All Vinyl New Releases - News

Mid-summer, 2021, Waleed quietly released his debut single 'Se Rompen'. The response was anything but, with the track immediately taking hold as a sleeper hit that summer, being played out by the likes of Four Tet, Floating Points, Daphni, DJ Boring, DJ Seinfeld, Tourist and more. With word already spreading, an inclusion in Ben UFO's winter Essential Mix solidified the desire for more from this surprising new producer.

Last month, Waleed announced his signing to City Slang (Caribou, Gold Panda) with a re-release of 'Se Rompen', offering the track on ultra-rare test pressings (50 / sold out already) for the first time.

Today, we announce the pre-order of a white label 12” with “Se Rompen” and his new single “SuenÞos”, limited to 300 units worldwide.

Born in Washington DC to Iraqi/Puerto Rican parents, Waleed works in coding by day. Built around ready-made for the dancefloor kick and chopped vocals, 'Se Rompen' is an ambitious debut that showcases his focus on sound design. Waleed’s meshing of cultures and references gives 'Se Rompen' a unique perspective on dance music. At once melancholic and high energy.

“A beautiful euphoric/melancholy fusion of cut-up vocals, soft electronics and two-step beats.” The Guardian

“Highly refreshing, 'Se Rompen' has a rare immediacy, a feeling that it has always been a part of your life." Clash

Repress

Invisible Menders are back. After a long hibernation, the duo of Jane Fitz and Dom finally release their long-awaited return to Animals On Psychedelics, the Dream Forest EP. Opening track Dārukā is deep trip to the heart of the forest floor. It comes backed with a pure trance remix from good friend SYO (aka S.O.N.S). Also included Weather Obsessives, remixed by in-demand Dutch producer Eversines, who twists the original into break-fuelled bliss.

This is an outstanding release from Badam Music and all involved!

Parisian label Badam music returns with a superb new single from French producer Meda, backed with remixes from Art of Tones.

The release kicks off with the original version of ‘For Love’, an enticing slice of deep and soulful electronic music built around skittering percussion, warm chords and the repeated vocal refrain. The remixes sees production heavyweight Art of Tones take the stage with a deep house mix that really hits the mark. Fifteen plus years of releases on the likes of Local Talk, 20:20 Vision and House of Disco have honed the producer’s skills to a fine craft, and he delivers here in fine fashion. The remix marries old school keys and synths with simple vocal licks to create a truly infectious groove. For those who like things a little more stripped back, Art of Tones provides a classic dub.

Format Recordings present their debut EP, bringing together various artists from across Europe to express their vision for the future.
The four tracks explore different variations of House Music with the aim of becoming dancefloor fillers in the coming months. From the heavy synth lines of ‘Rat Race’, to the rolling bass of ‘Vivavesta’, each track is original and unique in its execution and style.

How about some bright groove fighting the dark winter days? Clark Davis will light up your ears and mind with an energizing interaction of house tunes, funk and techno beats. Together with two remixes by Lucinee and Syntax Error, the Hamburg connection is perfect.

Dam Swindle are back on Heist and coming in hot with a series of 3 releases in 2022 to celebrate a decade of Dam Swindle. The aptly titled ‘Keep on Swindling’ EP’s form a collection of classic DS tracks that have been re-engineered and remixed as well as new material from the Dutch duo. The first EP features two new originals, a stellar rework of ‘The Break Up’ by rising UK jazz star Emma-Jean Thackray and a 2022 mix of their 2014 hit: ‘64 Ways’ featuring Mayer Hawthorne.

The EP kicks off with ‘Body Control’: A fresh DS production that has all the elements in there to become their next club hit. A tight garage groove smothered in congas forms the basis for this track along with its deep repetitive bassline. It’s the musical elements that make this track really stand out though. There’s swinging offbeat synth hits, sample chops, lush pads and vibrant arpeggios building momentum for dancers to lose their sh*t (or their body control) to, every time this track is played.

‘The Break Up’ - originally part of the first release on Heist back in 2013 - has only been remixed once in that same year by Max Graef. The track now gets a full makeover courtesy of the amazingly talented Emma-Jean Thackray, who has been playing the original in her sets for since day one. Her version is loaded with newly recorded parts – vocals and horns included - and gives the original an amazing live jazz twist. This remix gave us some serious goosebumps when we first heard it. It’s in one word: essential!

