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Signature hypnotic organic rhythms recorded in 1996 by Debbie Jones and Robbert Heijnen as an incarnation of eXquisite CORpsE.

These tracks have existed in digital limbo for a number of years and now receive a long overdue remastered vinyl release. Kindred spirit Anatolian Weapons lends his hand on remix duties with a devastating acid rework.

2022 Repress

Dave Sumner returns with a new Function record, entitled Awakening From The Illusory Self. Released as a 12" EP on Tresor Records, it follows on from Existenz, his last full-length album released in November 2019.

Packed in a beautiful sleeve printed with 3 x special Neon colors, Tresor.320 kicks off with the fast techno of Misinterpretations Of Reality', it features a minimal acid-infected crescendo and throbbing pulse. As ever with Function, this idiosyncratic rhythmic work finds a place out on a limb from contemporaries, shapeshifting impulses that infer and guide this raw drum sound.

The second track 'An Optical Illusion Of Consciousness', Function moves towards a different direction, bringing more elements to the mix. It recalls the Dutch 90s techno sound with its melodic blurred synth leanings stretching and morphing across saturated, playful drums and hefty low-end movement. Its bind is perfectly weighted, a phenomenal track that nurtures its inner dancefloor soul as melodies fade away and tighter patterns take precedence.

'Spiritually Unconscious' points to all the trademarks of Function's celebrated sound. A smooth 909 groove underpins bubbling atmospheres and hallucinatory effects, and a nod to the Motor City vision with its fleeting synth strings.

At the core is potent, repetitive simplicity, its beat playing with weight and dynamics but never at risk of being lost. Closing track 'Compulsive Thinking - Repetitive and Pointless' kicks a juddering swagger, finding public addressed system emissions drenched in reverb resonating above bleak analogic synth drones. It haunts and creeps towards a thunderous apex, finding its depth in sparse drum movements.

An enduring fixture in the techno and electronic music landscape, Sumner continues to step through new terrains, reinforcing his spike and vision. Awakening From The Illusory Self finds him as ever delivering the goods in elating moments of pure club heft.

Repress

repress !

Old school french Techno. Daft Punk best soundslike ever, originally produced with International Records in Valence, and then bootlegged by Le Skatt, now finally this record find a new home. Enjoy !

REPRESSED !

THIS IS NOT FAKE NEWS: Robert Hood and Jimmy Edgar have remixed Italojohnson.

In this day and age it's hard to find dance music this
emotional, warm, beautiful and deep. Brooklyn's tape_hiss
delivers his signature sound on this timeless five tracker.

2022 repress

Carried By The Eponym Track That Added The Yt Views Up To 2 Millions, Bellaire's First Ep paris City Jazz' - Sold Out At 1500 Copies - Allowed Him To Make His First Steps On The European Scene With A Summer Tour Through London, Berlin And Brussels Before The Release Of His Second Ep.

Fake Records launches with intelligent technology's "lunch with lento and a weirdo" stripped back techno with 2 special remixes from Alexandar Kyosev & Petar Cvetkovic.

Wolves Bay is a state of mind. An inspiration. A fantasy. Frequencies & sound waves bringing us back to the core of our art form. Music for the sake of it, without compromise, feeding the trance. The man & the machines speaking free & creating their own dimension. Who, where & how all this was made is irrelevant. It is all about love & self-expression. Going back to the basement. To the sweat. To the sound.

Fio Fa is back with another release exploring his finely tuned approach to effortlessly rolling, yet playful pumpers that have become characteristic of his sound. This time on his new imprint Sunset Drifters, the label launches with 4 devious dancefloor cuts that solidify his sonic relationship with the sounds of early dance music. Straightforward yet effective, the EP merges his many inspirations - the dynamic drums & flecks of acid in proto-house, the rolling basslines of progressive, and the mini melodies and synth stabs of EBM and early rave.

