dovrebbe essere pubblicato su 02 gen
Cerca:g 23
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- A1: The Holy Mountain
- B1: Sun Trap
Preordina ora
- A1: Aldgate East
- B1: Gamma Ray
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The RIOT DJ-BACKPACK XL is a high-end, extremely rugged-built backpack designed for the heavy-travelling Pro-DJ. It comfortably holds any digital gear from Kontrol S4 to battle-mixers such as Rane Sixty-Two or Pioneer DJM-S9 along with a laptop and accessories. Constructed entirely from hardwearing PVC Tarpaulin, its outer shell and all zippers are fully waterproof which ensures your gear is protected even in the worst weather. The featured “Zip-Around-Expansion-System” means the main compartment’s capacity can be doubled, turning the RIOT DJ-Backpack into the ultimate versatile packing monster.
+ FITS
Laptop up to 17"
Ableton Push2
Akai MPK-25
Akai MPC Renaissance
Denon MC-4000
NI Kontrol S5
NI Kontrol S4 MK2
NI Kontrol S2 MK2
NI Kontrol S2 MK3
NI Kontrol D2
NI Kontrol Z2
NI Maschine+
NI Maschine
Numark Mixtrack Pro 2
Pioneer DDJ-SB2
Pioneer DDJ-SB3
Pioneer DDJ-400
Pioneer DDJ-RB
Pioneer DJM-S11
Pioneer DJM-S9
Pioneer DJM-S7
Pioneer DJM-900 SRT/NXT
Rane Seventy-Two
Rane Sixty-Two
Rane Sixty-Eigth
Reloop Elite
Roland DJ-202
Vestax VCI-400
Vestax VCI-380
12“ Vinyl
Accessories
+ BASICS
Crafted from hardwearing and 100% waterproof PVC Tarpaulin
Soft-fleece lining
PVC-coated (waterproof zippers)
Lockable zippers on main and laptop compartment
Rubber corner protectors and rubber feet
Main compartment includes several removable adjustment foams, a divider and a protection panel
The “Zip-Around-Expansion-System” doubles the main compartment’s capacity
Main compartment can be packed and unloaded in the “DJ-booth-friendly” stand-up position or in the fully opened and unfolded position to gain easy access
Separate and fully padded laptop-compartment up to 17”
Two large front pockets with internal mesh pouches provide perfect organization of small accessories
Padded back panel with airflow system, ergonomic backpack straps and chest straps
Top and side carrying handles
Detachable trolley sling
Hand luggage compatible
+ SPECS
+ Outer dimensions: 56 x 37 x 23 cm
+ Inner dimensions: 51 x 32 x 8 cm
+ Weight: 3,0 kg
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The Psycheground Group has been a completely mysterious band for a very long time, about whom nothing was known except the fact
that they released an obscure LP in 1970, with a red front cover with a stylized drawing of a male face wearing a coloured bandana.
Only in recent times it has finally been revealed that “Psychedelic and Underground Music” was played and recorded –
and sung on very rare occasions – by musicians from Nuova Idea, who would debut only a year later with the LP “In the Beginning”,
the first in a trilogy of albums that would leave an important and indelible mark on the Italian Progressive Rock story.
“Psychedelic and Underground Music” is a fully instrumental album – with the exception of some vocal harmonization –
of rhythm & blues, pop and psychedelic music with a strongly British imprint: it is no coincidence that for a
long time it was mistakenly believed that The Psycheground Group were a English group.
“Psychedelic and Underground Music” is a wonderful cult album, impossible to find in its first edition
which is valued thousands of Euros in the collectors’ market. It is now reissued in an original-like version, on clear red vinyl.
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repress!
After releasing Louie Vega & The Martinez Brothers’ ‘Let It Go’ in 2020, Defected now deliver a special 12” package of this irresistible summertime jam and accompanying remixes. With a copy of the original record going for up to £230 on Discogs, this release makes an anticipated arrival for crate diggers craving this red-hot release. Featuring the soulful, slick, groove-filled original as well as the Vox Dub on the A-Side, on the flip you can catch house sensation Honey Dijon’s ‘Berlin meets NYC’ style remix, as well as Australian powerhouse Dom Dolla’s chart-topping, high-energy version. A homage to NYC’s rich Latin American dance scene, this 12” delivery is a record box essential for any discerning house collector.
Ultima consegna 81 giorni fa
riordinabile senza garanzia
- A1: Golden Years
- A2: Alabama Song
- A3: John I’m Only Dancing
- A4: Queen Bitch
- B1: Fame
- Fame 90
- B2: Pretty Pink Rose
- B3: Waiting For The Man
dovrebbe essere pubblicato su 20 dic 2025
dovrebbe essere pubblicato su 19 dic 2025
Das Album zeichnet sich durch eine düstere und allgegenwärtige Melancholie aus, die Themen wie Isolation und emotionale Konflikte auf großartige Weise zusammenfasst. Am besten hört man sich ,The Longest Night" in den dunkelsten Stunden der Nacht an, denn es ist ein Album, das einen sanft umhüllt. Obwohl NATTRADIO sich von verschiedenen Quellen inspirieren lässt, hat ihre Klangwelt sicherlich am meisten mit der Ära von KATATONIA seit Discouraged Ones gemeinsam.
Vor allem die Stimme des Sängers klingt auffallend ähnlich wie die von Jonas Renkse. So sehr, dass man sich nur fragen kann, ob es tatsächlich die charakteristische melancholische Stimme des KATATONIA-Sängers ist, die zu den Sound Noir-Klängen singt. The Longest Night ist eine bewegende Reise durch das Labyrinth der Melancholie, die den Zuhörern eine immersive und introspektive Klanglandschaft bietet.
dovrebbe essere pubblicato su 19 dic 2025
- A1: 45 - 01 4:58
- A2: Marionetten 4:12
- A3: Falscher Glanz 4:21
- A4: Jede Stunde 4:10
- A5: Blumen aus Eis 3:44
- B1: Der blaue Planet 5:23
- B2: Der Spieler 3:37
- B3: Gefährten des Sturmwinds 6:27
- B4: Wie weit fliegt die Taube 7:07
dovrebbe essere pubblicato su 19 dic 2025
- Black Coffee
- Moon Behind Fleet Of Clouds
- Are You Here With Me
- Seven Faces Of Naima
- Quiet Mystic Places
- Propella Plain
- Unaware She Approaches Me
Jiyu wird als moderner Late-Night-Nu-Cosmic-Space-Jazz beschrieben. Mit ihrem hochgelobten zweiten Album "Totem Of Quiet Mystic" erhielt die dänische Formation internationale Anerkennung von Medien wie Jazzwise und einer Vielzahl legendärer DJs wie Patrick Forge und Chris Coco. Die tiefgründigen, instrumentalen Arrangements, vollgepackt mit analogen Synthesizern, E-Piano, Bläserthemen, Chorarrangements und einzigartigen Bass-Drum-Percussion-Grooves, verschieben mutig die Grenzen zwischen den Genres und reichen von Contemporary über Jazz-Funk und World-Crossover bis zu Spiritual und Cosmic Ambient Jazz.
dovrebbe essere pubblicato su 19 dic 2025
An earth-moving night in Chicago, 30 crazy years ago, caught HOT on tape and finally unleashed! Teengenerate were a force to be reckoned with in the ‘90s garage punk underground and with their string of classic singles and LPs, the Midwest was just STARVED for these heathens to break our minds wide open. And they did, and some of us were just “never the same.” Is this how Hozac started? YES, this was THE SEED. Just an awe-inspiring brute force of punk purity, slashing through incredible covers of THE KIDS, PAGANS, and FUN THINGS and sowing the seeds of obscure punk obsessions to no end with their savage treasure map of sick sounds.
The heat, the power, the rage and the euphoria, it just doesn’t always align like it did when Fink & Fifi took the stage. Sure enough, it was on THIS DAY 30 years ago that our minds were blown apart and our eyes were opened and a life-changing rock’n roll performance that commemorates the 50th release on the Hozac Archival subsidiary. Secretly recorded by Ken White, the Brides’ right hand man, and mastered by TIM WARREN of Crypt Records for maximum authenticity, Live at the Empty Bottle just explodes out of the grooves and will level anyone within earshot, just like it did when Teengenerate desecrated Chicago TWICE on the same night (check out their VML Live at the Fireside Bowl 7″ too!), exactly 30 years ago TODAY!
dovrebbe essere pubblicato su 19 dic 2025
- A1: Diva (0 44)
- A2: Construct (1 29)
- A3: Turner (1 57)
- A4: Devastation (1 49)
- A5: Survivors (0 36)
- A6: Recursion (1 47)
- A7: Monstrua (1 19)
- A8: Bebe (1 41)
- A9: Amputee (0 53)
- A10: Chipilina (1 05)
- A11: In The Face (0 45)
- A12: Predator (1 30)
- A13: Pacifier (0 44)
- B1: Psychosexual (0 50)
- B2: Mujere (2 27)
- B3: Cypher (2 17)
- B4: Murcielaga (3 53)
- B5: Phantasy (1 52)
- B6: No Lo Digas (2 44)
- B7: Amantes (2 21)
- B8: Membrane (3 19)
- B9: Apuro (3 23)
- C1: Saintly Pride (2 43)
- C2: Avasallada (2 11)
- C5: Form (1 58)
- C6: Travesti (1 47)
- C7: Heaventsent (2 24)
- C8: X (1 14)
- C3: Dysphoria (1 10)
- C4: Gaita (1 53)
BeatsExperimentalPopWorld Music
Eine streng limitierte Erstpressung von Arcas legendärem Mixtape @@@@@, das vor der Veröffentlichung ihrer KICK-Serie für Furore sorgte. Mit 62 Minuten voller Sounds, die jegliches musikalischen Quantensystem sprengen. Diese Arbeit ist eines ihrer bisher feinfühligsten und wohl erstaunlichsten Werke - hart, sanft, emotional, brutal, aufrichtig und verspielt - ein brutalistisches Kunstwerk auf Doppel-Vinyl mit einer gravierten D-Seite.
Ultima consegna 9 mesi fa
riordinabile senza garanzia
- A1: Udo Lindenberg Seid willkommen in Berlin 3:40
- A2: Udo Lindenberg Der Exzessor 5:02
- A3: Udo Lindenberg Gegen den Strom, gegen den Wind 4:41
- A4: Udo Lindenberg Berlin Light My Fire 3:37
- A5: Udo Lindenberg & Dorkas Kiefer Und trotzdem lieb ich dich so sehr 4:35
- A6: Udo Lindenberg Süße Lippen 3:51
- B1: Udo Lindenberg I'm on My Way 3:23
- B2: Udo Lindenberg Der Panther 3:23
- B3: Udo Lindenberg Gott wenn es dich gibt 5:33
- B4: Udo Lindenberg Mackie Messer 3:26
- B5: Udo Lindenberg & Eddy Kante Mama 3:33
- B6: Udo Lindenberg Sie brauchen keinen Führer
dovrebbe essere pubblicato su 12 dic 2025
- 1: Robot Stop (Live in Barcelona '25)
- 2: People Vultures (Live at The Caverns '3)
- 3: Mr. Beat (Live in London '19)
- 4: Invisible Face (Live in Chicago '23)
- 5: Big Fig Wasp (Live in Chicago '24)
- 6: Gamma Knife (Live in New Orleans '24)
- 7: Evil Death Roll (Live at Levitation '16)
- 8: Wah Wah (Live in Barcelona '24)
- 9: Road Train (Live in Austin '24)
Sour Grapes Records piece together the live LP of Nonagon Infinity on vinyl, with tracks made up of their sell outs shows across the years. The album features some of the best and most raucous live outings (Chicago, Barcelona, London) from each of the songs available on the infamous King Gizzard bootlegger series, one of the first of its kind. Available on red vinyl, with artwork designed by Jordan Warren.
dovrebbe essere pubblicato su 12 dic 2025
- 1: Eat Your Words
- 2: Deposition Of Violence
- 3: Nurtured By Anger
- 4: Dead End
- 5: Waste Of Life
- 6: Coming To Terms (feat. Zayna Youssef of Sweet Pill)
- 7: No Mercy, No Remorse
- 8: From Bloodlust
- 9: Heaven's Gate
- 10: Extinguish Them All
Heavy//Hitter are set to release their 2nd EP for Blue Grape Music, Coming to Terms. The EP is produced by Austin Coupe (The Devil Wears Prada, Citizen, Mat Kerekes) and includes features from Zayna Youssef of Sweet Pill and Yasmine Liverneaux of Face Yourself.
dovrebbe essere pubblicato su 12 dic 2025
- A1: The Old Country
- A2: All the Things You Are
- A3: But Not for Me
- A4: I Fall in Love Too Easily
- B1: I'll Close My Eyes
- B2: Lament
- B3: Stella by Starlight
- B4: Last Tango in Paris
- B5: I'll Be Seeing You
Winner of the Gold Medal at the 2024 Jazz Audio Disc Awards, a jazz critic magazine!
This best-of album features selections from three of Alessandro Galati's most talked-about albums!
Alessandro Galati, a master of Italian jazz who has released numerous albums on Terashima Records, released his standards collection "Plays Standards" series
at the end of 2024, following "European Walkabout," a collection of European traditional music, and "Portrait in Black and White," a collection of Jobim's classic
bossa nova works. All three albums (23 tracks) of Galati's standards collection, released at the end of 2024, are now being released simultaneously! The album
won the Gold Medal at the 2024 Jazz Audio Disc Awards, a jazz critic magazine magazine, and caused a stir. This long-awaited best-of album, featuring selected
tracks from the three albums, is finally being released on limited-edition vinyl. Enjoy this collection of gentle, warm, and beautiful standards, woven with a touch
that evokes the warmth of human skin and refined phrasing.
Alessandro Galati - piano
Ares Tavolazzi - bass
Bernardo Guerra - drums
dovrebbe essere pubblicato su 12 dic 2025
- A1: Nichts für immer 4:21
- A2: Patientenkollektiv 4:01
- A3: Auf sie mit Gebrüll 3:57
- A4: Direkter Vergleich 3:46
- A5: Muttertag 1:15
- A6: Oberbürgermeister 2:37
- B1: Enkeltrick 3:51
- B2: Gestern war nicht besser 3:26
- B3: Mir kann nichts passieren 3:19
- B4: Wünsch dir nix 5:10
- B5: Das Leben ist schön 4:14
- C1: American Fitness am Hermannplatz 2:23
- C2: Der Romantische Mann 3:41
- C3: Weg von hier 2:28
- C4: Army Parka 5:01
- C5: Sympathie für meine Hater 3:54
- C6: Beate Zschäpe hört U2 3:45
- D1: Für wenige 4:51
- D2: Verliebt 4:13
- D3: Pizza 3:29
- D4: Anti Alles Aktion 5:47
dovrebbe essere pubblicato su 12 dic 2025
dovrebbe essere pubblicato su 12 dic 2025
- 01: Okada Tokage
- 02: Butiki (feat. Nicklas Roots)
- 03: Shibatai
- 04: Habu (LIVE at Tanner, Helsinki 23.11.2019)
- 05: Kwangsi
- 06: Mamushi (feat. Nicklas Roots)
- 07: Toyamai
- 08: Erabu
- 09: Kikuzato (feat. Tapani Rinne)
- 10: Yamori (feat. Kristo's)
- 11: Tawa Gecko (feat. Pako)
- 12: Barbouri
Hip-HopReggaeReggae-DubPopWorld Music
Vesu's goes dub!
Vesa-Matti Kivioja, aka Vesu's aka Torolf Stendik has been making waves as an integral part of the multi-faceted Ljudverket & Meltdown Deejays crews in his native Finland for many years. He is perhaps most recognised for his "List of Lizards" saga which began in 2019 on Brian Not Brian's Going Good imprint.
Tokage No Risuto, the third instalment in the lizard saga, sees Vesu's migrate deeper into the dub tradition. The beats have slowed down; the atmospheres thickened. Downtempo rhythms, ambient drifts, and dub-infused echoes weave through the landscape, joined at times by guest voices that shimmer and dissolve into the mix.
The 12-track album is available on a special edition cassette with a vibrantly riso-printed card housed inside a laser printed case, with a striking green cassette. Mastered for tape by Giuseppe Ielasi.
Tokage No Risuto has a number of guest appearances, most notably the legendary musical pioneer and woodwind instrumentalist Tapani Rinne of RinneRadio.
dovrebbe essere pubblicato su 12 dic 2025
- A1: Nichts für immer 4:21
- A2: Patientenkollektiv 4:01
- A3: Auf sie mit Gebrüll 3:57
- A4: Direkter Vergleich 3:46
- A5: Muttertag 1:15
- A6: Oberbürgermeister 2:37
- B1: Enkeltrick 3:51
- B2: Gestern war nicht besser 3:26
- B3: Mir kann nichts passieren 3:19
- B4: Wünsch dir nix 5:10
- B5: Das Leben ist schön 4:14
- C1: American Fitness am Hermannplatz 2:23
- C2: Der Romantische Mann 3:41
- C3: Weg von hier 2:28
- C4: Army Parka 5:01
- C5: Sympathie für meine Hater 3:54
- C6: Beate Zschäpe hört U2 3:45
- D1: Für wenige 4:51
- D2: Verliebt 4:13
- D3: Pizza 3:29
- D4: Anti Alles Aktion 5:47
dovrebbe essere pubblicato su 12 dic 2025
- A1: Nichts für immer 4:21
- A2: Patientenkollektiv 4:01
- A3: Auf sie mit Gebrüll 3:57
- A4: Direkter Vergleich 3:46
- A5: Muttertag 1:15
- A6: Oberbürgermeister 2:37
- B1: Enkeltrick 3:51
- B2: Gestern war nicht besser 3:26
- B3: Mir kann nichts passieren 3:19
- B4: Wünsch dir nix 5:10
- B5: Das Leben ist schön 4:14
- C1: American Fitness am Hermannplatz 2:23
- C2: Der Romantische Mann 3:41
- C3: Weg von hier 2:28
- C4: Army Parka 5:01
- C5: Sympathie für meine Hater 3:54
- C6: Beate Zschäpe hört U2 3:45
- D1: Für wenige 4:51
- D2: Verliebt 4:13
- D3: Pizza 3:29
- D4: Anti Alles Aktion 5:47
dovrebbe essere pubblicato su 12 dic 2025
Ein vor über hundert Jahren verstorbener Magier scheint zurückgekehrt zu sein. Wer will den Abriss seines Wohnhauses verhindern? Noch immer hat Aden Tangury viele Fans, die das Grundstück des Magiers retten wollen. Sie erzählen noch heute davon, wie Tangury sich damals bei einem seiner Zaubertricks in einen riesengroßen Barrakuda verwandelte. Nun demonstrieren seine Anhänger vor der Baustelle und es kommt sogar zu nächtlichen Sabotageakten. Können die drei ??? für Klarheit sorgen und die Demonstranten aus dem Bann des Barrakudas befreien?
dovrebbe essere pubblicato su 12 dic 2025
Ein vor über hundert Jahren verstorbener Magier scheint zurückgekehrt zu sein. Wer will den Abriss seines Wohnhauses verhindern? Noch immer hat Aden Tangury viele Fans, die das Grundstück des Magiers retten wollen. Sie erzählen noch heute davon, wie Tangury sich damals bei einem seiner Zaubertricks in einen riesengroßen Barrakuda verwandelte. Nun demonstrieren seine Anhänger vor der Baustelle und es kommt sogar zu nächtlichen Sabotageakten. Können die drei ??? für Klarheit sorgen und die Demonstranten aus dem Bann des Barrakudas befreien?
dovrebbe essere pubblicato su 12 dic 2025
Earlier this year Daphni (aka Caribou, aka Dan Snaith) released a very special FABRICLIVE mix made up of 23 original, unreleased Daphni tracks and four new Daphni edits to widespread critical acclaim.
Today he has followed up with the announcement that he'll be releasing a new full-length album, Joli Mai, on 6 October (NB vinyl coming later..) comprised of extended versions of the tracks from the mix as well as new, unreleased track 'Vulture'.
Riordinabile senza garanzia
- A1: Delightful 3 38:00
- A2: Freaky Dancin' 3 42:00 7" Edit
- A3: Tart Tart 4 18:00
- A4: 24 Hour Party People 3 20:00 Radio Edit
- A5: Wrote for Luck 3 41:00 7" Edit 18:39:00
- B1: Lazyitis - One Armed Boxer (with Karl Denver) 3 53:00
- B2: Hallelujah 3 46:00 Oakenfold 7" Edit
- B3: Step On 4 20:00 7" Edit
- B4: Kinky Afro 3 58:00 Radio Edit
- B5: Loose Fit 3 46:00 Radio Edit 19:43:00
- C1: Judge Fudge 3 58:00 7" Edit
- C2: Stinkin' Thinkin' 4 18:00 Hague 7
- C3: Sunshine & Love 3 23:00 7" Edit
- C4: Angel 4 05:00 Edit 15:44:00
- D1: Hallelujah (Club Mix) 6 29:00
- D2: Step On (Twistin' My Melon Mix) 5 55:00
- D3: W F.L. (Think Abou The Future Mix) 7 05:00 19:29:00
Black Vinyl[28,99 €]
2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.
To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.
The release will be available across multiple formats, appealing to collectors and fans alike.
Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.
This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations
Ultima consegna 6 mesi fa
riordinabile senza garanzia
- 01: Opening
- 02: Haru Are You Awake?
- 03: The Encounter with Lune
- 04: Talking with Cats
- 05: The Cat King's Parade
- 06: The Cat Returns
- 07: Feeling Down After School
- 08: The Mysterious Voice
- 09: At the Crossroads
- 10: Following Muta
- 11: Welcome to the Cat Business Office
- 12: Kidnapped to Be the Prince's Bride
- 13: Is This the Kingdom of Cats?
- 14: To the Cat King's Palace
- 15: Am I a Cat?
- 16: The Cat Juggler's Rumba
- 17: The Stomach Artist's Polka
- 18: Waltz "Katzen Blut
- 19: I Am Humbert von Gikkingen
- 20: Why Do I Have to Be the Bait!
- 21: Escape from the Maze
- 22: Lune and Yuki
- 23: Escape
- 24: I'm Home!
- 27: Haru's Boogie-Woogie
- 28: Pastorale
- 29: Haru's Memories
- 25: The Baron
- 26: The Cat King
The highly popular Studio Ghibli vinyl series now includes 1993's "Ocean Waves" and 2002's "The Cat Returns" and "Ghiblies Episode 2"! The albums feature new jacket designs and comprehensive liner notes, making them a truly luxurious experience.
Enjoy the beautiful jacket design and the rich sound that only vinyl can offer.
*2-disc double jacket set (music tracks on Sides A, B, and C; the reverse of Side C features laser-etched character designs).
Yuji Nomi, the composer behind "Whisper of the Heart," has once again composed the music. Includes the theme song "Become the Wind" by Ayano Tsuji, as well as five bonus tracks.
dovrebbe essere pubblicato su 06 dic 2025
HouseDeepTechVinyl OnlyLimited
Since its inception in 2011 the Fuse label has grown to be one of the leading voices in the dance music underground, originally kicking off with co-founder Enzo Siragusa's 'The Sagamore EP', subsequent releases were kept strictly in-house with productions from the roster of resident DJs that feature at their London based daytime raves (Seb Zito, Rich NxT etc). In 2013 offshoot label 'Infuse' was initiated as a way of harnessing production talent from around the globe.
As a celebration of reaching 5 years of releases, a three part vinyl only EP is to be released featuring tracks from the established Fuse roster as well as a few new additions.
EP one features tracks from Enzo Siragusa, Dan Farserelli, Ferro & Makcim and Fabe. Seb Zito, Romanian talent Iuly.B, Ben Rau and Joseph Williams feature on EP two whilst Rich NxT, Rossko (making his production debut), Archie Hamilton and Sam bellis round things off with the EP 3...
STRICTLY VINYL ONLY!
Ultima consegna 39 giorni fa
riordinabile senza garanzia
Since her debut in 1983, Madonna has been one of the most important and revolutionary artists within pop music, influencing fashion and freedom of expression.