On the flip, the duo offers a 2022 mix of their track ’64 Ways’ featuring Mayer Hawthorne. ‘64 Ways’ was originally released as part of their album Boxed Out in 2014 and was their first venture into vocal collaborations. None other than Mayer Hawthorne -a serious house-head himself- came over to Amsterdam to record the track and it was an instant hit. Now, with some new engineering done, the guys have dusted off their old project to great effect. The 2022 mix makes this track sound warm, powerful and well rounded, giving new life to this DS classic.

The final track of the EP is ‘All I want’; the second production on this record that sees Dam Swindle deliver a track that has ‘summer festival’ written all over it; synth stabs, diva vocals, acid lines and a huge breakdown included.

The ‘Keep on Swindling’ EP part 1 is the first outing of Dam Swindle in their anniversary year. A year that will be filled with curated events, headline shows, fan specials and most importantly, a lot of new music. As always, enjoy the music and we hope to see you on the dancefloor.

Keep on Swindling!

Yours sincerely,
Maarten & Lars

REPRESSED !!!!!

Gui's fresh hip-swinging Techno goes directly into the interface of experimental Minimal & catchy Tech House.

this is the long-awaited, highly-anticipated debut full-length release from architect, producer, musician and composer, gui boratto, born in sao paulo, brazil. those who have followed his steady stream of 12" singles are already well acquainted with his remarkable ear for coming up with emotive, savvy dance music. whether it be his minimal-techno burners for kompakt's k2 imprint, energetic house for steve bug's audiomatique recordings and plastic city, and of course, there was "like you," the sensational pop-techno anthem that broke him wide open on the international circuit early last year. though he recently began producing under his real name (debuting with a remix for the film city of god), what many don't know about gui boratto is that for over 10 years he has been one of brazil's most in-demand producers having worked with such consecrated artists/bands as pato banton, steel pulse, desiree, manu chao and many, many others. with chromophobia, boratto surpasses all experience and expectation with infinite catchy hooks, lazy synths, romantic vocals, and so many shimmering techno-colors, it'll make your eyes squint in the sunshine. many scribes spoke that last year was the year techno learned how to make a proper artist album. well, boratto very well could be the first to perfect the art with this momentous release. it's easy to coin gui boratto as "varied" and "eclectic," however, gui brings a vast spectrum of influences together with an uncanny sensibility to make arguably the seminal kompakt record filled with all the grace and roar in the world to shake the bottoms of the biggest dance haters out there, and get our fans so excited they'll feel like they're on their fifth caipirinha raving on top of the sugarloaf

The small Ukrainian label PERSUOL is back with a great 4 track EP!

First VA release from Norwegian deep techno label inspired by the seasonal changes of the nordic sun. This is four techno cuts for the body, the mind and the spirit.

Co-founder of Lisiere Collectif, and self-confessed synth geek ardb reveals his alter ego focused on repetitive sounds, trancey motifs and the true rulers of this planet, cats.

These four tunes combine a raw toolkit vibe with the softness of late night ambient excursions and a sense of twisted serenity, all feline qualities inspired by Mitzy the cat, as the two navigated together last year’s pandemic inside a small apartment in Bucharest.

The fourth pressing to arrive from the Romanian imprint feeder sound is titled “Mirror Time EP” and features three intriguing cuts signed by Mihai Dinu aka Bucurie. Well-known in the international scene for his collaborations with Depth Over Distance, Otaku, Stamp Records, Hubble Recordings, Honne Music as well as for his independent releases on Bandcamp, the local DJ and producer brings forward a distinct sound which blends his deepest thoughts and feelings with hypnotic and vibrant microhouse or minimal techno music.

The artwork for this 12’’ was carefully created by Maria Bălan as a part of the label’s ongoing live streaming events which brings together musicians and visual artists in order to connect the two different creative fields, expand beyond their borders and deliver fresh cultural alternatives.

With Dragutesku, Piktor and Oana being the ones that so far contributed to the catalogue, feeder sound stands on solid grounds, enjoying the support of a worldwide movement which can interact with the platform in numerous ways. Bucurie’s productions have been noticed by the team for quite some time now so this record was a natural step to follow after his participation on the podcast series, the exclusive premieres and the EP Review sections, as well as on one of the live streams.

Side A is reserved for “Spacefunk”, a wobbling uplifting journey designed with a solid bassline, steady-paced percussion and eerie ever-evolving background effects. The reverberations and the subtle intertwined textures create a mysterious feeling, like being lost in space and letting the spiralling sounds to guide your path.