We start our journey on a ride through the Turquoise Kingdom - a track that pumps & pouts. The bassline skips playfully between a short acid line, while sassy whistles light the way. We are guided to a moment with familiar samples from a classic, given a tasteful touch. This sample is carefully placed for a hit of nostalgia as we switch gears - going full speed towards Dash the bouncer. A held note keeps the anticipation high while building the drums to a frenzy. A task in tension building, the mood is sneaky & scheming. The tension continues to tower over us before we encounter the final boss. The b (boss) side begins with Enter The Turtle; strutting in at sultry o-clock, it is a provocative yet punchy prance in prog paradise. The release culminates with title track Sunset Drifters - a euphoric release, channelling the continuity of the modern progressive pulse. A stunning choice for sunrise or sunset, the captivating & catchy melody resolves into elation, bringing us a feeling that one would associate with their best moments

After a two-year hiatus, New York's finest purveyors of flash-fried power pop and disco-punk return with their sixth full-length. Despite being 18 years into their career, there are few signs of tiredness on the predictably vibrant As If. While potential sing-along moments are plentiful, it's the looseness of their grooves and the incessant funkiness of tracks such as "All U Writers", "Ooo", and the thrillingly low-slung "All The Way" - in which the Brookyln-based outfit brilliantly fuse springy dub-disco grooves, wild synths and classic house riffs - that catches the ear. Interestingly, the strongest influences this time round appear to be Prince and early Red Hot Chili Peppers, giving the album a particularly kaleidoscopic aural hue.

Repress

TT01 is the first release from 'Trash Tunes Records' that introduces you in his Trash world with a Lucas Campagna's new EP - 'LML', including 4 exclusive remixes by the vikings Thoqy, DXPE, WZX_O and the Reverse Bass legend Francesco Zeta.

Let yourself be carried away by the early hardstyle and rave vibes.

Well Yes, We Are World Champions Of Football... But We Also Have A Great Team Of Young And Promising House Music Producers. French House Music Is Getting Is Renewal These Days, A Whole New Generation Is Taking Control Of The Scene In Paris, Marseille, Lyon, Bordeaux, Nantes, Toulouse... The Meaning Of This Various Artists Is To Highlight The Vitality Of That New Generation Of Producers, Ready To Rumble On The Dancefloors!

orange marbled vinyl

Rounding off the year on Redstone Press, Debba comes correct with a varied 4 tracker laden with hefty subs and lock tight percussion.

The A-side starts out with fast-paced staccato kicks and the oscillating, warped bassline of ‘Called Up’. These elements soon develop into a twisted, energetic romp, showing Debba’s innate knack for upfront, low-end percussive work. Continuing with this theme ‘Direction’ adds reverb drenched vocals to the mix and ups the bass weight, with gritty, looping subs throughout. These two will put that soundsystem you’re dreaming of playing on to the test!

The B-side is more restrained and meditative but retains the heavy subs, opening with the downtempo and introspective chords of ‘I Said’. The drop in pace gives Debba’s signature beatwork and melodic flourishes space to breathe with the dreamy synths of ‘Subtle’ building up, then breaking down into a low-slung UK Techno roller.

Limited to 100 copies. DON’T SLEEP!

Industrial horror sucking you into another dimension and being stalked by a pain-craving monster.

First vinyl release of The Hiddens Records, Vile Imposition by Duellist & iFormat will be out on August 26th. Including remixes from Arrosa , Max Durante and Luciano Lamanna.

Straight from Neuquen Argentina, Juanma Martinez breeds emotional tunes, power Basslines and catchy Chords for Terricolas EP. The needed latest entry for MyHouse YourHouse Catalogue of hidden NightClub beauties .

Finnish label ENOTAKTIK delivering again! This time label boss Kitkatone is splitting the vinyl with Copenhagen based ANTN for four tough techno tracks suitable for any proper rave!

This June, Sweely serves up Closer Energy, his much anticipated debut album on Butter Side Up with original artwork by Sophie Douala. It marks the label's first full length and is a fittingly standout musical statement from the cult French producer.