Bedtime Stories, Madonna's sixth studio album, was released in 1994 and saw collaborations with Babyface and Bjork. The lead single from the album, "Secret", gave Madonna her record-breaking 35th consecutive top ten single on the UK Singles Chart, while "Take a Bow" spent seven weeks at number one on the US Billboard Hot 100.
Riordinabile senza garanzia
Geckos is the collective spirit of acclaimed songwriter M. Ward, Giant Sand visionary Howe Gelb, and Irish multi-instrumentalist McKowski. Born out of an impromptu recording session that was sparked by an encounter at the wedding of a mutual friend, the project blends the rich flavors of the Southwest with indie folk, Spanish influences, and a touch of Irish mysticism. While initial recordings took place in Tucson, it became a true transatlantic project when the members returned to their hometowns and continued trading ideas. The trio eventually regrouped in studios across Ireland, London, and Bristol, where renowned English producer John Parish mixed multiple tracks. Geckos' self-titled debut is steeped in story, spontaneity, and surreal charm, channeling the spirit of three singular voices discovering a new, shared musical language.
Ultima consegna 10 mesi fa
riordinabile senza garanzia
- A1: Delightful 3:38:00
- A2: Freaky Dancin' 3:42:00 7" Edit
- A3: Tart Tart 4:18:00
- A4 24: Hour Party People 3:20:00 Radio Edit
- A5: Wrote for Luck 3:41:00 7" Edit 18:39:00
- B1: Lazyitis - One Armed Boxer (with Karl Denver) 3:53:00
- B2: Hallelujah 3:46:00 Oakenfold 7" Edit
- B3: Step On 4:20:00 7" Edit
- B4: Kinky Afro 3:58:00 Radio Edit
- B5: Loose Fit 3:46:00 Radio Edit 19:43:00
- C1: Judge Fudge 3:58:00 7" Edit
- C2: Stinkin' Thinkin' 4:18:00 Hague 7
- C3: Sunshine & Love 3:23:00 7" Edit
- C4: Angel 4:05:00 Edit 15:44:00
- D1: Hallelujah (Club Mix) 6:29:00
- D2: Step On (Twistin' My Melon Mix) 5:55:00
- D3: W.F.L. (Think Abou The Future Mix) 7:05:00 19:29:00
Yellow / Magenta Vinyl[32,73 €]
2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.
To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.
The release will be available across multiple formats, appealing to collectors and fans alike.
Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.
This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations
dovrebbe essere pubblicato su 05 dic 2025
- 11: Symphonie égyptienne
- 12: Dhikr / Requiem / Golgotha
- 01: Ikhtitaf Fi Assaraya – " L'Enlèvement au Sérail " (Mozart / Traditionnel)
- 02: Double Quatuor en fa K. 496 – pour clarinette, violon, alto, violoncelle, arghul, rababa, kawala, tabla, doff et sagat (Mozart)
- 03: Lamma Bada Yatathanna / Symphonie n°40 (Mozart / Traditionnel)
- 04: Mahdiyat – " Berceuses " (Mozart / Traditionnel)
- 05: Concerto pour oud et piano n°23 (Mozart)
- 06: Hamilu Lhawa Tahibou / Aria de Papageno n°20 (Mozart)
- 07: Yaman Hawa / Thamos roi d'Égypte (Mozart / Traditionnel)
- 08: Mawwall (Traditionnel)
- 09: Double Quatuor en mi bémol K. 374 – pour clarinette, violon, alto, violoncelle, arghul, rababa, kawala, tabla, doff et sagat (Mozart)
- 10: Ouazat al Kahira – " L'Oie du Caire "
Halfway between the West and the East, Mozart l'Égyptien was born from the idea of producer Hugues de Courson and Ahmed El Magghrabi to create a dialogue between Mozart's work and the richness of Egyptian music. Released in 1997, this album became an essential reference in the history of musical fusion, enjoying worldwide success. It is now available for the first time on double vinyl, accompanied by a 4-page bilingual booklet (English/French) recounting the genesis and history of this unique project.
AVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLETAVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLETAVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLET
AVAILABLE FOR THE FIRST TIME ON VINYL ● 4-PAGE BOOKLET
j 10. Ouazat al Kahira – " L'Oie du Caire " [Mozart]
[k] 11. Symphonie égyptienne [Mozart]
[Mozart / Traditionnel]
dovrebbe essere pubblicato su 05 dic 2025
- A1: Rudi gib acht 3:25
- A2: Eismeer 3:43
- A3: Die von der Straße 3:11
- A4: Renate 3:02
- A5: Himmel 3:17
- B1: Millionen zählen nicht 3:36
- B2: Spiele mit den UFO's 3:26
- B3: Magnet 3:45
- B4: Sahara 3:10
- B5: Tschau bye bye 3:35
Minisex: Kult-Album "Ayo" erscheint als limitierte Vinyl-Reissue am 05.12.2025 - remastered, farbig & rechtzeitig zum 70. Geburtstag von Sänger & Mastermind Rudi Nemeczek
Ein Klassiker des österreichischen New Wave feiert ein Comeback auf Vinyl: Am 5. Dezember 2025 erscheint das gefeierte Album "Ayo" von Minisex in einer remasterten 1LP-Reissue - limitiert auf eine exklusive Auflage und gepresst auf red-marbled Vinyl.
Ursprünglich 1984 veröffentlicht, zählt "Ayo" zu den musikalischen Meilensteinen der Bandgeschichte und enthält einige der größten Erfolge der österreichischen Kultband - allen voran die Songs "Rudi gib Acht" und "Eismeer", die bis heute Genre-Fans und Nostalgiker gleichermaßen begeistern.
Der Reissue-Termin könnte passender nicht sein: Nur wenige Wochen später, am 23. Dezember, feiert Rudi Nemeczek, Sänger, Songwriter und kreativer Kopf hinter Minisex, seinen 70. Geburtstag. Die Neuveröffentlichung ist somit nicht nur ein audiophiles Sammlerstück, sondern auch eine Hommage an eine zentrale Figur der österreichischen Musikszene.
Die LP erscheint in begrenzter Stückzahl. Wer sich ein Exemplar sichern möchte, sollte schnell sein - Ayo ist zurück, und zwar schöner denn je.
Minisex "AYO"
Limitierte 1LP auf red marbled Vinyl - ab 5.12.2025 erhältlich!
dovrebbe essere pubblicato su 05 dic 2025
- 1: Raz Fresco – Who Mapped the Earth
- 2: ROMderful – Maybe With You
- 3: Dowker – Call Me
- 4: Speak – Sakuraba
- 5: Cookin Soul (feat. Ovrkast) – Flying
- 6: Demahjiae (feat. Monster Rally) – Clooney
- 7: Mr. Scruff – Flute Boom
- 8: 645AR – Shooting Star
- 9: Peanut Butter Wolf (feat. Myka & WarAgainstGod?) – Organic AI
- 10: Chuck Strangers (feat. Graymatter) – Marigold
- 11: L.A. Jay (feat. Pigeon John) – Thank You
- 12: DJ Harrison – AppleChopChutney
- 13: Homeboy Sandman (feat. Monster Rally) – I Love You
- 14: Low Leaf – Faerie Function
- 15: Pouya (feat. Boobie Lootaveli) – Bitch, Park Backward
- 16: Eddie Chacon (feat. John Carroll Kirby) – Comes and Goes (Live at ISC)
- 17: Devin Morrison – Givin' Up
- 18: Suzi Analogue – King
- 19: Lee "Scratch" Perry – Morning Star
- 20: Dayytona Fox – WoOoAaah
- 21: RVYO (feat. Bombay) – KFLEX
- 22: Crimeapple (feat. Don Leisure) – Vic Damone
- 23: Huey Briss – Don't Clap When I Win
- 24: NCY Milky Band (feat. Quelle Chris) – High Speed Clouds
- 27: Swum (feat. Big Lordy) – Shinto
- 28: Xavier Wulf – 2 Can Wulf
- 29: Tommy Wright III – Chrome Thang
- 30: YVAIN – Metta
- 25: Mr. Mumblz (feat. Daniel Son) – Snake Eyes
- 26: Girl Talk (feat. Freeway & Waka Flocka Flame) – Tolerated (Remixed by Mikey the Magician)
Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before. Gangster Doodles himself puts it best: "It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”
Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.
This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.
From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.
dovrebbe essere pubblicato su 05 dic 2025
- 1: filthy air
- 2: fibonacci
- 3: love spell
- 4: do you believe¿
- 5: age of aquarius
- 6: age of pisces
- 7: spellcaster
- 8: mystery ft. lojii
- 9: hometown hero
- 10: telekinesis freestyle ft. marco plus
- 11: curses
- 12: wtf did you summon¿ ft. vash noir
- 13: enchanted herbs ft. dev slang 02:00
- 14: 3am gems ft. uptown slang
- 15: fashion week ft. kent loon
- 16: yahseh ft. hekate kai
- 17: continuum
- 18: magic or miracle ft. archibald slim
- 19: hexagram ft. gabe nandez
- 20: smell the marigolds ft. chuuwee
- 21: hoodwink ft. og xiv
- 22: protection charm
- 23: black opal
dovrebbe essere pubblicato su 05 dic 2025
- A1: Der Kreis 5:19
- A2: Hoch und höher 3:58
- A3: Erkennst du dich wieder 3:23
- A4: Weck mich nicht auf 4:14
- A5: Die Hölle ist hier 4:00
- B1: Das geht tief 4:53
- B2: Wie kannst du schlafen 3:56
- B3: Glaub an mich 4:10
- B4: Ja, ich will 5:02
- C1: Gib die Liebe nicht auf 4:58
- C2: Früher, später 4:49
- C3: Halt dich an mir fest 4:37
- C4: Lebenswert 4:15
- C5: Mit dir 4:09
- D1: Die Ruhe vor dem Sturm 5:45
- D2: Ich werd dich begleiten 3:17
- D3: Wer schenkt uns ein Wunder 3:50
- D4: Die Antwort 5:53
- E1: Schnee, der auf Rosen fällt 4:37
- E2: Der Mensch auf den du wartest 4:30
- E3: Es gibt zum Glück noch die Liebe 3:38
- E4: Die Liebe bleibt 3:42
- F1: In dir ist immer noch ein Licht 4:09
- F2: Auf den Scherben unserer Welt 3:53
- F3: Meine Welt 5:20
- G1: Ich kann wenn ich will 3:27
- G2: Du bist göttlich 4:12
- G3: Leb dein Leben 3:56
- H1: Meine Musik 4:43
- H2: Wie im Himmel 4:32
- H3: Ewig 3:47
- I1: Niemals war es besser 3:31
- I2: Wenn der Himmel weint 6:16
- I3: Wer liebt 5:42
- J1: Nur du hörst 3:36
- J2: Wildnis 5:19
- J3: Die Geister, die ich rief 5:04
- K1: Schwarze Linien 4:42
- K2: Sie bleibt 3:06
- K3: Gelobtes Land 5:49
- L1: Bis zum Schluss 5:00
- L2: Wenn das so ist 4:14
- L3: Halleluja 5:32
- M1 10: 00 Wege - Ouvertüre 3:16
- M2: Jetzt! 4:28
- M3: Morgen 3:27
- M4: Luft & Liebe 3:38
- N1 10: 0.000 Stunden 4:10
- N2: Alles von mir 4:58
- N3: Das ist gut 3:27
- O1: Größer als wir 5:58
- O2: Für immer jung 4:10
- O3: Wenn du wieder kommst 3:06
- P1: Nur einmal hier 3:11
- P2: Kopf hoch 3:49
- P3: So schließt sich der Kreis 3:13
- P4 10: 00 Wege 4:22
- Q1: Jedes Ende wird ein Anfang sein 3:38
- Q2: Wenn wir uns wiedersehen 4:25
- Q3: Wounded Knee 3:14
- Q4: Odyssee 4:15
- Q5: So weit 3:36
- Q6: Weiter 3:04
- R1: Lockdown Blues 3:09
- R2: Nie mehr 4:20
- R3: Wir 3:35
- R4: Wann Immer 4:41
- R5: Wir zwei 4:22
LP 9x12"[115,55 €]
dovrebbe essere pubblicato su 05 dic 2025
- A1: Der Kreis 5:19
- A2: Hoch und höher 3:58
- A3: Erkennst du dich wieder 3:23
- A4: Weck mich nicht auf 4:14
- A5: Die Hölle ist hier 4:00
- B1: Das geht tief 4:53
- B2: Wie kannst du schlafen 3:56
- B3: Glaub an mich 4:10
- B4: Ja, ich will 5:02
- C1: Gib die Liebe nicht auf 4:58
- C2: Früher, später 4:49
- C3: Halt dich an mir fest 4:37
- C4: Lebenswert 4:15
- C5: Mit dir 4:09
- D1: Die Ruhe vor dem Sturm 5:45
- D2: Ich werd dich begleiten 3:17
- D3: Wer schenkt uns ein Wunder 3:50
- D4: Die Antwort 5:53
- E1: Schnee, der auf Rosen fällt 4:37
- E2: Der Mensch auf den du wartest 4:30
- E3: Es gibt zum Glück noch die Liebe 3:38
- E4: Die Liebe bleibt 3:42
- F1: In dir ist immer noch ein Licht 4:09
- F2: Auf den Scherben unserer Welt 3:53
- G2: Du bist göttlich 4:12
- G3: Leb dein Leben 3:56
- H1: Meine Musik 4:43
- H2: Wie im Himmel 4:32
- H3: Ewig 3:47
- I1: Niemals war es besser 3:31
- I2: Wenn der Himmel weint 6:16
- I3: Wer liebt 5:42
- J1: Nur du hörst 3:36
- J2: Wildnis 5:19
- J3: Die Geister, die ich rief 5:04
- K1: Schwarze Linien 4:42
- K2: Sie bleibt 3:06
- K3: Gelobtes Land 5:49
- L1: Bis zum Schluss 5:00
- L2: Wenn das so ist 4:14
- L3: Halleluja 5:32
- M1 10: 00 Wege - Ouvertüre 3:16
- M2: Jetzt! 4:28
- M3: Morgen 3:27
- M4: Luft & Liebe 3:38
- N1 10: 0.000 Stunden 4:10
- N2: Alles von mir 4:58
- N3: Das ist gut 3:27
- O1: Größer als wir 5:58
- O2: Für immer jung 4:10
- F3: Meine Welt 5:20
- O3: Wenn du wieder kommst 3:06
- P1: Nur einmal hier 3:11
- P2: Kopf hoch 3:49
- P3: So schließt sich der Kreis 3:13
- P4 10: 00 Wege 4:22
- Q1: Jedes Ende wird ein Anfang sein 3:38
- Q2: Wenn wir uns wiedersehen 4:25
- Q3: Wounded Knee 3:14
- Q4: Odyssee 4:15
- Q5: So weit 3:36
- Q6: Weiter 3:04
- R1: Lockdown Blues 3:09
- R2: Nie mehr 4:20
- R3: Wir 3:35
- R4: Wann Immer 4:41
- R5: Wir zwei 4:22
- G1: Ich kann wenn ich will 3:27
LP 9x12"[115,55 €]
dovrebbe essere pubblicato su 05 dic 2025
2025 Repress
Canadian-born, London-based producer, songwriter and vocalist Chloé Raunet aka C.A.R. releases her third album, 'Crossing Prior Street', on Ransom Note Records. Full of bruised-but-ultimatelyhopeful electronic art pop, the album tells Chloe's story of escaping a broken childhood in Vancouver, and finding her way to the lonely streets of East London, at the tender age of 16.
dovrebbe essere pubblicato su 04 dic 2025
Originally released as an edition of 50 lathe-cut LPs housed in silk-screened jackets in 2020 (fast on the heels of What's Tonight To Eternity), Cat O' Nine Tails has long intrigued die-hard Cindy Lee fans with its combination of the classic songwriting that would dominate Diamond Jubilee a few years later and an actual suite of classical songs under the title itself.
Opening with the gothic soap opera theme of "Our Lady Of Sorrows" into the manic exploration of "Cat O' Nine Tails," onto the dusty western walk through Patrick Flegel's lovely guitar work on "Faith Restored," the album seems to soundtrack the coolest movie the late '60s ever produced. All of this builds to the lush and sweeping ballad of bruised hearts that introduces that beautiful voice via "Love Remains."
Side Two sees 2024 live show closer "Cat O' Nine Tails III" complete the suite to epic effect, before introducing the absolute showstopper that is "I Don't Want To Fall In Love Again." It is tender and fragile in that way that only Flegel can make both familiar and unique. Closing with the ethereal soul shuffle stomp of "Bondage Of The Mind," the album showcases nine songs from an essential time in the Cindy Lee evolution.
W.25TH / Superior Viaduct bring this collection to the larger audience as it deserves.
Ultima consegna 10 mesi fa
riordinabile senza garanzia
- A1: Abenteuerland 6 23
- A2: Ich lieb’ dich (Egal wie das klingt) 4 17
- A3: Leben 5 42
- B1: Nur zu dir 4 13
- B2: Ganz egal 4 38
- B3: Daß es dir leid tut 4 26
- B4: Kowalski V (Das Problem) 0 32
- B5: Ein graues Haar 4 32
- C1: Es tut weh 4 48
- C2: Wut im Bauch 4 22
- C3: Ruhe 4 54
- C4: Ungeheuer 4 26
- D1: In Gedanken 3 56
- D2: Merlins Reise 3 42
- D3: Never-Neverland (Abenteuerland) 6 21
- D4: I Love You (Ich lieb’ dich) 4 13
Ultima consegna 10 mesi fa
riordinabile senza garanzia
- A1: Störung – Radio Lines – 1981- (03 34)
- A2: Genetic Factor – Are You – 1980- (03 22)
- A3: Ego Produkties – The Explorer (Instrumental) - 1981- (03 24)
- A4: Parlinone – Dodubdada -1984 - (04 10)
- A5: Selfs Without Shells – Another Night – 1990- (02 43)
- A6: Terms Of Abuse – Happy Together – 1991- (02 43)
- A7: Terms Of Abuse – Pale Paintress – 1991- (02 55)
- B1: La Strada – Neuroduplication – 1983- (04 56)
- B2: Single Handed – This Morning Carousel – 1983- (04 23)
- B3: T. Toeloeze – Science Fiction – 1983- (04 41)
- B4: King Koen – Erika – 1984- (03 54)
- B5: Gradual Isolation – The Sky Converts – 1993)-(03 22)
- B6: Gradual Isolation – Agony By Men – 1993- (02 48)
Cassette music from Belgium and The Netherlands.
Again, a unique compilation by the leading Belgian re-release label Walhalla Records, specialized in minimal synth, cold wave, electro, and more. Following the widely acclaimed — and mostly sold-out — previous Underground Wave releases, totaling six albums so far and counting, there is now Volume 7. This release features Dutch and Belgian bands, each filling one side of the record. It offers a wealth of ultra-rare and previously unreleased material sourced from cassettes, deeply rooted in the electronic scene of the 80s and 90s.
Ultima consegna 8 mesi fa
riordinabile senza garanzia
Nach einer legendären Tribute-Performance bei den VMAs vereint sich Aerosmith mit YUNGBLUD auf
„One More Time“, das am 21. November bei Capitol Records erscheint. Die 5-Track-EP enthält Vocals
von Steven Tyler und YUNGBLUD, darunter 4 neue Songs, die von Steven Tyler, Joe Perry, YUNGBLUD
und Matt Schwartz geschrieben wurden, sowie eine neu interpretierte Version des Aerosmith-Klassikers
„Back In the Saddle“.
Ultima consegna 10 mesi fa
riordinabile senza garanzia
Unit Moebius
Acid Planet 92-97 Vol 5
dovrebbe essere pubblicato su 02 dic 2025
- THE PRIZEFIGHTER
- MUEZLI
- PILOT THE DUNE
- JULY
,Amusing the Amazing" ist eine EP mit vier Songs von der amerikanischen Stoner-Rock-Band Slo Burn, die ursprünglich 1997 von Malicious Vinyl rausgebracht wurde. Die Band wurde von Sänger John Garcia, früher bei Kyuss, angeführt und bestand aus Gitarrist Chris Hale, Bassist Damon Garrison und Schlagzeuger Brady Houghton. Die EP wurde von Slo Burn und Chris Goss zusammen produziert. Die EP wird gerade neu gemastert und zum ersten Mal auf 12-Zoll-Vinyl gepresst, mit Audio auf der einen Seite und einer speziellen Gravur auf der anderen.
dovrebbe essere pubblicato su 28 nov 2025
- SPIRITS
- VIBRATIONS
- SAINTS
- MOTHERS
- CHILDREN
- SPIRITS
- VIBRATIONS
- SAINTS
- SPIRITS
- GHOSTS
- CHILDREN
- HOLY SPIRIT
- GHOSTS
- VIBRATIONS
- MOTHERS
- ANGELS
- C.A.C
- GHOSTS
- INFANT HAPPINESS
- SPIRITS
- NO NAME
In ihrer kurzen gemeinsamen Zeit schufen Albert Ayler und Don Cherry ein Musikwerk, das wirklich im Moment existiert. Ohne Rücksicht auf Regeln und ästhetische Grenzen spielten sie, was sie fühlten, und nahmen Fehler und falsche Wendungen als Teil der Erfahrung des künstlerischen Schaffens im Moment an. Auch nach über sechzig Jahren klingen diese Aufnahmen noch genauso kraftvoll und lebendig wie damals, als sie entstanden sind. Dieses 4xLP-Boxset enthält vier Aufnahmen aus dem Herbst 1964, darunter Live-Auftritte im Jazzhus Montmartre in Kopenhagen und eine VARA-Radio-Session in den Niederlanden. Der Ton wurde remastered und zum ersten Mal auf Vinyl zusammengestellt. Albert Aylers bedeutendes Free-Jazz-Quartett bestand aus Don Cherry an der Kornette, Gary Peacock am Kontrabass und Sunny Murray am Schlagzeug. Mit ausklappbarem Insert mit ausführlichen Liner Notes von Brian Morton.
dovrebbe essere pubblicato su 28 nov 2025
- PART I
- PART II
In einer mutigen, hypnotischen Hommage an Detroits ursprüngliche Avantgarde-Rock-Wurzeln verwandeln Schlagzeuger Larry Mullins (alias Toby Dammit) und der legendäre Bassist Mike Watt das eindringliche Mantra ,We Will Fall" von The Stooges in ein fast 40-minütiges Ritual aus Wiederholungen, Zurückhaltung und roher Atmosphäre. Mullins und Watt greifen den unheimlichen Puls und den narkotischen Drone des Original-Tracks von 1969 auf und treiben dessen tranceartigen Kern in unbekanntes Terrain. Mullins, bekannt für seine Arbeit mit Iggy Pop, Swans und Nick Cave, baut mit seiner Shruti-Box, Moog-Elektronik, Tabla und Gongs eine minimalistische Landschaft auf. Watts charakteristisches Low-End-Dröhnen verwandelt sich von einem subtilen Herzschlag zu einer Ganzkörperhalluzination. Das Ergebnis ist keine Coverversion, sondern eine erweiterte Beschwörung. Teils Séance, teils Trauergesang, teils freie Erkundung von Stimmung und Geist. Es ist ein langsames Brennen klanglicher Hingabe, das den Geist der Stooges ehrt und gleichzeitig die Tür zu etwas völlig Neuem öffnet: ein tiefes Eintauchen in das Heilige und Fremde. Dieses meditative und bedrohliche Stück ist auf zwei Seiten der LP aufgeteilt, die exklusiv für den Record Store Day Black Friday 2025 erhältlich ist. Die Hälfte der Pressung erscheint auf goldenem Vinyl, die andere Hälfte auf schwarzem, die Auswahl erfolgt nach dem Zufallsprinzip.
dovrebbe essere pubblicato su 28 nov 2025
- MISSISSIPPI BOWEAVIL BLUES
- GOING TO MOVE TO ALABAMA
- WHEN YOUR WAYS GET DARK
- SCREAMIN' AND HOLLERIN' THE BLUES
- HIGH WATER EVERYWHERE, PT. 1
- GREEN RIVER BLUES
- DEVIL SENT THE RAIN BLUES
- MOON GOING DOWN
- IT WON'T BE LONG
- PEA VINE BLUES
- YOU'RE GONNA NEED SOMEBODY WHEN YOU DIE
- BIRD NEST BOUND
Die rohe, donnernde Kraft von Charley Patton kommt in diesem unverzichtbaren zweiten Teil von ,Father of the Delta Blues: Selections from Paramount Recordings" wieder voll zur Geltung. Diese Tracks zeigen Patton von seiner eindringlichsten und ungefiltertesten Seite, mit wilder Slide-Gitarre, schreiendem Gesang und Texten voller Geheimnisse, Trotz und tiefer Mississippi-Seele. "Vol. 2" setzt die Erforschung von Pattons einzigartigem Vermächtnis fort: teils Prediger, teils Trickster, teils Geschichtenerzähler. Der zweite Band wurde von Dave Gardner liebevoll restauriert und remastert und ist nicht nur ein Dokument des frühen Blues, sondern auch ein Einblick in die Wurzeln der amerikanischen Musik selbst, wo Rhythmus auf Rebellion traf und Geschichte in Schellack eingraviert wurde. Exklusiv für den Record Store Day Black Friday 2025 auf transparentem orangefarbenem Vinyl gepresst.
dovrebbe essere pubblicato su 28 nov 2025
- 1: Deathmask
- 2: Humiliate Your Corpse
- 3: F**kdog
- 4: Praise the Children
- 5: Birthing
- 6: S**t Eater
- 7: Formaldehigh
- 8: I Sodomize Your Corpse
- 9: Geek
- 10: Brain Damage
- 11: Blood Orgy
- 12: No More Hate
- 13: Grave Violators
- 14: Maim Rape Kill Rape
- 15: I S**t On Your Grave
- 16: End to the Misery
- 17 24: Public Mutilations
- 18: Bathe in Fire
- 19: Bowel Ripper
- 20: Burnt to a F**k
- 21: Excremental Ecstasy
- 22: Slaughterday
- 23: Friend for Blood
- 24: Fleshcrawl
- 29: Dead
- 30: Spinal Extractions
- 31: Twisted Mass of Burnt Decay
- 25: Torn from the Womb
- 26: S**t Eater
- 27: Charred Remains
- 28: Death Twitch
Frontman Chris Reifert was already a well-known force on the underground through his time as drummer with Florida's highly respected death metal combo Death. After playing drums on the band's debut album, the much acclaimed 'Scream Bloody Gore', Chris moved back west to the more open climate of San Francisco & formed Autopsy. The band released the demo 'Critical Madness' in 1988 & it wasn't long before Peaceville Records snapped them up in a deal initially spanning 4 albums.
