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Monogold EP is raw, polished and bold. The drums hit hard and the chords that shadow them are constantly on the move. It is where techno meets meditation, strangeness and mystery. Equipped with a Efdemin remix to keep the dancefloor going. Vinyl-only!

Back in 2021, when Volodymyr Gnatenko agreed to work on his debut album, none of us could have predicted it would be released, post-pandemic, against the backdrop of war. At the time, the 23-year-old producer from Lutsk was riding high on a string of well-received 12s for labels such as Where We Met and Animals On Psychedelics, besides local Ukraine labels such as LSS557 and Rhythm Buro. He was, between covid closures, playing live at Kyiv clubs such as Closer and Kureni, looking to tour in Europe, and spending every spare second making music.

How things change. When missiles began to rain on Kyiv, Gnatenko, alongside a few friends from Closer, hid in his studio. For a while, the bombings did not stop. But for the producer, neither did the music-making. Choosing to stay in the city, he continues to make beats, managing only to mix down between bombing raids. He changed his first name to match that of his president, ditching the previous spelling of his name because it was the same as the aggressor, “the same as my worst enemy, I am ashamed and disgusted that I started my career with it”.

The album speaks of softer, easier times. A combination of rich ambience, and laidback breaks alongside loose progressive and trance-fused dancefloor tracks, this debut brings together all the strands that Gnatenko plays with. The process, he says, was exhausting and long. Yet the results are lighter, fresher. Maybe because, he says, “it is dedicated to my future wife. All the tracks are my words of love for her". Deeply hypnotic and freely moving between ideas, it feels like it was made a lifetime ago, not a matter of months. Now, it resonates with a new defiance. It is a debut with an extra layer of meaning.

This EP is again driven by Florian Meindl's live act performances which are mainly done on a highly effective, stripped down hardware setup.

The Wild Sequence series continues with number 5 accelerating in speed and intensity.

Pulsar marked the beginning of Florian Meindl's appearance at HÖR live stream Berlin and the end of his ARTE Concert set, after countless live interpretations it was time to press it on wax.

REPRESS

5th album by the nine-piece instrumental collective from Amsterdam, Jungle by Night. Incl. downloadcard
After almost a decade of heating up dancefloors across the globe, Jungle by Night have reached manhood. In the process of creating their 5th album, the nine-headed collective melted years of passion, friendship, and influences from krautrock, dance, jazz, afrobeat together into new instrumental prose, fluently speaking the language of their instruments.

The band is an oddball ensemble within its own cosmos. A danceable and thundering live-act, connecting with crowds like no other, with beaming fun and energy along the way.

Steve Parker celebrates the launch of his MUTED Records imprint with the sounds of LSD. This package contains two mind boggling cuts of energy laden techno + two remixes by some of Parker's most appreciated peers. "LSD" is a work of high endurance that cruises along at a steady pace. Growling fx sounds are firmly placed on top of thundering drums and a squelching drone sound. "Psychedelic Therapy" showcases a more subtle side of Parker's palette. This track revolves around an acidic bass sound, chaotic arps and a soothing pads that glues the whole together. To top thing of we find Gotshell and ARKVS on remix duties. Gotshell does a gripping industrious approach of "LSD", whereas ARKVS smooth things out for their rework of "Psychedelic Therapy".

The partenopean Nicola Altieri aka The Mechanical Man debuts on Save The Groove first release with five originals tracks that shows his vision of house music. Gritty chords, dirty grooves, vocal samples, acid bassline that are all elements that distinguish his unique compositions.

In the past two Years Moral Fiber esthablished worldwide support and success in the Underground scene as a Digital Label. To take it to the next Level Moral Fiber comes with his first Vinyl produced by the Romanian Duo Vinyl Speed Adjust. The Ep contains 3 originals tracks and a remix by Dilated Pupils A.K.A. Roger Gerressen & Ivano Tetelepta. This will be a Vinyl only release with only 250 copy's available. So Grab this Dark Groover while you can!!

A stalwart in the true sense of the word (as well as being one of the nicest people you could hope to meet on a night out), Al Bradley has been obsessed with House Music ever since a trip to the now legendary Hacienda night club in Manchester during the summer of 1989. It’s an obsession that’s taken him down a long and winding road leading to 18 years and counting as a label boss, featuring on over 100 releases with either original or remix productions as well as celebrated residencies for powerhouses like Fabric London, Bugged Out Manchester and Pioneer DJ Radio whilst also making sure to still kick it with the cool kids at spots like Stereosleaze also in London and Lip Service and Deadbeat Disco in his new adopted hometown of Leeds.