Sweely aka William Montana is a low key figure with a highly regarded sound. Since 2019, he has been turning out well crafted EPs on this label as well as the likes of Gene on Earth's Limousine Dream and Brawther's Negentropy. With every release he mines new ground, whether crafting silky deep house, speedy breakbeats or spaced out techno. As a scintillating live act, he has proven himself to be as creative and adaptable in the club as he is in the studio.

Closer Energy finds the artist elevate his craft once more. It's a vibrant and colourful record full of painterly chords and wiggling basslines. Smart found sounds and vocal snippets give each tune a character of its own. Flashes of 80s disco dazzle and perfect pop hooks make it fizz with an irresistibly playful charm from front to back.

It opens with melted neon synths and shimmering jazz hi hats, sci-fi effects and daubs of melody that immediately bend space and time. From there, 'Hello Goodbye' gets super playful, with busy melodies and electronic house funk. There is a Detroit feel to the cosmic house of 'Not Part Of It' and 'Keep On Rock'n' is a deep but crisp electro workout. 'Call Me Tonight' brings a real sense of fun to clipped house beats, 'Techy(la) Sunrise' is a lush update to a classic tech house sound, and 'When You're in Love' showcases Sweely's superbly tight drum programming with far-sighted chords that have you gazing off into the distance.

'MiniLook' is all squelchy bass and tripped out synths, 'Security (Get The Fuck Out)' ups the ante with a brightly coloured and sleazy electro vibe while 'Energy Bars' is run through with a subtle rush of euphoria that sweeps you off your feet. The feel-good vibes continue on the stylish glider that is 'Closer Energy', an electro tune so sublime and seductive it'll melt your soul, then 'Outro' brings you back to earth with some jazzy cosmic ambience.

In signature Sweely fashion, Closer Energy is an album that manages to be high functioning but and

Red Marlbled Vinyl

Second release by Ten Lardell of expertly produced techno electro with huge 90's vibe. Limited handstamped coloured vinyl. TIP!!!

Repress

2x12"

Within just one year, the Leipzig-based label Self Learning System has established itself as a serious and cheeky contender in the electro scene, and the third release aims to live up to this claim once again. DJ Unisex surprises with Chromatic Stimulations, as his four otherworldly tracks unfold a no-frills attitude on par with a trippy sound design between a revealing in and outro. This EP is not afraid to present raw and unsettling machine noises and rather revels in the bubble bath of reverberating and resonating synths from late night hardware sessions.

Don't You Want My Love is the standout track from arguably Moodymann's finest album Forevernevermore. This grooving, soulful disco anthem featuring Norma Jean Bell on vocals is re-imagined into an amazing extended dance floor killer with driving distorted bass.
On the B Side is and Instrumental version Me And My Peoples Eyes released on the Moodyone's debut Peacefrog album Black mahogany
The Don't You Want My Love (Long Mix) is featured exclusively on this 12'. Limited stock available. So be quick!

After a recent 7" single release, Bongo Joe Records follow the debut album from Nyati Mayi & The Astral Synth Transmitters. Nyati Mayi, a Belgo-Congolese multi-instrumentalist, singer and improv dancer has joined up with DJ & producer Sofa Elsewhere. After a performance at this year's BBC Radio 3 After Dark Festival the duo have a busy live summer in Europe including a show a the Best Kept Secret Festival. Early support from Worldwide FM, Late Junction and AfroBase.

Unknown vinyl-only label from Canada returns from the depths of the sea with Swordfish 002.

Purely raw techno cuts in Detroit manners let you drift hypnotic.
Benales, Zadig, Tsuyoshi Ogawa and Gerald VDH give expression to this record.

For the next installment on Rødhåd’s WSNWG imprint the label boss joins forces with Berlin based producer and live performer JakoJako. The two artists present ‘In Vere’, an album created in a week-long jam session during Spring 2021 perfectly echoing the seasons mood and positive energy. Covering a wider range of styles from ambient over electronica to techno, the track names relate to the flowers and animals found during this period. Jakojako’s influence is apparent throughout the release showcasing her signature ambient style arpeggios that are flawlessly blended with modular synths and organic sounds.