The partnership kicked off in April 1989 with their debut album 'Severed Survival'; a brutal explosion of heavy riffs, tight drumming & a screaming vocal, rounded off with concepts of death, disease & diabolica. This was swiftly followed up with the equally genre-defining 'Mental Funeral' opus in 1991. Released in the autumn of 1995, Autopsy's then fourth & final album before splitting, 'Shitfun', was a glorious scatological gross out & exercise in the limits of extremity & a fitting end to one of the finest bands of a Doomed generation before their return from the grave in 2009 which has continued to go from strength to strength to the current day. This thirtieth anniversary vinyl pressing of 'Shitfun' is presented on bowel- busting limited brown marble- effect vinyl, including the original cover art & printed inner sleeve.
dovrebbe essere pubblicato su 28 nov 2025
- A1: When You Gonna Learn? 3:47
- A2: Too Young to Die 3:23
- A3: Blow Your Mind 3:55
- A4: Emergency on Planet Earth 3:35
- A5: Space Cowboy 3:37
- B1: Virtual Insanity 3:49
- B2: Cosmic Girl 3:47
- B3: Alright 3:42
- B4: High Times 4:09
- B5: Deeper Underground 4:44
- C1: Canned Heat 3:46
- C2: Little L 3:57
- C3: Love Foolosophy 3:46
- C4: Corner of the Earth 3:54
- C5: You Give Me Something 3:24
- D1: Feels Just Like It Should 4:32
- D2: Seven Days in Sunny June 3:58
- D3: (Don't) Give Hate a Chance 3:49
- D4: Runaway 3:45
- D5: Radio 4:12
2LP 140g col vinyl
»High Times – Singles 1992–2006« erschien 2006, erreichte Platz 1 der Charts und wurde mit Dreifach-Platin ausgezeichnet. Die Tour Edition 2025 erscheint als stahlfarbenes Doppel-Vinyl mit Kunstdruck, Booklet und einem von fünf zufällig beigelegten Sammler-Laminaten mit dem Buffalo-Man-Icon.
Das Album umfasst 20 Songs, darunter den Nummer-1-Hit »Deeper Underground«, sieben weitere Top-10-Titel wie »Virtual Insanity«, »Cosmic Girl« und »Canned Heat« sowie weitere bekannte Singles wie »Seven Days in Sunny June« und »Space Cowboy« viele davon feste Bestandteile der aktuellen Live-Shows.
dovrebbe essere pubblicato su 28 nov 2025
- A1: Alles was ich weiß 3:27
- A2: Dazwischen 2:58
- A3: Bitte sei vorsichtig 2:35
- A4: Arsenalplatz 2:55
- A5: Wieder zurück feat. Edwin Rosen 3:58
- A6: Simson S51 2:09
- B1: Aufstehen 2:28
- B2: Sonnenbankflavour 1:45
- B3: Wann trennt ihr euch 3:06
- B4: Dein Herz 2:55
- B5: Ohne Regen keine Blumen 3:18
- B6: Wie immer ist 3:28
- B7: Dieses eine Lied 2:23
dovrebbe essere pubblicato su 28 nov 2025
Ultima consegna 10 mesi fa
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Hania Rani ist eine mehrfach preisgekrönte Komponistin und Pianistin, die mühelos zwischen der Welt der
klassischen und der experimentellen Musik wechselt.
Aufgenommen in den Abbey Road Studios mit einem 45-köpfigen Orchester, markiert „Non Fiction“ einen
neuen Abschnitt in Ranis Karriere, da sie von den elektronischen Klängen ihres gefeierten Albums „Ghosts“
in den symphonischen Bereich übergeht und eine Brücke zwischen ihrem eleganten Experimentalismus und
ihrer klassischen Ausbildung schlägt.
Non Fiction ist Ranis erstes Klavierkonzert und symphonisches Werk. Es ist auch eine Reaktion auf die Entdeckung der Kompositionen des jungen Musikwunderkindes, Josima Feldschuh, die während der Schrecken
des Zweiten Weltkriegs im Warschauer Ghetto entstanden sind. Bewegt von der Geschichte des jungen
Mädchens, beschloss Rani, sie durch die Linse der aktuellen Schreckenssituationen in der Ukraine und im
Gazastreifen zu betrachten und zu untersuchen, wie wir diese durch moderne Medien wahrnehmen. Dabei
erforscht Rani die ständige Koexistenz von Harmonie und Unordnung, schafft eine klangliche Metapher
für das Überleben des menschlichen Geistes angesichts von Gewalt und nutzt den emotionalen Wert von
Klängen, um diese irgendwie fernen Konflikte für uns auf menschlicher Ebene nachvollziehbarer zu machen.
Ultima consegna 7 mesi fa
riordinabile senza garanzia
- 1: The Prince
- 2: One Step Beyond
- 3: My Girl
- 4: Night Boat To Cairo
- 5: Baggy Trousers
- 6: Embarrassment
- 7: The Return Of The Los Palmas
- 8: Grey Day
- 9: Shut Up (Single Edit)
- 10: It Must Be Love
- 11: Cardiac Arrest
- 12: House Of Fun
- 13: Driving In My Car
- 14: Our House
- 15: Tomorrow's (Just Another Day)
- 16: Wings Of A Dove
- 17: The Sun And The Rain
- 18: Michael Caine
- 19: One Better Day
- 20: Yesterday's Men (Single Edit)
- 21: Uncle Sam (Single Edit)
- 22: Sweetest Girl (Single Edit)
- 23: (Waiting For) The Ghost Train
Relive the early years of Madness with 'Hit Parade Vol. 1 1979-1986'. This 23-track 2LP set remembers the early years of Madness; containing a selection of their biggest hits and best loved tunes. It includes 23 UK Top 40 hits such as 'One Step Beyond', 'Embarrassment', 'My Girl', and 'Night Boat To Cairo'.
Beautifully packaged in a deluxe, gatefold sleeve, this 2LP collection is pressed on translucent red vinyl. The fully illustrated inner sleeves contain new liner notes with various band members and long-time producers Clive Langer and Alan Winstanley, in conversation with renowned author and journalist Paul Sexton.
Firmly established as national treasures and as one of the UK’s most cherished and beloved bands, Madness are adored by their loyal and huge following. Their consistently sold-out shows illustrate their enduring qualities resulting in their popularity continuing to grow and grow.
dovrebbe essere pubblicato su 21 nov 2025
- A1: Chipppps - PRZ Remix (04 31)
- A2: Exosphear - pdqb Speedrun Suture (00 28)
- A3: Laserzimmer 1, Raum 3 16 - Noise&Noise Ghost Shell Remix (03 19)
- A4: DodgedoG - pdqb Killscreen Suture (00 37)
- A5: Flossbite - Galaxian Artefacts Remix (04 23)
- B1: TögTägTüu - CEM3340 Rework (03 52)
- B2: Maurodius-Papeda - pdqb Demake Suture (00 38)
- B3: Boktay - Dark Vektor Inside Your Eyes Remix (05 14)
- B4: Binäry Gatoraders on Acid - pdqb Bonus Stage Suture (00 42)
- B5: Lygöphobiä - Mesak's Broken Vectrex Mix (03 03)
The neon "pdqb Arcade" sign in Port Astra flickered with the same chaotic energy it had decades ago. Six men, now with more gray hair and worries than they once had, stood at the entrance. They were the "Lucky Six," reunited after years of scattered lives and separate paths.
"I can't believe this place is still here" said Noise, who had flown in from Tokyo. "It hasn't changed 8 bits, haha". CEM, now a father of 3340 synthesizers from Bari, replied with a grin. "We have. Look at Galaxian, he's unrecognizable!"
Each of them held a single, precious coin. Their plan, born of a wave of nostalgia and the understanding that they couldn't stay forever, was simple: one coin, one game, one last chance to be a legend. Each man would choose the game that meant the most to him and play the round of his life…
At the end, pdqb, the arcade owner, came up to the guys. "Don't be sad", he said. "Even if it was your last credit, there's always one more somewhere in some game". He then walked through the arcade and played four different machines that just happened to have an extra credit on them. "See?", he said.
Synaptic Cliffs proudly presents pdqb together with six black belt gamers (PRZ, Noise&Noise, Galaxian, CEM3340, Dark Vektor, Mesak), each a legend in their own right. They don't just replay pdqb's 8 1/2 Bit album; they become it. Together, they embark on a journey through legendary worlds, creating a place filled with soundscapes and challenges that blur the line between music and game. They move with the rhythm of the music and face the challenges within, weaving their own stories into the fabric of the iconic work.
Ultima consegna 4 mesi fa
riordinabile senza garanzia
Sonetos del Amor Oscuro is an ode performed by four enchanted souls who have intertwined their hearts and conjured harmonies and rhythms that wander endlessly among the spellbinding words of a poet from Granada... Federico García Lorca;
He wrung, pushed and vibrated words like tectonic plates, transforming plains into poetic mountain landscapes. He then covered them with a Moorish carpet of snow crystals and had them reflected by the dark locks of hair of a gypsy girl from Albaicín who, with a voice forged in gold and silver, sings her little sister to sleep with a soothing lullaby.
Helena Casella – vocals
Myrddin De Cauter – flamenco guitar
Stijn Kuppens – cello
Stefan Bracaval – flute, bass flute
Helena Casella, the Belgian-Brazilian vocalist with a deep, soft and warm voice, translates her multicultural background and personal thoughts into music in a passionate, soulful and refined way. With her roots in an exceptionally musical family, her music exudes this unique heritage. She effortlessly interweaves genres such as R&B, soul, hip hop and modern jazz, while remaining true to the vibrant sounds of Brazil, an essential part of her roots.
Her debut album was released earlier this year on W.E.R.F. records.
Myrddin De Cauter's music is deeply moving, complex, passionately rhythmic and deeply emotional. He has mastered the compás of flamenco, which gives him the freedom to converse with elements from jazz or classical music. His speed sometimes seems otherworldly, but those who take the time to listen closely to his music will quickly discover an immense world of pure emotion, beauty and tranquillity. After six albums and countless concerts, Myrddin proves that great virtuosos do not necessarily have to come from Spain. At the tender age of eleven, his father taught him to play the clarinet in jazz and gypsy swing style; he became part of the family orchestra and gained his first experiences on stage. A classical melody composed on the guitar prompted him to ask his father to teach him the basics of flamenco guitar. Soon after, Myrddin seemed ready for the real thing and went to Andalusia to learn from Manolo Sanlucar and Gerardo Núñez. This inspired him to compose in his own unique language, deeply rooted in the pure flamenco tradition but enriched by boundless creativity.
Stijn Kuppens is a cellist, composer and producer. In his own genre, which he describes as non-classical cello, he uses the cello in his own unique way. His profound knowledge of the complex history and techniques of the style is clearly audible: Kuppens' mastery of classical music is evident in every note he plays, whether he is performing solo or collaborating with other musicians. His skill as a musician and ambition to explore the boundaries of conventional classical music is evident in his ability to seamlessly blend different genres.
Stefan Bracaval is a classically trained flutist who graduated from the Royal Conservatory of Antwerp. His fascination with the expressive potential of improvisation led him to jazz, where he became a self-taught jazz flutist. Bracaval has collaborated on projects with prominent jazz figures such as Charles Loos, Bert Joris and the Brussels Jazz Orchestra. In addition, he worked as a soloist and arranger with the VRT Radio Choir in 2016. Bracaval leads the Stefan Bracaval QU4RTET, which emphasises the flute as a central jazz instrument and brings new repertoire rooted in jazz traditions.
Live
31/10/2025 – Café Silverio, Gent (BE)
15/01/2026 – Kloosterkapel Diepenbeek (BE)
16/01/2026 – ‘t Ey, Belsele (BE)
17/01/2026 – Sint-Luciakerk (kerkconcerten Merode), Engsbergen (BE)
23/01/2026 – Muziekcentrum Dranouter (BE)
dovrebbe essere pubblicato su 21 nov 2025
- 1: The Prince
- 2: One Step Beyond
- 3: My Girl
- 4: Night Boat To Cairo
- 5: Baggy Trousers
- 6: Embarrassment
- 7: The Return Of The Los Palmas
- 8: Grey Day
- 9: Shut Up (Single Edit)
- 10: It Must Be Love
- 11: Cardiac Arrest
- 12: House Of Fun
- 13: Driving In My Car
- 14: Our House
- 15: Tomorrow's (Just Another Day)
- 16: Wings Of A Dove
- 17: The Sun And The Rain
- 18: Michael Caine
- 19: One Better Day
- 20: Yesterday's Men (Single Edit)
- 21: Uncle Sam (Single Edit)
- 22: Sweetest Girl (Single Edit)
- 23: (Waiting For) The Ghost Train
- 1: The Harder They Come (Live At Madstock 992)
- 4: Drip Fed Fred (The Conspiracy Mix)
- 5: Shame And Scandal
- 6: Girl Why Don’t You
- 7: Sorry (Radio Edit)
- 8: NW5 (Radio Edit)
- 9: Dust Devil (Radio Edit)
- 10: Sugar And Spice (Radio Edit)
- 11: Forever Young (Melt Music Radio Edit)
- 12: My Girl 2 (Radio Edit)
- 13: Never Knew Your Name
- 14: How Can I Tell You (Radio Edit)
- 15: Misery
- 16: La Luna
- 17: Mr.Apples (Toerag Mix)
- 18: Can't Touch Us Now
- 19: Bullingdon Boys
- 20: C'est La Vie
- 21: Baby Burglar
- 22: Round We Go (Single Version)
- 2: Lovestruck
- 3: Johnny The Horse
Beautifully packaged in a deluxe slipcase, this 4LP box set combines the red vinyl.
Volume 1 and blue vinyl Volume 2 2LP collections. The fully illustrated inner sleeves contain new liner notes with various band members and long-time producers Clive Langer and Alan Winstanley,
in conversation with renowned author and journalist Paul Sexton.
dovrebbe essere pubblicato su 21 nov 2025
- A1: Parisian Thoroughfare 14'27
- A2: Yusef 5'34
- A3: Shaw' Nuff 6'52
- B1: Blues 6'14
- B2: Torsion Level 6'24
- B3: Woody 'n You 7'31
- B4: Dancing in the Dark 7'36
This Transition's label album features the concert that Donald Byrd Sextet gave in Detroit on August 23th, 1955 organized by the New Jazz Society, a group formed under the impetus of Kenny Burrell, one of the key influences in Detroit jazz.
The reissue of this hard-to-find album is significant for a number of diferent reasons. Its very rarity is one attraction for certain collectors, but more important perhaps is the fact that it was the first recording as featured artist for trumpeter Donald Byrd. It is also extremely revealing of the depth of the jazz scene in 1950s Detroit, which had nurtured Byrd and from which he was just emerging at the time of this concert.
dovrebbe essere pubblicato su 21 nov 2025
- A1: feat. Victoria Hillestad High Life 1:26
- A2: feat. Victoria Hillestad Here Comes The King (Extended Album Version) 1:28
- A3: Remis 1:49
- A4: Ruby in a Rush 1:05
- A5: Ruby's Dreams 1:23
- A6: feat. Kenyatta Joyner First and Last (Extended Album Version) 3:04
- A7: James' Suspension 1:47
- A8: Saying Sorry 2:07
- A9: Charming Rivalry 1:03
- A0: The Flagship Store 2:08
- A1: Romance Interrupted 1:31
- A2: feat. Victoria Hillestad Feels Like Home (Extended Album Version) 2:27
- B1: Young Beaufort 2:07
- B2: feat. Dominik Büchele A Secret Place (Extended Album Version) 3:22
- B3: Graham's Declaration - WTF ?! 2:04
- B4: Under Water 1:53
- B5: feat. Victoria Hillestad Let Down (Extended Album Version) 3:32
- B6: In Between Two Worlds 2:54
- B7: What Do You Want? 4:04
- B8: feat. Victoria Hillestad Let Down (Acoustic Version) 0:53
- C1: Off To A Good Start 1:37
- C2: James' Fragile Heart 4:33
- C3: The Funeral 4:31
- C4: You Have A Good Heart 2:17
- C5: Marching Theme 1:06
- C6: James' Testimonial 5:32
- C7: An Unexpected Visit 1:21
- C8: An Invitation To London 1:13
- D1: It's Perfect 2:22
- D2: feat. Kenyatta Joyner Let Go 1:46
- D3: The Will 1:53
- D4: feat. Victoria Hillestad Our Land 2:51
- D5: Just The Two Of Us 1:24
- D6: The Future Belongs To The Believer 1:32
- D7: The Interrogation 2:02
- D8: feat. Victoria Hillestad Stories Yet To Be Told 3:19
- D9: SYML Carry No Thing 3:30
dovrebbe essere pubblicato su 21 nov 2025
- A1: Sorry, No Service
- A2: The 10.23 AM from Amsterdam Lelylaan
- A3: Spontaneous Gathering To Avoid Another Bob Dylan Movie
- A4: I Have Been Doing Some Accounting This Afternoon
- A5: Quidquid Latine Dictum Sit, Altum Videtur
- B1: Sorry, No Silence (LP-version)
- B2: Final Exam At The Music Academy
- B3: The High Synths Experiment
- B4: Chairs?!
BeatsExperimentalPopElectronica
DJ Marcelle's career has flourished on her own terms, with many critically acclaimed releases: in the past six years alone this Dutch woman has released five albums and numerous ep's. On stage and in the studio she transcends a feeling of freedom whilst always moving forward. Marcelle turns her DJ sets into full-on sonic adventures; she's the g.o.a.t of dancefloor eclecticism.
''Genre-defying and one-of-a-kind are two descriptions that get thrown around a lot in dance music, but DJ Marcelle fits that bill.'' (Resident Advisor)
''A Different Fridge For Cheese: '' An adventurous set that fizzes with vitality, originality and humour.'' (The Wire about her 2024 album)
Ultima consegna 10 mesi fa
riordinabile senza garanzia
Ultima consegna 10 mesi fa
riordinabile senza garanzia
Ultima consegna 10 mesi fa
riordinabile senza garanzia
- 1: On This Day '24
- 2: Fc '3
- 3: Faded Holiday
- 4: Lie to Kick It
- 5: Despise the Sun
- 6: No Place to Turn
- 7: Have Your Way
- 8: Take Some Time
- 9: Broken Down
- 10: Just As the Tide Was Flowing
- 11: Ovens Theme Pt. 5
- 12: Livin' Wrong
- 13: Been Wronged
- 14: Transplant Blues
- 15: Ghosts of Punishment Past
- 16: Out from the Dark
- 17: Don't Belong
- 18: Inside Your Mind Pt. 2
- 19: Violets of Dawn
- 20: Ovens Theme Pt. 6
- 21: Meet the Author
dovrebbe essere pubblicato su 14 nov 2025
- 1: Intro for a Major Motion Picture
- 2: Our Singer
- 3: Joe Keery Screen Test
- 4: Angel Carver Blues/Mellow Jazz Docent
- 5: You're Killing Me/My Radio/Nothing Ever Happens
- 6: Spizzle Trunk
- 7: It's What I Want
- 8: In the Mouth a Desert
- 9: Priceless Art
- 10: Fame Throwa
- 11: Song Is Sacred
- 12: Here
- 13: Zürich Is Stained
- 14: When Songs Are Bought
- 15: Witchitai-to
- 16: Don't Fuck With My Rolls Man
- 17: Two States
- 18: I Can't Play Billy Joel/"Range Life" Theme
- 19: Joe Keery Sings Range Life at Fake Lollapalooza
- 20: Serpentine Pad
- 21: Stairwell Scene
- 22: Fillmore Jive
- 23: Circa 1762
- 1: We Dance
- 2: Unfair
- 3: Harness Your Hopes
- 4: Still Waiting On That Gold Record
- 5: Shoot the Singer
- 6: Endless Loop of Songs
- 7: No More Absolutes/So Mind Blowing
- 8: Grounded
- 9: Fight This Generation
- 10: The Band That Ruined Lollapalooza
- 11: The Infrastructure Rots
- 12: Type Slowly
- 13: Slanted! Enchanted! Tryouts!
- 14: Grave Architecture
- 15: I Heard Pavement for the First Time Six Weeks Ago
- 16: Give It a Day
- 17: I Just Saw a Ghost
- 18: Slanted! Enchanted! Finale!
dovrebbe essere pubblicato su 14 nov 2025
- A1: Verleden tijd 3’18”
- A2: De reis naar de Hel 3’07”
- A3: Ik denk niet dat uw man mij sympathiek vindt 4’23”
- A4: Dokter, wees voorzichtig 3’07”
- A5: Mijn vriend 3’36”
- A6: Ainsi soit-il 2’25”
- A7: Rebecca 3’50”
- A8: De verpleegster 2’50”
- B1: Ik slaap wel op de vloer 4’01”
- B2: De schipbreukeling 3’29”
- B3: Door achterdocht verdoofd 2’30
- B4: Mr. Sympatico 3’05”
- B5: Mijn auto 3’05”
- B6: In de stilte der natuur 3’54
- B7: Mannen 6’10”
First time ever on vinyl! Re-mastered re-release of Guido Belcanto’s 4th album, initially released by EMI Records in 1993. Another masterpiece by the King of The Broken Hearts!
For more than 40 years, Guido Belcanto has been creating a universe all his own with his songs—a warm, recognizable home for everyone, young or old, rich or poor, winner or loser. A home skillfully brought to a stage where the audience is free to be themselves without embarrassment—praising happiness, measuring the damage suffered, letting tears flow, and laughs ring out.
dovrebbe essere pubblicato su 14 nov 2025
2025 Repress.
There are few things that we can stick in our lives, one of these are the memories, memories of life, memories of good times, and memories of rave's, this release is the ascent of one of the most bright talent out there when we talk about Modern Rave.