On Side B we find “El espacio” rolling with a warm vibration built with a prominent broken beat that elegantly merges with euphoric melodies and bright progressive arrangements while “The call” closes the EP with a driving dubby sound. Here, the atmosphere appears to be dimmer, being lead by delayed notes, subtle maritime chords and spacious breakdowns.

The Romanian producer known as Dirty Culture represents a distinctive, dense, atmospheric sound and a crunchy rhythm section. On the B side is a soft and thoughtful remix from SCSI-9, as well as a dance and experimental remix from the founder and head of "House Dessert Records" - Artem Shpist. In general, the release has an eclectic sounds.

Spanish artists Jay Nortown and Jacobo Saavedra aka JNJS delivering the next installment of MOVIN'. The collaboration of these two talents has produced top releases on many highly respected labels and gained support of industry leading acts. Now they continue with this beautiful 4 track vinyl EP for us."

Early Support from: Priku, Arapu, Traumer, Barac, Archie Hamilton, S.A.M, Janeret, Nu Zau, Direkt, Cosmjn, Tania Vulcano & more

+++ Breaking News +++
Snork Enterprises goes back to the future. For this one-of-a-kind
release we decided to skip a few catalogue numbers and go straight to #1000'. Because nothing less than those four big blocky letters could describe the boldness of this record
containing the most groundbreaking tracks of the 1990s underground techno scene by one of the most snorky and most famous artists:

MR. NEIL LANDSTRUMM.
Quoting him: It's an ep of some of the most influential tracks of the alternative UK techno sound from the 1990s. The UK school of techno was wildly different to the more accepted Detroit techno imports of the time, gnashing its teeth to an altogether more alternative and cracked out beat. The whole point of it was to sound as different and unique as possible. Standing out was the 'thing' then, not the business techno of today.'In the spirit of a time, which was bursting with energy, Snork Enterprises was founded. And
exactly those tracks have had a major impact on the further development of the unique snorky label sound. The following statement by the label owner CHRISTIAN SCHACHTA makes it
crystal clear:
For me this release is highly emotional because it reflects the very roots of Snork Enterprises. Neil was one of the artists who have influenced the sound of the label the most, and especially those four tracks have always belonged to my top favorite ones. As soon as I sensed there was a chance of putting them altogether on one record as a re-release, I could not withhold myself but give it a try and finally and fortunately publish one of the most important Snork Enterprises releases of all times - for the label and for me personally.

Reissue from 1982, Sublime Dutch down tempo disco production. DJ Harvey Classic !

White Vinyl

No description needed, only music!

Zopelar arrives on Tartelet with Charme - an album of effervescent machine funk harking back to a golden era of Brazilian party music, releasing October 21st.

The era of interest for Sao Paulo’s Pedro Zopelar begins in the 1980s in Rio de Janeiro, when a particular phenomenon caught on at suburban parties which became known as Charme. “Charme was like a mix of slow boogie, RnB and new jack swing,” explains Zopelar. “DJ Corello started calling ‘charme’ the moment of the party when he played slow grooves and felt that the people started dancing differently, with sexier synchronized moves. Some years later, charme evolved from an awaited moment of a night to a whole movement of parties just playing that kind of music. On this record I tried to make something that brings this emotional feeling to my music in a modern way.”

Much like the original genre-not-genre he drew inspiration from, Zopelar’s approach across his latest LP spans different moods and tempos. There’s blissful, sultry mystery lingering around ‘Clara’ and ‘Do You Feel?’ while OSAGIE lends some chops to the exquisite, Rompler-powered synth funk of ‘Chain Net’. The lead singles ‘Shibuya’, ‘Charme’ and ‘Passado’ all tap into varying shades of deep house, from slinky City Pop-tinted loungers to peak-time dance pop and Larry Heard-influenced flavours, with the constant being Zopelar’s immaculate production and the unbridled warmth of his compositions.

Continuing the Latin-rooted theme of the album, the artworkconception of Charme was realized by multidisciplinary artist and curator Ode, showcasing a popular style of street paintings made by anonymous artists throughout Latin America. It’s not about graffiti-culture but a popular solution utilized by small restaurants, bars and other establishments to use their own walls for commercial purposes, hiring artists to paint food and drink menus or other information about their products.

With an emotional sincerity stemming from his move to reconnect with the Brazilian dimension of his creative background, Charme arrives as Zopelar’s heartfelt celebration of life and music, of sentimental moments shared and good times enjoyed.