After two EPs on Pleasure Club, Johnny Hunter returns to the label with his first full length - Dub Is King LP. Fusing all of the styles he has become renowned for through his releases and DJ sets, this album see’s him incorporate dubby techno, spacey electro and UK garage flavours into one eclectic yet cohesive body of work.Created throughout the trials and tribulations of the last two years, Dub Is King LP is a message of optimism, unity and freedom, and is also a deep homage to Johnny's roots in soundsystem culture.

The second release on Lapse records welcomes UK Tech House mainstay Len Lewis, who’s extensive catalogue of club music stretches across the last few decades, along with newly appraised London based DJ and producer Mariiin. The split EP supports a four track selection of old and new head down club music touching different moods.

Len’s inserts lead on the A side with the carefully sampled Matrix acapella laid across “Morpheus”, a tweaking and dusted 2 step thrill, in keeping with the left leaning spooky tone of the first Lapse release and label sound. “Do U Want It” follows in similar ilk to the self professed Sinister tech house sounds previously ventured on the likes of early Swag and Poodle Records releases of the early 2000’s that became essential points of reflection for the genre’s progression since.

The B side spans a more contemporary 4x4 influenced thread of this style that circles closer to the outer rims of techno and acid. The Italian born producer joins the label with the “Snake Is Changing It’s Skin” and “Impasse” which continue fittingly to carve their signature sound, a style consistent in their early releases on the likes of BPR and EYA Records and across their DJ sets as Pleasure Club resident.

Sismo 01, first realese of the label by OMAR

„Techno Poem“ opens up the ep. It comes with a bubbling driving baseline and circulated hi hat elements which are creating a full body shake within the track. The beat structure starting with hypnotic pads which leads you into the crispy arpeggio sawtooth lead theme. Deep Male Vocals in a poetic art moves the track not even physically but also into mental experience.

„Dance With Demons“ starts with stomping heavy drums and a rolling low end. The whole is supported by distorted percussion and ruthless mini-breaks. Dark self recorded female low pitch vocals with different style of programming giving the listener the clear order to obey the dance floor. In contrast to the rough environment the epic pads and a beautiful sensitive melodie give the track an ambivalent feeling.

„Pushing On“ combines classic house with new school techno while adding also an extra portion sexiness. The catchy vocal deeply reflects its housy origin. The dna of the track is besides the vocal its groove programmed claps and the dark house chords. Within the track the listener will be surprised by breaks with guitar distortion pitch effects which will be followed by an explosive energy.

As a Dutch label, we're proud supporters of the homegrown sounds of guys like Nachtbraker, Frits Wentink and Fouk. Adding another Dutchie to our list of exquisite producers, we present you 'Pitto' with his debut on Heist Recordings. Pitto is a musically omnipotent creature, venturing into deep house with the underground hit 'Richklap' on Wolfskuil back in 2012 and dreamy electronic pop with his album 'Breaking up the Static' on Sonar Kollektiv and Virgin. He has also moved beyond producing his own music, running 'Studio Stekker'; a Dutch music festival that focused on freeform creative interactions between musicians where the artists performing on the festival locked themselves up a week in advance in Kytopia (Colin Benders' synth paradise) to make new music together. Through this, he's worked with people like Kyteman, Matthew Johnson, Sebastian Mullaert and Colin de la Plante, better known as 'The Mole', who is also present on Pitto's Heist debut with a remix.

The 'Late night studio moves' ep is one of varied styles, where Pitto's inspiration from African music, jazzy and soulful samples becomes evident. He finds his 'funk' in repetition, clever sample combinations and combining electronic and live elements in the most organic way.