'I Hate Models' present himself this way, with the vision of label boss Emmanuel.
Ultima consegna 10 mesi fa
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Funnuvojere’s curator and founder, Massimiliano Pagliara, reunites with longtime collaborator Gian to present a new chapter in their shared musical exploration: a full-length album under the moniker Hidden Frequencies. The pair’s creative dialogue began with a 2017 release on LACKREC — itself a tribute to Detroit electro — and this LP continues that sonic discourse, refining and expanding their vision. Hidden Frequencies pays homage to the emotive minimalism of acts like The Other People Place, channeling the melancholic elegance and machine soul of Detroit’s second wave.
It’s a record built on analog textures, brooding basslines, and crisp drum programming — both a reverent nod and a forward-looking reinterpretation. Tracks like “Oscillations Of Us” and “Dreaming In Electric Blue” inject peak-time energy into the atmospheric and almost restrained narrative, with a techno drive built for the dancefloor. “Obsidian Reflections” walks the line — structured around classic electroarchitecture but charged with intense propulsion. Pieces like “Dancing On Data Streams” — the contemplative title track — and “EncodedWhispers” offer more introspective soundscapes, inviting deep listening and emotional immersion.
Together, these tracks form a nuanced body of work that shifts seamlessly between reflective and kinetic, minimal and expansive. Familiar yet exploratory, Hidden Frequencies is the sound of two artists in conversation —not just with each other, but with a musical legacy they continue to honor and reshape. This is a modern electro séance that blends introspection with intention, nostalgia with forward motion.
Ultima consegna 11 mesi fa
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What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.
Ultima consegna 11 mesi fa
riordinabile senza garanzia
- KEINE MAUERN MEHR
- KÜSSE MEINE FÜßE
Nachdem Anfang 2025 im Tourbus das Thema "Anstieg rechter Gewalt" hochkochte war klar: Dÿse wollen aktiv werden und Netzwerke sowie Initiativen unterstützen, die sich für politische Bildung und Demokratieförderung einsetzen. Angekotzt vom Rechtsruck und der damit verbundenen Zerstörung demokratischer Werte entstand das Projekt MAU R. Die zwei Songs der Single setzen sich mit den Wendejahren 1989/90 auseinander. Es geht um Demokratie, Freiheit und rechte Gewalt. Mit den Erlösen des Tonträgers werden die Initiativen Kein Bock Auf Nazis e.V. und Polylux e.V. gefördert. Mau R ist ein Aufruf an alle, sich einzubringen und mitzuwirken.
dovrebbe essere pubblicato su 10 nov 2025
- SLIPPERY SLOPE
- MEET ME AT THE METRO
- L.M.A
- MISS REASON
- HOLD THE LINE
- A LONELY HEART IS AN OPEN DOOR
- LIKE A SUNSET OVER WATER
- WE ALL NEED RESCUE (RELIC ROOM VERSION)
- KEEPER FROM THE START
- GASOLINE (DON'T SAY YOUR GOODBYES)
Westbound Train kehren mit ihrem bisher dynamischsten und gefühlvollsten Album zurück, einer mutigen Weiterentwicklung, die in der charakteristischen Mischung aus Ska, Rocksteady und klassischem Soul der Band verwurzelt bleibt. Produziert von Frontmann Obi Fernandez und Schlagzeuger Eric Novod, verbindet das Album warme, analoge Texturen mit einfallsreichen Arrangements und nuancierten Mixing-Entscheidungen und bietet eine neue Perspektive auf einen Sound, den sie über Jahre hinweg perfektioniert haben. Herausragende Tracks wie ,L.M.A.", ,Keeper From the Start" und ,Slippery Slope" unterstreichen das ausgefeilte Songwriting und das erweiterte Klangspektrum der Band, während eine neu aufgenommene Version von ,We All Need Rescue" einem weniger bekannten Titel aus ihrem 2022er Album neues Leben einhaucht. Es ist eine selbstbewusste, emotional bewegende Sammlung, die Westbound Train auf einem neuen kreativen Höhepunkt einfängt.
dovrebbe essere pubblicato su 07 nov 2025
- 1: Empty of Feeling
- 2: Girl One
- 3: Bovine
- 4: Whalebone
- 5: Shooting Spree
- 6: Melanie Lied to Me
- 7: Watertowers
- 8: Is My Confidence Reeling?
- 9: Rain On Your Parade
- 10: Cyna
- 11: The Breakers
- 12: Isotope
dovrebbe essere pubblicato su 07 nov 2025
dovrebbe essere pubblicato su 07 nov 2025
"The five-year anniversary release of Orion Sun’s Hold Space For Me, pressed on tangerine vinyl. Her story, that of an early 20s woman of color dealing with and learning about life's obstacles and celebrations, is understood best through her song lyrics; citing J Dilla, Nancy Wilson, Jodeci, Kirk Franklin, Hazel Scott and Digable Planets as just some of her many influences. She's a career artist with a long road ahead and her sound defies trends; capitalizing on a velvety and familiar voice with timeless jazz / folk / R&B instrumentals.
“...a pinch-yourself song that steps lightly with the thrill of a love seemingly too good to be true (and the fear that it might be)” – Philadelphia Inquirer on “Ne Me Quitte Pas”
“stark and lightly poetic.” – Pitchfork
“A smooth, serene downbeat groove and a blissed vocal finds Orion Sun singing about sudden and deep connection — “It feels so good to know ya” — and despite the sadness implied in the title, the outlook is positive and pure.” – WXPN/The Key on “Ne Me Quitte Pas”
“While the track shares the same title as covers done by Nina Simone, Regina Spektor, and Wyclef Jean, she presents a completely different vibe, slowing down a flipped sample with smooth guitar loops and resonating drums. Still, with all of the stellar instrumentation, the 23-year-old’s voice cuts through as poignant as ever.” – Refinery 29 on ”Ne Me Quitte Pas”"
dovrebbe essere pubblicato su 07 nov 2025
- A1: Echoes (03:41)
- A2: Jetplane (02:36)
- A3: Love Posture (03:14)
- A4: Antelope (03:04)
- A5: Candle (03:06)
- A6: Today Might Be The Hit (02:11)
- B1: Life In This Body (04:36)
- B2: Waxwing (03:35)
- B3: Magic (03:32)
- B4: Into The Dark (04:23)
- B5: JIVE (04:14)
Black Vinyl[22,56 €]
Das dritte Album der Londoner Band Sorry!
Seit ihrem Debüt "925" 2020 arbeiten Sorry an einer Topografie aus Anspielungen, Zitaten, falschen Fährten. Nun, mit COSPLAY (ab 7. November bei Domino), reißen sie die Landkarte ab, zeichnen alles neu. Ein Album als Maskenball: Jede Figur darf hier auftreten, lebend oder tot, real oder erdacht. Es ist das Werk, das Sorry von sich selbst befreit. Das Album fühlt sich an wie ein Spielzimmer für popkulturelle Geister. Ein Guided by Voices-Song mutiert zur Ballade über die Schmuddelecken des Ruhms, die berühmteste Cartoonfigur der Welt schleicht sich als Sirene ins Bild, theoretische Physik wird zu Rockmusik, die schwerer schlägt als jede Formel. Sorry haben das neue Material bereits live erprobt, erst auf eigener UK-Tour, dann als Support von Fontaines D.C., und man hört die Mischung aus Selbstsicherheit und Übermut, die dabei gewachsen ist.
dovrebbe essere pubblicato su 07 nov 2025
- Orgasmo Social (02:55)
- Lamento Maluco (03:14)
- Gwunderfitz (04:01)
- Müed (12:23)
- Wo chönnt das si ? (01:53)
- Ihklämmt (02:52)
- Nothing To Hide (04:03)
- Ambient for Snitches (15:12)
Der bewegende Soundtrack zu 'I Love You, I Leave You', dem sehr persönlichen Dokumentarfilm von Regisseur Moris Freiburghaus, erscheint jetzt als Vinyl (inkl.CD). Der Film begleitet den Schweizer Musiker Dino Brandão auf seiner Reise nach Angola, der Heimat seines Vaters, wo er sich mit der Vergangenheit seiner Familie und seinem eigenen Identitätsgefühl auseinandersetzt.
Nach über zwanzig Jahren löst Dinos Rückkehr nach Angola eine tiefgreifende emotionale und psychologische Reise aus, die in einer manischen Episode gipfelt, die sowohl ihn als auch seine Nächsten herausfordert. Zurück in der Schweiz kämpfen seine Freunde und Familie darum, ihn bei der Bewältigung der Komplexität seiner psychischen Erkrankung zu unterstützen. Durch intimes Geschichtenerzählen und einfühlsame Beobachtung fängt Freiburghaus die außergewöhnlichen Bande der Freundschaft und die differenzierten Erfahrungen psychischer Gesundheit ein und schafft so einen Dokumentarfilm, der die Zuschauer tief berührt.
Der Soundtrack spiegelt diese emotionale Reise wider und verbindet die Rhythmen Angolas mit Dino Brandãos charakteristischem Musikstil. So bietet er den Zuhörern ein kraftvolles und eindringliches Erlebnis, das die Erzählung des Films ergänzt. Der Soundtrack zu "I Love You, I Leave You" lädt das Publikum ein, sich wieder mit Dinos Reise, der Musik seiner Herkunft und den universellen Themen Freundschaft, Identität und Widerstandsfähigkeit zu verbinden.
dovrebbe essere pubblicato su 07 nov 2025
- WORMS VS. BIRDS
- 1: 2FOUR FINGERED FISHERMAN
- 1: 3WAGON RIDE RETURN
- 1: 4CLASSY PLASTIC LUMBER
- 1: 5FROM POINT A TO POINT B (_)
- 1: 6PATH OF LEAST RESISTANCE
- 1: 7IT ALWAYS RAINS ON A PICNIC
- 1: 8DUKES UP
- 1: 9THINK LONG
- 1: 0EVERY PENNY FED CAR
- 1: MICE EAT CHEESE
- 1: 2RACE CAR GRIN YOU AIN'T NO LANDMARK
- 1: 3RED HAND CASE
- 1: 4SECRET AGENT X-9
- 1: 5BLUE CADET-3, DO YOU CONNECT?
- 1: 6CALL TO DIAL-A-SONG
- 1: 75-4-3-2- LIPS OFF
- 1: 8WOODGRAIN
- 1: 9BMX CRASH
- 1: 20SUCKER BET
- 1: 2BLACK BLOOD & OLD NEWAGERS
- 1: 22SWY
- 1: 23AUSTRALOPITHECUS
- 1: 24SIN GUN CHASER
,Sad Sappy Sucker" (oder mit dem ganzen Titel auf dem Cover ,Sad Sappy Sucker Chokin on a Mouthful of Lost Thoughts") ist ein Compilation-Album von Modest Mouse aus dem Jahr 2001. Ursprünglich sollte ,Sad Sappy Sucker" 1994 das Debütalbum von Modest Mouse werden, wurde dann aber für ein paar Jahre auf Eis gelegt, bis es schließlich 2001 nach dem Erfolg von ,The Moon & Antarctica", dem dritten Album der Band, rausgebracht wurde. Einige Songs wurden in den Dub Narcotic Studios in Olympia, Washington, von Beat Happening-Frontmann Calvin Johnson aufgenommen. Das Album wurde offiziell von Johnsons Label K Records veröffentlicht und enthält neun zusätzliche Titel, die zur ursprünglichen Trackliste hinzugefügt wurden. Die ersten 15 Titel bilden das ursprüngliche Album "Sad Sappy Sucker". Die Titel 16 bis 24 stammen aus dem Anrufbeantworter von Isaac Brock, der einen ,Call to Dial a Song"-Dienst eingerichtet hatte. (Quelle: Wikipedia)
dovrebbe essere pubblicato su 07 nov 2025
Dark Entries release 'A Boy Alone', a double LP set from Manchester electronic music pioneer Eric Random. Best known for his early recordings for New Hormones and Les Disques du Crépuscule and collaborations with Pete Shelley (Buzzcocks), Cabaret Voltaire and Nico.
As an original member of The Tiller Boys with Shelley, Random injected a healthy dose of Krautrock into the dour Manchester post-punk scene in 1978/79 before going solo the following year. Random's first 7' 'Subliminal'/'23 Skidoo' was released in 1981 via Les Disques du Crépuscule and explored ominous sonic surrounds. That same year also saw the release of a second 7" single on New Hormones, 'Dow Chemical Company'/ 'Skin Deep'. Both tracks offered bubbling, rhythmic sound patterns, and were the first to feature other musicians that would become know as The Bedlamites. Consisting of Lynn Walton on vocals, Ian Runacres and Andy Diagram of Dislocation Dance, and bassist Wayne Worm, aka Wayne Sedgeman. Their debut 12' single 'Subliminal Seduction'/'Bedlam-a-Go-Go' was released in 1982 through Plurex, mixing arid funk textures and sparse melodies. That same year the group contributed proto chill-out track '6.55' to Plurex compilation 'Hours' and the highly filmic track 'In Cassette Conference' to the Touch cassette package 'Feature Mist'. In 1983, Random spent several months in the Himalayas with a group of musicians from the Kulu Valley and studied non-Western instruments such as tabla. On returning to Manchester, Random convened a new group of Belamites including Walton, Sedgeman and drummer Graham Dowdall aka Dids of Ludus. They released the 12' single 'Mad As Mankind'/'Dream Web Of Maya' in 1984 on Cabaret Voltaire's Doublevision, embracing electronic, industrial and dub styles. In 1985 they contributed the soothing 'Pure Power' to Food Records' 'Imminent Episode One' compilation.
Our reissue also includes 4 unreleased bonus tracks from Eric's archives recorded between 1981-1984. The whole set adds up to 115 minutes of sinister, somnambulant Random music. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a gatefold jacket designed by Eloise Leigh featuring a spread of ephemera, photos with liner notes by James Nice of LTM.
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- A1: Init (2 08)
- A2: Forked Reality (1 51)
- A3: As Alive As You Need Me To Be (3 58)
- A4: Echoes (3 43)
- A5: This Changes Everything (2 59)
- B1: In The Image Of (1 27)
- B2: I Know You Can Feel It (5 17)
- B3: Permanence (1 17)
- B4: Infiltrator (2 47)
- B5: 100% Expendable (3 52)
- B6: Still Remains (1 52)
- C1: Who Wants To Live Forever? (5 51)
- C2: Building Better Worllds (5 35)
- C3: Target Identified (2 08)
- C4: Daemonize (2 23)
- C5: Empathetic Response (2 52)
- D1: What Have You Done? (2 10)
- D2: A Question Of Trust (1 23)
- D3: Ghost In The Machine (1 25)
- D4: No Going Back (1 52)
- D5: Nemesis (1 40)
- D6: New Directive (2 44)
- D7: Out In The World (1 03)
- D8: Shadow Over Me (3 58)
White Vinyl[34,03 €]
TRON: Ares (Original Motion Picture Soundtrack)
24 neue Tracks von Nine Inch Nails: das Duo aus Trent Reznor und Atticus Ross veröffentlicht am 19.
September 2025 sein Album zum Disney-Kultfilm „TRON: Ares“, inklusive der neuen Single „As Alive As
You Need Me To Be”. Damit setzt die Band eine erfolgreiche Soundtrack-Geschichte fort: ihre vorherigen
Untermalungen zu Filmen wie „The Social Network“ (2010), „Soul“ (2020) oder „Challengers“ (2024)
wurden unter anderem mit zwei Oscars, drei Golden Globes, einem Emmy und einem Grammy ausgezeichnet. Die düstere Industrial-Handschrift Trent Reznors fängt die Stimmung der Sci-Fi-Reihe „TRON“, für
deren letzten Film Daft Punk komponierten, perfekt ein. Reznors Einfluss auf die alternative Musikwelt ist
seit den späten 80ern ungebrochen: mit Hits wie „Closer“ und „Hurt“ sowie Alben wie „The Downward
Spiral“ kombinierte das Mastermind elektronische Sounds mit Rockmusik wie nie zuvor. „TRON: Ares“ ist
die erste NIN Veröffentlichung seit fünf Jahren und liefert gleich 70 Minuten neue Musik – erhältlich ab
dem 19.09. auf CD und Vinyl.
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Repress!
200 COPIES ONLY
Nils Frahm has unexpectedly confirmed details of a new collection of solo piano music, his first album since 2022’s three-hour Music For Animals. Day will be released by LEITER on March 1st, 2024, and it will be available on limited edition vinyl as well as via all digital platforms. Recorded in the summer of 2022 in complete solitude and away from his studio at Berlin’s famed Funkhaus complex, it is preceded by a single, ‘Butter Notes’, out on January 19. Day may come as a surprise to those who, over the last decade, have watched Frahm shift slowly away from the piano compositions with which he first made his name in favour of a nonetheless still-distinctive approach that’s considerably more instrumentally complex and intricately arranged. In addition, in 2021, having spent the early part of the pandemic arranging his archives, he released the 80 minute, 23-track Old Friends New Friends, a compilation of previously unreleased piano music intended to enable him to ”start over” with a clean slate. Judging from the extended, ambient nature of Music For Animals, it proved a successful gambit, but Frahm has never been able to resist returning to his first love, and those who enjoyed earlier acclaimed albums like The Bells, Felt and Screws will once again revel in Day’s familiar, personal style. Day, which contains six tracks, three over the six-minute mark, is the first in a pair of albums Frahm has lined up for 2024. In keeping with their nature, however, he won’t be making a song and dance about the release. Instead, he’ll resume his ongoing world tour, which has already included fifteen sold-out dates at Berlin’s Funkhaus as well as a show at Athen’s Acropolis. It will continue with shows all over the world, among them several sold-out dates at London’s Barbican in July 2024, where he previously curated a weekend of music, film and art, Possibly Colliding, in 2016. The album is best enjoyed in the manner in which it was recorded, in the intimacy of a peaceful, cosy room. There are muffled pedal creaks on the cyclical, quietly jazzy ‘You Name It’ and, during the palliative ripples of ‘Butter Notes’’ arpeggios, the sound of dogs barking in the streets outside. The compassionate, hesitant ‘Tuesdays’ and emotionally ambiguous ‘Towards Zero’ linger with the poignant persistence of Harold Budd’s earliest work, while ‘Hands On’ is a sometimes brighter, airier tune that sets its own, deliberate pace, and, as he has on occasions before, ‘Changes’ sees Frahm employing elements of his instrument’s construction in a ‘prepared piano’ fashion. Characterised by its confidential mood, Day confirms that, while Frahm is arguably now best known for elaborate, celebratory concerts calling upon an arsenal of pianos, organs, keyboards, synths, even a glass harmonica, he’s still a prolific master of affecting simplicity, tenderness and romance.
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ESTHER PHILLIPS
JUST SAY GOODBYE/CATCH ME I'M FALLING
dovrebbe essere pubblicato su 04 nov 2025
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FUNKADELIC
FUNKADELIC LP 2x12"
Das 1970 veröffentlichte, selbstbetitelte Debüt von Funkadelic war eine radikale Kollision von psychedelischem Rock, Gospel, Blues und Soul - ein chaotisches, genreübergreifendes Statement, das die Möglichkeiten der schwarzen Musik neu definierte. Wo Motown auf Hochglanz und Crossover-Appeal abzielte, stürzten sich Funkadelic kopfüber in Verzerrungen, Improvisationen und spirituelle Zweideutigkeiten, mit einem Sound, der so düster und unberechenbar war wie die Ära selbst. Unterstützt von einer wilden jungen Band, lehnte das Album Konventionen zugunsten von rohem Groove und existentiellem Lärm ab. Als Teil der Westbound Records Reissue Serie von Org Music stellt diese Ausgabe die volle Wirkung des Albums wieder her. Die Deluxe-Doppel-LP, die von Dave Gardner direkt vom analogen Band mit 45RPM neu gemastert wurde, bietet das bisher beeindruckendste Hörerlebnis dieses Klassikers. Gardner und die Restaurationsspezialistin Catherine Vericolli archivierten und restaurierten die Original-Masterbänder in den 54 Sound Studios in Ferndale, Michigan, mit Unterstützung des hauseigenen Ingenieurs Nick King. Neben CD, Kassette und digitalen Formaten ist auch eine einfache LP-Ausgabe erhältlich, die von hochauflösenden Bandüberspielungen geschnitten wurde. Funkadelic waren zu ihrer Zeit eine klangliche Revolution mit bleibendem Einfluss, ihr selbstbetiteltes Album ist ein bahnbrechendes Zeugnis für Musik ohne Regeln und Freiheit ohne Grenzen.
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- A1: Brother Bill (The Last Clean Shirt) (3.17)
- A2: It’s All Over Now Baby Blue (4.40)
- A3: Fire On The Sun (2.23)
- A4: As The Crow Flies (3.37)
- A5: Please Send Me Someone To Love (4.42)
- B1: Many Rivers To Cross (4.09)
- B2: Just Want A Little Bit (2.05)
- B3: Riverside Country (3.45)
- B4: Lonely Avenue (5.20)
- B5: The Fool (3.23)
The Original Lineup Reunited
For the first time since their iconic run in the early 1960s, all five founding members—Eric Burdon, Alan Price, Hilton Valentine, Chas Chandler, and John Steel—came together for a raw, soulful reunion. This is the Animals with the benefit of age, experience, and no pressure to chase hits—just great playing.
A Gritty, Understated Gem
Recorded with minimal fanfare in 1977, Before We Were So Rudely Interrupted is a return to the blues and R&B roots that shaped the band's early success. It's stripped-down, honest, and deeply musical—a perfect record for fans of The Rolling Stones, Van Morrison, or Bob Dylan.
Dylan, Jimmy Reed, and the Blues Canon
The album features a standout cover of Bob Dylan's "It's All Over Now, Baby Blue", along with classics from Jimmy Reed, Joe Tex, and Gospel/Blues deep cuts, reinterpreted with grit and grace.
Cult Classic with Lasting Legacy
dovrebbe essere pubblicato su 31 ott 2025
- A1: DOWN FOR WHATEVER 3:23
- A2: BOILER ROOM 3:15
- A3: TECHNO BABY 3:21
- B1: ROVER 2:55
- B2: CAR WASH 1:42
- B3: SUPERCAR 2:36
- B4: SO FAST 5:40
dovrebbe essere pubblicato su 31 ott 2025
- A1: Sixfold Radianz (3 45)
- A2: Boktay (2 10)
- A3: 4d-TögTägTüu (1 23)
- A4: Exosphear (4 07)
- A5: Maurodius-Papeda (1 11)
- A6: Dondoli (the NPC) (3 20)
- A7: LeftRightBA (0 56)
- B1: Lygöphobiä (1 49)
- B2: Flossbite (1 36)
- B3: Chipppps (3 32)
- B4: DodgedoG (2 33)
- B5: Bogeygirl (2 16)
- B6: Laserzimmer 1, Raum 3 16 (1 54)
- B7: Binäry Gatoraders On Acid (2 06)
"I live in the arcades. Reality was never an option!"
The 85-year-old video game queen and film composer pdqb (born on November 14, 1939) delivers a beautiful love letter to your boomer childhood, a wild ride through the golden age of video gaming. Hear how she dodges bullets, jumps over cosmic chasms, beats bosses, reaches bonus stages, uses cheat codes and even her last continue...just to stay in a world of pixels and vectors forever. pdqb will bring you back all those fond memories of unburdened joy that you might have lost while growing up. She could be your savior.
Synaptic Cliffs is filled with otherworldly pride to present these 14 timeless masterpieces to its beloved listeners.
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- A1: Baby Don't Do It (3:18)
- A2: Keep Out Of My Life (2:41)
- A3: You Must Love Your Brother (3:05)
- A4: Cherry Darling (2:40)
- A5: Live With Your Brother (3:24)
- A6: Love Got Me Doing Things (Bonus track) (3:15)
- B1: Live And Learn (3:15)
- B2: Keep On Trying (3:23)
- B3: Call On Me (2:44)
- B4: I Can't Change Your Ways (3:44)
- B5: Baby You (3:17)
- B6: Go Away Little Girl (Bonus track) (4:43)
A cornerstone of soulful reggae, Lover’s Rock by Jamaican legend Delroy Wilson bridges his deep roots in ska and rocksteady with the smooth, romantic vibes of the UK’s lovers rock movement. It's a noteworthy entry in the lovers rock canon and a testament to Wilson's versatility. Originally released in 1978 by Burning Sounds, this album captures Wilson’s velvet-toned voice over laid-back riddims and heartfelt lyrics—a perfect entry point for fans of both classic reggae and tender love songs.