Raw and fresh detroit influenced techno from D&S (AEX, Girada) with a modern breaky remix by Julian Perez (Girada, Rawax, Fathers & Sons). limited, hand stamped, vinyl only

Up next on the label we have some reimaginations of Francesca’s ‘The Inside Out’ mini-LP from last year. Featuring some extra terrestrial funk from Martyné, a deep space acid journey courtesy of Z@P, a breakbeat bassline pumper by Pleasure Club’s very own Bobby. & Mariiin, and last but not least a slick minimal excursion from Harry McCanna aka Henry Hyde.

We know by know that when an idea enters the mind of French producer Moar and he sets off on a mission to the studio that we're in for a real treat. His 45 Loves series has been a staple of DJs who have the knack of turning the night around when the preceding track clears the floor. The DJ's secret weapon arsenal should include a DJ Loves bazooka like 'Rock vs Rap' trust us. Just imagine if Larry Mullen, The Edge and Adam Clayton ditched their mullet wearing frontman and headed across the pond to seek the services of the Def Jam crew to add some quick snap raps to the mix. With Moar behind the boards we have a great example of what that might sound like had that scenario played out. This one hits the spot! On the flip, the Young brothers instant classic riff meets Missy's brassy raps and it's the perfect blend of some hardcore rock with that Missy flow that you simply don't want to miss out on.

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Debut Release From SISmo´s new artist Qasio, Chilean artist Based in Berlin, his release is a mixture of dark,serious and hypnotic sounds, a complete EP with 4 tracks Club Oriented, Including one Remix from OMAR.

After exploring some of the UK’s house music heritage, Late Night Burners’ reissue offshoot Still Burning struck gold closer to home; the Dutch have always been adept at crafting club sounds and Marcel Franke’s contributions are no exceptions.

Between 1992 and 1998 he was moving freely between house, progressive, trance, and techno under various guises leaving behind a trove of serious dancefloor 12-inches. One of these was “Tinnitus” released in 1995 under his single-use alias Timelock, containing four menacing party cuts straddling ravey house and deep techno. The Late Night Burners guys took two of them, had them faithfully remastered for the modern dancefloor from the original DATs, and added two remixes; one by the label bosses themselves and one by Youandewan, who has had the original record in his bag for so long it only seemed fitting to ask him.

The first compilation from the new How High label, featuring some of Tokyo's finest artists! Tokyo-based DJ/producer Ryokei's How High party label has released its first compilation single! The artists on this compilation are Takashi Himeoka, a core member of the Phreak label who releases on Cabaret Recordings and Binarysound, Tokyo based DJ/producer Hisashi, Chatty Chatty Mutants, Riku Sugimoto, who also releases on the H24 label, and label stalwart Ryokei. With a background in tech house, electro and minimal, all of these tracks have the funkiness and precision of dancefloor savvy, but are also
very DJ-friendly. This is the first release from a label that's been around for a long time!

Enshanté! The long overdue comeback of Shan on Running Back won’t disappoint fans new and old. Correctly captioned „Warehouse Vol. 1“, the EP with six tracks isn’t a tribute to the Chicago’s legendary club of the same name (with all respect due and even if that’s almost impossible). Shan’s sixth release for his home town label is rather a nod to all the nameless industrial spaces and places that played and still play a role as shelters and fertile soil for raw and ruff dance music.
More a feeling and a sound aesthetic than a concrete set of rules, you will find ingredients as diverse as breakbeats, rave signals, Italo bass lines, Virgo-esque piano notes (Shifter) and uptempo grooves that all seem to be lifted from an overdriven early nineties mixtape by an unknown DJ: before, during and after the rave.
Especially Abfahrt (German slang for rave) deserves special attention for connoisseurs of proto-jungle Rage house with big stabs and a Reese bass to die for. Works like a charm at any tempo and almost any peak time. Excuse the pun, but please: Join in the Shant!

repressed !

Blue vinyl repress of this Bonzai classic!

After a hugely successful first vinyl run of the superb Bart Skils Remix of Universal Nation, alongside the Original Mix of course, we’re delighted to announce a special Gold Edition repress to celebrate the record achieving gold status. This is a huge achievement, thanks to you, our fans.

The repress will be a limited run and we will also be introducing our newly designed Bonzai branded inner sleeve, so keep your eye on our websites and socials for more info about how you can own this wonderful piece of history.

To honour the creator and musical genius behind Universal Nation, M.I.K.E. / Push will receive a specially commissioned gold record in recognition of all-time sales, which is a testament to his overall contribution to electronic music.

The Aviary launches with Part I of the Scattered Love Story by ROOT

Deep meaningful music from the soul for those in the know , experimenting in deep back-grounded unique frequencies that forges his vision.

