan sisomi.
While sampling more sounds from the street of Southeast Asia, including weddings, funerals, and traditional celebrations, Mong Tong again explores different folk sounds around Austronesia. Different to their last Guruguru Brain release "Mystery 秘神", "Tao Fire 道火" will take us to a land that is both familiar and fresh. Feel the hot, the crowd, humidity, and ecstasy. This time, welcome to Mong Tong's subtropical world.
Here comes the fourth release by Almería-based electronica artist Mynationshit titled ‘The Tycoon’. This is another addition to the independent label ‘Waste Editions’, run by Mynationshit’s frontman Carlos Martín along with his brother Ale. This record highlights Martin’s latest musical touches. Its melancholic undertones juxtaposed with humble romanticism will inspire you. Indubitably, this Spanish artist’s distinguishable nature mixes elements of Electro, Dark Wave, Synth-Pop and Post-Punk. Picture Johnny Cash and Peter Murphy singing catchy tunes to each other while on a cosmic journey to an unknown planet where synths and prose accompany their melodies.
Reverse board tip on with silver pantone print. The first ever reissue of Dorothy Carter's 1978 folk/psych/drone masterpiece. A truly unique album in Dorothy's catalog of otherwise traditional psaltery folk music, Waillee Waillee's essence sits in the confluence of Dorothy's mastery of the dulcimer; its shimmering notes fully enmeshed with the tremulous, cavernous drones of Bob Rutman's bowed steel cello. The core of this album, Dorothy's only with a full band, lies in the contradiction of traditional psych-folk idioms and the minimal avant-garde, referencing Henry Flynt and Laraaji as much as Karen Dalton. This LP version includes 12 page booklet with unpublished manuscripts, drawings, photographs, and songbooks of the songs from the album, as well as extended liner notes from friends and family of Dorothy Carter, including notable musicians such as Laraaji, Bob Rutman, and Alexander Hacke (of Einstürzende Neubauten). Drops soon - a joint release between Palto Flats & Putojefe Records.
Dorothy Carter was many things - a virtuoso player, storyteller, historian of Celtic and Appalachian folk music, avid lifelong busker, avant-garde musician, and itinerant troubadour, laying a framework for music that existed both within and outside of standard folk idioms - never better represented than on her 1978 masterwork, Waillee Waillee. Underscored by Bob Rutman’s cavernous bowing of the steel cello, the richness of Waillee Waillee’s sound produces an album unlike any other in her discography. In particular, its two side-ending pieces, “Summer Rhapsody” and “Tree of Life,’’ glide with the shimmering filigree of hammered dulcimer and Dorothy Carter’s ephemeral voice floating over Rutman’s droning buzz of the steel cello. The elements of these two tracks suggest something akin to a transcendental Appalachian raga or whirling cosmic folk music, an effortless combination that serves to add additional substance to the remaining tracks on the album.
The title track is one of her most enduring compositions, often performed in stripped down versions throughout her career, and one of her sole recordings featuring a full band, with the contrapuntal interplay of tremulous flute, vibrating steel cello, bass and drums. Lyrically and tonally, her voice would never sound as stirring and refi ned as on this, her most outwardly accessible song.
She counted musical colleagues as diverse as Constance Demby, Einstürzende Neubauten and Laraaji, as well as her lifelong artistic partner and friend Bob Rutman, whose imprint is felt throughout the grooves of this record. The master tapes for this recording were fortuitously discovered in Rutman’s Berlin studio, many, many years later. As recounted in Laraaji’s contribution to the liner notes, Dorothy was “someone who really influenced my early zither exploration and vocabulary and inspired my shift toward hammered zither performance and recording,” after encountering him busking on the sidewalk one day in the 1970s. Later, when living in Berlin in the early 1990s, Dorothy would begin work on manuscripts detailing the history of the dulcimer family and providing extensive sheet music, selected material of which is reproduced in the twelve page booklet included with this release. Dorothy would find later success touring and performing in the late 90s with the ensemble Mediæval Bæbes, which she led with British musician Katherine Blake, playing a prominent role on their first four albums.
Dive into darkness and discover the pulsating sounds of Amsterdam based Raderkraft: a masterful fusion of minimal synth, darkwave, and post-punk elements. His love for synthesizers combined with the right dose of DIY spirit has resulted in three EPs.
Raderkraft takes you on an introspective journey to the darkest corners of the human mind. “Politiestaat?!” is a raw and unapologetic expression of the times we live in, inviting listeners to reflect on their own input and behaviour regarding pressing issues that dominate our world today.
The icy synthesizers, hypnotic rhythms and piercing vocals weave a story with the central themes of fear, misunderstanding and rejection. Raderkraft brings his signature sound, a unique mix of raw energy and refined minimalism, back to life. This time only up-tempo songs, partly in Dutch and also including a remix of Dyatlov track “Insect Paranoia“ (exclusive 2023 remaster) plus a cover of Belgium 80’s minimal wave act Violence Conjugale. It -finally- marks the vinyl release of crowd favorite “De Witte Streep” (exclusive 2023 remaster).
The lavish lyrics reflect a sense of rejection in an indifferent polarizing society. This mini album will make you think, feel and finally realize that we live in turbulent times.
With their new EP on their own label, Italian duo Orion deliver a record full of lowkey atmospherics, textures and sublime frequencies. 2 original tracks and 2 remixes from italian artists Primal Code and Luigi Tozzi.
“Lie” opens the record with those classic emotional elements coming out from a long cloudy day in the studio.
As previously heard on their Smoke Machine live podcast “Orange” plays with layers, cinematic pads and hypnotic drums.
On the flip Primal Code’s “Lie” version encapsulates their dreamy and tribal approach with an intricate acid bassline that will take you on a journey.
Luigi Tozzi’s dark and loopy remix is something for your brain. Subtle hypnotic melodies and roaring low frequencies are the main elements for this club version of “Lie”.