A must-have for collectors of golden-era reggae and lovers rock enthusiasts alike. Original UK pressing is increasingly rare and prized for its warm analogue sound and classic artwork.
Recommended if you like: John Holt, Gregory Isaacs, Dennis Brown, Sugar Minott.
Released on 180-gram vinyl including sleeve notes and 2 bonus tracks.
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
- DYRET" 23 BUD
- SCHIZOPEN
- DISIPLIN
- ROSEMALT
- DISSONSANS
- SÅ NÆRT
- PÅFUGL & PSYKOPAT
- UVF
- FOR MIN SKYLD
- AVE
Dissonans marks a new chapter in a longer story and is the second album in an announced trilogy, following last year's Norwegian Grammy-nominated Resonans. For those who have been following Seigmen, the first thing they might notice about Dissonans is the album cover. Where their earlier covers have been simple, symmetrical, and minimalist, Dissonans instead offers a stripped-down, almost punk-like aesthetic. And, as the title suggests, this album is not what you might usually expect - even though the sound is still unmistakably Seigmen to the avid listener. The album's ten tracks range from majestic, drone-like sounds made on homemade equipment to high-tempo songs with drum riffs borrowed from a 35-year-old demo. It even leads the band into uncharted territory with the airy ballad Så Nært, which also serves as the third and final single ahead of the album release. All in all, Dissonans is a new album from a band that has, in a remarkable way, rediscovered fresh energy, creativity, and playfulness many years after once being Norway's leading rock band.
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 31 ott 2025
dovrebbe essere pubblicato su 30 ott 2025
Neuestes Signing bei Blue Note Records ist der in Houston geborene und in Los Angeles lebende Pianist
und Komponist Paul Cornish. Derzeit ist er auch Mitglied von Joshua Redmans Band, tourte im vergangenen Jahr mit dem Saxophonisten um die Welt und brilliert auf seinem aktuellen Album „Words Fall Short“.
“You’re Exaggerating!” heißt Cornishs Debütalbum, auf dem er neun kompositorisch hochspannende Originale präsentiert. Im Trio mit Bassist Joshua Crumbly und Drummer Jonathan Pinson erweist er sich
zudem als Pianist von ungewöhnlicher Klasse. Das Album vermag gleichzeitig durch die melodisch ausgefeilten Kompositionen als auch die mal verhaltene, mal rasante Spielweise der drei Musiker zu überzeugen.
Paul Cornish machte seinen Master-Abschluss am angesehenen Herbie Hancock Institute an der UCLA
und ist neben Joshua Redman mit so namhaften Künstlern wie Louis Cole, Mark Guiliana, HAIM, Snoh
Aalegra, Terrace Martin, Kanye West und anderen zu hören gewesen.
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Vite Fait is back with their second vinyl release!
Since 2019, Vite Fait has been a well known name in Belgium’s party scene.
Initially starting as a small project among three childhood friends, Vite Fait quickly evolved into what they’ve became today.
This release has the energetic & mental sound Vite Fait is known for.
dovrebbe essere pubblicato su 30 ott 2025
Originally released in 1996, this record featured two 10 minute tracks which were recorded from what the artist calls a Live Set Dub (LSD), this one in particular recorded from a session at Gibus Club in Paris.
The A-side explores the influences that the artist had from the Germany foundations of Basic Channel, while the B side is the artist’s homage to Chicago and Detroit pioneers as an attempt to build a bridge between them using this work as a response which could potentially be used in a greater dialogue with the American source of inspiration.
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- A1: Mystery
- A2: Blackout
- A3: Don’t Play
- A4: Underwater Boi
- A5: Holiday
- A6: Humanoid/Shake It Up
- A7: Endless
- B1: Fly Again
- B2: Alien Love Call (feat Blood Orange)
- B3: Wild Wrld
- B4: Dance-Off
- B5: New Heart Design
- B6: T L.C (Turnstile Love Connection)
- B7: No Surprise
- B8: Lonely Dezires (feat Blood Orange)
Repress of ‘Glow On’, the 2021 Grammy nominated third studio album from Baltimore hardcore punk quintet Turnstile. Co-produced by the band themselves along with hip-hop producer Mike Elizondo, and featuring the guest vocals of Blood Orange.
Recorded with producer Mike Elizondo and co-produced by the band’s Brendan Yates, GLOW ON follows TURNSTILE’s 2018 breakthrough album TIME & SPACE, which saw the Baltimore band charting new ground for hardcore, expanding stylistic boundaries and celebrating new possibilities.
With GLOW ON that utopic vision is fully realized; 15 tracks devoid of borders, boundaries, or entry obstacles, only abundant imagination, heart, and grooves plucked from all corners of the musical spectrum. GLOW ON includes the singles “HOLIDAY,” “MYSTERY,” “NO SURPRISE,” and “T.L.C. (TURNSTILE LOVE CONNECTION) from TURNSTILE’s recent TURNSTILE LOVE CONNECTION EP. GLOW ON also includes guest features from Blood Orange on “ALIEN LOVE CALL,” “LONELY DEZIRES,” with additional vocal contributions on “ENDLESS.”
“TURNSTILE has the ability to lure even the most poptimistic listener with spectacular hooks,” affirmed NPR remarking on the band’s single “HOLIDAY,” while The FADER named the track one of the 20 Best Rock Songs Right Now. Stereogum declared, “If you’re gonna go big, you might as well go gigantic, and with ‘MYSTERY’ TURNSTILE sound like they’re about to be huge.”
Bringing superhuman energy to the stage, TURNSTILE are scheduled to perform a string of sold-out headline shows this summer in the US, followed by appearances at next year at Spain’s Primavera Sound on 6/5, France’s Hellfest on 6/23, and the UK’s Outbreak Festival on 6/24.
Always more appeal than demand, more liberation than limitation, TURNSTILE extended their hand in 2018 with TIME & SPACE. Recorded with producer Will Yip, TIME & SPACE marked Turnstile’s Roadrunner Records debut and saw the band exploding the most outsized tropes of hardcore with tremendous heart. The album earned “Best of 2018” honors from Kerrang!, The New Yorker, The New York Times, Rolling Stone, NPR, Billboard and more, with GQ naming TIME & SPACE one of “The Best Albums That Shaped the 2010s.”
Comprised of Brendan Yates (Vocals), Franz Lyons (Bass/Vocals), Brady Ebert (Guitars), Pat McCrory (Guitars), and Daniel Fang (Drums), TURNSTILE’s brand of youth-minded, youth-driven hardcore punk is intent on breaking down barriers, sonically and ideologically.
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- A1: Mis-Shapes 3 47
- A2: Pencil Skirt 3 11
- A3: Common People 5 51
- B1: I Spy 5 55
- B2: Disco 2000 4 34
- B3: Live Bed Show 3 29
- C1: Something Changed 3 19
- C2: Sorted For E’s & Wizz 3 40
- C3: F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. 6 01
- D1: Underwear 4 06
- D2: Monday Morning 4 18
- D3: Bar Italia 3 44
- E1: Common People Drone Intro 3 28
- E2: Do You Remember The First Time? 4 00
- E3: Razzmatazz 4 44
- E4: Monday Morning 5 16
- F1: Underwear 5 17
- F2: Sorted For E’s & Wizz 4 34
- F3: Disco 2000 5 45
- F4: Joyriders 4 03
- G1: Acrylic Afternoons 6 01
- G2: Mis-Shapes 4 23
- G3: Pink Glove 5 09
- H1: Babies 6 41
- H2: Common People 7 33
Different Class (originally released October 30, 1995) is Pulp's most successful album, achieving multi-platinum sales and international acclaim, winning the 1996 Mercury Music Prize and debuting at #1 on the UK Album Chart. It also produced four Top Ten singles, including ‘Common People’. Four months prior to the release of the album, the band headlined the Pyramid Stage at Glastonbury Festival on Saturday 24 June. To celebrate the 30th anniversary of what is widely regarded as one of the best records of the era, this legendary Glastonbury performance, the audio wholly restored and released here for the first time, has been paired with the remastered album (each cut over 2 LPs) and is released as a deluxe 4LP boxset.
The audio has been remastered/mastered by Geoff Pesche at Abbey Road, overseen by Jarvis Cocker and Mark Webber, and is presented in a sturdy slipcase with a comprehensive, 28-page booklet featuring extensive notes from new interviews with the band members, plus previously unseen images from photographers Rankin and Donald Milne (who took the photos for the original release) and the band’s own archives. The original ‘aperture’ sleeve design, which invited purchasers to “Choose your own front cover”, came with six double- sided inserts/art cards of alternative cover images depicting cardboard cutouts of the band members in a variety of situations.
This has been fully recreated and a 12” by 12” poster featuring miniatures of the cutouts themselves is also included.
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Tensal is the solo project of Héctor Sandoval, also known as half of Exium and Komatssu. Since its creation in 2014,
Tensal has become the channel for his most personal vision of Techno, blending diverse rhythms and textures with a
powerful and distinctive identity. Alongside his own imprint Tensal Ltd, he has released on some of the scene’s most influential labels, including Mord, Modularz, Perc Trax, Blueprint, Arcing Seas, PoleGroup, Float, Kynant, KR3, A.R.T.S,
Warm Up and Soma, where he delivered his first LP in 2018.
He has remixed artists such as Slam, Electric Indigo, Anthony Linell, Mike Parker, Shed, Pangaea and Shifted, while his
tracks are championed by leading DJs like Jeff Mills, Richie Hawtin, Marcel Dettmann, Ben Klock, Ellen Allien, Laurent Garnier and DVS1. His DJ sets, built largely from his own productions, have taken him to more than 60 countries
worldwide, with performances at iconic clubs and festivals including Berghain, Tresor, Awakenings and Fabrik.
Beyond Tensal, Sandoval explores different frontiers of electronic music: with Juan Rico (Reeko) he formed Komando Terrorismo Sonico (K.T.S.), releasing the album Insurrección in 2021; in 2022 he launched Syndromania on Oaks
Records, a vinyl-only project fusing Techno with Trance, EBM, Electro and Acid. In 2023 he joined BPitch Control,
releasing several EPs and performing at the label’s We Are Not Alone events, while in late 2024 he debuted on Blueprint
Records with Highland Landscapes, a collaboration with Vince Watson (Amorphic), followed by a joint EP on Mord in
2025.
Ultima consegna 4 mesi fa
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- A1: She Is 3:56
- A2: Over My Head (Cable Car) 3:56
- A3: How to Save a Life 4:22
- A4: All at Once 3:47
- A5: Fall Away 4:23
- A6: Heaven Forbid 4:00
- B1: Look After You 4:26
- B2: Hundred 4:13
- B3: Vienna 3:51
- B4: Dead Wrong 3:05
- B5: Little House 2:30
- B6: Trust Me 3:22
How To Save A Life, the debut studio album from Grammy-nominated pop-rock band, The Fray has been reissued on vinyl, featuring hit songs, “How To Save A Life,” and “Over My Head (Cable Car).” The album held the title for best-selling digital album of all time until 2010, selling over 4 million copies. The album continues to find popularity among new and long-time fans alike. A x12 trk Yellow LP Vinyl. Marketing.
dovrebbe essere pubblicato su 24 ott 2025
- HERE I AM
- JUST TO MAKE ME FEEL GOOD
- CASANOVA
- PITY LOVE
- IF YOU WANT ME TO
- PLEASANTRIES
- I NEVER FOUND OUT
- WHAT'S THE REWARD
- DON'T ASK FOR MORE
- THE NIGHTTIME STOPPED BLEEDING
Das ursprünglich 2013 veröffentlichte einzige gemeinsame Album von Adam Green von The Moldy Peaches und Binki Shapiro von Little Joy ist eine charmante Ode an den Folk-Pop der 60er Jahre. Das Album nahm Gestalt an, als Green Little Joy einige Jahre zuvor auf einer Südamerikatournee unterstützte. Obwohl die zehn Duette hier offen über gescheiterte Romanzen und die daraus resultierenden emotionalen Turbulenzen sinnieren, sind sie überraschend sanft und sachlich gehalten. Auf luftigen Melodien und gezupften Gitarren, die durch subtile Synthesizer-Klänge akzentuiert werden, unterstreicht das Album die gegenseitige Bewunderung der beiden Musiker für ihre Arbeit und lädt zum wiederholten Hören ein.
dovrebbe essere pubblicato su 24 ott 2025
dovrebbe essere pubblicato su 24 ott 2025
- A1: That Musician thats dead
- A2: Preference is a good friend, mind
- A3: no one can sing that well
- B1: last herald
- B2: mo**real
- B3: things keep happening
OOOOH! by Alex Bad Baby Lukashevsky with Cocoa Corner (2025)
Celebrated veteran of Toronto’s music scene, known for his boundary-pushing approach to folk and avant-garde music, twists rock music into strange and brilliant new shapes with the help of young jazz players, U.S. Girls, and his own immensely talented son.
OOOOH! is hard on the outside and soft on the inside. Made in the spirit of unity,
humanity, and poetry — disobediently renouncing the glory of personal triumph for the
generosity of an honest experiment. On the last track of the album you’ll hear “Or do you only ever never want to make a single enemy? / That’s not freedom or humility / It’s nothing, honestly.” Oooh, that's a bad baby!
A celebrated Toronto songwriter and performer, Alex Lukashevsky has always been disobedient. Which simply means, nothing is off the table when he’s looking for his
poetic voice; when trying to find the realest I of the teller. As he sings on the lead track “that musician that’s dead” The musician is radical/ it’s the world that’s demented/ listening with their eyes, the music looks dented/ they’re over-represented.
OOOOH! was recorded in January 2024 at Sound Department in Toronto, engineered by Patrick Lefler (ROY), mixed by Grammy-nominated producer Matt Smith. All the songs were tracked live off the floor in two days, with one extra day for recording vocals, to keep the recording fully alive and breathing. As leader of Deep Dark United, as a solo performer, and a sideman in Brodie Wests’ Eucalyptus and Luka Kuplowsky’s Ryokan Band, Alex has been an outsized influence on the Toronto music scene that spawned acts like Broken Social Scene and Owen Pallett. (Pallett, who has toured with Lukashevsky, went so far as to record an entire album’s worth of Alex’s songs, backed
by a full orchestra.)
Lukashevsky has approached each of his albums and projects as something completely new, using only the musical boundaries he creates with each song. Even when he
has recorded songs with nothing but his voice and his own acoustic guitar accompaniment, the results are never “stripped down” or “back to basics,”
Gong! How do you get to heaven / have fun! have fun!
It’s cool to approach music as a game of “spot the influence”; Burt Bacharach-meets-Black Flag; Lana Del Rey-meets-LCD Soundsystem etc. Glorified mash-ups are promising because of their conversational nature. But they can turn us into hyperboreans; blowing cold air beyond ourselves while doing what we can to remain warm. To devise a game or a narrative is to have a winner and a loser, but we all know that just as you win/ so you lose. And does anything really change? Alex Lukashevsky and Cocoa Corner are more at ease drawing blind contours or playing an old game like consequences. They let things add up without knowing particularly how. Cognition is recognition.
Lukashevsky, in addition to writing all the songs, plays guitar and sings on OOOOH!, doing both in ways that are soulful and spikey at the same time. Joining him on guitar and vocals is his oldest child, Charlie Lukashevsky, who, at 23, is already a talented performer and songwriter in his own right. Cocoa Corner also includes Aidan McConnell, an in-demand drummer and composer, Jack Johnston, a jazz bassist and Barry Harris acolyte, and percussionist Evan Cartwright (The Weather Station, U.S. Girls, Cola, Tasseomancy), who plays steel pan and marching drum.
Working with his son and with other younger musicians is central to the album’s
unpredictable aesthetic. It reinvigorated the sound in unexpected ways. Lukashevsky says, “I had to reconsider my own instincts. I had to deal with being 99 years old.”
In addition to these performers, the album includes a tasty contribution from Meg
Remy, the visionary musician and producer who is the leader of the critically acclaimed
project U.S. Girls. Remy duets with Lukashevsky on the imagistic and sprawling album
closer “things keep happening.”
About that album title: OOOOH! is taken straight from “that musician that’s dead” an
arch and unhinged comment on the exertion required to navigate a lifetime of music making.
Lukashevsky’s delivery of that one emotive word is a kind of cultural posture, but also a
hundred percent primitive expression. The impact is never less than visceral. His vocal
delivery ranges through rich baritone blues to keening falsettos to a kind of sprechstimme that periodically steps out from the music to grab the listener’s shirt. He
doesn’t sound too nice, but he is sincere. When life gives you lemons lament.
For OOOOH! his first official full-length album since 2012’s Too Late Blues, (a collection of knotty-yet-effervescent tunes built upon the enchantingly serpentine harmonies of Lukashevsky and his vocal collaborators, Felicity Williams (Bahamas, Bernice) and Daniela Gesundheit (Snowblink, HYDRA)), Alex has once again broken apart and rebuilt his own approach to music. Or rather (because that sounds too over-determined), he
has allowed his music to build itself into strange new shapes that only fleetingly and
coincidentally, but happily, resemble anything that might be called rock and roll. There is some editorializing within the song’s lyrics— Lukashevsky even cheekily contributes to the “spot the influence” game with the line “Muddy Waters, Rite of Spring!” a funny preemptive strike against anyone already reaching for some variation of avant-blues to describe what the song is up to here. In fact there are many names checked on this record (literally and in spirit); they are the lily pads that trace the path of this expression! Palestrina, Peter Pears and Benjamin Brittain, Andrés Segovia, Stravinsky, Lotte Lenya, Alice Coltrane, Skip James, Chuck Berry, D’Gary, Betty Carter, Mukhtiyar Ali, Chuck D, Yoko Ono, Hailu Mergia, David Bowie, Jane Siberry. rhythm is a skeleton mansion / haunted by melody / feckless prodigy / the world is under a spell / cast by some demon angel / Practice day and night / Try as hard as hell / no one can sing that well Musicians are often worried by the way in which they are prepared to fail rather
than how they would like to succeed; it’s such a deep concern that it tempers their creativity and shackles their process. Current cultural proclivities, tend to comfort a certain kind of artistic failure and abnegate another kind. How many testimonials, full of heartfelt care and investment, have you heard for Taylor Swift, and yet a craftsman like Chris Weisman is often dismissed easily as though he’s doing something anti-social. what’s throwing itself in my ears and my eyes / arrogant devil ad hominem christ.
The music you will hear on this recording veers off in multiple directions at once,
and features a rock and roll spirit with a divergent heart. This is no sclerotic clomp of the Average Rock Song, but in fact a flood of humanity in all its darkness and moodiness and unpredictability. If most performers make songs that are like sports cars or pickup trucks to drive around, Lukashevsky has built something more akin to a rowboat in a tree: it’s weird and beautiful.
dovrebbe essere pubblicato su 24 ott 2025
- NEW ONE
- ROLLI ZINK
- LEISURE
- TOWN CHILD BABY
- BROTHER WHERE ARE YOU
180 Gramm schweres schwarzes Vinyl. Violence Fog, eine sehr kurzlebige, aber kraftvolle Psychedelic-Rock-Band aus Baden-Baden, wurde 1969 gegründet. Die Besetzung umfasste Wolfgang Höfer (Gesang/Flöte), Karl-Heinz Höfer (Gitarre/Flöte/Gesang), Enno Dernov (Gitarre), Hilmar Beine (Bass) und Herbert Brandmeier (Schlagzeug). Ihre Musik mischte rohe, verzerrte Gitarrenklänge und britisch/amerikanisch beeinflusste bluesige Soli zu einem Sound, der von energiegeladenen Riffs bis zu stimmungsvollen und hypnotischen Psych-Jams reichte. Die Band baute sich schnell eine treue lokale Fangemeinde auf und spielte oft in Jugendzentren, Musikclubs und sogar bei Filmpremieren, wo ihre trippige psychedelische Lichtshow ihre Live-Auftritte begleitete. Ihr Repertoire umfasste sowohl Eigenkompositionen als auch Coverversionen von Songs wie ,Paint It Black". Violence Fog wurden bekannter, als sie am 23. April 1971 im Studio Ul des SWF-Radios in Baden-Baden fünf Titel aufnahmen, die ihr energiegeladenes Zusammenspiel aus schwindelerregenden Dual-Lead-Gitarren, Lautstärkedynamik und einer stimmungsvollen Rhythmusgruppe dokumentierten. Trotz ihres Talents und ihrer wachsenden Bekanntheit löste sich Violence Fog kurz nach Abschluss der SWF-Aufnahmen auf, was vor allem auf andere berufliche Verpflichtungen zurückzuführen war. Obwohl ihre gemeinsame Zeit nur von kurzer Dauer war, bleibt Violence Fog ein faszinierendes Kapitel in der lebendigen Psychedelic-Rock-Geschichte Deutschlands. Das Archiv-Plattenlabel Ancient Grease Records hat sich auf die Veröffentlichung seltener Heavy-Rock- und Psych-Musik aus den 1970er Jahren aus aller Welt spezialisiert. Begleitet wird das remasterte Audiomaterial von reichhaltigen visuellen Elementen und ausführlichen Liner Notes, um die unbekannte Musik dieser Ära für Sammler und neue Fans gleichermaßen wiederzubeleben und zu feiern.
dovrebbe essere pubblicato su 24 ott 2025
Jazz Message #2 (auch veröffentlicht als Hard Bop and The Jazz Message of Hank Mobley Volume 2)
erschien auf dem Label Savoy. Es wurde am 23. Juli und 7. November 1956 aufgenommen und enthält
Aufnahmen von Mobley, Donald Byrd, Lee Morgan, Hank Jones, Doug Watkins, Barry Harris, Kenny Clarke
und Art Taylor. Lee Morgan war bei dieser Aufnahme noch sehr jung (18 Jahre alt).
dovrebbe essere pubblicato su 24 ott 2025
- 1: Dyret" 23 Bud
- 2: Schizopen
- 3: Disiplin
- 4: Rosemalt
- 5: Dissonsans
- 6: Så Nært
- 7: Påfugl & Psykopat
- 8: UVF
- 9: For Min Skyld
- 10: Ave
dovrebbe essere pubblicato su 24 ott 2025
- 1: Dyret" 23 Bud
- 2: Schizopen
- 3: Disiplin
- 4: Rosemalt
- 5: Dissonsans
- 6: Så Nært
- 7: Påfugl & Psykopat
- 8: UVF
- 9: For Min Skyld
- 10: Ave
dovrebbe essere pubblicato su 24 ott 2025
dovrebbe essere pubblicato su 24 ott 2025
- 1: If Only the Moon Were Up
- 2: If Only the Moon Were Up
- 3: Tell Me Keep Me
- 4: Tell Me Keep Me
- 5: Pieces
- 6: Pieces
- 7: Luck Is a Fine Thing
- 8: Luck Is a Fine Thing
- 9: Shorter Shorter
- 10: Shorter Shorter
- 11: It's Not the Only Way to Feel Happy
- 12: It's Not the Only Way to Feel Happy
- 1317:
- 1417:
- 15: Like When You Meet Someone Else
- 16: Like When You Meet Someone Else
- 17: You Can Decide
- 18: You Can Decide
- 19: Got to Get the Nerve
- 20: Got to Get the Nerve
- 21: Got to Write a Letter
- 22: Got to Write a Letter
- 23: You're So Pretty
- 24: You're So Pretty
- 1: You're Not Supposed To
- 2: In the Kitchen
- 3: Trying to Sit Out
- 4: Breakfast Song
- 5: Feeding the Birds
- 6: I'm Tired
- 7: Test Your Reaction
- 8: Alternating Current
- 9: Can You See Anything
- 10: This Old Design
- 11: A Little Love
- 12: I Need to Get Sick On You Now
dovrebbe essere pubblicato su 24 ott 2025
dovrebbe essere pubblicato su 24 ott 2025
dovrebbe essere pubblicato su 24 ott 2025
Ultima consegna 11 mesi fa
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- A1: Count Your Blessings (4 03)
- A2: Napoleon (5 07)
- A3: Oh, What A Wretched Man I Am! (1 43)
- A4: Full Of Grace (I Refuse To Tend My Own Grave) (1 23)
- A5: Chain Breaker (2 13)
- B1: Now & At The Hour Of Our Death (4 08)
- B2: Self-Inflicted (2 28)
- B3: Grey+Grey+Grey (1 57)
- B4: Carried Away (3 00)
- B5: Monochromatic (2 50)
Ultima consegna 11 mesi fa
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Detroit's MotorCity Wine offers a uniquely histaminergic POV on dance music, doubling as a one-stop wine shop, record label and vinyl store, and in so doing highlighting a real economic reality: music often really does sound best when paired with powerful, sense-boggling beverages. Here they welcome local Eddie Logix for a thematic chuggers' chaiiwala, from the laggard and slap-happy homebrew 'Moonshine Mandala' to the background noisy, bustling B-side blear, 'Brooklyn Street Sunrise', which works street sounds and knowing urban chant-murmurs into a serious post-Afro stew.