For his inaugural EP with the northern powerhouse that is Rejekt Music, we present a collection of tracks across Vinyl and Digital releases with a spread of genuinely world class remixes courtesy of names that include the self-proclaimed “product of a mis-spent mancunion youth” Danny “Moodymanc” Ward, the vinyl enthusiast’s favourite Tommy “Vicari Jnr” and the ever evolving genius of long term resident for We Love @ Space Ibiza and Colour Series Label Boss “Jem Haynes”

From here on in we always prefer to let the music do the rest of the talking. Please enjoy irresponsibly!

After releases on Involve Records and Arts we’re very happy to present you Turin based duo Exilles that signs the third vinyl release of 24/H Records.

Marco and Norberto spent one day at Tempio del Futuro Perduto Studios (24/H Records HQ) working with personal and resident machines to craft out Night Illusion EP: 2 tracks journey into purest form of their sound.

A full immersion daily session after a tour through Tempio's walls generated acid, spatial, overdriven but melodic cuts: A1_Night Illusion opens the release supported by dreamy A2_Remix from 24/H Records resident MBM and then continued with B1_Rupture with dedicated B2_Remix signed by Label Owner Marthial.

Perfectly reflecting the sonic profile of the artists these 4 cuts are designed to massively hit the dancefloors.

All tracks were written and produced within 24 hours.

MILK GREY VINYL

100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound _ a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues _ felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around" _ and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: "Original in every sense _ unknown, unheard and unbelievably good." In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP. Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents' cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space, throwing parties in small basements, office buildings, and off-beat karaoke bars in Manhattan, influenced by series such as Mr. Sunday in Gowanus and The Bunker at Public Assembly. The lifestyle started to bleed into Lustwerk's musical vision. He remembers the night it clicked in Providence, partying and listening to tunes with Morgan Louis and Alvin Aronson. He went back to New York and pieced together his bedroom setup: a Dave Smith Tempest drum machine, a Waldorf Blofeld synthesizer, and a TEAC cassette recorder. Early snippets went straight to SoundCloud, where Lustwerk tested the crowd. Comments and messages offered instant feedback. One DM proved to be the greenlight: from Matthew Kent, an invitation to his burgeoning mix series Blowing Up The Workshop. 100% GALCHER traveled fast and far. A phenomenon he could only enjoy for a short period before discovering that nearly all the masters of the tracks got wiped by water damage to his computer. "The only copies were now on the 192kbs mp3 mix I sent Matt." Until now, after Lustwerk revived the lost tracks and handed them to Josh Bonati for remastering. "The original mix was never mastered so I hope older fans can find something new here." Hearing the enhanced set for the first time delineated by tracklist reveals this was a proper album all along. Sly synth interludes (all titled "Stem") clear the air for raspy house anthems like "Fifty" and "Parlay," the set's original breakout. Themes present across Lustwerk's catalog first materialize in this iconic run _ the link between the meditative state of Midwest driving and the solitary comedowns of nightlife. Lust- werk, the narrator, is an elusive character, a secret agent of the club, embodied by the hooks: "One minute I'm on / next minute I'm gone," he reminds us on cult-favor- ite "Put On." These narcotic, one-line refrains stick with you; look no further than the original YouTube upload of "Kaint" to know that fans can't let these phrases go. While recorded alone, 100% GALCHER was a collective moment. A decade later, Lustwerk sees the legacy as shared: "Making music can be an alienating experience, especially for DJs who travel a lot, it's all super isolating. It's easy to express lone- liness in the music itself, but when it comes down to getting things done, putting music out, you def should go on that journey w other people, friends, or maybe just a group of people online, build things with your friends then they can build to help you."

Perspective 006 comes in the form of a 5-track collaboration EP from two Leeds-based artists; label owner Kepler, and Wickham.

Synthetic Gold returns with four gems from Russian producer Lazzich, notable for his deep and atmospheric minimal techno - a popular artist in Moscow's underground techno scene during the early 2000s and released mainly between 2005 and 2010 by Russian label 'Frament', but also notably by 'Sinergy Networks' and 'Pro-Tez', before the artist's death in 2014. The EP includes one rare collaboration with Maxim Said in the production duo named oh.u.ah. All never before available on vinyl, now presented in natural cardboard sleeves.