4 beautifully unique crafted tracks that tell their own story, creating a whole state of resonance through precise elements and sound generators ensuring an astral trip to the mood, taking influences from a wide range of music styles and genres.

A new compilation titled Erased Tapes _+ù_¦ö, encompassing a two hour cross-section of the label"s 15-year history including hidden gems and previously unreleased material, will be available on November 4 to coincide with specially curated festivals in London and Berlin. The first offering comes from UK producer Kevin Richard Martin aka The Bug and Japanese voice artist Hatis Noit who share their paranormal first collaborative cut After the Storm amongst other unique pairings such as The Art Ensemble of Chicago featuring Moor Mother, Bell Orchestre interpreted by Colin Stetson, Douglas Dare joined by The London Contemporary Orchestra and Ben Lukas Boysen remixed by Kiasmos. Premiered exclusively via The Wire magazine in form of a free download ahead of their debut live performance at Le Guess Who? Festival 2019 in Utrecht, the track is now finally made available on vinyl and streaming platforms alongside other previously unreleased pieces from electronic producer Ryan Lee West aka Rival Consoles and Icelandic composer Högni. "As a solo vocalist and voice artist, I"d always dreamed of floating and being drowned in a beautiful sonic storm. And then I met Kevin Martin" - Hatis Noit The artwork is composed of the Japanese kanji for "15" - calligraphed by label founder Robert Raths and designed by Munich-based artist Bernd Kuchenbeiser.

Toratoratora sublabel begins with three tracks from artists Colin Zyskowski(People Mover-Tora), Butane (Alphahouse) and Germany's Holger Flinsch

“After doing three solo albums, the challenge of interpreting Eric Satie’s music seemed challenging, appealing and also like a good way of finding new angles and flavours in my own music.
What struck me while digging deeper in his catalogue was how modern and progressive he still appears, beside the soothing and calming mellowness that I think we all associate his music with, I found very brave, sometimes stubborn minimalism and besides the blue harmonies that we now associate with jazz, I found really salty, almost cluster-like colours that must have been extremely challenging for the end of 19th century ears.
I humbly thank Satie for letting me borrow his music for a while (he didn’t have a say though), giving me both the meditative peace I hope you will also experience while listening and, like in the Nocturne, challenging my ears and fingers to reach new territories.” – Martin Hederos

Sixteen musical vignettes of electrifying emotion at the crossroads of ambient, modern synthesizer productions and organic orchestral music experimentation, which tint French director Jacques Audiard's new feature film with the illuminated glow of a whole new generation.

Textextext - (add your write up)

When Jacques Audiard contacted him, Rone was just a few weeks away from receiving the Cesar award for best film score for his very first soundtrack "Night Ride", the highest honor in French film for a composer.

Throughout his career, the French director has been able to surprise his audience by playing on the codes of "genre films", while remaining faithful to the aesthetics of "art film". His cinema is both profound and entertaining, sophisticated and accessible, dark and dreamlike.

"Jacques' cinema is physical, sensual, modern", Rone says about the director, "when he asked me to do the music for Paris, 13th District , I immediately accepted, without seeing any images or reading the script. He is simply one of the greatest contemporary filmmakers."

His new feature film deals with youth in general and their sexuality in particular in a way no one may have done before. The story is based on four young characters and their existential questionings, whose destinies intertwined against the backdrop of the Parisian "Olympiades" high rises in the 13th arrondissement.

But time was already running out, as the film was set to be nominated for *Cannes' Palm D'or* at the rescheduled edition of the festival in July 2021. Between the releases of "Rone & Friends" and his remixes for Agnes Obel, Go Go Penguin and Jehnny Beth (who also plays a role in the film), the producer decided to lock himself away in in his brand-new Isola Studio in Cancale, French Brittany. He also invested in a large screen on which he projected loops of the film and started manipulating his gear. "I had Miles Davis in mind and the way he composed "Ascenseur pour l'échafaud" by improvising with his band while watching excerpts from the film."

After a first conclusive test on three scenes of the film which allowed Rone to showcase the skills he had developed in composition in various musical fields, a relationship of trust developed between the musician and the director, which resulted in over 45 minutes of Rone's music used for the final cut.

"There was a lot of music to be made in a short time, but the talks with Jacques were very stimulating. He had a fairly precise idea of what he wanted, while at the same time, I think, having the desire to be surprised, or even a little shaken up."