Ultima consegna 10 mesi fa
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An’archives presents Kagome Kagome, the first collaboration between France’s Delphine Dora and Japan’s Ayami Suzuki. Curious listeners might know Dora from the string of lovely, idiosyncratic albums she’s released over the past two decades, most recently for labels like Modern Love, Morc and Recital; she’s also worked with the likes of Michel Henritzi and Sophie Cooper. Suzuki’s performances, predominantly for voice, place her within a tradition of Japanese improvised music – see the music she’s made with artists such as Takashi Masubuchi, TOMO and Leo Okagawa – but her approach also takes in folk song, ambience and claustrophobic drone.
On Kagome Kagome, Dora and Suzuki play to their many strengths: a gentle, free-willed folksiness; long, aerated drone constructs; ghostly, time-warping explorations for voice. They met on Dora’s May 2024 tour of Japan, though they’d been in touch beforehand, with Dora proposing the collaboration to Suzuki, developed around “concepts of ‘otherworldliness’ and ‘impermanence’,” the latter says, “and explored the relationship between ‘the invisible’ and sound in Japanese culture – a common interest we share.”
They recorded across several days that month, with the sessions for Kagome Kagome taking place in Kanumi, in Tochigi prefecture, at a space named Center. “I was particularly looking forward to seeing Delphine encounter the vintage 104-year-old harmonium from Nippon Gakki Seizo Co. that had just been repaired at Center,” Suzuki recalls. “It was as if the harmonium had been waiting for Delphine to draw sound from it. I felt it was a beautiful relationship where they could guide each other.”
Indeed, there’s something channelled about the music that Dora and Suzuki made together in the session that constitutes Kagome Kagome. Dora’s harmonium might be the spine of the album, but Suzuki’s free- floating voice, and gaseous, muddied banks of electronics, wrap around the wheezing, ancient tonality of the harmonium beautifully – they, too, sound as though they were just waiting to be willed out of the daytime air. Their voices nestle together beautifully – “when we sang together in a tunnel,” Suzuki says, “there were times when we sang the exact same melody without planning. It happened so naturally that the boundaries between us became blurred.”
And that title? It’s drawn from a Japanese children’s song, and the song titles themselves constitute the song’s lyrics, in alternating Japanese (Romanized) and French language. Urban legend connects the song “Kagome Kagome” to the Nikko Toshogu Shrine, nearby Center, that Suzuki and Dora visited while they were in Kanumi. “The mysterious lyrics of ‘Kagome Kagome’ and its puzzle-like connection to Nikko Toshogu were a perfect fit for this mysterious album,” Suzuki reflects, “which I think has its own kind of puzzle-like elements.”
A deep album of prayer and magic, of divination and ritual, Kagome Kagome’s sense of serious play, its rich beauty, feels somehow dislocated from our time. If you’ve ever enjoyed the music of Nico, Kendra Smith, Charalambides, or other channelers of ghostly mystery, its eerie otherness will, somehow, feel oddly familiar.
Ultima consegna 11 mesi fa
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2025 Repress
Long time Sonic Groove artists Orphx return for their first release on the label in five years with "The Way Through All Things". Continuing their mission to push the envelope of skillfully crafted hard edged electronic music, this latest extended 4 song player is their roughest and toughest on the label to date: crushing industrial rhythms, hypnotic sound design, and voices on the edge of panic.
Ultima consegna 4 mesi fa
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- A1: The Missing Hikers
- A2: Rat King
- A3: The Ultimate Intimacy In Divine Flesh
- A4: Mildew or Something?
- A5: A Fucking Three-Legged-Race
- A6: Dumb City-Folk Who Went Against Nature and Lost
- A7: A Great Thirst
- A8: 23 Likes
- A9: Together with Tim
- B1: Thirsty All Over, A Love Song
- B2: It Was Like a Window Opened Between Our House and That Night
- B3: The Beginning of Something Wonderful!
- B4: It Feels...Crowded
- B5: I JUST SAW’D THROUGH OUR FUCKING ARMS!
- B6: MUSCLE RELAXANT!
- B7: By The Way, I’m Sorry I Didn’t Believe You, You Were Right, Obviously
- B8: Together with Millie
- B9: Our First Dance
dovrebbe essere pubblicato su 17 ott 2025
- A1: 5 A.M
- A2: Black Cat
- A3: Luck and Strange
- B1: Breathe (In The Air)
- B2: Time
- B3: Fat Old Sun
- C1: Marooned
- C2: A Single Spark
- C3: Wish You Were Here
- C4: Side B: Vita Brevis
- D5: Between Two Points with Romany Gilmour
- D6: High Hopes
- E1: Sorrow
- E2: The Piper’s Call
- E3: A Great Day For Freedom
- F1: In Any Tongue
- F2: The Great Gig In The Sky
- F3: A Boat Lies Waiting
- G1: Coming Back To Life
- G2: Dark and Velvet Nights
- G3: Sings
- H1: Scattered
- H2: Comfortably Numb (Encore)
LP 4x12"[92,23 €]
23 Live-Tracks von der gefeierten Luck and Strange Tour auf 4 LPs in 2 Doppel-Gatefolds und Schuber. Enthält ein 24-seitiges Booklet mit Fotos von der Tour. Produziert von Charlie Andrew und David Gilmour.
Die Tour begleitete Gilmours fünftes Soloalbum Luck And Strange, das #1 in Großbritannien, Deutschland (seine erste #1 dort), Polen, den Niederlanden, Tschechien, der Schweiz, Portugal und Österreich erreichte.
Die Shows begannen mit zwei ausverkauften Warm-up-Shows im Brighton Centre, bevor sie für sechs ausverkaufte Abende in den Circus Maximus in Rom umzogen, gefolgt von der gleichen Anzahl in der Londoner Royal Albert Hall, bevor sie für ausverkaufte Abende im Intuit Dome und der Hollywood Bowl in Los Angeles in die USA zogen und mit fünf ausverkauften Abenden im Madison Square Garden in New York endeten.
Alle dreiundzwanzig Termine waren ausverkauft, und da keine neuen Shows in Sicht sind, sind »The Luck And Strange Concerts« die beste und einzige Möglichkeit, den Meister seiner Kunst auf der Bühne zu erleben.
dovrebbe essere pubblicato su 17 ott 2025
- 1: Rock 'N Roll Saviors
- 2: Rock 'N Roll Saviors
- 3: Under the Blade
- 4: Pay the Price
- 5: Follow Me
- 6: Train Kept a Rolling
- 7: Great Balls of Fire
- 8: Under the Blade
- 9: Guitar Solo
- 10: Follow Me
- 11: I'll Never Grow Up Now
- 12: Can't Stand Still
- 13: Lady's Boy
- 14: Workin' On You Baby
- 15: Come Back
- 16: Without You
- 17: Chinese Hustle
- 18: Plastic Money
- 19: Johnny B Goode
dovrebbe essere pubblicato su 17 ott 2025
- A1: We Have Fi Live - Sugar Minott
- A2: Fence Too Tall - Al Campbell
- A3: Fight War Again Winston Hussey - Winston Hussey
- A4: Here I Come Again - Don Carlos
- A5: Never Give Up The Fight - Anthony Johnson
- B1: Chanting - Junior Reid
- B2: Yes I'm Ready - Freddie McGregor
- B3: It Have Fi Bun - Josey Wales
- B4: Satellite Dish - The Mighty
- B5: You Been Talking - Michael Prophet
- C1: Teach Me Culture - Barrington Levy
- C2: Super Power - Junior Murvin
- C3: Back Back - Wailing Souls
- C4: More Than A Million - Leroy Smart
- C5: Comes And Goes - Junior Brammer
- D1: Let Him Go - Dennis Brown
- D2: Give The Youth A Try - Little John
- D3: Don't Worry - Wayne Wade
- D4: Tribal Inna Yard - Freddie McKay
- D5: Oh Rastaman - Cornell Campbell
dovrebbe essere pubblicato su 17 ott 2025
- A1: BRICOVITCH 01 23
- A2: LE CASSE DE BRICE - Version Film 02 30
- A3: YELLOW 04 17
- A4: MY LOST PARADISE 02 43
- A5: BRICALONE 02 45
- A6: THE PHARAOH OF THE YELLOW 02 16
- A7: TRUE LOVE 02 56
- A8: BRICE SOUS LES MERS 00 50
- B1: LA GUAPACHA DE MANOLITA 02 04
- B2: BRICE A NICE 01 22
- B3: LAND OF LOVE 02 22
- B4: PAPA EST PARTI 01 29
- B5: YOU ARE MY DESSERT TONIGHT 01 58
- B6: BRICAGIO 01 33
- B7: SUNSET BALLAD 02 02
- B8: ROCK THE CUP 01 51
- B9: LE CASSE DE BRICE RADIO MIX 03 23
To celebrate the 20th anniversary of the film Brice de Nice, Stereo Ronin Records is offering fans an exclusive and previously unreleased edition: the cult original soundtrack composed by Bruno Coulais, available on vinyl for the first time!
With its iconic melodies, blending quirky electro vibes and memorable orchestral flights, the film's music has accompanied the adventures of the most famous surfer on the French Riviera. Now, it can be rediscovered in a collector’s vinyl format, delivering a unique and authentic sound experience worthy of this cult comedy.
This special edition, presented in DolBrice stereo and carefully pressed, will appeal to both vinyl enthusiasts and die-hard fans of the film. A dream opportunity to dive in (without getting wet!) into the musical universe of Brice de Nice and relive the unmistakable energy of its legendary character.
Ultima consegna 11 mesi fa
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- A1: Dead Or Alive - You Spin Me Round (3 19)
- A2: Buggles - Video Killed The Radio Star (3 17)
- A3: John Paul Young - Love Is In The Air (3 23)
- A4: Katrina - Walking On Sunshine (3 54)
- A5: Coolio - Gangster's Paradise (4 02)
- B1: Nik Kershaw - Wouldn't It Be Good (4 45)
- B2: William Pitt - City Lights (3 46)
- B3: Debbie Gibson - Lost In Your Eyes (3 35)
- B4: Robbie Dupree - Steal Away (3 16)
- B5: The Motels - Only The Lonely (3 13)
- C1: Wild Cherry - Play That Funky Music (3 45)
- C2: Limahl - Neverending Story (3 31)
- C3: Color Me Badd - I Wanna Sex You Up (3 53)
- C4: Sisqo - Thong Song (4 14)
- C5: Crazy Town - Butterfly (3 37)
- D1: Spagna - Call Me (4 06)
- D2: Wax - Right Between The Eyes (4 07)
- D3: Stories - Brother Lou (3 56)
- D4: Stevie B - Because I Love You (4 19)
- D5: Maria Muldaur - Midnight At The Oasis (3 33)
"One Hit Wonders" ist eine dynamische Doppel-LP-Zusammenstellung, die die unvergesslichen Songs feiert, die den Äther beherrschten und zu zeitlosen Klassikern wurden. Diese Sammlung vereint legendäre Hits aus verschiedenen Jahrzehnten und Genres, von den energiegeladenen Beats von "You Spin Me Round (Like a Record)" von Dead or Alive bis zum sanften Yacht-Rock von "Steal Away" von Robbie Dupree. Mit Tanzhymnen, gefühlvollen Balladen und genredefinierenden Titeln ist dieses Album eine nostalgische Reise durch Songs, die trotz der Tatsache, dass sie die einzigen großen Chartstürmer ihrer Künstler waren, in der Musikgeschichte unverzichtbar geblieben sind.
Diese sorgfältig zusammengestellte Auswahl umspannt die Welten von Pop, Rock, Funk, R&B und Hip-Hop. LP1 enthält Wohlfühl-Hits wie "Walking on Sunshine" von Katrina and the Waves, den Synthie-Pop-Charme von "Wouldn't It Be Good" von Nik Kershaw und die eindringliche Schönheit von "Only the Lonely" von The Motels. LP2 hält die Energie hoch mit funkgetriebenen Grooves wie "Play That Funky Music" von Wild Cherry, der filmischen Magie von "Neverending Story" von Limahl und sanften Balladen wie "Because I Love You" von Stevie B. Jeder Track auf dieser Compilation ist einkultureller Meilenstein, der von der ersten Note an erkennbar ist.
"One Hit Wonders", herausgegeben von MPO, ist ein Muss für Musikliebhaber, Sammler und Fans von klassischen Hits, die Generationen überdauern. Ob Sie diese Hymnen wiederentdecken oder zum ersten Mal erleben, dieses Album fängt die Magie von Songs ein, die Geschichte geschrieben haben, auch wenn ihre Schöpfer nie wieder denselben Erfolg in den Charts hatten. Sichern Sie sich noch heute Ihr Exemplar und lassen Sie sich von der Musik in die Momente zurückversetzen, in denen diese Titel die Charts beherrschten und und die Welt in ihren Bann zogen.
Tracklisting
Ultima consegna 11 mesi fa
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When we did the first ever vinyl reissue of this 1972 masterpiece back in 2012 it sold out so fast and so many lost the chance to grab a copy has translated into continuous messages asking us to do a repressing of this marvel - which we did and, again, it sold like hot bread. So here is a new edition of this UK jazz masterpiece, this time with a twist :
- Silk-screened cover art : we respect the original design, but have upgraded the printing from regular offset to silk screen to give it an artistic touch!
- In adition to the limited black vinyl edition (400 copies), we offer an ultra limited clear vinyl version (100 copies-only!)
One of the big names in UK Jazz, Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett andHenry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.
By 1972 the NJO was already defunct, but his legacy remained in the works of its members. Ardley's 'A Symphony Of Amaranths' is a perfect example of what was boiling in the UK jazz scene. It was Ardleys tribute to his idols Duke Ellington and Gil Evans, and featured the skills of some great musicians of the scene including Don Rendell,Stan Tracey, Henry Lowther, Harry Beckett, Jeff Clyne & Jon Hiseman. Side B is inspired by the words of Edward Lear, W. B. Yeats, James Joyce and Lewis Carroll that are musicated by Ardley and feature, among other highlights, Ivor Cutler's narration of 'The Dong With A Luminous Nose' and Norma Winstone's vocals on 'Will You Walk A Little Faster'.
Musicians that participated in the recording session :
- Derek Watkins, Nigel Carter, Henry Lowther, Harold Beckett (trumpets)
- Derek Wadsworth, Ray Premru (trombones)
- Dick Hart (tuba)
- Barbara Thompson, Dave Gelly, Don Rendell, Dick Heckstall-Smith (woodwind, saxes)
- John Clementson (oboe)
- Bunny Gould (bassoon)
- Dave Gelly (glockenspiel)
- Neil Ardley (prepared piano)
- David Snell, Sidonie Goossens (harp)
- Stan Tracey (piano, celeste)
- Karl Jenkins (electric piano)
- Alan Branscombe (harpsichord)
- Frank Ricotti (vibraphone, percussion)
- Chris Laurence, Jeff Clyne (bass)
- Jon Hiseman (drums, percussion)
- Eric Gruenberg, Jack Rothstein, Kelly Isaacs (violin)
- Ken Essex (viola)
- Charles Tunnell, Francis Gabarro (cello)
- Ivor Cutler (narrator)
- Norma Winstone (vocal)
- Jack Rothstein, Neil Ardley (conductors)
Ultima consegna 11 mesi fa
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D: Mit „Le retour des beaux jours“ feiert Vanessa Paradis ihr grosses Comeback in der Musikszene.
Dieses achte Studioalbum ist das Ergebnis ihrer engen Zusammenarbeit mit Étienne Daho und Jean-Louis
Piérot. Es wurde in Paris (Motorbass Studio) und London (Abbey Road) aufgenommen, abgemischt und
produziert. Die erste Single „Bouquet final“, einer der Hits des Sommers 2025, kündigt ein mit Spannung
erwartetes Pop-Soul-Album an... Vanessa wird ab März 2026 auf Tournee sein. Live Schweiz: 23.04.26,
Arena Genf
F: ’Avec « Le retour des beaux jours », Vanessa Paradis fait son grand retour à la musique.
Ce 8ème album studio est le fruit de son étroite collaboration avec Étienne Daho et Jean-Louis Piérot. Il
a été enregistré, mixé et réalisé à Paris (Motorbass Studio) et Londres (Abbey Road). Le premier single «
Bouquet final », l’un des hits de l’été 2025, annonce un album pop soul très attendu... Vanessa sera en
tournée à partir de mars 2026. Live Suisse : 23.04.26, Arena Genève.
dovrebbe essere pubblicato su 10 ott 2025
For Mal-One’s second dub album he pulled the dub versions of these tracks, as they seemed to work together as an album. New York City Punk (New York Dub), 45 Random Punk Memories (45 Random Dub), Machine Bubble Disco (Machine Bubble Dub), I Used To Play Bass In A Punk Rock Band (I used to play Dub), Never Seen A Bad Picture of Debbie Harry ( Never seen a Bad Dub), Punk Rock Fanzines (Punk Rock Fanzine Dub). JJ’s Alright (JJ is Dub) The Buzz-cocks Are Coming (The Buzz-cocks are Dub), Damned
Disciple (Damned Dub), The Satellite Kid (Satellite Dub), Punk Rock is Back! (Punk Rock is Dub) and The Revolution Is Coming ( Revolution Dub).
The cover of the album is a collage of various mementos culled together over a target painted canvas. The style and objects seemed to suit the cut up style of the tracks. To add another dub layer to the project he also took the lyrics to these tracks and cut and reworked them into a Punk Art Poem for the back side of the record sleeve. A dub reworking of words, music and image.
Hope you enjoy the indulgence.
Ultima consegna 12 mesi fa
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- A1: Emerge / Fischerspooner
- A2: Seventeen / Ladytron
- A3: Strict Machine/ Goldfrapp
- A4: Girls On Pills / The Droyds
- A5: Hooked On Radiation (Pet Shop Boys Orange Alert Mix) / Atomizer
- B1: Fuck The Pain Away / Peaches
- B2: Do I Look Like A Slut? (Original Version) / Avenue D
- B3: Galang / M.I.A
- B4: Kernkraft 400 (DJ Gius Mix) (Radio Edit) / Zombie Nation
- B5: Poney Pt. 1. (Edit) / Vitalic
- B6: The Game Is Not Over / T. Raumschmiere feat. Miss Kittin
- C1: Over And Over (Naum Gabo Remix) / Hot Chip (7.05)
- C2: Banquet (Phones Disco Remix) / Bloc Party (5.25)
- C3: E Talking (Nite Version) / Soulwax (6.08)
- C4: «Zdarlight» / Digitalism (5.44)
- D1: Daft Punk Is Playing At My House (Edit) / LCD Soundsystem (3.23)
- D2: Hustler / Simian Mobile Disco (3.43)
- D3: We Share Our Mother's Health / The Knife (4.09)
- D4: Missy Queen's Gonna Die / Tok Tok vs. Soffy O (4.13)
- D5: What Was Her Name (Radio Edit) / Dave Clarke Featuring Chicks on Speed (4.44)
- D6: I Am The Fly / Adam Sky and Crossover (4.59)
- E1: We Are Your Friends / Justice Vs. Simian
- E2: Take Me Out (Daft Punk Remix) / Franz Ferdinand
- E3: Slow (Chemical Brothers Remix Edit) / Kylie Minogue
- F2: Warm Leatherette / The Normal
- F3: Empire State Human / The Human League
- F4: Tryouts For The Human Race / Sparks
- F5: Telephone Operator / Pete Shelley
- F6: Nag Nag Nag / Cabaret Voltaire
- E4: Let's Make Love And Listen To Death From Above / CSS
- E5: Solta O Frango / Bonde De Rolê
- E6: Club Action / Yo Majesty
- F1: Numbers / Kraftwerk
‘When The 2000s Clashed: Machine Music For A New Millenium’ is the story of how, 25 years ago, a new form of electronic music – known as electroclash - reignited a tired clubland and gave the indie scene and mainstream pop a shot in the arm in the process. Over this 3LP highlights set, carefully curated from the 5CD box of the same name (also released, 3rd October) the collection showcases the back-to-basics electronic beats that heralded in a new generation of exciting and innovative new artists - Hot Chip, Peaches, LCD Soundystem, and Ladytron, to name a handful. It also shows how the sound and attitude of electroclash plugged into the decade’s cutting-edge indie bands, (Franz Ferdinand, Bloc Party), and became intrinsic to the way chart pop would sound in the first decade of the 2000s (Kylie, Goldfrapp).
The collection also shows how the scene’s underground DIY ethos evolved and inspired the next generation of electronic buccaneers (Simian Mobile Disco, Justice Vs. Simian). ‘When The 2000s Clashed’ brings together a dazzling, diverse selection of artists, producers and remixers from right across the 2000s zeitgeist – from The Chemical Brothers and Daft Punk, from M.I.A. to Soulwax and many points in-between. For good measure, there’s also one side of LP3 given over to the original post punk and electronic sounds (including Kraftwerk, The Human League and Cabaret Voltaire) who’d played such a big influence on the electroclash sound. ‘
When The 2000s Clashed’ was compiled and sequenced for Demon / Edsel by Jonny Slut, founder of London’s electroclash citadel Nag Nag Nag. Established in 2002, in a small Soho venue called Ghetto, ‘Nag’ quickly became THE hottest club, first in London and then in the whole world. A glorious mess and hedonists’ hotspot, a night at ‘Nag Nag Nag’ (if you could get in!) saw the capital’s club kids, students and creatives rub up alongside names from the fashion and music worlds - Björk, Pet Shop Boys, Kate Moss, Boy George, Alexander McQueen, and Pam Hogg were among the regulars. Madonna visited, so did John Peel, Yoko Ono asked to perform and did, Throbbing Gristle’s Chris and Cosey DJ’d, so did Marc Almond, and Too Many DJ’s.
Justin Timberlake was refused entry (too many bodyguards)… even Cilla Black was spotted getting down! Jonny shares these reminisces – and many more - in the collection’s sleevenotes. Named after the 1979 Cabaret Voltaire classic, ‘Nag, Nag, Nag’ became the first place to hear the seemingly endless flow of thrilling new tunes coming from every direction during that decade of dance. Many of them are included on this collection.
Ultima consegna 7 mesi fa
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Following the lush listening LP outing by KAMM, the EG team is back in fine floorrocking form, this time with both label operatives on the dials as Rodney joins Dave Aju for his debut co-production. And what a debut it is: Highly-potent, raw, swinging house music of the highest order, complete with knocking 909 kicks, thick slapping snares, and a hypnotic melodic call-and-response tonal section that keeps things properly lifted and moving throughout. The vox evoke label boss Aju’s earlier catalog work, and he’s in particularly pointed mode here, spitting fire spoken word lines calling out various questionable corners of the dance music scene and humanity on the whole. A bold light-shining display during notably dark times, defending the once-sacred underground dance space against runaway trends of ego-driven capitalism, online image over actual skill sets, and the beyond low-ball barrier of entry into the arena. But by the time the soulful chorus lines hit and rise us up and onward toward the blissful musical finish, it is clear that this is in fact a unifying floor anthem and that indeed despite our differences amidst disheartening global chaos, at least “We Still Dancin". As always with the seasoned DJ-focussed three-piece Elbow Grease EP offerings, here we have the full A-side OG Vocal Mix cut at a crispy and tight 45rpm, a deliciously stripped and leveled-up EG Dub Mix on the B1, and finally the uplifting B2 Vibe Mix which doubles-down as half ambient instrumental builder and essential acapellacapella
Ultima consegna 11 mesi fa
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Fetter’s Body of Noise erupts at the threshold between ravey hypnosis and avant-pop experiment, slithering through the hinterlands of unconscious desire. Nine shape-shifting tracks conjure haunted landscapes where beauty refuses clarity and dancefloor logic warps underfoot. Vocals swoon, drift, and demand—stacking into fragments that multiply and weave through saturated pulses and shimmering, snarling synths.