Perceive is a vinyl only imprint dedicated to minimal house music.
For this fourth chapter, the great Modebakú delivers a strong three tracker.

Each cut of the EP is a deep groover with solid sounds and intense vibe.

The record will be available in limited edition.

More tracks from the mid 90’s.
This time from the elusive “Mr Suspicious”
4 unique bits of techno remastered and slowed down for the dance floors of 2020.

Opening with “Surface Tension” a hypnotic echoing melody and bouncy kick drums complemented perfectly by the ride cymbal make it ideal for tension building.

On the A2 “Bounce da gruv” bubbling percussion, vocals layered up with rolling synth riff and swinging hats make this a peak time banger.

Turn over to the B for “Back in the pan” a different take on an older track released in the mid 90’s more on a breaky tip and layered with a glittering acid bass line.

Then inspired by a Crystal the B2 “Tourmaline” features rolling closed hats and bleepy percussion on a progressive melodic techno track.

100 times Snork. 100 times yellow & black. 100 times genuine underground techno. Who else could honor this anniversary release better than label owner Christian Schachta aka Syntax Error himself. For more than 20 years, he has committed his music career to the underground scene. As he has seen many others come and go, he himself remained a constant member of underground techno. And his sound has always been one that you would recognize in the middle of hundreds.
In 2019, while others are busily discussing whether future is female, male, diverse, vegan, non-plastic or cosmopolite – Syntax Error’s answer comes loud and clear: Future is Human. The name of his new release and live set is a statement against the omnipresent hype – pleading for less talk and more drive. It is a call to let go from time to time and let techno do its job, which is in fact to create a neutral space where politics, gender, religion and other stigmatism need no signs – whether to forbid nor to unite them. They are simply as they are and you can talk about it or not. And you don’t have to be perfect, politically correct or cool. Drink your vodka redbull or your green smoothie. A lot or a little. Just do it and let go. Because future is human. Future is loud. Future is many things. And whatever else it is, one thing is safe, future will come – already tomorrow.
Having premiered in classic underground locations, this live set has proven more than club-compatible and the new tracks made of tight bass-lines, tricky sound arrangements and a powerful attitude are ready to enter the whole scene.
As a special anniversary gift to himself, he has asked one of his most liked fellow artists to contribute a bursting remix to this release. And Oliver Chesler aka The Horrorist was happy to do that in his very own merciless style.

SYNTAX ERROR
Exactly this world of the deep and groovy techno music is the well-known territory of Syntax Error. Having started as techno DJ in the late 90ies, he soon found his very special sound favoring deep wobbly bass-lines, harsh snares, FM tones and drones, deep bass drums and tricky percussion. Like a syntax error, he breaks with commonplace regularities and creates a wholly new sound experience that is highly recognized within the techno scene.
Up to 2019, he has produced over 20 different 12” releases on the labels Snork Enterprises, Feinwerk, Relax2000 and UNDERtheGROUND Records. Each of his releases is an authentic, passionate creation of sound always mirroring some experience from his personal life - whether it’s from his adventures as scuba diving tycoon, as sonar operator or as DJ and producer enthusiastically roaming the techno club scene in Germany and abroad. In 2018, he finally realized his dream and went on his first Japan tour performing amongst others in the well-known Contact Club in Tokyo and live on air on the famous Japanese media platform Dommune.

THE HORRORIST
The Horrorist is one of those unique artists that only come around once in a while. Recording since 1989 he and has released over 80 12" singles and 5 full length albums. He had a Number 1 hit on the German Dance Charts (DDC) with the song "One Night in NYC" and his album "Manic Panic" went to Number 1 on the German Alternative Chart (DAC). The scope of his music catalog is huge and he has recorded for every major label (Universal, Sony, Warner, etc...) and all the best known techno labels (Tresor, Gigolo, Industrial Strength, Neue Heimat, Credo, etc..). The Horrorist has worked with the biggest names in techno including Chris Liebing, Ben Sims, Frankie Bones, Ricardo Villalobos, DJ Rush and many more.
His ability to make song structured music work on the dance floor is a big key to his success. His vocal technique is quite original and unique. He also refuses not to stick in one genre so on any given record expect styles from indie new wave, electro, EBM, techno, to synthpunk.
The Horrorist is a sensational live act. A mixture of industrial attitude and punk style with synth-techno music. The show is comprised of Chesler's in your face vocals, video projection and live drum machine and synth. The Horrorist performs regularly around the world and has played in every major nightclub and for most major event organizations.