If the black and white aesthetic recalls the great hours of the "Nouvelle Vague", Rone´s music gives a new layer to the film which fits resolutely with 2020's zeitgeist.

This second soundtrack by Rone is a sonic urban adventure in itself. As it is used in the film, colouring in the lives of Audiard's protagonists, it will have the same impact on us, the listeners, in our own everyday lives.

A collection to celebrate the label’s 20 years in the business of releasing timeless techno and house tracks from the crème de la Crème of the artist roster.

“We like our bike, it is made for 3. Our Mike sits on the back you see. We like our Mike and this is why, Mike does all the work when the hills get high.”

Timeless words from the great Dr. Seuss, and in considering the 20 year history of Mike Shannon's Cynosure label, there could be no truer sentiment. From it's humble beginnings in a sleepy Canadian town formerly known as New Berlin (Kitchener, Ontario) to it's current home in Berlin proper, the label has grown to become a nurturing launch pad for artists from around the globe, and one of the most dependable and consistent providers for those in search of deep minimal funk of the house and techno persuasion. Much like Shannon himself, each and every release in the label's now vast catalog reveals itself with unhurried, confident class, and always with a wink and a wry smile.

In celebration of the label's 20th anniversary, Shannon has amassed another peerless collection of tracks from his nearest and dearest which, much like every banger in the back catalog, are certain to become permanent fixtures in record bags of DJs with an ear for taking dance floors straight down the rabbit hole for many years to come.

Featuring contributions from fellow Canadians Mathew Jonson, The Mole, and Deadbeat, Shannon's frequent collaborator Dewalta, and American legends Ryan Crosson and Brett Johnson to name but a few, Cynosure 20 is a testament to Shannon's stalwart commitment to the music he loves, and the incredibly talented group of merry pranksters he's brought along with him for what, it's safe to say has been one hell of a journey... may it continue for many years to come.

It’s been a time of poignant reflections and landmark moments for Spearhead bossman Steve Jefroy. Last year marked 20 years of his BCee alias while just last month he re-linked with Kubiks, the artist he launched his first ever label with and started this journey on.

Now time for another significant moment as the label unleashes its 200th Spearhead release. And BCee has the honours of curating it. Say hello to ‘TSC’.

The meaning of this triple-initial title will remain shrouded in secrecy for now. What matters is the music as BCee goes back to his roots and lays down four sublime sessions just in time for the summer. Taking a break from his signature vocal collaborations, ‘TSC’ is all about foundation flexing as he rolls out with the samples and digs deep on the vibes.

Timeless elevation music and tailored for deep mix pleasure, each cut sparkles with that dusty sun-kissed soul so many of us fell in love with drum & bass through. From the gentle ebbs and flows and hazy horn toots of the opener ‘TSC’ to the space funk flurries of the finale ‘If I Had To Die For Someone’, the whole EP rumbles and rolls with a classic funk flare that BCee first made his name with… Setting us up for another 200 Spearhead releases in the process.

Now who can guess what TSC stands for?

MixCult presents LO-FI sublabel CRYSTAL MUD focused on limited edition lathe cut 7" & 10" discs.
Dub Techno Music in Dubplate Culture. Highly Exclusive.

Third EP from Raar on his own label, it features his signature dreamy techno. From the brain melting percussions and vocal of A1 to the more experimental breakbeat rhythms and modular rumbles of the B2. Four tracks that will fit any deep and emotive moment on the dance floor.

Remora, an alias of Maroje T, one of the main forces in New York Electro, returns to Kraftjerkz with raw, distorted drums, deep filters, and a profound mood adapted to the dance floor.

The 7th EP from Uruguayan Phonotheque Recordings by Z@P.

The latest Still Hot release comes from label boss Benny Grauer himself. The release is called "Move On" and contains 3 original tracks and a great Gorge remix.

The two originals "Move On" and "Harmonic Resonance" are groovy deep house tunes, carried by stabs and chords and a deep bassline. As a DJ, Benny Grauer likes to play Detroit and Dub-Techno, which also influences his productions.

Gorge has produced many very successful tracks in the last month. He gave Harmonic Resonance his own melodic style.

Friends of the black gold can already look forward to the deep and dub-influenced track Interference.

Ecstatic Northern techno from Evigt Morker! Restless with giddy excitement and fidgeting through candescent swells, Evigt Morker's latest EP deploys a familiar, playful edge to degrees that were only hinted at in previous excursions. Ecstatic polyrhythms compound the wealth of fizzy details into prudent club missions with a bright yet rugged edge. Quality stuff!