Opening track "Like a Rose" traces a dreamer’s transition into the unstable physics of a perplexing but familiar dream world, where they gradually become lucid. “Beast” follows up humming with shadowed urgency, threading a path through self-sabotage and metamorphosis. “Spathiphyllums” drifts a while in a lush lostness, aching for something new before fracturing into wild, cathartic collapse. Side B’s “Do I Exist? (D.I.E)” and “The Longing” spiral into existential wonder, searching for a human origin story—both personal and collective—against a backdrop of uncertainty, while “Headache” thrusts forward as an absurd and insistent manifesto to stay the course and harness one’s own power within the madness.
Body of Noise is crafted not only for sweating bodies in motion, but for distorting time and opening psychic portals, where surrender becomes strategy and uncertainty transforms into ecstatic navigation. Rooted in all-hardware improvised production and shaped by Fetter’s years of boundary-blurring visual and performance art, their debut LP feels alive and in flux. Reminiscent of a spectral pop chorus trapped in a loop of broken machinery, or a lost broadcast from a dancefloor in a parallel realm, Body of Noise is a journey into chaos, transformation, and a bold refusal to be contained.
About Fetter:
Fetter makes clubby self-destructing noise pop to dance and weep to. Oscillating between ethereal and pounding, their all-hardware, largely improvised live sets take listeners through a foggy wilderness of saturated rhythms and menacing synth lines, a golden voice guiding the way through. Fetter is the stage moniker of multimedia artist Jess Tucker. Their performances take place in clubs as well as galleries, often incorporating video, installation, and interactive performance art elements to create other-worldly surrounds of mesmerizingly unhinged bodies and faces.
dovrebbe essere pubblicato su 10 ott 2025
- A1: From Darkness 01 18
- A2: Disappearance 04 34
- A3: Past Into Presence 02 32
- A4: Search Party 02 58
- A5: Forest Manipulations 03 22
- A6: Miscarriage 01 17
- A7: Who’s There? 00 59
- A8: The Pond 02 02
- A9: Mindfuck 01 20
- A10: I'll Take Noah 00 55
- A11: Wall Paintings 02 45
- B1: Death and Confusion 04 23
- B2: Visions 01 20
- B3: The House 03 55
- B4: What Have You Become? 01 41
- B5: Alone In The Dark 01 50
- B6: Ritual 02 07
- B7: Theo 02 29
- B8: Reunification 03 58
- B9: Open Eyes 02 25
- B10: Past Darkness 04 11
Erik K Skodvin summons his alter ego Svarte Greiner for a dive into the dark, wintery Swedish forest with the score to the psychological thriller/horror film “From Darkness” (orig: Ur Mörkret).
The film is director Philip W. Da Silva's debut and is set largely at night, deep in a Swedish nature reserve where mining used to take place. Loss, mental health and Nordic mythology come together in a story that revolves around the search for a missing woman. The score follows an eclectic and atmospherical path throughout the narrative with an uneasy underlaying vibe; although one with occasional points of refuge in the otherwise vast darkness. There is a gloomy, barely tangible sound of Nordic folk tradition buried in the music, even if it comes across in a different, more abstract way, where the various instruments are often used more as sound sources that are improvised (and abused) into becoming their own element. Skodvin performed and recorded the majority himself. In addition, he commissioned free improviser Axel Dörner to participate with his unique, custom-built electro-acoustic interface, which, along with Claudio Puntin's processed reeds and additional electronics, has been built into the elaborate backdrops to create an entire world that balances on the border between the approachable and the elusive - not unlike the journey of the protagonists. Skodvin's partner in Deaf Center, Otto A Totland, appears on piano in the stand out piece “What have you become?”.
The result is a harrowing yet deeply melancholic journey through the human psyche. One that echoes through the dark forests, cabins and lost mines of the desolate Swedish woodlands.
“It is presumed that as humans mined ore in the 1800s, they had many mishaps and dug too deep, leading them to assume they had unleashed some evil spirit that was guarding the ore. She was referred to as "Cave Wraith". It was said that she employed darkness to lure miners to their deaths. They prohibited villagers from visiting during the darkest months of the year. Some used sacrifices to subdue the evil entity.”
The vinyl is released in an edition of 150 numbered copies, with screenprinted artwork on black cardboard inside a screenprinted PVC sleeve, incl. Riso-printed insert with liner notes by Mike Lazarev, 180g vinyl.
Ultima consegna 12 mesi fa
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Double album for 2025's Peur Bleue production, bringing oldschool Tribe and Acid ... Many first timers on vinyl supported by beloved artists since years....
Photo of the shop by Livia Saavedra, and visuals By Vstee FDB
Mastering by Jo.IND and cut by Simon Davey.
Pressed at Records Industry.
Ultima consegna 11 mesi fa
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2025 Repress
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
Ultima consegna 12 mesi fa
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Die Cinematic-Funk-Visionäre The Diasonics liefern mit ihrem neuen Album ,Ornithology", das am 3. Oktober über Record Kicks veröffentlicht wird, ein weiteres solides Set aus östlich angehauchtem Psychedelic, Cinematic und Disco-Funk. Nach ihrem 2022 von der Kritik gefeierten Debütalbum ,Origin of Forms", das von PopMatters zum Library Music Album of the Year gekürt wurde, kehren die in Moskau ansässigen Instrumentalisten The Diasonics mit ,Ornithology" zurück, einem zweiten Album, das ihre klanglichen Grenzen erweitert und gleichzeitig ihrem unverwechselbaren Stil treu bleibt. Aufgenommen in ihrem eigens errichteten Studio 23, das sich in einer umgebauten Lampenfabrik aus der Sowjet-Ära befindet, ist das Album das Ergebnis von zwei Jahren intensiver kreativer Erkundungen und Experimente. Mit ihrer ganz eigenen Mischung aus cineastischem Funk, östlich angehauchten Melodien, instrumentalem Hip-Hop und analogem Soul haben sich The Diasonics einen einzigartigen Platz in der globalen Funkszene geschaffen. ,Ornithology" markiert ein neues Kapitel: Inspiriert von wiederkehrenden Vogelmotiven in ihrer Umgebung, von Zügen und Bahnhöfen bis hin zu lokaler Folklore und den Schreien der Vögel, die über ihrem Studio kreisen, kanalisiert die Platte Ideen von Bewegung und Freiheit, sowohl thematisch als auch musikalisch. ,Das Thema Vögel und Ornithologie ergab sich ganz von selbst - wir fingen einfach an, überall um uns herum vogelähnliche Namen zu bemerken: Züge und Bahnhöfe, Geschäfte, Orte, Nachnamen von Menschen, Bücher und Filme", sagt die Band. "Wir besorgten uns ein paar alte Synthesizer und stimmten die Oszillatoren, während wir den Schreien der Möwen lauschten, die um die Fabrik flogen, in der sich unser Studio befand. Die Ideen von Flug, Freiheit und Raum wurden zentral für die Musik des neuen Albums." Klanglich gehören zu den wesentlichen Merkmalen von Ornithology nicht nur die Synthesizer, sondern auch Diana Grebs hypnotischer Gesang, der sich nahtlos in die Klangpalette einfügt und dem instrumentalen Funk Leben und Seele einhaucht. ,In unserer Vorstellung balancieren wir wie Vögel zwischen der Erde und dem Himmel und haben versucht, unsere eigene musikalische Sprache innerhalb des Konzepts der Ornithologie zu erschaffen, die den Wunsch eines jeden Menschen widerspiegelt, den Vögeln näher zu kommen und frei zu schweben, jenseits von physischen oder mentalen Grenzen." Die 2019 gegründete vierköpfige Band, bestehend aus Daniil Lutsenko (E-Gitarre), Kamil Gazizov (Keyboards), Maksim Brusov (Bass) und Anton Moskvin (Schlagzeug & Perkussion), erlangte durch eine Reihe von begehrten 45er-Scheiben auf Mocambo Records und Funk Night Records schnell Kultstatus. Ihr von der Kritik hochgelobtes Debütalbum Origin of Forms,, das von Henry Jenkins, dem Produzenten der australischen Kultband Surprise Chef, gemischt wurde, erschien 2022 auf Record Kicks und wurde von PopMatters (US) zum Library Music Album" des Jahres und von FIP (Radio France) zum Album des Monats gekürt. Das Vinyl war innerhalb weniger Wochen ausverkauft und ist nun in der internationalen Cinematic-Funk-Szene sehr gefragt. ,Origin of Forms" erhielt begeisterte Kritiken von Zeitschriften wie Wax Poetics, Mojo, Rolling Stone FR, Clash, Uncut und wurde von Jamie Cullum (BBC2), KEXP, Radio France und Huey Morgan, Don Letts, Cerys Matthews und Tom Ravenscroft von BBC 6 Music, um nur einige zu nennen, unterstützt und gespielt. Mit dem neuen Album Ornithology tauchen The Diasonics in üppige Synthesizer, stripped-down Grooves und rohes instrumentales Zusammenspiel ein, schöpfen aus der Library-Musik der 1970er Jahre, sowjetischer Jazz-Fusion und Disco-Funk und liefern eine weitere supersolide Veröffentlichung, die all die Einzigartigkeit bestätigt und vorantreibt, die ,Origin of Forms" so verlockend machte. Unverzichtbar für Fans von Khruangbin, Surprise Chef und instrumentalen Funk-Grooves.
Ultima consegna 8 mesi fa
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- 1: Scene 0 - Xyl, Tiz and Ore
- 2: Scene 0 - In The Mouth A Desert
- 3: Scene 0 - Animal Gathering
- 4: Scene 0 - Prospector Left
- 5: Scene 0 - Image Superstition
- 6: Scene 0 - Second Abandoned Highway
- 7: Scene 0 - First Abandoned Highway
- 8: Scene 0 - First Time Realising The Clock Is Absent
- 9: Scene 0 - First Encounter - The Future Is Yellow
- 10: Scene - Good Calamity
- 11: Scene - Tzama As Animal
World of Echo unites with the confounding genius of TRii for a highly limited first time vinyl run of 2020's Music For Desert Reboot tape, first released as TRj on the TRjj Musik label and then again as a second cassette by Mascarpone earlier this year.
As with all the sounds produced within the TRjj/TRii /TRj/TRi universe, strange illusion is part of the process, and this is certainly music that befits such smoke and mirror nomenclature, a kind of gamelan Werkbund re-programmed via the isolationist sounds of DIY home electronics conceived for a film that might or might not actually exist. Consider this time-dilation rug-pulling that's well in touch with its own mythology, so much so that it's hard to think of any obvious contemporaries, but if you've ever enjoyed the minimalist murk of Civlistijavel, the private quarters confessionals of Thomas Bush's first LP or any one of Guy Gormley's projects, you'll not got too far wrong here. Is further clarification required? That perhaps misses the point, though there is a track that features around two-thirds in entitled 'First Time Realizing the Clock Was Absent' that might function as a form of instruction to the listener. Namely, where does the time go? Music For Desert Reboot might not provide the answer, but it certainly knows how to ask the question.
dovrebbe essere pubblicato su 06 ott 2025
- A1: Next Phase & Helen Bruner & Terry Jones ‘My Desire’ (Scott Diaz Extended Dub)
- A2: Deep Zone featuring Ceybil Jefferies ‘It’s Gonna Be Alright (Help Is On The Way)’ (Crackazat Extended Remix)
- B1: 10th Street Assembly ‘Free Me’ (Kaoz 6:23 Mix)
- B2: Key To Life featuring Sabrina Johnston ‘Forever’ (New Heights Swing Mix)
Volume 1 showcases four cuts that bridge old & new remixes across deep house and US garage. Scott Diaz lifts “My Desire” (Next Phase, Helen Bruner & Terry Jones) into an extended, chord-rich dub; Crackazat reshapes Deep Zone & Ceybil Jefferies’ “It’s Gonna Be Alright (Help Is On The Way)” with musical keys and bumping swing. Flip for Kerri Chandler’s Kaoz 6:23 pressure on 10th Street Assembly’s “Free Me,” then the New Heights Swing Mix of Key To Life & Sabrina Johnston’s “Forever” signs off in soulful style.
Ultima consegna 4 giorni fa
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- A1: IT'S ALL UP NOW
- A2: PRINCE OF DARKNESS
- A3: JAUNTING CAR
- A4: ANNIE AUSTERE
- B1: KNOWING YOU
- B2: CRYSTAL BROOK
- B3: SEAWARD SUNSET
- B4: THE PERFECT WISH
The North Irish progressive rock band Fruupp released their third album The Prince of Heaven's Eyes in 1974. Fruupp produced the concept album themselves. It is a beautifully presented, well-balanced and stunningly original story. Inspired by the Genesis sound they created an melodic and structured piece of music, combining rock with folk and classical influences. The album centered around the impressive keyboard work by Stephen Houston. Their own unique characteristics are presented by combining all the elements in their complete sound.
Fruupp was assembled by guitarist Vincent McCusker in 1971. During their five year existence they recorded four progressive rock albums.
dovrebbe essere pubblicato su 03 ott 2025
- KILLBOY POWERHEAD
- MAX WEDGE
- STINGRAY
- CAPTAIN AHAB
- PLATE IN MY HEAD
- GOLD ELDORADO
- MAMA HAD A SKULL BABY
- UNDER THE CHRISTMAS FISH
- EVEL KNIEVEL
- FIRE IN THE HOLE
- WHO'S READY TO GET HIGH
- JERRY LEE
- HEADLESS
- TOP FUEL
- PET FUNERAL
- JOLIET
- DAD
- QUE SIRHAN SIRHAN
Didjits verbanden ihre Liebe zu Hard Rock (AC/DC, Black Sabbath, Cheap Trick), Punk (Sex Pistols und vor allem die metallische Kunstshow von The Plasmatics) und Rock'n`Roll der 50er Jahre (insbesondere Jerry Lee Lewis und Little Richard) zu einer Marke, die, wie Dexter Holland von The Offspring treffend beschreibt, ,ein wackeliger Zug war, der kurz vor der Entgleisung stand". Bei chaotischen Live-Shows brachte Gitarrist und Sänger Rick Sims das Publikum gekonnt gegen sich auf und trug so zur Raserei des rasanten Rocks bei, den sie langsam perfektionierten. Jello Biafra, ein früher Unterstützer der Didjits, bewunderte ihre Fähigkeit, das Punk-Publikum zu vergraulen und es dennoch mit offenem Mund und Hörverlust zurückzulassen. Ab 1988 veröffentlichten die Didjits fünf Alben in voller Länge bei Touch and Go Records (darunter eine Neuauflage ihres 1986 selbst veröffentlichten Debütalbums Fizzjob) sowie zwei Singles und eine EP. Es folgten MTV-Videos, ausverkaufte Clubs, Tourneen durch Europa und Nordamerika - bis 1994 (ironischerweise das selbe Jahr, in dem The Offspring ihr Platin-Album "Smash" veröffentlichten, das ein Cover von ,Killboy Powerhead" aus Didjits 1990er Veröffentlichung "Hornet Pinata" enthielt). Diese LP, gepresst auf 180 Gramm schwerem, opakem lila Vinyl, ist ein Archivdokument der Band von ihren Anfängen im ländlichen Illinois bis zu ihrer Auflösung über ein Jahrzehnt später. Die ausgewählten Tracks vereinen 17 Fan-Favoriten aus Didjits' Touch and Go-Diskografie auf einer einzigen LP.
dovrebbe essere pubblicato su 03 ott 2025
- 1: LOGOS KILL
- 1: 2HAWKINS DISCOVERED
- 1: 3FLASHBACK
- 1: 4SPIT
- 1: 5HEY KID
- 1: 6THE MYER'S HOUSE
- 1: 7COPS EXPLORE
- 1: 8FIRST ATTACK
- 1: 9STAND OFF
- 1: 0HALLOWEEN KILLS (MAIN TITLE)
- 1: LET IT BURN
- 1: 2HE APPEARS
- 1: 3FROM THE FIRE
- 1: 4STRODES AT THE HOSPITAL
- 1: 5CRUEL INTENTIONS
- 1: 6PHONE CALL
- 1: 7MASSACRE
- 1: 8SOMEONE'S IN THE CAR
- 1: 9HALLOWEEN TRICK
- 1: 20BACK AT THE HOSPITAL
- 1: 2GOODBYE MICHAEL
- 1: 22GATHER THE MOB
- 1: 23RAMPAGE
- 1: 24FRANK
- 1: 27EVIL DIES TONIGHT
- 1: 28THE SYSTEM FAILED
- 1: 29BLOOD ON THE DOOR
- 1: 30DISTURBED MAN
- 1: 3VIOLENT RETURN
- 1: 32HALLWAY MADNESS
- 1: 33IT NEEDS TO DIE
- 1: 34LOOK AT ME
- 1: 35REFLECTION
- 1: 36HUNTING A KILLER
- 1: 37RIGHTEOUS INTENTION
- 1: 38MORBID DISCOVERY
- 1: 39UNKILLABLE
- 1: 40PAYBACK
- 1: 4MICHAEL'S LEGEND
- 1: 42BACK TO HIS SISTER'S ROOM
- 1: 43FINAL KILL
- 1: 44MICHAEL ANSWERS
- 1: 45HALLOWEEN KILLS (END TITLES)
- 1: 25SEARCH
- 1: 26FRANK AND LAURIE
KILLS: Orange & Green Splatter Vinyl[33,57 €]
Bone White & Orange Splatter Vinyl[33,57 €]
COMPLETE EXPANDED COLLECTION[137,77 €]
Orange & Red Splatter Vinyl. John Carpenters Soundtracks für die jüngste Halloween-Trilogie, die er zusammen mit seinen langjährigen Mitarbeitern Cody Carpenter und Daniel Davies komponierte, markierten die Rückkehr des legendären Regisseurs und Komponisten zur Filmmusik nach fast zwei Jahrzehnten Pause. Halloween (2018), Halloween Kills (2021) und Halloween Ends (2022) wurden alle von David Gordon Green inszeniert, der Carpenter bereits früh in die Vorproduktion einbezog und ihn schließlich als ausführenden Produzenten und Soundtrack-Komponisten für die Trilogie engagierte. Nun erscheint erstmals eine Deluxe-Edition des Soundtracks zu ,Halloween Ends" als 2xLP-Erweiterung bei Carpenters langjährigem Label Sacred Bones Records. ,Halloween" aus dem Jahr 2018 war ein Erfolg, der die kühnsten Träume aller Beteiligten übertraf. Der Film startete mit den höchsten Einspielzahlen in der Geschichte von Blumhouse und war der erfolgreichste Film der ,Halloween"-Reihe. Es war unvermeidlich, dass bald zwei Fortsetzungen, Halloween Kills und Halloween Ends, grünes Licht erhielten. Green unterschrieb für die Regie beider Filme, aber er wollte nicht davon ausgehen, dass John, Cody und Daniel für die Filmmusik zurückkehren würden. ,Ich nehme nichts als selbstverständlich hin", sagt er. ,Man hofft also, dass sie eine gute Erfahrung gemacht haben. Ich weiß, dass wir Spaß an dem Projekt hatten, aber man weiß nie, wie es um die Zeit und die finanziellen Interessen der Leute steht und all diese Dinge. Die Realitäten des Geschäfts und des Filmemachens laufen nicht immer so reibungslos ab. Aber es gab keine Probleme. Wir sahen uns an und sagten: ,Wie können wir das hinbekommen? Lassen Sie es uns noch einmal versuchen.` Zweimal."Die erweiterte Version von Halloween Ends enthält 10 bisher unveröffentlichte Stücke und wird mit brandneuen Artworks von Chris Bilheimer und einem exklusiven 24 x 36"-Poster von Creepy Duck geliefert. Erweiterte Versionen der Soundtracks zu Halloween und Halloween Kills sowie eine Box mit allen drei erweiterten Editionen werden ebenfalls am selben Tag bei Sacred Bones erhältlich sein.
dovrebbe essere pubblicato su 03 ott 2025
JOHN CARPENTER
HALLOWEEN KILLS: OST LP 2x12"
- 1: LOGOS KILL
- 1: 2HAWKINS DISCOVERED
- 1: 3FLASHBACK
- 1: 4SPIT
- 1: 5HEY KID
- 1: 6THE MYER'S HOUSE
- 1: 7COPS EXPLORE
- 1: 8FIRST ATTACK
- 1: 9STAND OFF
- 1: 0HALLOWEEN KILLS (MAIN TITLE)
- 1: LET IT BURN
- 1: 2HE APPEARS
- 1: 3FROM THE FIRE
- 1: 4STRODES AT THE HOSPITAL
- 1: 5CRUEL INTENTIONS
- 1: 6PHONE CALL
- 1: 7MASSACRE
- 1: 8SOMEONE'S IN THE CAR
- 1: 9HALLOWEEN TRICK
- 1: 20BACK AT THE HOSPITAL
- 1: 2GOODBYE MICHAEL
- 1: 22GATHER THE MOB
- 1: 23RAMPAGE
- 1: 24FRANK
- 1: 27EVIL DIES TONIGHT
- 1: 28THE SYSTEM FAILED
- 1: 29BLOOD ON THE DOOR
- 1: 30DISTURBED MAN
- 1: 3VIOLENT RETURN
- 1: 32HALLWAY MADNESS
- 1: 33IT NEEDS TO DIE
- 1: 34LOOK AT ME
- 1: 35REFLECTION
- 1: 36HUNTING A KILLER
- 1: 37RIGHTEOUS INTENTION
- 1: 38MORBID DISCOVERY
- 1: 39UNKILLABLE
- 1: 40PAYBACK
- 1: 4MICHAEL'S LEGEND
- 1: 42BACK TO HIS SISTER'S ROOM
- 1: 43FINAL KILL
- 1: 44MICHAEL ANSWERS
- 1: 45HALLOWEEN KILLS (END TITLES)
- 1: 25SEARCH
- 1: 26FRANK AND LAURIE
ENDS: Orange & Red Splatter Vinyl[33,57 €]
Bone White & Orange Splatter Vinyl[33,57 €]
COMPLETE EXPANDED COLLECTION[137,77 €]
Orange & Green Splatter Vinyl! John Carpenters Soundtracks für die jüngste Halloween-Trilogie, die er zusammen mit seinen langjährigen Mitarbeitern Cody Carpenter und Daniel Davies komponierte, markierten die Rückkehr des legendären Regisseurs und Komponisten zur Filmmusik nach fast zwei Jahrzehnten Pause. Halloween (2018), Halloween Kills (2021) und Halloween Ends (2022) wurden alle von David Gordon Green inszeniert, der Carpenter bereits früh in die Vorproduktion einbezog und ihn schließlich als ausführenden Produzenten und Soundtrack-Komponisten für die Trilogie engagierte. Nun erscheint zum ersten Mal eine Deluxe-Edition des Soundtracks zu ,Halloween Kills" als 2xLP-Erweiterung bei Carpenters langjährigem Label Sacred Bones Records. ,Halloween" aus dem Jahr 2018 war ein Erfolg, der alle Erwartungen der Beteiligten übertraf. Der Film startete mit den höchsten Einspielzahlen in der Geschichte von Blumhouse und war der erfolgreichste Film der ,Halloween"-Reihe. Es war unvermeidlich, dass bald zwei Fortsetzungen, Halloween Kills und Halloween Ends, grünes Licht erhielten. Green unterschrieb für die Regie beider Filme, wollte aber nicht davon ausgehen, dass John, Cody und Daniel wieder für die Filmmusik verantwortlich sein würden. ,Ich nehme nichts als selbstverständlich hin", sagt er. ,Man hofft also, dass sie eine gute Erfahrung gemacht haben. Ich weiß, dass wir Spaß an dem Projekt hatten, aber man weiß nie, wie es um die Zeit und die finanziellen Interessen der Leute steht und all diese Dinge. Die Realitäten des Geschäftslebens und des Filmemachens laufen nicht immer reibungslos ab. Aber es gab keine Probleme. Wir sahen uns an und sagten: ,Wie können wir das hinbekommen? Lassen Sie es uns noch einmal versuchen.` Zweimal." Die erweiterte Version von ,Halloween Kills" enthält 25 bisher unveröffentlichte Stücke und wird mit brandneuen Artworks von Chris Bilheimer und einem exklusiven 24x36-Zoll-Poster von Creepy Duck geliefert. Erweiterte Versionen der Soundtracks zu ,Halloween" und ,Halloween Ends" sowie eine Box mit allen drei erweiterten Editionen werden ebenfalls am selben Tag bei Sacred Bones erhältlich sein.