SNORK ENTERPRISES
It's a distinct sound diving deep down into the spheres of genuine underground techno where bass-lines surround your mind and the fascination of a gloomy yet groovy world of sounds inevitably enters your head.
Founded in 2004 by techno DJ and producer Christian Schachta, known as Syntax Error, Snork Enterprises is a base for modern underground electronic techno music. It's not at all about being pretentious or arty for the sake of it. It's about real depth on the dance floor. Short and sweet: very snorky! It's a journey with friends such as Cristian Vogel, Phil Kieran, Jens Zimmerman, Daze Maxim, DJ W!ld and other big names from the techno scene having dedicated themselves to an uncompromising, stunning beat to go even further on a trip to the instantly exceptional, experimental sounds, ranging back to various roots of electronic underground.

Back in stock!

Some friends think that Shihab the man owes the balance of his soul to his beautiful Danish wife. They may be right; for Eros is the very essence of what Shihab plays.Yet Eros is a god with many a face. A tale of tender mournings Shihab's flute is telling in MAUVE - a piece that translates its title into delicately changing colors of sound. In UMA FITA DE TRES CORES he has his instrument wooing with the proud self-reliance of Latin grandezza. Calmly, softly, almost blandishly Shihab blows the solo flute in the Jimmy Woode composition MY KINDA WORLD. Serene and somewhat playful his own title ANOTHER SAMBA comes along - a most uncommon composition by the way: lasting for sixty bars as if growing independent out of itself, with solos that appear to be additional spinnings rather than improvised choruses; and yet; a perfect, self sustaining melody no element of which is superfluous. In the last of the pieces for flute, in Klook Clarke's THE WILD MAN, which is based on a flourish of trumpets, Shihab for the first time reminds of the sombre, the demon-like face of God Eros. He contrasts flawlessly intoned passages with challenging phrases, phrases raucously sung into the flute - really, he is a 'wild man' who is playing like that. This raucous challenging sound prevails throughout the four baritone-titles ('Shihab never withholds long to caress', Campi says). Shihab blows the instrument the same way he speaks: without any delay, directly coming to the point. And he treats it like a voice, not aiming at an artificially homogeneous sound in all the registers, but at their different modes of expression. In the high pitches the horn gains a brilliant tenor-like quality - for instance in PETER'S WALTZ, dedicated to Shihab's son Peter, and in Kenny Clarke's simple drum fills comprising theme JAY-JAY. In the deep register Shihab produces snotty sounds filling lady's ears with horrors like Pan - thus in JAY-JAY and in the boppy blues SET UP . Shihab's sense of a scurrilous humor breaks through in SEEDS (which reminds of the West-African heritage of jazz with its multiple rhythms and its renunciation of harmonious development - only the eight bars of the bridge base on a progression of chords): not only does he omit the notorious bombastic chord by the ensemble after his own final cadenza, he even ends with a minor second above the keynote. Seems as if Shihab now unrestrictedly conveys to his music all the experiences and emotions he formerly did not deal with in a musical way. Shihab the man need not be disturbed so that Shihab the musician may improvise passionate choruses. It would be unjust, however, to forget the choruses of the four other musicians for those by the 'born leader'. Francy Boland, taciturn and always introverted: he plays an extrovert, a masculine piano. Even with spare single note lines he produces a piercing and ringing sound that hitherto nobody except him has discovered, a bluesy sound bespeaking the very element of frustration that lies within the title of the trio number WHO'LL BUY MY DREAM. The unfailing feeling for rhythm the musicians of the CBBB praise with the arranger Boland, becomes manifest in the piano solo on SET UP. Francy's improvisation is rhythmically styled in a Monk-like manner, and yet no accent could be set differently. Maybe this is the secret of the Shihab-Combo. 'Rhythm is our business', this credo of Jimmy Lunceford could be the one of the five musicians as well. Sadi hits his vibes as dryly as if wanting to bring its ancestors to memory, the wooden chimes of West Africa's coastal tribes. To reach the fullest poignancy possible, he intentionally calms down even the resonance in MY KINDA WORLD. In UMA FITA DE TRES CORES Jimmy Woode bears out the crispy jazz beat against Sadi's Bongos and Klook's Latin-American percussion all by himself. Moreover - and that, too, is connected with the school of the Duke who was the first in the history of jazz to discover the instrument's potential as a melody instrument - Woode rips a marvelous counterpoint to the inventions of the other melody instruments, take for example PETER'S WALTZ. And then there is Kenny Clarke. Klook. On the entire record he only uses his brushes. Means by which different drummers only know to bring forward impressionistically blending noises: He drums a vigorous beat with them, fanciful fills, a solo, melodious and at once skillfully playing with cross rhythms in JAY-JAY. The 'born leader', the 'outstanding baritone saxophonist of modern jazz' (Joachim-Ernst Berendt), he could not wish himself different sidemen for this record overdue since some years.