'Late night studio moves' finds its basic groove in an African percussive loop. Over the 9:26 minutes, the track slowly adds elements, chopped African chants and piercing synth hits. It's all really dreamy and energetic at the same time, but it is when the bass and main keys kick in, that you really feel the euphoric vibe of the track. The Mole chose to remix this track and he turned it completely upside down, both in vibe and tempo. His version is an atmospheric and mesmerizing downtempo track, where the percussion works in an intoxicating way and bells, birds and chants move in and out of the spotlight.
Pitto's second original track on the ep is the mesmerizing 'Treat me like a fool'. 16th hi-hats, claps on the hats, and a chopped piano loop set the mood here, but it's the vocal that steals the show. A mantra like 'You love me' builds up and breaks down into 'you love me like an angel, but you treat me like a fool'. Each time, the track builds and builds, never quite giving in to a massive drop, but instead, focuses on the stripped back soul that is the heart of the track.

'Jazz kids' evolves around a jazzy bass loop and a set of quirky African percussive elements that you could imagine Henrik Schwarz making if he were in a more leftfield mood. A syncopated synth melody filters in and out throughout the track and a basic kick and hi-hat combo keeps the energy going strong on this on.

We're proud to bring you this deep, dreamy and provocative EP by Pitto and hope you'll enjoy it as much as we do.

Polo & Pan's debut album Caravelle reached the heights of professional recognition by being certified platinum in the international market, gold in France, with three singles exceeding the threshold of gold certification outside of France, consecrating Polo & Pan as the new French Touch ambassadors. Now, our two explorers invite us with Cyclorama to a journey through time, along the steps of human existence. After a year of lockdown introspection, the duo decided to create music that weaves themselves into the backgrounds of our lives. From birth to death and transcendence, Cyclorama offers a colorful score to the "comedy of life" as Celentano sang, this existential theatre that is played-out by every human being.’’ Out everywhere on 6/25.

Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number
333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out to
frame re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them but leading to singular feelings and thought processes. The eect, a combination of static electronic sounds and looser field recordings, speaks to each listener differently.

333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during the Covid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on that project, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set to be released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this time deceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from these three winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusion on the recent Tresor 30 compilation. The sound of Torus places importance on the multi-faceted approach to sampling, pushing the idea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torus releases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that trigger recognition, melancholy and nostalgia in the listener.

3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic eect of standing in front of a strobe until it becomes the anchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool than the disrupted harmonic structures. Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke to him, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is the sound of anticipation, where the rave beckons. This imagined industrial space is calling for you.

After co-producing their triumphant debut album ‘Topical Dancer’ which was heralded as Pitchfork’s Best New Music on release, Soulwax have delivered a remix of Charlotte & Bolis’ fan favourite 'Ceci N’est Pas Un Cliché'. The dynamic track which touches on all of the most cliché lyrics used in pop music has received the club treatment from Soulwax ahead of this summer’s lengthy festival run for the Belgian duo.

Cross-border wiring in the studio for the new RFR release! Russia and Georgia share their musical conscience and deliver a fine split EP for cat. no. 16. RNBWS just recently caused a sensation with new tracks on RFR, and we already know Generali Minerali from his first release for RFR X. So now it’s about to time to melt their creative spirit into a collective EP on vinyl.

Generali Minerali and his army occupy the a-side. “Generation of Mars” is musical terraforming in its purest form. Minimally crafted electro, a shot of acid and well-placed melodic patterns are the main ingredients for a magnificent opener. “Dry Water” sticks with the electro leitmotiv. Compared to the A1 we find a closer reference to the dance floor, meandering scanner sounds and a snare, that keeps slapping constantly. This is how we like it!

On the b-side RNBWS carry on where Generali Minerali and his troops had left the battlefield. “Galaxy” opens the doors to an interplanetary round dance, the place where mind and body join together in the sense of classic electro. “Nothing but Hardcore” needs no further explanation. UK hardcore in its most beautiful garments, which is so characteristic for RNBWS’ tracks. Interwoven by electro elements, who get to the heart of this EP in terms of stringency.

Limited