dovrebbe essere pubblicato su 03 ott 2025
- 1: Forty Days
- 2: Baby Jean
- 3: Wild Little Willie
- 4: My Gal Is Red Hot
- 5: Horace
- 6: Southern Love
- 7: Honey Don't
- 8: Hey! Bo Diddley
- 9: Oh Sugar
- 10: Clara
- 11: Mary Lou
- 12: Hey Boba Lou
- 1: Forty Days
- 2: Forty Days
- 3: Forty Days
- 4: Thirty Days
- 5: Baby Jean
- 6: Baby Jean
- 7: Baby Jean
- 8: Wild Little Willie
- 9: Wild Little Willie
- 10: My Gal Is Red Hot
- 11: My Gal Is Red Hot
- 12: Red Hot
- 13: Red Hot
- 14: Red Hot
- 15: Horace (Version 2)
- 16: Horace (Version 1)
- 17: Southern Love
- 18: Southern Love
- 19: What'cha Gonna Do
- 20: What'cha Gonna Do (When Your Baby Leaves You)
- 21: Honey Don't
- 22: Honey Don't
- 23: Honey Don't
- 24: Hey! Bo Diddley
- 25: Hey! Bo Diddley
- 26: Oh Sugar
- 27: Clara
- 28: Mary Lou
- 29: Mary Lou
- 30: Mary Lou
- 31: Hey Boba Lou
- 32: Hey Boba Lou
dovrebbe essere pubblicato su 03 ott 2025
- A1: Intro (The Full Horror) (4 24)
- A2: Rawwwwww (feat Jozzy) (7 15)
- A3: Plunging Asymptote (feat Juliana Huxtable) (4 56)
- A4: The Dome’s Protection (feat Nina Kraviz) (2 41)
- B1: Reason Why (feat Kim Petras & BC Kingdom) (3 47)
- B2: Live In My Truth (feat BC Kingdom & Liz) (4 08)
- B3: Why Lies (feat BC Kingdom & Liz) (4 19)
- C1: Do You Wanna Be Alive (feat feat Big Sister) (2 03)
- C2: Elegance (feat Popstar) (2 57)
- C3: Berlin Nightmare (feat Evita Manji) (4 52)
- C4: Gallop (feat Evita Manji) (4 17)
- C5: One More Time (feat Popstar) (3 23)
- D1: Exhilarate (feat Bibi Bourelly) (4 16)
- D2: Always & Forever (feat Hannah Diamond) (4 46)
- D3: My Forever (feat Cecile Believe) (4 05)
- D4: Love Me Off Earth (feat Doss) (3 41)
'SOPHIE', das selbstbetitelte zweite Album der visionären Künstlerin, Produzentin und Pop-Pionierin, wird am 27. September 2024 über Transgressive und Future Classic veröffentlicht.
Dieses Album wurde von SOPHIE und einigen ihrer liebsten Kollaborateure geschaffen. Es stand kurz vor der Fertigstellung, als sie auf tragische Weise starb, und wurde von denjenigen, die ihr am nächsten standen, liebevoll fertiggestellt. Als SOPHIEs Studiomanager und vertrauenswürdiger Gesprächspartner für über ein Jahrzehnt war Benny Long maßgeblich an der Veröffentlichung von 'Oil Of Every Pearl's Un-insides' beteiligt und zeichnete für Mastering, Produktion und Mixing verantwortlich. Die beiden arbeiteten dann über mehrere Jahre zusammen, um das Konzept und die Produktion dieses Nachfolgealbums zu entwickeln, das Benny liebevoll vollendet hat, um SOPHIEs Vision zu ehren.
dovrebbe essere pubblicato su 01 ott 2025
- A1: Intro (The Full Horror) (4 24)
- A2: Rawwwwww (feat Jozzy) (7 15)
- A3: Plunging Asymptote (feat Juliana Huxtable) (4 56)
- A4: The Dome’s Protection (feat Nina Kraviz) (2 41)
- B1: Reason Why (feat Kim Petras & BC Kingdom) (3 47)
- B2: Live In My Truth (feat BC Kingdom & Liz) (4 08)
- B3: Why Lies (feat BC Kingdom & Liz) (4 19)
- C1: Do You Wanna Be Alive (feat feat Big Sister) (2 03)
- C2: Elegance (feat Popstar) (2 57)
- C3: Berlin Nightmare (feat Evita Manji) (4 52)
- C4: Gallop (feat Evita Manji) (4 17)
- C5: One More Time (feat Popstar) (3 23)
- D1: Exhilarate (feat Bibi Bourelly) (4 16)
- D2: Always & Forever (feat Hannah Diamond) (4 46)
- D3: My Forever (feat Cecile Believe) (4 05)
- D4: Love Me Off Earth (feat Doss) (3 41)
'SOPHIE', das selbstbetitelte zweite Album der visionären Künstlerin, Produzentin und Pop-Pionierin, wird am 27. September 2024 über Transgressive und Future Classic veröffentlicht.
Dieses Album wurde von SOPHIE und einigen ihrer liebsten Kollaborateure geschaffen. Es stand kurz vor der Fertigstellung, als sie auf tragische Weise starb, und wurde von denjenigen, die ihr am nächsten standen, liebevoll fertiggestellt. Als SOPHIEs Studiomanager und vertrauenswürdiger Gesprächspartner für über ein Jahrzehnt war Benny Long maßgeblich an der Veröffentlichung von 'Oil Of Every Pearl's Un-insides' beteiligt und zeichnete für Mastering, Produktion und Mixing verantwortlich. Die beiden arbeiteten dann über mehrere Jahre zusammen, um das Konzept und die Produktion dieses Nachfolgealbums zu entwickeln, das Benny liebevoll vollendet hat, um SOPHIEs Vision zu ehren.
dovrebbe essere pubblicato su 01 ott 2025
dovrebbe essere pubblicato su 30 set 2025
Sheku Kanneh-Mason, Sinfonia Of London, John Wilson, Isata Kanneh-Mason
Shostakovich: Cello Concerto No. 2; Britten: Cello Sonata 2x12"
- A1: Cello Concerto No 2 In G Major, Op 126 I Largo (12:46)
- B1: Cello Concerto No 2 In G Major, Op 126 II Allegretto (10:09)
- B2: Cello Concerto No 2 In G Major, Op 126 III Allegretto (9:09)
- C1: Cello Sonata In D Minor, Op 40 I Allegro Non Troppo - Largo (9:03)
- C2: Cello Sonata In D Minor, Op 40 II Allegro (6:28)
- C3: Cello Sonata In D Minor, Op 40 III Largo (7:06)
- D1: Cello Sonata In D Minor, Op 40 IV Allegro (3:59)
- D2: Cello Sonata In C Major, Op 65 I Dialogo Allegro (6:02)
- D3: Cello Sonata In C Major, Op 65 II Scherzo-Pizzicato Allegretto (2:23)
- D4: Cello Sonata In C Major, Op 65 III Elegia Lento (4:30)
- D5: Cello Sonata In C Major, Op 65 IV Marcia Energico (4:56)
- D6: Cello Sonata In C Major, Op 65 V Moto Perpetuo Presto (2:34)
Sheku Kanneh-Mason’s Debütalbum ”Inspiration”, das 2018 die Charts stürmte, drehte sich um das 1. Cellokonzert von Schostakowitsch - jetzt hat er das 2. Cellokonzert während seiner von der Kritik gefeierten Tournee mit John Wilson und der Sinfonia of London aufgenommen. Das Werk erklingt neben der Schostakowitsch-Cellosonate und der Britten-Cellosonate, die er mit seiner Schwester und häufigen Duopartnerin Isata Kanneh-Mason eingespielt hat.
Der junge Brite gewann den Wettbewerb BBC Young Musician of the Year sowie den Royal Philharmonic Society Young Instrumentalist Duet Prize und erhielt im selben Jahr einen Vertrag bei Decca Records. Im Oktober 2018 wurde er mit dem Opus Klassik als Nachwuchskünstler des Jahres (Cello) ausgezeichnet. Einem breiten Publikum wurde er darüber hinaus bekannt, als er am 19. Mai 2018 bei der weltweit übertragenen Hochzeit von Prinz Harry und Meghan Markle in Windsor Castle spielte.
Ultima consegna 12 mesi fa
riordinabile senza garanzia
Pandemic, war, inflation, apocalyptic scenarios about climate change and artificial intelligence, all connected with widespread bonkers conspiracy narratives and growing fascist sentiments – in this crisis environment we re-emerge with a new issue.
What may appear like a ‘normal’ datacide issue – which it is indeed – is however also a part of a broader strategy. We’ve been busy expanding activities into the field of videos, documentaries and interviews. The very first signs of this are visible on our Noise & Politics YouTube channel.
There will be much more.
Datacide nineteen is now at the printers and will be available for the first time at the Hekate event at Forte Prenestino in Rome on October 6/7.
Subscribers, depending where they are based, will receive their copies soon after.
General distribution will commence later in October, our aim is to have the issue available in all the most important radical bookstores around Europe by early November. If you are interested to resell datacide in your area, please get in touch!
We will also have a table at the Radical Bookfair in London on November 4th, presenting the new magazine along with older issues.
With this issue we pick up the story where we left it with the last one. We’re unfolding a countercultural panorama, this time beginning in the mid-20th century with Howard Slater exploring the beginnings of the Electronic Disturbance Zone, multiple reflections of 1948 via the 1990s, sonic adumbrations of new social relations.
Christoph Fringeli then introduces us to a document from 1967 where situationist ideas popped up in the Extra-Parliamentary Opposition in West Berlin, in a text called Vietnam, the Third World and the Self-Deception of the Left, which contains a détournement of the Address to Revolutionaries of Algeria and of all Countries published by the Situationist International the previous year.
From 1967 we move on to 1978 with Ian Trowell, in an excerpt from his forthcoming book ‘Throbbing Gristle – An Endless Discontent’, tracking the movements of Throbbing Gristle as they play their first gig up north at the aptly named Wakefield Industrial Training College. Uncanny overlaps of the timelines of TG’s operation and The Yorkshire Ripper’s killing spree reveal themselves.
The time window from the 90s to the present day is illuminated by Nihil Fist, as we’re printing the interview previously published in video form on our YouTube channel.
This issue then moves into ficticious territory with stories and poetry by Joke Lanz, Dan Hekate, Howard Slater and Riccardo Balli. Book and record reviews follow, as do the charts and a short report of our wider activities since the last issue.
Please pre-order your copy now (6 euro incl. Shipping in Europe, 8 euro elsewhere) or, even better, take out a subscription (standard subscription for only 23 euros for 4 issues (Europe) or 3 issues (rest of the world) – or our super-subscription which includes also records, t-shirts, books and digital items.
Or just make a donation if you can’t be bothered with print, but want to support our work.
dovrebbe essere pubblicato su 30 set 2025
PopAlternativeIndieDancefloorSynth-Pop
Baxter Dury meldet sich am 12. September mit seinem bisher radikalsten Album zurück: 'Allbarone', produziert von Paul Epworth (Adele, Florence & The Machine), ist ein schonungsloses, hochmelodisches und futuristisches Werk voller Charisma, Kritik und Charakter. Gemeinsam erschufen sie ein Album, das nicht wie eine Band klingt, sondern wie etwas völlig Eigenständiges - direkt, modern und mitreißend. Keine Kompromisse, keine Nostalgie - nur Baxter, neu gedach
Riordinabile senza garanzia
- A1: I Come Undone 4:06
- A2: Down to You 4:27
- A3: Heart over Mind 4:11
- A4: Search the Sky 4:38
- A5: Stronghold 4:23
- B1: Flames of Paradise With Elton John 4:42
- B2: Love of a Stranger 4:04
- B3: Heart Wars 3:13
- B4: Sidekick 4:09
- B5: Call My Name 4:15
dovrebbe essere pubblicato su 26 set 2025
- A1: Children of the Sun (Unite as One) 04 00
- A2: Sunshine (On My Mind) Ft. Rand with an I 02 53
- A3: Party (Ft. B. Bravo & Josh Stokes) 03 30
- A4: Maintaining (Interlude) 01 32
- A5: Run inside my Mind (Ft. Josh stokes) 03 23
- A6: Comin Home Ft. Rich Trent 03 21
- B1: America in 2020 (Ft. J-Zone) 03 27
- B2: America in 2020 (Live from Shokoe Manufacturing) 03 02
- B3: Don't Hold me back (ft. Rich Trent) 03 59
- B4: Summer in Canarsie (Ft. J Zone) 02
Brand new vinyl from The East Coast Affair. Produced by Stephen Fleg aka DJ Fleg. Featuring an all-star lineup of musicians, these are certified instant classics!
Ultima consegna 10 mesi fa
riordinabile senza garanzia
- A1: Jamaica Ska (2.28)
- A2: Wise Man (2.23)
- A3: Intensified (2.47)
- A4: Rudy Got Soul (2.52)
- A5: The More You Live (2.24)
- A6: Israelites (3.07)
- B1: Pickney Gal (2.47)
- B2: Pretty Africa (3.19)
- B3: Problems (2.30)
- B4: It Mek (2.37)
- B5: Don’t Blame Me (2.57)
- B6: 007 (Shanty Town) (3.15)
Some of Desmond Dekker’s most well-known songs are featured on the compilation album “The King of Ska”, which highlights his enormous impact on ska and reggae music.
Dekker's musical range and ability to combine lively rhythms with moving social critique are perfectly captured in these songs. In addition to being commercially successful, songs like "Israelites" and "007 (Shanty Town)" were crucial in introducing Jamaican music to a global audience.
Released on 180 gram Purple Transparent vinyl + insert with sleeve notes.
dovrebbe essere pubblicato su 26 set 2025
- A1: Cold Embrace (3.37)
- A2: The Dark Lord (3.13
- A3: The Sky Is Burning (2.30)
- A4: You’re Alone Now (3.40)
- A5: Grass (4.01)
- A6: It’s Only Love (4.16)
- A7: Horse (3.31)
- B1: Escalator (2.49)
- B2: Angry Faces (4.01)
- B3: Midsummer Nights Dream (2.11)
- B4: Season Of The Witch (4.23)
- B5: Yesterlove (4.56)
- B6: Back Door Man (3.04)
Escalator" by Sam Gopal feat. Motorhead’s Lemmy – A Psychedelic Gem
Released in January 1969, Escalator is the only studio album by the British psychedelic rock band Sam Gopal, led by tabla maestro Sam Gopal himself
Unique both in sound and lineup, the record blends Eastern percussion with psychedelic rock and has garnered cult status—especially thanks to guitarist/vocalist Ian “Lemmy” Kilmister.
This record marks Lemmy’s earliest studio work, before his stints with Hawkwind and of course, Motörhead, making it a vital piece for fans of his legacy.
Incl. Unreleased tracks “Horse/back Door Man”
180 gram vinyl + insert
dovrebbe essere pubblicato su 26 set 2025
- A1: Shake and Shout (2.44)
- A2: Going to a Go Go (2.43)
- A3: Don’t Look Down (2.37)
- A4: Lost in the Night (Mack the Knife) (3.45)
- A5: One Way World (3.18)
- A6: New Dance (4.57)
- A7: Sound of Confusion (Highest Chart position 45 – 1980) (2.55) Total 23:12
- B1: Time For Action (Highest Chart position 13 – 1979) (2.31)
- B2: Let Your Heart Dance (Highest Chart position 32 – 1979) (2.51)
- B3: My World (Highest Chart position 16 – 1980) (5.46)
- B4: Glory Boys (3.41)
- B5: I’m Not Free (But I’m Cheap) (6.34)
- B6: When the Show is Over (4.07) Total 25:46
Recorded at the O2 Islington Academy, London, 23rd October 2010.
Limited edition White vinyl.
The Secret Affair line-up:
Ian Page - Vocals
David Cairns – Guitars, backing vocals
Martyn Blagden - Trumpet
Steve Rinaldi - Trombone
Andy Brush - Saxophone
Bryn Barkham – Hammond organ
dovrebbe essere pubblicato su 26 set 2025
- 1: Introduction
- 2: Brian Song
- 3: The Wise Men at the Manger
- 4: Brian Song (Continued)
- 5: Sermon On the Mount (Big Nose)
- 6: Stone Salesman
- 7: Stoning
- 8: Ex-leper (Nortius Maximus)
- 9: You Mean You Were Raped? (Nortius Maximus)
- 10: Revolutionaries in the Amphitheatre (Loretta)
- 11: Romans Go Home
- 12: What Have the Romans Ever Done for Us?
- 13: Ben
- 14: Brian Before Pilate (Throw Him to the Floor)
- 15: Prophets
- 16: Beard Salesman
- 17: Brian's Prophecy
- 18: The Hermit
- 19: He's Not the Messiah
- 20: Pilate Sentences Brian
- 21: Nisus Wettus
- 22: Pilate With the Crowd (Welease Wodger)
- 23: Nisus Wettus With the Gaolers
- 24: Release Brian
- 25: Not So Bad Once You're Up
- 26: Revs Salute Brian
- 27: Cheeky Is Released
- 28: Look On the Bright Side of Life (All Things Dull and Ugly)
dovrebbe essere pubblicato su 26 set 2025
- 1: No. in C Major. Agitato
- 2: No. in a Minor. Lento
- 3: No. in G Major. Vivace
- 4: No. in E Minor. Largo
- 5: No. in D Major. Molto Allegro
- 6: No. in B Minor. Lento Assai
- 7: No. in a Major. Andantino
- 8: No. in F-sharp Minor. Molto Agitato
- 9: No. in E Major. Largo
- 10: No. in C-sharp Minor. Molto Allegro
- 11: No. in B Major. Vivace
- 12: No. in G-sharp Minor. Presto
- 13: No. in F-sharp Major. Lento
- 14: No. in E-flat Minor. Allegro
- 15: No. in D-flat Major, 'Raindrop
- 16: No. in B-flat Minor. Presto Con Fuoco
- 17: No. in A-flat Major. Allegretto
- 18: No. in F Minor. Molto Allegro
- 19: No. in E-flat Major. Vivace
- 20: No. in C Minor. Largo
- 21: No. in B-flat Major. Cantabile
- 22: No. in G Minor. Molto Agitato
- 23: No. in F Major. Moderato
- 24: No. in D Minor. Allegro Appassionato
- 1: I. Grave - Doppio Movimento
- 2: II. Scherzo - Più Lento - Tempo I
- 3: III. Marche Funèbre. Lento
- 4: IV. Finale. Presto
- 5: Nocturne in C Minor, Op. 48, No. 1
- 6: Polonaise in A-flat Major, Op. 53
dovrebbe essere pubblicato su 26 set 2025
- 1: The Ledge
- 2: Turnstiles
- 3: Jeanie's Up Again & Blaring Faith By the Cure
- 4: Love On the Left Bank
- 5: Street Hassle Plays On Repeat
- 6: Rhinestone Tease
- 7: Tarrytown
- 8: Purple Leopard Print Suitcase
- 9: Modern Lovers
- 10: Clear Nail Polish
- 11: Well-rehearsed Reveal
dovrebbe essere pubblicato su 26 set 2025
- A1: Brother Louie 03 53
- A2: Just We Two (Mona Lisa) 04 10
- A3: Lady Lai 04 20
- A4: Doctor For My Heart 03 20
- A5: Save Me - Don't Break Me 03 54
- A6: Atlantis Is Calling (S.O.S. F... 04 04
- B1: Keep Love Alive 03 44
- B2: Hey You 03 37
- B3: Angie's Heart 03 49
- B4: Only Love Can Break My Heart 03 49
- B5: Midnight Lover (New Bonus Tra... 03 23
- B6: Lonely Lady Blue (New Bonus T... 03 26
- C1: Brother Louie (Thomas' Versio... 02 56
- C2: Just We Two (Mona Lisa) (Thom... 03 34
- C3: Lady Lai (Thomas' Version - I... 04 28
- C4: Doctor For My Heart (Thomas' ... 02 55
- C5: Save Me - Don't Break Me (Tho... 03 19
- C6: Atlantis Is Calling (S.O.S. F... 03 23
- D1: Keep Love Alive (Thomas' Vers... 03 20
- D2: Hey You (Thomas' Version - In... 03 02
- D3: Angie's Heart (Thomas' Versio... 03 15
- D4: Only Love Can Break My Heart ... 03 06
- D5: Midnight Lover (New Bonus Tra... 02 58
- D6: Lonely Lady Blue (New Bonus T... 02 59
Ultima consegna 10 mesi fa
riordinabile senza garanzia
dovrebbe essere pubblicato su 19 set 2025
Often touted as a "masterpiece of jazz-funk live albums," The Wooden Glass's 1972 live recording proves it's more than just hype. Featuring vibraphonist Billy Wooten who previously played with Grant Green, this record was recorded at Indianapolis' The 19th Hole club and captures the essence of fusion driven by soulful 60s influences. Wooten's gentle melodies contrast with the gritty, distorted sound of Harold Cardwell's powerful drumming and Emmanuel Riggins' Hammond organ while the energetic performance from the band, including guitarist William Roach, creates a tapestry of intensity and dreamlike vibes. It's raw, electrifying, high-energy jazz.
dovrebbe essere pubblicato su 19 set 2025
Dutch-born, Belgian-based artist Chantal Acda has been releasing her music and touring internationally since 2006. Her impressive and eclectic catalog includes numerous band projects, collaborations, and solo albums. The 2024 album Silently Held, recorded with The Atlantic Drifters, is nominated in 2025 for an Edison Award in the Netherlands. Her upcoming album, The Whale, will be released on September 19, 2025, followed by an extensive European tour. The album was produced by Chris Eckman (The Walkabouts) and recorded with her live band, which she has been performing with for over a decade. The songs were co-written with band members Eric Thielemans, Alan Gevaert, Gaëtan Vandewoude, and Niels Van Heertum.
The sound of The Whale is rougher and more rock-oriented than her previous projects, but her signature introspection and vulnerability remain at the core of the music. Singles “Heads” and “Make It Work” have received airplay in Belgium, the Netherlands, the UK, and Germany.
In the past, Chantal has recorded and performed with artists such as Bill Frisell, Nils Frahm, and members of Low, Múm, and Efterklang. Currently, she is also a member of the bands Distance, Light & Sky (with Chris Eckman of The Walkabouts and Eric Thielemans) and Isbells.
dovrebbe essere pubblicato su 19 set 2025
- A1: I Watched You Slowly Slip Away
- B1: The High Keys Living A Lie
HOWARD GUYTON
Official release from the original master tapes of this soul masterpiece, originally issued on the verve label in 1966. Produced by Teddy Randazzo “I Watched You Slowly Slip Away” was a featured on a Wigan Casino Anniversary CD collection. Howard sang in groups The Pearls and The Top Notes.
dovrebbe essere pubblicato su 19 set 2025





































































































