Michele Mausi presents the second various artist from the triology called "Those Who Dare" on his label R3volution Records.

This time in one 12" you can find new exclusive tracks from Norbak, Magna Pia, Eric Fetcher, Vil and of course Michele Mausi.

Five techno tracks ready to destroy your dancefloor.

Space Textures returns for our third release here we bring together talents from across the electronic spectrum. Textures is a various artists concept to facilitate the release of some of our favorite and most influential producers. In Textures 1 we present – Infinity, Petit Astronaute, Fernie, and Motion Symmetry providing 4 exclusive tracks with sweepings pads and hypnotic rhythms.

This is the first vinyl release by Borderline Black. A Various Artists with Zuckre & Barbara Alvarez, Robert Monarch and To.mi Hash. Don't miss it.

Vinyl Only - Limited

Moon Harbour marks its historic 20th anniversary with a 10-track compilation of all new music. It features old friends like Marlow and Luna City Express, icons like Steve Bug and Butchand new
signings like Black Circle, so it is a fine representation of the label's famous sound.

Matthias Tanzmann founded Moon Harbour in 2000, and since then it has been at the forefront of the tech house scene. Even in the face of the major shift from vinyl to digital, a distributor going bankrupt
and the coronavirus pandemic, careful A&R and Matthias's own productions have ensured the label has remained utterly relevant. The Leipzig label has released countless EPs, LPs and compilations
and hosted label showcases all over the world. It has nurtured the careers of artists like Sable Sheep and Ekkohaus and has given a vital platform to new stars like Miane, Detlef and many more.

"Evolution is a natural process and important to artists as well as to labels," explains Matthias. "Music is always redefined and subject to trends. New generations of musicians want to create their own
identities through their sound. As a label, we listen to a lot of new music and try to stay open-minded within our own aesthetic range."
After a year of re-releasing classics from the label's back catalogue, the 20 Years of Moon Harbour compilation is all about fresh and exclusive music. It kicks off with Andrea Oliva's 'Return To The
Dancefloor,' a bumping cut driven by naughty bass before raw percussive energy from ANEK and tense cosmic melody Black Circle. Butch layers up tribal grooves and exotic vocals, then Luna City
Express mark the mid-point with the steamy house of 'Mami Wata' featuring Sunru's soulful vocals.

Marlow throws it back with some old school piano energy on 'Corktown,' Matthias nails a perfectly slinky tech house groove on 'Binford' and Ninetoes' 'Polanco Hills' ups the pace and drives forwards.

Closing out is the punchy and stripped back house of Steve Bug's 'Going Up' and Sven Tasnadi's loopy and hypnotic 'Cuckoo.'
This essential collection is further proof that Moon Harbour continues to shape the sound of contemporary European house music. Here's to the next 20 years.

Nothing Makes Us Jump Up From The Desk, Shouting 'whaaaaat ' Like A Bitter End New Release !

The Label Continue To Forge A Path That's Entirely Their Own, With Another In The Limited Pre-release Series...

'kneel B4 Thelma' On Side A, Flips One Of Her Biggest Hits Into An Utterly Futuristic Cyborg-soul Anthem !
Almost As If We'd All Forgotten How Good One Of Earth's Greatest 20th Century Divas Might Sound Over A Filthy 21st Century Klanken-banger !

On The Flip 'mast Song' Transports Us To A Seaside Tavern, Where The Old Folks Sit In The Back, Evoking (and Imbibing) Strong Spirits, With Traditional Shanty's While The Next Generation Find Communion In The Gentle Throb Of The 4/4 In The Tap Room Next Door

Light Years Ahead !

Ahhhh, we've been waiting for this one !

E-Versions taking us back to classic Mark E edits a'la his Womack & Womack favourite on Jisco & the monumental R & B Drunkie, from a few years back.
'The Shoe' takes on another perennial classic and weaves its hypnotic magic so well

Flip for 'I Don't Know What This Is' another trademark Mark E treatment, taking a handful of albeit very wholesome ingredients and concocting an irresistible & dynamic dancefloor feast...

Wild Thing Records presents WLTWAX001 series only vinyl release. This EP is a mixture of colours and particular sounds between the fusion of the minimal and deep creating a sort of exciting transport

Vinyl Only

Red Marbled Vinyl

Turin based, Denaila lands on Dansu Discs for the first time with her ‘Basic Soul’ EP. 4 energy filled tech-house gems, coming to a dance floor near you...

Vinyl Only

J Gabriel returns to Moteur Ville Musique joined by fellow New Yorker Connie Yin with their State of Mind EP. Serving up a 2 track affair they showcase their forward thinking style of deep house and hypnotic grooves. Joining them on remix duties are 2 men who do not need any introduction, John tejada and Diego Krause. Each bringing their unique style and interpretation of sound to seal the deal. This one is strictly for the heads.

Madezh is one of the undisclosed heroes for the underground scene in Croatia.

After 20 years behind the decks, he is opening his own label “Travel Light” to showcase his own sound that is constantly evolving.

The first release is coming with four playful tracks, each one has it’s own character and vibe for different situations on the dancefloor.

There is more colorful tracks to come.

Stay tuned!

IB014 // THE FIFTH STIGMA - Deprived of Glory (Incl. remixes by Templer, Rommek, Yuji Kondo, Hyperlacrimae) Cassette/Digital Infidel Bodies is thrilled to announce the new Ep by the Paris based producer THE FIFTH STIGMA. Marking our 14th chapte
r on the label, 'Deprived of Glory' comprises nine energy-filled tracks steeped in medieval oniric nostalgia and techno-industrial influences. "Deprived of Glory' can be interpreted as a romance or an ancient drama telling about wars made to conquer new kingdoms, about sacrifices, pains, betrayals, religion, greed and power. Primordial human emotions and events in ancient history become a source of inspiration to bring to light the power of eternity of the ancient world which laid the foundation for the formation of the present world. The EP features the remixes by Templer, Rommek, Yuji Kondo and Hyperlacrimae; the well-known artists create the right mix of ancestral techno-industrial unmistakably shaped by their uncompromising sound, gliding through genres with ease and combining modern style with ancient austerity. credits Produced by Rodolphe Vidal as The Fifth Stigma Mastered by at Red Dungeon (Naples) Artworks and Paul van Trigt Design and Layout by Erminio Granata

300 copies...No repress

Inhaling, exhaling and moving on with 10010 Records.
Another vinyl-only release by Ksky, the "Elevate EP", with lots of emotions and house music inside.

The main track 'Elevate' turned out to be disturbing like everything that's been going around.

But we've made a deal to go forward, so the following romantic tracks are 'For My Baby' & 'OUTTA'. Love & Space are always near yet incompehensible.

The last track is minimalistic 'Weirdub' and this is one of those cases when you don't need much to dance.

For the first release of the label we would like to welcome MASI. Two brothers from Amsterdam who’s sound could be described as old meets new school electro and minimal.

The A1 of the EP represents that old meets new school electro club focused track while B1 is an atmospheric cosmic inspired minimal track.

B2 is a smart club driver track that gradually adds deep low end bass throughout the track for a unique build up that will be noticed best on a proper soundsystem.

Vinyl Only. Limited

Overt and Dan Goul are prominent MixCult artists that tend to drift above a more guttural sound. The four-track EP features two tracks by Overt beautifully composed with ethereal, galactic juno sound, gently shifting to dub chords, essential for the dance floor gliders. Dan Goul is as versatile as he can be, this time returning with two beautiful cuts for initiating or ending a music journey full of emotions. His pensive compositions on this release are probably the most delicate of all. The whole release will sink you into the deepest textures, making you discover a whole new palette of music colors.

Black is back! for the 6th in the Series